#really liked the difference of opinion here

[alotofpockets]

Finding comfort | Katie McCabe x Teen!Reader

Where you're always very timid, but open up to Katie

Woso masterlist | Words: 1k

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You had never been great at new environments. It always takes a long time before you are able to warm up to people you don’t know. So, being called up to Arsenal’s senior team and being surrounded by a whole new team definitely wasn’t an easy task.

The first few weeks had flown by, but you hadn’t really spoken to any of your teammates, besides giving short answers to their questions.No one seemed to mind that you were so timid, never pushing you. 

Behind your back they had spoken about it, not in a bad way, more so that they were worried that you weren’t comfortable here. They tried in different ways to make you feel more included, hoping you would start opening up more, but despite their best efforts not much changed. However, your teammates were patient with you, and you were grateful that they weren’t pushing.

“Good morning, are you ready for training?” Kim said as she sat down besides you in the locker room. You smiled timidly and nodded. Your team captain smiled and quietly got ready besides you. Around you the room was buzzing with the chatter of the rest of your teammates.

Training today was a gym session. You enjoyed gym days because for the biggest part of it, you were working individually. While yes football was a team sport, so that part was very important, the individual work made you feel more comfortable with the new environment.

You started with biking, as that was usually the equipment that everyone liked the least, so you would have the space to yourself. After a few minutes of cycling, Katie walked up. “Hey Kid, mind if I join you?” In response you nod. She sits down on the bike beside you and starts cycling with you.

After a few minutes of silence, Katie turns her head your way with a serious expression. “I’ve got an important question for you.” You turn to her, worried about what she might ask. Katie McCabe wasn’t known for being serious, so this must be something big or important.

“Do you think cereal is a soup?” You look at her in disbelief, definitely not having expected that question at all. “That’s your important question?” Your lips curl up slightly. “Yes, I need to know where you stand on the matter.” She says just as seriously as she started.

This time your smile breaks out and you start laughing. Katie smiles proudly before she joins in on your laughter. “So,” She says when the laughter dies down. “Is it soup?” You shake your head. “Definitely not and you can’t convince me otherwise.”

Katie gasped, her face filled with shock. “Not soup? Unbelievable. I thought you had better judgement, Kid.” You felt the walls you had up crumble bit by bit every time she joked around. 

The sound of your laughter caught the attention of a few of your teammates in the gym. They looked at the intersection between you and Katie with smiles on their faces. Who would have thought that Katie would’ve been the one to get you to open up more?

“I will let you off the hook this time. Everyone is allowed one wrong opinion, and you have just used yours.” You shake your head with a chuckle. “Good to know.”

The two of you continued chatting throughout your bike session. The team occasionally looks over, happy to see that you are feeling more at home. Wondering what kind of magic Katie used to get through to you. 

“Do you maybe want to join me and toss the ball around?” Katie is quick to say yes, happy that you want to continue opening up to her. “Right behind you.” She says as she gets stopped by Leah on the way.

“I’ve never seen her like this. How did you get her to open up?” The blonde asks full of wonder. Katie shrugs, “I told you that I am funnier than the rest of you.” She walks off proudly, leaving Leah standing there dumbfounded.  

You had picked out the weight that you wanted to use right as Katie walked up. “Alright, show me what you got, Kid.” She stood a few steps in front of you and got ready to catch the ball. You held it at chest height as you squatted down and in your movement up, you threw the ball her way. She did the same movement before tossing the ball your way again.

Just like on bikes, the two of you were chatting. It seemed like you were getting really comfortable with Katie, and there was just one thought on the older players' mind. “Why me?” She asked out loud before thinking.

“I eh, I mean you’re opening up to me and I was wondering what made you do so with me?” She threw the ball back your way. You catch it with ease and as you squat down you answer her question. 

“You just made me feel safe.” You toss the ball back but Katie is so caught by surprise with your answer that it just falls to the ground in front of her. “I win.” You say with a proud smirk.

“Yeah yeah, well done, Kid.” Katie tries to shrug off the loss, but ultimately she’s feeling very good, because she had created a safe space for you without even realising it. Growing up with younger siblings had unintentionally prepared her for youngsters joining the team.

“I want a revance on this next training.” You shake her reached out hand. “Deal, but don’t be upset if I beat you again.” Laughter erupts in the room. Your cheeks turn a bright red when you realise everyone was looking at you. 

Katie notices and puts her arm around your shoulder. “Get used to it Kid, that humour will get you far with these girls.”

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[anna-mellgren]

I have been asked about my different experiences living in different countries a lot so I will share my thoughts here.

America: I partially grew up in the USA so I never experienced a proper culture shock in the USA because I was so young when we lived there the first time.  I just noticed the differences from Sweden instead. Americans are so friendly so any homesickness was always cushioned by that. I just accepted America for what it was but it is obviously a lot more conservative & religious than Sweden. Americans can be super friendly but sometimes that friendliness can be a little superficial… swedes are more reserved but more loyal instead when you get to know them well. Female athletics is more developed in the USA which I liked. I had a good school experience and probably had a more chill time than most people had in high school.

France: I only lived in Paris for 6 months and I mostly hung out with international students who were studying french so I am not sure I can give a super accurate opinion of france. I got to know a few french people through a friend and they were similar to swedes in a way… they are very liberal, they ride their mopeds, they like soccer, they have a healthy aversion towards religion, they are not huge fans of loud people etc. Parisians are very cosmopolitan people and I got on really well with the ones I got to know.  I know parisians have a reputation for being rude and they are rude to tourists lol but honestly, the amount of tourists in Paris is insane. Even I, as a foreigner, could get annoyed with them at times. I liked to run by the Seine river and tourists would try to stop me mid-run in order to take their pictures? Why couldn’t you find another tourist to do that for you when I am clearly running? I think the french are similar to swedes with being reserved but very kind and loyal once you get to know them. I think being reserved can sometimes come off as being rude if you don’t understand the culture. I got to know quite a few french people living & working in the swedish arctic... for some reason a good chunk of french people have ended up there. I think they really like the nature & the swedish tourism industry will hire french people because they get a good amount of french tourists who like to visit the arctic and someone needs to be able to communicate with the french as they are notoriously bad at english. I even know a few french people who have set up their own businesses in the swedish arctic. I am just glad more people are discovering the magic of the swedish arctic :)

Ireland: I think I suffered a big culture shock in Ireland. Before then I had a slightly naive/american view that european countries are more similar than they actually are? I think Ireland has to be one of the most extrovert countries in Europe while Sweden is probably the most reserved… so that is a clear cultural difference. I used to think americans could be chatty & loud but some irish people are like americans on steroids. Sweden is one of the most atheist countries while Ireland is one of the most religious countries in Europe. Sweden is probably the most liberal and Ireland is one of the most ~historically~ conservative countries in Europe. Ireland has become a lot more liberal recently but I think Sweden is farther ahead on certain things… especially when it comes to sexism & behavior between the sexes.

Ireland had a certain lad culture when I was there which was honestly a bit unhinged. I know there are bad apples in Sweden but I don’t think their bad behaviour is accepted in Sweden as it is in Ireland.  I think the lad culture at university is exacerbated by a lot of people going to catholic girls & boys schools while growing up so they don’t interact with each other as much as they do in mixed schools in sweden & the USA. It was like they didn’t know how to behave towards each other? The emotional intelligence just wasn’t there at times. The banter sometimes went too far and became bullying in my opinion. The way guys talked about girls really got on my nerves too…not about me specifically but just girls in general. I remember there was a girl in my course who slept with a guy and the stuff I saw written on social media and what was said in real life really shocked me. My one irish friend said it was just “banter” and I would say no… it was stone-cold misogyny/sexism. I would then be labeled as “someone who didn’t understand banter” but Ireland legalized divorce & decriminalized marital rape in the 1990s (which is actually insane) so to be honest I don’t think they have the upper hand when it comes to defining misogyny? Their humor is based on slagging each other off which is fine but I sometimes think people took it too far... I prefer swedish humor which is more based on self deprecation & is a bit similar to british humor.  I think I was not willing to adjust and that caused me problems but I think the school culture as a whole was more toxic compared to where I had lived before. I think I got a bit unlucky with a few people to be brutally honest and I don’t think my experience resembles Ireland as a whole but the culture was a bit harsh. I remember girls rating each other on social media with bitchy comments on their friends' pictures by writing “6/10”… people who were friends with each other? None of us look like Adriana Lima but why put each other down? Or make someone feel mediocre? Some girls were seriously vain and judgemental & I missed the strong feminist sisterhood I felt in Sweden or the sisterhood I felt in sports in America. To be clear, many irish girls were genuinely nice & perfectly fine human beings but a few definitely gave off the vibe that I belonged with my fellow foreigners in the course. Every time I kissed a guy there would be random guys taking pictures of me and post it god knows where? Guys I didn’t even know? Just to gossip or slutshame me for kissing someone? They did this to everyone, not just me. Fairly certain people couldn't care less if I ever kissed a guy in Sweden or the USA.

People in my course made facebook groups and wrote mean things about people who were not in the groups… just things like that. I came from a super laid-back enviornment with very opened-minded people so I had a hard time adjusting to this harsher, sometimes hostile, environment. I don’t think I was a specific target but I didn’t feel comfortable there. One day I was walking down the street and a passing car threw eggs at me?  I have pretty good eyesight so I saw the ex-girlfriend of a guy I knew in the car…I think I got hit because I had kissed him a few months before. Stuff like this just doesn’t happen in Sweden. I lived in a smaller city and maybe I would've been happier in a more cosmopolitan place like Dublin. I think there are many great people in Ireland but I found the university culture to be very gossipy, mean, judgemental & cliquey. They all thought it was normal but it rubbed me the wrong way. Looking back I think some people were just immature and have probably changed a lot. To be fair, I never gave it a real shot because I was unhappy and struggling with autoimmune issues. Not all people were like this but when you find yourself in a place where you don’t know anyone and a few people treat you in a very bad way then it can have a big impact. I think people matured with the years and chilled out a bit to be fair but I never experienced it because I left. I have met many great irish people so in a way I just think I was unlucky and perhaps would’ve had a different experience if I stuck it out. Not all people were bad in my course either, the majority were perfectly fine people but I think initially the people who had lived in this city their entire life were unbothered with making friends or being friendly. I think they branched out later on. I think I had lived in a bubble before then and I had just never experienced anyone mean before? Which is probably a bit bizarre too, to be honest. My school experience before then was people being either nice to me or neutral… like I was just another human on planet earth.  In my honest opinion, I think some irish people are like Conor Mcgregor and truly embrace lad culture but there are also plenty of irish people who are salt of the earth and have the same aura as Cillian Murphy. From day one I never understood how anyone could fancy a huge twat like Conor Mcregor when there are men like Cillian Murphy, Francesco Totti & Henrik Lundqvist roaming the earth.... people need to get more cultured. I feel quite bad for the irish people who were embarrassed by Conor waiving the irish flag around the globe. I would even say the majority of irish people are like Cillian Murphy & have the same values as him. I think Ireland has a unique culture, people are generally friendly despite my experience & the nature is beautiful. My mental health suffered that year and I moved home which was definitely the right decision for me. I should’ve been more social but I didn’t have the mental or physical strength with my anemia. I knew a norwegian girl in ireland who seemed to love everything about it and I always compared myself to her. I felt like a bit of a failure for feeling like I did until I met a danish girl who had a far worse experience than me in Ireland and it was a bit comforting to know I was not alone in how I felt. I think experiences are subjective & overall I learned a lot. I don’t dislike Ireland or irish people at all, to the contrary actually… I just didn’t have a great experience. In a way, I think moving home to Sweden was a long-time coming. I have irish family these days and will probably visit Ireland from time to time for the rest of my life & generally I do think it is a nice country. No place is perfect.

Argentina: I think south americans in general are very welcoming and warm people. However- Argentina, like many other South American countries, have problems with corruption & crime etc but people are very loving. You will hopefully be fine if you just take some extra precautions but I think you have to be very mindful as a woman and be careful. Don’t get into taxis alone. Watch your drink on nights out. Don’t drink too much and always be in full control. Never leave a friend behind. Just stuff like that. I came to Argentina with limited spanish & lived with an argentine host family. All of my argentine classmates spoke terrible english which was great for me because I was forced to learn spanish. I was put in a class and the girls in this class took me in as one of their own. They brought me everywhere and I was their swedish mascot who just tagged along everywhere lol. I was treated really well and still keep in touch with them today. They said I was less shy after 5 months but it was not until then that I could understand what they were saying lol. Argentine families sometimes have limited means but they truly taught me the value of making the most of what you are given and making the best of what you have. I volunteered with handicapped children during my time there and these kids would correct my spanish non-stop which was great. My Argentine friends were too lazy to correct my grammar lol. I went running with a blind 14-year-old boy who had developed an eye disease just years earlier and I think this volunteer work really put life in perspective for me. Overall I had a great time in Argentina and I hit the jackpot because I spent my exchange year in patagonia. I had the classic experience of falling in love, traveling, going to school & just being fully immersed in argentine culture. My entire high school class came to wave me goodbye at the airport when I flew back to the USA <3 I will always look back at that year as one of the best years of my life. I think being an exchange student in high school is very different compared to being an exchange student at university. You’re still so young when you’re in high school and people are not as independent yet. You really get to experience family life, school life & the youth culture when you go as an exchange student in high school. I later lived in Buenos Aires for 6 months and studied at university during my gap year after living in Paris. I had a great time in Buenos Aires but I think my high school experience was more unique. I loved Buenos Aires though & the girls in my course would invite me to BBQs etc and I had a great time.

These are my experiences of my adventures living abroad. I would urge everyone to travel because nothing makes you appreciate home quite like living abroad. Or perhaps you will find a new home if the home you grew up in made you unhappy.

one thing about me……..i am hyperaware of the Vibes

[luvmanifesting]

HOW I INDUCE IT AGAIN..???

my dm’s are SMOTHERED in questions so i’ll answer everything here as detailed as possible, after my two recent posts regards to what i manifested (which is the one i got most questions about ill explain how i induce pure consciousness)

i wanna remind you guys i don’t use pure consciousness EVERY DAY i just induce it unintentionally, but again i said this in my first post of how i induce pure consciousness. i literally lay down and daydream and thats it. i only affirm maybe like 2-4 times and then my consciousness shifts because i’m too busy to affirm and worry about the 3D. AND thats literally it i’m being so honest with you, thats all i do. now how would i be aware i’ve induced it? well in my opinion it just feels like nothing is there anymore i can’t really explain it😓 And i simply come back to reality from just wiggling my toes. its not hard guys please please FOR FUCKS SAKE stop crying about how its hard to do, sorry if i come off rude but the constant DMS of how i do it and how to induce is a lot to take in, i literally have a life. maybe try not to vent to me? i’m not a therapist nor a scientist i’m not going to have answers to everything. My DMS will be off for a bit not because im irritated but because its flooded and it overwhelms me. i don’t have time to reply to 567 messages. i’m still in school and timezones are completely different i’m IN JAPAN.

SMALL RANT

also i wanna do a face rev soon should i do one?? it won’t be now but it’ll be when this semester ends japans schooling system is different from america I ALSO wanna show you guys my life on ig should i do that too??

[centrally-unplanned]

I really enjoyed this video by Angela Collier as someone who is of the "Feynman Bros" generation without being a member of the thing itself. I was of course part of the "XKCD science nerd culture" of the 2000's where he was a valorized figure, but never read any of his books, and generally just wasn't a science person in general so the whole vibe didn't appeal. I certainly noticed the 2010's culture shift where people - rightly so in my opinion - noticed that many of his "anecdotes" were casually misogynistic or harassing. I know both sides of the track here decently well without having any stake in it.

So it was quite shocking to me to learn - spoilers - that Feynman never wrote a single book. Every one of those texts with his name splashed on it is by someone else, and sometimes with quite minimal involvement by him! He had this weird coterie of fans who just loved his stuff so much they collected his anecdotes, recorded lectures, and so on, and made books out of them, often well after the fact. And of course at certain point "cashing in" on the brand took over.

Which leads, inexorably, to the fact that it is a little difficult to glimpse the "real" Feynman, because half of the published stuff is just made up. Surely You're Joking is the exaggerated stories of a 50 year old man trying to impress a 20-something dude with how cool he is, telling tales decades after they happened. I had never read the book, so hearing direct quotes from it of Feynman "pretending to speak a language he didn't and being So Clever he tricked his audience" are just...obviously not true? What the fuck are you talking about??? The best part for me is that the book, of stories from the life of a physicist, never involves...other physicists. It is always random people at a bar or hotel. Because, you know, they can't contradict them? The one time he did name someone, Murray Gell-Mann, in a story, Murray objected on the grounds that it was false and they were forced to change it! You had one job and you fucked it up, person-who-isn't -Feynman-pretending-to-be-Feynman-while-writing-the-book.

This is very much a video in my wheelhouse of cultural history - Feynman is just a guy. His brand, like all brands, is manufactured, and so there is a story behind how it was manufactured & why. I think I can see Feynman's rise as part of the general rise of "nerd culture" that accelerated in the 1980's, and the very deep need to both be "pure" nerdy (something finally dropped in the late 2000's) but also cool, to fight back on the rep. A womanizing scientist deeply appealed at that time, one who can Have It All. The idea of being the Smartest Guy In The Room was admirable, not insufferable. Then times changed, and the whole edifice can be a bit cringe. With, of course, a real person behind it all that one has to sift through to see.

Also, you do sometimes look at the past and go "man, people really did act differently back then". And that is true! But part of that story is that people just felt way more comfortable bullshitting you about it. Makes it a bit hard to say how things really were.

[covenofagatha]

Could you write Agatha/reader where the reader discovers they have a nursing kink 🫠 The ending of chp2 of sugar&spice was so so comforting

I don't know if this is exactly what you had in mind for this request, but hopefully you still like it! Thank you to everyone who voted for this, here you go!!

Nurtured Desires

When your mom's best friend who just had a baby gets caught without a pump, you take matters into your own hands to help her out.

Word count: 1900+

Warnings: nursing kink, lactation, fingering

You’ve always found your mom’s best friend, Agatha Harkness, incredibly attractive. 

But ever since she gave birth three months ago, there’s been something even hotter about her. 

Maybe it’s the way she’s always exhausted but still finds time to smile at you when she sees you. 

Maybe it’s her nurturing side on display that’s tapping into some unresolved mommy issues you have. 

Or maybe it’s the way her breasts are huge and full and she makes no effort to hide her cleavage. 

You feel like a gross guy every time you find your eyes drifting down, but who can blame you? 

You’re pretty sure Agatha has seen you staring a few times, too. But every time, she just gives you a smirk with an imperceptible shake of her head, like she’s scolding you because she knows that she should, not that she wants to.

Her kid, Nicholas, is cute enough. You don’t really know enough about babies to have an opinion, but he gurgles and giggles when he sees you sometimes. When you hold out your finger to him, he’ll grab it with his entire fist and it makes you smile. 

Your mom had been named Nicky’s godmother and you had tagged along with her to the baptism. You can still remember how it felt when Agatha had hugged you, pressing her breasts against your chest. You had been able to think of very little else during the ceremony. 

Agatha had the two of you over to her house a lot after her son was born. Your mom was all too happy to help out, as Nicky’s father was barely ever home and Agatha was exhausted. You kept the older woman company while doing homework for your college classes in the kitchen while she prepared a light snack or in the living room while she caught up on the newest episode of the show she was watching. 

But it was inevitable that Nicky would start crying and Agatha would have to take him into her bedroom to feed him. 

Is it weird that you wanted to know what it was like?

Never before had you been so transfixed by the thought of that, and you had been around several of your mom’s and older sister’s friends who had given birth. 

But everytime, when Agatha could come back out of the room, holding Nicky with her shirt unbuttoned more than it had been, you couldn’t help but feel a tinge of jealousy. 

There is something especially different about today. 

It’s Thanksgiving, and every year Agatha has a lunch where she invites people from the neighborhood over. Her husband has taken Nicky to his parents’ house to give her a break and it seems like she is back to her normal self.

But Agatha has decided to wear a short, tight, navy dress with a very low cut, reminding you that something was still not normal. 

You’re practically drooling over her. There are several times that someone says something to you that you don’t even hear because you’re too busy staring. 

Is she wearing a push-up bra? How are they that perky? You’ve never wanted to suck on something more. 

You physically shake your head to get rid of those thoughts. 

She is your best friend’s mom. She just had a baby. She is married. 

You repeat those sentences like a mantra as you finish helping cook the food. You’ve been tasked with making mashed potatoes, which is a pretty easy job. 

Finally the meal is ready, and while you’re setting the table with your mom and another friend of hers, you notice that Agatha is nowhere to be found. You frown and check back in the kitchen. She’s not there. 

“Mom, did Agatha go to the bathroom?” You ask, hoping she doesn't ask why you care so much. Your mom shrugs absentmindedly, too focused on balancing the plate of cranberry sauce with the bowl of casserole so she doesn’t drop either. 

You glance at the hall bathroom to find the door open. Spurred on by something, you head up the stairs, just to make sure Agatha’s alright. It’s not like her to just disappear. 

“Agatha?” You call out and you hear a muffled sound coming from her bedroom. You can hear the front door open downstairs and you assume more guests are arriving. You tentatively walk into her room, the floor creaking. 

And that’s where you find her sitting on the bed, her back to you. 

“You okay?” You ask, not really sure what’s going on or how to explain what you’re doing. 

She sniffs and turns around and your jaw falls open. 

There’s two damp spots on her chest, visible on the navy material. 

“Uh–” You have no idea what to say. 

“I’m such an idiot, I had all the nursing stuff in Nicky’s bag and it’s with my husband, and I thought I would be okay,” she mutters angrily and you walk over to where she’s sitting, as if in a trance. You think you can smell it. 

“Is there anything I can do?” You ask breathily, falling to your knees in front of her. It sounds like you’re on something and she looks at you with surprise and maybe a little of something else. 

“You want to help me?” Her eyebrow raises like she’s daring you, but you don’t back down. You nod and her lips part. You think her pupils are dilating. “I see you staring, you know. You’re not subtle.” 

You shrug shamelessly, hands coming up to rest on her bare thighs. She gasps as the touch. You think she must be so sensitive. “Let me help, please,” you beg, staring up at her. 

She holds your gaze for a second and then obliges, reaching behind her to drag the dress zipper down. Your heart stutters in your chest when the front of the dress loosens and more and more of her pale skin is revealed. She’s wearing what looks like a special kind of bra and you move to touch without even realizing. 

You cup her swollen breast and run your thumb over her nipple through the fabric. Agatha’s breath hitches and she bites her lip, eyes watching you through hooded lashes. 

“Baby,” Agatha says, silently communicating what she needs, and you pull her right breast out over the bra, sit up on your knees, and take her leaking nipple into your mouth. 

Her head falls back and you moan at the taste. It’s so warm and rich and you start suckling, just wanting to bring her some relief. 

“Fuck,” she says sharply and you feel a spark of heat grow inside you. You keep drawing out the milk and her hand comes down to grab your left one and bring it to her other breast. You scrabble with her bra and she eventually gets fed up and reaches behind her to take it off. You have to take your mouth off of her for a second and she whines at the loss of the stimulation, but you quickly make up for it by sucking her other nipple into your mouth. 

The spark has become an ache, but you’re too caught up in the taste of the older woman to care. 

You use your teeth and tug and her fingers bury into your hair, holding you close. You can hear her making small noises and you switch your mindless lapping to a slow, steady rhythm of deep sucks. She brushes your hair out of your face so she can see you better and is perfectly content to watch you like that. 

You move back to the right nipple, but play with the left with your free fingers. She whimpers when you’re particularly rough with a suck and her hips jerk. 

You freeze around her breast and meet her eyes, which are completely glazed over with lust and desire. 

“Please touch me,” she whispers, hands moving down to hike up her dress. “I need it so bad.” 

Who are you to say no? You reach up under her skirt and feel her underwear and you gasp, her nipple dropping out of your mouth. 

She is soaked. Her underwear is dripping. You wouldn’t be surprised if there was a puddle on the bed under her. You almost cum on the spot. 

You slide them to the side and push two fingers in easily, eyes widening at the feeling of her warm and wet walls clenching around you. Agatha inhales above you and drags your mouth back to her nipple. You latch on, resuming your sucking, and you start moving your fingers. You curl with every thrust, teething harder on her nipples and drinking her milk, and she bucks her hips up every time. You rub her clit with your thumb and her moans are getting louder with all the stimulation. 

“Fuck, baby, so good, so close,” she pants. You can feel her getting tighter around you and you increase the pace of your fingers, sucking rougher. 

She cums and it’s explosive. There’s a gush of milk into your mouth and the hand on her other nipple gets drenched. You fuck her through her orgasm, still sucking the remaining milk out of her, until it gets too much and she pushes you off. 

You’re both breathing hard. You can feel how sticky and wet you’ve become between your legs, but you know better than to ask Agatha for help with that now. You're not sure what this even was.

“Feel better?” You joke and she chuckles, ruffling her hair. 

“Yes, thank you, dear. You seemed like you enjoyed that.” 

Now it’s your turn to laugh. “Yeah, I didn’t really know I was into that. Anytime Nicky isn’t around, just call me up.” It’s meant to be a jestful quip, but her eyes darken. 

“You’d like that, wouldn’t you?” She muses and the blush on your face gives you away. “Okay, go back downstairs now and rejoin the party. We’ve both been gone long enough. I need to change clothes.” You start to move but she stops you. “Oh–and sweetheart?” 

You pause and look back at her. Agatha swipes her thumb across your chin and holds it up, milk droplets coating it. Before thinking, you take it into your mouth and suck, much like you had just been doing to her nipples. Her low groan excites you, but she’s right. At the very least, your mom is wondering where you were. 

“Thank you,” she says with genuine gratitude in her voice and you smile. “Now, go.” She playfully swats your shoulder to shoo you away and you bite back the urge to ask if it’ll happen again. 

You glance back when you get to the door just in time to catch a hint of her naked body and you have to force yourself out of the room so you don’t accidentally go back in for more. 

When you go downstairs, your mom immediately finds you. 

“Where have you been?” She asks. “The food is all ready, we’ve already started eating.” 

“Oh, I had to help Agatha with something.” Technically not a lie. 

She purses her lips but can’t complain. “Well, come get some food before it’s all gone.” 

There’s footsteps on the stairs and you look up to find Agatha walking down in a maroon suit and your mouth runs dry. She sees you staring – like always – and gives you a wink. 

“You know, I’m not really hungry,” you say to your mom, completely distracted by the older woman and the taste of her milk that’s still on your tongue. 

[selfdesructivedisaster]

YASSS. So I don’t agree with all your points but I’m so happy to be having these complex moral discussions about my favourite musical!!!

To preface, I think you’re 100% right about Glinda obviously being the more selfish one of the two. To imply otherwise was dumb on my part lol.

To start at your first point, i don’t think having more justifiable motivations makes someone more or less selfish. Yes Elphaba only wants to be normal so people can stop judging her based solely on her appearance, but if anything id say this is a more selfish motivation than just wanting social status and fame. We often confuse selfishness as a bad thing, but when you’ve been ostracised and hated your whole life like Elphaba has of course you’d be mainly concerned with changing that. Her motivations in act one as a character are entirely for personal gain, to be see as normal. As to where Glinda who only wants status and love just because she likes it (my superficial queen) . it isn’t as intrinsic to her character as being accepted is to Elphaba’s character. Like, if you took away their selfish attributes: Glinda would definitely be changed, but Elphaba would just be an entirely different character!

To your second point I do think you’re partially right! Elphaba doesn’t want Glinda to ruin her life just because, she just wants her to fight against the injustices relating to animals! And the social isolation and hatred that would follow is just a byproduct of doing that! But here’s where Elphaba’s selfish tendencies shine the strongest in my opinion. Elphaba is so morally high and just that she’s is looking past social consequence and only focusing on political justice. She is ignoring how big of an ask this is and ignoring how doing this morally right thing would be a personally awful thing for Glinda. It’s selfless of her to fight for the rights of marginalised people because it’s going against her OWN initially selfish motivations but then going around and asking someone to do the same is selfish because even though Glinda also cares about animals, she has no obligation to ruin her life to help them out. asking this of Glinda even though she knows how miserable a life like that would be for her, is a selfish ask!

Now with all that being said you are 100% right that during Defying Gravity Elphaba goes through a change in her character that makes her more selfless than Glinda. But I think ignoring her initially selfish and self-centred roots takes the nuance out of the situation 

By having Elphaba make a personally selfless choice it really contrasts the selfish choice she’s asking of Glinda.

This metaphor is a little out there so bear with me— what if a vegan asked their meat loving friend to also be a vegan because they both hate the exploitation of animals. Who is more selfish? The vegan asking her friend to do something they would obviously not want to do? Or the friend continuing to eat meat despite hating the exploitation?

There’s no right answer because they both have their justifications and rebuttals!

I don’t believe Glinda’s decision was a wrong one because putting morality over personhood is an objectively difficult decision! Even tough I 100% agree with Elphaba’s decision to fight against the wizard despite being hated for it; i don’t think I could do the same!

Anyways this is super long and sorry I was just so passionate about ur response lol. I really hope you respond to this because I would love to hear your opinions feedback!

I love how inherently selfish both Glinda AND Elphaba are as protagonists. But where one gets praised and admired for it, the other gets demonised and hated.

People always attack Glinda’s decision not to runaway with Elphaba, but no one acknowledges how overtly selfish it is to ask that of someone.

Elphaba is asking Glinda to throw her ENTIRE life away for her. To be ostracised and hated all throughout Oz when she knows full well how badly Glinda cares about what people think of her.

And while Elphaba is used to such ostracisation, Glinda is not.

It is an equally selfish decision refuse Elphaba request. To perpetuate corrupt beliefs you don’t believe; in order to be accepted and validated by people in power.

They’re BOTH in the wrong, for entirely different reasons. It was an impossible situation with no right answer. And I’m sick of people acting like Glinda made the “ wrong choice ”

[ir-abelas-vhenan]

Something Something Yeah It's Still Solavellan Hours (Mythal is kind of here, too)

I've seen a few very beautifully articulated posts talking about the conflicted responses players are finding themselves having in regards to the decision by writers* to have Solas' atonement route possible because of his conversation with one of the remaining fragments of Mythal.

(*honestly I hesitate to put the weight of bigger game events on their shoulders because of how much I know bigger players in the company were involved, so when you read 'writers' know I just mean whoever had final say on plot)

I love reading where people are at on this, and having now breathed, re-played the scene, cried, read some more theories, and then played the scene again enough times I think I'm now able to figure out where I'm at.

TLDR: in my humble opinion, the conversation Solas has with Mythal doesn't bring him any actual closure at all. It is only the version of the atonement ending that has Lavellan in which he is actually set upon a road to redemption.

This, like everything else where I lose my mind, will be long. I tried to restrain myself and here we are, unhinged as ever.

I was unhappy at first that Mythal's incredibly brief conversation with Solas where she releases him from her service seemed to be what finally allowed him to make a decision based on his wants and not hers. My concern stemmed mostly from the fact that a lot of us are trying to be active participants in a society that recognizes patterns of abuse and seeks to establish channels through which individuals can pursue healing without the approval, consent, or demise of their abuser.

But the more I look at the scene, the more I wonder what would have happened in a world where Veilguard got just a little more time in development. Could we have gotten a scene that more elegantly conveys the theme that we cannot heal every part of our loved ones, much as we might like to?

In an imperfect world it isn't always up to us how someone finds closure, which really sucks when you'd like to ensure a loved one finds it in a way that preserves their dignity and limits exposure to the individuals who have harmed them.

And while it could be left there, I'd like to actually push back on the idea that Mythal is in any way responsible for "healing" Solas in this moment.

I went on a different tirade a few days ago about how at the end of Inquisition, Mythal says words to Solas that on their surface seem well-intentioned or placating, but they actually just serve to further bind him in guilt and a position of servitude. In Veilguard's finale, she still does not take accountability for exactly how much of a role she played in the pain that Solas, a man others have revered and feared as a god, has gone through as he cowers, actually cowers before her.

Mythal's interaction with Solas conveys exactly two things to him as far as I am concerned (I'm going to botch these quotes but my laptop is dying so please accept some paraphrase as I rush to finish this before I go cry about this analysis to my uncaring dog):

"The terrible things we did, we did together." You are forever tied to me.

"I release you from my service." But what am I releasing you to?

Because up until Lavellan joins the fray here, all I take away from the physical and unwilling emotional cues Solas gives in this scene (he is a master in trickery, for goodness' sake, the thought of so many witnesses seeing him unable to hide behind a mask has to leave him feeling anguished on top of everything else) is that Mythal has once again reminded him of everything he did in her name and telling him that all that's left for him is to go back to the fade prison and, as he as always done, endure the crushing weight of his failures alone.

To me, in my interpretation, the Solas that hears this from Mythal with no Lavellan intervention may choose to willingly step down from his original plan (and yeah, that's gonna do some damage) but he is certainly not free of his past. He's going to be reminded of it every time he turns a corner and finds more blight to try and soothe, and even the moments that he rests will be filled with more manifestations of his regret. He says it himself: where he's going? It's terrible.

Enter Lavellan. Yeah, he couldn't bring himself to listen to her at her first plea (but like damn how many times are we going to have to watch her give a heartfelt speech only for him to be like 'something something beautiful elven rejection'). But I know that you know that our clever icon knows better than to take what Solas says at face value. She tells Rook plainly that he's absolute dogshit at lies of the heart, and she says it with her whole chest.

Lavellan sees the way his shoulders slump (in resignation yes, but you can't convince me there's not a little bit of relief there, too), she hears the agony in the "vhenan" that escapes his lips (which, don't even get me started on the fact that it's been like nine years and he has no hesitation at all calling her his heart, it just spills out of him). It is not the sound of a man delighting in the steps he's about to take. They're certainly not steps he does not dislike that lead to a destination he enjoys.

And then she watches Mythal (who I can't imagine she feels any sort of fondness or respect for) pull some weird nonsense on her love one final time, and she knows it's her moment to shine.

Mythal, I would argue, pushes Solas down one more time, shames him into seeking atonement, into once again being alone.

It is the romanced Lavellan that kneels so that he cannot fail to meet her eyes. It is she who invokes their connection, not to remind him of his failures but to reaffirm his greatest strength: their love and their love alone is inevitable. Not the consequences of his past, not the regret he thinks will consume him as he seeks to mend what has been broken. It has only ever been them.

"There is no fate but the love we share". We are forever tied together.

"There is no fate but the love we share." *I* am releasing you from everything else save for this love.

Put colloquially: get absolutely fucking wrecked, Mythal.

Body language comparison to chase up the dialogue one, anyone? The way Solas shrinks before Mythal as opposed to him walking off into the fade with Lavellan at his side and standing tall, and he does not flinch when she lifts a hand to his shoulder?

Ultimately, Mythal is a part of the atonement endings no matter what. But it is only Lavellan that refuses to let him walk alone. It is only Lavellan that guarantees that his dinan'shiral ends not in a prison of regret, but a place of promise.

Mythal bends Solas until he breaks one last time. Lavellan takes each piece, claims it as hers, and uses them to build the beginnings of a future.

[sheerfreesia007]

Love Behind The Lyrics

Pairing: Han Jisung x Reader

Word count: 2,602

Content warnings: Fluff

Summary: Jisung is surprised to find out that you used to write poetry while in school and he’s even more surprised when he finds out that it was actually really good and inspiring. When he asks you to read your new work after you confessed that you still wrote poetry you’re a little apprehensive. But after he forgets his lyric book at your apartment you find an opportunity to share with him. Will he like it still or prefer your older work?

Jagi: Sweetheart, Pabo: Fool

It was a lazy weekend for you as you rummaged through a box from your closet that you had meant to go through ages ago. Han laid out on your couch lazily scrolling through his phone before he turned his head to look over at what you were doing. You didn’t hear him get closer to you as you were too focused on the contents of the box, but when he reached around you to grab the tattered black and white composition notebook you jumped nearly out of your skin making him laugh delightedly at scaring you.

”Sorry! Sorry! I didn’t mean to scare you. But what’s all this?” He asked as his hands landed on the notebook and pulled it out making you try and grab it from him in a slight panic.

”Old school stuff.” You huffed out quickly before turning and trying to wrestle the notebook from his hands. “Give it back.” You scolded him softly as your hands also grabbed onto the notebook and he looked up at you with shocked eyes before looking back down at the notebook. It was a regular black and white composition notebook that had a bunch of peeling stickers stuck all over it in a chaotic mess and written in your sloppy handwriting from your school days was the words Creative Writing.

”But I let you see my lyric book.” He whines out with a cute pout on his face and you roll your eyes at him.

”That’s different Ji. You’re a lyrical genius. This is just an old notebook I had when I was in school.” You counter and he pouts even more as his hands grip the notebook even tighter. You sigh loudly knowing that the man won’t give up on wanting to see what you had written back then so instead of trying to fight him some more you just let the notebook go. Jisung happily cradled the notebook against his chest as he stared at you with eager eyes. “Just keep your opinions to yourself. All of that was written a long time ago.” You told him sternly and he quickly nodded his head as a smile began to grow on his face. You sighed again before turning back to the box and going through the rest of the items inside of it.

After that you nearly forgot about the notebook as you continued to just hang out with Jisung until dinner time when you got a text from Minho asking if Jisung was going to be eating with you or if he would be coming back to their apartment. You looked back at Jisung to find him avidly reading your notebook flipping the pages quietly, you smiled softly as you watched his eyes dart across the pages quickly while his eyebrows slightly furrowed before relaxing as a smile slipped onto his face.

”Minho wants to know if you’re eating with me tonight or him?” You asked teasingly and Jisung jerked in his spot as he looked up at you with wide eyes being scared out of his intense reading. “Sorry, I didn’t mean to scare you.” You tease him and he blushes softly at you before grinning widely at you.

”I’ll eat with you, if that’s alright?” He asks while his eyes round and widen slightly at you hopefully. You smile at him before nodding your head and turning back to your phone to type out a response to Minho letting him know. “Do you think we can talk about your poetry over dinner?” Jisung asked softly as he leaned over towards you resting his head on your shoulder.

”Ah Jisung, that was so long ago it’s a little embarrassing how rough my writing was back then.” You try to dismiss but Jisung quickly slides his arms over your shoulders still holding the notebook in his hands.

”No, but this poem here. I loved it! It’s so hauntingly beautiful. The way you used the words to draw the eye down the poem.” He begins to ramble and you smile as your eyes rake over the poem quickly already knowing which one he was talking about.

”That was my emo phase.” You tell him smiling nostalgically. “I should try and write like that again. That was a fun experimenting time.” You mused softly and Jisung looks at you with wide eyes.

”You still write?” He asked in awe and you nodded your head as you focused on your notebook and began turning the pages until you came to one of your favorite poems that you had written in your last year of school. 

“This one is my favorite.” You say softly and tap the page gently.

”Can I see your writings now?” He asks suddenly and you turn to look at him with a furrowed eyebrow. “I mean, I love your old writing and I’d love to see how much your writing has changed till now.” He said softly, sounding hopeful. You took the notebook from him gently and placed it back into the box of old school stuff at your side before patting his hands softly.

”Maybe another day Ji. Let’s order dinner. I'm getting hungry.” You tell him softly and he watches you silently as you get up from the ground.

*-*-*-*

A week later after you’re hanging out with Jisung at your apartment and he’s already left to head back to his apartment to spend some time with Minho you notice that he’s left his lyric book on your coffee table and smile softly while shaking your head. The poor guy would lose everything if his friends weren’t always looking out for him. You grab your phone and send him a quick text to let him know that he’d left his lyric book at your apartment.

Don’t panic, but your lyric book is here at my apartment. I'll drop it off at the studio tomorrow after I get out of work. When Jisung sent you a text back thanking you and that he’ll make sure that the staff know to let you into the studio tomorrow you put the book out of your mind until later on that night when you sat down to do some creative writing of your own. As you sat at your desk your eyes kept wandering over to his lyric book and soon you found yourself quickly writing a little poem about using lyrics to profess his love to his lover.

When you were finished you smiled proudly at yourself for getting out such a pretty poem. You traced your fingers along the scribbled words in your notebook before an idea formed in your mind, you pulled out a piece of stationery and quickly wrote out your poem in pretty flowing handwriting before tearing a strip off the side of the paper making it look like you had ripped the page out of a book before slipping it into Jisung’s lyric book towards the front of the book. With that done you smiled softly to yourself wondering if he’d be surprised by your little gift.,

*-*-*-*

The next day Jisung is anxiously sitting in the studio with Chan and Changbin as they all work on the current song that they had been creating. His leg bounces as he idly doodles on a page of scrap paper while Changbin and Chan argue about a part in the song that they can’t come to an agreement about.

Just then there is a knock at the studio door and Jisung is quickly rising from his chair to answer it knowing that it would be you with dinner and his lyric book. When he opens the door and finds you standing there he feels his anxiety start to lessen slightly. He grabs ahold of you and drags you into a tight hug that you chuckle about before hugging him back.

”Hey Ji.” You greet him happily before handing one of the bags of food to him to help you bring it all in for everyone. He helps you bring in the food and begins to hand it out to the others. When he turns back to hand you your container of food he smiles softly as he finds you holding out his lyric book to him. “Swap?” You ask with a wide smile on your face and he nods his head as he takes his book from you while handing you the container of food.

Soon everyone is eating and Jisung sits next to you on the couch as he eats and leans into your side taking comfort from you as everyone eats in silence. Jisung can see the looks that Chan and Changbin are shooting the two of you while Jeongin, who had been in the recording booth, sits happily on your other side eating his own food. Jisung chooses to ignore the looks from Chan and Changbin as he continues to eat with you at his side.. He knows they’ll just tease him for being close to you and for once he doesn’t want to deal with it, especially with you right next to him.

When you finish your food and spend a few moments with all of them you stand from your seat and Jisung looks up at you worriedly. He knows that you’re about to tell them that you have to leave when you smile softly down at him and he frowns at that knowledge.

”Why do you have to go so soon?” He whines as his lips pout out hoping that that’ll sway you to stay longer but you shake your head at him with a fond smile. You reach out and rustle his hair while he tries to swat your hand away.

”I’ve got an early meeting tomorrow morning. I can’t stay out late tonight.” You tell him regretfully and he sighs dramatically while flopping back on the couch causing you to chuckle at his antics. “I’ll make it up to you. Promise.” You coo at him softly before grabbing your things and saying goodbye to everyone. He walks you to the door and hugs you tightly before you get to leave.

”Text me when you get home so I know.” He grumbles out and you smile at him before nodding your head.

”I will, see you.” You say softly to him before hugging him once more and then turning to leave. When Jisung walks back to his chair Chan and Changbin are eyeing him with soft smirks on their faces but he ignores them once again as they pick up where they had stopped working. Sighing softly, Jisung idly flips through his lyric book before something light blue catches his eyes, furrowing his eyebrows he gently pulls the page of stationery out of his book. When his eyes rake over the poem written on the page he feels his heart stutter in his chest, the words are beautiful arranged and seem to inspire and invoke a feeling within him that he can’t quite contain as he grabs a pen and flips his book to the last page and begins to write out lyrics telling a. story about a lovesick musician.

*-*-*-*

The next time Jisung is in the studio with Chan and Changbin he’s pacing from side to side of the studio causing the two older men to grumble and groan at him as he makes his laps. He knows he can’t help his anxiety, he’s been “forgetting” his lyric book at your apartment every time he’s over since the first time you snuck a poem into his book. And after a month of receiving poems from you he finally feels as if he’s close to finishing the song that he’s been working on.

”Ji, would you relax man?!” Chan calls out finally after Jisung continued on his path across the studio. “Just sit down!” He snaps agitatedly and Jisung sighs loudly before sitting on the edge of the couch. You had texted him that you wouldn’t be able to see him tonight since you had a team dinner with your coworkers but you would be able to drop off his lyric book with the staff for him on your way to the dinner. He hadn’t been too happy about not seeing you but knowing that he had plans with you tomorrow for brunch and to spend the day together he would just have to accept it.

The door to the studio opened and Jisung was instantly on his feet as a staff member came in holding his lyric book. Jisung bowed his head at the staff member before nearly ripping it out of their hands and then taking a seat in his chair once again. He eagerly begins searching through his lyric book and both Chan and Changbin watch him worriedly. When he finds the light blue page tucked away in the very back of his book he cries out loudly with joy making Chan nearly fall out of his chair in fright.

”Alright, now tell us what the hell is going on?!” Chan snaps worriedly and Jisung quickly looks up from the page after hurriedly reading the poem you had left him. He beams happily at his hyungs before he presents the page proudly to them. Changbin gently takes the page and reads the poem before tilting his head in confusion as he hands the page to Chan to read. “Is this from your Jagi?” Chan asks suddenly and Jisung nods his head proudly making Changbin smirk softly.

”She used to write creatively in school and one weekend when I was hanging out with her she let me read her old school notebook where she kept all her writings. She’s really good and the poems she creates are my favorite out of all her writings. When I told her that she confessed that she still writes but wouldn’t show me her newer work. Well I forgot my lyric book at her apartment that day and she snuck a new poem into it before returning it to me.” Jisung explained as he flipped through his notebook to the cover where he had stored all the other poems in the front flap and showed Chan and Changbin all the poems that she had left him.

”So she’s been writing you poems about a musician who confesses his love to his lover in his lyrics?” Chan asks softly as he looks over at Jisung who blushes brightly at the implication of his words.

”And let me guess you’ve been writing a song to answer her poems?” Changbin asks teasingly, causing Jisung to blush even brighter at his teasing words. “Oh my god, you have!” Changbin shouts excitedly as he begins to clap his hands happily. “Is it almost done?” He asks eagerly and Jisung can’t stop the smile that blooms on his face.

”Almost. I was waiting for this last poem to decide on how I’d like to finish it.” Jisung confesses and Chan smiles proudly at him. “I love her poems because they make me feel special and warm inside.” Jisung admits softly and Chan nods his head knowingly as he hands the poems back to Jisung.

”That’s because you love her pabo.” Changbin says knowingly and Jisung blushes brightly once more. “You should proudly show her the song when you finish it.” He tells Jisung who smiles softly down at his lyric book that holds a song that he was immensely proud of and was hopeful that you’d love it as much as he loved your poems.

”When it’s finished I will.” Jisung says resolutely and Chan beams at him while Changbin shouts with joy causing everyone to laugh.

SKZ Taglist: @intartaruginha, @kayleefriedchicken, @babigriin, @simpforleeknaur, @inlovewithstraykids

[idolomantises]

If you could change some things about Arcane's writing what would they be? Oh and do you consider Vi a butch woman bc I also see alot of differing opinions on that. I'll understand if you don't want to answer tho

Vi isn’t butch, though she’s more masculine presenting. That said I think these kind of debates are silly.

In terms of changes to arcane’s writing

-just fucking scrap Mel and Sky as love interests for Viktor and Jayce. I don’t even know why they even bothered doing that if they were just going to go “oh by the way neither of them have romantic feelings for them” at the last minute

-Caitlyn should have been the main villain, not Ambessa. I love Ambessa but she does not work as a main antagonist because she has no connection to this location other than wanting power. But Caitlyn had a gradual and believable villain downfall. You believed she truly was doing things for the greater good and it made more sense than Ambessa blindly trusting some guy just because he promised to supply her weapons.

-Vi and Caitlyn didn’t need to be a couple and just… remove that sex scene

-don’t bring Vander back

-Don’t???? Have Jinx fake her death and run away? I really despise how they basically pulled the “reformed villain dies at the last minute” card with her character. I can’t see Jinx entirely being good but her just abandoning everyone and everything really sucks. Especially since Jinx was like “I should die to break the cycle” and Ekko was like “omg no don’t do that” and then she just… fakes her death. I feel like they just reaffirmed her belief that her death would be for the better

-remove Isha

-remove that damn witch subplot

-the “teaming up to defeat the bad guy” angle did not work here and I honestly felt kind of sick watching a bunch of abused and oppressed people put on cop gear to help a city clean up their own messes

As I’m typing this I realize like. This entire season just needs a do-over. There’s not a single decision they made that I like… except Singed winning I honestly love how him being a two faced coward paid off.

[jarl-deathwolf]

EXCELLENT!

Ooo that is a lot of FANTASTIC information, I pulled up a document and got to work taking notes. I'll have to spend some time sorting it out into a handy reference sheet but even as-is this will help a lot.

I'm really glad I asked because this includes a lot of details that I wouldn't even know to ask, like the acidic/neutral/alkaline distinctions between forests. Between that and the wet/dry divide, now I can look at a map of around where the characters are and sus out roughly what they're looking at. It really does take away a lot of the stress when

Better yet, it gives me options so I can pick some possible environments to suit what I need in the story. Like choosing a wet forest if I need treacherous terrain, or a Celtic Rainforest to enhance the splendor of a moment.

Best of all, this gives me a vocabulary of things that I can then look up references for, and a bank of plants and animals I can pull up to add life to a scene.

One thing I've really struggled with in this story has been giving the region its own distinct feel compared to other woodlands. Which is doubly important since the entire story revolves around people desperately trying to save it (and their culture) from being destroyed by colonization and conquest.

That section was pretty thorough, so I'll have to digest it for a while before I've got more questions there.

Anyway, getting into more specific comments, as well as the map, below:

(map by @noanieactuallydrawingalot) So this is the continent where the stories take place as a whole. I may or may not have made the Fells (Fantasy Wales) something like five times as large as its real counterpart. Here is more specifically the Fells, with the three big rivers named (I assume there are many more rivers and small lakes, these are just major ones) and the historic realms of the Fells marked out

I've tentatively named some broader regions, but I'm not confident about those just yet. Red dots denote major cities. The yellow line is where the old empire's borders were - those five Fellish realms are still fully under foreign rule, with four more ruled by Marcher Lords, which is just more tenuous foreign rule.

Let me know how I did with the geography and such! I've done a lot of free time studying and took a college course about it, but things like the effects of ocean currents and wind patterns always tripped me up. Anyway, I'm glad I ended up pretty close with Old Man Ash. I think he would be fine with the informal version - the other name he gets called in the story is Grandad, so I get the sense he cares more about people being comfortable in his presence than formality. Although keep me updated on if your inlaws have a different opinion - I'll need to contact my editor to update the PDF, so I'd rather do that just once. With what you said about broadleaves being exclusively what makes up the old growth forests, I wonder if that would mean that all Dagfolk would be based on broadleaves? 🧐 Since I'm sending pictures, here is the (now properly named) Hynafwr Onn:

(art by dinwardo over on twitter)

Before I move onto the next thing, just a quick question: I have another Dagfolk (like Grandad up there). His current placeholder name is the Great Oak, and he's considered the wisest and most powerful of the Dagfolk. A personal friend of King Arthur.

I don't suppose you'd have a suggestion for a name?

I am delighted that you bring up bards because I made the main character a Fellish bard by the name of Llywela ferch Marared. She plays a crwth and I like to have her make subtle references to Welsh songs like Sebona Fi and Yma O Hyd. I gave her uncommonly red hair to imply a connection with Annwyn.

(I realize that's not the usual spelling of Annwn, but I chose it so I wasn't directly cribbing mythology and making it harder for people to learn about those myths) I also have some commissioned art of Llywela, plus the Lady of the Lake and the Merlin analogue, for what it is worth. You mentioned faeries with the peat bogs. I don't think faeries will be making a huge appearance in this story (mostly just one knight), but I'd be glad to hear about Welsh-specific faerie lore if you've got it on hand.

You also said that cheeses were a big Welsh cultural touchstone. Are there Welsh specific varieties that you can tell me about? And what sort of dishes are they made into?

Also on that train of thought, you mentioned a plant that flavors mead - would that be the go-to alcohol of choice, or are there others floating around? Both for a lord's table and what you might find in an inn.

And thanks again for the response, this really has been a treasure trove of great information for me!

Hi hello! I'm writing a story in my original world, set in a Fantasy Wales. A King Arthur Returns type story, if that matters.

I was wondering if I could ask you some questions about Welsh ecology? And possibly also some cultural details?

Thanks ahead of time! And I understand if you decline or don't respond!

YES OH MY GOD YES HELLO

[artsarasp]

your system possession au has me gripped very tightly,,, sqh's system is so funny and sassy like go get the defective system girl!!! also yqy has finally snapped that can't be good—

also i am getting a lot of "sj and sy are the same person" vibes here :o esp the one where sqq says "this is not a book, this is my life" so are sj and sy the same person??? he's going to get an identity crisis after this is all over

if they're not, i like to imagine sj floating menacingly over yqy and thinking 3000 different ways on how to get rid of the system and also scolding yqy for being an idiot (his words)

I'm very glad you're enjoying the au! :D I'm having lots of fun with it and we are approaching the end! I really enjoy reading people's opinions and thoughts on what's going on, thank u for this ask <333 When it's over I'm giving y'all free rein to go off and do your own takes on it (people already can if they want! all I do is to share brainrot, go off and create! :D)

[beemovieerotica]

Considering that you're the most high-profile Pirates of the Caribbean fan on this site, I would love to hear your ranking of the movies.

stopppp you're making me blussshhh ok my ranking is literally just just the order the films were released lmao

curse of the black pearl. the og. script is watertight. pacing and flow of it are really just flawless. it's got a wonderful classic storytelling arc, they had plenty of time to cook.

dead man's chest. starting to get quirky with it, and it's fun. WEIRD villainsss. kraken attack. leaning fully into pirate mythology. the world is OPENING UP. film is still fairly tight with some diversions. yess god.

at world's end. a little messy with a lot of moving pieces, but fuck, it's a fitting conclusion. beautiful. crying. TRAGEDY!!! parallels. foils. went out with a bang, there are some things i would've changed, but overall a good feast. [SEVERE DROP IN OPINION]

on stranger tides. very different. they've lost the plot. jack sparrow was never meant to be a main character, he's a trickster who played off the main love story (will and elizabeth) and if you want him to step into the main role, he needs to be capable of change or slip into a different archetype (reformed trickster). they kept him silly and drunk and it's getting tiresome. he can't carry the film. blackbeard is...alright. nothing hits the same as the sheer cosmic villainy of the calypso/davy jones romance that tore the world apart, but like, i won't hold that against them. the jack and angelica content is fun. love barb. fountain of youth is genuinely a great concept for a pirate movie.

dead men tell no tales. the new younger characters suck, let's be real. flat as cardboard. they retconned the lore of the trilogy to try to make all this work - not saying that lore is unbreakable and you can't ever do that - but what they put in its place isn't even interesting. young jack sparrow is bad. the mystic lady is bad. salazar is a step up from blackbeard, i love a ghost man. henry turner would never fucking join the royal navy. what's even happening here. thank you for coming to my ted talk.

[ayebibs]

What would have made the Veilguard companions more compelling?

I keep racking my brain trying to determine how the marketing of this game was so focused on the companions, their rich lives outside of the narrative, and the journeys that they go on when I think that they are objectively the worst written companions to date. Not to say that their appearances aren’t well designed or that they don’t have really fun and cute moments, but they are simply less three-dimensional than previous companions. Fundamentally, my biggest grievance with the Veilguard companions is that I just don’t find any of them nuanced or interesting. They are all good people, but they are not good or believable characters that fit this plot and interact with it in meaningful ways.

I have never been one of those people that ignore canon, but I have been perseverating on the missed potential of this highly anticipated game that we’ve waited ten years for. So, I wanted to criticize some of these characters and explore some changes that might’ve made for a more compelling group of characters had they been written differently, but (hopefully) respecting the vision of who the characters are at their core because I do think that the skeleton of something great is here.

Disclaimer because this is long and critical: There are a lot of spoilers below. I haven’t read all of the Dragon Age books and I could be missing things, but I also think that the game and the characters’ journeys should speak for themselves as we go through the story. I also get that these are just my opinions, I’m a STEM girlie by trade and a creative on the side! Not everything I suggest may be great or realistic for building a plot or realistic for writing the script of a videogame. I also don’t mind conversations about these characters! I think that would be fun, I just don’t want to be shat on for being very disappointed in this game when it’s been my favorite video game series for half my life and I went in very hyped and willing to excuse a lot!

Alright, if you’re still with me, buckle up!

First, before I outline the specific changes I would make to each character, I want to address that there are just flaws with the way BioWare decided to handle companions as a whole in this game. I want to mention them now because they impact nearly every character and I don’t become repetitive:

1. Most importantly, the approval system is pointless and probably could be left out of this game for all it means to the narrative. It is nearly impossible to wrack up disapproval for the companions and you increase approval and bond by just taking companions out and completing a quest. If the companions like nearly everything that Rook does, then it means that they don’t care enough about anything to have strong rigid opinions (which is good for a well-written character). If companions don’t have an opportunity for meaningful agreements or disagreements, it means that the writing is not what people expect of a Dragon Age game based on every single installment we’ve had so far. It is one of the few things that have stayed the same in all of the past games and one of the things that I think fans are really upset about and should have been nonnegotiable.

2. All of the factions (except for maybe the Grey Wardens) really just needed to be messier and more complicated. Not all of the factions were meant to be heroic throughout the series. As others have commented, the Lords of Fortune and the Antivan Crows are the most glaring examples of this. However, I think that the Mournwatch and Veiljumpers are not exempt from this either. The factions serve as crucial parts of our companion’s backstory and by sanitizing them, we are wiping key opportunities for character development. For example, it could be way more interesting to have a character who fundamentally disagrees with their faction, but doesn’t know how to escape it. Or, what about a character who loves their faction and makes us feel conflicted about them because of their willingness to explain away the faction’s history? I could write (another) essay on this, so I’ll leave this point here.

3. We simply needed to have more conversations with all of the companions. All we have are these short, uninteresting cutscenes to learn about the companions. The player should be able to go up to the companions and ask them about the history of their faction, who they trust and care about in their faction (and why), their past, and their opinions about new information (on other companions, side quests, and plot points). None of these even need a cutscene, just voice acting. It would also help players feel more connected to the companions.

4. There needed to be more visible personal and interpersonal conflict. The companions read like coworkers to me. They mostly like each other and, even if they do have disagreements, they are never explored in the narrative. They don’t seem to have any hugely conflicting viewpoints on any topic and, even if they do, they are benign. For example, what to pack for a camping trip or not wanting to talk about a particular topic (dragons vs. spirits) can be interesting in addition to more complex banter but the banter just feels inappropriate and irrelevant for the plot of this game. Overall, the companions rarely make a fit about anything. It feels like the writers didn’t want any character to appear problematic, but they made them flat because none of them seem to have a hill to die on except that they should save the world. This might have been fine in a game series that didn’t focus so heavily on companions and the way that ethics are shaped by personal experience, but this is not that imaginary game series.

5. The companion quests should have focused more on worldbuilding and getting to know the characters. I have little to say about this other than that the quests for Harding to try out her powers, training Assan with Davrin, shopping with Lucanis, and lighting candles with Emmrich, etc. were lazy, uncreative filler. I really cannot put it any other way. They should have all had quests that better explored their faction and, by extension, them. We barely learn anything in those quests and they are time wasters. Those are the scenes that should have been converted to a codex entry, not some of the important lore drops that we currently have in the codex.

6. Rook chooses one option of a binary for every companion towards the end of their personal quests. I’m okay with some of these, I think that it made sense for Bellara and Davrin to ask Rook what to do in their personal quests because it felt more natural. A friend asking a friend for their input. On the other hand, some of these are really inconsequential, semantic, and mindset related (Neve) and others are such personal choices that it feels inappropriate for Rook to be involved (Emmrich and Lucanis). In a lot of these cases, it would have made more sense to have dialogue options sprinkled throughout the game that influenced companions to make their ultimate choices. Giving Rook so much power in these decisions makes the companions feel one-dimensional because it strips them of agency that any believable character would want. Even if they wanted Rook to make these decisions, companions should have felt more strongly towards the options and either praised or disparaged Rook for their decision.

7. Finally, I found all of the romances very lackluster. I was never someone who considered Dragon Age games glorified dating sims (I actually really don’t like that take, even if it's all jokes), but I found myself missing the depth of relationships in previous games. All the relationships felt too new and shallow. Largely, I think this is due to points 3 and 4, but also due to a lack of reactivity with your companions. For example, companions barely acknowledge you getting them a gift or flirting. This could have also been helped by a few extra cutscenes with the companions.

That mostly covers the overarching issues that apply to all characters. Some of these things might come back in my individual discussions of the characters if it is particularly bad.

If you’re still with me, here are my thoughts on each companion and/or what I think would have made them more interesting:

Bellara

I came to like Bellara much more than I anticipated from the trailers and marketing. However, she is really emblematic of how the writers didn’t want problematic characters. There is nothing in the game that would cause people to accuse her of being problematic, but despite being an elf (a historically oppressed and enslaved group), she is so quick to apologize for the actions of ancient elves who oppressed her ancestors thousands of years ago which is ridiculous and solves nothing. It also really seems like the writers wanted her flaw or quirkiness to be some kind of neurodivergence and nerdiness and that alone doesn’t make a compelling character. I actually think it would be interesting if Bellara was, if not pro-Solas, pro-hearing him out because his intentions were in the interest of the elven people even though he made some shitty decisions. I think she would want to be interested in what Solas knew about the ancient elves and what their society looked like before the Veil. I think she’d want to know as much as she could about the technology. I think it would be interesting if she guiltily admitted to wondering what the world would look like if the Veil came down. How different would it really be to what they’re already experiencing? Could they not mitigate the problems? I think this would be an excellent point of tension between Bellara and Davrin (who is Dalish but might not understand her curiosity in the face of the blight) or Harding (whose people were so impacted by Solas and Mythal’s actions… more on Harding later).

Davrin

Davrin is actually my favorite companions in this game, but I still wanted more from him. I think it would be really interesting if, when the team is gathered around after Weisshaupt that Davrin really pushed back against the idea of sorting out their personal shit before progressing. He’s a grey warden who, in his estimation, just failed his one purpose. I think that this would cause a bit of tension between him and some other characters, like maybe Taash whose concerns are more personal than anyone else's at the time. He is serious and straightforward, so I don’t think it’d be out of character and it would make their friendship and training montage more satisfying later on if they had to move on from it. I would also expand on the fact that he was disappointed to not die when he killed one of the archdemons? It was touched on so briefly and he seems to emotionally resolve it in a few dialogue lines which I think is crazy, even considering that he wants to live to save the griffons and raise Assan. A “blow up” about how the team needs to put their personal affairs aside while struggling to keep his own personal affairs together would introduce a little more depth to his plot line and expand on one of the more interesting things about him that we barely got any time with.

Harding

Harding was one of the most boring characters to me in this game because she felt so flat and there were so many ways to make her more interesting. Her character isn’t helped by the Varric twist because the narrative requires that she doesn’t grieve except for one scene despite knowing Varric for at least a decade. Personally, I think that changing her reaction if/when she finds out what Solas and Mythal did to the Titans and her people would make her more well-rounded and believable. From that point on, Harding should be anti-Solas and you should lose approval with her every time you entertain the idea of trusting him. Maybe she could even express disappointment/frustration/sadness for an Inquisitor who believes Solas can be saved or speak of them more highly if they think that he is irredeemable. Also, we should’ve spent more time with her and the dwarven people. I think Veilguard was such a rushed and half-baked attempt at wrapping up that storyline. We learned so much about the dwarves in the last two games and we get to spend so little time with them.

Taash

Interestingly, I think Taash is one of the few companions with really obvious flaws. They are childish and impatient, but they’re poorly written and their flaws are never acknowledged or treated as flaws by the narrative. In my playthrough, their relationship with Harding might have been an interesting place to explore and address that childishness. It was also a missed opportunity for them to explore Qunari and Rivaini culture. As other people have commented, the binary choice between being Rivaini or Qunari is odd in tandem with Taash’s journey of self-discovery and identity. I think that choice shouldn’t exist and should be encouraged by dialogue options peppered throughout their larger quest. We were so close to exploring the rift that can form in families between first generation children and immigrant parents (and learning more about Rivain and the Qun by extension) when there is love but a fundamental difference in culture and lived experience. Instead, I feel like the narrative never gave us a chance to really hear Shathann out before her death, but I’ll give the writers a break because I think that they were going for tragedy and unresolved conflict and I don't know if I trust them to make that a conversation that fits the world and isn't anachronistic.

Emmrich

The thing that bothered me most about the Emmrich storyline was the final choice between Emmrich becoming a lich and bringing back Manfred. This is another choice that Rook should have influenced rather than choose outright. The number of times that you asked probing questions or commented on Emmrich’s desire to become a lich through more conversations about Emmrich’s fear of death and relationship with Manfred should have determined his final decision. Personally, it felt inappropriate for Rook to make that decision directly for him, no matter how much the game tried to justify it. I would have also liked to see his fear of death impact him more throughout his quest line and the narrative. The final quests are literally a suicide mission and he should have had more dialogue regarding it.

Neve

I’m going to admit that Neve was hardened in my playthrough and I haven’t explored her character in playthroughs where you save Dock Town, so this section might not be applicable to half of you. I didn’t understand a lot of Neve’s motivation behind her actions. I didn’t understand why she felt so passionately about her city or her jobs. Her drive felt hollow to me, making her personal quests feel generic. When I got to Neve’s quest where we gathered clues near the water in Dock Town, I was excited to finally learn anything about her, but it was devoid of any meaningful backstory. I would have written the quest to better explore Neve’s past, motivations, and personal relationships. The other big thing that stands out is that Neve is a noir detective and the VA has clearly gotten direction to sound like one, but her story is so devoid of mystery, intrigue, and many of themes that would make that more than aesthetic. And, like, isn’t her whole faction about freeing slaves? Why not make her personal quest more closely tied to that?

Lucanis

Lucanis’ personal quests are so tied to the dynamics of his faction, so I think a lot could have been solved by making the Crows more morally grey. I think Teia and Viago could have stayed the same, but we should have seen more negative interactions between him and the rest of the Crows. Outside of Illario, Catarina would have been an exceptional vessel to explore the problems within the Crows and a theme like generational trauma or exploitation. The party banter between him and Davrin criticizing each other's factions could have been an excellent space to talk about the negative aspects of the Crows and how Lucanis’ feels about them, either defend some misdeeds or express how he feels conflicted about his past contracts. In my game (when you save Treviso), Spite also felt more like a mildly important accessory in Lucanis’ plot than a significant problem. Few characters had anything significant to say about Spite and he caused few problems. I actually thought Spite was fun for most of the game, but he needed to be more problematic because he gave the impression that he was included more to build an aesthetic for Lucanis than a character-defining plot point. Finally, I think Rook deciding what to do with Illario was a poor decision. I would have written this as a decision Lucanis makes on his own based on how Rook encourages him to deal with Spite through a more fleshed out character arc.

This pretty much summarizes my thoughts on all of the companions. As you can tell, I am very Normal about this game.

I wanted to like these characters so much and they have an unbelievable amount of potential. They are all so fascinating in concept and all of them are poorly executed either due to the relationship building mechanics of the game, because of the writing and dialogue, or a mixture of both. That said, there are brief moments when I like them and I get glimpses of what they could’ve been.

I just hope the characters are better explored in future games (if we get one).

[show-us-kaidenshenandoah]

my tags wasn't enough, i had more than 30 tags worth of things to say about worldbuilding and food (feel free to read said tags in past reblog, aka it's this post's "previous tags" which hopefully you know the process to get to that) but i will restrain myself of truly babbling as much as i really want — for instead the following:

i will repeat that worldbuilding = culture, and culture = food, what are meals here, how many meals are here, where do the ingredients come from, how does seasons impact what you can eat, what do they eat for birthdays, etc + clothes, what silhouettes and types of fashion are here, where do they get these outfits' materials (livestock? plants? dyes?), what special occasion outfits are there or is there any regalia to occupation/type of dancing/age/etc, how do outfits change with seasons + so on and so forth

here is a great youtuber who has a playlist analyzing world-building, and it can include things like food. my favorite video from this playlist is for the show "Ascendance of a Bookworm" (yes, the playlist is linked as part of this video btw) which does specifically go into food (as do other videos within said 10-video-long playlist. another video within the playlist is "Dungeon Meshi" which is very much about food). please watch as much of the playlist as you like! another video of his about worldbuilding, that is not in this playlist, is about "Castle In The Sky"'s worldbuilding as shown in that intro-instrumental bit of the film specifically (a movie my brain farted and called "Nausicaä: Valley Of The Wind" in my tags before, iGNORE THAT)

and here is another great youtuber. his entire channel is largely about "how to write" and various aspects of worldbuilding. but i do want to mention that this conversation is biased towards Hard Worldbuilding, evidentally, and he has some videos that are in support of softer worldbuilding too (which, my memory could be off, but i dont think he gets into food often? but an example of Soft Worldbuilding and food would be how idk how the fuck Chihiro/the spirits has access to food in "Spirited Away", they just kind of begin and end with a vague ✨️magic food✨️ vibe about how these are meals for the dead, but the soft worldbuilding there not including how they source this food is not bad worldbuilding at all). it's best, in terms of mind-set, to have different types of worldbuilding for different projects in my opinion

In Defense of Soft Magic Systems

Hard Worldbuilding vs. Soft Worldbuilding | A Study of Studio Ghibli

and this is in regards to stories outside of fantasy period-pieces as well. like, "Coraline" for example is VERY fascinating to analyze in respects to food. both what Coraline eats, what the Other Mother eats (or rather doesn't eat), what the Other Father eats (he is starving, always), what foods are available to who and when; and that is a story that takes place in modern-day and has some pretty restrained fantasty elements as part of the Other Mother's powers and whatnot

but even things like "this character never cooks, only orders out or eats other people's homemade food or eats leftovers" can say a lot about the individual (doesn't take good care of themself, or doesn't have the time or energy to, may have been neglected as a child from learning this life-skill, could be a lot of reasons why they can't cook), even if the character themself is from a culture that has a rich history with food

i will admit some cultures have a more restrained history with food, like Indigenous Americans' intertribal culture (which, hi, hello, i am one such Indigenous American) has a semi-strained, semi-loving relationship with frybread. bc it's not a "cultural"-food, it's a survival food. it's a food that was invented bc people were starving, forced into bottlenecks of limited, unfamiliar ingredients due to us being forced into reservations and militant forces not allowing us access to trade for other ingredients on these lands that yielded poor crops and limited to no livestock. as a result, frybread is super unhealthy. (though some Indigenous American chefs have worked to make healthier varieties now) but also frybread is a cheap, easy food to make that celebrates that we survived a time when people tried to kill us via starvation, but it also is a symbol of said starvation attempt as it was a food that was only created to help its people survive rather than as an expression of culture. hence, a relationship with a piece of food that is semi-strained, semi-loving. so that is an irl example of how food can be a cultural yet not-cultural yet also a history-informing item

so, if you want to read me praising the fuck out of Hard Worldbuilding including meals and how the implications even of something as simple as "this culture eats lots of beef" can be unfolded, read my past reblog's notes. but also, Studio Ghibli does really Soft Worldbuilding masterfully, and also mentions food here and there throughout their films, while not always explaining where it comes from (i think "Howl's Moving Castle" is one such example, as Sophie goes to a market to buy food for said moving castle's residents at one point. but, again, where the spirits import food (besides pigs, i guess) into the bathhouse for its workers, guests, and Chihiro to eat is beyond me). and neither worldbuilding method is superior than the other, i just have more to say about the One That Inherently Requires More Self-Questioning than the other, evidently. but food is an excellent way to show, not only culture (or survival) within said worldbuilding, but an individual's personality (eg. the Can't Cook aforementioned example), relationships (eg. aforementioned "Coraline" example), or emotional state (eg. in "Spirited Away", when Chihiro cries while eating her food because it's the first moment she has been able to safely process what has been happening to her, and the food tastes so good and was a kind gift, and she us just so overwhelmed and sad), and so much more

i think, overall, it is best to have stuff match. as in, if you have a hard magic-system, then you probably should map out and source your food in similar levels of detail for your own reference, even if it may never show in the narrative, just so you can be consistent. and then, if you have a soft magic-system, it'd be wise to have a similarly soft worldbuilding relationship with food. your audience expects hard worldbuilding with hard magic-system, and soft worldbuilding with soft magic-systems. i cant think off the top of my head of any examples where we get a juxtaposition of hard/soft that ends up with a well-polished story audiences love. and if you dont have a magic-system for the worldbuilding to reflect, then have the worldbuilding reflect similarly to what your story does examine. like, "Pulp Fiction" is soft towards what is in the suitcase, and similarly has a soft worldbuilding and explatory attitude towards its cast of characters, and it's also pretty soft about what the characters eat and drink being sourced from where (the most famous is probably the coffee lol), which fits as it's in contemporary LA and you assume most food there comes from similar places as your food does irl but no one knows for sure, but there's still an interesting relationship to food to follow within this film and whatnot

edit: i finally thought of a story that does a mix of Hard as well as Soft Worldbuilding, and luckily enough the example includes food in its story and that would be "Over The Garden Wall" (spoilers ahead). it has a ridiculously heavy amount of research put into it, from the fashion and architecture to the very doorknobs, and it does both explain and not explain its world as the Unknown is both real and not as it was a type of limbo of "Dante's Inferno" that Greg and Wirt experienced when they were almost drowned to death. it is the only story i can think of where arguably what happened within it was "just a dream" yet that ending doesn't make people unhappy this time around; i think because there is a real feeling of "they could've died if they didn't escape the Unknown, so the stakes were real, they had an arc, this story still matters". and, to me, i think the Hard Worldbuilding is the reality within the world— like the fashions, doorknobs, Wirt and Greg's hometown, as we later see evidence of characters in the Unknown having tombstones and the like in the Wirt and Greg's hometown, there is pieces of reality that carried over beyond death and into the Unknown— whereas the Soft Worldbuilding was the fantastical elements, like the anthromorphic animals, Adelaide's magic, the bluejay curse, the Beast, the pumpkins and skeletons, the lantern, and so on that do not have a real-life equivalent. and one thing that does have a real life equivalent is food, almost all the food in this show is real, even if i wouldnt personally wish potatoes and molasses on my worst enemy. i'll sooner slurp a turtle, like the dog and Auntie Whispers. but also Endicott's food and the tavern food looks so good. but, yeah, we really don't know anything about where these real-life meals are sourced other than that they are real foods you could theoretically make yourself (like Endicott is not eating mashed potatoes, gravy, peas, and some kind of sliced meat like ham), but the one fantasy meal that is those turtles has soooo much mystery surrounding them that it is nigh-infamous how much the creator dodges questions about those lil turts lol so!! if you do want to mix Hard and Soft Worldbuilding, just do so thoughtfully and have there be a consistent and clear line. for OTGW, that's putting a ton of hard-research into real-life, historic equivalents within the Unknown to Wirt and Greg's hometown juxtaposed with extremely soft fantasy elements of the Unknown unexplained as there is no magical equivalent in Wirt and Greg's hometown. consistency, consistency, indeed lol

anyway, hope the free resources help ✌️ thanks for letting me yap about why you should let your characters eat and also maybe pay attention to what they eat lol

Is this anything

[fordtato]

I watched the new Ford vid and I wanted to share some thoughts I had on some of the points in your video. Before anything else, I want to say how much I absolutely fucking love everything you do and that, in my opinion, this video is especially spectacular. My intention here is to show my appreciation for your work by demonstrating how I’ve paid attention to it and thought about it, because I wouldn’t do that if I didn’t care, but I’m definitely not trying to criticize or anything. So, keeping that in mind, I’d like to add some thoughts to a couple points that I feel could’ve been expanded upon, even though the video was already five hours long.

First off, when it comes to the science fair thing, the only point where I do kind of blame Ford is that perpetual motion machines are physically impossible and also delicate. I just think he should’ve made something else and, at the very least, checked on it the morning of the fair and I actually think it’s a little ooc that he put all that effort into making it and was so invested in the fair but then didn’t bother to even look at it before the fair itself. There’s also never any recognition of the fact that something like a perpetual motion machine could literally stop at any point for any number of reasons that wouldn’t require external interference. I don’t think it’s a sin or moral failing like some of the other things people said on the topic of the science fair, but I do think there is some responsibility there on Ford’s end that doesn’t get discussed as much.

The second thing is that I just think that the Book of Bill is pretty openly interpretable in terms of whether it’s fully accurate and canon or not, since it’s made by such a flagrant liar. I respect and appreciate that you view the lost journal pages as canon material that, in universe, was written by Ford, but I also feel like it’s important to acknowledge that we don’t really know for sure one way or another unlike with Journal 3.

My next point is that, on the topic of Ford wanting his house back, it’s everything you said and I would add that Stan staying in the house would require their reconciliation. At the time Ford said that, they were actively in conflict with each other after being in separation for 30 years, so it makes sense that he wouldn’t want Stan to keep living with him given all the tension and unresolved resentment. Especially in tandem with the other things you pointed out, I think it makes complete sense that Ford wouldn’t want Stan to keep living there.

So then, when it comes to Ford being upset with Stan because of how Stan ignored all his warnings and opened the portal anyway, my biggest issue has always been Ford’s hypocrisy here. I can appreciate that, even though everything turned out alright, Stan’s choice to open the portal was objectively bad and Ford is valid for being upset, but he’s the one who ignored all the warnings when he summoned Bill in the first place. While I’d never blame him for being a victim of Bill’s abuse, I do 100% blame him for blowing past all the warnings and reading that incantation in the cave, and it’s hypocritical for him to be mad at Stan for doing the same thing.

Next is the “bumbling leech” quote, and my thought here is just that it makes sense for Ford to tell himself that as like a coping mechanism. When he and Stan were in separation, I imagine it would’ve been easier to tell himself stuff like that and try to believe it and try to stay mad to keep his distance, especially once he was on the other side of the portal. After all, keeping a grudge is easier than reconciliation, especially when you and the other person have no emotional intelligence and limited communication skills.

Lastly, when it comes to pathologizing, I think it’s potentially relevant that Stan and Ford are twins so stuff like autism that’s autistic would be a shared trait that both of them have. I just think it could be interesting to get into the genetic components of some of the different diagnoses that have been proposed for Ford, especially NPD since it does have a genetic factor. If people want to act like Ford is a villain because he potentially has NPD, then those same people have to accept that that would mean Stan does to and tbh I’d love to explore how a cluster b disorder like that could potentially make sense with Stan’s character as well. Maybe then we could actually have a nuanced discussion about such things the way you suggested instead of continuing to demonize these disorders, their symptoms, and the people who have them.

Anyway, sorry this was so long but I just wanted to share and I look forward to seeing what else you come out with in the future 🩷

Well, thank you for sharing, though I do think we disagree on a couple of things. As far as a perpetual motion machine being impossible, like, I think that's the point? Like, the idea is "this is an impossible thing, and Ford, being brilliant, figured it out." The idea of "blaming" a 17-year-old for his physics-defying incredible demonstration of a principle that breaks the laws of physics being... not earthquake stable? Or not sturdy enough to survive a punch on the table? I don't know, guys. Like. Lots of marvels of scientific accomplishment are delicate instruments. I think the logic there is faulty. The science fair project falling apart is not Ford's fault. It WAS stable, then something broke. You can't blame him for making an easy-to-break machine. I've seen this argument floating around a lot recently, and I will be honest, it really annoys me. Would it have been smart for him to check under the sheet that Stan put there to hide it? Yeah, maybe. But it feels silly to say that makes him partly "responsible." I dunno. It's all semantics at some point, and it barely makes a difference, but that isn't how I would describe it.

As far as the Lost Journal pages being written by a liar, I did address this in my ATOTS video, and did not repeat myself in the Ford Defense video, but to summarize : I acknowledge that Bill could have lied in these pages, but for the sake of easily having a discussion about it, I do treat it at face value, simply because it would be annoying to need to add that caveat after every point.

(I also am not a personal fan of the theory that it was forged by Bill, but that's a separate topic altogether. No comment beyond that.)

As far as Ford's "hypocrisy" in warning Stan, I think we have different opinions here as well. Like, Ford does not think that Stan ignoring warnings is wrong, but HIM ignoring warnings is okay. He thinks him ignoring the warnings is the biggest mistake of his life and he's deeply angry at himself. If I burned myself on the stove, and then told someone else not to touch the stove because it is hot, I am not being a hypocrite. I am someone who learned something was dangerous.

Even if we disagree here, however, I appreciate you watching, and you taking the time to share your thoughts with me.

[heavenlymorals]

Do you have any tips for how to write Arthur Morgan’s personality in general? I’m trying to write a fic but I feel like no matter what I do it somehow just makes him feel out of character haha. It’s probably since I’m writing one with a reader/oc character x Arthur. Like I don’t want to remove Mary from the story because she shaped so much of his character’s pain (since in my opinion I assume that Arthur probably got Eliza with child from a one night stand trying to bounce back after Mary had told him that she was engaged to some other man). But I also don’t know how to really write Arthur as he’s completely over Mary and how he is instead with someone he considers the love of his life, cheesy I know but I had too haha. I’m also trying to somewhat do a slow burn and trying to instead have Arthur seemingly brood over his love for the reader rather than how he did with Mary in the game.

I don’t know if this makes sense and feel free to ignore it LOL

Ahah here goes nothing- my consensus on a general understanding of Arthur Morgan-

I think the biggest thing that people should focus on when writing Arthur is his personality differences between men and women. There is a pretty clear divide between how behaves with men compared to how he behaves with women. It can change slightly between how close he is with the people, but it's pretty much the same.

With women, Arthur is very respectful and chivalrous. He even gets mad at other men if they don't behave accordingly. He is more interested in them as well in the sense that he'll listen to their dreams and hobbies and either add to the conversation or encourage them in some way that seems more meaningful, even if it can be at times superficial, just a way to be polite. However, he is no push over. You know that meme that's like "Me and my girl don't argue, she tells me to shut the fuck up and I do"? Yeah, that is NOT Arthur. He can raise his voice, call them out, etc etc. when he feels disrespected in some way or if the person is doing something stupid. We see this with Mary, Sadie, and Abigail. He is also more likely to talk about his emotions with women, but not really BE emotional. Idk if that makes sense, but I don't know how else to say it.

However, Arthur is more inclined to be disrespectful to women who don't fit into his view of life and the status quo of the time (ie. Prostitutes, masculine women, etc.)

Honestly, just think of that when writing him with your oc (I'm going to assume they're a woman 😭). Is Mary a big part of Arthur's character? Yes and no. He can obviously make time for her, but she isn't controlling his every action and thought process. His main focus is the collective of the gang and once the gang is safe, that's when he'll actively start looking for love because that's when he'll have the time and energy for it.

Now with men, Arthur is much more rough. He is very much a suck it up kinda guy with other dudes. There is clearly a hierarchy in the game and he enforces it, especially with the men underneath him. He forces them to work, doesn't take their excuses really, will call them out, will be mean, and will even make threats (ie. Sean). He likes men who are hard workers and are always on the go (Lenny) and is more likely to be jovial, open, and willing to talk. He also will take NO shit from other men and that will either leave the other man read to filth or a black eye. Arthur also does not disclose feelings of fear or inadequacy to other men, but he will show more active emotions like joy or anger.

Honestly, whenever I feel like writing Arthur, I just think of the average older American outdoorsman and it helps me out pretty well. Chivalrous and respectful with expectations and a no bullshit attitude.

Hope this helps and happy writing 🫶🏼