#really enjoying this and i just know that the Conflict and Chaos that so marks the bear as a show is gonna start
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I KNEW NAT WAS PREGNANT i did not know she knew she was but i knew it!
RICHIE NO HONEY
"is that it?" *boink* "yeah" the bear is a comedy. full stop.
ebra you can do it baby i believe in you and i love you
and carmy's still cooking, still working. him and ebra.
oh syd's mum isn't there. she's not there is she she's dead or she's left or something
that was an Adorable story and i wanna see Syd imitate her mum who is definitely dead
oh candles. yeah. so why did she talk about her in the present tense to marcus? hiding it? hiding means there's prolly some trauma, and her mum wouldn't have been that old if she was the same age as her dad (he said they were both twenty when they started dating) so i'm gonna say sickness. might have been sudden, might have been prolonged, but sickness took her is my guess
"carm?" oh. i think i know who thiiiiiis issss
"claire. hi." yes, yes i did know who this is. that's not an enthusiastic reaction from carmy, but to be absolutely fair, he's rarely enthusiastic.
he is however very nervous here -- defensive posture, his face is red, tense jaw, etc. not sure these two were friends when they knew each other -- not saying they were enemies or anything, i'm just not getting the sense that they hung out much
mmm. based on this convo with syd and her dad? he's never been to The Beef in his LIFE. it would come up that they've closed down his Usual Sunday Place to do this if he had. adding that to the list of chekov's guns yet to be fired, and it's gonna be a friggin chekov's cannon ball depending on when that fuse is finally lit
"i have a partner!" "and you trust him" "yes!" gosh dangit. the subtext is text all right but like....conflict is coming
"i'm older than her now" oh land her mum died young then. and she does not believe her dad when he says she's just as wonderful as her mum was
i'm really hoping richie is gonna take a shower. that cannot be healthy
kay still talking with claire! great that doesn't make me nervous about this season at all!
"you wanted to fix [the broken arm]?" "i wanted to understand it" a very valid viewpoint, not knocking it.
but it does show the difference between them -- carmy, like in the party with the kids, like when he's checking in with richie and natalie and syd and tina, wants to help people, wants to fix stuff for them. claire wants to understand how things work -- two different approaches, two different foci.
oh. mm.
okay. okay. okay.
first off, carmy's "i should really listen to myself" about telling that kid not to become a chef? further proof if you ask me that carmy will end up stepping back from professional kitchens in some way
but
if someone so obviously does not want to be doing what they're doing -- if someone says they should not be a chef, for example, and then says that they're opening a restaurant? the first question most people would ask is: "why are you doing that then"
what claire says is "you're doing the thing!" which. i don't actually have words for that response. what in the brain-dead -- i don't care if that's what you remember of him from school or being kids or whatever, how on earth is that the response?
"because you're the bear. and i remember you." spit bucket please!
who the eff says that in a grocery store to someone holding frozen veal stock
he has absolutely no idea how to take that, wow.
in fact, yeah, i don't think carmy has any idea how to deal with personal attention like that, and he needs people to be fairly direct b/c he's sort of oblivious when it comes to how people think/act around him specifically -- he seems to understand People as a General Concept pretty well, just not as they relate to him -- which speaks to abominable self-esteem and i'm going to guess that when he says "i never had any girlfriends" it's not because a few girls (it was probably only two or three, especially being as Carmy as he is, but still) weren't interested in him, it's because he absolutely did not notice, God bless him and keep him
"i'll just get your contact information" oh here it issss here's the thing i know about
and they were so careful to have him recite his number earlier so we'd know what it is
"01....0....2." it's a VERY deliberate choice to give her the wrong number. this isn't a spur of the moment choice, he thought this through. and when she repeats it back and he has the chance to say "oh no 01 sorry", he just says "yup", no hesitation. they're emphasizing to the view that he's okay leaving it there, that this is done on purpose, that he's lying and that he knows he's lying
now there are a multitude of reasons for him doing this. if you think he does actually want contact with her, then it could be he doesn't believe she actually would want to talk to him, he doesn't have any idea how to handle her and is running, etc.
you could even say that this is classic Carmy repression -- he's not letting himself do something he wants to do because he's repressing the desire for it. that one's probably the strongest argument -- really the only valid argument -- on that side
but.
i think that the reason to have this in this episode specifically? is because he and syd have that conversation about the three-star call in this episode
remember what he says? first 10 seconds feels like a panic attack, b/c you know you'll have to keep it up. your brain skips any sort of joy or celebration, and settles instead on dread. that's carmy's experience with getting an honor few get in the culinary world, and it shows that he's actually not happy in being a Chef-with-a-capital-C. this episode fairly beats that into the viewer, honestly
i think it's the same thing here. he knows if he gives her his number that he'll have to keep it up. his brain skips any sort of happiness and settles on dread. and -- finally taking his own advice here, probably because he just mentioned he should take his own advice, carmy is quite introspective, he's just a little Blocked when it comes to his own emotions -- he decides that it's not worth it. the panic and the dread and the sheer effort it would take to maintain this is not worth it
this conversation is not shot like it's easy. carmy's leaning on the side of the freezer like he needs something to physically prop himself up. the lighting is great for claire, who's comfortable, but it washes carmy out, makes him look even more tired.
full disclosure, i don't know anything more than the fact that she goes behind his back (!!! i will have words!!) in the coming episodes sometime to get his real number, that's the extent of my knowledge.
but even without knowing that, watching this conversation? this isn't a full-fledged chekov's gun, this is at most a chekov's water pistol. she's gonna be here, but she's not gonna be omnipresent. her presence -- which i'm guessing will work largely as a distraction, pulling carmy away from The Bear, as well as being a Specter of the Past -- will cause conflict, rather than build a relationship. shot in the dark work, but given that we're shown how Carmy has a problem going all-or-nothing, and last season he went overboard on the "all" part of that, i'm guessing this season she'll be used to demonstrate the "nothing" part of his personality
which will cause problems and conflict, yes, and also provide an opportunity for the other chefs in the kitchen to grow into the roles they'll need to fill in carmy's eventual (permanent) exit from the kitchen. i get the feeling that the sign for "sorry" introduced here is gonna get quite a bit of airtime
this is long and rambly, but yeah! that's episode 2 -- two very relaxed season openers, i'll note -- we've got 8 to go, and i can feel the un-caged bear getting restless enough to start causing a ruckus....
#the bear#liveblogging#2X02#that's the last post for tonight! my best friend is off the plane so i shall go chat with her probably and then sleep!#really enjoying this and i just know that the Conflict and Chaos that so marks the bear as a show is gonna start#so that was claire! interesting meeting her! she seems kinda like a nothingburger rn but oh. i know she's gonna get Worse#it's the only thing i know so i'm looking forward to the context to see if it makes it better or worse or different#no idea if i'm watching tomorrow since NYE but we shall see! i like this two-eps-a-day sort of thing i should finish by end of next week#possibly earlier but we shall see#once again block the liveblogging tag if this is awful for you! liveblogging just helps me parse the show#and there's a whole lot to parse
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Intimacy & Emotional Attachments (Ep5)
Andddd the next entry in this series: Ep5 marks some serious headway and some serious setbacks for the couples. Emotional and physical intimacy is challenged and put into question in ways we haven't seen before, sending us spiraling towards the first arc conflict (in keeping with what Khaotung said, we're definitely going to hit a lot of chaos next ep). Interestingly, I believe all three couples balance physical and emotional intimacy in vastly different ways.
RaySand
Ray and Sand take center stage this episode, specifically Sand, who is finally given the narrating voice. I could write a separate post on Sand alone, because I think his character traits offer a lot of insight into why he's grown so attached to Ray already (as others have pointed out, Ray is cheeky and flirtatious, but he's also a bit of a handful...despite Sand's complaints though, he seems to enjoy being at Ray's service). Personally, while Ray's approach has been questionable in the past (stalking Sand, bribing him to spend time with him, etc.), I personally don't think his behavior towards Sand can be considered a manipulation...at least, not in the way that Boston has manipulated Nick. I could speak more on the subject but that's my opinion, for now.
One thing I really like about Ray and Sand in terms of their growing bond--it's all in the quiet moments. Virtually all of RaySand's scenes have small acts of intimacy and crippling sweetness; they possess a natural banter. I would argue that TopMew, by comparison, are very straightforward. There's much less subtlety, and I think this is because Mew is making so much of an effort to keep everything controlled; it’s slightly mechanical.
I have to give it up for FK's acting here because so much of Ray and Sand’s relationship depends on their swift delivery. They play off of each other seamlessly to deliver electrifying chemistry. While we might have been robbed of Khao's tattoo (still bitter about that, tbh), the tension in that scene is simmering nonetheless.
It's become more and more apparent throughout these five episodes that Ray and Sand aren't built on just one thing. This is a matter of personal opinion, but I see Ray and Sand's relationship as encompassing a pretty reliable split between the physical and emotional aspects of intimacy; conversely, I'd argue that Top and Mew's relationship has focused on the emotional parts (mostly due to Mew's resistance to a sexual relationship with Top) and BostonNick's has focused on the physical parts (due to Boston's resistance to pursuing a romantic relationship with Nick). Once again, the goldilocks effect is kicking in: RaySand are solidly in the middle when it comes to balancing both physical and emotional intimacy.
Also of note--Ray and Sand talk about their personal lives onscreen, whereas we are left to imply many of the deeper conversations going on between Top and Mew (I don't think there are too many of those going on for Boston and Nick). Ray opens up about his mother's death in a way he didn't before, and I think that's one of the surest signs of how much he's growing to depend on Sand. From a storytelling standpoint, it's also important that Sand knows this, as it will likely inform his reactions to Ray going forward.
The greatest threat to RaySand's bond at this point are Ray's lingering feelings for Mew because they are so easily exploited by Boston. Boston is the enemy of RaySand this episode, certainly, but everything he says would not pack so much of a punch if not for Ray's reaction. He quickly gets physical, reaching for the liquor bottle as if on instinct. Ray has developed a bond with that liquor bottle that no one, not even Mew, has been able to match.
TopMew
This next bit is prompted by a discussion @abstractelysium and I had about Top and Mew's reactions to Boston and Ray, respectively, regarding consent. In Ep4, Mew automatically censured Ray for kissing him, while Top has repeatedly vocalized his discomfort with Boston's advances since the beginning, though it wasn't until last episode that we saw him really take a stand against Boston. Top is still something of an enigma when it comes to sex; it's used as "payment" of a sort from Mew, and we know that Top enjoys having many sexual encounters. (Some have suggested that Top has had some negative experiences with sex as well, potentially along the lines of SA, but I personally don't believe we can draw any conclusions as of yet.)
The way Top and Mew react to Boston and Ray in Ep4 is the interesting bit, because it reflects their beliefs regarding boundaries and morals. The show has used consent not only to make a point about it's importance, but also to highlight the traits of its characters. Mew's perspective is clear-cut and decisive--whether or not he personally felt violated is not the point; it's the act of being kissed while he was asleep that offends him.
Part of the reason why Mew has withheld sex from Top for so long is because in his mind, intimacy is delicate. Top views sex casually, independent of emotions, but Mew sees much more than that. The show has made a point of showing how sex, even casual sex, often comes to mean much more. For this reason, Mew's reaction to Ray is proof that intimacy--and sex, by extension--is something to be treated with extreme care.
What's also interesting is that Mew is willing to give Top limited intimacy as an exchange for something he wants. Is this indicating that he is already slipping into the same "game" that has a hold on Top and, perhaps even more strongly, Boston? Is Mew's high regard for sex the exact kind of weaponry that he can use to force Top into line? I'd argue that Mew has gradually been learning the rules of this "game" and it's one of the reasons why he takes the initiative to offer sex to Top so long as he promises to stop doing drugs. I still think Mew cherishes sex, but I do believe he sees its import in changing Top's behavior...so why wouldn't he exploit that?
In Ep5 we see him commit to sex with Top, but there's still an underlying tension to it. So far, Mew has seemed completely in control of his relationship with Top, but it's almost sad how vulnerable he acts on the phone with Boston. It's hard to determine what's genuine and what's all part of the game. Judging by his lovesick behavior this episode, I'm going to argue that whether or not he thinks it's "owed" to Top or not, he's finally giving some of his vulnerability over to Top. In my mind, that is what all of this boils down to: vulnerability. (I will agree with what others have said about the dinner scene though--there's something quite eery about it that I can't put my finger on.)
It's ironic that next episode is when things will presumably blow up between Top and Mew in some fashion. How sad will it be for Mew to have finally given himself over to Top, just to immediately realize that Top lied to him and cheated on him with one of his friends? The drama will be so juicy.
BostonNick
Nearly every character in this show lies, whether to hide their feelings or to manipulate other characters. Out of everyone though, Boston takes the cake. As an audience member, I have learned not to trust a single word he says (no matter how many times he bats his eyelashes at Nick).
Nick is trying so desperately to become what Boston wants, even if he doesn’t want to change himself. He realizes that, yet he doesn't stop. He left his self-worth at the door for Boston, because he craves affection, and—when Boston wants to—he's good at delivering it.
Boston tells Nick that he wants to settle down. But does he really? For my part, I don't think Boston could settle down if his life depended on it--he'd still find a way to manipulate his way into a) sleeping around and/or b) screwing up everybody else's relationships. When it comes to intimacy, I believe Boston enjoys sex for two reasons (one, more deep than the other):
It's just...good? He definitely enjoys it, otherwise he would've stopped a long time ago.
It's a way for him to wield power. He can manipulate others and put himself on a pedestal with just how many men want him (I choose to believe that Boston looks at himself in the mirror every night and congratulates himself on how perfect he is).
For this reason, I don't think Boston really knows what emotional intimacy is. He's a master of physical intimacy in terms of sex alone, but he hasn't come close to mastering its emotional elements--mostly because he hasn't even tried. He tells Nick that he wants to try settling down, but how much of that is genuine, and how much of that is because he's still butthurt over Top's rejection?
For now, Boston's relationship to intimacy seems to revolve around stringing Nick along and ruining everyone else's chances at forming intimate bonds. It's another power play. If Boston isn't literally screwing them, he's busy thinking of ways to screw them over.
~ X ~
Ep 5 was a rough one for my heart to handle. All of Ray and Sand's happy moments were overshadowed by the ending scene, TopMew's scenes were overshadowed by Top's lies, and BostonNick's scenes were overshadowed by Boston's assholery. I expect next episode will throw everything into complete chaos.
#only friends#only friends the series#ofts#sandray#raysand#sand x ray#ray x sand#sanray#raysan#bostonnick#topmew#only friends episode 5#only friends meta#firstkhaotung#firstkhao#neomark#forcebook#first kanaphan#Khaotung thanawat#neo trai#mark pakin#force jiratchapong#book kasidet
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I think this is the first time since season 10 that I’ve watched the first episode of a Taskmaster season without writing a liveblogging Tumblr post as I went along (in seasons 11-16, I stuck to varying levels of keeping up the liveblogs for the rest of the season, but I always at least did the first one). If I’m very honest, the main reason why I didn’t do it for this one is it’s the first lineup for which there was only person I was really really excited about. The other four I have varying levels of vague opinions about, from “broadly like based on the one time I saw her on Russell Howard’s show” (Sophie), to “quite strongly dislike based on seeing her promote stalking and harassment on Alan Davies’ show, but I guess it was probably just a joke that came off badly” (Joanne) to “never got into League of Gentlemen because the surreal vibe creeped me out a bit and BBC Sherlock put me off Mark Gatiss so I know almost nothing about him”. Oh, and I do actively like Nick, because I am one of the few people who’s found Mr. Swallow funny on Catsdown, but I didn’t much enjoy his Houdini special and Ted Lasso season 3 was so bad that it put me off everyone who had anything to do with it even though obviously it’s not Nick Mohammed’s fault, so those conflicting opinions balance out into a vague “I guess I like that guy”.
Anyway, I didn’t want to write a post that was meant to be liveblogging the whole Taskmaster episode, and have that post be 90% about John Robins, and lay out just how much John Robins was the only one I was really interested in, and I also didn’t want to try to make myself have more of an opinion about the rest of them than I actually did. So no liveblog post this time, I just watched the episode. Once it gets a couple of episodes in I will have an opinion on the rest of them, and then might start the liveblogs again because I will have a slightly more balanced view.
Having said that. I have now watched it and do have some new opinions:
- Sophie Willan: I expected the charmingly naïve chaos, based on that time she was on Russell Howard’s show, that’s exactly how she came across on there and it’s great. Funny and sweet just great fun to watch. I did not, however, expect this extreme level of incompetence. I find an extreme level of anything funny on Taskmaster, and this is no exception. Love that we’re going to have a good old fashioned disaster contestant and it’s been marked out so early. Love that she appears to have no idea what show she’s on. Obsessed with her decision to paint that actual fence even though she definitely saw the blinds.
- Steve Pemberton: The “old man who is far too well established in comedy to need this show” contestant actually trying in the tasks, that’s always a fun surprise. I mean, I enjoy it either way. Frankie Boyle, Alan Davies, Julian Cleary, Ardal O’Hanlon – all those guys stumbling through the tasks with bemusement is fun. But it’s a nice surprise when you get a Lee Mack, a Dara O’Briain, a thing that Steve Pemberton looks to be – an old man who doesn’t need this but decides to actually put significant effort into doing each task properly. The egg train was impressive. The stumble at the end was funny. The good-natured attitude in the studio is amusing. And John Robins being the competent competitive force I’m hoping for won’t be as much fun if there’s not another good player to challenge him.
- Nick Mohammed: That’s exactly what I wanted from him. It’s almost weird to hear him talk in a normal voice, which doesn’t make sense because it’s not like he was using the Mr. Swallow voice on Ted Lasso, but I think on some level, my brain operated under the assumption the Mr. Swallow voice was his “real voice” and he was just putting on a character for Ted Lasso. It is interesting to see him play himself, where it turns out, he’s not that far off from Mr. Swallow’s quirks, just with a lower-pitched voice. I liked the exchanged he had with Greg in this manner. I liked the pragmatic approach to getting hula hoops out of a river. I liked the dynamic with Steve. I liked it when he threw some bricks around.
Joanne McNally: I dislike her a bit. Which is a lot less than how much I disliked her yesterday. This episode has brought me from disliking her a lot to disliking her a bit. She was entertaining. I wish I hadn’t seen that episode of Alan Davies: As Yet Untitled, because it’s sending me into this season with a bias against her that may be too much for her Taskmaster persona, as entertaining as it is, to overcome. I like other comedians who've said worse things than that, because I can put those things in the context of all their other stuff and consider it just one badly judged story. Maybe Taskmaster will give me enough context for McNally to get past it. She was fun. I wanted to be able to enjoy her. But she does still annoy me.
John Robins: Here's an idea. What if I do the opposite of the post this would have been if I'd been liveblogging as I watched and had been honest about where most of my interest was (though that interest broadened out as the episode went along, it only takes a small amount of time at the beginning of a season for me to get to know the unknowns well enough to be interested in them too), and make this a post about everyone except John Robins? I'll just end this post here.
(He crashed a car with an egg and he brought in 19th Century literature and he thought through that live task so strategically and and his drawings were so much better than everyone else's and this is exactly the level of competence I was hoping for and I don't mind waiting a bit for the competitiveness-induced outbursts that I'm sure are coming later, because actually it was equally funny to watch him spend this episode just glaring and biting his tongue (and having his voice crack the way it sometimes does on the radio, it happened right at the beginning of this episode, and you always know we're getting something good out of John Robins when his voice starts cracking) whenever he got annoyed about something going wrong. And is adorable that his buddy Alex got a reference to his big award into the episode, especially in a way that says "You know, technically you're on the level with Steve Pemberton."
(The other reason I didn't do a liveblog this time is I was genuinely embarrassed reading back the one I wrote during s16e01, where I frequently transcribed my internal and/or external monologue verbatim as I was too into the episode to also put an edit between my thoughts and the typed words, and was really into backing Sam Campbell like a sports team and Taskmaster brings out the sports team side of me in general, which is how you had bits of that post with me writing things like "Yes Sammy C coming through" with what I hope any reader would (incorrectly) interpret as irony. It's for the best that I avoided that this time and didn't need to document the number of times the words "Come on Johnny you got this" came out out loud as I was watching him throw hula hoops at things. I have never referred to him by that name before, it's just the automatic sports-ifying of people's names that happens when you watch them like a sports team. I'm pretty sure words in parentheses don't count towards a post, so this one actually ended when I said it did two paragraphs ago.)
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Multiverse of Madness
I am an unapologetic Adventure Time apologist. i think it was one of the greatest shows ever created and deserves all the love it gets. AT saved Cartoon Network back in the day and spawned so many creators who would, in turn, leave their mark on the industry. Without AT, there is no Steven Universe or that other one with the fighting i guess? The influence of Adventure Time gave credence to the potential popularity of shows like nuShe-Ra and nuVoltron. Those characters are iconic and full of so much depth. Finn Mertens, Jake the Dog, Bonnibel Bubblegum; All of them have become stalwarts of cartoon history. Like, Marceline Abadeer is one of my all-time favorite characters in fiction. When Distant Lands aired, i was emotionally devastated. Obviously, Obsidian was mys sh*t but Together Again brought me to tears. That's how much this show meant to me, so when Adventure Time: Fionna and Cake was announced, i was all over it. I was mad curious how this would play out. Would it be just a romp through a gender-swapped Ooo? Would the target audience still be kids or would the show be a more mature take since the original kids were now wayward adults? So many questions. Well, Fionna and Cake is over and i have thoughts.
First thing first, This show is not about Fionna and Cake. It is on a superficial level but they're more a plot device who participates in the narrative. Fionna and Cake is about Simon Petrikov coming to terms with the loss of Betty Groff and how his relationship with her, was toxic as f*ck. Like, holy sh*t, was it bad! The co-dependency was insane! I mean, you got glimpses of that throughout Betty's arc in the original AT (Betty literally leaping through a Hambo powered time rift, her problematic Magic Woman phase, and the eventual wish that turned her into f*cking GolBetty, all for her "love" of Simon) but this chick was as obsessed with Simon as Simon was with her. When she transcended and become a deity of pure chaos, Simon was left in a depression spiral that, ultimately, shook the core of the goddamn multiverse. And i say that with no hyperbole. F*cking Ice King, put the entire multiverse of Adventure Time in jeopardy, because he missed his boo. What follows is, one of the most well thought out and executed romps through a multiverse narrative I've seen outside of f*cking comic books. I don't want to spoil anything but the first nine episodes of this show are brilliant, rivaling the very best Adventure Time has to offer. The tenth? Not so much.
Fionna and Cake definitely botches the landing, especially coming off such incredibly strong episodes as the three right before it. Again, no details, but, holy sh*t, were those three episodes great. Seriously, watch this show, it's f*cking fantastic. The Simon stuff is definitely the heart of this narrative but what about the show's namesake? The Fionna and Cake bits are good but i never really felt as invested in their story as i was in Simon's trials. It's not like their stuff was bad, per sey, it just didn't feel as... dire? I don't know, i felt more for the characters around them than i did the characters themselves? Don't misunderstand me, i enjoyed their arc. Fionna and Cake struggling with their own identities and coming to terms with who they are was cool and all but, ultimately, it felt more sub than main plot, which is weird because it's their show. Fionna and Cake are basically the inciting action which informs the entire plot but i never really feel like that's a thing. Plus, there is this very important aspect to their character which, kind of never really plays into the overarching conflict, with the exception of a particularly gruesome scene, and i feel like that was a missed opportunity. As an overall production and viewing experience, Fionna and Cake is f*cking exquisite.
The stuff i said about Fionna and Cake is true, to an extent. True for me, i guess. People may get more out of their arc than i did, which is fine, that's a point subjectivity. What isn't subjective is how well this show is produced. Seriously, the art style is familiar, yet, more detailed. The characters are well performed, each true to their own personality beats. But it was the worlds we visited that truly hammered home the butterfly effect, the effect Simon had, on all of those worlds. I loved every second of that experience and, while they didn't fully stick the landing, there were great aspects of that tenth episode. Fionna and Cake turned out to be ten episodes of solid, adult, Adventure Time narrative that felt organic. It didn't feel like a cashgrab or desperate attempt at Max to pull in viewers. It felt like, after the absolutely brilliant reception to Distant Lands, that HBO understood there was a market for a show like that and they just let the staff create. Adventure Time: Fionna and Cake isn't perfect, it's definitely got it's flaws, but of the content I've seen this year, it's easily some of the best. Whether you're a fan of the old world of Ooo, or just interested in what "adult" animation has to offer, this show is one of the best examples of the art form. It was a strong watch and i definitely recommend a viewing.
#Adventure Time#Adventure Time: Fionna and Cake#Fionna and Cake#Fionna Campbell#Cake the Cat#Simon Petrikov
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What if we were to... you know... introduce Silver and Eclipse to Minecraft multiplayer?
Would chaos in what they want to do ensue? I can certainly imagine Eclipse going medieval and making a village his slaves and Silver trying to protect them and it conflicts hilariously XD.
It would not go well. I'm gonna use the Switch version because that's the one I'm familiar with.
~~~~~
Callie sipped her coffee, enjoying the quiet. Normally a silence like this would have been unnerving--what with two boys in the house, one of whom is more gremlin than anything--but today it was welcome.
She sat at the kitchen table, lazily scrolling through her phone. The two boys in question were in the living room, playing their new Switch game together. The occasional soft comment came to her ears as they chatted together, but other than that, they'd been mostly quiet like that for over an hour.
It was time for Murphy's Law to take effect.
"This is boring." Eclipse's tone was annoyed, and came as close to a whine as he was capable. "Let's go back into that cave."
"No, there are spiders and zombies in there and I want to keep working on my farm."
"Your farm is fine! Let the villagers take care of it."
"I like taking care of it myself." Silver, bless his heart, was still calm and controlled. His brother had a talent for getting him upset, but today it didn't seem like Silver was taking the bait. "Look at all the crops! I need them to feed my animals."
"You don't have to feed all your stupid animals, they're not really gonna die, you know."
"Go by yourself. You don't need me with you."
"You're better at marking the path so we don't get lost."
"Too bad. Maybe you should learn to do it yourself."
Eclipse uttered an annoyed grunt, and Callie could picture him gritting his sharp teeth. "Just leave your stupid farm and your stupid animals and come with me!"
"No!"
Callie sighed, and wondered if she should get involved. Maddie had told her that it was important for siblings to figure out problems on their own, to find their own dynamic and deal with issues. She supposed that made sense, and she tried to let her boys figure it out, but she was also a big supporter of things like quiet and not having her house destroyed.
Two things that were in woeful short supply with two super powered alien children.
But, since Maddie had a sister and three super powered alien children, Callie supposed she knew what she was talking about. So she monitored the situation from her seat in the kitchen.
"What are you doing?" Silver asked, and his voice hovered in that space between calm and upset. "It's getting dark, we need to go in and sleep."
"No."
"C'mon, Eclipse. If you stay out after dark the mobs will come out."
"I don't care. I wanna fight something."
"You've only got a wooden axe!"
"Then maybe we should have gone into that cave to find iron!"
"We didn't need to find iron!" Silver's voice was going higher, and indication he was getting more upset. "We were working on our farm!"
"I don't want to work on the farm anymore! I want to fight monsters!"
"LOOK OUT!"
The familiar hiss of a creeper preceded an explosion, which was followed by the loud shriek of a gray hedgehog.
"MY FARM!"
"Whoops."
"YOU DID THAT ON PURPOSE!"
"MAYBE NOW YOU'LL GO INTO THE CAVE WITH ME!"
The next sound was a loud thud as two little bodies hit the floor, accompanied by growls and arguing.
Callie gave a little sigh, before putting down her coffee cup, and heading into the living room to referee.
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genuinely thinking a bit about a Mother 3 SOBR au and I'm kind of stumped about what Vincent would do for a living. he can't be a fucking banker, they don't have any money, so it'd only be a job he'd get post-timeskip. he's good with numbers, but what kind of job would actually apply in Tazmily? i just don't know. my only guess would be something to do with books otherwise. they. i mean they probably have some amount of books though that's always been a big question mark for me about literature n stuff but it'd cute if Tazmily had like, a little library or something.
i think Mimi would probably just do art. or maybe is a schoolteacher. she'd also 100% be one of those ladies who gets sucked into working at the shitty ass old folks home post-timeskip.
Beau would have to actually get a job JHBSD but i could see a few things for him: either he'd be a tailor because it is something he's probably not all that bad at, albeit you can tell Lucas's family has something to do with clothesmaking most likely, at least in terms of wool products ?? but idk. that or he'd continue to just be a cowboy, or a hired hand, in other words, not that i assume with people's small farms (in fact, there's only two real farm areas, Matt and Jill's family and then Nippolyte grows crops outside Osohe) require much help, but it's Tazmily, they'd humor him.
but he'd probably only get hired once by any person. he still wouldn't be all that reliable. i don't think he'd have as bad of a reputation in Tazmily because there just isn't theft, and all i could really say about what happened in Brittlebone is he was an accessory to a theft, he'd probably just not be very good at the job, or flaky, or whatever.
he could still play guitar, though, but it'd be just a hobby like always.
i think Jerome could've convinced the Tazmilians to hire a sheriff even though there's no crime. but because there's no crime, he'd be bored out of his fucking mind all the time. Jerome obviously thrives on chaos and conflict so i imagine his "job" is just him sitting in the Yado all day playing cards because there is, quite literally, nothing for him to do. otherwise, he's probably just hanging around Luis's farm or whatever, cause i'm sure he just goes back to running a farm like he usually does with his family.
i have no idea what Casey would do, but then again, there seem to be villagers that don't actually do anything. like Ollie doesn't do anything, though i suppose it's also through the grace of being in the mayor's family. but it's not clear what people like Paul and Linda or Ed's family do, so i think it's entirely possible he doesn't really have a role either and just kinda bums around Tazmily with Jerome.
i'd say it'd be easy for them to just continue working law enforcement after the timeskip but i almost think Jerome would get shoved out of it eventually. that or he'd also fall for the whole glitz and glamor of the Pigmasks thing. Casey would probably fuckin join too, shit. it's either that or the fucking mines and i don't think either of them would do it. Casey might for a while but he'd get burnt out quick. i don't even think Jerome would buy into the whole "great master Porky" thing i think he was just that bored and he has the right attitude to be a Pigmask, so he falls into it easily.
i don't know if Luis would join, though, and they might not let him since he's an older guy, in his 50s. he'd probably be one of the folks who doesn't get a Happy Box though so he's probably got bigger fish to fry with the house getting struck by lightning or whatever. Jerome would have a Happy Box and enjoy it, Casey would have one and be disappointed that it doesn't help.
Beau would probably have one. Vincent might get one for Mimi's sake.
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Multiverse of Madness
I am an unapologetic Adventure Time apologist. i think it was one of the greatest shows ever created and deserves all the love it gets. AT saved Cartoon Network back in the day and spawned so many creators who would, in turn, leave their mark on the industry. Without AT, there is no Steven Universe or that other one with the fighting i guess? The influence of Adventure Time gave credence to the potential popularity of shows like nuShe-Ra and nuVoltron. Those characters are iconic and full of so much depth. Finn Mertens, Jake the Dog, Bonnibel Bubblegum; All of them have become stalwarts of cartoon history. Like, Marceline Abadeer is one of my all-time favorite characters in fiction. When Distant Lands aired, i was emotionally devastated. Obviously, Obsidian was mys sh*t but Together Again brought me to tears. That's how much this show meant to me, so when Adventure Time: Fionna and Cake was announced, i was all over it. I was mad curious how this would play out. Would it be just a romp through a gender-swapped Ooo? Would the target audience still be kids or would the show be a more mature take since the original kids were now wayward adults? So many questions. Well, Fionna and Cake is over and i have thoughts.
First thing first, This show is not about Fionna and Cake. It is on a superficial level but they're more a plot device who participates in the narrative. Fionna and Cake is about Simon Petrikov coming to terms with the loss of Betty Groff and how his relationship with her, was toxic as f*ck. Like, holy sh*t, was it bad! The co-dependency was insane! I mean, you got glimpses of that throughout Betty's arc in the original AT (Betty literally leaping through a Hambo powered time rift, her problematic Magic Woman phase, and the eventual wish that turned her into f*cking GolBetty, all for her "love" of Simon) but this chick was as obsessed with Simon as Simon was with her. When she transcended and become a deity of pure chaos, Simon was left in a depression spiral that, ultimately, shook the core of the goddamn multiverse. And i say that with no hyperbole. F*cking Ice King, put the entire multiverse of Adventure Time in jeopardy, because he missed his boo. What follows is, one of the most well thought out and executed romps through a multiverse narrative I've seen outside of f*cking comic books. I don't want to spoil anything but the first nine episodes of this show are brilliant, rivaling the very best Adventure Time has to offer. The tenth? Not so much.
Fionna and Cake definitely botches the landing, especially coming off such incredibly strong episodes as the three right before it. Again, no details, but, holy sh*t, were those three episodes great. Seriously, watch this show, it's f*cking fantastic. The Simon stuff is definitely the heart of this narrative but what about the show's namesake? The Fionna and Cake bits are good but i never really felt as invested in their story as i was in Simon's trials. It's not like their stuff was bad, per sey, it just didn't feel as... dire? I don't know, i felt more for the characters around them than i did the characters themselves? Don't misunderstand me, i enjoyed their arc. Fionna and Cake struggling with their own identities and coming to terms with who they are was cool and all but, ultimately, it felt more sub than main plot, which is weird because it's their show. Fionna and Cake are basically the inciting action which informs the entire plot but i never really feel like that's a thing. Plus, there is this very important aspect to their character which, kind of never really plays into the overarching conflict, with the exception of a particularly gruesome scene, and i feel like that was a missed opportunity. As an overall production and viewing experience, Fionna and Cake is f*cking exquisite.
The stuff i said about Fionna and Cake is true, to an extent. True for me, i guess. People may get more out of their arc than i did, which is fine, that's a point subjectivity. What isn't subjective is how well this show is produced. Seriously, the art style is familiar, yet, more detailed. The characters are well performed, each true to their own personality beats. But it was the worlds we visited that truly hammered home the butterfly effect, the effect Simon had, on all of those worlds. I loved every second of that experience and, while they didn't fully stick the landing, there were great aspects of that tenth episode. Fionna and Cake turned out to be ten episodes of solid, adult, Adventure Time narrative that felt organic. It didn't feel like a cashgrab or desperate attempt at Max to pull in viewers. It felt like, after the absolutely brilliant reception to Distant Lands, that HBO understood there was a market for a show like that and they just let the staff create. Adventure Time: Fionna and Cake isn't perfect, it's definitely got it's flaws, but of the content I've seen this year, it's easily some of the best. Whether you're a fan of the old world of Ooo, or just interested in what "adult" animation has to offer, this show is one of the best examples of the art form. It was a strong watch and i definitely recommend a viewing.
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"megazardx2: Oh, so you do know and you don’t like it! I actually kind of did…Guess that tracks! I was hoping things would turn out a bit different this time, but whatevs; let’s just go with the expected route! And Welp, Kieran’s plot continues into The Indigo Disk, so I hope you enjoy disliking that part, too! I’m rather salty."
Salty about the DLC, or salty I don't seem to like it? Either way, fair. There are some aspects I enjoy, but most of it kinda missed its mark. I expect Indigo Disk will do better, since it allegedly connects more to Area Zero which was the strength of this game, but we'll see.
As for the story...if you want more, it's under the cut. But I know this is going to be a point of disagreement, so it might just be fuel on the fire.
I can already tell people are going to really like Kieran. My wife really likes him. I don't hate him, but I'm not having the same response I know others are.
I do get it, I swear I get it. Day 1, your sister, who is abrasive but genuinely seems to care about you, sets you up to spend time with the new player you took a connection to, and it's super exciting! You don't make friends well and you're super excited to have this little adventure and this connection where maybe they even indicate they understand your way of thinking! And then day 2 said sister pulls you aside and suddenly they're going around without you on some adventure. And they don't tell you about having met the ogre, and they don't tell you about the story your grandfather told you about, and this person you thought you connected with now suddenly seems really emotionally far from you and you don't really understand why. And that hurts and it sucks and you're mad at them for seemingly turning on you, and you're mad at your sister for shifting on a dime from setting you up with this person to suddenly taking them for herself, and you're mad at your grandfather for not telling you the truth about the ogre that you liked. I get it. I get why you're mad, I swear I do.
Being mad at me (player character) is unreasonable. Kieran, buddy, I'm sorry you latched onto the idea that we were super best friends forever deluxe, but I have known you a total of less than 24 hours. I was asked, by your grandfather, not to spread this story, because of the chaos it could cause socially if we tried. I am an outsider. I have no stake in any of this. If I am told "it is bad for our village if we try to tell people this," I am going to then not tell anyone. Even you, person I have a budding friendship with but not any long-lasting reason to be willing to defy such a request for.
If I'm being especially critical, it's the issue the whole game has of not really wanting to engage with what exactly its characters dealt with. "They were bullied/were outcasts" is a nice broad sentiment to evoke sympathy, but I have zero context for what that looks like. What I do have context for is Team Star grunts talking about a quota for strong-arming other students into dropping out and joining them even all this time later, and Kieran being very quick to jump to the conclusion that I'm being mean to him for lying when I don't immediately break my promise for him.
I know there's a lot of feelings wrapped up in that. I know there's a history here we aren't going to be privy to. But in absence of it, he comes across as needlessly harsh toward you, in a way that's like...buddy, maybe this is why it's hard to make friends? Maybe you're putting too much expectation on them right away, and get really mad when they're not instantly all-in on your level of friendship devotion? Which is fascinating as a character study! That's really interesting and well-crafted, and I like him in that regard! But I sure don't really like him as a person right now!
Which is probably why I'm so conflicted about the Ogerpon thing. Like yeah, he really identified with the ogre, and you can feel the connection to it as a concept. So on the one hand, it feels almost malicious that all of this ends in beating his ass in a battle then catching it in front of him. But on the other hand, his knowledge of the ogre was wrong, and how much of that connection would actually go well if he's this harsh toward his friend for not sticking to him only. So there is, I suppose like usual, a reason for him not getting it. But it also feels a lot harsher this time than most others. Zinnia-esque, I would say. That's the only other time I can think of where they're so attached to the specific legend, and so ingrained in the culture of it, but it goes to someone completely outside of this culture for little reason other than "is main character."
At this point I'm mostly just rambling. The short is, I don't hate the kid, and I'm fine with him coming back for Indigo Disk if they're continuing development, because there's potential here. My response is just a lot harsher on the kid than I know others will have.
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HI TESS🥹🫶 3,7,13,35,57 for the ask pls?
HI @lightasthesun THANK YOU FOR ALL THESE! They're so interesting! I love pulling things apart and looking at all the mechanics, so thank you for inviting me to do so! SO MUCH LOVE TO YOU, AND I HOPE YOU'RE ENJOYING THE LAST RAYS OF AUGUST!
3. Describe the creative process of writing a chapter/fic
Okay! See, these questions get me so excited because I *love* process. It's taken me absolutely forever to figure out what mine is, and honestly, it's not always consistent, but in general:
If I'm writing a one-shot, I decide on the theme. The idea that I want to explore in the chapter. For example, I had to write a story based on the prompt "I wonder what's inside your butthole" (the song. It was the Spotify Top 100 challenge. Yes, that song was in my top 100. #69, I think. Of course)
So, early on, I decided that the closest thing to a butthole in SW was the sarlacc pit. It also has a bunch of stuff inside it. And what do we know about the sarlacc? You will be digested over the course of a thousand years.
So, I thought this fic should be about the passage of time, immortality, and the things you miss.
Then, I go to someone's inbox (usually @treescape or @pomiardve) and spam them with a summary of what I intend to write with all the important beats.
Then, a couple days later, I go to the Google docs and I write it out as I remember it. Generally, I don't refer to my summary. That just helps me mark it out to make sure it makes sense.
For longer fics, I do generally the same thing, but I'll refer back to the larger skeleton so that I can keep the events trekking in sort of the same direction.
Whatever I'm writing, I think "What am I trying to say with this story? What is my perspective?"
7. How do you choose which POV to write from?
I choose the perspective of the character who learns the most. Whose growth is the story focused on?
If it's a multi-chapter story, I consider who learns The Thing in each chapter, and who I specifically do not want to let the reader in the head of.
For example, so much of Only Hope relies on the fact that Obi-Wan cannot, for the life of him, be objective about Qui-Gon. This actively influences the way I frame Qui-Gon's actions in Obi-Wan chapters (ex. Obi-Wan tends to only notice physical affection in passing, and never in explicit interior thoughts, and gives absolutely no weight to mentions of care -- I can think of one instance where Satine mentions Qui-Gon was tired because he stayed up all night waiting for Obi-Wan. Obi-Wan assumes it's because he inconvenienced his master, whereas the reader is meant to see between the lines that Qui-Gon was worried).
It would have given the whole of the game, and much of Obi-Wan's growth away if I'd ever given Qui-Gon a POV chapter.
13. What’s a common writing tip that you almost always follow?
I think, actually, in these past couple years I've thrown out all the common advice I've been told. It just clogs things up for me.
But the one thing I *really* do try to do, which is very common screenwriting advice is to make each scene accomplish at least two things at a time.
IE. A scene should advance the plot AND explore character. Or create conflict AND interrogate theme.
This, I find, is super helpful in allowing you to do a lot of interior work while keeping the pace up. Makes everything more likely to be integral to the story.
35. What is one essential thing to remember when writing a villain?
Ohh, the same thing I remember when playing one: The villain is the hero of their own story. They think they're justified. Why? Whatever it is, they want it just as much as the hero does.
Even if it's something as simple as them wanting to cause chaos -- they are DEEPLY convinced they deserve to cause that chaos. It is justified to them.
57. Do you prefer editing as you write, or waiting until it’s finished?
Um, lol I do not edit at any point. I generally post it as it comes out of my head. Occasionally, I will go back into posted works and change a couple things here and there. More rarely, I'll change significant things.
Typos I usually catch (if I *do* catch them) as soon as I hit post on AO3!
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Book Backlog Busting Reading Challenge
Update two: electric boogaloo. I have finished five books since my last appearance! Yes some of them I read through so fast I didn't get the chance to mention them in the last post. This is how I get into trouble. So let's start with those ones first.
The Appeal by Janice Hallett. FINISHED. This was a fun and easy read in the epistolary style (the entire book is told through text messages, emails, and other documentation). Epistolary is always fun to read and the particular style of this book gave the feeling of snooping on the neighbours and getting all the hot goss without the guilt of intruding on other peoples' lives. As a mystery though, it was only "okay". The framing device is two junior lawyers doing unbiased analysis of the case for their boss in order to (he thinks) get an innocent person out of prison. But you aren't told who this party is until the last third of the book. The murder victim themselves isn't confirmed until halfway through the book. A crucial fact that you NEED to know in order to guess at the motive of the person who actually did it (which is very convoluted but anyway) is only revealed at the 1/3 mark and in order to use that fact to guess at the murder motive you would need to carefully re-read 250 pages, not JUST the specific emails you are actually directed to. This is not only unrealistic but is just not a good use of the format of a book like this. Worth reading, but I would borrow rather than buy for sure.
Sense and Sensibility by Jane Austen. FINISHED. I first read this book about a decade ago and really didn't enjoy it but decided to give it another chance after embarking on a Jane Austen re-read-athon last year. It's certainly better than I remembered, but you can tell it's one of Austen's earlier novels. The two actual relationships of the book are built up entirely by telling, not showing, leaving me much more on board with Elinor/Colonel Brandon than any other relationship in the novel. Apart from the absurdity of Mr and Mrs John Dashwood, I also really missed Austen's signature wit. I suspect the intention was for Marianne's dramas to be inherently satirical, but instead they were just annoying. Maybe some of her friends bothered her about how it should have been Elinor and Brandon who got together, because in Austen's other works she is very careful that the central couple be seen interacting. Genuinely still baffled at the construction of this book honestly.
And the other books I DID tell you about!
Lord of Chaos by Robert Jordan (Wheel of Time #6). FINISHED. You can see the size of the books and number of subplots is starting to get away from Jordan a bit here, as Nynaeve and Elayne end up having a plot line that entirely consists of "fuck around until we can go to Ebou Dar", but it's not to the point where the story was too bogged down by it. Jordan's idea of normal marital conflict is really annoying however and well worth prolonging the resolution of all the romantic arcs. I loved Perrin/Faile in previous books but not in this one, my god.
First Contact: the Cult of Progress by David Olusoga. FINISHED. Due to the size of the book I didn't realise how actually short it was, only about 300 pages. I could have finished this ages ago! It was a fun and interesting read, but necessarily limited in scope by the size. I think Olusoga is better when he's given room to roam and draw connections, but it was nice seeing the pretty reproduced artworks.
The War on Heresy by R I Moore. FINISHED. Oh boy, I was excited when the author promised his was a controversial conclusion and I wasn't disappointed. Moore argues, convincingly and cogently, that the "Cathar" heretics of popular history, and indeed academic history, did not really exist and were entirely a construction of the church establishment, all the "heresies" a product of the centralising and reforming church mission and how that interacted with local traditions, the Languedoc being distinguished only by the fact that centralisation had not penetrated there yet and it therefore looked more backwards in comparison to the rest of Europe. Any formal "Cathar heresy" was only established because of this persecution, creating new meaning in continued association with "the good men". The whole book is very interesting and the argument well done, and I lament by no buying rule because the further reading looks delicious. Will certainly return to this book again in the future!
As for my up nexts, I have a few on the go as well as the next Wheel of Time waiting in the wings.
Femina by Janina Ramirez. Promising a medieval history centred on women. I have been wanting this book for ages and waiting for the cheaper paperback to come out.
Notes from the Burning Age by Claire North. Started on a whim because I wasn't quite ready to dive back into Wheel of Time, it's so far an interesting mic of post-apoc dystopia, solarpunk, and fantasy. The climate change agenda has all the subtlety of a sledgehammer, which is exactly how I like my climate change agendas and exactly the level of subtlety which the subject needs.
A Crown of Swords by Robert Jordan (Wheel of Time #7). Much shorter than the last few, by which I mean it's less than 800 pages altogether.
Meetings With Manuscripts by Christopher de Hamel. My chonky history book of choice for a while. What could be more joyful to someone who loves history and books than reading about old books? And look at it! It's so pretty!
104 books remaining!
#book backlog busting reading challenge#bbb reading challenge#reading challenge#reading#books#history books#medieval history#reading backlog
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Hi! I’d like to get readings from you! Hope you’re doing well! ^_^
1. My love life in January
2. My marks for upcoming tests
Thanks in advance for the readings! Take care and have a wonderful day/night ahead!
hello moony! of course! thank you for participating! and thank you! i hope you have a wonderful day/night as well!
for you #1, i got the 5 of coins, 5 of swords & 8 of wands (sideways).
ooh your love life for january is going to be a bit slow to be honest. it's going to make you feel a bit conflicted and tired about it all but i want you to think of january as like a resting month for you. it's a time to conserve your resources and put the love into yourself rather than into others right now. try to not resist ideas of love. if you see a couple being cute, just appreciate the cute moment of love. try to go with the flow and know that the river with flow your way when it is time but there is no point in rushing this if it all its going to end up in is chaos. wait for when it will be time for your love wings to take flight!
for you #2, i got the 6 of coins, 8 of coins & the hierophant.
i'm seeing here as usual, your hard work is going to pay! you're really going to see how all the efforts and continuous pursual of your education is going to do so well for you and i'm so proud of you, honey! keep it up! and don't forget to be appreciative of the people who got you there and helped you learn along the way! because you are really going to be passing with flying colors honey! just remember to keep up the hard work and studying on your part! you really are getting quite skilled with this extra work paying off!
hope you enjoyed it! please give feedback or buy me a coffee when you can! if you want to explore this further, please consider a private read as well. also thank you for sharing with me!♡
love & light!
-tea
as always, my rules & info are in my pinned post if you're interested in a reading of your own!
#tea tarot reading#tarot reading#tarot witch#tarot reader#tarot read#tarot#tarot cards#tarotcommunity#moonyebin
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Thanks @theresattrpgforthat for the opportunity, glad to oblige!
The Perilous Pear & Plum Pies of Pudwick (TPPAPPOP) is a special upcoming full-colour issue of The Undercroft published by the Melsonian Arts Council compatible with all your favourite indie dungeon-crawlers!
Initially announced as The Undercroft #13, I've since moved house three times, gotten covid three times and had the equivalent of a part time job fighting with the Department for Work and Pensions for disability support for myself and my partner - so since it was first announced nearly three years ago progress has been stop and start!
However the end is in sight as I'm wrapping up the last of the illustrations, all hand drawn and digitally coloured in a limited palette like this one:
So what's the book about?!
Well, here's my working blurb!
A well-meaning outsider brings reckless colonial magic into a small community on the eve of the local bake off. Hijinks ensue as chitinous consequence follows behind on a thousand scuttling limbs.
Explore the dawn of a new insectoid world ripe for adventure! Shrink down to size and take your first furtive steps into a brand new world living inside a sapient pear tree filled to the brim with insect NPCs, communities & conflicts and their (relatively) ancient secrets.
Unravel the mystery at the heart of the tree, and make your (proportionately) tiny mark - will you do more harm than good in these dawning civilisations, and how will you ever decide the destiny of a world that was never yours to discover?
The first handful of pages invite players into the inciting chaos at the food festival, and the rest of the book is a hexflower labyrinth-crawl inside the tree. But the clock is ticking: you'd better get in and out before you rapidly grow back to regular size - an explosive & messy demise for you, the tree and the world inside!
Each hex contains an evocative location description and a d4 table of encounters or d3 table of vignettes that hold all manner of weird-fantasy wonders. There are various deeply interconnected factions active in the tree, from the empire of the ants contesting the ladybirds for control of the aphid farms, to the Pear Republic citizens who live under the grip of the infamous Stinking Bishop, to the ragtag group of outcast adventurers whose staging ground is a half-buried porcelain gnome.
Smart, easy to reference layout has been a really important pillar of my design process from the beginning - my very first draft actually directly copied the style of Old School Essentials adventures, but I've massively developed on the reading experience a lot since I began to hit the best of both worlds re: reading experience and table usability, with a rainbow of limited colour illustrations and a focus on short compelling prose with matching coloured/bolded key-words for easy reference throughout the book.
If you enjoyed the world of Hollow Knight and are very patiently waiting for Silksong (like me!), and if you enjoyed Bug Fables, Honey I Shrunk The Kid, or another big inspiration of mine - The Legend of Zelda: Minish Cap - then this is the book that's going to scratch those bug-lovin' itches just right! Keep an eye out for anything I tag with #TPPAPPOP on this closing stretch (just a couple of months left I think) to know when the book is finally available!
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If you want to know more, pick a page number from 3-51 (I made good use of the back inside cover with a loot table directly inspired by the fantastic I Search The Body table in the Mothership module Dead Planet) and I'll give a little excerpt!
This is without a doubt the best writing and illustration work I've ever done so I'd love an opportunity to share it - thanks to @rathayibacter for the idea!
The Perilous Pear & Plum Pies of Pudwick, pg. 36
release date: TBC
publisher: Melsonia (The Undercroft special full-colour 48 page fully-illustrated issue)
format: oldschool-style weird fantasy hexcrawl adventure compatible with all oldschool systems
genre: shrink to insectoid size and adventure into the uncanny world that exists inside a sapient, talking pear tree
this image is fresh from the exports folder - project links and full pitch to follow in future pinned posts
#TPPAPPOP#indie ttrpg#my art#the undercroft#melsonian arts council#hexcrawl#hexflower#illustration#little dudes#bugs#hollow knight#silksong#bug fables#inspiration#coming soon#dungeon crawler#d&d#rpg adventures
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Even if not a lot of people appreciate fitz as much as you if you want to write about him I definitely support it, while he isn't the first person I'd simp for I definitely see the appeal, I mean what's not attractive about a capitalist going on a coupon arc lmao.
Buuuut now imagine that same capitalist as the sort of 'leader' of a guild harem, if you will. He's the leader of the guild after all, so it makes sense he'd play a similar role when it comes to the guild's shared s/o. Well, "shared", it's definitely going to be difficult agreeing on things at the start.
You probably start out as someone just dating one of the guild members. Whether they wanted to hide you and keep you all to themselves or have been gushing about how wonderful you are to the others, eventually the rest of the guild finds out. And once they've gotten even the briefest of chances to meet you, they can't get enough. Soon enough, your original partner is barely getting any time with you because you're so busy with the rest of the group.
Maybe Mark is trying to show off just how good of a marksman he is, Louisa wants your opinion on what the best strategy for a successful date totally not with you is, or you've even got Lovecraft being... Romantic? In his own way, nobody's quite sure what he's trying to do but it's clear that, like all the others, he's developed an interest in you that is only growing stronger every day.
Naturally, conflict breaks out as they all struggle to get your attention. Quieter admirers like Louisa and Poe may feel they can't keep up with their more boisterous colleagues, so they start obsessing over how they can use their wits to get you alone and finally speak to you, or at least, stammer out a few compliments before they get overwhelmed. Meanwhile, more demanding figures like John and Mark are constantly butting heads, bickering right in front of you with no shame as they repeatedly beg you to just say who's your favourite, who do you love more, who will you choose - it better be one of them.
That's when Fitzgerald steps in to calm everyone down, if only because he's also struggling to win you over in the midst of all this chaos. Sure, he's doing this for his own gain, but he still wants his subordinates to be happy, so he'll make it his goal to get you to treat them as equally as possible. Besides, there's still a part of him that hopes you'll inevitably choose to only be with him over anyone else.
And after all the stress you've surely been under having so many powerful, probably mentally unstable figures vying for your attention, you just won't be able to help but be thankful to the man. You'll trust Fitzgerald, a trust that will be shared by the rest of the guild members. They know that he'll provide them all with a fair chance to win you over, and if he doesn't, even with his ability there's no way he'd be able to fight off all of them at once, so they don't feel much need to be wary of him right now.
- bestie (enjoy mr fitz enthusiast)
i'm seriously going to cry this is the best thing ever!!! you really are my bestie
i'm not sure if i want to involve margaret and hawthorne here (yet) so for now they're not here. also i believe the guild member you're likely to meet first is twain! the rest just strike me as too uninterested in things outside of work. fitz isn't married here ok!!!! let me indulge myself
this is guild x reader but with an emphasis on fitz x reader
cw yandere characters, obsessive behaviour, possessive behaviour, jealousy, stalking, implied breaking in
so being friends with twain is fun and all, and while you know he's part of some organization, you aren't aware of the ability users in it and how dangerous they all are until much later. the thing you don't know is that he's been telling everyone about his super cute s/o, avoiding pictures of you, but happily gloating about how perfect his relationship is. as much as he gets jealous, he can't help but want to show off a little.
he brings you to their hq one day while you're out together, maybe because he's been asked to stop by immediately to pick up something. twain tells you to wait outside while he goes in to talk to mr fitz—he doesn't think he needs to be careful here yet, he doesn't think any of his coworkers would find an interest in you.
of course, fitzgerald notices you outside and asks twain to bring you in, saying it would be rude to leave you on your own in an unfamiliar place especially since he's intruding on your time together, but that's really all bullshit. he just wants a closer look at you. fitz has a close eye on his employees, and he's already known about you for a while, even using the eyes of god to track you down whenever he finds himself wanting to see you. sure, it's not love, at least, not yet—he'd call it more of...his best interests to make sure you're not a spy sent to infiltrate them. definitely not because he thinks you look cute when you're strolling down the street. maybe it was a bit weird that whenever he saw you pick out something you really like, only for your face to fall when you see the price, he instantly makes a note to buy it for you. that wasn't how he was supposed to be treating potential spies.
seeing you impressed by his office and by his presence, something inside you already aware of how important this man must be, only made his grin widen. you better stop being so cute, or else, he might just have to steal you away from twain himself. twain notices how closely his boss is eyeing you and instantly regrets bringing you along. the two of you weren't dating yet, despite all his stories to others. at this point, anyone could sweep you away. his fear only grows when the older man grabs your hand and proclaims that he would be delighted to show you around the building and enlighten you on their mission. out of everyone, of course fitzgerald would be interested in you. the man wanted everything.
it just so happens that a lot more of the guild members pop in during this time. louisa, with the plans she had been working on for mr fitz in hand, poe, with yet another successful mission report, steinbeck and lovecraft coming to see why everyone seemed to be gathered there.
and they all see you, with twain's arm around your waist and fitzgerald's hand grasping your own, stopped in the middle of his charming speech.
apart from the fact that you were a stark contrast to the rest of fitzgerald's office, something about the way you were standing in between two key members of the guild struck them all.
twain clears his throat and begins to bring you away from the room, only to be interrupted by a barrage of questions from the others. questions about who you were and why twain was holding onto you like that, but one line that struck out most to you was a comment by steinbeck.
"i thought he was lying about his partner!"
"oh," you chuckle, "we're not...like that."
for a minute the room goes eerily silent before a huge sigh of relief seemed to break it. from behind you, fitzgerald laughs heartily, pleased to have his suspicions confirmed. twain had been deluding himself the whole time, thinking the two of you were dating.
"i had a feeling twain here couldn't possibly win over someone as darling as you," he smirks, "in that case, you should come for dinner with me sometime."
you shake your head nervously, feeling overwhelmed by the change of atmosphere. it was only fitzgerald who made such a request but...something about it felt off. something told you it wasn't much of a request as it was an order.
obviously, you reject and go on with twain, still confused by why he would make up such a lie. he placates you with an excuse you're not sure you believe, but choose to stop asking questions about once he stares at you coldly. you've never known him to be so harsh.
after that, things seem to resume to normal. you don't check out the guild again for a long time, but it becomes almost normal to see the members outside of it. steinbeck stops by twain's room way too often, greeting you with a hello before taking up all your time by talking to you about everything and anything. you get a letter in the mail that twain begs you not to open despite it being sent by his friend, poe. when you go for a picnic by a lake, lovecraft walks out and joins the two of you, silent as ever. louisa waves at you from across the floor in the grocery store, though you note she looks very uncomfortable. when you go to join her, you see stacks of paper and tea in her cart.
the most shocking incident is when you walk into a boutique after glancing at something from outside, only to be greeted by fitzgerald, who had just happened to buy the company and offers you everything inside for free. you say no again, but his smile doesn't drop.
what really convinces you to take him up on his offer is when you wake up one morning to find a cup of tea and a book on your table. neither of which you had in your home, but you knew where you had seen that cup and you recognized the author on the book. when you glance out the window, something about the trees outside and the lake a little while away sends shivers down your spine. despite tom and finn appearing out of nowhere to convince you otherwise, you find yourself reaching around for that card fitzgerald gave you, keying in the numbers he scrawled on top of the printed design.
#you know what!!! mayb ill write more fitz just for myself#ask 🐟#anon 🐟#bsd 🐟#bestie 🐟#fitzgerald 🐟#HELP ME I FORGOT LUCY#okay so it would work out better if reader was working in the guild but maybe ill write an alternative thought dump abt that sometime!#yandere bsd#yandere bungo stray dogs#yandere bungou stray dogs#yandere bsd x reader#yandere fitzgerald x reader#bsd x reader#bsd guild#bsd guild x reader#for reference sorry if this doesnt match up with the previous post my head is all over the place
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ʜᴏʟᴅ ᴀ ʟᴏᴠᴇʀ ᴄʟᴏsᴇ
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ғʀᴀᴛ ʙᴏʏ!sᴛᴇᴠᴇ ʀᴏɢᴇʀs x ʀᴇᴀᴅᴇʀ
sᴜᴍᴍᴀʀʏ: you and steve hooked up once and neither of you can forget that night
ᴡᴀʀɴɪɴɢs: smut 18+ minors dni plz, kinda rough? but of course major fluffy aftercare from soft boi stevie, bit of inexperienced reader and insecure reader
(accidentally written unprotected sex but this is fanfiction lmao plz be safe irl)
ᴀᴜᴛʜᴏʀ’s ɴᴏᴛᴇs: ive never participated in a challenge before and i think @honeysucklesteve is just the sweetest so hope you like it el! And congrats on 4k :T
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“And the interesting thing about that, mind I add…” the words of your professor falling short because you can’t shake the feeling of his eyes looking at you.
You kept your head low fighting the urge within you not to look back. A couple nights ago you landed yourself in the bed of the infamous frat president Steve Rogers and to make matters worse, you both major in American Studies meaning you share all of your classes.
You didn’t have much experience with guys in high school so it wasn’t surprising when you had the same experience in college. What was surprising was the fact you spent a night in the arms of one of the most handsome men you’ve ever laid your eyes on. Steve Rogers was a huge catch. Teachers loved him, girls chased him,and guys wanted to be him.
You remember that night so vividly.
The way his hands fit so perfectly on your hips. The way his lips felt so hot against your own burning skin; and moved perfectly against yours. The things he whispered in your ear. They way he held you close when you fell asleep in his arms. The way you hated yourself the next morning when you snuck out. The way your tummy flutters simply because he’s looking at you right now.
You breathed out shakily before turning your head to find his eyes with yours; he looked away the moment you did shyly, very unlike him. Fuck he was gonna be the death of you.
“And that should be the end of the lecture. I’m gonna go ahead let you guys go a little early. Have a good weekend everyone and make sure to check your emails,” the professor gathered his things and left.
You packed your things quickly trying your best to avoid his gaze that you knew was still on you. Steve packed quickly too before walking hot on your tail, just about to call your name until…
“Hey, Y/n,” Bucky called out.
“Oh, hey Buck.”
“It’s the weekend and as usual the guys and I want to party tonight. But the dean said one more noise complaint about our house and we get on academic probation so we’re asking a couple of people who might wanna come to the club with us.”
Behind Bucky you could see Steve walking towards you two and your stomach sank. Bucky and Steve were best friends and you don’t know if Steve told him that you guys slept together last weekend. What if something happens again tonight if you say yes. Why are you even thinking that something could happen again? Steve Rogers is way out of your league it was a miracle that you landed a chance to be his bed warmer in the first place.
“I’ll see you for lunch, man,” Steve said to Bucky patting his best friend's shoulders. His eyes lingering with yours until you had to pull away.
“I don’t think I should,” you told him, walking towards the door.
“Come on, Nat told me you're quite the party animal and you left early last week I didn’t get to see you in action,” Bucky chuckled, walking with you. You didn’t leave early…
“Buck,” you looked at him.
“Please?” he asked. You exhaled sharply rolling your eyes before walking away to your next class.
“Is that a yes?” he shouted, making you turn around with a cheeky grin. You got to your next class and noticed Steve sitting in a new seat today, particularly the one next to the seat you usually sit in. None of his housemates or regular friends took this specific lecture so he usually sat in the very back corner alone. But today here he is.
His head snapped up when you entered the room. You hesitantly sat down next to him still avoiding his eyes. You set up your laptop on the small table as did Steve; both your eyes glancing at each other quite awkwardly until Steve finally interrupts the silence.
“You coming tonight?” he whispered.
“What’s in it for me if I do?” you said playfully.
“A repeat of the best night you’ve ever had,” he said cheekily.
“Oh, really,” you chuckled sarcastically as he nodded with an overly proud smirk.
“Probably not,” you answer his question.
“Seriously? Why not? I can pick you up,” he said.
“Steve,” you warned.
“What? Afraid you won’t be able to resist me?”
“You’re so full of it,” you said, making you both laugh.
“You were full of my dick last week,” he whispered.
“Steve!” you punched his side making him laugh hard enough for other students to take notice of your ruckus.
“Welcome class, we’ll begin the lecture in one minute. I’m just gonna pull it up on the projector,” the professor said rushing in.
“Please come tonight,” he whispered.
“Why are you obsessed with me?” you joked.
“Fuck off,” he chuckled.
“If I say ok, will you shut up for the rest of the lecture?”
“Maybe,” he grinned.
“Then maybe I’ll come,” you smirked.
Throughout the lecture Steve paid absolutely no attention whatsoever. Steve had been thinking about that night just as much as you had. The way your neck craned to the side a bit, reminding him of when he littered marks and bruises all over last week. The way you subtly bit your lip in concentration but all that clouded his mind was lust remembering how you looked so pretty from above when he was settled between your legs.
He wanted you again so badly. He wasn't going to lie, it sort of hurt him when he woke up and you weren't there. He thought maybe there was something between you two, god knows the tension was overwhelming that night. You weren't the most frisky woman he'd been with but you were sweet; slight innocence with your intimacy. He craved you.
Steve leaned towards you, his fingers twiddling with yours. You tried your best to ignore his advances despite how much you equally craved him. He ran his nose along your cheek and jaw and your breathing quickened inhumanly.
"What are you doing?" you whispered.
"Nothing, just relax," he responded. As much as he wanted to drag you out of class and fuck you so good, he knew you'd rip him a new one if he did. No matter how he'd make you feel.
"No, we're in the middle of a lecture," you argued.
"I'm not doing anything," he said humorously, you were not humored though.
"Steve," you scolded when he pressed a faint kiss under your ear.
You knew a guy like Steve was horny practically twenty-four seven, but you didn't take him to be quite clingy. Especially with someone like you. His arm wrapped under yours. His other resting on your thigh. His head tucked in the crook of your neck. It wasn't particularly sexual, but it was intimate. Something normal to couples, and you two were not a couple.
"Please come tonight," he whispered, “If not I’ll come over.”
"Ugh fine," you grunted, your voice breaking into a giggle because you did somewhat enjoy this unfamiliar attention.
Steve continued to sit next to you during the rest of your classes for the day absent mindedly teasing you, playing with your fingers, twirling your hair between his fingers, leaning his head on your shoulder while he held your hand. Like geez, take a girl out already.
By the time you got back to your shared apartment with two of your closest friends you felt conflicted. Why the sudden shift in Steve? You two weren't exactly best friends before, just two people who shared classes and accidentally slept with each during a drunken night at a frat party.
"Hey, everything ok?" Wanda asked you noticing your inner battle.
"Uh, yeah. Kinda. No," you said defeatedly making the girls chuckle.
"What happened?" Nat asked.
"That guy, that I… you know."
"Fucked?"
"Nat!" you said embarrassed.
"Go on," Wanda encouraged.
"Well, I never told you guys but the guy was Steve," you said shyly.
"What!" the girls exclaimed simultaneously.
"You're lying," Nat laughed.
"You really went from zero to a hundred," Wanda giggled.
"Guys stop," you whined.
"All day today, he's been like super clingy. Holding my hand and pretending he's like my boyfriend."
"Wait, I thought you liked him?" Nat asked, confused.
"I mean I do, but it's sudden and I'm pretty sure it's only because he wants to get in my pants again, you know?" you rationed.
"Awe, I don't think that's true. I've known Steve for a bit and yeah he sleeps around sometimes but he's not a giant dick. Doing that would be way too shallow, especially for Steve," Nat said.
“Yeah but don’t you think it’s weird?” you asked.
“Look did Bucky ask you about tonight?” Nat asked.
“Yeah, he did- how do you know that?” you asked, confused.
“Oh- Uh,” Nat paused.
“She asked Buck to invite you,” Wanda snickered.
“Why?” you asked.
“Well, you never go out with us and the last time you did we thought you just went home but apparently you were getting laid,” Nat cackled.
“Oh my- shut up,” you huffed before storming off to your room.
“Wait! Can you at least come with us tonight?” Wanda followed you.
“No,” you giggled.
“Please!” both girls said at the same time. As you closed your door with a grin on your face not responding.
Hours later you laid on your bed lowly listening to the soft rumbling chaos from your comedic roommates. You stayed in your not so sexy undergarments and not so sexy sweatpants along with a hoodie you stole from your brother before you moved.
You ate the junk you’ve stocked up on the past few weeks feeling a bit glum. It’s not that you didn’t necessarily want to go, you would love to spend another night in that gorgeous man’s arms but there’s absolutely no way Steve is gonna want you the way you’d like him too. Not sober.
There was a subtle knock on your door and you called out knowing the girls were probably ready to leave.
"How do we look?" Nat asked, walking into your room with Wanda.
"Wow, you guys look hot," you said sitting up.
"You think Vis would like this or is it too much?" Wanda asked sheepishly, she's had a crush on the foreign exchange student Vis for the longest time and had yet to make a move.
"I think someone's gonna have a lucky night," you wiggled your brows suggestively, making her roll her eyes and blush.
"What about you, still chasing Bryce?" you turned to Nat looked extra sexy tonight.
"His name is Bruce," she rolled her eyes.
"And yes, I am," she chuckled.
"You're so weird," you giggled, Bruce didn't seem to particularly be Nat's type but hey, no judgement.
"I heard he's got like a monster cock," you said.
"Shut up," she pushed you playfully.
“It’s always the nerds,” Wanda giggled.
"Anyways, are you sure you don't want to come?" Wanda asked sincerely.
"I'm sure," you smiled.
"Steve's gonna miss you," Nat teased.
"Yeah, I doubt that."
"Well, stay safe, cutie," the girls waved heading to the Uber that waited outside for them.
"You too!"
You sighed before grabbing more snacks to stuff your face with. A couple hours went by of sitting around watching nonsense on TV for a bit. You ate dinner that was far from fine dining but it was available before slouching on your bed until the late hours of the night.
You were practically falling asleep, tired and dry eyes glued to the screen of your small TV when you got a knock at the front door. You check the clock by your bed wondering if maybe either of the girls left their keys, but it wasn’t even midnight yet.
You clutched your phone walking hastily to the front door as quietly as possible creeping up to the peehole to see who would be your unexpected guest.
“What the hell are you doing here?” you swung the door open.
“What the hell are you wearing?” Steve retorted.
“My jamas,” you rolled eyes stepping to side to let him in.
“Seriously what are you doing here?”
“I told you earlier, you didn’t come tonight so I came to you,” he said, taking his jacket off.
“Seriously?” you tried not to smile, but the action gave you butterflies.
“You promised to come. I missed you,” he said walking up to you.
“You’re so full of shit,” you giggled, staring at his devilishly handsome grin.
“Come on, whatcha doing?” he said, grabbing your hand and taking you to the room. You three had a fairly small apartment and your light was obviously the only one on in the whole apartment making it easy for him.
“Well, before you rudely invaded my home, I was stuffing my face with all kinds of junk watching TV,” you said to him making him scowl playfully at you.
“Well, then let’s finish the rest of your junk food then,” he said laying on your bed. You still couldn’t wrap your head around the sudden shift in attention. Steve was a guy who could have anyone and he’s chasing you for some reason.
You weren’t a blonde bombshell with a perfect hourglass figure that made guys want you left and right. You had flaws that drew people away and you don’t think Steve remembers that night like you do. What if he hates your body? What if he thinks you're annoying and suddenly leaves?
“Everything alright?” Steve asked you.
“Uh, sorta,” you answered honestly.
“Come here, talk to me,” he said, opening his arms. You couldn't help your eyes narrowing at him.
“What?”
“Do you even remember anything from that night?” you whispered.
“Where’s this coming from?” he asked.
“Steve, come on,” you chuckled.
“What?”
“Do you just wanna fuck now? Make it quick so you can go back to the party-”
“Woah, who said anything about fucking?” he stood up towering over you making you suddenly feel really small and shy.
“I mean that’s why you’re here, right?”
“I came because I told you if you didn't go out with us that I was gonna hang with you. I didn’t say anything about sleeping with you. If you really want I can go home but I wanted to hang out with you,” he said sincerely.
“Oh, I- uh,” you stuttered; well now you feel like a dick.
“We can just sit and keep watching TV until you want to go to sleep and I can head out,” he said, sitting back down on your bed. You sat beside him carefully watching his movements. He kept his eyes trained on the TV for a bit before locking his eyes with yours. You turned away quickly hearing him chuckle before sudden movement escalated behind.
Steve grabbed you from behind gently and leaned back so you laid on his chest. You could feel the hard plains of muscles on your back. And the way his strong wrapped perfectly around your waist, it felt heavenly.
Steve’s jaw tightened from the hypnotizing scent of your shampoo. He remembered it from that night not long ago and he couldn’t get it out of his head.
He wasn't going to lie, since that night all he could think about was how smooth your skin was under his fingertips. How pretty you sounded when he was settled between your legs. How good it felt when your fingers carded through his hair. He wanted you so bad.
He wanted to wake you up between your thighs again. Ravish you once more before breakfast, hell eat you for breakfast. But when you weren't there sleeping as peacefully beside him like the night before, his heart tugged. Did he say something wrong? Did he do something wrong? What if he hurt you?
He gave you space, clearly evident you hadn't wanted to talk to him but those few days went by and the same lingering stares and shy glances came back again and he craved you in his arms again.
When Nat asked him and Bucky to invite you again out to party, he really wanted to be with you that night even if you didn't end the night naked in each other's arms, just being around you was enough for him. Fortunately here he is with you, with arms wrapped around your waist and Steve couldn’t be happier.
You looked so fucking adorable to wearing sweats and a hoodie; he wishes it was one of his own. You had fluffy socks on too that had dog faces on them and he swears his heart melted. What you two were watching was making you laugh and each chuckle or giggle that came from you was like music to his ears.
He couldn’t help himself when his lips pressed against the top of your head. Your body momentarily froze before relaxing again in his arms. Your arms laid over his and tightened so you could cuddle into him even more. Your eyes felt heavy and the feeling of Steve’s lips slowly reaching your neck didn’t help you want to sleep.
When his cool lips grazed your burning skin, you could feel your skin burst into chills. You practically shuddered in his arms and your face grew hot when you did. It all becomes suddenly overwhelming and you jump off on his lap turning to him with a distressed expression.
“What happened? Did I do something wrong?” Steve said worriedly.
“You did just want to sleep with me,” you mumbled tears forming in your eyes.
“What! No, that’s not it,” he panicked; using you was the last thing he wanted you to think he was doing, and wanted in general.
“Then what’s going with you? Ever since we fucked you’re suddenly attached to me, putting your hands all over me, pretending like you're my boyfriend! And I don’t understand why,” you said frustrated.
“I feel like your just using me or something-”
“That is the last thing I want,” he interrupted, his voice low.
“Then why are you doing this; Steve you could have anybody and for some fucking sick reason you keeping mocking me. Making me think I have a chance.”
“And you don’t think you do?” he asked, heart broken, making you scoff and turn away.
“Look, fine I’ll admit that maybe before that night I wouldn’t have made a move; but I’m gonna admit that I haven’t not felt something for you before,” he said, getting closer to you.
“What?”
“I haven’t been able to stop thinking about you since we met. And that night didn’t do shit to help me get over you,” he chuckled.
You crawled to him carefully looking into his eyes for any sign that he was being untruthful; you cupped his face gently.
“Are you drunk?” you whispered.
“Not one bit.”
You pressed your lips to his feverishly and Steve nearly moaned at the feeling. His hands grasped your waist firmly pulling you to sit comfortably on his lap. His hands crept under your hoodie holding you close.
Your hands rested on his broad shoulders holding yourself up as slowly leaned back onto your pillows. Your cold hands cupped his face as you deepened the kiss and his hand went to rest on your bottom.
With this new found position, his chest pressed against yours, his hips grinded up allowing you to feel all of him. Every pushing second you grew needier and whiny, practically clawing at his shirt to feel his skin.
"So needy already. And I've hardly touched you," he chuckled lowly in your ear.
He sat up nonetheless and stripped his shirt revealing his gorgeous physique that kept you up at night and infiltrated your dirtiest dreams. You brushed your hands all over his chest with your bottom lip between your teeth; Steve smirking slightly proud of the effect he had on you simply by having his shirt off.
"Come on, pretty girl. I wanna see you too," he's whispered before kissing you softly.
"Wait, I don't…" you didn't particularly feel very sexy and instantly became insecure about your body compared to Steve's.
"It's ok, we can cuddle," he smiled.
"Well, if I'm being honest I do want you. It's just, I just ate all this junk food and I'm not wearing anything sexy. I didn't shave and-"
"Hey, I don't care. You don't need to impress me or wear anything special for me. I just want you to look pretty sitting on my face and make pretty sounds telling me how I'm gonna make you feel."
Your body trembled at his words, arousal instantly flooding from you. His nose brushed against your cheek dragging along to your jawline before pressing kisses gingerly to your jaw and neck. His hands slowly lifted your hoodie and you raised your hands letting him remove your hoodie.
Your shoulders caved in out of habit, being topless in front of handsome men wasn't normally on your schedule; but the look in Steve's eyes, the look on his face holding a hungry and adorning expression made you more comfortable, reaching out to cup his face kissing him deeply.
You sighed breathlessly into the kiss as Steve's hands rubbed your sides. You pulled away momentarily only to put your lips on Steve's neck. Steve felt himself growing harder and needier to see you, feel you, pleasure you.
"Pretty girl, I need you. Lemme taste you, please," he whined.
He picked you up and laid down on your back to pull your sweatpants down your legs. You lifted your hips for him and he smiled cheekily at you biting his lip. Steve lifted your leg kissing the inside of your calf staring at with those hungry eyes.
"I still wanna see you sitting on my face, pretty girl," Steve said, pulling to him.
"Are you sure? I don't wanna crush you or anything," you whispered, making Steve chuckle.
Steve laid down assuring you that he wanted this and grabbed your hand helping you straddle his face. When you did Steve kissed the inside of your thighs playfully nipping and marking the sensitive skin making you gasp.
Steve wrapped his hands around your thighs bringing your center impossibly close to him, finally licking a long and wet stripe up your slit. Your moans were soft at first but when Steve started circling his tongue around your clit, you could help getting louder and bucking your hips grinding on his face.
Steve’s eyes were close relishing in your sex. You combed your fingers through his hair and Steve moaned loudly against your pussy. He dipped his tongue past your folds and that along with the vibrations from his beautiful moans, you head threw back moaning in pure ecstasy, moaning so loud your neighbors were definitely going to file a complaint.
“Fuck, Steve. Your mouth feels so good; shit!” you whined.
His tongue circled your clit again quicker this time and you bucked your hips, tightening your stomach and squeezing your legs as you approached your high. Steve kneaded the soft flesh of your ass lapping up everything you gave him.
Steve crawled from under you as you held onto the headboard, still standing on your knees, trying to catch your breath. Steve came up behind you rubbing your hips softly, kissing the back of your neck softly. He quickly rid the remaining of his clothes he still wore, his painfully hard cock slapping against his stomach desperate for some sort of attention.
You breathe softly, hyper focused on the cum that slipped down your inner thighs. Your legs lightly trembled from just his mouth you couldn’t wait to feel what his cock would feel like, filling you up like it was only a week ago. Steve sat beside you looking at you with a soft smile on his face, his hand softly rubbing the back of your legs and your bottom too.
He reached around to grab your hip and slowly turned you around settling you between his legs; your back pressed against his chest as it was only moments before, more innocently than now. His lips sucked and kissed your neck as his hands cupped and kneaded the soft flesh of your breasts.
Your hands rested over his own and your hips squirmed a bit for eagerness. The low growl from Steve because your hips grinded against his cock was incredibly arousing.
“Such an eager little slut ain't cha’,” he grabbed your hair.
“Fuck,” you mumbled as he pushed you forward on your hands and knees.
“Want me to fuck you? Remind you how I felt buried so fucking deep inside you? God, I think about you every fucking night; how perfect you were wrapped around me, how beautiful you sounded underneath me,” he whispered huskily in your ear making you shudder.
“Stevie, please,” you whimpered.
His hands rubbed up and down your back as he chuckled darkly.
“Oh, I’ve been waiting to take care of you again, pretty girl,” he kissed your back softly.
He wrapped his hand around his cock slowly and languidly pumping it. He couldn’t help but tease slightly circled his tip along your entrance pulling desperate whines from you. He finally reached his own breaking point, unable to stand not being able to feel you so he pushed his hips forward moaning loudly at how tight you felt around him.
“So good, pretty girl,” he moaned.
“Fuck, Stevie. Filling me up so good; you’re so big,” you sighed.
“Damn right, pretty girl. Taking my cock so well. Fucking made for me,” he grunted.
His snapped in and out increasingly quicker with each thrust; the vulgar sounds of his movements and skin slapping against each other echoed loudly in the room. Harmonizing with both your pleasurable moans.
Chasing both your releases, Steve’s hips jerked rougher and harder in and out of you making you practically shriek at the feeling. He leaned forward wrapping his hand around your throat before pulling you flush against his chest.
“Such pretty baby,” he bit your ear.
“Fuck! Stevie I need to come,” you whined.
“Yeah, you want to come all over my cock? Make a fucking mess?” he growled.
“Please!”
“Hold on, pretty girl. I’m almost there,” he sighed, throwing his head back and closing his eyes in pleasure.
You whined and whimpered, tears brimming your eyes from that overwhelming feeling. You couldn’t help but clench hard around his cock desperately holding back for your release.
“Fuck, do that again, pretty girl,” Steve gasped.
“God, yes. I’m close, pretty girl. You ready to come?” he pulled your head back to look at your face.
Tears fell inelegantly down your cheeks, sweat lined your forehead, your chest moved rapidly up and down; to Steve, you looked ethereal.
“Please,” you whimpered.
“Let go, pretty girl. I gotcha,” he whispered against your lips.
Your eyes rolled back as your body shook against Steve’s, releasing onto his dick profoundly. Steve swallowed your louds moans, roughly pressing his lips to yours, moaning himself. You clenched hard around Steve one last time feeling his throbbing cock shoot hot ribbons of cum, coating your walls.
When you eased your way slowly down from your high, Steve laid you down gently pulling out to see his cum mixed with yours spilling from you. You looked so fucked out breathing heavily, whimpering at the loss of Steve inside you. He wanted to, but held back from taking you again. But not wanting to hurt you, he treaded towards the bathroom and turned on the water to run you two a hot bath. He picked you up gently pressing kisses all over your face and neck before planting one delicious kiss on your lips; your hands reaching around his neck to deepen it if that was even possible.
“You’re so beautiful,” he whispered, coating your arms with soap to wash you. You laid against him with your eyes closed desperately trying not to fall asleep in his arms.
“I didn’t hurt you?” he asked softly.
“Mh-m,” you shook your head slightly with a blissful smile on your face.
“Good,” he wrapped his arms around you tightly, kissing you passionately.
“Thank you,” you mumbled, barely audibly.
“For coming to hang out with me tonight,” you chuckled. Your eyes felt too heavy, simply remembering the way he carried you carefully back to your bed and held for the rest of the night.
ᴛᴀɢʟɪsᴛ: (For all my work)
@mathletemadison
@buckybarnes101
@l-sofiamia-l
@pluto-grl
@partr1dge
@stefans-wife
@cordeliaswhore
@fleurlovesbucky
@wandanatasha0720
#steve rogers smut#steve rogers x reader#steve rogers#frat boy!steve rogers#chris evans smut#honeybunswritingchallenge
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FAITH, LOST IV
Oh honey she starts off so spicy! Hence why it's all under a Read More since I don't wanna get done for showing the nasty straight out the gate. Minors better beware! ;3
Tagging the boos, for obvs reasons @chelseareferenced @buckysbaby1 hope you all like it! 😘😘
Chapter 4
It begins as soon as your eyes flutter open. The darkness, familiar, like an old friend, coerces your senses into a heightened state. Exposed, your skin prickles at the coolness of the room, writhing against soft sheets. You exhale in exhilaration; you know what’s to come. It starts small, a low thrum of electricity in the air that tickles your bare flesh. Then it builds, tantalizingly slow, a measured surge of power that has you twisting yourself in knots. You want more. Only He can give you more. His arrival is heralded by the scent of oil and whiskey, leather and smoke. It caresses you, embraces you, and sends you into overdrive. It’s instinctual, a primal desire. It corrupts your mind, the sequence disjointing in its take over. Thick boots echo on a wooden floor, your mouth falling open with a heated breath. Your back arches when you feel his weight dip the bed, heat radiating from him. The contrast has you trembling, body wired. His hands, strong and calloused, grip the backs of your thighs easily. A simple tug and you’re at his mercy, legs parting easily in his strong grip. You moan, he growls. He likes what he can see, those beast eyes glowing a dangerous red in the blackness. Sharp indents form against delicate skin, his claws marking your inner thighs. His little lamb, so sweet and so ready for the slaughter. Then there’s movement, the shuffle of fabric, the chink of a belt buckle. You tense, but you’re ready. The air surges with the oncoming crescendo, the room spinning, or maybe it’s you? You’re not sure, preoccupied with the molten heat that pools suddenly between your legs. You feel his grin, all teeth and tongue helping to blot out the sharp stab of pain. Forgive me Father, for I have sinned—
The sudden chaos of a burst steam pipe in the hallway outside your room abruptly shocks you from your slumber, a cacophony of sounds assaulting your sleep-hazed senses. You hear Heisenberg shouting, the scraping of metal being reshaped at will, the harsh hissing of escaping steam. Groaning at the rude awakening you flop back against the lumpy couch cushions, kicking off your blanket in protest. A light sheen of sweat covers your body, making your nightclothes stick to you in an uncomfortable way. As you stare up at the ceiling you try to decode the meaning behind your dream. You recall with an embarrassing amount of clarity just what it was you were doing and who you were enjoying it with. Humiliation blooms within you, coloring your cheeks a shade of scarlet. It wasn’t as though you hadn’t indulged in the past, you just never had desires so blatant before. Especially for someone who was your superior in every way. “Hey, you awake in there?” Heisenberg’s voice cuts your thoughts short. All the racket has stopped, there’s just the usual hum of the Factory. “Y-yes!” You squeak, stomach clenching uncharacteristically as you sit up, “I’m awake!” “Well get your ass up, we have work to do!” He claps his hands hard to exaggerate his point and you lament your new found torture as his footfalls recede down the corridor. Oh merciful Mother Miranda how were you supposed to face him anymore?
Heisenberg is, for lack of a better word, pissed. It surges through him and it shows in the haphazard, volatile approach he takes with his work. It isn’t rational, this level of response on his part, but he can’t help it. You’ve barely spoken a full sentence to him all day. Now, he’s under no illusions that you were going to become the best of friends. After all, you had been sent to him by Mother Bitch herself to be his servant and he knew that you were three sheets to the wind over this religious bullshit, but he’d thought that you’d been showing progress in becoming your own person. At least, you were , until that little incident where he had you pinned against his desk and decided to take his teasing to the next level. It isn’t often that Heisenberg considers that he may have gone too far with something, or someone , but he’s definitely considering the possibility now that you seem to be avoiding him wherever possible. You’d even brushed off his blatant last ditch attempt, an offer to accompany him to see his forge and the projects he’d been working on, in favour of praying to Mother Miranda. It’s the exact opposite of what he wanted to happen. You’d been so close to opening up, to no longer being a tool, but instead you’re become even more the meek little lamb of Miranda’s flock. Frustration bubbles within and his temper, short-fused as it already is, takes a critical hit. As a result everything he does has a sharp, volatile edge to it; even something as simple as opening a door is menacing in his current state. It serves to further deter you from him, giving you the space you so desperately desired. That is, until Heisenberg reaches his limit. “Just open up already! You can’t ignore me forever!” He thunders where he stands in the hallway, gritting his teeth in a vicious snarl. When he’s met with your persistent silence he howls in frustration, throwing his arms up in the air. The irony of him choosing to remain outside your door doesn’t go amiss, since it’s well known that he could easily rip the door from its hinges with the flick of his hand because of his nifty little ability to manipulate metal. Which, coincidentally, nearly everything in this Factory is made of in some form or another. But he doesn’t and you’re thankful for that, even if you still don’t want to face him. It continues on relentlessly, neither side backing down, and without realizing it, the whole thing becomes a game in its own right. One that pits you against one another to see who cracks first. So it’s a surprise when it’s Heisenberg that seeks you out first. It’s a situation of his own making, having followed you on the gritty live feed from his security cameras. With ease he catches you off guard on your way out of the elevator, taking your fright in his stride. “Easy now!” He exclaims, his hands raised in surrender. You’re cagey, looking for a way out. He isn’t going to give you one because he’s had about enough of you giving him the cold shoulder over a goddamn joke . You’ve pressed yourself tight against the wall, watching him like a hawk. He can hear the frantic flutter of your heart, the sharp intakes of breath, and his jaw tightens. He can’t get distracted now, he needs to focus — this was not the time to enjoy your distress. “Now I know that I can be a bit of a handful,” he starts, then falters, mouth working to try and word it just right, “but, really, hasn’t this gone on long enough? I didn’t mean any harm by it! Just a little teasing, you weren’t meant to get upset.” Oh, he thinks this is because of that time. You stare up at him in utter disbelief. You want to slap him. It’s the first time you’ve ever felt the innate burning desire to inflict bodily harm on anyone, but here you stand, about ready to knock those glasses right off his face. “You have literally no idea how you make me feel , do you?” You accuse him, incredulous, your posture straightening. Things might have slipped back to the way they were before all of this if he had just let you be, allowed you to warm back up to him, and maybe you might have been content with that. This was a turmoil of his own creation, after all, so why not let him stew in it a while. But now? Now you were at your limit. You’re tired of constantly tip-toeing around yourself because of him and his stupid games. If anything, you’re even more tentative to rekindle whatever this relationship is that you have with him, to throw in the towel and tell Mother Miranda she’d been wrong about you. It made you sour to think that what little progress you had made had been lost and it’s taken its toll on you. There’s a harsh look to you that has Heisenberg’s head spinning, apprehension gripping him. “H-Hold on a minute,” he attempts to defend himself, an uncomfortable blend of emotions sitting like a stone in his stomach. He’s conflicted over your new found confidence. You’re no longer the mild-mannered devotee that was wound around Mother Miranda’s finger, standing tall. You’re practically shining. It’s a good look on you, but he’s not exactly thrilled to be the one on the receiving end. “No!” You snap, squaring up to him. You see his brilliant eyes widen behind his circular glasses and for once in your life you feel powerful and in control . “I’ve done nothing but try my best here, trying to make something good out of this situation and you made me feel like a complete idiot !” The words feel heavy on your tongue, but you feel lighter now that they’re out in the open. Who knew that having your shame out in the open could feel so liberating. You take a deep breath when you feel the pinpricks of tears sting your eyes, trying to ground yourself. You wouldn’t forgive yourself if you cried in front of him. Not in this lifetime, or the next. Heisenberg stares down at you with a look of realization on his face, now fully aware that there was more to this than your feelings of inadequacy, that you were little more than a joke to him. It’s always been there, in the way your heart races when he gets just that little bit too close or how your eyes soften when he’s agonizing over his work. He goes to speak this revelation but you shake your head, lower lip trembling. “I was just trying to help .” The way your voice breaks has him in a tailspin, the look of pure anguish in your eyes cutting him deep. This is in no way what he had envisioned when he spotted the chance to clear the air with you. “Oh come on, don’t cry!” It’s a desperate plea, something you never thought you would hear from him. “You’re making me feel really shitty here!” “That’s because you are!” You sob, unable to hold it back anymore. You feel like such a pathetic idiot. That overwhelming monster of self-degradation looms, fueling your misery. If only a dark abyss could just swallow you up and save you from this embarrassment, but you know that’s not going to happen. There’s only this awkward moment, lingering between you. You whimper, trying desperately to wipe away your tears. They stream down your cheeks, burning against your already flushed skin as you sniffle. Suddenly his hands are encasing your own in a firm grip. With a surprisingly gentle touch he tugs them down, exposing you. The whites of your eyes are marred with tiny lines of red and your long lashes clump together from your tears. You’re a mess, but he doesn’t mind. In fact, he finds you oddly endearing in the moment. Swallowing, you try to understand what’s going on. Your hands are still held in his, the feel of soft leather almost comforting against your skin, and you wonder if you’re dreaming again. Something stirs in you, glowing embers kicking up from ashes, and you try to pull away. It’s an admirable attempt but Heisenberg easily catches you, holding you in a vice-like grip against him. You whine at the harshness of his grasp and he frowns, loosening his hold just enough to make it bearable. “I’m sorry, alright?” He mumbles, hesitating. It’s been so long, too long, since he’s been in such close proximity to someone who wasn’t prey. You aren’t fighting him, you aren’t trying your damnedest to get away. In fact, you look as though you’re captivated by him. It’s a side of him that no one has ever seen before, the dejection of a man twisted into being a monster. Something inside you breaks anew at how lost he looks, the last and most dangerous of the Lords at Mother Miranda’s disposal. He’s nothing more than a dog on a choke chain, to be used when it’s suited and then discarded afterwards. Just like you. “Heisenberg,” your voice is hushed, woeful. The words are so genuine and your heart isn’t yet made of stone to be immune to their plight. When you shift in his grasp there’s no resistance and you reach up to gently cup his cheeks in your hands. The stubble on his face tickles your palms and his skin is warm and smooth to the touch. You find you quite like it, the contrast of textures. He does little in the way to stop you. In fact, he encourages you. His hands find purchase on your hips, thumbs brushing the delicate spots just below your rib cage. It elicits a soft gasp from you, your body stiffening beneath him. Glistening eyes stare up at him, a swirling maelstrom threatening to drown him along with you. He’s curious whether or not you’re ready to commit to this. Heisenberg knows what you want, or better yet, what your body wants, but your mind eludes him. He waits with bated breath to see what path you will take, the uncomfortable feeling of anxiety creeping in his bones. It’s like poison, a crawling taint that threatens to take over him. What have you done to him? The exact same thing he did to you. It’s a disquieting notion, one that almost overtakes him, until it doesn’t. The doubts are suddenly banished and relief washes over him at the feel of your silken lips against his in a tender kiss. The chain breaks; you're both suddenly free, and it feels euphoric .
#RE#RE8#RE 8#Resident Evil#Resident Evil 8#Resident Evil 8 Village#RE Imagine#RE Imagines#RE8 Imagine#RE8 Imagines#Resident Evil Imagine#Resident Evil Imagines#Karl Heisenberg#Karl Heisenberg Imagine#Karl Heisenberg Imagines#Karl Heisenberg x Reader#Heisenberg Imagine#Heinsenberg Imagines#Heisenberg x Reader
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Hi there, I'm new to the fandom as well, but I was introduced to it by a friend so I had more guidance going in. Also I am missing some things, so much appreciated if someone could fill in for what I missed or correct me if I'm wrong. Or I might be misinterpreting this entire post (apologies if that is the case).
The 13/16 years that Lan WangJi spent with no hope of seeing Wei WuXian again
This one I'm pretty sure there's no confirmed information about, other than LWJ taking care of (and also I'm pretty sure adopting) LSZ/WY, however there is a popular headcanon I like referred to as "13/16 years of Inquiry" where LWJ played Inquiry every day during those years to find WWX, so that might be a good place to look.
Where tf Wei WuXian was, what kind of limbo he was caught in
I saw somewhere that MXTX (the author) answered this one in an interview. While going back for the details, here is what I found:
Q8. What was Wei Wuxian’s experience in the Burial Mounds on earth? Was there any real secret manual left by a superior? After the massacre of the Nightless City, what did Lan Wangji say to Wei Wuxian when he was healing Wei Wuxian? How did Wei Wuxian pass the 13 years when he’s dead?
MXTX: It’s not interesting, if I just show everything up. But, there’s not any superior’s secret arts, because I don’t really like such scenario, like someone planted the tree, then people who come later could take not efforts and just enjoy the coolness in the shadow under the tree. Please make your own way. He’s in a state of chaos, not quite conscious but didn’t lose all his senses, just like he’s in an endless nightmare.
source
Differences in Mo XuanYu and Wei WuXian's appearance
All I know about this part is that WWX was always directly summoned into MXY's body, save for the live-action version where his body was also resurrected. MXY is shorter than WWX. WWX, who cares a lot about his physical appearance, compliments MXY's appearance.
I watched a couple episodes of the live-action from the beginning, middle and end, and I noticed a red line on WWX's neck on the last episode that I had not noticed before. I'm too impatient to go back and check /lh, but this could be a part of his clothing or a mark of his resurruction I didn't notice, or it could be a cut from a battle I didn't watch. I think it's a mark of resurruction but of course I can't be sure as I didn't watch it through.
Jiang Cheng's feelings about Lan WangJi taking Wei WuXian's away from him/family
My interpretation of this part of the novel is that JC blamed/blames WWX for JYL's death, and already disowned him a long time ago, so he hates WWX and doesn't particularly care about WWX joining the Lan Sect. Of course their ending relationship differs between the types of media, I'm going with the novel however I don't have a translation past the ending of the 4th book, instead I'm going off of fandom as I've seen a lot of reconciliation fics so I assume they haven't done so in canon yet. My personal headcanon is that JC is really conflicted about this and after the Second Siege of the Burial Mounds he unconciously starts to change his views but he's too stubborn to let it show.
The death of women/girls with good major parts (so many just used as plot points)
I don't particularly see this as a problem, because it really wasn't just the girls who were used as plot points. There was the death of NMJ, JGS, JZX (<- both of them) and even JGY's death could be considered a major plot point however far into the story it is, as it exposes NHS's plot to WWX and LWJ. I do see your point though, as these are all antagonistic characters. It just doesn't bother me too much, and I think it's because of their role and personalities before their deaths.
The girl's/women's side of the GusuLan Sect (or any of the Sects, really)
There's not much to go off of on that as they are kept separated, but there are many instances where female cultivators are disrespected and their opinions are invalidated as they are accused of being manipulated by their emotions. For instance in the novel Mianmian stands up for WWX at one point during his first life, however people laughed at her and said she was just biased because WWX flirted with her in the cave of the Xuanwu of Slaughter.
That's pretty much all I know about this as like I said, I'm new to the fandom as well, but I hope this helps!
I have resurfaced
I am not kidding.
I was lost there for a while.
And it was so nice to be able to sink so far into a fictional world again. I miss it.
It was really hard to leave the headspace but...now that I have consumed most versions of the Mo Dao Zu Shi/Chén Qíng Lìng/The Untamed universe, I feel like that person who arrived late to the party. There is so much out there that's been written, I have to sift through so many bits and pieces on Tumblr, Reddit, YouTube, AO3...and it's just too much chaff.
I kick myself for not continuing after the first episode back in Jan 2020 (I even watched it twice) because I was so confused.
So I thought I'd ask, since the Tumblr community still seems to produce enough content daily about MDSZ, if folks could point me in the direction of particular content, because
[spoilers below]
I'm looking for meta of
The 13/16 years that Lan WangJi spent with no hope of seeing Wei WuXian again
What he felt for the three months no one could find him
Where tf Wei WuXian was, what kind of limbo he was caught in
The inner thoughts of Lan WangJi as he tried to untangle good/evil, right/wrong, black/white questions, especially as he (struggle boy, struggle!) worked through his emotional and rational minds in the rain, letting Wei WuXian escape with the remnants of the Wen Clan
Differences in Mo XuanYu and Wei WuXian's appearance
Whether Wei WuXian came back with the same 20-year old mentality, and if he caught up quickly, or how the 33/36 year old Lan WangJi explained it to himself (I mean, you can see the maturity catching up to him in the extra chapters but at his return point...)
The unreliability of Wei WuXian as a narrator
Jiang Cheng's feelings about Lan WangJi taking Wei WuXian's away from him/family
JC saving LWJ in the temple despite his dislike of LWJ (in CQL)
Why LXC wants to die with JGY
Precious baby Wen Ning (i luvs him so much)
Binding - Bonding - Boring and headband parallels
Thoughts on
The dearth of women/girls with good major parts (so many just used as plot points)
The girl's/women's side of the GusuLan Sect (or any of the Sects, really)
Genderbent LWJ and WWX
Fan art of
The umbrella/rain scene when WWX rescues the Wens rescue to the Burial Grounds (I have the perfect picture frame but I need a really good piece to purchase or commission - screen caps are too grainy and I have way too rusty painting/drawing skills to attempt)
A quiet night in the Jingshi
The Jiang sect ancestral hall three bows scene
And any particularly good fic along these lines.
I haven't been this inspired to make something in half a decade, and just don't know quite what to put my effort into. All I am doing right now is contemplating art projects, jewelry, fics, making an all black Gusu-type hanfu... But the only thing so far I've made are angsty playlists and one drabble on AO3.
Thank you.
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