#quotes about struggle

[milesofstars]

dont worry about it jason...

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 5 - I Finally Finished the 2.2 Main Quest Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 4] [Pt. 6]

[redonionlover]

sunstone..? perhaps???

anon ur so real for this... they're my faves since i first played rw

havent drawn them in a loong time though so i doodled these real quick :^)

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[starry-bi-sky]

Snippets for my Clone^2 Au that I thought was funny...

in incorrect quotes style format (Clone^2 = Both my Clone Damian Au and Clone Bruce Danny aus combined)

Snippet 1: Danny and Damian meeting for the first time

Danny, avoiding Damian's katana: I don't wanna know who made you I don't wanna know who made you I don't wanna know who made you Danny: pleASE STOP TRYING TO STAB ME

------- Snippet 2: Danny and Damian meeting (Alternative)

Bby Damian: gets dropped off in the ONE city where his dad's clone is Danny, internally: damn I don't wanna know who made you

Danny: alright little buddy, lets -- *blocks Damian's sword* please don't stab me -- let's get you something to -- *blocks Damian's sword* please don't stab me -- something to EAT

------------- Snippet 3: Danny checking out books in the library Librarian: oh, are you trying to learn arabic, Mister Fenton?

Danny: oh- uh, yeah :) my parents recently,,, took in a foster kid from overseas,,,, but we found out he doesn't know english and he's having a hard time adjusting Danny, lying (only partially) through his teeth: so I,,, thought,,, maybe it would help him acclimate to his new environment if I learned some arabic :) Librarian: oh how sweet! let me know if you need any help, i can find you more books Danny: thank you

----------

Snippet 4: Damian wants to patrol Damian: let me come with you on patrol Danny, 16 year old idiot who fights without powers: uh. no. you are Itty Bitty Child Damian: comes with anyways

----------- Snippet 5: Damian, trying to fight a ghost without a ghost-proof sword: Danny, catching him and holding him against his chest: *radiating exhaustion* no,,,, no,,,,, not yet,,,,

-------- Snippet 6: danny has an epiphany Danny, realizing that he needs to set an example now that Damian is coming with him on patrol: fUCK Danny: I NEED AN ACTUAL SUIT ---------- Snippet 7; dynamic duo Danny: what is it with you and batman and robin???? Damian, silently sweating: ,,,,,,,because they are exemplary partners and i would like to think that us two are the same Danny, doesnt know identities: ...aww??? thats kinda sweet??? okay :)

---------- Snippet 8: hypocrite Damian: dijaal (affectionate) Danny, on day ?? of solving a cold case after a ghost asked him to: hrbhk - Damian, what are you doing up? it's late, you have school in the morning Damian, staring at him deadpan: you have school too. you should go to bed Danny: five min..utes buddy. then i'll go to bed Damian, grabbing the back of his rolling chair and pushing him to bed: no. now. danny, with eyebags the size of the marianna trench: ...fine. now.

--------- Snippet 9: ...the line Danny, doing homework with Sam and Tucker: Danny: *has an epiphany* wait. shit Tucker and Sam: ...? Danny, his head in his hands: am I Damian's dad or his brother?? Danny: wh- what do we define this??? Tucker: ... you're brothers until its funny? and then you're his dad?

----------- Snippet 10: learning Danny: reading a book about learning arabic Damian, slamming his hand down on the book to get his attention: dijaal, *points to book* kitab Danny, frowning: what? Damian, tapping book: kitab Danny: ..ki..kitab? Kitab? Book? Damian: Boog...book. *points to table* tawila --------- Snippet 11: clone reveal Damian, later after he knows enough english and months of chilling out: i am a clone.... meant to kill my original Danny, internally: wow you don't say? Danny, out loud:..huh. okay. thanks for telling me, uh, same here. except that last part

---

Dijaal = imposter Damian is affectionately calling Danny an imposter because danny is a clone of bruce :)

[wardensantoineandevka]

I will admit I'm a little salty that people, in an effort to prove that there is no good dialogue in Veilguard at all, keep comparing mission exposition to the high point narrative set pieces of prior games. I agree that some of the writing related to plot mechanics and mission exposition in Veilguard is a little too utilitarian, but that doesn't mean none of the dialogue is good or that prior games didn't also sometimes have this issue here and there.

I also generally dislike when people put the bar for good writing — and all writing too, not even just dialogue writing, ALL writing — at mic-drop sentences that still sound good completely divorced from context, because that really just reduces "good writing" down to like fake-deep philosophizing or witty quips exclusively. sometimes, a really good bit of dialogue sounds like a completely normal sentence out of context.

[thatoneluckybee]

Going to break into your house with pots and pans and yell at you until you reframe your thinking of productivity to include more than just schoolwork or a salary or chores and the like.

Did you do a thing? Was there a positive result for you or someone else?

Congratulations, you did a Productivity!!!

You aren’t ALWAYS going to be able to have the energy to do what we consider traditionally productive. You won’t always have the motivation.

Yeah, maybe you could have spent two hours studying for that test instead of 15 minutes. Maybe you could have cleaned the kitchen instead of the dishes. And? That’s still something!

Productivity is doing things!! Did you eat food and drink water? You did something that helped your body work! Doodled in class? You made art! Even just posting theories and memes on tumblr dot com is a thing! You thought out the post, figured out how to organize it (even if you don’t realize you did that) and you made it! And now other people can see and you DID something and you should be proud!!!

Be proud of yourself or I am going to show up outside your window tonight and scream positive affirmations louder than a cat who has just discovered her food bowl is empty.

[laurachouettepoetry]

A soul is a monstrous thing, weaker than the heart yet stronger than the mind. What you can’t give your heart, feed your soul with— and reveal everything hidden.

Laura Chouette

[ash-and-starlight]

seth dickinson’s worldbuilding rlly cooked my brain bc reading a high fantasy book that has big kingdoms in the focus rlly has me like… what are the dynamics of oppression at play. what is this empire built on. what is the flow of resources how is it enforced what is the class system how-

[thelien-art]

Nahar; Steed of Orome

White in the sun, and shining silver at night 1 - the sleeping earth trembled at the beat of his golden hooves 2 - the fire that was stricken from the hooves of Nahar was the first light that returned to Valinor 3

 J.R.R. Tolkien; The Silmarillion, "Valaquenta: Of the Valar"

J.R.R. Tolkien; The Silmarillion, "of the Beginning of Days” 

J.J.R. Tolkien; The Silmarillion, "Quenta Silmarillion: Of the Darkening of Valinor"

[clockwork-carstairs]

jem and tessa moodboard ⋆ ˚ ✿ ˖ / the infernal devices

“Come with me,��� she said. “Stay with me. Be with me. See everything with me. I have traveled the world and seen so much, but there is so much more, and no one I would rather see it with than you. I would go everywhere and anywhere with you, Jem Carstairs.”

[cutter-kirby]

one of my favorite things to come out of the book of bill is all of the bill possessing ford content. like both in canon and in fanworks. bipper did something irrevocable to me back in 2014 but ciphord/bord is such a unique clusterfuck of possession horror and it haunts me.

[hamletshoeratio]

Can y'all just be you know normal Marina Thompson for like 5 seconds? Because christ, the sheer Misogynoir that some of you spread about her character is insane and you don't even realise it.

[chiropteracupola]

"The land was lost; the world was lost as well... the world is upside down ... and there is no remedy in this kingdom." — Felipe Guaman Poma de Ayala, trans. David Frye

[⚬⚬⚬⚬⚬𐂂, requested by anonymous]

[thegreatmelodrama]

I feel like in media it’s very typical to see characters in a high school setting and then their life magically works out and they go to their dream school or there’s a time jump and we see them fresh out of college. And those stories are important because of course it’s normal to struggle in high school (and hey that’s the target audience). But what I love about Nancy Drew, is we get to see what happens after high school and from the perspective of someone who doesn’t have things “magically workout”. We get to see a “high school burnout”; someone who had all of these hopes and dreams and plans, only for life to not turn out the way they expected. We see her struggle with grief and mental health. We see her figuring out who this person is that she has become and accepting that her identity and her worth aren’t tied to those plans she had for herself. And it’s SO refreshing to see because it’s such a real experience and struggle that people face (myself included).

Furthermore, the same can be said for the other members of the Drew Crew as well. We see characters who all are dealing with their own hardships and trauma all of which have some part that is deeply relatable. We see experiences like not living up to parents’ expectations, relationship trauma, having to take on too much responsibility from a young age, a desire to have a family, learning self-forgiveness, and figuring out what one’s purpose is (and so much more). The show starts with a group of people who started out not where they thought they would be in life and we get to see them grow and develop through their experiences with one another and figure out this crazy thing called life.

[realbeefman]

i do think it’s crazy that fucking. CW vampire diaries stefan salvatore’s blood addiction is the Realest representation of the whole binge-restrict ed cycle i’ve ever seen . like Yeah sometimes i eat and it literally Does feel like i just killed someone and ill never be clean and i want to flip a switch in my brain that makes me stop caring about anything other than the high im chasing. and then there’s the restriction the wavering the never being strong enough to do anything. always grasping for Control. violently oscillating between two extremes and the Illusion Of It they offer. never been a metaphor in any other show i’ve seen that hits at the heart of the Feeling of it all as well as tvd did.