#publishing question

[harrowfuckinghark]

So I preordered Heavenly Tyrant (the sequel to Iron Widow) through Barnes and Noble a couple of months ago and I got an email last night saying that the publisher has postponed the release date to 12/24/24 from 4/30/24. I’ve been searching to try and find out why and I haven’t found anything. I work at Barnes and Noble and in our system the release date is still listed as April. I checked Xiran Jay Zhao’s Instagram and the publisher’s website and there’s no info about the change anywhere. Has anyone else had their preorder postponed? Do y’all have any idea what happened?

[sparrowhawk-rose]

Currently struggling with how long my book should be. The internet says that 110k is around the maximum, but with 300 words per page, that's... 367 pages?! which is not very much by my standards, especially since I'm writing a sci-fi fantasy novel

Would it be too difficult to get a book published if it's greater than 400 pages in length? Around 600 is the goal, but now I'm not so sure...

[infamous-if]

Does Seven know they are demisexual? They know they like sex to have feelings but they've already clicked that they're demi like "Oooh, so that's it"?

I don’t think it occurred to them yet. They mention their experience briefly in their first date POV and they chalk it up to "meh this is how it usually is"

they've just been too in their head about MC and literally everything else in their life and career that they haven't had time for self discovery lmao

I think it'd be easier for Sev to realize if ur playing a route in which MC and Sev were intimate because they can compare it to the rest of their sex life as opposed to playing a route in which they were just best friends 🤔 mc is the only person they've had a connection with

[suntails]

[sharing/rb appreciated 💛]

my silver artbook is FINISHED and will open for preorders on 8/31 at 12pm EST!! it's been almost 3 months of work and i'm so excited to finally be able to share all the art i've worked on, PLUS a small bonus charm!

if u know silver fans,,, tell them

[show-us-kaidenshenandoah]

every time i watch anything with him in it (admittingly, predominantly from the Dropout app), i am reminded that Lou Wilson is the most handsome man to have ever lived. like, objectively. he just is. i will hear no arguments for any other person to be ranked higher. Lou Wilson: whose face single-handedly shows humanity can go no higher in beauty. he is THE most attractive man in the world. argue with the wall lmao

[dromaeo-sauridae]

i think im getting artblocked again (in the middle of a big project too, awesome) have a pegasus

[sollucets]

by popular (@ahxu-laowen) request

[flythesail]

Comfort: ★

Proximity to soup: ★★★★★★★★

[juliakristeva]

baz luhrmann is directing a movie about joan of arc

[tumbler-polls]

Feel free to show us your collection; let's make it more interactive!

[inconveniently-discorporated]

I am certain no one has seen Aziraphale before Crowley.

The archangels look at him, but their vaguely-disgusted sneers and veneer smiles were already affixed as firmly as their hands are clasped together. They look at him, but they don't see him.

I'm certain that when Crowley looks at him curiously, it doesn't make him feel bothered, it makes him feel SEEN.

[crybaby-bkg]

cw: Bakugou dies but comes back to life, “comes back wrong” trope, implied fighting, angst

When Bakugou died, you’re not sure how you went on living. Grief had taken over your life, sat you in the passenger side while it cruised off the highway into icy waters. And even then, you couldn’t find the energy to drown.

It’s why there’s a sudden uptick of energy when you’re promised to have him back. Some top scientists contact you months after his death, tell you to hurry down to the headquarters labs, come and rejoice for what you’re about to witness. And you’re horrified, to say the least.

“This isn’t my husband.” Are your first words when you walk in, watch the figure on the other side of the glass examine its own hands. It looks like your husband but—but his hair isn’t the right shade of blond all over. His nose bridge had a slight bump after a scuffle with a villain. He had a scar on his hand but—but it never looked like it was to sew a pinky beside the other fingers.

“Is that really my husband?” You ask next in disbelief, slowly entering the room. Bakugou’s head snaps up, his eyes a little brighter than you remember but—they hold so much emotion. So much memory, so much panic, so much guilt.

“I left you.” He mutters, his voice raspy and ragged, and you wonder if it’ll always be like this now. It makes you cry a little harder than it should, but you only embrace each other. He’s cold and his shoulders don’t hold the same mass and his back doesn’t carry the same scars. There’s one, jagged and rough, running down his back, and you think, you think that’s where they slipped a new spine in.

“Welcome back home.” You tell him, weeks after meeting him again, new and not totally—Katsuki. He’s stiff and he doesn’t immediately take off his boots when he enters, and it worries you. Makes you think if you’ve just let a stranger into your home, one that has stolen your dead husbands face. Makes you wonder if he’ll be as loving as Katsuki once was, or if he’ll become your monster looming over you with the guilt of not being able to rest anymore.

“I’ve missed you so much.” You whisper against his mouth one night, a little while after he’s moved back. You don’t know why you lay under him, why you let him nestle himself inside of you, why you let him hold you against his chest. Katsuki always ran his hands over your cheeks and neck whenever he held you like this, but this…man, only holds himself up with his hands resting beside your head. It’s alien, how he looks at you, how his hips are methodically measured with every thrust, how he kisses you every 8 seconds. You wonder if he’s more robot than Frankenstein monster.

“Why did you come back to me like this?” You ask him one night, barricaded in the bathroom away from him. You can hear his sobs on the other side, his pleading to be let in. He tells you he never wanted to come back if he had to be like this, that he’s sorry, please let him in, he misses the warmth of your skin, he’s never been so cold before, he’s never liked the cold.

“Is this considered cheating?” You ask yourself aloud one night, when Bakugou is forced back to the lab when he becomes too…un-Bakugou. To sleep with a man that is your husband in every way but? Your husband has been dead for a year now, and yet you stroke the chin of the man that tries so hard to be him everyday, but fails so miserably at it every time.

“I’ll come back to you right this time.” Bakugou promises to you when he’s strapped down to leave for the lab and before he’s sedated. But you don’t believe him—you never did. Your husband is dead, and this animated corpse has been nothing but a cheap mockery of everything you’ve lost and something you will never truly get back.

[herefortheships]

Why do you think he fell in love with Lydia? see, it's much stronger than it was for Dolores, I'm not going to ask when because it would be complicated Bj and Lydia have such opposite personalities

Love this question! And to be honest, ever since I watched BJBJ I've been wondering about this. Because, to me, at least when I first watched the movie, I got to the conclusion that he must have fallen in love with her over the years; that he never had any true romantic inclinations towards Lydia in the first movie. So I had to wonder, what changed?

This answer got long... So I'll put a little summary, Tl;Dr answer here: I think there's an in-canon reason he fell for her and a meta reason why Tim Burton and co decided to make Betelgeuse be in love with Lydia in canon. The in-canon reason: Opposites attract. She is exactly his type: a dark, mysterious beauty. Plus her calm demeanor suits his unhinged nature. Their energies play nicely off each other, completing and balancing each other in a way no one else could, whether Lydia realizes it now or not. Lydia also never seemed to mind ugly, scary, dark things, and Betelgeuse is kind of all of that. At some point he grew fond of her and started needing this sweet, dark beauty in his (after)life. The meta reason: Lydia and Betelgeuse are a favorite "Burton Couple", almost right there with Jack and Sally, at least to a LOT of people.

Now to the long answer, because I totally always write a lot (below the read more cut bc this one got pretty long):

I think to properly answer why he fell in love with her, I do need to get into the when. And this is where I might have to put a "trigger warning" just in case, since I will touch upon how he felt towards Lydia in the first movie, when she was a teenager. Anyone uncomfortable with that needs to click away now. We're going to analyze this with the context and nuance of Betelgeuse's backstory. Context and nuance tend to be overlooked a LOT when the purity factions of fandom want to impose moral superiority upon other members of the fandom, so maybe placing the "trigger warning" may not be enough, but, anyway, you've been warned about the topics of this post.

The context and nuance: Betelgeuse, when alive, lived in the time of the bubonic plague, this means he was alive during the 1300s, presumably in Italy. At that time, marrying a 15-16 year old was socially acceptable and normal. Heck, even younger than that (as unacceptable as that seems to us today in our modern times). So it wasn't that strange as it is today. The reason is that people often didn't get to live past 30. The average, oldest age of death around the time was 60 years old. It was also common for men of the time (and where Betelgeuse lived in Italy, and Europe, as I’m reading in these articles) to marry much later than women, as in it was common for men in their 30s and 40s to marry a 14 year old (which I believe is even younger than Lydia was in that movie, not sure). All of that is in that article. That depends entirely on social ranking though; if he was lower class often people married for convenience and I'm not sure but I think age wasn't a factor to consider when people were struggling. In Europe even in the 1800s you'd see age gaps in marriages. //Edit: and America! For some reason my brain when I wrote this at midnight thought Poe was European 💀.// Edgar Allan Poe married a 13 year old when he was 27, for example (which I totally find super weird, personally, but at their time it wasn't a super weird thing as it is today, as far as I've read; it was also normal to marry a cousin around that time in the upper class and upper middle class, or so I've seen). Was Tim Burton aware? Who knows. But at least I'm putting this out there as the context why it isn't weird for Betelgeuse the character to see a teenager as someone of marrying age. We also know he didn't want to marry her in the first movie because he was in love with her; she was a means to an end, more than anything, regardless of any interest he had in her due to her looks etc.

Ok, so now that that's out of the way we can keep talking. Even though I joined the Beetlebabes fandom only after the second movie, and shipping these two characters never once crossed my mind throughout the years of me watching the first movie, after some thought and after rewatching the movie with the knowledge of where the story goes after the events of that movie, I can definitely see that Betelgeuse became interested in Lydia ever since the first movie, and also why he's head over heels for her in the present.

Even though I still think he fell in love over the years after the events of the first movie, I think he became smitten with her since the first movie. Here's why he fell for her: For starters, she is a dark and mysterious beauty, and that seems to be his type (look at Delores, also a dark beauty). We can actually see the moment he first shows interest in her in the first movie, when he saw her while in his snake form. She was the only one he did not hurt. He only stared at her, almost like he was taken aback by her. When Barbara banishes him back to the model, we have that little moment when he mentions he feels the only one he can make a deal with in that house is "Edgar Allan Poe's daughter", meaning Lydia. And we have the little horny joke, so if you wanna throw that one in there as evidence he became interested in her here, then sure you can. As this happens directly after he's seen Lydia face to face... Rember the context above before you want to call him a pdfler or something... please. He is Not.

Then later when she meets him in his real form, she doesn't seem startled or scared that she's in the presence of a demon/ghost. In fact, she just simply asks him "are you a ghost, too?" and that's when he starts making some conversation. He realizes she can see him and communicate with him. You can tell at this point he is intrigued by her. She is the only one he's shown a sort of sensitivity to in the entire movie. He asks her "why?" when she says she wants to go in to the after life (essentially, that she wants to di e). He doesn't try anything naughty with her; instead, next time he sees her when she asks for his help, he proposes the marriage.

Now, at the time I don't think he loved her or even cared much about her; at this time he just wanted out and here was an eligible woman, who was not only beautiful and available, she could also see him and needed his help, which he used as his way to try to get out of the afterlife. I think once they got rid of him, and he realized he could still connect with her over the years, his interest in her grew and he started really growing fond of her until inevitably he fell in love.

Lydia is physically his type, but there's also a calmness to her that plays against his unpredictable, unhinged personality. She's someone who can balance him, and he's someone she could hold on to; there's an energy in him that she can use. Of course Lydia doesn't yet see how she'd be compatible with someone like him, but from an outsider's perspective, they really compliment each other's personalities. She's calm and quiet; he's crazy and loud. She's reserved; he's outgoing. She's a dark cloud; he's high-energy, like sunshine. Etc. Opposites attract. 💚

Now finally, the meta reason: Lydia and Betelgeuse seem to be a favorite "Burton couple" not only to Tim Burton himself (and the cast of the movie themselves!) but also to a great number of people. There's people who grew up watching the Beetlejuice cartoon series and didn't even watch the first movie, who for years had the idea that these two characters actually adore each other. There were people who were going in to watch this movie with that context only. And there were even people who were going to watch the sequel as their introduction to Beetlejuice (like my mom's best friend, for example! She loved the sequel but has NEVER watched the first movie nor the cartoon. She also wanted Betelgeuse and Lydia to end up together after watching this one, by the way). From a meta perspective, Lydia and Betelgeuse are just a fan favorite couple and an inseparable pair. So partly the choice to make it canon that at least he is absolutely in love with her comes from this expectation that many people had for these two characters. It just feels natural; they're just an iconic Burton pair.

[did-sm1-say-catfish]

shitty coffeeshop eefo doodle

[bluebellowl]

I can't get this off my mind and I'm curious about your icon pff- So may I ask, is it an owl wrapped in a blanket or a scarf? Maybe even a towel?

It's an owl with a very big scarf! Although if it brings you peace: Any scarf can be a towel if it's big enough.

The piece above is from first year game design, art course, where we had to make our own avatar. I already had this one for years prior so I just improved upon it a bit. My pff is a lot more round bc I wanted to make it round like... a bluebell :)

[ranticore]

Hi has anyone ever told you Ice Storm Over Kosa has impeccable vibes and feels incredibly innovative and fresh!

In terms of the towns and communities, what types of infrastructure connects them? What kinds of technologies are common vs cutting edge in the setting’s different time periods?

hehe thank you.. i really like how the setting tag is just one of the character's names so it looks like you're saying He has impeccable vibes

<3

So there is a huge huge almost insurmountable limiting factor when it comes to the growth of towns and communities, which is that large aggregations of living creatures will attract the crawly beasts and they pollute the earth, make crops wither and die away, kill livestock, kill people, etc, and humans can't even touch them with protective gloves on since the crawlers' fluids eat through leather

humanity (and monsters) were forced to spread out over a larger surface area. villages and settlements are small and have to be actively defended almost nightly. there has been a slight stagnation of the march of progress, as just fighting off this threat takes up so much of everyone's resources, and forbids institutes of learning and the like from forming. so most of the technological advancements we see, they are in the field of long-range communication, weaponry (falconry too), and material technology that might repel crawling beasts

in prehistory, the land now called "the Ama plains" hosted a gigantic city with a hundred thousand people living in it, called Amphora. it was very advanced for its time period, with working plumbing, hot and cold water even, mass production of cloth and food, etc (not to mention the magic). Amphora no longer exists and most of its innovations were lost.

in the early time period after the arrival of the crawling beasts, humanity and monsterkind are scattered. the only established settlements are those guarded by wyrms, but it took many centuries to reach that point. human towns are ruled by small feudal lords who may form loose alliances with one another but typically rule their land as if it's a lone island in the middle of a vast sea. this is the time of Revelation's march. the most established settlement is the city of Onozar in the far west of Ama, which is ruled by a king who has a hold over many of the neighbouring towns and lords, by virtue of Onozar's size and relative safety. technology levels are low; no firearms, trebuchets and crossbows are cutting edge.

in the time of Twist and Flicker, there is an age of unprecedented cooperation with monsters (Revelation's march might have had something to do with this change). This means that towns and villages are now usually protected by something other than a wyrm - this ranges from willing cooperation to cruel self-styled 'monster tamers' who force monsters to do their bidding. This is the dawning age of harpy falconry as described in the lil story i wrote about Ice Storm of Kosa himself, though back then the old method was to make a contract with an adult harpy and cooperate that way. The infrastructure is still not very advanced; they're still struggling with plumbing and sewage systems, because crawlies come out of the ground and their poison can seep into aquifers. Anyway communication between towns is usually done by pigeon (or pigeon harpy). The ground is not a safe place to be, so houses are typically built on short stilts, or at the very least, residential rooms are upstairs. Water supply is often provided by elevated aqueducts; wells are a last resort, but often the only choice for impoverished villages. There is a culture of fear surrounding large gatherings and groups - sometimes it's unavoidable, and human/monster nature, but that anxiety is always there.

With this increased cooperation between humans and monsters, people are able to gather in larger groups. this enables more learning, more apprenticeships, more farmlands, and a more rapid development of technology. It also means a more centralised ruling system begins to form; it takes a lot of resources to supply a pack of wolfmen or a harpy flock to defend a town, so small towns must make petitions to their more prosperous neighbours, and this develops into a Government of the entire region. firearms develop in this time as a means to kill crawling beasts; they are not that successful, and it takes a while before people realise you can use firearms to kill other things, too.

A century later, developments are progressing well enough. Firearms are still rare but starting to spread. Harpy falconers have developed a new, effective technique for their art, it's called "kidnapping"; steal an egg, and raise the chick to imprint on its human parents. that way it won't want to leave. There is a sense of teetering on an edge; humanity leaning more into forcing monsters to help, instead of cooperating. But this is not the progression; the success of the Kosa flock helps convince many falconers that the kidnapping method isn't the best after all. technology is still uh bad, but this is an era where writing materials are finally becoming more mainstream, literacy rates are slowly rising. the printing press is the hot new thing. they have water towers now to provide the plumbing at a safe elevation. communication between villages is still very dove-based, since flight is the safest method of travel.

fire is the only thing that both kills and neutralises the poison of a crawling beast. by this time, progress has been made to develop "automatic fire machines". so all the R&D people put into guns in the real world was put into flamethrowers instead. it's easy enough to rig up a system that pumps out burning oil, but these devices are usually stationary, heavy, and fixed at the gates of the various more prosperous town walls.