#rather than an individual post for each one

[cconfusedkat]

Hi! I exert too much time and energy into very unnecessary things, and So this happens to be One of those things,

This post will cover the following; the ancestors/the six sheep of sanheim, paloma & mystic seller, and an abrupt timeline summary :> here is my bishop refs post

Year -1000, a Rise of Meliora and early beginnings of Columbidae

These people we are looking at are considered Archangelic Lambs, Six Sheep of Sanheim, or simply just Archangelo. They all try to compliment one another regarding each individual God's personality.

Archangelo, God of Courage & Freedom, they/them. Algerian sheep

Balam, God of Cunning & Past/Present, she/they. Braunes Bergschaf sheep

Callicantzaros, God of Feast & Festival, they/them. Valais Blackneck goat

Decarabia, Demigod of Singing & Drinking, he/they. Bizet sheep

Gaap, God of Love/Hatred & Tides, she/her. Bergamasca sheep

Zagan, God of Witt, they/them. Askanian sheep

Lastly, they're all inspired off of demons from demonology :-) hence the repeating number of 6 and the name "Archangelo" in reference to Satan before being damned (since he was an archangel)

Year -600, the death of two beloved rulers, yet the rise of a new one

Paloma, who took over her kingdom after her parents died to old age, was a God of Tranquil & Grain (or vice versa). Columbidae is an independent nation, unlike Meliora who is ruled by walking Gods

Though, in rough times, Paloma couldn't cope properly with the loss of her parents. Archangelo and Paloma stumbled across each other in -600, the lamb being there for the dove for as long as possible.

However, a Particular shadow-being didn't like the closeness of their relationship, of whom we talk of;

Mystic Seller, who once was known as Mystique, a shadow who ran away from their old home (Mystici) to pursue being a disciple under Paloma.

Mystic had been Paloma's disciple ever since -1000. When they saw Archangelo and Paloma get closer and closer to their almost engagement, Mystic had a major issue with it.

And so, they would do anything to prevent them getting engaged ,,, which did cause the butterfly effect of the lamb genocide 😭😭 lamdalcjskc i like how im srs with everything else and then here Its Just. Yeah the development of paloma and archangelo uniting nations as both lambs & doves lead to an eventual lamb genocide- yep- Yeah Man,

Soooo Essentially for a better summary of timelines rather than my excessive yapping, here's a little something I've gathered over their history: (of course other major events happened but Still)

-1000 ； Beginning of Lamb (Archangelo) and that's mainly the true species for some time

-900 ； Thriving country of Meliora, Mystici's (the country Mystic is from/shadow being's lurk) begins to form due to the Gods Boundary Line of there needing to be other species

-800 ； Rise of Columbidae's Empire which eventually is a nation lead by doves and a couple of other leading land animals

-700 ； War breaks out for a couple of years between Columbidae, The Lands of the Old Faith (which are a five state colony), and Archangelo trying to make peace

-600 ； Monarch and Queen of Columbidae, now leaving the entire nation of Columbidae under Monarch Paloma. She had yet to ascend to Godhood, and she still didn't know how to continue running her parents cult after they pass away from old age. Archangelo offers his hand to working with Paloma and combining their countries as well as cults ++ religions, thus Paloma ascends to Godhood as a former Bishop.

(The Lands of the Old Faith are still beefing with both Meliora and Columbidae. The colonies chose to leave Mystici alone)

-500 ；Everything in society is about to collapse. The Betrayal happens (where Narinder gives his siblings his injuries and gets sent to Below), Mystic killed all the Archangelics and saved Archangelo for last (ripping off their horns), and Paloma falls into another deep depression.

-500 — -20 ； Lamb Genocide. Each and every Lamb is now almost gone, leaving Allure and Zainab to be the only lambs left, who ran away for so long.

Year 0 ； Allure and Zainab are captured by the colonies. Zainab gets executed first, Allure gets executed a day after, but the twist is of course Allure being able to bare the Red Crown with the help of TOWW/Narinder. Year 0 is the beginning of- get ready- Cult of the Lamb YEAHHHHHHHH🗣🗣🗣 or also their cult is called Alluring/Allureable Lamb lmaoxaldjdkm

And with that, Mystic had already set everything into place. They outright planned the lamb genocide, they told Shamura about Narinder betraying them, they got Paloma killed by Shamura, and now all they had to do was visit the little lamb five years into their cult. Not even Ratau knew about Mystic's existence.

Mystic Pursuit!! An eventful AU that is all under Mystic's control of a silly little butterfly effect !!!! Yayyyy

Next post will be Allure lore with a liiiitttle animatic and their own refs again C:<< I have yet to cover the three witnesses (i still havent drawn them) but they have loads of lore as well :-]

[gay-mooshrooms]

Part 1 of Spock TOS vs AOS

Ok so from popular demand I’m posting this. I made a post a lil while ago about writing an "essay" looking at the differences in Spock's characterization and relationship with kirk in TOS vs AOS so this is the first part of that cus I actually polished it up XD. First couple paragraphs under to cut :)

A lot of things bug me about the AOS movies and there’s a whole nother essay there, BUT, one of the biggest things that’s always bugged me is the difference in Kirk and Spock’s dynamic from TOS to AOS. If you’ve seen both you know exactly what I’m talking about. Obviously a large portion of the difference comes from the changes in individual stories and personalities. Kirk is made much more aggressive and the “macho man” he has become known to be in popular culture, and Spock is also shown to be more assertive. The timing in AOS is also different, in TOS they’ve already known each other for a short period of time, Kirk is already the captain of the Enterprise and Spock is already the First Officer, we meet them when they already have professional respect and admiration for each other. In AOS we don’t get that. They meet each other much earlier and at very different stages of their character development. This causes tension from the get-go which will continue pretty much throughout all 3 movies to some extent.

However, I think a lot of the changes in the relationship and personality, specifically on Spock’s front, can be attributed to the change in his relationship with his parents. In TOS we see, primarily in the episode Journey to Babel where we first meet Spock’s parents, that he has at least a semi-strained relationship with both of them. He hasn’t visited either of them in years, and Sarek declines to have him as a guide around the Enterprise. Amanda tells Kirk that the reason for this strain was Spock’s choice to enlist in Starfleet, which went directly against Sareks wishes and Vulcan teaching that he had been forcing on Spock from an extremely young age. In AOS we see something entirely different, while it is true Spock was originally going to go to the Vulcan Science Academy, as his father wished, he chose to enlist in Starfleet not due to a sense of alienation or a longing for a place to belong, but out of righteous anger at his and his mother’s treatment from the Vulcan’s of the Academy, so while Sarek might not have approved entirely, he didn’t object either. 

Sarek is not the only change we see, Amanda is changed a lot in AOS, and her change is arguably more important. The Amanda we see in AOS is a very kind and understanding woman, and Spock is shown to care very deeply for her and she was likely the person he was closest to before enlisting in Starfleet, which we can tell from how he reacts to her death. But the most important thing is how she treats him and his choices. It is established extremely early on that she would love and support Spock no matter what path he goes down, even when he asks outright if she would support him going through Kohlinar(the purging of all emotions), which would effectively eliminate his human side(or at least he hopes it would), and permanently distance her from him. This is EXTREMELY different from the Amanda we see in TOS. In TOS Amanda does seem to somewhat understand her son’s struggle, but she neglects to realize her own hand in that struggle. She so badly wants Spock to be human like her and tries to force him in that direction many times even when it’s clear he is unwilling or unable to do so, going so far as to slap him. Spock in TOS effectively comes from a divided household, as Sarek and Amanda have such different ideas about who they think he “should” be, Vulcan vs Human, which causes Spock himself to have even more inner turmoil. He is constantly being pulled in two different directions depending on what will make Sarek or Amanda the most pleased, rather than them trying to think what will actually be best for Spock himself.

---------------------------------------------------------------------------------------------

Will post the other bits later <3

@neil-perrys-glasses i know you wanted to read this so here ya go <3333

[cynthiav06]

Annabeth stans and Percabeth shippers are talking about how ooc Annabeth is in WOTTG with her thinking Percy is stupid as if she hasn't constantly made fun of Percy's intelligence since the very beginning. As if she doesn't do it in every book, multiple times. Rick's characterization of Annabeth isn't changing, people are finally just growing up and realizing their fave ship when they were 12 isn't healthy. But instead of actually acknowledging that it's a bad ship they just blame the author.

Warnings: This is going to be a rant; bear with me. People from the "take everything as a personal offense" group stop reading. Will give us both the luxury of a peaceful mind.

It's easier to blame Rick, I think, given his series of shit decisions. The Wrath of a Triple Goddess is a complete abomination, and so is Chalice of the Gods in many ways. But at least it has helped readers understand the glaring flaws of Percabeth as a ship. How Percy's character is butchered to hype up Annabeth.

And I am completely exhausted of trying to get any of them to think rationally and in an unbiased manner. I can't make a willfully blind individual see sense after all.

But yeah, Annabeth has many, and I mean many character flaws throughout the series. The number of times I have made a post on Annabeth's flaws or even why Percabeth is incompatible.... At this point, I believe open-minded and careful readers are going to see and make their own conclusions, and the blind shippers will keep doing their own thing. This , I think, was my most recent post and will probably be one of my last ones on a similar topic. Unless I get newer asks that have some different viewpoints that I can actually explore cause, all has been said so far, I think.

I had a feeling that things would get better as they got older, more mature, you know, an Annabeth character arc of some sort. Maybe exploring the positive and negative nuances of Percabeth or even Percy's suicidal thoughts, non existent self esteem and how Annabeth has been unknowingly feeding into those.

She is one of the more iconic characters to people even outside the fandom. One from a very, very , and exclusive pool of actually strong female characters and the way her character is devolving isn't helping anything.

-------------------------------------------------------

All of Riordan's characters have such high potential, and the amount of plots he could explore is staggering, and yet he still dishes out the same generic plot again and again. He is in it for the money now, has been for a while, and so there's no hope there.

This might be a very hot take, but I think romance ruined the series. Rick kept slapping romantic relationships on every character as if that would suddenly make things better. Give them a relationship rather than explore their trauma. I guess it's the easier of the two.

But seriously, Caleo? Jiper? Solangelo ? (I can see the hate comments already). Whatever he was doing with Reyna, but at least she wasn't completely butchered.

Rick's problem is that he keeps giving more importance to romantic relationships and makes that the entire personality of a character.

He butchered Percy, even Jason at times, Leo bloody Valdez and Nico more prominently.

The way Percy and Nico's very deep and volatile bond and heavily dynamic relationship was butchered and distorted to feed into Solangelo and Percabeth, and I can't possibly understate how highly that's been going on.

Then Luke and Thalia's relationship was completely butchered for no absolute reason. I have no idea why. They were in love or at least had romantic feelings for each other, and Thalia just woke up and wanted to kill him? He literally gave all the angst to Annabeth even though Thalia had known him longer, and they had a more nuanced bond.

Jason's relationship with Camp Jupiter individuals was completely scrapped, his and Reyna's dynamic completely watered down, or even his and Leo's great friendship discarded all for Jiper or whatever else was shoved at him.

-------------------------------------------------------

As opposed to this whole shit show, I loved the relationships in the Magnus Chase series and Kane Chronicles. That was good stuff. Both character relationships and romantic ones even though I am pretty sure he got a lot of diverse representation wrong or so I have read recently.

Then there's the stupid, blind, bigot part of the fandom that just can't help themselves. I mean dumb Percy takes, Annabeth stans ruining Percy's character arcs and overinflating Annabeth's character, which in turn made Rick do the same.Then the boring Jason thing? What the hell was that? It's like everyone missed the point of why Jason is the way he is. I am going to make a post on that soon, but seriously, the shit that's been going on.

Then the shippers. Solangelo stans and Percabeth stans. They have single handedly ruined the ships for me with their distorted ideas of character dynamics. And their blatant and brutal hate against other Percy or Nico ships is just ridiculous and heavily toxic.

It's a fandom, not a monopoly. Everyone can have their own little thing as long as you don't meddle in someone else's own thing. Let everyone enjoy their own thing.

And for all our sakes, at this point, just pick your own version of canon. Choose which books to stop at. Trust me, it's less frustrating that way.

[alizardjae]

Misc spe headcanons and observations (spoilers):

Green(M) is the only Kanto dexholder who has ever been to a hospital (not the only one who has needed to go to a hospital, just the only one who actually has)

Related to the above: Red's body is kind of messed up from the electric torture, freezing, and Hitmonlee kick to the torso that he never really got treated outside of his quick stint at the hot springs.

Crys is one of the most reckless dexholders by virtue of rarely going into fights with an exit strategy

Yellow's powers heal herself unconsciously, but it takes her a long time to realize it

Part of Black's daydreaming problems are a defense mechanism to deal with sensory overstimulation, which is why he's so good at noticing small details when his head is cleared

Giovanni still somehow doesn't know that Blue raised Silver

After the battle in the distortion world, all three of the Sinnoh trio are immune to Giratina's attacks the same way Dia was

Schilly has dyslexia and possibly either hearing or auditory processing problems

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[secretly-a-catamount]

tim drake would rather die than kill innocent people and tim drake killed hundreds of supervillain henchpeople with long-range detonation explosives that one time are two separate headcanons that, contrary to what the fandom discourse would have you believe, can actually coexist at the same time.

there’s even a psychologist term for it.

it’s called compartmentalization!

[artsycloudysleepy]

Here it is :)

WOAH!!!! THE ELEANOR EVER!!!

SHE LOOKS SO UNHINGED AND COOL I LOVE IT :000000

THANK YOU SO MUCH I LOVE HER!! YOUR ART IS AMAZING /gen

also completely expected it to be a fragment so am really happy to be so surprised!!! she looks terrifying in your style!! /pos

[bat-the-misfit]

high Se users, here's a positivity post for you.

i love the way you just sense everything around you to the point you always notice smth no one else did.

i love how present in the moment you are.

i love your senses of aesthetic.

i love the way you can literally wear anything random and make it fashionable and so pretty to my eyes.

i love that you know how important it is to ignore the "meaning" behind things and just fucking live!!! just enjoy the moment!!!

i love how sincere you are, bc things don't always have some "meaning" behind it; it is just the way it is.

i love that you guys bring us back to reality.

i love how you guys are so able to feel and experience the physical world to the point i can't even understand what it feels like to you.

i love the way your Se interacts with Ti as much as i love the way it interacts with Fi.

high Se users, i love you so much. you're so important. every type is so important in this world and this definitely includes you guys.

if anyone ever calls you "superficial" pls call me bc i'm in a Te grip and i really want to spill the tea and punch someone in the face. 👍

[twinklepuzzle]

I feel like there was another long thread going around a while back about how the current designs for trucks and SUVs (being taller and larger and having a flatter/more vertical front end rather than a sloped/pointed one) were more dangerous for pedestrians?

Like even aside from the mindset of the drivers. Even someone who was very mindful and was a good driver was more likely to kill a pedestrian, because the front end of the vehicles were at chest-to-head height. So if one hits you it's running directly into your very squishy and vital organs, as opposed to shorter vehicles, which are more likely to hit your legs (still causes injury, but it's more likely that they'll be survivable).

And the sloped fronts of most sedans (a word I'm using here as a catch-all for non-truck and non-SUV vehicles, for convenience) would allow the person to roll up and off of the vehicle, whereas the flat fronts of trucks and SUVs would push the person to the ground and/or under the vehicle, causing further injury.

And that's without taking into account how the design of trucks and SUV reduces the driver's visibility of the area immediately surrounding the vehicle and the actual pavement of the road (being higher up allows them to see over other cars, and therefore see more of the condition of the "road", here meaning traffic/ other cars, not the surface of the road itself).

I can't remember if it was real or just perception, but there's also the idea that the passengers and driver of a truck/SUV are safer in a collision than they would be in a sedan, which makes people want to buy them, especially with there being so many trucks and SUVs on the road. It's easy to look at and SUV and a sedan and think "if these two vehicles crashed, the sedan would be destroyed/the sedan would 'lose' and the SUV would 'win' the crash", so it feels like you're on more even footing with other drivers if you also get a tall car.

So trucks and SUVs become more popular due to the perception of personal safety (the safety of people outside your vehicle be damned), which leads to other people buying the tall cars to level the playing field, but it also leads to car manufacturers making more of the tall vehicles, and offering fewer sedans.

With fewer options for sedans, people are less likely to find one that they like, and more likely to look into SUVs. So even more people buy the bigger cars, and even less people buy the sedans, so car manus lean even harder into making more tall cars and fewer short cars.

It becomes a cycle, and the sedans are straight up disappearing.

And *that* isn't taking into account that, being larger and (often) having more features than sedans, manufacturers can charge more for an SUV/truck, so they make more profit if they sell more big cars. So there's even more of a financial incentive to produce more trucks/SUVs than sedans.

So even if you aren't one of the people with a "run the fuckers over" mindset, it's easier than ever to get a car that you're more likely to kill someone with (even in the case of a genuine accident), and harder to get a more reasonable and safer-for-the-public vehicle.

[explode-this]

..

[incognit0slut]

Reid's Slut Kinktober #2

The time of year has finally come for me to ✨shine✨ If you followed my first kinktober last year, you can already guess what to expect. This event is purposefully written explicitly with a few dark themes, so please make sure to take note of every content before engaging.

All fiction below will be paired with fem!reader.

Oct. 6th - PRETTY BUNNY Sub!Spencer x Playboy Bunny!Reader; Boobjob

Spencer doesn’t know what to do when he recognizes you from his favorite adult magazine.

Oct. 10th - DOCTOR REID Established relationship; Roleplay

Your boyfriend finally agrees to indulge in your fantasy by playing a very different kind of doctor, but on his own terms.

Oct. 15th - LESSON LEARNED Unit Chief!Spencer x BAU!Reader; Breathplay

Your boss decides to teach you a lesson when you question the motivations behind a certain case.

Oct. 20th - ON CAMERA (Part 2 of A Special Show) Roommate!Spencer x Camgirl!Reader; Exhibitionist

Spencer requests to take on a more involved role in one of your live streams.

Oct. 24th - ANGEL Single Dad!Spencer x Nanny!Reader; Breeding

Spencer likes having you around to look after his daughter, in fact, he likes you a bit too much.

Oct. 27th - ROOM FOR THREE Dom!Aaron x Sub!Reader x Softdom!Spencer; Threesome

Nobody knows about the contract you signed to be your boss’s sub until Spencer finds the document. Aaron proposes a deal in exchange for his silence.

Oct. 31st - DARKER DESIRE (Part 2 of Dark Desires) Ghostface!Spencer; Dubcon

The masked killer who suddenly disappeared a year ago decides to pay you a visit on Halloween.

*please note that the titles may change in the future

There’s a good chance I might not be able to post all of them as scheduled (boo Lou boo!!!). Hehe I’m just giving you a heads up because last year’s kinktober was also delayed, but I’ll do my best to keep things on track!! You may also notice there are more to expect this year, which is intentional because I want to explore each kink individually rather than putting them all into one long fic. So these stories will be relatively short (at least shorter than what I’m used to writing). But of course, I’ll include a more detailed content warning with each fic when I post them.

And as usual, there will be no taglist.

Now that’s finally out of the way, tell me which one you’re most excited for😋

[sweet-as-an-angel]

so! you mentioned in the 'p0rn preferences' post that Gaz is not the one who jerks off the most in the 141, and I humbly ask you, who would that be?

I don't mean this as a request, just a little discussion, cause I feel like Soap would just be going at it at any chance possible, like a bunny. he probably doesn't care much if someone hears it, but that's just me thinking too much into it.

Who Jerks off the Most in the 141 + König

Warnings: 18+, Heavy Mentions of Masturbation, Male Masturbation, Implied Reader in Individual Headcanons, Accidental and Implied Voyeurism, Edging, Brief Mention of Injury, Men Who Moan <3, No Pronouns Used For Reader Except 'You'.

A/N: As per Anon's question (which I just had to turn into a post of its own) I present to you the list of the 141 members (and König) who jerk off from the most to least <3

Soap

I have to agree with you here, Anon - Johnny is most definitely the king of self love when it comes to the 141.

He doesn't much care where he is or who he's with; when he has to satisfy his needs, he'll do so.

Though, he'll spare whoever's with him the sight of watching him throwing his head back, trying to stifle his moans behind gritted teeth whilst the wet sound of his hand slipping up and down the length of his shaft fill the room.

Unless they want to.

For one reason or another, he's nigh-insatiable when it comes to his libido, and the fact that his stamina affords him the luxury of beating himself off until his cum is practically translucent doesn't help.

The slightest thing can set him off.

Someone brushing past him ? Hard.

Someone stroking his ego a little too enthusiastically ? Bricked up.

He sees something that's shaped to be a little too curvy or phallic ? Stiff as a pole.

He remembers something mildly suggestive you did three years ago in that restaurant ? He's going to the Horny Realm.

Yes, his teammates have complained about his incessant moaning-come-grunting-come-whimpering through all hours of the night, his voice contorting through a spectrum of desperation and Johnny always ending up spent and overstimulated by the time the sun comes up.

And then he's ready to do it all again the second night touches the horizon line, giving his teammates a knowing smile when he walks into the room sporting nothing else save for a pair of boxers and a monster that looks to be trying to tear itself free from them.

Gaz

Dude's young. Of course he's throttling that rooster on a nigh-daily basis.

The only reason he's not at it as much as Soap is because he likes to believe he still has a few threads of his self-restraint intact.

He doesn't.

Especially when it comes to you (regardless of whether you're dating yet or not).

But he doesn't need to know that.

Honestly, the only thing that separates him from Johnny's unmatched libido is the fact that it takes a little more than the slightest provocation to get Gaz going.

Albeit, that line is a thin one.

If he so much as accidentally sees something explicit for upwards of three seconds, he's hard.

The only advantage of his need for satisfaction is the speed with which he can achieve it.

He and Johnny actually timed each other once to see who could get off the fastest.

Gaz won. Though, only by a slim margin.

Needless to say, that made for a rather interesting conversation with the Captain when he walked in on two of his best soldiers sat panting on the edge of their cots, an almost-translucent spray spattered across their stomachs, eyes half-lidded and hazy.

Ghost

The third-in-line for the Throttle Throne is none other than our beloved Ghost.

Unlike Johnny and Gaz, Ghost is more likely to leave himself alone at the first sign of trouble, toughing it out until he can will his mind to less lustful pastimes.

He won't make his jacking off known to anyone, either, often doing it in the shower where the water beats down so harshly that no sound can be heard for the water's fall.

That, and he's a master at keeping his voice low, no matter the circumstances.

More often than not, Simon makes quick work of jerking off purely because it’s a means to an end. However, if it’s you he’s thinking of, he’s much more likely to take his time — to immerse himself in the fantasy of your body around his, taking him so well in one capacity or another. Fucking yourself dumb on his cock.

During these times, he’s thorough — much more likely to edge himself, to throw his head back and growl between gritted teeth, to savour the sensation coiling in his stomach, his balls growing tight.

Otherwise, he’ll stroke one out as quickly as he can, getting back to business as usual.

And to look at him, on the surface, you'd never know that he just spent the last three minutes rubbing one out in the bathroom (yes, he is also a contender for first place in the 'Who Can Jack Off The Quickest Competition', but he'll never allow Johnny or Gaz the luxury of witnessing his unprecedented skill; that's for your eyes only).

Until he corners you, breathing down your neck, scolding you for tempting him - a man whose restraint lies only in his ability to hold off from reducing you to an exponential reflection of his prior state, breathless and covered in fluids.

König

Have you seen the size of that thing ? Man should be in the olympics for being able to throw that weight around.

Similarly to Ghost, König only gets himself off when it's absolutely necessary.

Only if he doesn't have you lying around to help him, of course.

Though, he lets himself have a bit of fun with it. Especially if it's been a tough day.

He's vocal, too. Though he tries not to be.

He just can't help it. Days' - maybe even weeks' - worth of unspent adrenaline and semen is hardly any way for a soldier like König to go about his life. So, he expels it in the privacy of quite literally any isolated space he can find.

König is not an adventurous spirit by any means when it comes to self pleasure, but when needs must, he's willing to shoulder the weight of the prospect that someone on his team could walk in at any second and catch him spraying his stomach or the wall white with, let's face it, thick ropes of cum.

Hong-Jin's actually caught him doing that before now.

That's actually how the two became friends: Horangi heard König grunting in the store cupboard and, knowing how stubborn his Colonel was with letting others know when he was injured, sought him out. Wanted to offer his help.

Catching Colonel König in the act of throwing his head back whilst growling the name '(Y/N)' into the darkest corner of the room was, suffice it to say, not what Horangi had been expecting.

Price

You just know he's cool with it. And by 'cool', I mean incredibly intentional, controlled, and not ravenous in the ways our other favourite military princesses are.

Sure, Price has gotten hard on the job a few times.

Who hasn't ?

But thanks to his level head, unwavering devotion to his work, and absolute refusal to acknowledge that he did, in fact, get a little bit of a chub during a shoot-out, he's managed to gain control over every facet of his body.

Until he comes home to you, of course.

Until he's able to loom over you like an omen and run his hands down your sides, stopping at your hips and pressing kisses that become more open-mouthed the further down the side of your neck he dips.

Pressing his hips into yours. Something demands your attention.

There have been very few occasions where a cold shower wasn't a quick enough fix for him.

When the days of having you milk him are too far out of sight, he's had to suffice with his own hands before now. Had to imagine - remember - what yours felt like in his place, your lips curled up as he gripped the chair arms, breathless as he moaned into the warm tones of your shared apartment.

But don't worry ! He'll be sure to catch you up on everything you've missed while he's been away once he returns.

Reblog for more content like this! It helps creators like myself tremendously and it is greatly appreciated :-)

Masterlist Masterlist [Continued] Masterpost Modern Warfare AI Masterlist

AO3 Wattpad Tumblr Backup Account

[felassan]

Dragon Age: The Veilguard info compilation Post 1

Post is under a cut due to length.

There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user's post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and played the game. nb, this post is more of a 'info that came out in snippets from articles and social media posts' collection rather than a 'regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal' post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this. if you notice any mistakes in this post, please tell me.

as this post hit a kind of character limit, there will probably be at least 1 more post. :)

Character Creation

CC is vast [source] and immensely detailed [source]

We will enter CC straight after Varric's opening narration [source]

You are given 5 categories to work your way through in CC: Lineage, Appearance, Class, Faction, Playstyle. Each of these has a range of subcategories within them. There are 8 subcategories within the "head" subcategory" in "Appearance" alone [source]

Lineage dictates things like race (i.e. human, elf, dwarf, qunari) and backstory [source]

Backstories include things like factions. Factions offer 3 distinct buffs each [source]

There are dozens and dozens of hairstyles [source]

There are separate options for binary and non-binary pronouns and gender [source]

"BioWare's work behind the scenes, meanwhile, goes as deep as not only skin tones but skin undertones, melanin levels, and the way skin reacts differently to light" [source]

CC has a range of lighting options within it so that you can check how the character looks in them [source]

There are a range of full-body customization options such as a triangular slider between body types and individual settings down to everything from shoulder width to glute volume [source]. There are "all the sliders [we] could possibly want". The body morpher option allows us to choose different body sizes [source]

All body options are non-gendered [source]

They/them pronouns are an option [source]

Rook can be played as non-binary [source]

Individual strands of hair were rendered separately and react remarkably to in-game physics [source]

Special, focused attention was paid to ensuring that hairstyles "come across as well-representative, that everyone can see hairstyles that feel authentic to them, even the way they render" [source]

The game uses strand hair technology borrowed in part from the EA Sports games. The hair is "fully-controlled by physics," so it "looks even better in motion than it does here in a standstill" [source]

The ability to import our choices from previous games is fully integrated into CC. This will take the form of tarot cards - "you can go into your past adventures" and this mechanic tells you what the context was and what decision you want to make [source]

In CC we will also be able to customize/remake our Inquisitor [source]

A core tenet of the game is "be who you want to be" [source]

There are presets for all 4 of the game's races (human, elf, dwarf, qunari), in case detailed CCs overwhelm you [source]

Story

The story is set 9 years since Inquisition [source]

The Inquisitor will appear [source]

Other characters refer to the PC as Rook [source]. This article says they are "the Rook" [source]

The ability to import our choices from previous games is fully integrated into CC. This will take the form of tarot cards - "you can go into your past adventures" and this mechanic tells you what the context was and what decision you want to make [source]

The prologue is quite lengthy. A narrated intro from Varric lays the groundwork with some lore and explains about Solas [source]. In this Varric-narrated opening section, the dwarf recaps the events of previous games and explains the motivations of Solas [source] (Fel note/speculation: this sounds like this cinematic that we saw on DA Day 2023)

What happens first off is that Rook, who is working with Varric, is interrogating a bartender about the whereabouts of a contact in Minrathous who can help them stop Solas. The bartender does not play nice and we are presented with our first choice: talk the bartender down or intimidate them aggressively [source]

The first hour of the game is "a luxurious nighttime romp through a crumbling city under a mix of twinkling starlight and lavish midnight blue" (Minrathous) [source]. The game begins with a tavern brawl (depending on dialogue options) and a stroll through Minrathous in search of Neve Gallus, who has a lead on Solas [source]. Minrathous then comes under attack [source] by demons [source] (Fel note/speculation: it sounds like the demo the press played is what we saw in the Gameplay Reveal). Off in the distance is a vibrant, colorful storm where Solas is performing his ritual. [source] Eventually we come upon Harding. [source] and Neve. Rook and co enter a crumbling castle, where ancient elf secrets pop up, "seemingly just for the lore nerds". [source] Then we teleport to Arlathan Forest, have a mini boss fight with a Pride Demon, and there is the climactic confrontation with Solas. After a closing sequence, at this point it is the end of the game's opening mission. [source] (Fel note/speculation: So the Gameplay Reveal showed the game's opening mission)

The action in the story's opening parts starts off quite quick from the sounds of things: the devs wanted to get the player right in to the story. because, “Especially with an RPG where they can be quite lore-heavy, a lot of exposition at the front and remembering proper nouns, it can be very overwhelming.” [source]

BioWare wanted to make the beginning of Dragon Age: The Veilguard feel like the finale of one of their other games [source]

Rook's Faction will be referenced in dialogue [source]

Minrathous is beautiful, with giant statues, floating palaces, orange lantern glow and magical runes which glow green neon. These act "like electricity" as occasional signs above pubs and stores [source]

The story has a lot of darkness tonally. These dark parts of the game contain the biggest spoilers [source]. However, the team really wanted to build in contrast between the dark and light moments in the game, as if everything is dark, nothing really feels dark [source]

Our hub (like the Normandy in ME or Skyhold in DA:I) is a place called The Lighthouse [source] (Fel note/speculation: I guess this screenshot shows the crew in The Lighthouse? ^^)

Each companion has a very complex backstory, their own problems, and deep motivations. These play out through well-fleshed out character arcs and missions that are unique to them but which are ultimately tied into the larger story [source]

We will make consequential decisions for each character, sometimes affecting who they are in heart-wrenching ways and other times joyously [source]

Decisions from previous DA games will be able to be carried over, it will just work a bit differently this time [source]. The game will not read our previous saves. For stuff pertaining to previous games/choices, players will not have to link their accounts [source]

Characters, companions, romance

Varric is a major character [source]

Every companion is romanceable [source]

BioWare tried to make each character's friendship just as meaningful, regardless of romance [source]

If you don't romance a character, they may end up romancing each other [source]

There will be some great cameos [source]. Some previous characters are woven into the game [source]

Companion sidequests/optional content relating to companions is highly curated when it involves their motivations and experiences [source]

We could permanently lose some companions depending on our choices [source]

Our choices can influence if characters get injured and what they think about us [source]

The bonds Rook forges with companions determine how party members grow and what abilities become available [source]

Each companion has a very complex backstory, their own problems, and deep motivations. These play out through well-fleshed out character arcs and missions that are unique to them but which are ultimately tied into the larger story [source]

We will make consequential decisions for each character, sometimes affecting who they are in heart-wrenching ways and other times joyously [source]

Gameplay, presentation, performance etc

Each class (warrior, rogue, mage) has 3 specializations. The ones for Rogue are duelist, saboteur and Veil ranger [source]. (Fel note/speculation: Veil ranger reminds me of Bellara. Maybe this is her 'spec' too?)

Duelist gameplay involves a sharp combination of dashes, parries, leaps, rapid slashes and combos [source]

Faction-related buffs include being able to hold an extra potion or do extra damage against certain enemies [source]

Individual strands of hair were rendered separately and react remarkably to in-game physics [source]

Playstyle settings include custom, distinct difficulty settings for options as granular as parry windows, meaning "players who might fancy that playstyle but typically struggle with the finer points of combat can give it a go" [source]

Combat mechanics is a mix of real-time action and pause and play. Pausing brings up a radial menu split into 3 sections: companions to the left and right, Rook's skills at the bottom, and a targeting system at the top which helps get in focus on certain enemies. [source]. In the pause system you can queue up your whole party's attacks [source]

Tapping or holding the shoulder button pauses the game, allowing us to stop the action and issue orders to companions [source]

There is a system of specific enemy resistances and weaknesses [source]. Weaknesses and resistances plays a big role in combat and abilities are designed to exploit these accordingly [source]. An example is that "one character might be able to plant a weakening debuff on an enemy, and another enemy might be able to detonate them" [source]

There is a vast skill tree of unlockable options [source]

You can set up specific companions with certain kits, e.g. to tackle specific enemy types, to being more of a support, or as flexible all-rounders [source]

Healing magic returns [source]

Abilities can change together with elaborate results, e.g. one companion using a gravity well attack that sucked enemies together, another using a slowing move to keep them in place, and Rook using a big AOE to catch them all at once [source]

A shortcut system lets you map a few abilities to a smaller pinned menu at the bottom of the screen [source]

There are class-specific resource systems. For example, Rogue has "momentum", which builds up as Rook lands consecutive hits [source]

Each class will always have a ranged option [source]

Rogue Rook can do a sort of 'hip fire' option with a bow, letting you pop off arrows from the waist [source]

Warriors can throw their shield at enemies, and can build an entire playstyle around that using the skill tree [source]

There is light platforming gameplay [source]

The game runs on the latest iteration of the Frostbite engine [source]

The game targets 60 fps

On consoles it will feature performance and quality modes so we can choose our preferred visual fidelity [source]

The game is mission based [source]. Some levels that we go to do open up, some with more exploration than others. "Alternate branching paths, mysteries, secrets, optional content you're going to find and solve." [source]

Everything is hand-touched, hand-crafted and highly curated [source]

Some sidequests and optional content is highly curated, especially when it involves the motivations and experiences of the companions. In others we may be investigating for example a missing family, with an entire open bog environment to search for clues and a way to solve the disappearance [source]

Gameplay, presentation, performance etc continued, after the above bullet list hit a character limit

There is sophisticated animation cancelling and branching. Gameplay is action-like, and the design centers around dodging, countering, and using risk-reward charge attacks designed to break enemy armor layers [source]

The dialogue wheel returns [source]. It gives truncated summaries of the dialogue options rather than the full line that the character is going to say [source]

The bonds Rook forges with companions determine how party members grow and what abilities become available [source]

For stuff pertaining to previous games/choices, players will not have to link their accounts [source]

We can play the game fully offline [source]

There are no microtransactions [source]

The game itself is not as cell-shaded in look as the first trailer looked [source]

[☕ found this post or blog interesting or useful? my ko-fi is here if you feel inclined. thank you 🙏]

[rosemarie333]

Astro Observations: Tropical Edition (Sexology🔞)

Hello Guys! Thank you for the support of my couple last post! Since we did a Vedic one, I kind of want to do a Tropical Edition one especially since I am more versed about it, SO I HAVE MORE TO SHARE😋

These are based on my perspective of placements and signs, so take what resonates and leave what doesn’t🫶🏾 I’d love to hear y’all’s take as well!

Please do not read if under the age of 18.

Let’s start!

1. Both men and women who have water paired with a fire placement or air placement are much more emotionally detached about sex compared to one with an earth or several water placements. I knew a scorpio moon guy with an aquarius mars and oh BABY he was so detached about sex, it was more of a conqueror thing than a thing of having sex with people he acc liked (he also was an aries sun💀). Water and fire can definitely still get attached but when it is time to walk away if the relationship doesn’t serve them they WILL in a heartbeat.

2. Mars with jupiter men be having that BIG shit compared to mars with saturn. But with jupiter, they’re so fucking cocky about it like babe no one cares more than you do. I knew a guy who had this aspect and he would talk about his length all the TIME like it was a flex 😭. Mars with saturn i have heard can restrict ur length or make you overall much more conscious with sex and sometimes even insecure. You hear the mars/jupiter being the loud asf one about sex and the mars/saturn lowkey watching in insecurity or in like a 🙄pipe down look.

3. Pluto aspecting ur mars or venus ESP in a water sign omgggg y’all can get super attached just by looking at someone like😭 once y’all have sex with someone y’all NEVER want to let them go and become so possessive and jealous (it can happen with any element to be honest but with water yeahhhh y’all never leaving) i think it def applies to scorpio mars and venus people but idk i feel like they get super attached but then they are super unattached at the same time IDK how to explain it

4. If you want to degrade someone because your into that kink, you have CAPRICORNS who love that🫶🏾🫶🏾 LMAO every capricorn lowkey either loves degrading themes orrr they love to be praised because they lack that🥺

5. Gemini placements do like to be talked while doing it likeeeee BITCH TELL ME IM DOING GOOD😭 tmi but like they really do and tbh most of them are really good at oral sex (using hands bc that’s what gemini rules) soooooo

6. If you’re not into threesomes don’t mess with a sage or aquarius bc they down for ANYTHING tbh. Sag placements love trying new things and aquarius placements are into unconventional themes so try it out with them if you’re into that.

7. Aquarius placements or heavy uranus aspects suffer from porn the most imo because uranus rules technology. Like i have met a aquarius that could watch porn every part of the day (but i have met some that ARE SO against it and they don’t watch it so i guess it depends on placements )

8. Don’t downplay the 6th house for synastry. The 6th house rules health and what you may do on an everyday basis. With mars and venus in one or the other 6th house i lowkey can deadass see y’all having sex like EVERY DAY or that’s the main theme when y’all see each other lol.

That’s it! Thank you for reading! I will get into individual placements really soon rather than talking about the general scope of placements!

[raven-at-the-writing-desk]

not me doomposting about l*ona again

I pointed out in an older post that Leona seems to demonstrate a unique ability to unite others under a common cause. This is in spite of the lore stating that it's very difficult to get different kinds of beastmen to see eye-to-eye, so much so that Sunset Savanna's acting king, his older brother, has yet to really unify their people.

WELL.

***Spoilers for Leona's Nightmare Suit vignettes below the cut!***

A central theme to Leona's Nightmare Suit vignettes is figuring out what makes someone worthy of being "king". At the start, everyone is reminded of Jack Skellington's status as the "King of Halloween, which makes him the most important person in town. However, Leona's quick to point out that the title isn't what's important, but what one achieves is. He then expresses interest in what it is exactly that Jack Skellington does around here to earn his crown. His opinion of Jack isn’t that good; in the event story, Leona thinks Jack doesn’t pay attention and doubts that he can have deep thoughts. Jack describes his duties as making Halloween the scariest it can possibly be. He drives around in his buggy, walks his dog Zero through the local cemetery, studies and conducts experiments, and reviews the proposals from Halloween Town residents. An important part of his job is considering his people's ideas! But Leona thinks there could be a more efficient way to do this rather than having the king read the proposals one by one. We can see a divide between their ways of thinking; Jack is willing to hear individuals out whereas Leona is focused on efficiency. This is also reflected in how they assign tasks later in the vignettes. Jack has everyone going up one ladder to decorate, while Leona commands the witches to do this task, as its much faster for them to do on their brooms. I don't know if this was intentional, but the way Jack rules feels reminiscent to how Leona often describes his older brother, Farena/Falena. So often does Leona mention that Falena is too kind and cares too much for others, which impedes on the political and economic gains he could be making if he were just more focused on his goals. “[Falena] could just focus on the kingdom’s affairs–you know, his JOB–but nooo, he’s gotta be the caring big brother who’s nice to everybody." (If you want to read a more in-depth analysis of Falena vs Leona's priorities when it comes to ruling, please read this post.)

Leona claims that the qualifications for king around here are actually really simple--and yeah, maybe there's nothing more to his line than this, but considering that in his home country one's order of birth is also a strong determinant, a merit-based system like what's seen in Halloween Town probably is simpler to him. And that means it's his time to shine and be acknowledged when he wasn't successful at earning this recognition back home.

Now, what REALLY surprised me in these vignettes wasn't that Leona knows how to boss around his peers and put their strengths to use (for example, he tells Vil, who has an eye for detail, to look over the embroidery, and Idia, who is a science and math whiz, to handle difficult calculations). It's that Leona is also perfectly aware of the abilities of the Halloween Town residents--people he has only known for less than three days--and uses them and their skills well too. That's an insanely short amount of time to get to know an entire TOWN'S worth of people and what each of them are like... yet he just pulls it off effortlessly????? HUH... This earns him the praise of Dr. Finkelstein, the mayor, Jack, Sally, and Skully. Sally in particular highlights Leona's strengths very concisely, stating that he can accurately assess the situation and give appropriate directions on how to act in that situation. Skully adds that Leona technically doesn't move himself or do any of the dirty work, he's focused solely on giving orders. This makes him a "king" and a leader of equal standing as Jack Skellington. And then Skully--SKULLY, THE OBSESSED HALLOWEEN OTAKU THAT THINKS HALLOWEEN SHOULD BE A VERY SPECIFIC WAY--says that Halloween was made possible by not one, but two great kings this year. It just goes to show how much one can truly accomplish when not barred by a negative environment and a lack of social support.

One definition of "king" that is offered in these vignettes is "the one who can bring everyone together". That's certainly something that both Leona and Jack do, albeit in very different ways. But then, at the end of the Halloween Town segment of the vignettes, Leona acknowledges that "king" can be defined another way. He realizes that Jack is recognized as king not just because he's a leader, but because he's also needed and loved by the townspeople. This, too, is a "king". However, it seems that this is a definition that Leona somewhat looks down upon, as he basically apologizes to Jack for not thinking highly of him at first. Again, Leona prioritizes getting shit done, no matter what the cost of it may be--and even if it earns him the ire of others. This, as I said earlier, puts him in stark contrast to Jack, as well as his own older brother. But here and now, we have Leona finally seeing the strength that a different kind of ruling can have instead of always speaking so disparagingly about it. Even if it's just a little... it feels like he's growing and learning, doesn't it?

The vignettes end on flashing forward to Leona back at Savanaclaw dorm. A few of his freshmen students are goofing off right before magift/spelldrive practice is about to start. As soon as Leona shows up, the freshmen snap to attention and rush off to change for practice. Jack (Howl, not Skellington, lol) remarks that usually the other first years are so lazy, but their attitudes completely changed when their dorm leader appeared. Ruggie chimes in, saying that Leona keeps the entire dorm in line... THJBAEBVUFAEIYAFIOYBVADFILH ThEN HE CALLS THEIR KING THE BEST... AND JACK AGTREESS... WHAT DO YOU MEAN, SHUT THE FUCK UPAS ALREADY STOP POGINTONG OUT HE'S A AGOODFK leADER DFOR YOUE AEPEOPLE YADFJKHAFLIYVDGVYUADGVUEGAVN

In response to the praise, Leona says that simply scolding misbehaving students doesn't make you a king. If it were as simple as that, it would be a pretty cheap throne build only on flattery. The vignettes end with him telling everyone to move their asses to practice. lh WDBHFAIYOEAIYEIYF BUT TAHAT'S PRETY YMASSIVE FOR HS CHARACTER... These vignettes demonstrate that Leona's not fixated on the title of king, but what it means to truly "be" a king and leader. He doesn't value being called a "king" if he feels it's easily earned, he wants to prove himself worthy of it and earn that title through his talents. This all circles back to a thought I had a while ago: that what Leona is after isn't the literal seat of king, but all the things that come with it but was denied of in his childhood. Respect, admiration, recognition for his abilities.

And 💦 Leona doesn’t realize it yet (either that, or he’s in complete denial) but… He also fits that second definition of “king” 😭 He’s the type of person that gets things done (like what he believes should define a king) BUT GIS DORM MEMBERS ALL ALSO NEED AND LOVE HIM…

OOoogohoggoOGH... OTL I hate how well it comes together...

[the-cosmic-cauldron]

Astrology Observations: 🌔🏡 Moon in Houses🌔🏡

Disclaimer: Thank you for returning to my page; I hope you are finding value in the content I consistently create for you. I truly appreciate your support, including your likes, reblogs and follows, and I am grateful that you are engaging with this post. This message is intended for you, and if my interpretation of these placements does not resonate, feel free to disregard it. It is common for individuals to not connect with certain aspects of their chart, as each chart is unique, and some traits may be overshadowed by more dominant ones. This marks my second post in the series discussing the influence of different planets in the houses, with the next post focusing on Mercury in the houses.

Moon in 1st house: These individuals manage their emotions independently. They openly express their feelings but refuse to view them as a vulnerability. They draw strength from their emotions, allowing these feelings to guide many of their choices. Their emotional state can change rapidly; they prefer to discuss their feelings or confront them directly rather than dwell on them. Air signs often experience a conflict between logic and emotion, leading them to adopt a more subjective viewpoint. They may also be inconsistent in relationships, displaying a non-committal nature and moodiness. In contrast, earth signs navigate their emotions more swiftly and adopt a straightforward, no-nonsense attitude, expressing their feelings bluntly. Water signs can be intense and passionate but may struggle with emotional balance, often finding themselves in dramatic situations due to frequent mood swings. Fire signs generally feel more at home in this emotional landscape, though they risk becoming destructively emotional.

Moon in 2nd House: These individuals often become deeply connected to their emotional states, particularly the positive ones, as their self-worth is tied to feeling good internally. During emotionally stable periods, they may perceive themselves as more valuable, while facing lower self-esteem during times of depression, failure, or anger. This focus on maintaining emotional well-being can lead to a sense of emptiness during low periods. Air signs might neglect their emotions in their pursuit of their personal standards, potentially becoming repressive and overly rational. Earth signs tend to grapple with self-esteem, as their sense of balance is linked to their emotional state and life aspirations. Water signs frequently confront insecurities regarding their worth, struggling to manage negative emotions and often clinging to emotional states longer than necessary, which can create trust and security issues. Fire signs, on the other hand, typically experience a boost in confidence, driven by their natural assertiveness, but they may also wrestle with jealousy and insecurity, particularly towards those they admire or aspire to be like.

Moon in 3rd House: These individuals tend to be analytical and often require solitude to explore their identity independently. They rely on friends for emotional support and frequently find themselves in the role of the therapist, either offering or seeking a listening ear. A need for understanding drives them, and they feel unsettled when they cannot piece together their thoughts. For air signs, this can complicate emotional processing, leading to detachment as they analyze their feelings from a distance. They may struggle to connect with those who lack intellectual depth. Earth signs face similar challenges, often suppressing their emotions and becoming the go-to for advice. Water signs possess heightened intuition, blending feelings with intellect, but they risk confusing emotions with logic, leading to biases and dependency on others while sometimes appearing overly self-assured. Fire signs may experience a slowdown in this context, as their thoughts filter through the mind, which can enhance their self-expression but may also make them seem preachy or controlling, leaving little space for others to contribute.

Moon in 4th House: Individuals with this placement are always in search of emotional security, often surrounding themselves with trusted people or those from their past. They thrive on familiarity to maintain emotional stability, which can delay their ability to form new friendships or relationships. Many may have a comfort item to help them navigate stress or emotional challenges. These individuals are prone to anxiety and tend to manage their emotions best in their safe spaces. For air signs, this can lead to a more reserved demeanor, as they hold back their feelings, appearing warm and engaging only with family and close friends while seeming distant to others. Earth signs may project a calm and easygoing nature, avoiding drama and feeling uncomfortable with emotional openness, revealing their true selves only to those they trust. Water signs often retreat into solitude when feeling emotionally unbalanced, relying heavily on their close relationships for support during tough times. Fire signs may experience fluctuations in energy, becoming more temperamental with those closest to them while appearing moody and less dependable to outsiders. They might struggle with conflicting feelings about their life direction and the needs of those they care about, leading to uncertainty about their path.

Moon in 5th House: These individuals prioritize enjoyment and often find it difficult to confront their emotions, preferring to escape into pleasurable activities or distractions from reality. They tend to rely heavily on friends, partners, and family for emotional support, struggling to cultivate their own emotional health. This can lead to a tendency to become enmeshed with others' feelings instead of focusing on their own. Air signs, in particular, may find it challenging to process their emotions without seeking distractions, often getting caught up in entertainment as a way to avoid feeling. Earth signs share a similar inclination towards seeking entertainment, often resorting to shopping or spending excessively during tough times to escape their feelings. Water signs, on the other hand, may gravitate towards romantic relationships during difficult emotional periods but are prone to ignoring or suppressing negative emotions, sometimes turning to substances for relief. They may also engage in reckless sexual experiences as a means of escape, yet they can be very enjoyable companions. Fire signs, while focused on fun and pleasure, risk becoming overly self-indulgent, sometimes losing sight of the seriousness of life and their emotions, leading to emotional buildup.

Moon in 6th House: These individuals often feel a strong need to comprehend their emotions, sometimes to the extent that it resembles a full-time job. They are well-suited for roles such as therapists or psychoanalysts, as they tend to take healing seriously and seek therapy when facing personal issues. Problem solvers by nature, they are more inclined to pursue emotional well-being than others. For air signs, this placement can be challenging; while they excel in rational problem-solving, their airy nature may cloud their judgment, making it difficult to identify the best path for emotional growth. Overthinking can hinder their ability to resolve issues, complicating their emotional journey. In contrast, earth signs thrive in this placement due to their grounded approach, combining a desire to solve problems with practicality and realism, which facilitates their healing process. Water signs may struggle, as their need for emotional fluidity clashes with the structure required for resolution. Fire signs in this position might face challenges due to their quick emotional shifts, which can hinder the natural flow of their feelings and lead to an excessive focus on their emotions.

Moon in 7th House: These individuals struggle with understanding their emotions due to an inability to recognize their own emotional state as distinct. They often gauge their feelings based on the moods of those around them; for instance, being with cheerful and calm people can lead them to feel positive, while being around negative or dramatic individuals can bring them down. This creates a fragile connection between their emotions and those of others. Air signs face particular challenges in this regard, as their tendency to overthink can lead to cynicism, especially in unhelpful environments. In contrast, earth signs are better equipped to manage their emotions, as they can maintain a sense of grounding and filter their feelings more effectively. Water signs, however, may find it difficult to set emotional boundaries due to their empathetic nature, often neglecting their own needs. Fire signs also encounter challenges, as their natural enthusiasm can wane in the presence of unsupportive people, leading to feelings of emptiness if their energy is not reciprocated.

Moon in 8th House: These individuals experience heightened emotional intensity due to their fluctuating emotional states, often remaining entrenched in prolonged feelings that can skew negative, particularly in this challenging placement. They grapple with their darker qualities, which can lead to a sense of alienation from the collective, making them feel distinct and somewhat out of place. This heaviness often prompts them to withdraw or become more private as a means of emotional protection. For air signs, navigating these intense emotions can be particularly tough, as they may prefer to focus on external matters rather than their own emotional landscape. Earth signs, while also facing challenges in grounding themselves, may find it easier to detach from these darker states and perceive reality more clearly. In contrast, water signs often feel overwhelmed by the emotional weight of this placement, leading to a constant intensity in their emotional experiences. This placement poses particular challenges for fire signs, as their natural enthusiasm and zest for life are muted by its darkness. It can be tough to maintain a positive outlook, and expressing their inherent fiery energy often becomes a struggle due to this dampening effect.

Moon in 9th House: Individuals with this placement possess a distinctive ability to perceive their emotional landscape, enabling them to gain deeper self-understanding than most, while also offering insights that others may lack. This placement is closely tied to faith, leading these individuals to often embrace religious or spiritual practices as a means of grounding themselves and harnessing their emotional strengths. For air signs, this placement is advantageous, as it fosters a unique outlook on emotions, allowing them to recover quickly and move forward with a positive mindset. Earth signs also benefit from this placement, as it provides a balanced perspective that helps them remain grounded without succumbing to overly optimistic or spiritual practices. Water signs thrive here due to their heightened perception and intuition, making them deeply attuned to their emotions. Fire signs, too, find this placement beneficial, as it equips them with emotional wisdom and enthusiasm, resulting in a confident and bold approach to life.

Moon in 10th House: These individuals often prioritize their public persona to the extent that their true emotions become disconnected from how they present themselves. They may appear confident and sociable outwardly, yet behind closed doors, they can feel deeply insecure and fearful. Conversely, they might project a strong, aggressive demeanor while internally grappling with vulnerability and emotional turmoil. This constant struggle leads them to mask their true feelings, adapting their emotional expressions to fit their surroundings or goals. Air signs, in particular, face challenges as they tend to rationalize their emotions, often neglecting their true feelings in pursuit of their ambitions. This lack of emotional awareness is compounded by their focus on external perceptions rather than introspection. Earth signs in this position face challenges as they lack a genuine connection to their emotions, often prioritizing stability and practicality over feelings. Their focus on maintaining a certain image leads them to neglect their emotional needs. Water signs, on the other hand, experience significant difficulty in this dynamic, as their natural emotional depth conflicts with the need to maintain a certain public image, leading to potential repression or explosive emotional outbursts. Fire signs are well-suited for this position due to their inherent confidence, boldness, and sociability. Their enthusiasm for life drives them to present a positive self-image, and this placement allows them to channel that fiery energy into more productive endeavors.

Moon in 11th House: These individuals often exhibit unrealistic emotional perspectives, as their attention is primarily directed towards collective concerns rather than their own feelings. This focus on friends, family, and the broader world can create a significant disconnect between their internal emotions and their ongoing contemplation of external circumstances. As a result, they may become emotionally detached, failing to recognize their true feelings or those of the people they care about. This tendency leads to a projection of ideals onto others instead of accepting reality. Air signs particularly struggle in this regard, as their tendency to overthink exacerbates feelings of delusion regarding their thoughts and emotions. In contrast, Earth signs tend to remain grounded, allowing them to better understand the genuine emotions of those around them. Water signs, however, may find themselves caught in the idealism of the 11th house, which can lead to delusions due to their strong emotional nature. Fire signs are often supportive of others but may neglect their own well-being, resulting in personal suffering while they ensure those around them thrive.

Moon in 12th House: These Individuals often experience significant emotional turmoil from a young age, leading to a persistent heaviness in their feelings and confusion about their true emotions. They may feel isolated or out of place, struggling with mental health challenges and the quest for their identity, particularly in processing past traumas. For air signs, this placement can be particularly challenging, as their tendency to rationalize and intellectualize emotions can result in overthinking and mental health issues. In contrast, earth signs benefit from this placement more, as it grounds them and allows for a clearer understanding of their identity and goals. Water and fire signs face the most difficulties in the 12th house; water signs may escape their emotional pain through substances, avoiding confrontation with their turmoil, while fire signs often find their natural enthusiasm dampened by a pervasive sense of gloom, making it hard to maintain their energy and positivity.