#protect the creators

[joehoganfoto]

Tom Ripley.... without a doubt

Platja de Sitges

Nikon FM2n, Voigtlander Nokton 58mm, f1.4, Ilford Delta 400 (at 200) Stand developed one hour Adonal

[iwanderthroughthesenights]

Something that stood out to me a lot from this album is the intentional de-personalization of extremely personal feelings and stories. She seems to have decided for this project that in order to be free to be completely honest in her art (which tbf she always has been but never as much as this album), she needs to visualize herself, and thus her stories, as a third party, an external entity on which she's conducting a post-mortem examination. Her 2016 self and the hate train she suffered after Snakegate is reimagined as Cassandra, a character from Greek mythology who had visions in her dreams but no one believed her and instead she was punished. Her anxiety of holding her lover's career back is instead described as The Albatross, this girl who everyone has been warned to stay away from bc she causes problems and is a liability. Her sweet, innocent childhood self is depicted as a robin, a feisty little bird full of life, dreams, and potential who has yet no clue of the cruelty of the world.

Consequently, the characters in her life are, too, bestowed upon fictional characters from stories that have been told before and/or are familiar in some way to the listener (aIMee the girl from this allegorical high school which is actually Kim Kardashian, Peter the boy who never grew up and stayed forever in Neverland who actually is her long-term ex partner, both her and her lover's separate romantic involvements imagined as Chloe or Sam or Sophia or Marcus, her real life therapist referred to as The Professor etc). By using the representation of well-known characters from widely popular stories and myths with names and all, she creates an even deeper line of emotional connection with the listener. Then, the 4th wall is delightfully broken in Clara Bow, where she refers to Clara Bow and Stevie Nicks as the inherent precedents to Taylor Swift. But what's even more brilliant about this is that in this way, she is making Taylor Swift into a character in and of itself. She is actually attempting to externalize Taylor Swift from Taylor the real-life woman. By narrating her stories through tangible entities presented as completely external to herself, she is inhibited by the safety of this fictional/allegorical lense through which she's allowing her stories to be consumed, and as a result, she has unlimited freedom to be more personal than she has ever been in her art before.

[watmalik]

You know something? After watching quiet on set I don’t mind freaking 20 something year olds playing teen roles on screen bc holy shit.

TW:SA (not really mentioned on this rant but it’s surrounding the topic)

Grown ass people taking advantage of m*nors is so disgusting, I feel disgusted for even liking these shows growing up, specially now that I know the truth. This is insane.

And some of the PARENTS. Gosh, YOURE NOT SUPPOSE TO BE FRIENDS WITH YOUR CHILDREN. BE A PARENT. You’re their guide/mentor, you’re suppose to protect them from the bad and evil, even if you think they might resent or hate you for it, or hell! Even if this kills their career. BUT they will understand when they grow older. They’ll be thankful. And when they’re older y’all can be as best friends as you want, but when they’re young and naive (sorry for the lack of better word) you have to be the adult in that situation and protect them. It’s not a popularity contest, it’s a take better care of your kids type of contest.

[mewsmagic]

Here's a lil comic strip about how you can protect your art before sharing it to the public!!!

Against AI and against art theft too!

Click on 'read more' to see the extra tip I mentioned at the end!

Geez been working on this since the Meta AI things blew up but I only finished just now!!

Here's the extra tip I mentioned at the end:

you can use http://haveibeentrained.com to search for your images and find out if your work has been used for AI.

In there, you can choose to opt out, but AI companies are not obligated to respect it so it isn't too much of a protection unfortunately 😭

Also be aware that they are associated with AI and they did try to badmouth glaze so artists wouldn't protect themselves; which's very bad for a company that allegedly are on the side of the artists.

Also!!! There's a new type of AI that I was just made aware of last week, Copainter.

It completes unfinished work, which can be used for 'stealing and claiming it theirs', so put a cat picture in the next wips you post as well!

Funny protective measure I know LOLLLL but here's the tests for yall cynical people:

Perhaps I'll complete this comic with this info one day, but just these 10 slides took a looot of work so probably not happening anytime soon 😭

Thank you for reading everything though, I really appreciate it and hope this will help 🫶 be careful out there, privacy issues have been crazy recently!!!

[spoiledbratblog]

IG: _ashleyshanea

[monchy-cronchy]

Exist unapologetically‼️♿️🏳️‍⚧️

It’s a hard time for a lot of communities right now, in the US because of the election. It’s not yet over, but it’s not looking very good. Remember to be yourself, but safely! They don’t want us to exist. They don’t LIKE us existing, so EXIST. Do not disappear. Do not lay silent. Do not fall, we have each other.

Be safe, be proud, be you. 💙

and if for some god awful reason you follow any of my socials and voted red, get the hell out

[skayafair]

Ghost Clothes

There were many enough posts on how deliberately and meticulously the costume designers approached the wardrobe choices for the characters.

What I want to talk about is a different thing - how clothes matter inside the show. Namely, the ghost clothes.

It's less prominent with Charles, so I'll mostly talk about Edwin.

Let's start with the fact that none of their clothing exists in a living world. It's not physical, otherwise people would have seen a pair of costumes flying around like with that jar. So I believe their clothes is being deliberately manifested.

Like I said, it's simpler with Charles: his clothing doesn't change much in general and remains mostly as what he was wearing when he died (he took off some because it was cold and soaked through but it still imprinted on his memory and mind). It's mostly just the colour of his polo that changes to reflect his emotional state.

But that's how I came to this whole train of thought because with Edwin it's much more interesting.

Because he doesn't wear what he died in. I'm not even sure it's his school uniform. Sure it has indications of "this is a young man and a student" but all in all doesn't look like a uniform to me. So Edwin chooses it very, very deliberately.

I wonder if he stumbled out of Hell wearing just the same night pajamas he had on when he was sacrificed - maybe just cleaner because it wasn't dirty or bloody back then and that's how he should have remembered it. Or maybe it remained dirty and bloody because Edwin didn't remember much of his life before Hell at that point, all the horrors being too fresh in his mind.

This look is defenseless. It's meant to be worn while asleep - the most vulnerable time. Edwin wore it when he was the most helpless and powerless - while being dragged from the bed and sacrificed. It's also a reminder of his time of torture in hell. It's also plain white - colour of purity - as a sacrifice - but also death. And, moreover, it's PLAIN. It has no distinguishing features. There's no Edwin in it, Edwin is being erased with all the torture. Lastly, this is something - just another thing - Edwin had no control over in Hell, it stayed there by default.

So I BET the first thing he did after pulling his thoughts together in living world was to change that fucking nightwear into something that was him. As an act of regaining himself and control over what was going on with his existence.

After he found out he could do that and how, of course. I wonder if he met other ghosts or just ended up back in school and stayed there for a while.

So no wonder Edwin is so thorough with what he wears. This is him - his armor, yes, but also undeniably and glaringly HIM. His existence, his way of it, his freedom and will, his choice.

Of course it reflects his attitude and relationship with others. With Charles Edwin has no issue with shrugging off both the jacket and the vest, leaving only the shirt - and even it has its sleeves rolled up and collar unbuttoned when he's ears deep in some research or problem-solving mode. Edwin is this comfortable with Charles, we all know that.

With Crystal it's always a full buttoned-up mode or I didn't make a mental note if it was otherwise some time. Hit me up if it was!

With Niko it's mostly a jacket off - which is a considerable step towards trust and comfort.

Anyway, these are little details.

And now imagine ending up back in Hell, but also back in that nightwear. Stripped off everything he was trying so hard to keep. A similar thing happens when he's taken by Esther. No freedom, no choice, no will of his own, no Edwin. Just a soul, a toy, an energy source.

The costume Edwin picked for himself as more or less default one comes back immediately once he and Charles stumble back into the living world. Notice this - he was wearing a different attire when he was dragged to hell.

Edwin regains everything - himself, his freedom, his connections.

Also I'm not sure how to interpret the gesture, but once the Night Nurse's boss proclaims that DBDA can exist as is further and they are let off the hook (although not off the leash), Edwin pats his jacket from top to bottom. I thought it might have been connected to his notebook and episode 4, but it also may be just that - "I'm still here, in one piece, and still me". His clothes is a proof of his freedom of will.

Lastly, there was another case apart from the main two when this is reflected. The girl who took her life because of two jocks - her ghost was wearing a sport suit. At first I couldn't understand why, it was clearly not what she died in (or, well, unlikely). But sport has been the most important thing in her life - her goal, her pride. No wonder that's what she chose to appear in.

UPD. Oh I've just remembered about the Cat King, another example of a character who goes through a variety of costumes. If my pov on Edwin's approach to clothing is correct, his words to the CK in the 8th episode make so much more sense. They really are alike - not just in loneliness.

[booplesnotts-art]

Hecate doodling again 🖤

I don’t give her enough love

[demento-mori]

I'm absolutely obsessed with this part from the manual for Haunting Ground,,, like? why is this so adorable to me???

"I want you to connect with Fiona, and protect her, and rescue her." girl,,,,,,,,

They're really out here like

[phoenixcatch7]

In love with the idea of captain marvel being Billy's imaginary friend. Like, it'd be so easy. Early depictions had them as almost fully separate people sometimes, like one soul with two minds, rather than just two filters like we mostly see now.

But imagine a Billy down on his luck, hurt and hiding from police and criminals alike, daydreaming the hours away as children do, taking inspiration from all the superheroes rising to fame, making little stories to play out his dreams of saving the world with a generic action doll he found while dumpster diving once. Most of the paint's rubbed off.

Red's his favourite colour, his comfiest jumper is a bright ruby even after all the grime and washes. Gold, too, it's shiny and warmer than silver! A hero cape is a must, big and eye catching! And he can fly, of course, like superman, and in his daydreams, when he's sore and frustrated after a long day's grind, his superhero is smart enough and knows all the right words to get the bullies to stop without resorting to fighting.

His superhero fantasy is one he spends a lot of time on, the first one he goes for when struggling to sleep at night, and he can picture it so clearly. Captain marvel is big and bright and kind, strong enough to lift the boxes for the old lady up the road who's moving all by himself, fast enough to catch Jamie who fell out of the tree on Saturday and broke his leg and couldn't come to class for weeks. He appears at the entrance to alleys when Billy is cornered, he steps up behind to cover for him when he gets caught shoplifting, he sits at the bus stop with him when it's pouring rain and the right bus doesn't seem to be coming.

And then the wizard comes, or rather whisks him away, and like a magician from a fairytale breathes life into his imaginary friend until Billy feels thrice his size and a million times more invincible.

From then on, captain marvel is a real hero, just like Billy is a real boy, and as one they save the whole city, and then the whole world, and get cats down from trees and help Mrs Victoria move the last of her boxes and she gives them a pinch in the cheek and cookies for the road and sometimes it hurts but it's so much better than he imagined.

[joehoganfoto]

House, La Bisbal d'Empordà. Stand develop experiment with Rodinal and Kentmere 400. Praktica MLT3, Mir 1B. Negative Lab Pro.

[soraya-snape]

There was this HP creator on TikTok that I was starting to really like. But then she said that “Snape is not a good guy (OK kinda agree but the way she said it sounded more like “he is a bad or even really bad guy” which is obviously not true) and that he only tried to save Harry which was the least he could do” and this is the part where I was like?!?!?!

He might have started off only trying to save Harry (actually Lily at first) but then he actually tries to save the whole wizarding world. Like remember that time he told Dumbledore “Lately only those I couldn't save.” or when he tried to save Lupin at the beginning of DHp1 or told Phineas Niggelus Black to not call Hermione a mud blood. And let's not forget how he spied for Dumbledore during the first and second war, which is definitely more than the least he could do. I could go on but I think people with enough braincells get that he was not just trying to save that one boy but actively going against Voldemort's values and also kinda his own (or at least the once he was taught as a kid/teen). And like the example with Lupin shows also protecting those who, from his perspective might not deserve his help (considering Remus was a bystander at his bullying who actually had the power and the duty to stop it and also while mostly being civil towards Snape in later years still made his life extremely hard [I still love Remus but let's not ignore his flaws]).

Yes maybe he was a cruel teacher even bully to some of his students (we actually canonically only know of the trio and Neville) but at the same time also beloved and admired by some (mainly Slytherin but considering how badly they were treated by almost everyone else I actually think it's good of Snape to favour them especially considering what he went through during school simply because he was Slytherin. If you have a problem with that, perhaps you should complain first about everyone mistreating the Slytherins before complaining about someone treating them nicely, even if it is unfair). 

But besides that his position in the second war (and also the end of the first one) on the good side is clear and not only to save Harry but also everyone he simply could save. And if you don't see it, maybe you should get your eyes checked, or I don't know...

[thebekashow]

human Sebastian because yes.

(yes I hc him as trans.)

[akirathedramaqueen]

You know what I love about this show so much?

The kindness. The understanding. The redemption.

And that's in the setting of fucking Hell. The irony.

The characters are deeply flawed. They make a lot of mistakes. They fuck up even trying to fix things.

But they are trying. They have a lot of virtues, too, even though they don't see them themselves. They slowly but surely process their problems. They work around their trauma and the conditions they were raised in, deeply affected by it, hurting but still powering through, learning, and developing.

Although we are far from the end of these characters' journey, the SpindleHorse team does an amazing job of making these characters sympathetic, believable, and real. They give you the information and the opportunity to understand how complicated things are, how both sides of the conflict can be understood and blamed at the same time.

And the main thing? The forgiveness and redemption. You want these characters to do better, to be better, of course. But you also want them to be loved, despite the fact that what they did was obviously wrong.

You, as the viewer, already forgive them, and you just want them to forgive themselves. To allow themselves to be loved.

When I watched the show and saw them making the same mistakes I did, some horrible things I wouldn’t forgive myself for and struggled with for years, I suddenly understood the struggle. I empathized with them. I wanted to give them a hug. I wanted to comfort them and promise that things would get better and encourage them to give it one more try, one more talk. I wanted to scold them for self-loathing because I know all too well the kinds of dark places it can lead you to sometimes.

And then the thought comes to mind, "Can I afford a bit of this empathy for myself too? Just allow myself to live with the fuckup and allow myself to be human?"

It didn't fix me. But it eased my turmoil and taught me to understand it better. It taught me some empathy, too, and I thought I was the one with the emotional ingelligence of a nightstand. Well, I still kinda am, but at least I learned to listen to people sometimes.

I just want to thank the whole team who worked on Helluva Boss for all the self-reflections I experienced with their creation.

Thank you.

[wandoffire]

Clarity

Spell Jar for more mental clarity about your life.

Rose (healing, intuition)

Chamomile (purification)

Thyme (intuition, courage)

Sandalwood essential oil (protection, cleanse)

Amethyst (healing, intuition)

Lapis lazuli (truth, awareness)

Salt (cleanse, absorb negative energy)

Blue wax seal

Intention

It’s okay if you need to substitute or exclude anything. Do what feels right and works for you. Love xx

[serpentface]

Do psychotropic drugs and/or ritual play a role in any of the blightseed cultures? A pretty broad question, lol

Yeah that’s a very broad question, the answer is about as much as it tends to play roles in real history. Alcohol is pretty ubiquitous (outside of cultures that abstain from intoxicants) and used for a variety of purposes, opioids are commonly used in some parts for pain relief or recreational purposes, stimulants (usually in mild, natural forms) are used to provide extra energy, and hallucinogens are most commonly used as part of a larger religious framework (rather than for recreational purposes). Any more elaborate answer kinda has to be case by case in a certain culture or part of the setting.

I'll just take this as an opportunity to talk about the one established sect that pretty much REVOLVES around psychoactive use. This is the Scholarly Order of the Root, which is a sort of mystery religion + elite community of scholars who currently occupy the Ur-Tree and its forest in the far southern Lowlands (southeast of Imperial Wardin, on the same land mass).

The Ur-Tree is the obligatory Huge Fucking Fantasy Tree (and its surrounding forest). It’s a mass of vegetation about a mile tall and almost as old as Plant Life Itself, its upper branches are primeval plants, which become more modern the nearer they get to the ground (and each 'level' holds tiny ecosystems, some containing descendants of LONG-extinct arthropods/other small animals). Its lowest branches and the surrounding forest are contemporary plant life, and all is connected and protected by an incomparably MASSIVE fungal mycelium network (which is itself a living god).

A lot of the Scholars' more secretive practices revolve around experimentation with substance use with the goal of expanding the Mind and transcending the body to fully connect to the Dreamlands, and they have a supply chain of traders and mercenaries called Rootrunners who traffic substances into the Lowlands. Most of their psychoactive use is in a very intentional capacity and not just like, for fun, but a LOT of them are just straight up addicted to cocaine (in the form of alchemically refined bruljenum, which is used for practical purposes of its stimulant effect during long hours of work).

All known psychoactives are desirable for experimentation (particularly hallucinogens), with each having properties that either allow expansion of the Mind, transcendence of the body, or outright divine communion. Their effects are logged in great detail and interpreted to form the basis of the Scholars' understanding of the natural world and reality itself.

The most important substance is Ur-Root, which is root matter from subterranean levels of the Ur-Tree that have both their own intrinsic psychoactive substances and a very, very high concentration of living god mycelium. The tree root contains DMT and the mycelium has its own wholly unique effects (being an actual living god). They alchemically refine it into a purer, more potent form, and use it to expand beyond the body and directly commune with the Giants, a group of entities they have identified as the only true gods.

An Ur-Root trip starts off with minor visual distortion, which turns into shifting fractals that slowly obscure the vision. Eventually the senses are entirely taken over by a 'tunnel' of rapidly shifting fractals and geometries. In a complete trip, the experiencer gets a sense that they have been pushed through a membrane and entered another realm, finding themselves in a distinct experiential Space.

At this point they may encounter entities which communicate to them in a language impossible to describe but wholly understood. These beings are understood to be the Giants, or at least aspects of the Giants that mortals are capable of comprehending (they often take familiar tutelary forms of the Mantis or the Snake, or appear resembling the same type of sophont that the experiencer is, all composed of ever-shifting geometries). The experiencer often feels a sense of unconditional and endless love from these beings, though the Giants may be more hostile and may appear in the form of the Trickster (usually a cultural figure regarded as malicious, be it an animal or otherwise) in a bad trip.

(^Up until this point, this has mostly just been a DMT 'breakthrough' experience ft. 'machine elves' and the like).

They are then removed from this space and returned to something that feels like the real world, but is nearly unrecognizable. They have a sense of rapidly moving through time, and will usually see 'the spires' towards the beginning, which just so happen to look like this:

(source + some context via Implication- the spires are exactly what this art is depicting)

The experiencer continues to move across an unfathomable amount of time, occasionally 'seeing' other such flashes of unfamiliar landscapes and creatures, and yet also being devoid of all their senses, the 'seeing' is pure, unfiltered experience. There is a sense of interconnectedness with all life, and that one has become the forest (or even Life) itself. The sense of time is wildly distorted, the trip lasts only about 5 minutes but feels like an eternity and is understood as literal hundreds of millions of years.

The experiencer has usually lost any remaining sense of Self and individual consciousness during this phase (in which case this time distortion is usually a neutral or even peaceful experience), but some retain a fraction of their identity, and find themselves trapped and conscious while experiencing what feels like eternity (which can be LIFE-CHANGINGLY distressing, even after the fact).

(^This latter part of the trip is the effects of the Ur-Tree fungus).

The trip ends with a sense of rushing through the ground and back up into one's body, at which point they will abruptly return to their senses and consciousness. The details are then immediately retrieved via interview and recorded in immense detail. The whole experience is understood as having been full comprehension of the Dreamlands, communion with the Giants, and then a tour through the act of creation.

This is done as part of the initiatory practice into the inner mystery-religion of the scholars, and as needed for study by high scholar-priests. It is not taken lightly, both as it is absolute communion with the gods and reality, and in that it can be a very, very difficult experience. People who have gone through this often walk away with a permanently shifted perspective, often in a positive and/or comforting way- a sense of interconnectedness with all life, a peace with the concept of death, seeing less of a point in individual ego and the concept of Self, and comfort in the sense of divine love they (may have) experienced. This heavily influences the philosophy of the Scholars and has had effects by proxy in the religious worldviews of the region.

Details of this experience are closely guarded, and initiates are given absolutely no prior knowledge and expectations for their trip. This is seen as a necessity- their naivety will allow for a true, unfiltered experience, and can be used to gauge whether they should or should not be accepted. Those that have a distinctly bad trip upon initiation may be assumed to have been 'rejected' by the giants and thus denied full priesthood, though this largely depends on How they interpret their distressing trip- those who identify this as a test and harsh lesson in a journey to enlightenment may be accepted (as this is how fully initiated scholar-priests interpret and handle their bad trips).

This inner priesthood is only a small fraction of the Scholarly Order, and its greater function is as a hub of education and repository of knowledge, and Scholar-trained doctors can provide some of the best medical care available in the setting ('best medical care in this setting' only means so much but it's pretty solid, relatively speaking). Only a chosen few Scholars ever get to commune with the Ur-Root, and most of the divine secrets revealed in the process are kept hidden (though they indirectly influence the politics and worldview of the entire order).