#realized this reads like a fic

[undeadtobias]

POV: You're sitting down with Alcina and you play with her raven locks and then hold her face in your palms affectionately, all while she just stares at you in silence because she's not used to affection.... I'm gonna go eat bricks now

Guys should I draw this

[reineydraws]

saw this quote off a v cute ushiten comic first haha check it out

i just drew them over a screenshot of hitsugibune from the back 'cuz i was lazy lol soz

[raynewolferune]

DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)

Was reading Twincognito on AO3 when I stumbled across this gem again:

~

" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.

They glanced at each other and shrugged.

Then Danny hauled himself out of the bed and walked over to Bruce.

Bruce tried not to let too much excitement show on his face. "

~

Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.

[demigodsanswer]

There's this moment in Mark of Athena (I think), where Annabeth kind of internally laments that Percy doesn't listen to her when she talks about architecture. She describes his eyes glazing over etc etc. But there are several moments in the books where Percy recalls facts she told him and shares them with other, or moments where he sees a building he thinks is cool and thinks about her. And I just ... I need Annabeth to know that her best friend & boyfriend is hanging onto every word and even sharing her facts with other people.

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[lexosaurus]

If you're only commenting on a fic to ask for an update or worse, to be passive-aggressive about wanting an update, then please do both yourself and the writer a favor and don't comment at all.

Saying things like "Can't wait for the next update!" as part of a comment about how you enjoyed the chapter is one thing, but just going into the comments and being like "Where's the update?" or "You haven't finished writing the next chapter yet?" or something similar is not only rude, but also I ASSURE you it only serves to make the writer anxious about writing at all.

Fic writers are not content creators. We're not robots. We're real people with careers, families, and other irl responsibilities. Writing is something I do in my thirty minutes before I go to bed to wind down from the day. Whatever I want to write that evening is what ends up getting written.

So by making me anxious and putting pressure on me to update a fic, especially in that passive-aggressive way that so many people do, all you've ensured is that when I open up my folder that evening to see what I feel like writing, my eyes will completely skip over that WIP that I got the rude comment on that day because I Feel Bad about it and now I don't want to even look at it.

So please, just follow the golden rule of "if you don't have anything nice to say, don't say anything at all."

[number1abbasupporter]

Sirius: i’m gay

James: that’s cool mate

James: everyone has gay thoughts though

Remus:

Peter:

Sirius:

Remus: boy do i have news for you

[keferon]

AHAHAHAHAHAHAHAHAHAHHAAH

[carebeardean]

Charles has always left Edwin little notes slipped between the pages of his favorite books, in his science equipment, places he knows Edwin loves. Just silly things—post its that say “hi Edwin :)”. doodles of Edwin with his nose stuck in a book. reminders to stock up on wolfsbane. but.

Then, post canon, Edwin tentatively starts dating people. And it’s ridiculous, because Edwin’s right there, all the time, but Charles..misses him a bit. And his heads a mess, and he can’t sort out what the hell he’s feeling most of the time, and whenever he tries to say any of it out loud it comes out rubbish.

So. He writes down some of the shit he can’t say right, and because he’s a coward, hides them so he doesn’t have to see Edwin’s face when he reads them.

then Edwin starts writing back.

Neat lilac blue little envelopes appear in Charles coat pockets. In his bag. Once, in his shoe? Some nights, Edwin will clear his throat and mention something from a letter, offhand, like they’re just picking up conversation, and Charles can pretend they are. That they always have talked about the basement, the belt, the nameless fear that chokes him every time Edwin walks out the door with someone else on his arm.

Sometimes he can’t. The words get stuck in his throat. Edwin’s not mad, he’s maddeningly, stubbornly kind about it, which is worse.

Some nights they trade. A secret for a secret. Charles learns about the novels Edwin used to hide under his mattress, about all the lonely years before Charles got there. About Simon.

Meanwhile, Edwin is losing his mind, because Charles has accidentally stumbled onto what was a fucking courting ritual in his time. Love letters were something engaged couples treasured for years, kept and reread over and over. (Edwin does. keep them in a special box, will take one out and trace the words, tuck it in his breast pocket for courage).

Edwin would rather have to reattach a limb again than lose Charles trust, all the dark and beautiful things he shares with Edwin only. He knows—knows Charles doesn’t mean to make him fall more in love with him.

[otaku553]

New blorbo :)

Also a silly interaction with this piece

[nibbelraz]

I completely forgot about the second "Daddy Airplane" incident

[habken]

Hear me out..put... Inko/Aizawa

real 🙏 Inko deserves a younger man that is present in her son’s life

[mallyreallylikesjinx]

Since ur requests are open, could I pretty please with cherry on top request a yan!Jinx with a darling who is from our world?

Tsm 4 reading my request, take care of yournself and have a wondefull day!

THIS IS SUCH A GOOD IDEA JSJSJS, I wasn't in the mood for writing a fic. May update depends how sick I am later xx

TW: I guess this is season 1 Jinx?, Jinx's abandonment issues, delusional behavior?, violence

꩜ .ᐟ For a while she thought you were just from Noxus or somewhere else in Runeterra. She got suspicious after you told her to google what lead paint tastes like.

꩜ .ᐟ ".... What?" Jinx says, utterly confused. You laugh it off (very awkwardly might she add), though she isn't exactly convinced you were joking.

꩜ .ᐟ It takes her a little bit, sure, but she eventually figures out that, you're not from Runeterra at all.

꩜ .ᐟ A place called Earth. (Sounds basic in Jinx's coveted opinion).

꩜ .ᐟ She feels betrayed, you were supposed to be open with each other! If you kept this secret from her, what else could you be hiding?

꩜ .ᐟ She already has big abandonment issues, and now you have a good reason to leave her? Jinx is ready to kill!

꩜ .ᐟ …

꩜ .ᐟ Well more ready than usual.

꩜ .ᐟ She spins a lot of stories about your old life then she deludes herself into believing they are true. No need to correct her, she knows everything about you, past universe and present universe.

꩜ .ᐟ "You want to leave me don't you? I know you have a girlfriend back in your reality! Don't hide it from me, Y/N!"

꩜ .ᐟ After the anger phase, she enters her curiosity phase.

꩜ .ᐟ "Do they have machine guns in your world? Ooo, what about pipe bombs? And glitter?" She asks with stars in her eyes, it would be cute if there wasn't a pile of bodies behind her.

꩜ .ᐟ The phase changeover is... short, lets say?

꩜ .ᐟ She tries to impress you a lot more now.

꩜ .ᐟ "They didn't have this on Earth, eh?" Jinx grins, showing off the hex gem she stole, she knows she should be more careful but she's desperate for you to like her.

꩜ .ᐟ For you to stay with her.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[starmocha]

I don't normally share active wips, but since I mentioned in a previous post how Lost Oasis has a scene similar to one I had written in a wip I've been working on, I've decided to share it. I may scrap it or I may rework it to align more with the canon material.

This wip is basically an intimate (emotional and sexual) Sylus/Reader sexy domestic slice of life fluff, because I have needs. Really bad needs. 🥺👉👈

The scent of your peach body wash had become more familiar each night, the sweet fragrance clung to Sylus’ body after every shower when he would climb into bed with you. Your hands traversed his bare torso, gliding over smooth skin as you furrowed your brows. “Like what you see?” he teased, but when you didn’t react, Sylus reached out, lifting your chin to meet his concerned gaze. “What’s wrong?” “You don’t have any scars,” you murmured, your hands still skimming over his body in examination. “You sound disappointed,” Sylus quipped with a deep chuckle, but he paused almost immediately when you looked up, staring at him with a worried expression. He was quiet briefly before speaking more seriously, “A benefit of my Evol, if you will.” “Then…how many times have you been injured?” “Does it matter?” he looked at you with a gentle smile, reaching out to tuck strands of your hair behind your ear. You appreciated the affectionate gesture, but it didn’t mask the fact that he was pointedly ignoring your question. You nodded firmly, refusing to let this conversation end. Sylus looked conflicted. “It’s a good thing you can’t see any scars,” he insisted. You touched his bicep. “Were you injured here?” He sighed, and nodded. “Yes.” You looked frantically around his body before your hand randomly touched his right shoulder. “Here?” “Yes.” Your mind continued to race with increasing anxious thoughts. You touched his thigh. Sylus nodded. You reached up and touched his chest, your hand near his heart. You paused, your face paling, already knowing the answer to this one. It had all happened so quickly, and even now you could still feel your finger pulling that trigger. Sylus grabbed your wrist, pulling away. “Don’t think about it,” he said firmly, “I did it.” “But…” His hands held your face, pulling you to him, capturing your lips to swallow your words. You felt like you were choking, his kisses suffocating you as your mind was in turmoil from both the guilt of what you did and the painful knowledge of never knowing how often he was injured or how severe they were. Sylus broke the kiss when he felt you sobbing against him. He looked at you with concern, not understanding what had led the two of you to this point. Instinctively, he pulled you into his lap, surprised when you lay against him almost instantly, your arms wrapped around his body, cheek pressed against his chest. He could feel the trembles in your body, knowing you were barely keeping your emotions in check. “I’m not hurt,” he said, fingers already threading through your hair as comfort. “I know,” you whispered back, tightening your hold around him. You could barely keep your voice steady, afraid that just one wrong word could break this dam and unleash all of the tears you were holding back. “But,” he started, peering down at the top of your head, “this is nice.” You looked up curiously, meeting his soft crimson gaze. He leaned down, his warm breath ghosted over your lips, making you shiver even more in his embrace. “Having you worried about me,” he said, elaborating further, “Caring about me.” Sylus drew your lips to his again, this time gentler, more tender. You responded, hearing a pleased hum from him as his hands moved down your body. “Sylus—” He guided your hands back to his body. “I just hate to see you cry over me, sweetheart.” You blinked back your tears. [INSERT EMOTIONAL COMFORT SEX SCENE I HAVEN’T WRITTEN YET LMAO]

[weaselmcdiesel]

Once there was a space cadet who rose through the ranks of a fleet of cosmic conquerors. His unmatched strength and overwhelming charisma quickly landed him a spot among the elites of their crew. One day, however, the cadet's heart of gold caused him to waver before a helpless enemy. Realizing the brutality of his race of conquerors, the cadet refused to partake in any more mindless killing. His crew quickly turned on him, ready to wipe him out of history for his insubordination to the empire. A magical cat oversaw the entire ordeal and used her powers to transport the dashing young man out of harms way. It wouldn't be long before the cat's cloaking magic would wear off and the empire would locate them. The pair knew their lives would be changed forever. With the cadet's legendary combat abilities and the cat's unwavering support, they would go forth as exiles into the cosmos, to build a new crew founded on the virtues of friendship.

Or at least, that's what karkat and nepeta were roleplaying about