#punching is the advice

[a-dauntless-daffodil]

Emily's shoulder Charlie: "There is still good in Sera. Her intentions have been horridly corrupted, but they once came from a desire to protect and preserve. We can help her see the truth and return to goodness!"

Emily's shoulder Vaggie: "PUNCH HER IN HER STUCK-UP ANGEL FACE!"

XD chaggie down in hell having a rest after the drama, meanwhile EMILY-

Emily: "I'm not sure the face punching idea would even work. Sera's too tall..."

Shoulder Vaggie: "Trust me, she's sunk low enough for you to reach."

Shoulder Charlie: "Which MEANS she's ALSO in the perfect position for HUGS!!!"

Emily: "I don't even know how to throw a punch."

Shoulder Charlie: "And that's fine!!"

Shoulder Vaggie: "No problem. Just think about that that time you found out souls were being permanently wiped from existence once a year in the name of protecting heaven bc Sera was scared people might not actually like being damned and tortured for all eternity and figured just letting Adam murder them was the best way to keep sinners away from the pearly gates. Not that you needed to know any of that, though. It was fine if you sat happily up on your cloud, far above the mountain of dead bodies piled up to keep it safe."

Shoulder Charlie: "....We could punch her a little, maybe."

Emily: "Charlie!"

Shoulder Charlie: "I'm sorry! You think Vaggie's making a REALY good point, is the thing!"

Emily: "Why do my hands suddenly hurt-?"

Shoulder Vaggie: "It's called clenching your fists. You're making a fist with your hands for the first time ever. Good job. Don't tuck your thumb though."

Emily: (untucks thumb) "I still can't just punch Sera. It wouldn't make anything better!"

Shoulder Charlie: "We could call it a, uh, direct demonstration of our opinions on the matter. Or a lived example of why violence is bad!"

Emily: "You're not supposed to be arguing for punching!"

Shoulder Charlie: "I said I'm sorry! But the only time you met me, the real me, I spent the end of the day burning with rage and yelling at people about it! And it's my girlfriend you've got advocating for the face punching- I can't help that you think I'd be kinda down for it!!"

Shoulder Vaggie: "The whole dating me thing is a pretty big clue she's at least not turn off by violence, if it's for helping people instead of, y'know. Murder."

Emily: "Vaggie- help me. The real you was more quiet and cautious-"

Shoulder Vaggie: "Probably because of the blackmail."

Emily: "-you, you tried telling Charlie to keep a cool head! Tell me that too!"

Shoulder Vaggie: "Remember that thing where it turns out real me used to be an exorcist, used to do that murder stuff? And got left behind in hell? Probably for the whole not liking the murder thing?"

Emily: "I was trying not to remember that..."

Shoulder Vaggie: "You're not a princess of hell or a lowly ex-exorcist. You're a seraphim. You could punch Sera and get away with it."

Emily: "Ugh.."

Shoulder Charlie: "But only a LITTLE punch, okay? Gently. Gently punch."

Shoulder Vaggie: "That's not how it works babe but sweeet thought."

Emily: (SIGHS) (stops arguing internally with herself)

Sera: "....."

Sera: "Are you alright, Emily."

Emily: (despondent) "I'm fine, Sera."

Sera: "You seem a bit, droopy. I haven't even had proper glimpse of your face all day."

Emily: "Sorry. I just can't look at you right now."

Sera: (devastated) "...oh."

Sera: (rallying) "Well it will pass in time, I'm sure. Once you understand things better."

Emily: (hiding fists in skirts) (urge to punch) (RISING) "SuRE."

Emily: "..."

Emily: "Oh you know what? We haven't talked about Sir Pentious today!"

Sera: "Haven't we."

Emily: "We haven't, actually!" (smugly smooths out skirts) "He's settling in here nicely, isn't he? Isn't it wonderful having a new angel in heaven? Seeing him around, so amazed at everything- being so sweet and kind as he finds his way around after dying to protect his friends- Isn't it such an extra blessing, that he made it here aaaaallllll the way from hell? Aren't we lucky Charlie and Vaggie's hotel for reforming sinners is a thing? And is STILL a thing, even after Adam and Lute tried killing them all? On our orders? Which- thank heaven!- didn't work?"

Sera: (eye twitch) (eye twitch) "Indeed."

Emily: "I'm sure they'd be SO happy to see how well Sir Pentious is doing." (beaming) "We should invite them back sometime!"

Sera: (Glowering) "....."

Emily: "See I knew you'd agree Sera. You're overprotective- but that doesn't make you vindictive and petty, right? Right. You're not like Adam, may he rest in peace- Now, about setting something up to help the transition go more smoothly, the next time a sinner earns their place in heaven..."

-down in hell-

Vaggie: "You've got a great frown line going on, sweetie. What's up?"

Charlie: "Oh it's silly, but...

Charlie: "...Is Emily going to be okay up in heaven, do you think? After finding out about. Y'know."

Vaggie: "If she's anything like you? No."

Charlie: (whimpers) (frown x2)

Vaggie: "But if she's half as brilliant as you are, then she'll figure something out."

Charlie: "If she's so much like me, then she's also a Charlie without her Vaggie. That's not much of a Charlie."

Vaggie: "You did fine in Cannibal Town alone, babe."

Charlie: "Only AFTER thinking about you!"

Vaggie: "Well- uhh-" (tries not to smile) (smiles a lot) "Sir Pentious is up there? He counts for something."

Charlie & Vaggie: (stare up at heaven)

Charlie: "....think he's already blown up the pearly gates?"

Vaggie: "If his Egg Boiz haven't shown up there yet? Yeah. Probably."

-pearly gates-

Sir Pentious: (clinging to the wreckage of the gates) "THEY ARE VERY SSSSIMPLE BOIZ! THEY MIGHT NOT REMMBER HOW TO KNOCK OR CONSSTRUCT AND EXSSSSPLOSSIVE POWERFUL ENOUGH TO GET THEM PASSSSSST IT!"

Sera: "That is why we have Peter keeping WATCH on the gates! We do NOT detonate the gates of heaven with several tons of TNT- singeing Peter's wings in process!"

St. Peter: (coughs smoke) "Ow~"

Sir Pentious: "BUT THEY ARE SSSSSMALL! WHAT IF THEY GET OVERLOOKED? MY BOIZSS!!"

Emily: "We could just leave the gates open-"

Sera: "NO!"

Emily: (leaning in to pentious) (whispering) "I'll leave the gates open an Egg Boi sized gap okay? Don't worry."

[theelvishfiddler]

AN ARTIST'S GUIDE TO HANDS

No, sorry it's actually not an artist's guide to drawing hands. Those are just warmup studies (which I'll talk about in this post.)

This is a guide to Your Hands and how to take care of them when making art.

No one ever sits down and teaches artists how to take care of their hands. They didn’t even teach me this while I was in art college. This is just what I've learned myself through years of pain and scouring the internet for advice.

This is going to be a long one and geared towards illustrative traditional/digital/pen/pencil artists specifically, but artists of other mediums and crafts should take care of their hands too! Well, we all should take care of our bodies in general, but this is about hands.

(advice is below the read more)

First off I'm not a professional or anyone with actual medical advice. I'm just some guy with chronic hand pain who makes art. This advice is free for you to use or discard.

WARMUPS!

Ever sit down in the morning to draw and wonder why your art is so stiff and looks so much worse than what you were drawing last night? It's because you didn't warm up!

You know how for physical sports they all warmup and do stretches before getting into the actual sport. To prevent injuries and all that? Yeah, it's good to do that for art too.

One way to warmup is to just draw lines. Try to keep them as straight as you can. Going up and down and diagonal. Draw squares. Big squares. Small squares. Circles! You are warming up, keep it loose and relaxed! Basically just scribble away.

(examples. I usually keep going until there is no paper white left. This can double as practice for drawing straight lines without a ruler, which is a great skill to have when freehand city drawing.)

Before hopping right into drawing people you can try doing some quick gesture drawings. Line of Action has timed sessions with a large variety of clothed or nude models. I usually do the 30 min class as it has a nice balance of short and long timed poses. The point isn't to draw nice art, but to warm up. Try to get the basic form down, not the details. I find that doing a full class session can really help my drawings feel more loose and grounded in reality for the rest of the day.

Some examples I found in my folders. I suggest looking into what a line of action (not the site) is and giving it a try with some of the studies!

COOLDOWNS!

For sports it's to return your body back to your everyday baseline after a workout.

Example; you are working on a big project! A masterpiece! It's detailed and cool! You have been focusing on this for hours and drawing so intensely. But you need to stop working for the day.

A cooldown is for winding down out of the go go go mindset. Put away the big project and do a couple small doodles and sketches. You are relaxing your hand and letting it stretch out. Keep the sketches loose. Let the art happen slowly. Don't polish anything, that can happen another day. Just ease yourself out of drawing.

...

Cool! Now we get into the meat of this thing.

HAND PAIN

How to avoid it and how to manage it if you already have it.

I love you artists and creatives, I am begging you to please take care of your most important creative tools. I really don't want this to sound like scare tactics like "oooh you better do this or blah blah!" Nope. I just had to learn all this the hard way and I'm extremely passionate about it.

Take this advice or don’t ╮(ﾟ～ﾟ;)╭ I can't tell you what to do, I'm not your dad

Adjustments and Small Solutions

If you are feeling physical discomfort while drawing there are many different solutions to try! Here are some suggestions that may or may not work for you.

Hold your pencil more loosely. Stop gripping that thang so tightly!!! Relax that hand! They make these… squishy pen grip things... I think they are called Adaptive Pencil Grips or Adaptive Writing/Drawing Aids? They stop your hand from being all cramped up by making your drawing tool wider. It's going to take a bit of time to adjust to drawing with it, but it's worth it for those who hold pencils too tightly.

Don't press as heavily. For traditional art, if you find yourself pressing really hard to get darker lines try moving to a softer pencil. Most standard pencils are HB, the B pencils have softer graphite. Experiment until you find the right one for you. For Digital, adjust your pressure settings so you don't have to press as hard to get thicker lines. You should not be pressing so hard all the time, it wears out both your hand and your tablet! It takes a bit of time to adapt to pencil or pressure changes. Try doing some unimportant sketches, they don't have to be good. You are just training your hand and mind to adjust using less pressure.

Draw with your arm and not your wrist! It's small repetitive motions that cause the most strain. You probably hear this one a lot, what does it even mean? It means moving your arm with the motions of your line, and trying not to make too many tiny movements with your just your fingers or wrist. This one is hard! It takes time and conscious thought to change the habit. Tips? Work bigger. Zoom in more. Use bigger sheets of paper.

(Motions exaggerated for a clearer example)

Change the angle of your drawing surface. They make angled tablet holders, angled desks, angled desktop raisers. Experiment, find and angle that is comfortable and the one that causes the least pain. (It's also good to make sure you don't have to hold your head at an uncomfortable angle when drawing. Staring straight down or hunching over a paper flat on the table can cause pain!)

Compression Glove? Wrist brace/tensioners? Some folks use them and I've been thinking of getting one for years now. I can't give advice on this one, because I don't have experience with it. Look into it if you want!

Managing Pain

First things first.

IF YOUR HANDS START TO HURT WHILE YOU ARE DRAWING. STOP! Put the pencil/pen/paintbrush/whatever down. The art will still be there for you to continue tomorrow.

I know from experience that it's extremely hard to pull away when you are hyper focused on an art piece. It's hard to remember all sorts of basic needs like food or bathroom when hyper focused. But you Need to stop when you feel that pain. (Preferably even before the pain…)

Take Breaks! Let your hands rest when you can. Just like a machine, if you don't schedule maintenance, the machine will schedule maintenance for you. Often that means having to wait a few days for it to return to functional. Best to take a day off from heavy usage or take an occasional 30 min break throughout the day to let your hands rest.

Stretching is important! Full body stretches are good; your arms, shoulders, neck, and spine are all connected, but I'm specifically talking about HAND and wrist stretching. There are a lot of stretches and massages for carpal tunnel and arthritis out there. I find they work for hand pain in general. Move into and out of each stretch slowly. Do not push a stretch if it hurts!! Be gentle!!

I am not a qualified professional and I will not be giving out specific stretches (that is beyond my personal comfort level). There are other artists out there who have made helpful stretching info-graphics which are cool, but I will not be because i don't want to be responsible for someone accidentally hurting themself. Ask your doctor for stretches & advice or look some up on your own.

Don't feel bad about forgetting to stretch frequently! Of course it is good to do it regularly and frequently, but I would be a hypocrite if I said that I remember to stretch daily. Setting timers for stop and stretch sessions can work for some people, but also doing stretches whenever you remember is fine! If you are sitting on the toilet you can idly do some hand stretches. On the bus? Laying in bed? At the beach? Do a couple stretches! Even just once a week is better than… nonce a week.

Using Cold or Heat to treat pain. If you really overdid it, put your hands in some cold water or wrap a cloth around an ice pack and apply it to your hand. Cold works best for me, but warmth works for others. This is just pain reduction and reducing inflammation from overuse! This is not a permanent solution.

If your hand hurts a lot! Frequently! Talk to your doctor? Idk mine has never given real advice. Just gently poked my hand and told me there isn't much to be done about it :/ but there are really good doctors out there who will care and give helpful advice!

Again. IF IT HURTS TO CONTINUE DRAWING. STOP DRAWING! This is not a "no pain no gain" type situation. Drawing so much that you hurt yourself isn't noble, it's just… limiting yourself. You only get one set of hands. These things are very handy to have.

Other Advice

Things I couldn't figure out how to fit into the earlier sections.

Your other hand can't handle the strain! Lets say you hurt your drawing hand... the other hand is right there free to use for art. Right? Wrong. Your other hand can't keep up with the demand, it hasn't been trained to the same extent as your dominant hand, it does not have the built up muscle. If you want to use that hand for drawing you are going to have to use it s l o w l y and train it bit by bit over a long period of time. When I tore a tendon in my right hand I decided to just keep drawing with my left and I got Really Good at it. It only took like two months before my left hand hurt too much to move. Then I had 0 functioning hands to pull up my pants. Not fun!!

People who draw on phones. That is extremely impressive! I'm amazed by the things people can create on such a small space. But phone artists are the ones I see most frequently mentioning hand pain. please please please make sure you are taking breaks. Would a stylus work instead of using a finger?

Outside of Drawing. Sometimes it's things outside of drawing that are causing the pain. For me there are multiple sources, but I also have tiny baby hands. Holding a phone too long causes pain. The handheld mode for my Switch causes A Lot of pain. The way my hand rests while typing on my laptop hurts! Playing tense videogames for too long hurts! Find the source of your pain and make some changes. The same things will apply to most; take regular breaks, do some stretches, and find soft things to prop up or rest your arms on.

Change your Artstyle. This one is more of a last resort. You might have to change your art style if you are getting sharp pains every time you draw. I loved drawing tight clean lines and many small fancy details, but drawing like that left me in so much pain at the end of the day. In 2023 I had to take the better part of year off from illustrations just to learn how to sketch and draw more loosely. I had to learn how to be gentle. To stop gripping my pencil so tightly. Learn! Adapt! You might discover a new style that you love even more!

A lot of this stuff gets more complicated in a work setting where you have to draw fast and long in order to get paid. Things like reducing your workload can help, but that can be... financially rough. But outside of that, it’s ok to be a slow artist. Going full steam and hurting yourself is not worth it.

Aaaaaanyway, thats all folks. Today's rant brought to you by me! The guy with chronic hand pain who always forgets to stretch! The guy who got frustrated with a sketch yesterday and decided to push to keep drawing for just one more hour! The guy who woke up this morning and had to spend 2 hours massaging and stretching their hands. The guy who probably shouldn't have typed all of this out because ooww ow ouch

If your hands do hurt, it's going to be ok! You don't need to be a speed demon who draws all the time. It's ok to take your time and take frequent breaks. You are going to do great things! Just be gentle with yourself...

[braceletofteeth]

Stop crying, he's not worth it.

[frownyalfred]

I'm not saying you need to get hit in the face in order to write a good fight scene but...after I got punched in the face for the first time, a lot of things made sense all of a sudden.

[actual-changeling]

okay but can we PLEASE allow crowley to have emotions? can we let him be angry, upset, bitter, frustrated, and NOT immediately want to forgive aziraphale? can we let him be a complex being with complex emotions and trauma who is allowed to be heartbroken over aziraphale choosing heaven instead of him?

yes, they love each other. yes, they both hurt each other in that final argument. yes, neither of them is completely wrong or right.

for six thousand years, crowley has done *everything* to accommodate aziraphale. he has swallowed his emotions, crossed his own boundaries, tried again and again to get aziraphale to listen to him so he can finally make him understand how the fall changed him and how deeply fucked up the entire heaven/hell system is. it is why i cannot see the apology dance seen as "cute" or "romantic" because it's crowley once again ignoring his emotions to save aziraphale from heaven and himself; he did NOTHING wrong! aziraphale should be the one apologizing, not crowley.

and while yes, aziraphale has been on his own journey and is struggling with his own trauma, he needs to start putting crowley before his personal comfort. he needs to stop expecting crowley to throw his feelings in the wind and come crawling back to him with an apology on his lips.

the final argument was crowley saying he's DONE doing that. he's done meeting aziraphale on his side, either they'll meet in the middle or not at all - and rightfully so. aziraphale hasn't been listening to him this season, he never has.

do you really think if crowley had given him the details of the trial in heaven, gabriel's trial, anything at all that aziraphale would have believed him? no! he wouldn't have! his entire schtick is finding increasingly insane explanations for the shit heaven pulls so it doesn't contradict his personal view of it.

their relationship has never been healthy, unconditional love is NOT healthy or good. it's simply not. crowley is allowed to have hard boundaries and conditions, he's allowed to not forgive him immediately (or at all, although we all know he eventually will). aziraphale is ALSO allowed to be upset. i know that we all want them to be together and happy, but trauma recovery and personal growth aren't that simple. they're both more than the relationship they have with each other.

[l6sadi]

Something I really like about Monkey Punch is how there are little to no panels without any background.

He always focused on making each panel look interesting with the different figures/shapes he gave to demonstrate the aura or emotional state of a character or situation.

I especially like this one where the broken glass in the background shows how frustrated and upset Lupin is.

I also love these two other examples, one is from one of the first volumes of the manga (Shin Lupin III) and another is closer to the end.

The panels with no backgrounds are used to represent silence like in the first pic (The chapter is literally title: “The Rest is Silent”), and there's something great about seeing a focus on Lupin without his eye still bloody and a totally black background.

These little details it's what makes it great.

It's very normal with new artists, especially those who are starting to make comics, they leave the characters talking on a white background.

A few months ago a friend told me that he didn't know what kind of background to put on his fanart and I told him: "just do this". A black background and a white circle in the middle behind the character.

[evilhorse]

Below the belt. But above the thighs. Do you understand?

(Action Comics #1069)

[summergoodwife]

"If you want well-written women/queer representation/nuanced character arcs/less wish fulfillment/etc. just consume something other than shounen" completely misses the point of the original complaint. Like no, I don't just want representation. I want representation in shounen, the genre that I otherwise love but that never seems to respect people like me. And shounen can have representation. The idea that there's somehow a contradiction between those two things may come from a different place when it's shared by underrepresented people themselves, but it ultimately arrives at the exact same conclusion as anti-woke dudebros who think trans people and women existing is an assault. I have had too many other marginalized folks recite anti-representation, anti-diversification, pro-identity-based-gatekeeping arguments to me word-for-word without seeming to realize the logical end of what they're saying.

[somatiica]

hypnos waking up and spending the next month playing the Serious Grown Up to mel, the one person who doesn't know him well enough not to take him seriously

[sforzesco]

Very strange and random question, but would you mind directing me to your character design of Hermes? I'd also love to know if you have any tips on creating good character designs. If not, no worries!

Thank you for sharing your amazing art! The style is so good, and I always enjoy reading your comic strips. ❤️

I’ve drawn Hermes properly like, once before I think? in this comic! there’s another illustration of the same kind of scene with him, but I’m not a big fan of it and I’m thinking of redoing it sometime this year

ANYWAY character design advice! the Team Fortress 2 school of design will never steer you wrong (recognizable silhouettes), and one teacher I had personally liked the ‘opposites’ rule of character design, where you want some kind of noticeable ‘opposite’ of a character if you’re mostly doing pairs in a scene (so tall > short, that kind of thing). I personally adhere to whatever I think suits the narrative best/in a fun way. like, Crassus and Pompey are set up specifically for the story I have in mind

Pomepy is supposed to (eventually, it takes him a minute) be bulky enough that he could fold Crassus in half like laundry if he felt like it, and Crassus is supposed to look tall and thin, but he’s more lean muscle and could probably break your jaw if he hit you, and the subtextual narrative is about exploring all the ways they DON’T touch each other in the acts of violence that their bodies would be suited for, which is in total defiance of what comes before them, and also after (Antony and Octavian have a similar visual pairing, and it’s all physical violence there, baby)

in other news, I have a hard time figuring out a consistent character design until I figure out the story I want to tell lmao

there’s more about figuring out repeat draw ability vs complexity, balancing out overall design shape with accessories, clothes conveying personality and intent (character design work is a whole specialty tbh), but I tend to be a little more laid back about it because I’m more interested in prying open the story and then designing characters as the story comes together. like, sometimes I’ll shove a century of art history discourse into something, other times it’s Actor Hot, Show Rearranged The Circuits In My Brain, etc. but at the end of the day, I want it to work with the story, so I do these things side by side.

if you want more solid advice than this nebulous mess of thoughts, interviews with costume designers for movies or shows you enjoy is always always always a fantastic place to go to if you really want to understand how clothing and form convey intent and narrative to an audience: I keep a lot of that kind of theory in the back of my mind when I start seriously figuring out what I want a character to do, and by extension, how to look. interviews with animators and comic artists are good places to learn abt character design too!

[iguessitsjustme]

AND ANOTHER THING. Yak should never have been in that ring. An athlete's mental state is JUST as important as his physical state. Yak was clearly not ready for that fight mentally. Being in top physical form means jack shit if you aren't ready mentally. Especially in a sport like boxing which requires punching. I know they are as safe as possible about it but Yak should have won that fight and didn't because he shouldn't have been in the ring in the first place. That is a failure on the coach's part. Not on Yak's.

[street-corner-felines]

Zero Day (2002)

[scorpionstar2021]

Wolverine is just a drunk, ex-military uncle who appears at a family function uninvited, teaches a child how to use throwing knives, gives one good piece of advice to his best friend, insults the family patriarch, illegally gives someone alcohol, punches the ‘killjoy’ guy in the face, tells only his daughters he loves them, and then leaves.

[buddiebuckley-diaz]

“I get taking things slow, but tomorrow isn’t promised to anyone. So if you love her, tell her.”

God damn it Eddie take your own fucking advice. You love him, tell him.

[softpine]

This might be juvenile, but do you have any tips on not comparing yourself to others? (Especially when it comes to note count or popularity.) I’ve been posting a story for over a year and it hardly gets any traction. It’s tough for me to see new creators post and get hundreds or even thousands of notes. I hate that I’m doing this but don’t know how to quit it!

this is not juvenile!! i struggle with this myself, especially knowing that i hit my peak years ago and i've been on the decline ever since – but only by numbers alone! i'm more proud of my story than i've ever been, i'm more attached to my characters, i'm putting more love and thought into everything, but i had to be realistic with myself and understand that i'll never pull even half the notes i did in 2020. gone are the days when i would wake up to 3 new anons about my story and dms from people every day (i can't believe i used to get overwhelmed by it...) and i would be lying if i said it didn't make me sad sometimes, because we're humans and our brains are practically wired to crave the hit of happy chemicals you get from seeing the stupid number go up 😭 it does feel demotivating. it makes me feel less urgency to post quicker if i convince myself that no one is waiting for me anyway, which means i post less, which means even less people stick around, which makes me post less, and on and on. it's a tough thing for me to come to terms with in all honesty.

but it helps to remember that i would be writing even if no one is reading. and i know that, because i have! i've written entire novel-length fics that i've never published, i've written countless short stories in the frozen pines universe that i'll never post, i've created alternate universes that will never be shown, etc. i do it because the idea is in my head and it needs to Get Out and i'm kinda just a conduit for that. that might not apply to you, and that's okay! everyone is different. the important thing is to really sit down and think about WHY you write and what you get out of it. which part of the process makes you happiest? what makes you feel a sense of fulfillment / satisfaction? play to your strengths. try not to spend your time doing things you think other people will enjoy and instead, spend more time on the things that make you happy. for me, i haaaaate editing and i always have, so lately i've been trying to speed through it a little bit quicker even if it means the final product won't be as appealing to others. (this is still a work in progress for me...) i have more fun when i experiment with different writing styles, which might not appeal to others because it takes longer and i don't really have a recognizable style, but i don't care anymore because i'm having fun! ask yourself what YOU want from your story, and then write for yourself and only yourself.

essentially what i'm saying is: there will ALWAYS be people more popular than you, and there's no guarantee that when you find the popularity you seek, you'll be able to keep it. so you need to find some sort of intrinsic motivation to continue or you'll just keep comparing yourself to others forever and you'll deny yourself the joy of creation! "comparison is the thief of joy" could not be more true!!

[sebastian-ciel-mutual-bullying]

Vol 1 Ch 1

"Wow, the servants really are terrified of him! I wonder what he did to make them so scared! "

Vol 32 Ch 176