#really hope he appears again

[heathenoushound]

[poorly-drawn-mdzs]

You made her cry, time to die.

[First] Prev <–-> Next

[suppernerd]

My take on the classic reverse falls au!!

I imagine it as more of a role swap then anything else, this just means they swap roles but still get to keep their original personalities!! Obviously these are slightly or largely affected by the characters environment but the general meat of it stays the same!!

Dipcifica edit ⬇️

[connecting-the-stars]

But In the End, We Stay the Same

Matt, Fisk, and Frank:

Spoilers for DDBA ep 4

Matt walking through an entirely different apartment. Fisk refusing to dawn his white suit. And Frank? Frank is setup in a filthy, half-haphazardly thrown together base of operations that is a striking mirror to the first base we see him in from Netflix Daredevil season 2.

Character introductions really set the tone for where their arcs may take them. Very interesting how they have painted each of these characters this season.

Of course, I am not blind to the criticism and where the cracks show from the creative overhaul, but I already viewed the show coming in as… well different. A “new era” both due to the gap in time since we’ve seen these wonderful characters, in real life and in universe, and due to Disney’s influence. I’m not one to focus a lot on time/age but the era when DD season one premiered was a year after Captain America: Winter soldier. This was years before Endgame and the Global Pandemic, the impact of such events are felt in the fictional universe and real world. I am a true believer in rewatch value from my multiple rewatches of Netflix’s Daredevil, but I also acknowledge that there will be elements lost, left in that era of film making and studio management. The colors and the certain level of grim are noticeably absent, when you see characters fall through several floors and they cough up dust/debris. The certain spark found in much of the dialogue of season 1 really is incredibly difficult to replicate.

Despite the places where “season 4” falls short, I can absolutely appreciate the dedication of the actors and actresses, returning and new. While I am comforted and reassured by Karen’s confirmed involvement in season 2, I appreciate Kristin’s and Cherry’s performances as they bar Matt into this new… stage of his life. Of being a full time lawyer and keeping his fists mostly unstained. Fisk’s new environment is half hilarious and half ominous as ever. Watching him stumble through politics and its niceties, and his uneasy speeches are relatively unexplored in Netflix’s series, forced into throne he has to keep his best face on for, rather than crushing skulls. Compared to his handful of appearances in the public being executed in precise manner that always had an end goal, for example, provoking Matt after the murder of Ms. Cardenas. Furthermore, with Vanessa’s distance and unfamiliar distrust. I am eagerly looking forward to Fisk’s manipulation in his mayorship as well as Vanessa’s standing in her business with her ever loving husband. The side characters playing off Fisk, have been given parts that challenge Fisk into different ways, which is much appreciated as he navigates being a truly public political figure.

Matt standing dead eyed in front of his window, right after the reshoot with Foggy’s death. Man, knew something was different. Like are you not crashing out and living out of a basement rn because….? I know that he only received medical attention after the finale of Defenders because he was in a Coma, how is the King of Guilt, Self Destructive Murdock not crawling out of dumpsters again? (Crit: where is queen of sass Sister Maggie?)

But it is fascinating watching this Matt Murdock listen to a nice record player and cook his own meals and walk like he isn’t living in the Bad Ending timeline. The quiet despair washing over him every time he reaches for Foggy’s prayer card. My dread as I realize he takes a piece of Foggy with him everywhere. The idea that Matt has lost faith in Daredevil, this utter stab to the heart proof that he Failed as daredevil, that he was not enough to save his best friend. Every which way you look at Matt and Foggy’s relationship, they are each other’s person. College, first internship, first official business. Matt of course sees this as his fault, that guilt clinging to him like a bad cold. Eats him (in the words of Castle), tears him up to the point he refuses to allow himself to enter a church. The sermon mention a person’s worthiness. Point blank. The fact that he no longer lives in Hell’s Kitchen is major flag of Distress (avoiding Sister Maggie who could talk at least some sense, some kindness to him, the absence of the church he visited so often in the Netflix show). Thus, refusing consolation of faith, of worthiness to be daredevil, Matt clutches twice as hard as ever to the Judicial system. To the part of his life and faith he shared with Foggy, where they promised each other they would do good. The abrupt introduction of Cherry and Kristin apparently filling said places of Karen and Foggy by Matt’s side is jarring as much as it is telling. While Kristin is a comic book character brought into this series, the knowledge of her and connection built with her so far is minimal, when set besides how much of Karen’s development we saw in season 1 of Netflix series. Similar to Cherry’s role being a mix of Ben Uriah and “Foggy” in essence. (I say very lightly. No one will compare to our Foggy.) Cherry’s reminders to Matt of the reality of the system and praising his efforts of being a Good Lawyer, mirroring in a way to Foggy’s constant mission to ground Matt when his head is in his ass. Heather also being pulled from the comics is quite interesting as I had no thoughts of who would be Matt’s love interest, though her being wedged between Vanessa, Fisk, and possibly Muse is not a good sign for her. New apartment, new firm, new co-workers but he cannot outrun grief. It will catch him.

(I know the lack of Karen is mostly due to the overhaul, but the fact that he does not have her to rely on currently also pushes this unresolved/unaddressed grief. The one person who also endured losing Foggy)

The time-skip is certianly something I’m intrigued by. Where it plays in the current story, and the pieces of Matt and Karen’s grief that are unexplored. Wonder if it had been inserted due to the creative overhaul?

Fisk and Matt’s parallel stories this session have been done quite well. While there was a particular balance the Netflix series formed for telling both their stories, I find giving more time to Fisk’s arc strengthens how well these characters are as narrative foils of each other. Fisk arriving this season through a slow flip of the camera, setting the city on its head and picking through a meager breakfast and his tense reunion with Vanessa, while Matt ghosts around his apartment before reaching for Foggy’s prayer card to leave. Both characters are damaged, pieces of themselves lost. While I have not watched Echo, the psychological damage done to Fisk appears to have followed him into Born Again. His confidence seemed to be shaken and his lack of support from Vanessa further pushes him towards stress. Matt facing Bullseye without Karen beforehand, the brief strained conversation with Karen afterwards. While Kristin does tell the audience that Matt needs someone in his life, that he needs a win, it is clearly seen how destitute he is when Fisk announces his mayoral campaign and he sits idle as his food burns behind him. Both Fisk and Matt turning to different ways to get by, to proceed to their goals, by refusing their “darker halves.”

This refusal to indulge in a part of who they are will double the pressure, suffocating until they can no longer stand it. Matt faced with the consequences of revealing Hector’s vigilante identity and the injustice of his murder, of being forced to face the grief and righteous anger of his niece. “No one will do anything about it!” As well as his extremely emotionally intense encounter with Frank. Fisk squaring away first steps of many in political action and faced against the failure of Daniel, then pecking through yet another modest meal. That is until episode 4’s reveal. Indulging in that carb heavy and seasoning rich meal for a king, paired swimmingly with a tortured soul’s pleas. That power, that desire for absolute authority, never truly left Fisk. Most likely never will. Then Matt scaling the roof’s ladder to his pristine collection of cowls, hand already reaching for his billy club. Their darker halves never left them, refused and placated for a time, but never not in the corner waiting for them.

Frank. Haha. Frank is great, let him take a few verbal swings at the Devil of Hell’s Kitchen and he can work out more than his therapist girlfriend. Matt really is not coping, not processing. Cannot tell most people in his life everything, why he feels so responsible for the death of Foggy, for failing him. Best keep his name out of his mouth, because it’s not about him, right? Frank sitting in this grief of losing people who meant Everything to him, and recognizing that pain and stifled rage in Matt. When he retaliates, apologies and curses falling immediately afterwards, Frank does not accept it. Knows that his Darker Half is apart of him, is apart of his grief and pain. Being Daredevil, that righteousness and ruthlessness fueled him. Losing his dad to the criminal underground that got away unscathed, that injustice and lack of closure. Acting as that immovable object to villains unstoppable force. If it’s him or these innocent people behind him? Matt’s stepping to the plate everytime. Even when he attempted, he prioritized saving the victims. Frank is taking out people he deems worthy of the death penalty, Frank is “by any means necessary.” Frank’s grief, the Punisher is a part of him, of course he is going to see Matt’s grief as part of Daredevil. “You lose him. Didn’t you red? You hear him don’t you?”

Frank started out as a corpse on mission for vengeance. He got the people who took his family. He spends his efforts to end the threats permanently. Startling similar to how we first met him.

Matt and Fisk have denied themselves from fully indulging, allowing themselves to lean into their Darker Halves. However, after the events of episode 4, that is clearly going to change. I hope it does in the most explosive way possible.

All of this started from listening to Mother Mother’s - Try to Change

[xiaeom]

i don’t know if i’m reaching but something about asmodeus’s fall is so gutt wrenchingly devastating because of the fact that it parallels the type of love many people face before and after “puberty” — before, he became a demon everyone doted on him often and proudly but after the fall he became deprived of the same innocent affection -> from angel to object (??)

[archivedsorrow]

( @sleeplesswork )

silver hair, teal eyes; that was all that was on ivan's mind lately. he couldn't explain it. everywhere he went in the garden, he was looking for him, consciously or not, he was always drawn to wherever till was. he wanted to know everything about him. he wanted to understand him. he knew the sort of enviroment till came from; it wasn't too different from his own. so... how? how did he keep that spark in him, how come he didn't succumb to the system yet when... it obviously carried consequences? not once had he witnessed till be taken away to solitary, not once had he witnessed extra restraints having to be used on him in specific. sometimes it was ivan's fault, sometimes it wasn't. it more often than not was ivan's fault.

and yet. none of the provocations really yielded any answers. till still remained as much as an enigma as the first time he saw him. ivan finally concluded... he needed something bigger. but how were he, a lone boy, to come to such means that weren't simple bickering and scuffles, to try and pull something extraordinary out of another?

the answer came to him later that night, when he went towards a corner of the anakt garden that he hadn't been to much yet. he's found flaws in the system before and exploited them in different places, but he wondered if this one had something, too... a twisted smile curled his lips upwards once he found himself staring at the glitchy wall. ivan felt over the cracks in the otherwise pristine display of what was the garden itself, a perfect, splitting image of earth... like a paradise. but the boy had long since learned that it was anything but.

he paused then, glancing over his shoulder. all the flowers that were nearby had been meticulously crushed and stomped over, torn at the stems as ivan had been practically obsessed with destroying them. it was one final glance to reassure himself that he wasn't followed or watched by anyone, before he pulled at what seemed to be a tear in the very fabric of reality. it made an uncomfortable, screeching sound, one that had him flinching slightly, but before he knew it, he was staring into a gaping maw of what appeared to be a cave. where did this lead?

as he fearlessly stepped forth, the cold of the ground beneath his feet was a jarring contrast to the warm grass of anakt garden. ivan stepped over dirt and stone alike, sliding his palm along the wall as he walked in a whimsical manner. the darkness was oddly comforting, as compared to the bright, too bright lights of the garden. he only paused once he heard growling. did something live here? his steps grew lighter, more careful, as he followed after the strange sounds. it was then, that he saw it. that creature, of a shape that reminded him of those his father's men owned. two headed and drooling, baring sharp fangs. he never quite knew what they were, other than they were used to rip apart those that didn't pay their debts to father promptly enough.

it noticed him, he knew. of course it did. “ ... ” they were staring into each other's eyes, and ivan was surprised to see the beast not attack him immediatelly... but then he saw— the collars around both of its necks... just like till. he recalled his father's bodyguards throwing hunks of meat at these creatures and they always gulped them down happily. he wondered if this one was hungry, too; it was drooling, almost shaking as it stared ivan down. he couldn't fathom what purpose this one served, why it was hidden away behind the walls of the garden that was supposed to be a peaceful, safe paradise. he turned his back to it, heading back towards the garden, and subsequently, his room. he'd have to find it some snack.

he'd found some scraps from his dinner, gathered them up and quickly went back to where he came from, always mindful of not being seen. he was quite pleased to see that none of their caretakers that were up at night seemed to notice anything, so ivan's path remained clear. he made a quick trip back towards that hellish creature he saw earlier, hands outstretched with the offerings he brought. it quickly perked up and began panting... was it... excited? ivan quirked one of his brows upwards, committing this behavior to memory. it was no longer growling at him, ivan no longer felt like he wasn't allowed to approach it any further. with some caution, he threw the first bit of food towards it. it happily gobbled it up... and so he repeated that a few more times, until he had nothing left on his hands.

that wegyein then trotted over to the raven-haired boy on its own, causing him to tense up for one fleeting moment. “ mm... ” he hummed idly, carefully pressing his palm to one of its snouts. was it thankful? he remembered always being told to say thank you! to the cooks when they were handing out food to the children. with no further regard to his own well-being, ivan slipped his fingertips over the creature's teeth, even slipping them between some of the bigger gaps. he wondered... how till would react to this thing?

he left the animal with that thought, etched deeply into his mind. other than giving it a silent promise that he'd come visit it every so often, it was all he could think about, head buzzing with countless possibly scenarios of what-ifs where he imagined till standing up to an alien creature that appeared so feral. so of course. the next day, that was exactly the sort of scenario he had to set up.

during their mandatory playtime, he noticed till trying to weave a flower crown. that seemed to be the new hit thing amidst the children, everyone was doing it lately. he wasn't even that bad if ivan were to be honest— but something still bothered him about the other children's ignorance towards what those flowers actually were ( so why did you never tell them? ).

“ hey! ” he exclaimed, rushing over towards the fair-haired boy and snatching the flower crown he'd been working on this whole time. “ hahaha, you want it back? you're gonna have to catch me! ” and with that taunt, he immediatelly bolted towards his newfound secret place from last night.

[fiona-fififi]

I imagine Christopher would be there for the funeral part of the funeral, but maybe skip the procession due to mobility reasons. (I imagine they'd figure out a way to have him comfortably join the procession if it was for someone closer to him - not naming names to not curse someone - but in this case, meeting the procession at the cemetery makes more sense.)

I mean, yeah, I absolutely agree with that. But it's not that I'm concerned because we didn't see Chris in the spoilers. I'm concerned because Tim Minear doesn't seem to be able to plan more than 15 minutes ahead at any given time, and I don't trust him to have planned this out in a way that would have allowed Gavin to be a part of it, so I am fully expecting Christopher to have been left in Texas for the funeral.

I could very well be wrong about that, but I am concerned about it.

[thenwethrowitonthefire]

Shout-out to everyone who survived a "fun" easter with the family

[sigmaelxgr]

I was just here, sketching to help me fixing ideas and concepts of characters I write about... and while I was messing with Xangr's hair of the period he left the mage guild to listen to some obscure designs, I fell on... Darra. @downontheupside

Hi, 2E male Darra.

[thetimelordbatgirl]

With all the mystery around who Ruby is and who her mom is, I really, really hope it isn't actually the Trickster like others have been saying, because while yes it would be nice to see something from SJA appear in current DW, it also would just feel weird at this point as the Trickster was such a Sarah Jane villain that it just feels wrong to give him to the Doctor as an enemy just because Sarah Jane is gone.

[dozenssporks]

vash: whatcha doing there

wolfwood, wearing earbuds and looking at his phone: research for my next sermon

vash: oh. so which veggie tales episode are you watching

wolfwood: I am not watching veggie tales

wolfwood:  . . . I am listening to a compilation of veggie tale songs.

vash: thought so, dork

vash: . . . can I listen too?

*vash and wolfwood sharing the earbuds and staring at the phone screen, softly singing offkey* God is bigger than the boogie man, he’s bigger than godzilla or the monsters on tv . . .

[genderqueerpond]

if it is a time loop thing.... if it is a TIME LOOP it puts the whole. "I think I'm really really me" line in a completely new and absolutely delightful context.

Theory not my own, I saw it in a youtube comment.

But let's just imagine that. Let's entertain it briefly.

Fourteen lives out their life with Donna's family, and then whatever they do after that. Regenerates eventually, most likely into the Curator. Lives out that life until it wears out.

And then regenerates, but, wait.... *poof*. He finds himself somewhere else entirely, finds himself on the other side of a now distant memory.

Oh! I'm finally me! "I think I'm really, really me!"

[catqueenks]

I finally got around to watching loki season 2 and the ending gets sadder the more I think about it

[thenotoriousscuttlecliff]

Always hilarious to me that some think of Steve Trevor as this indispensable part of Wonder Woman lore rather than a holdover from the Golden Age that comic creators spent 40 years either ignoring or trying to get rid off. If it wasn't for Geoff Johns' weird fixation on Silver Age status quos he'd be all but forgotten by now.

[fragmentedblade]

I've been reading about xiangqi a bit and now I'm even more obsessed with that one video of Jing Yuan

[ekingston]

SO HERE IS THE WHOLE STORY (SO FAR).

I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.

IN SHORT

Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.

When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using 

his dyslexia; 

his intent to implement a tip-system for the plagiarized authors; and 

a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,

as reasons we should allow him to continue monetizing fanwork for his own financial gain.

When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer there. 

THE TAKEAWAYS

1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain; 

2. Fandom can really get things done when it wants to, and 

3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again. 

THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)

Sunday night, December 22nd 2024, I noticed an influx in visitors to my fic You & Me & Holiday Wine. When I searched the title online, hoping to find out where they came from, a new listing popped up (third one down, no less):

This listing is still up today, by the way, though now when you follow the link to word-stream, it just brings you to the main site. (Also, to be clear, this was not the cause for the influx of traffic to my fic; word-stream did not link back to the original work anywhere.)

I followed the link to word-stream, where to my horror Y&M&HW was listed in its entirety—though, beyond the first half of the first chapter, behind a paywall—along with a link promising to take me—through an app downloadable on the Apple Store—to an AI-narrated audiobook version. When I searched word-stream itself for my ao3 handle I found both of my multi-chapter fics were listed this way:

Because the tags on my fics (which included genres* and characters, but never the original IPs**) weren’t working, I put ‘Kara Danvers’ into the search bar and discovered that many more supercorp fics (Supergirl TV fandom, Kara Danvers/Lena Luthor pairing) were listed.

I went looking online for any mention of word-stream and AI plagiarism (the covers—as well as the ridiculously inflated number of reviews and ratings—made it immediately obvious that AI fuckery was involved), but found almost nothing: only one single Reddit post had been made, and it received (at that time) only a handful of upvotes and no advice. 

I decided to make a tumblr post to bring the supercorp fandom up to speed about the theft. I draw as well as write for fandom and I’ve only ever had to deal with art theft—which has a clear set of steps to take depending on where said art was reposted—and I was at a loss regarding where to start in this situation.

After my post went up I remembered Project Copy Knight, which is worth commending for the work they’ve done to get fic stolen from AO3 taken down from monetized AI 'audiobook’ YouTube accounts. I reached out to @echoekhi, asking if they’d heard of this site and whether they could advise me on how to get our works taken down.

While waiting for a reply I looked into Copy Knight’s methods and decided to contact OTW’s legal department:

And then I went to bed.

By morning, tumblr friends @makicarn and @fazedlight as well as a very helpful tumblr anon had seen my post and done some very productive sleuthing:

@echoekhi had also gotten back to me, advising me, as expected, to contact the OTW. So I decided to sit tight until I got a response from them.

That response came only an hour or so later: 

Which was 100% understandable, but still disappointing—I doubted a handful of individual takedown requests would accomplish much, and I wasn’t eager to share my given name and personal information with Cliff Weitzman himself, which is unavoidable if you want to file a DMCA.

I decided to take it to Reddit, hoping it would gain traction in the wider fanfic community, considering so many fandoms were affected. My Reddit posts (with the updates at the bottom as they were emerging) can be found here and here.

A helpful Reddit user posted a guide on how users could go about filing a DMCA against word-stream here (to wobbly-at-best results)

A different helpful Reddit user signed up to access insight into word-streams pricing. Comment is here.

Smells unbelievably scammy, right? In addition to those audacious prices—though in all fairness any amount of money would be audacious considering every work listed is accessible elsewhere for free—my dyscalculia is screaming silently at the sight of that completely unnecessary amount of intentionally obscured numbers.

Speaking of which! As soon as the post on r/AO3—and, as a result, my original tumblr post—began taking off properly, sometime around 1 pm, jumpscare! A notification that a tumblr account named @cliffweitzman had commented on my post, and I got a bit mad about the gist of his message :

Fortunately he caught plenty of flack in the comments from other users (truly you should check out the comment section, it is extremely gratifying and people are making tremendously good points), in response to which, of course, he first tried to both reiterate and renegotiate his point in a second, longer comment (which I didn’t screenshot in time so I’m sorry for the crappy notification email formatting):

which he then proceeded to also post to Reddit (this is another Reddit user’s screenshot, I didn’t see it at all, the notifications were moving too fast for me to follow by then)

... where he got a roughly equal amount of righteously furious replies. (Check downthread, they're still there, all the way at the bottom.)

After which Cliff went ahead & deleted his messages altogether. 

It’s not entirely clear whether his account was suspended by Reddit soon after or whether he deleted it himself, but considering his tumblr account is still intact, I assume it’s the former. He made a handful of sock puppet accounts to play around with for a while, both on Reddit and Tumblr, only one of which I have a screenshot of, but since they all say roughly the same thing, you’re not missing much:

And then word-stream started throwing a DNS error.

That lasted for a good number of hours, which was unfortunately right around the time that a lot of authors first heard about the situation and started asking me individually how to find out whether their work was stolen too. I do not have that information and I am unclear on the perimeters Weitzman set for his AI scraper, so this is all conjecture: it LOOKS like the fics that were lifted had three things in common:

They were completed works;

They had over several thousand kudos on AO3; and

They were written by authors who had actively posted or updated work over the past year.

If anyone knows more about these perimeters or has info that counters my observation, please let me know!

I finally thought to check/alert evil Twitter during this time, and found out that the news was doing the rounds there already. I made a quick thread summarizing everything that had happened just in case. You can find it here.

I went to Bluesky too, where fandom was doing all the heavy lifting for me already, so I just reskeeted, as you do, and carried on.

Sometime in the very early evening, word-stream went back up—but the fan fiction category was nowhere to be seen. Tentative joy and celebration!***

That’s when several users—the ones who had signed up for accounts to gain intel and had accessed their own fics that way—reported that their work could still be accessed through their history. Relevant Reddit post here.

Sooo—

We’re obviously not done. The fanwork that was stolen by Weitzman may be inaccessible through his website right now, but they aren’t actually gone. And the fact that Weitzman wasn’t willing to get rid of them altogether means he still has plans for them. 

This was my final edit on my Reddit post before turning off notifications, and it's pretty much where my head will be at for at least the foreseeable future:

Please feel free to add info in the comments, make your own posts, take whatever action you want to take to protect your work. I only beg you—seriously, I’m on my knees here—to not give up like I saw a handful of people express the urge to do. Keep sharing your creative work and remain vigilant and stay active to make sure we can continue to do so freely. Visit your favorite fics, and the ones you’ve kept in your ‘marked for later’ lists but never made time to read, and leave kudos, leave comments, support your fandom creatives, celebrate podficcers and support AO3. We created this place and it’s our responsibility to keep it alive and thriving for as long as we possibly can.

Also FUCK generative AI. It has NO place in fandom spaces.

THE 'SMALL' PRINT (some of it in all caps):

*Weitzman knew what he was doing and can NOT claim ignorance. One, it’s pretty basic kindergarten stuff that you don’t steal some other kid’s art project and present it as your own only to act surprised when they protest and then tell the victim that they should have told you sooner that they didn’t want their project stolen. And two, he was very careful never to list the IPs these fanworks were based on, so it’s clear he was at least familiar enough with the legalities to not get himself in hot water with corporate lawyers. Fucking over fans, though, he figured he could get away with that. 

**A note about the AI that Weitzman used to steal our work: it’s even greasier than it looks at first glance. It’s not just the method he used to lift works off AO3 and then regurgitate onto his own website and app. Looking beyond the untold horrors of his AI-generated cover ‘art’, in many cases these covers attempt to depict something from the fics in question that can’t be gleaned from their summaries alone. In addition, my fics (and I assume the others, as well) were listed with generated genres; tags that did not appear anywhere in or on my fic on AO3 and were sometimes scarily accurate and sometimes way off the mark. I remember You & Me & Holiday Wine had ‘found family’ (100% correct, but not tagged by me as such) and I believe The Shape of Soup was listed as, among others, ‘enemies to friends to lovers’ and ‘love triangle’ (both wildly inaccurate). Even worse, not all the fic listed (as authors on Reddit pointed out) came with their original summaries at all. Often the entire summary was AI-generated. All of these things make it very clear that it was an all-encompassing scrape—not only were our fics stolen, they were also fed word-for-word into the AI Weitzman used and then analyzed to suit Weitzman’s needs. This means our work was literally fed to this AI to basically do with whatever its other users want, including (one assumes) text generation. 

***Fan fiction appears to have been made (largely) inaccessible on word-stream at this time, but I’m hearing from several authors that their original, independently published work, which is listed at places like Kindle Unlimited, DOES still appear in word-stream’s search engine. This obviously hurts writers, especially independent ones, who depend on these works for income and, as a rule, don’t have a huge budget or a legal team with oceans of time to fight these battles for them. If you consider yourself an author in the broader sense, beyond merely existing online as a fandom author, beyond concerns that your own work is immediately at risk, DO NOT STOP MAKING NOISE ABOUT THIS.

PLEASE check my later versions of this post via my main page to make sure you have the latest version of this post before you reblog. All the information I’ve been able to gather is in my reblogs below, and it's frustrating to see the old version getting passed around, sending people on wild goose chases.

Thank you all so much!