#also really worried this has something to do with them being so vocal about Palestine

[harrowfuckinghark]

So I preordered Heavenly Tyrant (the sequel to Iron Widow) through Barnes and Noble a couple of months ago and I got an email last night saying that the publisher has postponed the release date to 12/24/24 from 4/30/24. I’ve been searching to try and find out why and I haven’t found anything. I work at Barnes and Noble and in our system the release date is still listed as April. I checked Xiran Jay Zhao’s Instagram and the publisher’s website and there’s no info about the change anywhere. Has anyone else had their preorder postponed? Do y’all have any idea what happened?

[sole-cuore-amore-e-droga]

Tel Aviv 2019: Straight outta Spain to Eurovision with whole lotta fun

Dare I say Operación Triunfo is a little bit of... a Choice?

I mean, you got yourself a format that a bunch of young-aged/teen/late-teen aged droolies follow for the drama more than the music, at least that’s what I suppose it is because it’s one of those singing reality shows where you’re oh so very welcome to follow the lives of all the 20-somethings that were unfortunate to sign the contract of the show, not being able to read all the fine-prints in the contract and later regretting not doing so because things like Eurovision. In Israel. But more on that later.

But this is Espain, and this is the sad state of television that is today - if they like your shitty talent show with 24/7 followship of the contestants, and if they watch that, and if they eat that with a spoonful, chances are you’re going to prolong its post-mortem revival state in order to maaaaaybe attract a new audience and acquire a new shippable couple people will vote “a Eurovisión”. Even if your last couple sucked. And even managed to break up unceremoniously sometime before the 2019 show’s Eurovision final <3 god bless them for finally breaking the chain and breaking the hearts of thousands who were ‘dying’ for the ship. It was never EVER meant to last.

So is it a no surprise that Operación went thriving for another year? Certaintly at least it’s no joy to bear with another amount of subpar desperates from every other corner of Spain, but only because Spain deserves a better NF format. I mean, with these other NF formats we can at least have a variety of artists with their own (or composed by others) songs, and it doesn’t matter an inch whether the public’s big fave gets rigged out to me - as long as it’s just a NF I can get easily over with, it’s all fine to me! And of course OT is also fine for me, it’s just that people are begging for it to get axed for some reason. Maybe because of all the ships?

I don’t want to put too much more thought of what happened in the reality show other than the Eurovision Gala, BUT I seemed to notice something rather crazy. You see, at first we had Natalia (or was it Alba Reche or Sabela even?) heavily speculated as the winner pre-show, but in the end the OT glory was all handed to some Dutch-born boy of Nigerian origin named... Famous. Not shitting you, it is his name. But what’s the saddest part about this? Famous CLEARLY wanted it all to himself just because of Eurovision being included in the contract. Yet his only victory in life is being the best among the rest of these stars that were watched over 24/7. Unfortunately, Mr. Oberogo couldn’t make this out to be in his favour in the Eurovision-special gala, to which the “triunfitos” can attend if they have songs chosen for them in the lineup, and yes he was admitted, but then he was given a SUCH DISAPPOINTING SONG EHMERGERD!!!!!!!! :’(

(lol calm yer ladyhormones, “No puedo mas” wasn’t THAT bad, it’s just that given Famous did songs like “Nobody but You” (yes THAT one) on the show, you’d expect something contemporary soulful, not just blatant radio filler that could have easily been an EYD reject?)

So how did it all happen that the girls were rooted for to win OT, but in the end the one that wanted Eurovision the most won? And how come the one that wanted the Eurovision the most was given a song that paled in comparison to that one song that was performed by someone who was blatantly against going to ESC because “nuuuuu Israel stop hurting Palestine” and that one being favoured to win? AND HOW COME ONE OF THE BIGGEST SHOW’S VILLAINS GOT HANDED ABSOLUTE SLAYAGE OF THE SONGS?? Honestly it’s for the best if Spain is just there to subdue everyone’s expectations, just like they did when choosing Manel (be it because of a corrupt juror or whatever). They did it every single turn of the time this year during OT’s run.

And of course I’ll forever love them for that, as the end result was AN ABSOLUTE FUCKING FIESTA BANGER. Courtesy of Miki (Núñez).

Ngl, the first thing I went in for about “La venda” before listening to it was through this first impression tweet on Miki’s ‘eliminated’ song from the selection, “El equilibrio”:

BITCH HOW WAS SHE NOT READY TO SEE THAT COMING AT HER.

Granted, the sudden start of happy sounds rushing right at me was a little startling, but I was able to cope with it and jam to the song in the end.

I completely adore this one, it’s so powerfully joyful with all its instruments and the Spanish language, the interesting turn of events in lyrics, the incredibly easy probability to sing along to this (LO QUE EEEEERE! LO QUE ERE ERE E!), the authenticity, the cultural roots (tbqh Eurovision countries should be welcome to embrace their culture rather than stray further away from it! also this is why more native languages other than English are encouraged)... mmm-mmm.

And like I said, for some reason Miki was seen as a grand villain to the show, and even if I didn’t follow OT all that much, I was constantly questioning why, and after seeing him eliminated I only wanted to know if people in Espain were rejoicing about it. The against-agenda turned up onto him again when he happened to have the most songs in the internet selection bunch handed to him (THREE!!! Two solo tracks and a duet.), but nothing there was to worry, as instead other favourites were discovered, therefore Miki ended up in the dust for a while. Up until something happened that got him a big surge of votes at the end. Go figure.

Despite all this, I think it’s the right direction for Spain songwise! Me gusta mucho, and not only personally, but also objectively, honestly. Miki’s got a right enough good song for the nation and provided the revamp doesn’t make it crash and burn (yes, the good friend of a Eurovision song - the revamp! It’s happening), it’s safe to say that Spain can stand a chance. Not win, for now, but stand a chance. Yes.

Before I repeat myself some more I’d probably have to add this part for no reason as it came from my Twitter review for “La venda” this time, as I heard songs 1 day before the NF as when I expected the NF to go on Saturday but it was on a Sunday:

BITCH HOW WAS I WRONG. Well mostly thanks to the fact the fanwank-ess of OT ESC Gala actively asked to direct her votes to Miki’s song (Monika Marija teas amirite), but still, WRONG!

Now that I finally composed my thoughts I guess, let’s all go and read the below verdict I’m putting this up for:

Approval factor: I’m giving this a big fat SÍ!

Follow-up factor: Of course I like it way better than “Tu canciYAWN”, there’s no doubt in it :) and after Almaia’s romance advertisement they’re doing a great job by coming back to their great Spanish roots of music, honestly. And it’s better that way than forcing a ship onto a Eurovision 2018 ship, so yeah

Big 5 factor: As of this time Spain lowkey fizzled out with everyone now that a big wave of other faves arised, BUT I don’t think that Spain’s drowning in misery this year, not at all! With right kind of energy of the staging and uplift Spain can totally woo them televoters this time around, making them “lo que ere” their worries away to the sunset. And this is a positive thing - as if juries decide to drown this sometimes and televoters don’t, it will still soar somewhere up high enough in top 15.

NATIONAL FINAL BONUS

Now, I don’t quite think this year’s OT was quite as memetic as I expected, but we still have had some pre-NF gems, just like this:

• “THEN POLKA”. That one moment was also brought up to her on her OT Eurovision Gala postcard.

• and this one contestant’s gloriously accidental butt-shot

Though we did have a handful of these kind of moments on the Gala itself (and surrounding it), such as:

• NF’s biggest favourite to win songwise not even trying. Yes, there are those NF winners which underperform but only because they don’t seem to know better, but did you know that there are THOSE like María Villar who decide against it? Basically, she was one of those opposing against the situation in Israel with Palestine, so out of protest towards all this, she voluntarily went against doing Eurovision in a nation like this by encouraging her fans to vote for Miki the night before and sacrificing any slightest grains of trying with her performance - by barely dancing on stage and not outselling anything vocally. And it worked to some extent, as she came SECOND only, and shortly after Miki won, she spoke out loud that she was satisfied to not have become the victor (I mean she just thanked everyone for not voting her to ESC lol). But you know what, for situations like these I really do love ESC NFs - where everything predictable is upturned by some sort of events like these. I mean, I like "Muérdeme", it’s catchy, Latino-appealing enough (for those whores thirsty for Luis Fonsi and similar fucks who sing in Spanish on English songs these days), has a cool breakdown and what not, but it would just probably bring back another disappointing result from Eurovision much to fans’ dismay, especially if the Tel Aviv (oh wait sorry... for Maria’s case this would have probably been Limassol or Vienna) edition was to bring many bops for this time around that are BIGGER and BETTER than this one. It’s just happening that it’s unfortunate to be Spain...

• Yet again, putting Famous up on here, but of course he was disappointed to not get that win. I know I’m not the right person to judge considering I’m WHOLE THREE DAYS YOUNGER than him, but I’d still tell him he only had RTVE to blame for giving him THAT in the end and putting him through online voting rounds... and speaking of:

• Like I mentioned before several times, there was an online voting round for to pick-pocket the songs that sounded the best out of the demo-ic snippets of a minute or less. Its top 3 was of course dominated by ladies and their own bangers/just likeable enough songs, with poor Famous being 4th in it (and the top 3 is a must on there to be automatically admitted to the show without any higher-ups shuffling the other competitors ‘round later on and toying with their fates). I liked the complete final cut of the Gala for the most part, but boy did they miss out some, like this male laidback-acoustic pop bop “Sale”, courtesy of Damion Frost. I can at least forgive the loss of “El equilibrio”, but this? Nah siree. And yeah I know this whole shtick is a tire, but I like some of it, and I saw a worse track from the same shtick collection qualifying through higher-ups and that’s NOT boding well with me.

(yes of course Manel happened but still)

• Miki joining the glorious wall of epic NF victory reactions with his O face of total cartooney awkwardness <3

• and Eleni Foureira being able to rock a trashbag as a dress during her guest performance of both “Fuego” and her ‘new’ ‘smash’ hit in partially more Spanish than “Fuego” was - “Tómame”. Granted the juxtapose transition was a little too jarring, but hey - 2 songs for a price of 1. Go get them Spanish audience people acknowledging your pop art Elli <3 (also her chitchat with the ESC Gala host about what do you need to do good in Eurovision <3)

At this point I’m too not fucked to remember more of them but I’m really sure I missed a lot of the OT lulziness that happened before the Gala, during and after it (such as Natalia (who also sang one song in the NF with Miki himself) not wanting ESC but still trying better than Maria). I don’t want to be reminded of them, as my review’s as long as it is. But I’m sure someone else remembers, so I’ll let them judge.