#reading works best when enjoying it

[impulsivelycontentious]

Uh babe? Being an ass about people's spelling illustrates more how out of touch YOU are than how out of touch THEY are. There are many reasons spelling doesn't always work out or people have wrong ideas about words - of which not reading compex text is not one of them.

Also you should absolutely read spinning silver. It's good shit. 🤷‍♀️

I dunnow maybe read for fun more often than for clout. Reading at all is good. Difficulty with analysing isn't because of the subject matter - we see EXACTLY the same issue with media literacy in film. People have been mad at how progressive star trek is compared to the good old days since what, the second series?

It's a cultural issue and making people read classics isn't going to solve it. Ironically, the best way to better analyze media is to have honest discussions about it.

And part of that is not being condescending and driving people away from reading because what they enjoy doesn't meet your standards of dep enough. You're SUPPOSED to offer things with similar themes or characters - you know, like librarians generally can, and help expand people's horizons via love of the work.

Not whatever this was.

No babe it’s so cool and hot that you always insist that fantasy books written to meet a 4th graders’ comprehension skills have more complex themes and a greater sense of praxis than anything written for adults

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

summary: he struggled to fall in love while you struggled to value your life the way you valued others, entire fic is inspired by one line from nandemonaiyo by macaroni empitsu

warnings: not suicidal acts but it is very selfless behaviour from the reader, reader does not exactly fear death, hoshina calls you "darling"

wc: 1500

Hoshina Soushirou struggled to fall in love, to accept that he was in love without feeling so terribly vulnerable, and you knew this. On the other hand, you struggled to value your own life the way you valued others, and he knew this. And surprisingly, or perhaps unfortunately, this combination pieced together your relationship far better than one would expect.

You were a platoon leader in the 3rd division, and you’ve been for quite a while now. You were good at what you did, bringing people together and livening up the mood when times got dark. Still, you were strong enough to not only get the job done, but also to cover for your officers when things got tough. While you enjoyed what you did, and took pride in the position you were given, you weren’t exactly fond of it anymore.

You were sick and tired of seeing your officers die, and the thought of them gone kept you up at night. Not to mention there was nothing could get rid of the guilt you felt when you had to inform their loved ones of their passing. Well, perhaps you didn’t have to inform them personally, but to you, it was the least you could do. But it hurt you so much, no matter the number of times you’ve gone through it through all these years. Even if it was inevitable considering your job, and even if it wasn’t something you had much control over, you just couldn’t get used to it— nor did you really want to. So a few years back, you had sworn that you’d protect your officers, even if it meant you’d lose your life. If risking your life was going to save theirs, there wasn’t even a need to hesitate, you’d do it every single time.

And Hoshina knew this. He knew you would and he also knew there was no stopping you at this point, because he agreed. He was the vice-captain of the 3rd division, he knew exactly how you felt and couldn’t agree more. He also knew that you took these passings to your heart. He knew the thoughts kept you up at night, and he knew just how much they broke your heart. So subconsciously, he tried not to get attached. He had locked up his feelings after a while and so he loved you a little— just a little. He was good at this too, because he naturally struggled to fall in love in the first place. He struggled to accept he was in love.

And as horrible as this sounded, you knew this and you wanted him to, because when it comes down to it, if you were to leave him behind, what you were doing would be no different. And that was the last thing you wanted to do— leave someone who loved you behind.

While this sounded like nothing more than a broken relationship, at the end of the day you were undeniably in love with him and he was as well— there was no doubting that. Although he didn't believe in being with someone while constantly on the brink of death, he still loved you and he still wished to be by your side, the same way you were absolutely in love with him. So this was just the way it was.

It was obvious whenever one of your officers passed, it was always all over your face. As soon as you walked into your shared unit, even if you put on a smile and laughed, he’d see it in your eyes right away. He’d sense it in the way you walked and the way you talked. The way you’d be a little zoned out, and sounded terribly exhausted.

Every time this happened, he made you a warm cup of tea and squeezed your cheeks as he gave you a warm kiss, and you’d realize that he caught on again. Today was one of those days again.

“It’s not your fault, darling,” he said. “You did everything you could, I know this. You know this.”

“Sorry, I don’t mean to mope around and ruin your day,” you said, and he shook his head. “I’m just a little tired of myself, for watching my coworkers who followed my lead and trusted my orders to just… die. Also, horribly ashamed to face their family— I could never apologize enough.”

“Yeah, that’s probably the hardest part,” he said.

“I know they don’t blame me, nor do they show how lost they are when they’re in front of me,” you said. “But when they’re alone, at night, they’ll start to think. It’s always harder for those left behind.”

“I won’t ever leave you behind,” he said as he kissed your forehead.

“Oh, don’t say that now,” you said. “When I’m gone you better not mope around. You're going to go find someone who won’t go dying on you any moment. You better not miss me.”

“Oh, don’t you say that. We’re not trying to jinx anything over here,” he said, flicking you on the forehead, which you quickly put your hand over. “Besides I’ll be fine. You know this.”

You did, and it made you smile. While even you thought it’d break your heart to hear the man you loved say he’d be fine without you, it was still a bit of a relief to you. This was okay.

“But really, you’d better not leave me behind,” you said.

“I would never,” he said.

“You promise?”

“I promise.”

He’d be lying if he said this didn’t break his heart a little, but he did find strange comfort in it. Or he used to at the very least. He had always been this way, it had always scared him to fall in love, to find someone important to him, and become someone important to someone. So being in a relationship came with a large sense of guilt for him, because he was never able to let go of himself and love, and he feared how unfair this was. But now, he could just love you a little, and detach himself from the rest. It was easier for him to do so.

It was supposedly, exactly what he wanted.

Yet, every time there was a mission he thought about you. He thought about whether you’d do something reckless today, or whether you’d come home injured. He prayed that none of your officers would be in danger, because he knew you’d be fine alone. He wished that you’d come home that night and scold him again for staying up too late or drinking coffee at 3 in the morning. He hoped that you’d laugh if he were to crack the stupid joke he came up with just now, and you’d make him laugh in the morning over some silly mistake you'd complain about.

He hoped that you wouldn’t leave him behind.

“Oh,” he said.

“What is it, Hoshina?” Okonogi asked.

“Sorry, nothing,” he said. “I’ll stop spacing out.”

“Rather unlike you, to be,” she said.

“Yeah,” he said. “I fear it is.”

It truly was rather unlike him to be hopelessly in love, and to know that he was. He was hopelessly in love with you.

This just wasn’t the right time to realize, because he had a horrifying number of kaiju to deal with in front of him. Each one of them separately would not have been a problem for him, but there were just so many— not to mention they were working together. He’d be fine though, because he promised he wouldn’t leave you behind, and who was he to be breaking a promise with you?

Soon after, Okonogi had made the decision to call people over to support him, and immediately you rushed over. You knew you had your platoon to be watching over and you weren’t the closest to him, but none of that mattered. If he was gone, you’d truly be nothing, even if that wasn’t the same for him with you.

Yet, by the time you had made it he had already neutralized every last kaiju.

“Soushirou!” you yelled, rushing over to him. He was so beaten up as he lay on the ground, absolutely still, it took everything in you to not think about the worst. Until he raised his arm to give you a weak thumbs up. “You absolute asshole. You promised you wouldn’t leave me behind.”

He smiled as you reached his side.

“You’ll be okay,” you said, sounding more like you were trying to convince yourself. “The ambulance is coming.”

“You know, I was thinking,” he said, and immediately you shot him a glare as if to warn him that this better be good if he’s wasting his breath on it.

But it was.

“Darling, I’d die if you left me behind.”

[shannonsketches]

Every time I talk to a DB fan who doesn't know or doesn't agree that the whole franchise is an adventure comedy first and an action series second I feel insane but then I find an old Toriyama interview,

You made some comedic scenes where you have minor villains Pilaf & co. appear; how did you come up with a balance between laughs and fierce battles? Do you pay attention to the difference between comedy and battle in making a work “entertaining”?

I believe that, when you combine comedy and serious battles, both of them might come alive even more. As for me personally, though, I much prefer drawing dumb jokes to battle scenes.

as a bonus, every time I'm like 'idk I didn't really like most of the DBZ movies prior to Yo Son Goku and Friends Return and BotG,' and get the 'whAAaaT they're so gOOD' (from my brother, tbh askdjs) but they all seemed really Action-Drama and About the Fight Scenes and I'm like 'meh kinda boring tbh' I get to gaze upon,

In the latest movie, Toriyama-san, you participated in the production from the scriptwriting stage for the first time. What is the reason for that? Was there anything you noticed in coming face-to-face with the work after so long?

I was told about a project for Dragon Ball in its first animated film in a long while, and I read the story outline; while the beings “Beerus, God of Destruction” and “Super Saiyan God” (which goes above Super Saiyan) were interesting, the themes were heavy, and I felt that the world was a bit different from Dragon Ball. Rather than telling them about this or that problematic spot, I thought it would be faster if I just wrote it out concretely, and while I had intended just to give them a model―”for example”―my hand wouldn’t stop, and ultimately, I ended up writing almost everything, including the dialogue. I am reflecting on the fact that I did something terribly rude to the scriptwriter.

Akira "It was bad so I fixed it, oops" Toriyama, Absolute Legend

[bharv]

There are so many different takes on Durgetash in the wee fandom and basically all of them are just so delicious. A little snacking board of psychosexual dynamics and give and take and damage and closeness and ultimate doom.

[pergaminaa]

Modern au

To settle the debate, Dorian doesn’t believe that cooking together is romantic.

Often, Manon is just in the way. She has no idea how to make anything, and the one time she helped with chopping vegetables she almost cut off her whole finger which warranted a trip to the ER because she just kept bleeding.

The only way she can help is by being out of the kitchen, catching Dorian up on things while he works in peace. This way, they bond, and he can work peacefully and not worry about any accidents. This is what he calls romantic, not his significant other putting herself in danger and literally just being in his way.

[gen-is-gone]

hrgh every time I think I've come close to forgiving lance fucking parkin I skim the gallifrey chronicles. and then I remember the Horrors.

[lemongogo]

j need to get back into life drawing post haste

[hella1975]

‘oh you have a new interest? thank god you’re being normal about it and not spending all your money-’ SHUT UP. CLASSICS SECTION IN THE CHARITY SHOP DOWN THE ROAD

[fantasyinallforms]

Hi there! I really hope you don't take this the wrong way, but I happened to come across a few of your Tumblr exclusive ficlets, and I couldn't help but notice that they could use a bit more editing.

I mean, don't get me wrong, your other works are usually more polished with better grammar. Do you maybe skip editing your short stories? It just makes them a little hard to read is what I'm saying.

Not really sure what way I was supposed to take this but ok.

I edit all my work, but I'm dyslexic as hell, and editing is really hard for me, even with programs like Grammarly. I rely on my editor/ beta reader, but I don't always have her edit it unless it's going on AO3.

Anyone who knows me well enough knows that this topic is a particularly sensitive one for me and I find it irksome. Not really sure what you were angling for when you sent this, but I hope it's not too hard to read. (sarcasm)

[deoidesign]

For my birthday... read my webcomic! It's literally free! (Unless you want books. Those are not free)

It's beautiful, it's gentle, it's funny, they're canonically t4t and gay... And it's about time traveling vampires solving supernatural mysteries!

I've spent thousands of hours writing and drawing it, and it's really good! I'm not biased!

It's on hiatus right now and coming back in 2 months, so it's the perfect time to get caught up

[aenslem]

look, yall can love that one specific fanfiction of my favorite couple in the fandom and think it's the best thing ever, and it's the most popular work out there and yall think everyone else also should think the same and love it as much as you do, but maybe I would enjoy reading it if yall would stop bugging me with it, like, absolutely every person I ever talked to about this couple for some reason mentioned that specific fanfiction as if it's the best thing in the fandom, even when we were not talking about fanfiction at all. So at this point it's a little awkward to mention to anyone that I lost interest on chapter 40 or smt and idk if it is because it was not as enjoyable as everyone keeps telling me or is it because yall would not stop telling me it's the best thing ever which is a little annoying. also I already read some things which I consider better works. I am not saying which work or fandom it is, but maybe the most popular works in the fandom should not be thrown at fans who just decided to join the fandom like it's a sacred writings we all should love or smt. I might read that work in the future and find it good too, but right now every time I am reminded about the existence of 'this is the best fanfiction of ----' eyeroll is inevitable.

[milkweedman]

I am sorry you've been harrassed by terfs, but the way you are currently trying to weed them out seems a bit misguided. As in, the vast majority of terfs are in fact ok with big hairy CIS men. The so-called men they are actively hating are trans women/transfem people. So by acting like you proclaiming your love to big hairy dudes is the best terf-repellant you seem to be missing the point at best.

i'd love to actually respond to your concerns or whatever the hell it was that you were trying to convey with this ask, but it has almost no basis in reality so i literally cant.

thats the one statement on how effective i think the banners are that has left my queue so far. which is: i hope it works but also have literally 2 other backup plans already in case it does not. i dont know why youre calling that "acting like [me] proclaiming [my] love to big hairy dudes is the best terf-repellant", because thats wildly off target from what i have actually said at any point. everything else youve said is also pretty much either dead wrong or ignorant, so im getting the feeling that you not reading has been a problem for a while.

(ive also not mentioned terfs this entire time--ive been talking about radfems and using the word radfems. they're not the same thing although there's large overlap. so like. thats strike two for zero reading comprehension, buddy. cause you are literally not talking about the group im talking about and youre also inventing whole new sentences that i didnt say.)

[britneyshakespeare]

So yesterday I read "Slimed with Gravy, Ringed by Drink" by Camille Ralphs, an article from the Poetry Foundation on the publication of the First Folio in 1623, a major work without which most of Shakespeare's plays might very well have been lost today, possibly the most influential secular work of literature in the world, you know.

It's a good article overall on the history and mysteries of the Folio. Lots of interesting stuff in there including how Shakespeare has been adapted, the state of many surviving Folios, theories of its accuracy to the text, a really interesting identification of John Milton's own copy currently in the Free Library of Philadelphia, and the fascinating annotations that may have influenced Milton's own poetry!!! Do read it. It's not an atrociously long article but there's a lot of thought-provoking information in there.

There's one paragraph in particular I keep coming back to though, so I'm just gonna quote it down here:

...[T]he Play on Shakespeare series, published by ACMRS Press, the publications division of the Arizona Center for Medieval and Renaissance Studies at Arizona State University... grew out of the Oregon Shakespeare Festival’s plan to “translate” Shakespeare for the current century, bills itself “a new First Folio for a new era.” The 39 newly-commissioned versions of Shakespeare’s plays were written primarily by contemporary dramatists, who were asked to follow the reasonable principle laid out by series editor Lue Douthit: tamper in the name of clarification but submit to “do no harm.” The project was inspired by something the linguist John McWhorter wrote in 1998: “[the] irony today is that the Russians, the French, and other people in foreign countries possess Shakespeare to a much greater extent than we do … [because] they get to enjoy Shakespeare in the language they speak.”

Mainly it's the John McWhorter thing I keep coming back to. Side note: any of my non-native-English-speaking mutuals who have read Shakespeare, I would love to know your experiences. If you have read him in translation, or in the original English, or a mix of both. It's something I do wonder about! Even as an Anglophone reader, I find my experience varies so much just based on which edition of the text I'm reading and how it's presented. There's just so much variety in how to read literature and I would love to know what forces have shaped your own relationships to the stories. But anyway...

The article then goes on to talk about how the anachronistic language in Shakespeare will only fall more and more out of intelligibility for everyone because of how language evolves and yadda yadda yadda. I'm not going to say that that's wrong but I think it massively overlooks the history of the English language and how modern standard English became modern standard English.

First of all, is Shakespeare's language completely unintelligible to native English speakers today? No. Certain words and grammatical tenses have fallen out of use. Many words have shifted in meaning. But with context aiding a contemporary reader, there are very few lines in Shakespeare where the meaning can be said to be "unknown," and abundant lines that are perfectly comprehensible today. On the other hand, it's worth mentioning how many double entendres are well preserved in modern understanding. And additionally, things like archaic grammar and vocabulary are simply hurdles to get over. Once you get familiarized with your thees and thous, they're no longer likely to trip you up so much.

But it's also doubtful that 400 years from now, as the article suggests, our everyday language will be as hard to understand for twenty-fifth century English speakers to comprehend. The English language has significantly stabilized due to colonialism and the international adoption of English as a lingua franca. There are countless dialects within English, but what we consider to be standard international "correct" English will probably not change so radically, since it is so well and far established. The development and proliferation of modern English took a lot of blood and money from the rest of the world, the legacy of which can never be fully restored.

And this was just barely in sight by the time that Shakespeare died. This is why the language of the Elizabethans and Jacobeans is early-modern English. It forms the foundations of modern English, hence why it's mostly intelligible to speakers today, but there are still many antiquated figures within it. Early-modern English was more fluid and liberal. Spelling had not been standardized. Many regions of England still had slight variations in preferences for things like pronouns and verb conjugation. We see this even in works Shakespeare cowrote with the likes of Fletcher and Middleton, as the article points out. Shakespeare's vocabulary may not just reflect style and sentiment, but his Stratford background. His preferences could be deemed more "rustic" than many of his peers reared in London.

Features that make English more consistent now were not formalized yet. That's why Shakespeare sounds so "old." It's not just him being fancy. And there's also the fact that blank verse plays are an entirely neglected art nowadays. Regardless of the comprehensibility of the English, it's still strange for modern audiences uninitiated to Elizabethan literature to sit there and watch a King drop mad poetry about his feelings on stage by himself. The form and style of the entire genre is off.

But that, to me, is why we should read Shakespeare. We SHOULD be challenged. It very much IS within the grasp of a literate adult fluent in English to read one of his plays, in a modern edition with proper assistance and context. It is GOOD to be acquainted with something unfamiliar to us, but within our reach. I'm serious. I do not think I'm so much smarter than everyone else because I read Shakespeare. I don't just read the plain text as it was printed in the First Folio! The scholarship exists which has made Shakespeare accessible to me, and I take advantage of that access for my own pleasure.

This is to say that I disagree with the notion that Shakespeare is better suited to be enjoyed in foreign tongues. I think that's quite a complacent, modern American take. Not to say that the sentiment of McWhorter is wrong; I get what he's saying. And it's quite a beautiful thing that Shakespeare's plays are still so commonly staged, although arguably that comes from a false notion in our culture that Shakespeare is high literature worth preserving, at the expense of the rest of time and history. It is true that his body of work has such a high level of privilege in the so-called Western literary canon that either numerous other writers equally deserve, or no writer ever could possibly deserve.

The effort that goes into making Shakespeare's twenty-first century legacy, though, is a half-assed one. So much illustrious praise and deification of the individual and his works, and yet not as much to understanding the context of his time and place, of his influences, forms, and impacts on the eras which proceeded him. Shakespeare seems to exist in a vacuum with his archaic language, and we read it once or twice in high school when we're forced to, with prosaic translations on the adjoining page. This does not inspire a true appreciation in a culture for Shakespeare but it does reinforce a stereotype that he must be somehow important. It's this shallow stereotype that makes it seem in many minds today that it would be worth it to rip the precise language out of the text of a poet, and spit back out an equivalent "modern translation."

[chompe-diem]

sometimes i wish i wasnt a guy who gets so exhausted from writing even 1k words in a day's work bc there are fic ideas up there man,,, theyre not Great ideas but they exist at least....

[milfygerard]

there was a weird phase for awhile on this site where everyone pretended that gerard was like a shitty mid tier comic writer and like. You guys dont read enough comics. you dont know what bad comics look like.

[dogearedheart]

8i've been thinking about the last asks i got today. and i think it's better for me to take a step back from this account. i know the anon didn't mean anything by it, but i still feel like i am being a negative presence on here and weirding people out with who i am is nothing i want. so, i am not deleting or anything. i am just gonna be less present with sharing personal things or leaving tags. I'll probably be more active on my second account where i don't have that many followers :)