#really makes for the most interesting analysis of the series and its characters

[electraslight]

heyo, its been a long time since i did an analysis!! this time on a more controversial subject: Rook Blonko. And how I think he was robbed.

When you actually look at the way Rook is written in omniverse, they dont give him very much to work with. like revvonaganders and their culture are cool, but rook feels so underdeveloped as a person outside of his culture. hes kind of a gwen in a way; hes got bare minimum flaws but he's treated like hes in the right when hes doing something actually flawed. hes never condemned for treating ben the way he does and he doesnt even have a consistent arc. he doesnt feel like a teenager, he doesnt feel like he has any sort of character progression, hes just kinda there, and his lack of depth in character-to-character situations is only amplified by the lack of holding him accountable for negative traits he possesses, instead punishing ben or ignoring the behavior. Instead of writing a scenario where Rook is in the right and ben is in the wrong, or showing rook behaving poorly and have him learn from his actions, i can hardly think of a time where rook was shown to be wrong for his treatment of ben.

For example in a scenario where Ben is keeping personal information from Ben, and rook wants to know it for the sake of their partnership, instead of portraying Ben in the wrong properly by showing his keeping of said information being harmful to the public or his friendship to rook, or have the information be personally important to rook making Ben's keeping of it harmful, instead rook has scoured Ben's file for all information and is asking about something that is of no matter to him entirely because he doesn't know it. He pesters Ben incessantly even when Ben has told him firmly no. Tjis is a recurring issue, where it seems like the story wants rook to be right but is ignoring context and the way he goes about it.

This would be an aggravating issue but ignorable if rook had anything resembling a consistent arc, but he doesn't. the conflict of rook idolizing ben and meeting him and realizing hes not what rook thought he was is interesting, but its always treated as if bens in the wrong for not living up to rooks expectations. rook overstepping his boundaries with ben due to being a huge fan and maybe cultural differences is interesting, but its never portrayed as a flaw on rooks end, more like bens fault for keeping the information. his struggle with his culture and staying connected with it, his conflict with his father about his career path, his relationships to his siblings, him slowly watching revvonah be plundered for its resources as the series goes on, i love that, thats genuinely interesting. but they never talk about it outside of those episodes. rook is in the wrong often and it brings up a lot of interesting questions about him as a person, but they dont talk about that in favor of treating him as bens babysitter, or setting up a joke where ben is the punchline.

It's disappointing to me that rook was never given the attention he deserved. Like i said, there's a lot of good stuff in his framework that's just begging to be explored, but his lack of an arc makes him feel so one note after a while and really dampens his relationship with ben. Since rook is not a character on the same level as ben, he feels less like an equal like they tried to illustrate and more of a plot device. They even threw away the most interesting conflict between ben and rook; rook being book smart and ben being street smart, experience over training. Ben and Rook hardly ever have issues based on this other than rook misunderstanding a joke. This is why rook and ben feel like such a flat relationship to me.

all of this to say: rook fans. Please, for the love of god, work your magic. He's got all the pieces there, and i am certain you can do something special in fanworks about him. Don't let the show being lackluster hold you down.

[royaltea000]

God I love how ya draw my gal best girl liech she looks so amazing and wonderful thank u and im sorry it took this long to compliment ya for it

(and she doesnt have a canon name but i like elise vogel the most out of the ones hima offered and that make sense)

Oh my gosh thank you so much!! Sorry it took a while to upload cuz I just straight up BURIED her under so many wips 😭 she’s free now 🕊️ and yeah I think Elise Vogel is a good name - it may be fairly new I think? I remember in the old days everyone mostly called her Lilli Zwingli or some variation of that but it makes sense that she would have a different name as they’re not directly related

[biocrafthero]

"I'd rather have you than three meals a day.": a thematic analysis

In February of 2024, a comic sprung up created by tumblr user Diesel (username rontra) based off of the Persona series. This comic, known under the title of "I'd rather have you than three meals a day." (which I will refer to as "failteacher yuri" for short), follows the story of two characters from the series: Isako Toriumi from Persona 3 and Sadayo Kawakami from Persona 5. These two characters find themselves entangled in each others' lives by complete happenstance, the comedic framing slowly revealing its fangs of intrigue and drama as more and more of both of their pasts come to light. Today, we will be discussing how the author explores themes of self-acceptance and facing one's past.

A small foreword...

As of the time I'm writing this, there are currently only 19 updates out so far of failteacher yuri, with a 20th on the way. I tried not to rush this analysis, but I also got really excited to write it! And also it's 4am!! So if I missed anything I am so so sorry...!!!

Next, I will be partially referring to characters in accordance with this chart, since this is important to the themes of the self in my opinion. Sometimes I don't specify. Bear with me a little please...

The True Self

There is the obvious point to start with, which is Toriumi accepting the fact that she is a lesbian. This is our beginning conflict in the story—quite literally in the very first page of the series—and it is the spark from which this story begins. As the story progresses, she grows more and more comfortable with her sexuality, trying more and more things with Becky.

The opening to #10 puts it quite well:

Toriumi is simply known by that when at work, a formal and polite guise. With her friends online, she's known under her username Y'ko. When fully alone, she is simply Isako. We meet her in the reverse order of this, knowing her first in a causal setting and graduating into higher grades of formality.

On Kawakami's side of things, we see that the idea of the persona is much more literal in the character of Becky. In a way, we meet her in the opposite way we need Isako, the difference between wearing the mask and having nothing to hide behind.

When she isn't under the guise of Becky and known formally at work as Kawakami, we simply are left with Sadayo. We meet her in this order, knowing her first with the mask on, watching it slowly slip as we begin to know more about her personal life.

These lines are neatly drawn for us and the characters at the start, the divide between these social masks cleanly cut. However, as time goes on and the relationship between the two deepen to new depths, the idea of the mask begins to mix with the true self, most notably in Kawakami's arc. As put nicely in #18...

Comparisons to the Satoshi Kon film Perfect Blue have already been made by others, and even though failteacher yuri is noticeably different from the psychological horror story that the film covers, there are those elements of self-identity and the "real you" that make the comparison extremely interesting.

In the comic, it begins to grow increasingly more unclear for our characters which persona they're exactly speaking to in the moment—which words are intended for which mask, both to leave the lips of and fall upon the ears of. Which "you" is the "real you" if they all begin to feel the same—if the lines begin to blur?

The Burden of our Histories

Kawakami is the clear example of the two to start this section out with. The main thing Kawakami is hiding from Toriumi has to do with why she needs all of the money she scrambles for in the first place, which is revealed to us in #17.

Kawakami has a secret to keep, and it's that she has been sending money to a former student's family, the student's name being Taiki. While in the comic it is unclear what may have happened to him, the usage of the word "forgive" implies that he had died, and that incident is either related to or has been blamed on Kawakami somehow.

The family demands money from her, more than her normal teacher's salary could possibly provide, so she turned to working at Victoria in order to make payments on time. With the tolls going up, though, who knows how long she can keep destroying herself...

But, of course, this isn't her only secret that she's kept. In #11, it's revealed that she took the Kanken at Level 1, the highest possible, and consequently the most difficult of all. At first, it's presented like it's an incredible feat, but this perception is shifted by Kawakami's own, believing it to have been something useless for the direction her life ended up going in.

The narration and informative boxes even begin to bend to the character's thoughts, becoming more and more unclear if the information the black boxes give in this update are objective or subjective, blurring the lines.

As much as Toriumi tries to hype up Kawakami and her accomplishments, the latter will simply never be able to see beyond her own self-perception.

Something that I also want to point out is how failteacher yuri utilizes onomatopoeia, creating a sense of pressure on our characters. It's almost comparable to the manga The Summer Hikaru Died, in which onomatopoeia is used to either create or alleviate tension in a scene, the sounds of the environments becoming almost deafening. The specific update from failteacher yuri I want to point towards is #18, which uses the sound of the rain in the background to create a barrier between Kawakami and Toriumi, with a side-by-side with a more recent update of The Summer Hikaru Died:

Kawakami isn't the only one keeping secrets, though. Toriumi, while much more subtle about it, is keeping a key part of her past hidden up her sleeve, and this has to do with the moon. Blink and you miss it, only overtly pointed out in update #13 and then much more quietly in #19, she continuously shows aversion to the moon, specifically the full one.

It's not like Kawakami hasn't caught on, either! During a small scene with Becky talking towards the audience at the start of #15 (the nefarious Becky is known to break the 4th wall), if you look closely, you can see that one of her notes reads "Scared of moon." I haven't played Persona 3 yet, so I can't give any fun lore insights, but what I do know is that the moon in that game is important and that Toriumi likely witnessed something she shouldn't have.

Additionally, there is also all of the stuff involving "A," which heavily has to do with Toriumi's arc of self-acceptance. Likely, something may have happened to "A" outside of Toriumi's control, and thus giving her a lot of complicated feelings about the subject. I personally don't expect a clear answer for what happened to "A," but it's still important to bring up.

Both parties are taking notice of where the other lets a part of their history slip, but neither have enough on them to be able to bring it up reasonably and not sound like they're taking crazy. Although, an inevitable tipping point is bound to be reached, especially with both of their troubles growing and growing. Something is bound to give.

How it comes together, in simple words...

Both Toriumi and Kawakami are dealing with very similar struggles, but they fight themselves tooth and nail on two different fronts, creating miscommunications and conflict between the two of them (and in some cases, outright lying). They are trying to navigate their increasingly dire presents all while their pasts haunt them, figuring things out and what they truly want from both themselves and each orher. What they want may not exactly be what they need, either, leading to further internal and external conflicts.

#13 succinctly states the ideas presented in the whole story so far, along with an amazing visual to boot:

(I can't fit it here, but I highly encourage checking out the tarot meanings from #13 as well, which are linked at the end up the update, which you can view here.)

To put it simply, to lie to yourself and to others means to sacrifice, from relationships to self-perception. The only way to break free is to let go, to be your true self and to accept and face your past. The only way out is through.

[moghedien]

obviously there are a bunch of issues with the MCU and I'm not gonna sit here and try to convince everyone that MCU movies are cinema or whatever so don't get what I'm gonna say twisted. I do find their kinda mainstay in cultural media and the dominance they had to be interesting, especially now in an era where the MCU is undeniably falling off and struggling. just as like a cultural analysis I find that interesting and everyone has their opinions of why it happened.

my opinion/theory on why the MCU just crashed is because they sort of forgot what it means to be telling a comic book story, especially a marvel comic book story. Because I've read thousands of issues of various marvel series at this point, across tons of different eras and events, and the thing that makes them last (which is also a thing that drives me personally crazy and I hate so much) is that the status quo doesn't really change. Or when it does, it lasts for a few arcs or years at most and then gets reverted back to the norm eventually. Like the fact that everything is pointless and nothing is a risk is something I loathe, but it is admittedly what keeps them going. If someone just got into comics, they can pick up a modern issue and expect to find Spider-man or Captain America or whoever. They may be introduced to new characters, but the big ones will show up eventually.

And after the last Avengers movie, like half of the mainstay cast are just gone. Which as someone who likes good stories, I think is a good opportunity (which is arguably being wasted but idk I haven't watched any MCU thing in years) to actually shake things up and develop characters that mainstream people are less familiar with and give them a chance to shine and tell interesting stories. But that's not why people like marvel comics.

People like marvel comics because if they want to read about Iron Man, they can pick up any random issue about Iron Man and it will most likely be the Iron Man they know. People like the status quo, and Marvel has never been high literature and has always basically been pulp storytelling, and it gave people status quo and familiarity. And I think Marvel Studios figured this out waaayyy too late.

Because if Marvel actually understood what people like about the comics, they would have embraced recasting major roles from the start. They wouldn't have tied characters' identities so strongly to their actors and would have made it clear that characters can and will continue on with different faces. There is no reason why Tony Stark needs to be RDJ or Steve Rogers needs to be Chris Evans. They would have had plans to not write these characters out of existance the second actors wanted to exit or died or were fired or any of the various reason why actors are no longer involved with the MCU. Hell they had precedent. They didn't have a problem replacing Terrence Howard with Don Cheadle, who are very different looking people who give very different performances, but we know why they felt ok with that recasting but won't recast any of their boys named Chris...

Anyway it seems like they realized that general audiences don't actually like change if its permanent and are learning the wrong lessons with the Doom casting nonsense and the fact that they seem to keep changing what the new story is to fit what they think audiences want.

I'm fine with the MCU dying off and its probably better for media that it does, but again I'm just kinda interested in the fumble from like an objective standpoint because it seemed like they just locked themselves into eventual failure in such a stupid way. Like they could have told the same safe representative Avengers storylines for decades and wouldn't have a meltdown every time an actor in a major role needed to be removed from production if they just accepted that people would be recast as needed. It would be worse for actors and it would be worse for movies in general probably, but it would have kept the MCU churning out pulp like the comics do to this day. But now people are realizing its not just pulp but pulp they don't want and its gonna kill the MCU eventually.

[a-collection-of-cool-ideas]

Thank you wonderful fanfiction authors! You do a great part to make life wonderful. Recs below the cut (I CANNOT believe I haven't rec'ed some of these before!) Previous recs: 2018, 2020, 2022. Looks like I only do these every two years lol.

Gravity Falls

Feels Like We Only Go Backwards, by @dubsdeedubs / WDW; complete multichapter. A heartbreaking concept with a happy ending. Sad but wonderful and a really fun idea. Working out just what is happening is a great challenge, and watching the pieces fall into place with mounting consternation is awesome.

In Search of Antidotes, by @astriiformes / azhdarchidaen; complete multichapter. An awesome Historical AU, and neither Ford nor Stan go through the portal (there’s still suffering though). Bit of freakiness, bit of funniness, bit of stubbornness, bit of coolness. A very cool read! A much more classic demon-possession story than canon with its modern sci-fi overtones. The gothic sci-fi horror takes the floor here. Jekyll and Hyde, Frankenstein, Dracula, it takes inspiration from all the best roots!

Just a Game, by @nikxation / nikxation; one-shot. Intense! High stakes! Well-written! Doesn’t mess around getting to the point, and hammers its beats into you! LOVE it! Bill holds a gun on Ford, while in Ford's own body. The tension in this is unbelievable!

An Outreached Hand, by @dubsdeedubs / WDW; incomplete multichapter. Something freakishly supernatural happened to Stan during his homeless days. It’s called Ghost Trick AU, and it’s super interesting and utterly engaging! It’ll have you tearing through it wanting to know what the heck is going on! The characters are all so intense in their own ways, and the plot is drip fed to you piece by delicious piece.

Snapshots from an Alternate Reality, by Rethira; one-shot. PORTAL STAN!! Just a short little one-shot about this alternate version of events, but incredibly cool to read. Love the writing style: it takes you through the scenes like a skipping stone, its wake mesmerising.

All Things Go, by @cantica10 / Cantica10; incomplete multichapter. A weird (in the best way) idea of a crossover between Timestuck AU (where Mabel is trapped in the past) and a Wings AU (where, you guessed it, everyone has wings). Adorable Stan and Mabel bonding, but is SO not afraid to get really dark. That being said, it’s also so sweet and fluffy, and explores the effortless love that Mabel feels for Stan, and that (broken, scared, young, sad) Stan feels for her. This is one of those fics I am compelled to keep coming back to. It’s such a full experience to read.

Snow and Pine, by @ancientstone / TheArchaeologist; incomplete series. A great concept!! Loved the idea of these two brothers being forced together by circumstances instead of intention. Some great selective description here, and the plot itself is a very fun ride. WERE. WOLF. STAN. Need I say more?

Lighthouse Keeper, by @impishnature / impish_nature; incomplete series. There’s a lot to this story; the main work is mostly a series of one-shots, with other works sprinkled between. The idea is so eerie and haunting, and the vibes are pretty different to most other things I’ve read. The instigating artwork by @sightkeeper is magnificent and Imp has managed to capture the images very well!

Triptych, by @scribefindegil / scribefindegil; one-shot. A very cool character study on Stan. Great for informing his central motivations. It's kept short and sweet, but the analysis is no less thorough for it. I loved the insight into my favourite character's life and mind. Scribe writes him so well.

Blind Faith, by pinesinthewoods; complete multichapter. Come on, how could I NOT mention this one? It's one of the many here I'm astonished not to have rec'ed earlier. Super dark, super scary, an AU where both Stan and Ford fall into the portal. Ouch, but cool. Really good, but be prepared to yell out loud in horror. This is a doozy, don’t expect a lot of happy feels going into it. That being said, it is INCREDIBLE. The structure of the story is fantastic, perfectly encapsulating the reliance each of the brothers’ needs to have on the other and how one has to step up when the other can’t. Stan and Ford are forcibly tied together in this, and they find they each mean more to the other than expected after ten years of bitterness and radio silence. A STAPLE of Gravity Falls fics.

Like They Were a Perfect Fit, by @sensitiveowl / hapful; one-shot. Aw, ow, cries. Love! Lots of tangled-up emotions and scenes that will tug at your heartstrings thinking about Ford’s life journey. Speculations on the importance of the photo that Ford is implied to have carried around with him for 30 damn years.

30 Seconds Later, by @invisibletinkerer / shayera; incomplete multichapter. Loved this to death! A really great concept executed fantastically. An AU where while it took Stan thirty years to rebuild the portal, Ford was only gone for thirty seconds. The characterisation of paranoid Ford and his interactions with the rest of his family are perfect, as is his reaction to finding himself in the future and his relationship to Stan. And Stan is wonderful in this too! A very good examination of age, aging, and the associated changes in perspective.

1 Step Forward, 20 Years Back, by @infriga / Ppleater; complete multichapter. An AU where Stan is turned into a kid in the midst of Ford’s pre-portal paranoia over Bill. It adopts the wonder and innocence that comes with youth, but still retains the darkness of Stan’s adulthood - wait, actually, his entire life has been kinda dark in this fic. This is one of those fics you can tell the author had a lot of fun with. It’s palpable in the chapter titles and the art :) The illustrations are beautiful, the story is heartfelt, and it is not at all afraid to go into some dark places. A very enjoyable, loveable, read!

The Road in Front of You, by @nicnacsnonsense / Nicnac; complete multichapter. Ford falls through a portal potty and gets dumped in Stan's path. MAN!!! This fic has a really great concept, and Nicnac’s writing is impeccable as always. A great look at Ford and Stan’s relationship post-high school, how their personalities have developed and changed, and most importantly how they reconcile the changes in each other.

Nothing a Little Sleep Can’t Fix, by AkitaFallow; one-shot. Oh MAN. WOW. Okay. A heavier look on the mark Sock Opera leaves on Dipper, featuring repercussions throughout the rest of Dipper’s summer. Absolutely, heartbreakingly, entrancing. The slow build up of the plot perfectly mimics the rising emotions that poor Dipper is struggling to keep a lid on until they inevitably explode, and watching the people who love him pick up his pieces afterwards is just golden.

Ad Infinitum, by @nicnacsnonsense / Nicnac; one-shot. My first read of the Same Coin Theory and it was awesooooooooome!!! There are so many repetitions of phrases that spark in my mind because of how great they were, and the aspects of Stan contrasted with Bill that thread through it are incredible. Kind of an unsettling concept. I couldn’t get enough. For a fic that’s all about cycling around, you'd think it'd get repetitive, but every paragraph is rich with novelty. A FEAST.

Some Sunny Day, by @anistarrose / anistarrose; complete multichapter. Another Same Coin Theory fic. The beats of the plot in this are stunning, with some truly awesome lines that left me reeling and thinking Oh SHIT that did NOT just happen!!! In the best way possible. A highly interesting story and some excellent takes on the Pines family and the world of Gravity Falls.

Towards the Sun, by @notthistimespock and pinesinthewoods; complete multichapter. EXTREME BROTHERLY FEELS. Incredible! Love the in-depth examination and speculation on Ford and Stan prefinale. A different ending for Weirdmageddon, following Ford’s journey through Stan’s mind. It gets sad, it gets scary, it gets freaky, you shed tears. Another one of those staple fics for the fandom. The story is a wild and heartrending adventure, full of imagery that stuck in my brain for years after the first time I read it.

Fisherman’s Knot, by @scribefindegil / scribefindegil; complete multichapter. MORE EXTREME BROTHERLY FEELS. Deals with postcanon adventures on the Stan’O’War II, including some reeeaaaally bad mental states/situations. Have tissues handy. I think this is generally regarded as the be-all-and-end-all of Stan twin angst. It is long, it is HEAVY, but it is also heartwarming and hopeful, and full of adventure and magic, and the kind of love it's made with really comes through.

Mob Boss Stan Pines, by Capricious_Passions; complete multichapter. A fic that you HAVE to read over again to get the complete picture. Complex and well-thought out, incredible attention to detail, but the first read will baffle you! A lot of fun trying to figure out what’s happening, and even more fun on the re-read picking up all the details you missed the first time!

Scrapbook, by Shyeye; complete multichapter. The complicated weight of grief hangs heavy over everyone in the story, and the difficulties in dealing with it are at the forefront of everyone’s minds. The depth each of these characters are written with is very much appreciated, not-so-pretty parts and all. This was a wonderful, touching, read.

Rescind, Reset, by @endae / endae; one-shot. Canon divergence where Mabel temporarily lost her life during Weirdmageddon, and the aftereffects on her and the rest of the family. It is one of the most beautiful things I’ve read, very emotionally raw. I cry every time. This incredible story is wrought with a filter of broken hearts being pieced back together as the characters live through the aftermath of their happy ending. It’s a shining, nuanced take on Mabel and how someone with her personality deals with the plot premise. I love the complexity of the emotions in this, not only from Mabel but also from the rest of the Pines as they work through their own traumas.

Safe as Houses, by @beastenraged / Beastrage; complete multichapter. If I could whistle I would! An entrancing read about the Pines family’s adventures from the perspective of their home. Some great and not too far-fetched ideas about how the Shack may have come across to its inhabitants over the years.

Greyscale, by @impishnature / impish_nature; one-shot. OH MY LORD. Incredibly touching and heartbreaking, I can’t look at this directly for fear of being emotionally blinded. Loss, and gain, and loss. Striking, powerful, so, so beautiful and painful. The aftermath of Weirdmageddon: another canon divergence where Stan lost his life. Except... Reverse Portal AU Stan stumbles across this sad dimension soon after. I swear, no fic has made me cry so hard and left me so much in shock of what the heck just happened to me. I love the look at how loss has affected the characters, and I especially love the path to recovery that is laid out for them.

Buying Gold, by @dubsdeedubs / WDW; incomplete series. Veeeery intriguing. It’s not really Same Coin Theory, but it’s a great read about the similarities between Stan and Bill and some cool speculation on Stan post-defeating Bill.

Any Family You Choose, by @nicnacsnonsense / Nicnac; incomplete multichapter. So sweet! Portal Dipper finds a young Stan Pines and decides to help him out. This concept is so wonderful, and the characterisation is blindingly clear. Keeps you guessing at the backstory!

Across the Universe, by Queen_Mab; one-shot. SUCH a great set of adventures. The multiverse really tries to hammer in its lessons sometimes, whether they stand a chance of sticking or not. Extremely well-written and fun, I devoured every word ravenously. Some scenes of Ford's portal time, with some VERY interesting encounters.

Star Wars

Anything Brighter than Even the Sun, by @hamliet / Hamliet; complete multichapter. The Rogue One crew survives and continues rebelling, as does Galen! The main focus is on Jyn and Cassian's characters and relationship, and how they navigate growing into a family. I love Jyn's character especially in this, with all those hard edges guarding a deep, deep well of passion.

Chirality, by @niobiumao3 / Niobium; complete multichapter. A Tech was CX-2 fic! It's great to see this fan theory explored, and Niobium writes so well! The plot is entrancing and has you hooked on the edge of your seat waiting for all the pieces to fall into place for our poor brainwashed guy. The way CX-2 thinks and melds with the personality of who Tech once was is beautiful and his interactions with his family and Phee are a sight to behold.

Crash Landing by @returnofahsoka / delightwrites; complete multichapter. Another Tech is CX-2 fic, can you tell this idea has a hold of me. The characters' voices in this come through SO clearly, it's insane, and the writing style is perfection. Jumbled and pained and confused and grieving, all threaded through with that little bit of hope. Wonderful.

I'll Keep You Safe (You Keep Me Strong), by @miadeardn / sheikahs; oneshot. An AU where Crosshair's chip never activates and he is as embroiled in adjusting to being on the run with a new little sister as the rest of the Batch. Just a sweet little moment between the two. Both of them are written very in-character, and it's great seeing a side of Crosshair that never came to regard his brothers as his enemies.

Talking in Defence, by @buskuta / buskuta; oneshot. An awesome look at all of Hunter's complicated feelings regarding Omega and Crosshair's relationship post-Tantiss. He's not a paragon of perfection, he's human. I can't emphasise enough how much I love this and how well he's written here.

Unyielding, by Face_of_Poe; complete multichapter. The scene immediately post-reunion between Omega, Hunter, and Wrecker, with some speculation on Crosshair's internal strife at that moment. There's a chapter for each of the remaining Batch and Wrecker's is EXCEEDINGLY well-written in my opinion. We don't get nearly enough exploration in canon or fanon about the depth of his thoughts and feelings.

Plan 100, by Face_of_Poe; complete multichapter. An awesome canon-divergence speculating on Omega and Crosshair's escape from Tantiss. The action is great, the strategy and coded communication is so sharp, and the feeling of desperation as Omega and Crosshair fight to evade recapture is fantastically taut. I especially love the small moments in this showing just how close these two have grown, and, in Crosshair's case, how little he's realised it happening. It feels very true to their characters.

Through Darkness Unknown, by @stardustandash / StardustAndAsh; complete multichapter. Holy shit the stakes are so high in this. A Tech Lives canon divergence of Omega and Crosshair's stay in Tantiss, and you can really FEEL just how helpless they all are to Hemlock's control. I absolutely love how this fic does not pull its punches, really forcing Crosshair and Omega into relying heavily on each other. There's so many great scenes in this that are seared into my brain!!

Ask Yourself, by StoneSage; complete multichapter. Omega is captured by the Empire while Crosshair's still working for them. I freaking love the complicated messiness of Crosshair's response to this- he's constantly challenged to act on the callous persona he projects, and constantly comes up short realising what he's actually willing to do to his family when it comes down to it. Very true to his character, and the quandaries Rampart presents him with a subtly terrifying. A fantastic examination of character and a great plot to go with it.

The Space in Between, by Misvet; incomplete multichapter. A series of stories focusing on the complications and dangers involved with Omega joining the Bad Batch. The writing style is great, the plots are great, the characters are great! It's all great! Just read it!

Maybe Fate Has Different Plans, by hanged_albatross; complete series. God I love this so much. Some incredibly touching and well-written moments of the Bad Batch protecting each other in a dangerous galaxy, with Omega, of course, at the centre. She is characterised so well in this, and constantly written with the idea of despite being so young, she is also no less protective of her brothers than they are of her.

Modern Batch, by kaydear; incomplete series. DUUUUDES just read this. It's such a sweet collection of stories about an alternate universe of the Bad Batch in a contemporary setting. Life is tough and complicated and full of pain, but also there are others right beside you to lean on when you need it, and so life is also full of love. I have cried multiple times while reading and re-reading this.

Skulduggery Pleasant

I Will Lay Me Down, by mcginnis; oneshot. This is perfection. A rewrite of the aftermath of the Lord Vile reveal in Death Bringer. I wish this was canon. Valkyrie and Skulduggery are PERFECTLY characterised in this scene, and the nitty-gritty of how they're both feeling is thoroughly explored and explained, and the tone of the story never once diverges from canon's- it is complicated, dark, and interspersed with ridiculous levity.

Pride and Prejudice

A New Addition, by @ralkana / Ralkana; oneshot. A great fic about Elizabeth and Darcy and childbirth, various moments in this are imprinted in my mind permanently. High emotions all over the place, incredible tension and wonderful dynamics between the two main characters and the rest of the family.

Mr Bennet Travels Through Time, by AMarguerite; oneshot. A truly great fic with a wild concept that totally works. Mr Bennet is actually from the 1990s. Weird and funny, but also touching and sad, and goes leagues towards explaining a lot of this man's quirks and contradictions. I was fully invested in this all the way through reading, and it did not disappoint. Utterly satisfying.

Once Upon a Time

The Worst, by @alchemistc / alchemistique; oneshot. The real-life dynamics of these ridiculous fairytale people had me grinning ear to ear. The mortifying ordeal of your family of fictitious characters helping you move into your college dorm as told from Henry's perspective. Love it to death.

[sacchiri]

I recently bought the jp volumes of Hellsing along with the guidebook, and since I'm reading the series in its native language for the first time I might as well share some random things that stood out to me in no particular order.

This isn't meant to be an analysis of translation differences, I'm too lazy for that. Also it's been 12 years since I've watched the anime and read the low quality fan scans of the manga so some of these comments are just "Lol, forgot this was a thing"

Volume 1

... I really want to know who this guy is at the beginning, yelling at Alucard in overly familiar language to "Get your shit together!" and "You're the only one we can count on!!". We know from the style of speech that it's a dude, probably just some Hellsing rando, and maybe it's not all that strange since he has probably been working with the same soldiers for years--but it's still funny.

"I know, it's just so nice out :("

..The way "HELLSING Organization" is spelled out like this reminds me that apparently the name is supposed to be an acronym. No really.

...

God they're so silly.

Now that I think about it, the only thing Seras has done this chapter since being turned into a vampire is say "I'm sorry" over and over.... girl you got shot in the lung, why are you apologizing

Not a huge difference, but what Integra actually says here is "Leaving a corpse here for 20 years... You're a terrible person too, Father" and not "What were you thinking, Father?" as the Dark Horse translation suggests (note the lack of question mark in the raw version). I thought that might be of interest to some.

Something else I thought was interesting is the first line Alucard ever says to Integra, and how uncharacteristically polite he sounds.

O-kega wa gozaimasenka- That's two honorific 御's back to back! (He even said them in kanji, even Walter isn’t that straightlaced and he’s literally the butler.) This is also the only time Alucard uses this overly flowery gentlemanly language with her, and good thing too because it would be so annoying if he spent the whole manga ending his sentences with ~gozaimasu.

What I'm trying to get at is, after seeing this sentence in the Japanese version, I'm like 100% sure he actually heard her when she was mumbling to herself about hoping to find a knight in shining armor, and he was totally going the extra mile in playing into that role for their first encounter. Which is kind of sweet.

Lol they misspelled Alucard on the top left... or rather, they incorrectly spelled it right?

One would normally expect Alucard to be written アルカード, and indeed pixiv dict lists アーカード as a misspelling (the u sound is weak in Japanese, so it's easy to mishear arukādo as ākādo). Hirano was definitely aware of the correct spelling though, since he used it in the pilot chapter and in his old character sheets. It was only when the manga officially began that he switched to the アーカード spelling. I doubt it was because of copyright issues because there is already a long precedent of vampire characters named アルカード in various old manga, OVA, and games in Japan that have coexisted without issue (like this guy Hirano mentions in volume 1's afterword).

Most likely Hirano simply thought it looked better, or was a means of differentiating his character from the others somehow. It certainly makes life easier for Japanese fans searching for fanart since アーカード is only going to bring up Hellsing and not the Castlevania character.

Jan Valentine even pokes fun at the spelling discrepancy later in volume 2, but since there wasn't a good way of expressing this in English it was left untranslated.

(Speaking of spelling inconsistencies, there's a lot of minor details I'm noticing now, like half the time the furigana for 吸血鬼 is written バンパイア and the other half it's ヴァンパイア... anyway)

Um, just noticed literally everyone's wearing glasses What should I do

Hirano's habit of jotting random comments underneath his panels is one of the underrated perks of reading the manga

The Dark Horse translation almost makes it sound like she's looking forward to seeing this battle play out, while in the Japanese she simply sounds apprehensive. Almost as if she's worried about them? And she's going out on the field personally to make sure nothing bad happens? Aww

Ok this is a weird tangent, but I just noticed the scans of the Dark Horse version I've been looking at use a slightly larger image range than the Japanese version does. It was only noticeable when I got to this part:

The second image is what the Japanese version of the scan looks like and I can confirm that this is what it looks like in my physical volume as well. You shouldn't be seeing the messy borders of the inking on the bottom like that.

Manga manuscripts are set up so that there are a few millimeters of bleed border around each page. You're supposed to color and line all the way up to (4) while keeping in mind that printing and paper cutting may result in the image being trimmed up to (3).

Either Hirano didn't color his lines all the way to (4) (this man has been drawing manga for years but this is Hirano we're talking about so it's very possible), or Dark Horse didn't honor the original bleed borders of the manuscript. I'm kind of leaning towards the former since there was a Hellsing exhibit in Japan a few years back where you could look at Hirano's original manuscripts and there's one where you can clearly see that he spilled a mug of tea or coffee across the entire page

Anyway, it's weird, and I'm curious to see if someone that owns a physical copy in English can confirm whether theirs actually looks like that. It's volume 1, page 141.

[thecomicsnexus]

TMNT: 40TH ANNIVERSARY COMICS CELEBRATION

July 2024

By Kevin Eastman, Edgar Alan Poe, Jim Lawson, Tristan Jones, Gary Carlson, Chris Allan, Erik Burnham, Lloyd Goldfine, Ciro Nieli, Andy Suriano, Tom Waltz, Ronda Pattison , Tom Napolitano, Steve Lavigne, Paul Harmon, Frank Fosco, Adam Guzowski, Sarah Myer, Luis Antonio Delgado, Shawn Lee, Khary Randolph, Emilio Lopez, Michael Dialynas, Pablo Tunica, Freddie E. Williams II, David Petersen, Ken Mitchroney, Aaron Hazouri, Dan Duncan, Sophie Campbell, Jodi Nishijima, Stan Sakai, and Emi Fujii.

Come and enjoy stories that will remind you of the 40 years of turtle history.

SCORE: 10 *

* Assuming you are familiar with these iterations.

This is a strange read, and curiously, there are three or four highlights for me, and they are not exactly the ones you would imagine.

Spoilers after the break...

The first story by Kevin Eastman is in the Mirage section of the book but... well... I'll leave at that... I wouldn't call it the Mirage we knew.

There is a story by Lawson and Lavigne with the Rat King that... it's fun. But, you know... I wouldn't even try to fit it in canon... the amount of continuity physics you need to bend to place this story is not worth the time. Just enjoy as a new story by these two iconic Mirage artists.

This other story by Tristan H. Jones and Paul Harmon requires more analysis. I'll revisit it on my gang wars video and try to give it more context... but unfortunately... it's just too vague. All I can say for sure is that it happens in the future of that incomplete saga, but the narrator just takes too many artistic choices to be taken at face value.

Also... I believe this is the first official (frontal) appearance of Agent Bishop (unless I got the character wrong, but Jones already tried to introduce him in this saga). I think he is still holding on to it, and I really hope he gets to tell his story. I wouldn't mind a mini-series... just saying!

The Volume 3 story was... not for me. The dialogue alone felt tired.

The Archie adventure was short, eventful, and funny... and it looks amazing too!

In just four pages a new character was introduced and... a new love story was implied! And it's not just a gratuitous cameo... this is a funny sequence.

The Saturday Morning Adventures (the de facto 87 story) looks amazing as usual, but I didn't find the story that interesting. However, it started a theme that would run across most of the stories in this special after this one: Master Splinter.

The 2003 story is a... loose canon?

Hun is Slash, and Shredder is back... so make of that what you want. All I'm going to say is that this felt a lot like watching the beginning of a 2003 episode, with the narration setting the tone.

The 2012 story was one of the least interesting in the previews, but I have to say... it was probably one of the best. It brought back a villain and it technically serves as an excuse to continue the series?

But to me the best thing about the story is the art. I am surprised Ciro Nieli didn't do more comic book work for the Turtles all these years. In fact, if they somehow decided to continue the 2012 universe in 2D in this style... I'm all in. Well, who am I kidding... I would be in anyway... but this looks amazing.

Andy Suriano did probably the most interesting story in the book. Now, I am not sure if his style doesn't translate well to static panels or what the problem is with the comic format... but it doesn't matter... this small story brought in a lot of things that ended on the editing floor after the show's second season was reduced to a few more episodes. There was a rumor about a female turtle, and not only it is here in all its glory, but there is also a brother?

And come on... it's so Lou Jitsu to die with a cliffhanger.

There are two IDW stories. One is another Splinter story, but the other one is perhaps one of the best in this book.

The Ronda Pattison story takes place just before the Armageddon game, and it shows the five turtles in full sibling dynamic (even Jennika). It was refreshing to see these turtles having fun for a change.

There are no stories by the new team, but... well... that's just starting.

[becca-e-barnes]

"You are. Every Inch. The fantasy."

I always thought men like this only exist in fiction but it turns out I was wrong, real men like this exist too and I'm thrilled about it 🙈 This needs a part 2 and I fully intend to give it one!

This belongs to the 'Shit He Said' series, and let me tell you, he's got it backwards.

Pairing: Professor!Bucky x Female Reader

Word Count: 4.3K

Warnings: Age gap (Bucky is in his early 40's, reader is in her 20's), semi-public, professor/student, sex toys, praise kink, degradation, pet names, multiple orgasms, consensual forced orgasms, I talk way too much about trusts and equitable maxims

Summary: Your professor finds a way to distract you during class.

Minors, do not interact.

You’d never been a ‘front row’ kind of gal.  Not that there was anything wrong with sitting in the front row.  Nothing at all.

You tend to prefer the safety of rows four to six and the comfort that comes from knowing that you're close enough to avoid straining your eyes when trying to read the screen but not so close that you're always going to be picked on when no one volunteered an answer.

Rows four to six were a safe zone.  They kept you far enough away from the chatter at the back of the room and close enough to the front that you often found your lecturers would recognise you in the corridor and offer a polite smile.

You’d found your sweet spot and it hadn’t failed you yet.

It didn’t hurt that the lecturer that took your Thursday afternoon classes was incredibly easy to look at.  He was always clean shaven and he had a voice as slow and sweet as warm honey.  In fact, you often wondered why he’d went into teaching in the first place.  With a voice like that, he’d make a killing recording audiobooks.  His hair was dark but scattered with greys and it seemed to have a natural, very loose wave that held its shape nicely.  He’d aged incredibly well, proving that your 40’s have the potential to be exceptionally kind to you, just as his seem to be to him.

He came off calm.  He dripped composure but he had a passion for teaching that he couldn’t have hidden if he tried.  

But perhaps the most attractive aspect of his character was the fact that he pushed you.  He knew you were capable of more.  He coaxed some of the more difficult concepts out with you in class because he knew you were able and willing to develop your own understanding.  He didn’t let you dwell in comfort for too long before asking more of you, expecting you to be more and while it left you a little on edge, it was electrifying, testing the boundaries of your own capability.

He had, in many ways, found a favourite in you.  He found himself invested in your learning, keen to aid your professional development and supplement your understanding.

But tension builds, as tension does.  There’s nothing wrong with letting it, after all.  Playful debate back and forth inside the lecture hall turns into a more sustained conceptual analysis after hours.  Your one-to-one sessions move out of the classroom and into the bar and eventually, to his bed and then his kitchen the following morning while you’re wearing one of his t-shirts and cooking breakfast.

It’s an interesting arrangement, to say the least and you’re acutely aware that no one can know about this, for both your sake and his.  You know exactly the kind of speculation that would float around if people knew.  They’d assume you get some kind of advantage from sleeping with your professor; that you’re only doing it for the grades.  It’s difficult and ultimately pointless to try to nail down which of you are benefitting most from the scenario, nor does it help to think of only one of you as a “beneficiary”.  You’re both benefitting from great sex and there really doesn’t need to be more to it than that.

“Wave of madness.  I got you a present last night.”  His message flashing up on your phone screen has the edges of your lips curling into a little smile.  You’re not used to someone getting you gifts.  It’s not unwelcome by any means, but you absolutely want some more details.

“Oh?  You didn’t need to!”  Your thumbs feel like they’re flying over the keyboard and a slight anxiety settles in your chest while you’re waiting on a response.

“I know I didn’t need to but I wanted to.  I got a matching one for myself.”  That doesn’t really clear anything up.  In fact, it only raises more questions.  You’re reminded for a second of your brother, his girlfriend and their matching crocs.  Somehow you can’t imagine that’s what Bucky has bought for you both. 

“Hang around after class on Thursday.  I just hope the box is discreet when it arrives.”  Your heart thumps just a little harder.  This sounds far too exciting already.  

“So that’s how the requirements of the common intention constructive trust were upheld by the House of Lords when they overruled the Court of Appeal’s decision Stack v Dowden.”  You never thought you could possibly care so much about what happens when an unmarried couple separates and only one of them is a legal owner of their home.

7 pages of notes later, your brain was buzzing pleasantly, watching your Professor pack up his things while explaining the work for your seminar on Monday.  You didn’t pay it much attention; there was very little point given that you had completed the prep work already anyway.

“Actually, Mr Barnes, I wanted to ask you something if you have a moment?”  You quizzed, noticing that his face gave nothing at all away.  He was as stoic as ever.  

You always had a question so no one noticed anything strange about the fact you tended to wait behind after class.  “How would you align the Supreme Court ruling in Jones v Kernott with the House of Lords’ decision in Stack?”  

It wasn’t a difficult question.  The cases were fundamentally very similar so the answer boiled down to a simple comparison of the basics.  You just needed something to ask him while everyone filtered out.

“Interesting question.”  Bucky smiled, looking up from his satchel to see how many people were still left in the hall before you could drop the act.  It isn’t an interesting question; he’s just awfully polite.  “How do you think the two rulings align?”  

“Well, it makes sense that they both hinge on the fact the courts don’t have to impute the parties’ intentions.  The parties’ intentions are clear in the very strict separation of assets and finances so it makes it easier to consider their respective contributions to the home.  No matter what the parties allege, consideration of the fact their contributions to the home were different is a sensible starting point.” 

You’ve answered your own question and he knows you know it.  Ultimately, the rulings, while slightly different, do align.

The coy smirk on his lips makes excitement bloom in your chest once more.

“Good girl.”  He coos, just as the heavy wooden door clicks shut at the very back of the room.  “I’m proud of you.”  Oh, that hits hard.  Your blood thrums through your body and you’re not entirely sure how he always knows exactly what to say.

“Thank you.”  Your voice is a soft squeak and barely any more than that.

He seems pleased by the effect he’s had on you and it doesn’t take him long to cross the space between his desk and the front row of the tiered seats.

He doesn’t waste any time, cupping the back of your neck in one huge hand, pulling you towards him into a searing kiss.  He tastes faintly of the flat white he brought to class this afternoon and his lips are so soft and gentle, despite their urgency.

“I can’t hang around today.  I have the faculty board meeting now and an event this evening.”  He sounds disappointed; you are too but it’s not the end of the world.  You’ll see him next week, if not sooner but you find you build your hopes up all week, almost just living for your Thursday nights with him.

“That’s okay.  Enjoy the board.”  You tease and he can’t help but laugh.  No one has ever enjoyed those meetings in the history of their existence.

“You know where I’d rather be.”  He reminds you, stroking your cheekbone with his thumb, barely able to tear his eyes off your lips.  It’s a soft moment.  Just a slight devolution from the passion a few seconds earlier but there’s no sense letting him go to the faculty board meeting half hard.  Any arousal would be stifled in minutes and that would be a terrible waste.

“There’s always next week!”  You remind him, your voice bright in spite of the disappointment that you won’t get to spend time with him tonight.

“You’re right.  But that reminds me, I got you a little something.  Charge it up.  Play around with it.  But bring it to class next week and come early.”  He steps back to his desk, pulling a little brown cardboard box from his satchel before dropping it into your open bag.

“Whatever you say, Sir.”  You tease, unable to help yourself but you know he needs to go.  At this rate, he’s going to be late.

“You.”  He whispers before pressing his lips to yours.  “Are dangerous.”  His lips are so inviting, it’s hard to stop.  “And you know it.”  

You can’t help but smirk to yourself.  He makes you feel powerful and desired and it’s incredibly attractive.

“You need to go.”  You remind him, capturing his lips just once more.  You’ve hardly even let yourself touch him because you know if you do, you’ll not want to let him leave.

“I do.  I’ll talk to you later.”  He doesn’t give into the temptation of one more kiss and it’s probably for the best.  Instead, he scoops up his satchel, securing it over his shoulder, heading up the stairs with you.  He holds the door for you like always, going your separate ways without a second glance now that you’re back in public.

Oh.  

Oh.

Well.

Thank God the box was discrete.

Inside the brown cardboard, you find a second box that’s ever so slightly smaller.  

The picture on the front tells you everything you need to know before you’ve even read the words “Bluetooth Adjustable Dual Vibrator”.

You’ve seen these before; the range of toys that can be controlled from an app on your phone but you’re rather excited when your head reminds you that it probably won’t be your phone that Bucky has in mind to control the toy.

The box is quickly discarded in favour of putting the toy on the charger while you read through the instruction manual.  You didn’t expect to be so heavy.  It’s not heavy in a bad way though; it feels sturdy.  While adjustable, it holds its shape nicely and for a second, you’re just not entirely sure what shape you’ll need it to be.

Once the charging light goes out, you click the bottom button once, following the instructions to set it up.  You download the app; you connect the toy and you start exploring the features with the toy in your hand.  

You can sync it to music, you can control both vibrating elements separately, you can play with different pulse settings or you can make your own, the app has its own chat function, you can send voice notes or videos and then delete them.  This thing.  Does.  Everything.  But that’s when you notice the option to sync up more than one toy at once so they can be controlled together.  Turning yours up would simultaneously turn the second toy up and you can’t help but feel entirely thrilled at that thought.

The following Thursday can’t come soon enough but the evenings pass a lot quicker when you have a fun new way to keep yourself entertained.

You’ve managed to find the perfect angle, one that lets the toy sit comfortably, pressed to the sweet spot inside you while the other component is pressed to your clit and you’re pleasantly surprised by just how mind-blowing this thing is.

The fact that this is really a dream come true isn’t lost on you while you walk onto campus.  Each year, your professor gets a new class and you’re certain that in the years he’s been teaching, plenty of beautiful young women must’ve wanted him.  You’ve seen for yourself how other girls talk to him, looking up at him through thick lashes, their hands clasped neatly behind their back.  You can’t fault them.  You’re just not sure how he’s never given in before now.

You press the classroom door open, slipping inside and closing it behind you.

“Well?  How is it?”  You hardly have the door closed before you hear Bucky’s voice from the front of the hall, setting up his presentation on the computer, ensuring it’s projected onto the screen.

“How is what?”  You tease, feigning innocence, descending the steps to your usual seat in the fourth row.

“How is the vibrator I bought you?”  He doesn’t waiver in the slightest and even the fact he’s so blunt about it sends a pleasant tingle down your spine.

“I’ll give you a full review once I’ve tried all the settings but I can tell you it’s been perfect so far.”  He looks satisfied with that answer and there’s nothing you want to do more than please him in that moment.

“Did you bring it with you?”  He has a mischievous look in his eyes, watching you pull the little black drawstring bag from your backpack.

“We can set it up when we get back to yours and I’ll show you just how good it is.”  Your suggestion doesn’t seem unreasonable but the corner of his lips tug into the tiniest smirk and for a second you worry you’ve said something stupid.

“Actually, I was thinking we could try it out now.”  He’s studying your face and when he doesn’t notice any evident discomfort, he leads you by the hand down to his desk at the front of the room, encouraging you to hop up onto it and you’re more than happy to.

“We don’t have a whole lot of time.”  His lips are on your neck, kissing gently down the right side while he cups the other side in his hand.  This is dangerous.  It’s so easy to lose track of time like this and taking it slow isn’t a luxury you have in that moment.  His face is so soft, you note he must’ve shaved that morning and you’re infinitely grateful because you hate how stubble makes your skin break out.

“We’ll have more than enough time.”  His warm hand lands on your bare knee, under the skirt of your dress, pressing your legs apart while his mouth continues its sinful trail down your skin.  “Class lasts a couple of hours.  I’d say that’s long enough.”

Fuck.  He’s serious.  

Alarm bells should be ringing in your brain but they’re dampened by the overwhelming feeling of his mouth on your skin and his hand trailing slowly up the inside of your thigh.

“Buck, we can’t.  That’s such a bad idea.”  Is it really?  The words are past your lips because you know that’s the response you’re supposed to give.  You’re not allowed to want this the way you do.

“Is it, sweetheart?  Why?  You don’t think you can keep up while I’m distracting you?  Maybe you aren’t just as bright as I thought.”  It’d be a blow to your ego if you weren’t acutely aware he’s only looking to get a rise from of you.

“No, I wouldn’t want the standard of teaching to slip while you’re distracted.”  You roll your hips forward against his hand between your legs, letting him feel what just a few minutes of him kissing your neck does to you.

“Let me worry about that.  I want you to focus on answering my questions like a good girl.”  He scoops you up with his hands under your ass, carrying you the few short steps back to edge of the desk in front of the fourth row.  He sets you down on the desk, kneeling in front of you while he kisses from your ankle, up your calve to your knee and then over the couple more inches to the hem of your skirt.  

He slips his phone from his pocket, opening the toy app and connecting his phone in just a few seconds before returning his phone to his pocket.

You watch as he turns the toy over in his hands a couple of times.  The vibrant pink certainly draws your attention, not that there’s anywhere else you would rather look anyway.  Not even when he’s slipping your panties down your legs, tucking them into his pocket.

“If you really need me to stop, drop your pen.”  He looks sincere and you appreciate it but you’re almost certain you won’t need a way out.

The tip of his index finger trails gently between your soaked folds and you couldn’t miss the gentle wet sounds if you had tried.  “Are you going to be a slut for me?”  Oh, that’s a sharp turn.  “You do realise I’m going to make you cum in a room full of your classmates.  Not just once.  I want you cumming over and over until you wish you could stop.  And then I’m going to keep going.”  He presses the fingertip to your clit, rubbing slowly up and down, watching your face while you melt into the pleasure.  “You’re just going to be a good girl and take everything I give you.  You know why?”  You shake your head, barely able to look at him.  “Because if you make a sound, everyone in the room will know what a slut you are.”

Your breath catches in your throat, acutely aware that he’s right.  This is the sluttiest thing you’ve ever even thought of doing and for just a second you wonder if this man is ruining you.  He probably is.  You’ll absolutely let him keep doing it though.

He wants to coax you to your first orgasm right there on the desk.  He wants to sink two of those long, beautiful fingers inside you and gently curl them, exactly how he knows you like but there just isn’t enough time.  Later though, if you can handle it.

“You are.”  He whispers, spreading your legs wider, giving himself full access to your sex.  “Every inch.”  He kisses the side of your knee, placing the bulbous head of the toy to your entrance, letting it glide inside you. “The fantasy.”

You gasp at the feeling of the toy, finally sitting comfortably, right where you need it.

He’s got it all wrong and you’re not even sure that he knows it.  So many other girls fawn over this man, whether he realises it or not.  He mustn’t know how desired he is; or how many young women would kill to be in your shoes at this very moment, being nothing short of worshipped by a frustratingly attractive, intelligent older man.

He hums contentedly as he stands up, offering you a gentle kiss before making his way back to the front of the hall to his computer.  The other students should be arriving any second, not that you’ve even really been thinking about that.

You make yourself busy, pulling your notebook out of your bag, along with your little pencil case, lining a couple of pens up on the desk while the rest of the students start to trickle in, taking their usual seats.

Everything is going smoothly, in fact, you almost question whether Bucky has got so wrapped up in his lecture about equitable maxims that he’s forgotten about the toy altogether.

The first half hour passes quickly and while the topic is interesting, it’s hard to relax, knowing that he could disrupt your train of thought at any point.

The arousal he’s built up in you doesn’t subside either.  You’re always reminded that the toy is there, despite how interested you are in his explanation of equitable maxims.

You’re about 35 minutes in before you feel the first hint of a buzz inside you and it’s so surprising, it almost makes you squeak.  You faintly register that it’s only the internal element that he’s brought to life and you’re more than fine with that.

Heat blossoms through your chest and while it feels good, it’s not nearly enough.  You don’t want to need more.  Not when you know you can’t beg him for it so instead, you avoid his gaze, focusing on your notes and not on the man at the front of the room who’s eyes are almost entirely trained on you.

A further half hour passes before you feel any kind of change, just as you were beginning to squirm in your seat.

The clitoral element buzzes to life, quickly followed by the internal element turning up.  Your thighs clench together, pleasure radiating through you and you find yourself grinding against the seat beneath you to press the toy exactly where you need it.  Your hand stalls on the page, your train of thought abandoned because even at only half it’s strength, this toy is incredible.

“So now that we’ve looked at the defining characteristics of equitable maxims, what do you think the problems are?”  Bucky hasn’t looked at you since he turned the toy up and you’re beyond glad.  You know this question is coming to you though.  He’d warned you.

You glance up from your page to find you’re right.  He’s now right looking at you, waiting for an answer and he looks so incredibly smug, it makes you shiver.  He knows you’re getting off on this but so is he.  You’re no better than each other.

“You could argue maxims are outdated.”  You provide the answer but that’s not enough.  The vibration inside you gets just a little stronger and that’s when you see his phone in his hand, his thumb sliding across the screen, controlling the strength of the toy.

“Good.  What else?”  He’s relentless.  Fuck.

The increased sensation leaves your mind blank.  You can’t cum now.  You can’t.  Not with everyone watching.  “Um, they’re too old to be relevant?”  You’ve never sounded so unsure.

“You’ve said that already.”  Shit, you did.  “What’s the biggest potential flaw with that system?”  This is embarrassing now.  You should know this.  You do know this.  The toy inside you, getting incrementally more intense doesn’t help you gain clarity of thought though.

“The…  Discretionary power maxims afford to judges.”  That answer pleased him.

“Very good.”  He nods, slowly making his way to the other side of the classroom, taking the attention off you.  You notice his thumb sliding methodically up and down on his phone screen while he explains that maxims don’t offer the same rigidity as legislation, but you truly can’t find it in yourself to care.  He’s giving your body what it needs and no matter how your head tells you to stop, you can’t hold back no matter how hard you try.

You look down at the desk, trying to keep your hand subtly clasped over your own mouth, muffling any sounds that threaten to escape your lips.  Your body flutters around the toy, pleasure almost making you feel dizzy as you cum while holding your breath. You want to roll your hips. You want to take and take until you don't need more but you know you can't.

Once your high has subsided, you find yourself very quickly given over to overstimulation when the toy doesn’t stop.  There’s no escape from the feeling that’s now becoming almost too intense to bear in the very best way.  

“But on the other hand, how could it be argued that these flaws have been overcome?”  His voice rings through the classroom and you realise that if no one answers, the question is coming to you, as it always does.

Sure enough, after a moment or two of painful silence, your professor has made his way back to your side of the room, stopping in front of you once more, waiting expectantly.

“Case law.”  That’s all you can manage.  You bring yourself to look up, meeting his stare and for the first time since your orgasm and he can see your desperation.  He can almost feel your need, just from the look on your face.  He’s seen you like this before, overwhelmed by the pleasure you’re receiving but not willing to tap out.  You’re enjoying it.  You’re allowed to.  But he’s far from done.

“What about it?”  He almost feels guilty for how much he’s picked on you during this class and he makes a mental note to make it up to you later.

The toy is at full intensity now and you can’t bring yourself to focus.  You can’t think of anything except the gentle buzzing that you’re certain only you can hear, the feeling of the inside of your thighs that are now slick with arousal and the unstoppable, building orgasm that’s about to take hold of you.

“The body of case law now prevents any gaps.  And case law sets binding precedent so modern judges have very little discretion.”  You could’ve developed your thinking but not today.

“100%.  That’s exactly right.”  He looks proud and part of you almost thinks that's what was really enough to tip you over the edge into blinding pleasure once more.

Again, he walks away, over to the other side of the room to draw attention away from you.  Your orgasm makes your thighs shake and if that soft whimper came from you, you’re sure it wasn’t loud enough for anyone else to hear.  It’s electric; the thrill of doing something you know you absolutely shouldn’t and it only makes this even more intense.    You’re almost not sure you’ve ever cum this hard before but this isn’t the time to try to recall past experiences.  Right now, he’s turned the toy down, rushing through the last three powerpoint slides while explaining the work for Monday and you’ve never been more glad to have a class wrap up early.

[thatneoncrisis]

oooh ok feel free to ignore this since it isn't the ask game technically, but how do you feel tamsyn pulls punches with john? where do you think that could improve? i'm curious and i love hearing ur analysis of this stuff

ok so this is just my own personal opinion. but after reading the series like three times ive basically come to the consensus that tamsyn is much more in tune with writing john as kiwi and not as maori

and its not that is completely erased from the text. but you REALLY have to hunt for it as opposed to him being kiwi which is incredibly obvious in the way he talks about his old life in ntn. i dont think i would have even known he was maori if she didnt say gideon was and i was actively looking for it. but she kind of treats characters being indigenous as like a cool fun fact rather than an active part of their identity. and this is related to a much longer and more draining conversation about how race/ethnicity even WORKS in the empire which is set 10000 years in the future. we as a society Right Now cant even agree on what race cleopatra was do you like. get what im saying

anyway what im trying to get at is the empire, designed and run by One Guy, the Only person who remembers earth culture, actively deciding to model its systems of government, religion, military, language and aesthetics after staples of western imperialism (like most of the names are pulled from greek or roman or biblical figures) is one thing. because i understand the books are actively christian, tamsyn is catholic theres like Commentary on those elements. but there is no commentary as to why a polynesian guy would Actively gatekeep his own culture from a world HE made. they are clearly speaking english, gideons name had to be TRANSLATED to kiriona, theres a decent chance shes not even pronouncing it correctly. thats fucking insane. the characters in tlt are living in a cultural genocide by magnitudes that we cannot even comprehend and they cant even like. talk about it they cant THINK about it. the text hasnt given them time to. does he think theyre not worth it? why not? these are questions the text isnt interested in asking let alone answering

even when theres an opportunity for contrast, ie new rho, its all done in broad strokes of vague descriptions of Other cultures. we suffer speaks in accented house. what accent? pyrrha can speak 4 languages including house to varying degrees. what languages? she makes pikelets in the morning this is obviously a very nz/aussie thing, so this wartorn city Also has them theyre just a universal constant. new rho is just kind of described as Apocalypse Desert City, it could look like fucking LA for all i know and nothing would change

tldr tamsyn wrote very good kiwi characters and im obviously talking as someone who isnt kiwi but Is not white but her like aversion or indifference to writing inarguably indigenous characters in a way outside of their physical appearance wrt how it informs their ideals and motivations could be more. just More. this is literally one of the most insanely cruel things john has done and nobody in universe can even call him on it because hes scrubbed all traces of it from existence what if we exploded

[regretevator-confessions]

i feel like maybe people take this fandom a bit too seriously. and like i get it!! im autistic and i sometimes assign morality to interests because im kind of obsessed with media analysis and subtext which can include a lot of themes and messages (sometimes harmful, sometimes good, mostly unintentional) but like. guys. it’s a silly roblox game. MOSTLY. there arr some more serious aspects but its mainly filled with whimsy. it literally has memes littered throughout the game. including characters based off of memes. a lot of things are meant to be taken as jokes and while it’s completely fine to take things passed off as jokes and make/headcanon them as actually serious parts of a character, its not productive to go into a moral panic about some of this shit. and thats not to say there isn’t like, problems about infantilism/demonization and other problems towards multiple characters. but a majority of people are going haha silly roblox character. wouldn’t it be cute if this silly roblox character dated this other silly roblox character. back when i was in the hlvrai fandom this was also sort of an issue because it was just. a silly jokey series made by friends to be funny. (even though there were unique problems that also existed in that fandom that needed to be adressed. )a lot of people dont really think that hard about shipping, they just pair up characters for fun. like i’m not proship. i hate ships that are clearly abusive or pedophillic or whatever, but most regretevator characters are just silly guys or joke characters. as far as i can tell there’s not really any canonically abusive characters? there’s certainly mean and evil ones, but yall have got to learn the difference between a ship that’s clearly romanticizing abuse and a what is basically a kismessitude. i dont even really like any ships besides spive tbh but i need to stress that some of yall need to block people who ship things that make you personally uncomfortable. a good majority of people won’t listen to you about why it sucks/why you think it sucks. they’ll just keep shipping it. the block button is so sexy you guys. dont waste your energy yelling at people who wont listen 90% of the time. you could be petting a cat instead. or donating to people in need. or telling your friends you love them. or making a chocolate cake. or making fanart.

.

[loren91]

Young Royals and the three act structure, Part one

Seems like there was some potential interest in a full three-act story structure analysis, so I’m taking this opportunity to indulge myself by going full nerd. I’m going to attempt to make the argument that limiting the show to three seasons is actually perfect for Young Royals, by highlighting the pattern the story follows.

A few things to keep in mind before we start.

This analysis is not about the characters deep inner emotional lives. We are not here to pass judgment on their actions. We are simply identifying the beats of the story in a neutral and objective manner, for the purpose of analysing the structure of the story.

As you will notice, the points I have identified are all from Wilhelm’s perspective. That’s because he’s the point-of-view character, the main conflict is shaped by him and his emotional state. He’s the protagonist. Each subplot however, will follow the same pattern and has its own purpose, but I’ll get more into that another time.

I’ll be referring a fair bit to Lindsey Ellis’s video essay on the subject, because I like how she describes the structure pattern in sequences. So I’m gonna borrow some of her language. Also, note that the examples she uses to describe the tree-act structure are all feature films. Since Young Royals is a series, it’s gonna divert slightly from her description. But that’s what is so great about this structure, it’s flexible. It’s not meant to be set rules, but rather guidelines to help keep your story relevant and engaging all the way through. If you find this stuff interesting, I’d highly recommend watching her videos!

The three act structure is absolutely not the only way to tell a story. There’s many different formats that works just as well! It’s really about finding what structure works best to tell your story. The three acts however is the most common format you’ll find in more commercially viable works, such as Disney films for example.

And finally, I’m not a writer, but an animator, and I have studied film theory/structure. I’ll do my best to motivate the plot points I’ve identified, but if you’re a proper story expert and disagree with me, I’m happy to discuss!

Okay, let’s get to it.

A three-act structure is constructed of just that, three acts, and roughly looks like this. Essentially, a beginning, a middle, and an end. Or the set up, the confrontation, and the resolution. These acts may vary in length, act two usually being the longest and act three usually being the shortest. But what truly defines them is the tension of each act, meaning what drives the conflict forward at that point. A story will have a main conflict yes, but that conflict will take on many forms depending on where we are in the story. Lindsey Ellis describes each act as consisting of multiple sequences, and defines each sequence by its individual tension as well. Though all points of tension should always stay related to the main conflict! So the main points we’re looking to identify in the story are the main act tensions and the main sequence tensions. 

Let’s go through season one of Young Royals and talk about each story beat.

Act 1

Act tension - Wille has to attend Hillerska.

Sequence 1

We start with the Set up/Hook. The purpose here is to establish the world and the protagonist along with their internal conflict, such as their flaws and/or desire that makes them feel incomplete - The way Wilhelm’s character is introduced informs us that he is royal, but struggling with his role, because royals have set rules to follow.

“Why can’t I decide how the hell I want to live? I want to live a normal life!”

The thing that sets the story in motion is the point of attack. Something happens that is outside of the protagonist's control/knowledge - That would be the royal court deciding to send Wille to Hillerska without his permission. This gives the protagonist something to react to.

Sequence tension is established - Wille does not want to go to Hillerska. The rest of episode one reinforces Wille’s discomfort at the school.

Next, we get to the inciting incident. An event that disrupts the status quo, and our protagonist has to get involved - The initiation party, particularly when Wille and Simon almost kiss at the end. This leads him to acknowledge his attraction toward Simon and become more proactive in his pursuit of the boy. 

The sequence tension is resolved. Notice how in episode two, Hillerska is no longer the main focus for Wille, but Simon is. The seeds for what will become the central conflict have now been planted. The conflict is usually driven by character motivation. This is where we can consider the protagonist's Want vs Need. The want drives the main tension - Wille wants to be with Simon. But we’ll find want he needs later on in the story.

Sequence 2

The purpose here is to build up the creation of the main tension of the story. The main antagonist can also be established here -  August keeps getting on Wille’s nerves. Especially when he’s trying to hang out with Simon.

That’s our sequence tension - Wille is working to befriend Simon, but August keeps getting in the way.

The end of the sequence sees the first major plot point, the Lock-in. Where our protagonist makes a decision that changes everything. Usually, something they can’t come back from - In Young Royals that would be the first kiss. Wille and Simon’s relationship has fundamentally changed. The main tension is now established.

Act 2

Act tension -  Can Wille be with Simon, despite him being a prince?

Sequence 3

At the start of this sequence, the protagonist has most likely achieved some kind of milestone or learned something - He’s definitely like that.

To keep the story interesting, writers will add so-called pinch points in between the bigger plot points. These usually act as reminders of the antagonist or the pressure our protagonist may feel - Wille feels he needs to break it off with Simon because a prince is not supposed to be gay. As we established in the set up, royals have rules. 

Sequence tension - Can Wille deny his feelings for Simon? Queer pining ensues.

Sequence 4

The purpose of this sequence is to build up towards the midpoint. We see the protagonist making attempts to achieve their goal - The want never changed, Wille still wants to be with Simon, despite the pressure. Wille invites him to spend the weekend with him.

Sequence tension - Wille is trying to prioritise his new relationship with Simon, but August is still being annoying.

Then the midpoint hits. A major disruption, either from a character action or a force of nature. Can be positive or negative, just something that changes the aim of the quest without resolving the main tension - This time it’s literally halfway through the season. End of episode three, Erik dies and Wille becomes the crown prince. Everything has changed.

Sequence 5

Everybody has to adjust to the new world order after the midpoint disruption. We’ve reached another pinch point - Again we are reminded that royals have rules, and Wille makes another attempt to follow those rules. By embracing his new role, he breaks up with Simon once again, then sort of pursues Felice and joins the society.

Sequence tension - Wille adjusting to his new title while mourning his brother.

It’s common for subplots to advance around this time - Like Simon giving August the drugs to sell.

Sequence 6

Another plot point, where our protagonist may stop and reflect. Maybe have a heart-to-heart with another character, and perhaps make a decision - This is where we see the football field scene and the end of episode four. Wille reaches out to Simon for help, reconnecting with him. This leads them to pursue a relationship once again. They are put in a false sense of security. They are finally together, thinking all is good. BUT, we in the audience know that August has the video of them and the writers keep reminding us of him and the threat he poses. Even if Wille and Simon don't know it yet.

Sequence tension - Can this happiness last?

Sequence 7

(Here’s where the story leaves the classic structure for a bit, and adds an extra sequence for some more drama, as filler. In theory, they could have skipped this sequence and gone straight to the video being released. This part is mainly here to give motivation for August’s character, making his actions clearer)

So we are essentially given another pinch point, a reminder of antagonist or pressure -  August tries to break them apart by telling Wille about the drugs, which leads to the music room fight. 

Sequence tension - August is becoming more hostile.

Wille saving Simon from being framed for the drugs is more related to August’s money subplot. And the Lucia hug scene is mainly there for character building purposes. I’ll talk more about that stuff in part two.

The plot has advanced to the culmination of the main tension. The crisis that serves as build-up to act three - August releases the video. At the end of act two, the protagonist faces their biggest challenge yet. They’ve hit their lowest point - The aftermath of the video's release and Wille is totally lost. 

Act 3

Act tension - Can they save their relationship after the video?

Sequence 8

Begins with the protagonist making a big decision that creates the new act tension. The tension in act three will be different, but still related to the main conflict - Wille and Simon talk in the locker room, where Wille says he won’t do the statement. 

Sequence tension -  Can Wille avoid making the statement?

We’ve reached our last major plot point, located at the end of the sequence. Sometimes known as the twist in the third act - And what a twist, Wille does the statement anyway. This narrows down the tension further, to focus on a more character-driven intimate place for the next sequence.

Sequence 9

Sequence tension - Can they be together despite the statement?

Climax, the last big fight - Simon tells Wille off for being selfish and breaks up. Wille also finds out that both August and his mother betrayed him. The protagonist’s need has emerged from this journey and is now clear to us - Wille needs to decide who he wants to be. The want and the need should be different from each other, but still connected. Wille wants Simon, but in order for that to happen, Wille needs to break out of this cycle of self-preservation and stand up for himself against the royal court.

The climax will most likely lead to some kind of character growth - Wille is now pissed because he’s lost everything and realizes how corrupt the royal court is. As Lisa so beautifully put it, “A flame is ignited in him”. Hugging Simon in public is a display of his character growth.

And finally, Resolution. The point where the story is usually wrapped up neatly, but if left ignored, you get a cliffhanger - Which is exactly what happens in this season. Nothing is properly resolved at this point. Resulting in an open ending/cliffhanger.

Oof, that was a lot. How are we all doing? So these are the main beats of the plot. Makes sense? Let me know if you need any further clarification 😅 I was gonna get into how the rest of the show fits this format as well, but that’ll have to be in a separate post. Here’s part two! 

[sukunasweetheart]

//just me venting about sukuna haters sorry

Not me seeing so much discourse about whether sukuna is a well written villain or not... he essentially has no backstory shown as of yet and we barely know anything about him but he is still one of the most naturally interesting and compelling characters in the whole damn series bro 💀 buckle up bc its about to get lengthy (im just glazing sukuna in this post ngl so 🧎‍♀️)

so many whiny ass mfs are weeping about how he "doesn't have any personal goals or a proper reason to be a villain" when that is the whole point???? He lives on his own desires and satisfactions and does whatever he wants to, because he is capable enough to do that. Mfs want "real villains" but cant even handle sukuna 💀 ive seen too many shit ass threads and poorly articulated "critiques" on his character that dont make any valid points. If you can't even separate your personal dislike of a character from your analysis of their writing, dont even bother posting that shit please 😭😭😭 the fact that we haven't even gotten any information about his background yet and people are jumping the gun about him being "poorly written" is already saying a lot 🤨

The fact that yall are so bitter and angry about him that you can write 500+ words about how oh-so-terrible of a villain he is kinda proves that he's doing his job well tbh 💁‍♀️

What also bothers me to no END is how people compare him with villains of other series, who had compelling sob stories that made people empathise with them. Thats nice and all but why should all villains have grand ideals and be subject to feelings of empathy/sympathy from their audience?

Part of what makes sukuna so interesting is how he's not tied down by morals, rules or long term goals in life. He doesn't limit himself, which is what makes him an unpredictable character. He's completely left behind what it means to be human in many ways, and he's clearly not a character written to be empathised with. He is very purposefully inhumane and distant from everyone else, and that feeling transcends from within the series to real life as well. There is a clear lack of understanding bc most of us can't comprehend what its like to just live without being goal-oriented.

Sukuna is a true anomaly in the sense that he doesnt really fit in any kind of box within the series. He's born from man, but its clear that he separates himself from humans (and nobody else considers him human, either). He's not a cursed spirit. He hovers between life and death. The narrator referred to him as the honoured one, whilst angel referred to him as the disgraced one.

These little contradictions in his character make him all the more complicated and interesting to think about. And even recently, he's been shown to waver a little bit momentarily in the manga, questioning his own irritation at yuuji. He's capable of self reflection, and though sukuna does whatever he wants for the most part, he doesn't blindly go into things without some thought first, he's a constant thinker and analyser, and an intelligent one at that.

And honestly, he is always such a joy to watch and read, his personality is so flavourful, and the way he carries himself is very attractive. He's not afraid to get messy or of getting hurt, theres so much chaos in the way he does things and yet he also has a huge element of gracefulness to him, which shines through the poetic way he speaks. Its undeniable that sukuna simply oozes charisma...

And this isnt talked about enough but this man is genuinely so effortlessly funny (in a kind of sinister way i guess?) Like yes he is an old ass man having real beef with one FIFTEEN YEAR OLD for very little reason, he accidentally healed yuujis arm and somehow expected him to be grateful for it despite how he literally ripped his heart out afterwards, then he proceeded to sit on him after kicking him down likeeee 😭 what kind of behaviour is this sir

His facial expressions at yorozus yapping 💀 THE WAY HE COMPARED YUUJIS FACE OF DESPAIR TO THE HARIMA STATUE 😭😭😭💀😭💀💀😭 omg that was so foul but i was fucking losing it ngl

How he randomly compared gojo to a fish and started talking abt his scales... thats a very unique and descriptive comparison, isnt it? Even in the recent leaks, he was 100% ready and squaring up to a literal child talking abt "youre starting to get annoying" LIKE HELPPP 😭 HE FR SAID "fuck them kids and fuck you too"

I saw someone saying that sukuna has no passion, like are we talking about the same character....? This man is a literal jujutsu NERD 💀💀 he truly recognises talented sorcerers and the only time hes seen to be having genuine fun is when hes fighting a mf... is that not passion? This is literally sukuna when it comes to jujutsu: 🤓

Anyway im done here now, im pretty sure i missed a lot of things i couldve talked about as well but ive done enough yapping

[yellowbluemoonshine]

Did you saw my hero ending

Bnha Ending;

I was gonna answer this ask, after the story end but i dont think it matters. My answer would probably still be same. I think the story always had issues with writing but it 'especially' went down after the war arc. But i thought it couldnt be worse than what we already get with last arc. And then author ruined both Izuku and Shigaraki's character by killing Shiggy. Its almost like author didnt even bother with them. They didnt even get cool interaction moments Shouto had with Touya and Ochaco had with Toga. It wasnt surprise because he ruined Izuku's character to make Bakugou look better. Author even admitted he forgot Deku's father. Its like he didnt even bother his own main character, even though it supposed to be most important character. Because it is HIS story.

Its even worse since we know Deku was all about saving people and saving Tenko, saving Shigaraki is the main mission of his character arc. Thats how he can be the greatest hero. Deku was never about power...at least at the beginning of his character. Story is all about how messed up society is but author didnt want to make heroes look bad. He killed most dangerous villains (Afo, Shiggy, Toga etc). Dabi only stayed 'alive' so that Todoroki family, heroes can have good ending. I think author didnt want to risk his story, he didnt want to loose interests of his fans and thats the reason Bnha is ruined. I think he really shouldve get rest, instead of forcin himself to write something he doesnt seem to interested in too much anymore. It would be better, if he never continued this story. I would prefer that, instead of what we got in the end. Its a shame really.

Although Bnha end up becoming disappointing for me, i am glad that i experienced the story because it is the main reason i opened my account in Tumblr and Twitter. First time i read character analysis and started to write in here. Even though, characters are ruined, i still love them. And it was fun to analyze them. I also met a lot of people in here. Of course, i had many bad experiences too, it was awfull but i also met a lot of friends. I am so happy to meet them and that I am here. So i am not regret that i read this story at all.

I think canon ending will be this ending for me, because I think it fits story better and what author originally (similarly) planned to do. I put one of my favorite scenes as gif too. So yeah, thanks for the ask and thank you for everyone for reading my Bnha posts. I am still gonna be around here. Not for Bnha but for other series, games or whatever i am interested in ^^.

[sunniedesi]

In Defense of Future Diary...

TW: lots of yapping.

Making a small essay for Future Diary is something I’ve been meaning to do for a while. Since my entire blog is dedicated to the series, it only feels right to put something like this out into the ether. However, I’m never sure of the topics that I want to discuss the most. Do I write a defense for the show? My reasons for loving it so much? Its relevance and importance for anime culture? An analysis of Yuno’s character? There’s so much I feel you could say, but I never find the right words to express my feelings coherently. Today, I’ll make the attempt, though. I’ll go over all of the aforementioned questions here, mostly focusing on my personal opinions and feelings regarding the show. I don’t have much experience writing essays or analyses of media, so sorry in advance if my yapping is all over the place.

To begin, I should probably address the elephant in the room: Future Diary, despite its popularity and almost cult-classic status, has turned into a show people love to hate. You see it everywhere, when it comes to reviews, comments, opinion pieces, you name it, if it has Future Diary on the title, people will let you know all the gripes they have with the show. And while I tend to feel defensive or even saddened when I see so much hatred directed at my favorite show… I don’t necessarily blame anyone for feeling that way. I don’t want to be one of those people who pretends to hold the intellectual high-ground, acting as if everyone else is media-illiterate and I’m the one who truly gets the meaning of the series. At the end of the day, it’s just an anime, it’s not that deep. Everyone’s gonna like what they like; we all have different tastes and interests, so it’s only natural we all hold such different opinions about the show, especially given its campy, gory and almost edgy nature. Future Diary is definitely a product of early 2000’s trends, which some people (me lol) appreciate, and others certainly don’t.

That being said, while I respect people disliking the show for personal reasons, there are certain criticisms I see thrown its way that are not necessarily warranted. These issues can be boiled down to the following categories: “plot-holes,” a weak protagonist and toxic pairings. I’ll delve into all of these in a second, but I must say, the amount of times I’ve seen these specific points parroted over and over again makes me believe that many of the people making these arguments are piggybacking off of one another. It’s almost like they’re following a trend, repeating how the protagonist “sucks ass” and that the plot makes zero sense, without showing any examples as to how. 

It’s really common to find shallow arguments like those in comments sections and forums, but since I don’t want to feel like I’m barking up a tree in writing this essay, I decided to look for a source that encapsulated all of the common criticisms, while also backing them up with examples. Now, there are many good video essays out there on Future Diary, my personal favorite is by The Hot Box. But as far as critical pieces go, the one I found that goes the most in-depth is by the creator NezumiVA, titled: Mirai Nikki is Garbage, and Here’s Why. I’ll be referencing the video as I go along, but please note that while I disagree with many of this creator’s arguments, I don’t intend this to be a personal attack. As I said earlier, we’re all entitled to our different tastes and opinions, I can respect them disliking the series while having my own criticisms to give regarding the video. Just a little disclaimer so my intentions aren’t misconstrued here. 

With that out of the way, let’s take a deeper look into the main three arguments I mentioned before:

“The plot-holes eat up the show”

If you’ve been in the fandom for a while, you know that this is probably one of the most common criticisms levied towards Future Diary, and perhaps the one that holds the most weight. Or at least it would be, if it weren’t for the fact that “plot-holes” aren’t exactly the issue people are pointing at here. To explain, I believe people who dish out this claim all have different understandings of the definition of “plot-hole,” so to clarify: a plot-hole is an inconsistency, a contradiction in the narrative. For example, Yuno’s diary is all about Yukki, if she were to have diary entries not about him, that could be considered a plot-hole, as it contradicts the original narrative. A smaller detail being unexplained or overlooked for the sake of pacing is not a plot-hole. A flaw, yes, but as long as it doesn’t contradict what’s already been established in the story, it’s not a plot-hole. 

On one hand, it is true that there are certain Deus Ex Machina moments that aren’t properly explained in the show (heck, the god of this universe is called that for a reason), such as: how does 5th acquire all of his booby traps? Or where did 9th pull that motorcycle from? Why are characters so quick to forgive/forget certain events? These are smaller details that aren’t properly justified on-screen for the sake of pacing and making the show more interesting. You could possibly count this more as a case of poor characterization, particularly with 5th’s character having a lot of knowledge despite his age or Hinata quickly accepting the coin toss challenge despite having an advantage. Given the show only has 26 episodes, it’s only natural that detailed explanations for smaller details are omitted to make the show flow quicker and be more entertaining. While this may bother some people, I don’t find it to be such a big deal, or at least not a reason to dogpile on the show, when many other animes with shorter runtime fall victim to poor characterization as well. 

Many deem the plot nonsensical for missing these smaller explanations, but again, I find that exaggerated as they’re much, much trivial details that the majority of people don’t think of or focus on when watching the show. The video I referenced touches on the plot being illogical several times, not necessarily mentioning plot-holes per se, but complaining that many of the justifications behind certain plot points are unrealistic or contrived, though let’s be real here… since when is anime realistic? Future Diary, I would argue, does a good job of balancing very unrealistic scenarios with some realistic characters (like Yukki, but we’ll get into that later), which is what makes it interesting to watch. After all, what’s the fun in watching a fantasy show if it’s completely grounded in reality? Not to mention that many of the points brought up in the video aren’t contrived, especially if you were paying attention to the show. For example, the scene of Yuno meditating to figure out Reisuke’s plan. This wasn’t a Deus Ex Machina moment, it was foreshadowing of the fact she has her first-world memories locked away, and the meditation was her trying to access those memories. Same thing with Bacchus having an overpowered diary, it isn’t for the sake of it, he literally designed it to be that way, because he was the one who presented the idea of the diaries to Deus in the first place.

I’m getting a little side-tracked here, but you get the point. Ultimately, the worst sin a show can commit is being boring, and while Future Diary has its flaws in pacing and characterization, it contributes in keeping the viewers hooked to the action, packing its small run of 26 episodes with quite a bit of entertainment. Moreover, a lot of people overreact to these so-called “plot-holes”, yet they also fail to pay attention as to why things happen as they do in the show. Many of these criticisms can be summed up as either: trivial details that are omitted since they have little relevance to the plot and/or people not paying attention to what’s going on. 

Moving on, let’s tackle another very, very popular argument:

“Yukiteru is a total pushover (to put it nicely).” 

This is, without a doubt, the most common criticism I’ve seen people have of the show. I’m not sure if this is because people are used to the upbeat, overpowered protagonist trope in anime, but people don’t realize that Yukki being frustrating, awkward and terrified is an important part of the show’s storytelling, not to mention relatively unique. Very rarely do we see a realistic portrayal of a teenage protagonist in anime, and it is important for the show since it serves as a contrast to the other characters, all dark, callous and obsessed with the goal of becoming a God. Yukki is the only character not interested in any of this at the beginning. All he wanted was to escape reality with his phone and imaginary friends, and he's now thrusted into this terrible and hopeless situation. How exactly is a young boy expected to react under these circumstances? 

Teenagers are naive, dumb, selfish, all characteristics portrayed in Yukiteru, and these characteristics are put under scrutiny by every one of the diary owners, constantly telling him to grow a pair and stop using Yuno. This is easier said than done when you’re used to avoiding every little bit of responsibility in your life, and a girl who’s self-reportedly “crazy good at killing people” suddenly thrusts into your life ready to do all the work for you. Yukki is indeed a very flawed character, but that isn’t an accident, it is an intentional addition. It’s what makes him interesting; it pushes conflict into the show, and most importantly, drives home one of the main lessons of the show with Yukki’s development: fear doesn’t mean you’re not brave, it’s having that fear and pushing forward that makes you brave. A little corny, I know, but a valuable lesson for the Survival Game. 

Every character has an incentive for becoming God, and they’re utterly consumed by it to the point of insanity. Even a character like 4th, who was originally concerned with the goal of bringing order and justice rather than more carnage to the game gets carried away when a proper incentive for God’s seat comes into play: saving his son. In a Survival Game where we're surrounded by the most cunning and twisted of characters, killers, terrorists, people in corrupt positions of power, Yukki stands out like a sore thumb for retaining his humanity throughout it all, unwilling to get his hands dirty, rather willing to see hope in everyone else. It comes across as naive and all-too trusting. This is especially true for his father, but considering how little people he has to rely on, plus his childish hopes of seeing his family back together, his forgiveness towards him makes sense. And the same can be said for Yuno, the one constant he’s got all throughout the game. Despite the abuse and manipulation, she’s ultimately got his best interests at heart, but I’m getting ahead of myself with this point.

Eventually, the circumstances that Yukki goes through (namely his parents’ death) put that humanity, kindness and mercy, the staples of his personality, to test. It’s a testament to how desperate situations can corrupt even the most innocent of individuals. Yukiteru goes from a hopeful individual to a callous killer, no different from Yuno and equally as selfish. Similarly enough, we know thanks to her third-world-self that Yuno was originally a normal, happy girl with the hopes of finally having a loving family taking care of her. All of this, to then be tortured by the people who were supposed to bring that peaceful family life to her. 

Yukki being a weakling may be frustrating to some, it is certainly brought up many times during the video essay, but it’s an important factor that drives the plot and many of Future Diary’s lessons about growth and accountability. Besides, the anime certainly wouldn’t be as interesting to watch if every character was just an OP know-it-all like Akise. Which no hate to him, but the show wouldn’t be the same if every character were like him.

And speaking of Akise, I’ll take the opportunity to mention a point in the video essay that bothered me a bit. The creator says the show is “queerbaiting” with his character, because Akise’s attraction towards Yukki is forced, but I don’t see exactly how this is queerbaiting. Correct me if I’m wrong, but isn’t queerbaiting when a character is insinuated to be gay, yet it’s kept ambiguous enough to never address it? The show straight-up explains the reason behind Akise’s attraction to Yukki. His love is forced because it was created by Deus to further his investigation about Yukki and Yuno. Akise himself is a fabrication of Deus. It is literally explained in episode 23. You can’t bait the audience into believing a character is gay if you explicitly tell the audience the character is gay lol.

But that’s one of the smaller issues I had with the video’s criticisms. My biggest gripes were actually the following: at the beginning of the essay, this creator talks about how many of the plot points in the show are contrived and illogical, but at the same time, they dislike the characters having tragic backstories that explain how they went on to become twisted individuals. Isn’t it a little contradictory that you complain about a character acting unnatural, yet when the explanation for their behavior comes up, you completely disregard it? They go as far as to say Esuno hates women and is misogynistic for his portrayal of female psychosis, and the use of SA as a tragic backstory being distasteful. Because, according to this creator, people who have been victimized never go on to become terrible people themselves, and that this is a “problematic stereotype.” 

To say that this worldview is incredibly simplistic and naive is putting it mildly. Being a victim doesn’t exempt you from the capability of hurting others, and in fact, the opposite is often true. Hurt people hurt people, that is another main theme in Future Diary, and one of the things I love about it so much. It doesn’t make its characters victims of terrible situations for the sake of pitying them, but to portray their natural descent into madness from being corrupted by a cruel and unrelenting world. Yuno, Yukki, Minene, Tsubaki, these characters all started out as normal until life turned them into the nihilistic monsters they became. They’re morally gray, an example of what you can become when your ethics and moral worldview is tested by society so many times, it ultimately turns you into a societal outcast. Which only makes it funnier that one of the questions asked in the video is “are we supposed to like these characters?” Yes and no, that’s the fun of writing morally gray characters.

I often see these takes with people who fail to understand that the portrayal of something in media ≠ endorsement. It’s the crux of people who lack media literacy, the failure to understand morally gray or just straight up evil characters as protagonists. The media itself isn’t telling you to repeat their actions, it is an exploration of how these actions manifest in the first place, a cautionary tale, if you will. I know that having evil or twisted protagonists isn’t everyone’s cup of tea, but to accuse the story or the author of malicious intent would be completely missing the point of the story’s purpose. Not to mention, that it is important for stories like this to exist, to put us in the shoes of those who enact harm, to understand why they do it and keep us from becoming like them.

The show doesn’t justify any of their actions, in fact, it often shows them for what they are: twisted and morally corrupt; it is on the characters themselves to bear the burdens of these actions. A clear example of this is the confrontation that Yukki has with his friends nearing the end of episode 22. It is probably one of my favorite scenes in the entire show: Yukki being forced to face all of his demons at once, realizing just how much damage he has caused, damage that he later has to mend in his final confrontation with Yuno to finally put an end to everyone’s suffering. It is dense, crude, and it is certainly necessary for both him and Yuno. 

Funnily enough, this youtuber goes on to say the following about Yuno’s background: “I really don’t care what her (back)story pans out to look like… her actions are still not excusable.” Which is true, just because someone was abused doesn’t justify them perpetuating the same abuse later. However, they then crush their own point by claiming that Yuno’s obsessions started all because of “a passing conversation.” I guess they weren’t lying when they said that they didn’t care about Yuno’s backstory… because chalking up her obsession as solely a result of that scene is completely disregarding her background. That conversation in the classroom did start Yuno’s fixation towards Yukki, but it is not the root of her obsessive tendencies. Yuno herself believes it to be, but this is an idea that is squandered by Yukki in his final confrontations with her. Moreover, if you paid attention to her backstory, you would understand it is all due to her childhood neglect. And similarly, Yukki’s attraction towards Yuno stems from this as well.

This brings me to the final criticism:

“Yuno and Yukki’s relationship is problematic, toxic and makes no sense.”

There is no denying that Yuno and Yukki start out as an incredibly toxic and troublesome pairing, using each other for their own selfish wants instead of working with each other. This is the Achilles heel in their dynamic, and it is often the cause of their troubles. Yuno acts impulsive, unstable and manipulative towards Yukki due to her insecurities and debilitating obsession, while Yukki pushes all responsibility to Yuno due to his own lack of a spine. They hurt each time and time again, yet they can’t help but be with each other. And this is because, in a twisted way, they compliment each other. 

On one hand, we have a social outcast, ignored by everyone including his family, visibly alone and afraid of being hurt by others, but still seeing the best in people. Then on the other hand, we have a popular girl from a prominent family, visibly perfect, but in reality just as alone due to abuse she experiences at home, making her view people as fundamentally cruel. On the outside they’re opposites, but deep down, they’re both lonely, and terrified of said loneliness. It is only when they meet, when Yukki shows her the kindness she was missing for years and when Yuno gives him the support he had always craved, that they fulfill each other’s needs. By becoming acquainted with Yuno and the Survival Game, Yukki becomes increasingly darker, eventually maturing at the end of the show, while Yukki awakens Yuno’s empathy and pulls her back from the darkness, as we see when she falters to hurt third-world Yuno and her parents. 

Their complementary personalities are even referenced by their diaries, which only work seamlessly if paired. They balance each other out perfectly, bringing out the best of each other, but only after learning to push back on their worst characteristics, which is also true for real-life relationships. In truth, just like these two, people are flawed, traumatized and generally toxic to one another. There’s no such thing as people or relationships that start out perfect from the get-go, they need to learn to grow together. 

In that sense, this is what makes the ending of the show so powerful to me. Yukki isn’t set on killing Yuno or becoming God anymore. He’s finally taking responsibility, coming to terms with the awful deeds he’s done, and the fact that he can’t undo them. Instead, he wants to help Yuno come to terms with her own demons, finally giving back to her what she needs and not something for his own benefit. Similarly, Yuno realizes just how off the deep-end she’s gone when she meets her past self, acknowledging that she’s lost her original goal, and that repeating the cycle of hurt won’t fix her already broken spirit. That world isn’t for her, and so she finally ends the hurt, giving her and Yukki the peace they need. 

Many people don’t like Redial because they see it as an undeserved Happy Ending for two awful individuals, but the way I like to see it is as a form of redemption. Both characters, in the end, do what they have to do to restore order in the world. Yukki pays for his sins in the void, finally a God but at the cost of mourning what could’ve been. First-World Yuno ends the suffering she’s putting herself through so her new self can thrive, almost akin to breaking free from her past traumas to finally heal. The new self regains those memories, not to sulk, but to build from them, going back with Yukki to start a new world that isn’t characterized by their original hurt. In a way, it's a story about how the most downtrodden of individuals can find solace in love, break from their past and learn to heal together. For me, it’s cathartic and fulfilling to watch.

To finish this lengthy post, I feel it’s appropriate to mention the importance of Future Diary’s characters, and more specifically, Yuno. The video describes her writing as shallow and contrived, but I’ve already addressed that in the previous paragraphs. Many people love chalking her up to “cRaZy YaNdErE gUrL™ 🤪​,” but she’s so, so much more than that. Her character actually has a lot of depth if you pay attention to her story: she’s a girl, an orphan who went on to be neglected by her foster father and abused by her foster mother, resulting in complex trauma, insecurities and fear of abandonment that she tries to hide and overcompensate for in her overly aggressive tendencies. Her obsession in avoiding the loss of the only person she has becomes her demise, as she lives in a loop of torment all for the sake of not being alone again, a cycle of hurt only she has the power of breaking if she finds the strength to do it. Whether it was intentional or not, Yuno portrays a lot of the issues people with mental illness, such as BPD, struggle with. 

Now, claiming that Yuno is a perfect, one-to-one representation of BPD would be reducing this disorder to a caricature, there’s obviously so much more to BPD than what you see in this portrayal. But, I feel like out of the huge list of characters that fall under the “yandere” or crazy girl trope, she’s probably one of the best written ones in anime. I know she’s often dubbed the “yandere queen,” but seriously, it’s rare to see media committing to this trope and properly characterizing it. I would go as far as to say she’s the best character I’ve seen written in this genre, only sharing that spot with another character from a certain game (but given that the mere mention of its name is enough to ensue controversy, I’ll abstain from talking about it here 🙄​). A big portion of characters within this trope are quite two-dimensional, without clear motives for their obsessions, or having their issues played up for laughs (I’m looking at you, Anna Nishikinomiya). Heck, many of the characters associated with the trope aren’t actual yanderes, like is the case for Shion Sonozaki or Lucy from Elfen Lied. 

Yuno’s character is rich and interesting to watch, she isn’t just some “crazy girl” for the sake of it. She’s a product of tragedy, only motivated by the hope of finally having Yukki alleviate all of her insecurities and sorrows. I’ve always found the “yandere” trope interesting since it delves into the lengths people are capable of going over an obsession, and how these form to begin with. Given how complex, sensitive and even personal this topic can be, it’s important to have characters like this be properly written, and I’m glad that Yuno set a standard for this back in her day, even if many people don’t take her character seriously. 

I think it’s important to close up this post repeating the sentiment I had at the beginning. My purpose in writing this defense isn’t so much to force people into liking the show, and even opinions I disagree with like the ones in NezumiVA’s video are valid in their own right, as everyone has different perspectives in interpreting media. This is simply my take as someone who’s been a fan of the show for a really long time, since I don’t see many in-depth essays for Future Diary out there. It is a show that has stuck with me for its lessons on learning to be brave, healing from the past and selfless love. As silly as it may sound talking about an anime, it’s something that I can always look back to and smile, laugh or cry along with. Despite people’s conflicting views and endless criticisms, it will never fail to have a special place in my heart. Given how much time I’ve dedicated to this series, it’s only fair I dedicated a little bit of that time explaining my love for it too. And if you made it this far down the post, I would also like to thank you for dedicating a little bit of your time to my shower thoughts as well!

[kishimotomasashi]

Alright, Uchiha Clan oppression longpost

This is the unavoidable, and often central, topic people tend to surround their Naruto politics takes on, and is as a result a big, ugly discourse-generator. It's also a subject I'm definitely always thinking about when it comes to Naruto as a noted Sasuke stan, and my thoughts on it have changed gradually over the years. I'm making this post to share what my current interpretation on "how and why the Uchiha Clan were oppressed" is.

Before I do that though, notice on what this post is not:

I'm not writing a "discourse ender", a take meant to be spread around with the claim of being the only correct interpretation of events. This is a post I wrote to share the exact way I rotate an aspect of the manga in my mind, and to convince people that looking at it from this angle is interesting. Basically: it's not that serious, I think about this because it's fun.

This isn't a "character-bashing" post or whatever either, so like if you agree with what you read here, I suppose I can't stop you from using those infamous "anti-[X]" tags, it's just that making a post that warrants them has never been my intention.

Along with that, I do want to address the by now very well established fact that Naruto the series is Not Very Good, and has glaring inconsistencies in its writing. The Uchiha Clan drama is definitely not exempt from this, and in its case the failures in Kishimoto's writing usually show in inconsistent power-scaling, in which we're made to accept weird leaps in logic (how does a 13 year old get rid of what we're told is one of the most powerful and feared clans internationally?) That being said, those particular inconsistencies are kind of irrelevant to this particular post, and don't much change the fact that the Uchiha Clan Massacre did happen. I'll be taking it as a given that if you're reading this, you're accepting to suspend your disbelief of those events on a technical level, and are more interested in how I make sense of it all more on the diegetic social/political level.

With that settled, we can get to the important part now:

The most popular take (as far as I've personally seen) on the events that led to the Uchiha Clan's downfall is the one that takes Madara at his word: the Senju have been oppressing the Uchiha since Konoha's conception, and Tobirama becoming the 2nd Hokage gave him the opportunity to put the Uchiha in a more socially disadvantaged position (police force), gradually earning them the villagers' ire, which was the catalyst for their eventual genocide.

This interpretation works if the end goal of your analysis is to say "Tobirama really fucking sucks". I don't think this conclusion is an unreasonable one, since Tobirama's hostility towards the Uchiha is great enough that he can callously tell a 16 year old genocide survivor that if his clan "self-destructed for the sake of the village, so be it". However, to me, the circumstances surrounding the Uchiha Clan are much wider-encompassing and more fascinating than narrowing their fate to a single man in fan meta written to convince you to hate him, so it goes without saying that I don't think "this is all Tobirama's fault" is a very interesting lens to look at this from.

I also don't buy the argument that making the Uchiha cops was (originally) to their detriment. We'll get back to that in a bit. I suppose this depends on how you look at Tobirama's character, but I think that when he said he made the police force as a sign of trust and to give the clan something useful to do in Konoha, he was being genuine. Arguing the opposite requires you to either believe that a law enforcement order could ever be in an oppressed position by default, or that Tobirama created a fundamentally useless new institution because he just hated the Uchiha that much. I think the former is a weird thing to argue if you're trying to be Leftist about all this, and the latter is a very ungenerous interpretation of Tobirama's character in which his own "racism"/pettiness overshadows his more utilitarian instincts to ensure that the village his brother built was safe and functioning. Obviously you could interpret that, but that leads us back to the "everything is Tobirama's fault" take, that I already mentioned I find lame as hell.

So then, how do I think the Uchiha Clan was oppressed? Because I think they indisputably were, or I wouldn't be making this post. Well, I think it was less "The Senju/Tobirama have always wanted to lord over them and wanted them dead", and more: they became gradually more socially disadvantaged during the era of Hidden Villages, with the consecutive world wars creating a souring global opinion on kekkei genkai clans.

(I'm gonna base my arguments primarily on what we see happen in the manga, and I'll add in some information from the fanbooks/databooks that weren't contradicted by what we see happen in Kishimoto's canon)

Let's start with what we know, definitely, that canon tells us:

Kekkei genkai clans are discriminated against to a very high extent, leading to things such as their mass slaughter (eg, the Uchiha Clan obviously, but also kekkei genkai clans like Haku's clan in the Land of Mist), and a vulnerability which puts them in positions where they're likelier to be targeted and kidnapped (eg, Hinata, but also Orochimaru having a whole criminal entreprise built on kidnapping and experimenting on people possessing kekkei genkai).

The trend for their discrimination is in being scapegoated. When Haku talks about the genocides in the Land of Mist (I refuse to call it the Land of Water sorry it sounds so stupid), this is how he describes them:

(chapter 59)

basically, it's not shinobi as a whole who are badly seen even though all sorts of them were likely participating in those wars: it's kekkei genkai clans in particular. Compare this to the Uchiha Clan being blamed for the Nine Tails attack (I mean one of them certainly was responsible, but was entirely unaffiliated with the rest of the clan) and being roped off to the edge of the village as a result.

Kekkei genkai clans are also frequently described by characters as being a bit "wilder" and more violent than usual shinobi. Tobirama calling the Uchiha "cursed", Kushina describing the Uzumaki as being "a bit savage", and Kakashi introducing us to the concept of kekkei genkai initially with these fun visuals:

(chapter 25)

The thing that's interesting about all this is the context in which it exists: the shinobi villages aren't technically "nations", but I think it would be accurate to liken their possessiveness of their secrets and paranoia regarding outside intrusion + conception of themselves as unified cultural entities + incredibly harsh treatment of dissidents (becoming a rogue is essentially a death sentence) to nationalism. There's an intentse "in-group vs out-group" feeling here.

Not to mention that canonically that shinobi have always been tools of imperialism for greater powers. While Hashirama's initial dream was to put an end to that, it eventually became corrupted; there was already discontent regarding land and resource allocations during his tenure as Hokage, and while we have no idea why the 1st War started, we know that by the time we're on the 2nd one, Konoha had become a tool for the Land of Fire's imperialist expansion (and was apparently was expanding its influence as a military village, too).

(chapter 436)

Basically, the "in-group vs out-group" conception that had once solely been clan-centric widened, and became this new concept of shinobi villages.

This is important because nationalistic sentiment inevitably rises during war; as a result, there's be a sharper eye for who'd turn traitor, who wasn't supporting the military effort, who would endanger their nation/village, etc. With this, there would be greater suspicion directed towards kekkei genkai clans, because they're more "genetically predisposed" to being unpredictable, because they would appear more loyal to their own than to the whole of the village, because they were the likeliest to turn traitor, and so on.

This would be a gradual process going on since the 1st War, but I believe that the 2nd War was where this kickstarted into becoming so much worse, because that one saw the destruction of Uzushio. It was a village composed entirely of a single clan, didn't bend to any of the big 5, and the Uzumaki were "savage" and had abilities that were greatly feared. It would be interesting to consider the idea that their associations with Konoha would have done them more harm than good here, too, given that Konoha was the Big Bad in the 2nd War and an alliance with them would not have been viewed positively.

It's thinking about all this in context, where nationalism was at its peak, where there's an idea that genetic chakra abilities impair swathes of people from being regular functioning shinobi like everyone else, is how we can imagine the Uchiha were discriminated against. They had another disadvantage to them as well, given that one of the first deadly attacks committed on Konoha was done by one of them. If we want to go back to the police force argument, it would be interesting to consider the idea that while it had been a good position for them at first, the utility and influence of the institution gradually eroded over time, and by the time the era where the massacre happened came along it became nearly meaningless since most of its original functions had been assigned elsewhere; as the kekkei genkai clan discrimination rose, the Uchiha also fell victim to it and their influence within the village significantly reduced out of fear of them.

The surveillance and the sequestering of the Uchiha Clan came after two important events; the first being the 3rd Great Shinobi War, and the second being the Nine Tails' attack on Konoha which happened barely a year post-armistice. Konoha was barely recovering from global armed conflict when half of it was destroyed in that attack; tensions are high, the Hokage is dead, and so the village saw an incredibly convenient scapegoat in the Uchiha clan.

So... yeah, that's how I see it! I find this a more fun interpretation than just pointing fingers at individual characters, because it allows me to consider the wider worldbuilding of the Naruto world, and also doesn't assume the Uchiha's position was especially unique and the end-be-all of all the problems with Naruto's politics. It's certainly important, but it's part of a greater network of problems too!

[likealittleheartbeat]

hiyya!

this is something i've seen come up quite often in recent discourse about zuko, and about how he doesn't truly learn to let go of his prejudices linked to his upbringing by the final.

he is often criticized (i think rightfully so) for his treatment of aang in 'the southern raiders' ep: even though his actions may be fuelled by his desperation to make up with katara, and his own feelings of grief and anger, he is still too dismissive of (or one might say offensive towards) aang's advice and, consequentially, the philosophy of the air nomads.

in the final coronation scene, we see him acknowledge the fact that "the avatar is the real hero", and he swears to rebuild his nation "in love and peace", which definitely shows a fundamental change in his values. but. i wonder if he has matured enough to be able to respect aang as not just the avatar, but as an air nomad as well; if he has learned to appreciate not only his heroism, but his philosophy too.

i thought i'd ask your opinion on this since i really enjoy your reading of zuko and aang's relationship. how do you reconcile zuko's often dismissive nature with seeing him as aang's best friend and soulmate, the one who should be the most understanding of him?

thank you if you end up answering this, i'll really appreciate it!:)

I just think a reading of zuko as not fully reformed by the end is...just...a really bad faith take of a show all about hope and belief and (dare I say it?) FAITH.

What the Southern Raiders episode shows and is supposed to show regarding both Zuko and Katara in relation to Aang is NOT their total disregard for his culture but their need to experience and appreciate values of his culture for themselves, which is a core tenet of, at least, Zen Buddhism, but I'm pretty sure it's pretty significant to other Buddhisms and Taoism. Aang points to the moon of forgiveness, but if they were to simply take him for his word, they would have only seen his finger pointing and never have seen the moon he had hoped to show them by pointing towards it.

There is this kind of analysis that people do of ATLA and plenty of other shows that focuses on the dialogue and plot-explicit actions in a series with a literal and almost mathematical approach, ignoring the emotional beats, the narrative arcs, the figurative meanings, and the poetic experiences the show invokes. Often these kind of takes are sociological (focused on societal organizational structures and the identities they impose) and/or super rationalist (interested in the continuities and reasoning within a show as if a work of art and its characters must behave realistically). And they tend to be weaponized to denigrate a show or character (although both critique strategies could be and have been used to praise). The issue with both being used exclusively or even in tandem is how intellectual they are. They disregard emotional experiences for characters, for creators, and for the audience. I'm not inviting people to flip entirely to an emotional response--clearly I prefer a pretty intellectual approach myself. But a path that can bring in the heart and the mind into an analysis that is generous and wise ought to be the end goal, not necessarily of a single piece of writing but of your overall collaborative contribution to the analysis.

To get back to your question now, it's pretty hard for me to see Zuko, as the fucking emperor at his own coronation, saying that he should not be celebrated but instead giving the glory over to "the Avatar" as anything other than Zuko putting the value of humility so important to the air nomads into practice. And then we see him accepting help from Mai to put on his robe, serving tea to the gaang in Ba Sing Se (which demonstrates the reopened connections with the other nations), and naming his friendship with Aang, not the Avatar but Aang! Idk what more people want.

I have a guess, though. People want perfection. They want Zuko to jump beyond the limits of his narrative and history to be a political ideal that will never falter, that can say all the right words (somehow in the last five minutes of the series), that won't provide the springboard for the modernity that comes about in Korra. They want his "redemption arc" to be about "redemption" in the Christian sense, the deliverance from sin and its consequences into a post-show afterlife of purity. The purpose of the Avatar and the lesson Aang both learns and teaches his friends is about aiming for balance and the value of humanity. That is the key value he brings from the air nomads, and it's the one Zuko has integrated for himself by the end of the series. It doesn't mean he did everything right by Aang once he joined the gaang, only that he stopped demanding perfection from himself and others, easing the frustration and self-hatred that had plagued him. He also doesn't need to blindly agree with Aang or Katara's ideas just because they were marginalized by his people (and him directly lol), but Zuko's field trips are all about him observing and supporting others, which requires him to accept that he has more to learn and that's okay.

Humility is so unpopular in the discourse where I'm at rn because it's seen as self-effacement, when, in fact, humility has more traditionally been understood as acknowledging and expressing gratitude for the people, circumstances, and gifts that have allowed you to be in the position your in and have the chance, skill, and responsibility to act. Aang expresses humility in the choices he makes to acknowledge his culture. Zuko does this as he acknowledges Aang and the guiding force of the Avatar.