do u have any navi thoughts from your oot replay
i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.
all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.
Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.
164 notes
·
View notes
Mari and Aqua are really the 'fuck you grandpa' siblings at Hamber and Gibeon, huh.
Hamber had ONE job which was to take care of the two of them and instead he has a doomed yaoi romance with Gibeon 😒😒😒
NO CUZ IMAGINE AQUA CONNECTING THE DOTS ONE DAY AND BEING LIKE:
"If you think about it, our grandfather is seducing your husband's grandfather..."
and the room just goes dead silent from the realisation 😭😭😭
6 notes
·
View notes
rereading parts of "take your pretty smile, tell them everything's fine." (the jhinhwei scene) and god damn it i m baffled at my own writing??
aka if nobody writes long ass analysis of my fanfic i ll do it myself xD
(tw for very much sexual grooming, underage relationship, pseudoincest, i mean its Jhin lol)
i forgot the details and now i m rereading it and i lose my sanity one bit at a time. its so obvious how unhealthy their relationship is, i think its also one of the chapters that really brings out just how young hwei is and in a lot of ways their conversation feels like a talk between a parent and a child, both struggling to let go of each other.
and this is a turning point to an extent, if jhin was a better man he would ve rejected hwei, encouraged the boy to pursue kayn and start developing some sense of independence. but he doesn't do it, instead, he dives right in and makes his dependency worse. Instead of reassuring Hwei that he is alright, that Jhin loves him but that he doesn't care about the kind of sex he is having with his boyfriend Jhin makes clear that he cares, indulges Hwei's desire for him to do so, draws an obvious parallel between the bite kayn left and the scar he cut into him a few months ago.
And what makes this whole thing "worse" imo in that in a scene that is very much smut we also get their first actual conversation about what they are,
Hwei: “You are more of a father, or brother, or friend than I ever had.”
Jhin: “You are the only son I will ever have.”
and then in the middle of making out, hwei calls jhin "dad" for the first time, and i think its then that Jhin actually realises the power he holds over this child of his.
like, jhin never planned to be a father for hwei, he never planned to raise a child, he was totally unprepared for the traumatised special needs kid he took in. he had no idea what was going on, just thought that this immensely talented baby artist will never have a chance to bloom if he doesn't get him out of the soul-crushing environment. so he does, their relationship grows, he realises that he begins to love this child, that he wants to give him the world, wants him to be happy.
but now, in the middle of making out with Hwei, he suddenly realises that this isn't right, that if he loves Hwei then he needs to at least give him the space to think this through, show him that he can love him without needing his body for it.
“Let me show you how much I adore you.”
Jhin moved up, took his hands and gently placed them to his side, smiling almost shyly.
“Will you let me?”
and when Hwei agrees, fully expecting to just have emotional sex, Jhin stops. and i m so not okay with this, i didn't even expect this to happen, i thought it would just be a chapter focused on them having hot sex.
like jhin totally crossed the line, but he allows Hwei to step back and reassures his baby boy that he ll love him no matter what he chooses :(((
8 notes
·
View notes