#processing ideas

[notknickers]

Your whole being could be replaced bit by bit by machine, and you still could not escape the messiness of the flesh from which you were born.

[chodzacaparodia]

It's frustrating that you can come up with the plot of an entire fic in just a few seconds, but writing it all down can take anywhere from never to forever.

[chloesimaginationthings]

Death looms over Vanny's shoulder in FNAF..

[ruushes]

companions re-classed pt 2 - wyll 🗡️💘🐉

with thanks to @thedragonagelesbian and everyone who suggested drakewarden, i think the change made it a much better piece! 💛

karlach

[uwudonoodle]

[void-dude]

Oh yeah his brain finally kick started processing his emotions! Against his will!!!

Bill at therapy part 1 | Part 2 | Part 3 | Part 4

[frownyalfred]

“Scream if you have to,” is such a terrifying phrase to hear from Bruce. But I think the Batkids actually need to hear it — whether they’re getting a bad break reset, or having a wound cauterized, or something else extremely painful — it can be a relief to know you’re allowed to yell and make noise. Relieving to know that Bruce says it’s okay to scream.

[my-autism-adhd-blog]

Why self-diagnosed autistics are valid

medical diagnosis can be expensive

humans are the experts on their own minds

family may prevent assessment

diagnosis criteria is a poor checklist of stereotypes

diagnosis criteria ignores gender, race, sexuality, culture & more

medical diagnosis confirms autism, but doesn't create it

discrimination within the medical profession may prevent diagnosis.

Assessment waiting lists often long

medical trauma may make assessment unfeasible

Neurodiverse Journeys

[starlightshore]

you keep telling yourself that, buddy.

[chronalshifts]

caitvi in act 2: reunion, cute banter, extremely good double-cross subplot, will probably get back together

jayvik in act 2:

[ex-jock-enthusiast]

The incomparable @basquebeef has fattened up fast, and in the company of thegrowingrussian, he shows no signs of slowing down anytime soon!

[writers-potion]

Writing Female Fighters

The Heroine Must. Fight.

Today's female protagonists cannot sit on the side crying and breaking down or whimpering as the battle ensues.

Readers want to see autonomous female fighters who can at least defense themselves with courage and adequate skill.

Not all women are the same, but the heroine should get her butt moving.

Less Muscle, but More Flexibilty

The average woman is shorter than the average man, which makes it more difficult to wield a long sword or slam something down on the opponent's head.

A woman who works out can plausibly be stronger than a male couch potato, but if her male counterpart works out as much as her, the man is going to be much stronger.

On the other hand, the center of gravity in a woman's body is lower than a man's which makes it harder to knock her off her feet.

She is also more flexible, which gives her advantage in grappling fights, making use of complex landscapes, or deflecting blows.

A woman's small size can also be an advantage if her opponent has only ever trained with male opponents. His big hands might not get a good grip on her slender limbs.

In historical fiction, giving your heroine good muscule build can be tricky as exercise was generally considered harmful for women, with some exceptions for horseriding any maybe archery at best.

In such cases, make your heroine an accomplished dancer or an eager horsewoman, or the only girl whose father considered to be son replacement and thus, gave her a boy's education.

Women of lower classes who couldn't afford to be fashionably weak will be plausibly stronger, perhaps even more than an idle gentleman.

More Room for Negotiation, but Prolonged Ruthlessness

In the Suspense part of your fight scene, females are more likely to negotiate and talk more, strategically trying to descalate the situation rather than attacking on a momentary impulse.

Generally, women are less aggressive than men and remain level-headed longer than her male counterparts, opting for non-violent methods first before using force.

Exceptions apply if she is trying to protect her children (or someone who she cares for as a child). Mothers can be tigresses.

A female pre-fight conversation may be: "If you had not done so-and-so and betrayed me with so-and-so, we could have been good friends as I thought we would be." "What do you mean? It was in fact you who brought bad blood between us. I can still hear you laughing with so-and-so, taunting me, purposefully making me look bad -" "But that was so long ago! If you want me to say sorry about something so insignificant, you should have just said so: I'm sorry. There. Satisfied?" "Ha! I can't believe you say that so easily. You still don't get it, do you?" "Who's being petty and unreasonable now?"

A male pre-fight conversation will be shorter: "Who's the coward now?" "You're wrong." "Prove it." "Bastard."

Compared to men, it will take more time for a woman's fight hormones (adrenaline, neurotransmitters and such) to kick in.

She would be slower to engage initially, throwing reluctant punches and thinking, but she'll grow more and more violent and lose all rational thought and compassion, and once she's in full flow, may not stop even when her opponent begs for mercy.

When writing a male-female duo, you can show him going for the first blow while she observes and strategizes first. When he's past his peak and panting, she is flying about left and right. Later when the tension wears off and she becomes wobbly and teary, she can rely on him to have recovered faster and distract other teammates so that they won't see her cry.

Plausible Skills and Backstory

In many cultures and time periods, the general attitude of society towards girls is that they have no place in fist fights or martial arts, unlike how it is encouraged for boys of the same age. So if your heroine has physical prowess that surpasses typical 'fitness' or is hidden, build a backstory of how she's obtained it.

For modern heroines, it can be as simple as signing her up for martial arts classes or yearly membership at the local gym. For historical fiction or girls with strict 'feminine' upbringing, it can be trickier.

It can be related to profession: maybe she was an erotic wrestler, catfighter, or an assasin who thought killing was more honorable than prostitution. They may have dabbles with it for a short time and is now trying to hide their past from their respectable employer or fiance.

It can be family backstory: Perhaps her mother was an accomplished martial artist or she had to fend for younger siblings on the streets from an early age. Maybe she was the only girl in a family of many boys who refused to be the punching bag.

Inexperienced Female Fighters

A woman with no fighting experience or training is likely to resort to one of these on instinct:

Try to talk herself out of the situation, attempting to persuade or negotiate for her life.

Grab something to use as a weapon. This instinct seems to be stronger for women than it is in men.

Use her hands to try and break free, or kick (often wth little success)

Pull hair

Scratch.

In a serious fight, pulling hair and scratching won't be helpful, except when the police come to find her body, they would find the opponent's DNA under her fingernails.

Plausible Weapons and Clothing

All of the above applies to scenes where both parties have no weapons, or has the bare minimum (like one dagger each).

Weapons are equalizers, and if your heroine is pointing a gun at her opponent she will definitely NOT hesitate to be the one to shoot first.

When giving your female character a weapon, choose one she can plausibly use. It would take an unusually brawny woman to wield a great medieval longsword.

For historical fiction, give your heroine something she'll plausibly own. Swords and firearm were a no-go for women, but archery was borderline acceptable.

For clothing starters, you definitely CAN NOT dress her in a tight miniskirt and chainmail bra with long, flowy hair and multiple silver chockers. Unless she's trying to seduce her way into her opponent's bedroom, and he has a chainmail bra fetish.

A practical heroine will have her thighs covered, preferably with leather but at least with fabric, since a lot of blood flows through the thighs and a slash would be critical.

She'll keep her hair tied, tucked under a helmet, braided back, etc. so that it won't impede her vision.

She'll support her breasts with a strong sport bra. In a historical eprioid, she'll either tie her breasts tight with a fabric bandage or support them with some kind of leather corset.

Invent a female version of male fighter clothing of the time you are writing about if it doesn't exist.

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[chloesimaginationthings]

Vanny finally meets FNAF tape girl in person...

[spicybeefu]

What if Pokemon & Animal crossing had a crossover game?! #3 Made in Blender, design originally by @reddachi found here!

[mikakuna]

i see this jason todd who actually looks his very young age (instead of the 30yr old man that comics like to portray)

and feel my heart breaking just imagining bruce beating him up, almost killing him, mind-breaking him, and just overall being a total piece of shit father towards him.

a huge chunk of the reason why people don't view bruce's actions towards jason as abusive or wrong is because jason doesn't look his age. he's drawn to be this 35yr old father of three who looks even older than dick (and way too on par with bruce) that people see their fights as one between batman and any of his regular rogues. when they fight, it just looks like batman is fighting a man his age and not an actual young person. it doesn't look like batman is fighting his son who's barely even drinking age (and who def wasn't drinking age in utrh). their fights are portrayed in a way that eliminates the very real power struggle between them.

this applies to jason's entire character as well. a lot of people don't sympathize with how he died or his actions as robin or his fights with the other bats because he doesn't look his age. he always looks older and scarier than everyone else. tim has many sympathizers from the titans tower incident because jason just looked like a grown man fighting a 12yr old (even tho i disagree, tim was built and like 17 lmfao).

anyways, i just wish comics would actually draw jason to look his age, which literally ranges from 19 to early twenties. he's young- so young, and it's so annoying to see him drawn and written as someone older than even bruce.

[tanatola]

pathologic 3 announcement made me return to the classic game and finally play it properly! i think my favorite part of the bachelor's route is when he talks to maria kaina (or whoever's in her body at the time) and they explain that their planned Utopia isn’t even supposed to be a 'perfect' place but instead 'the mystical manifestation of a world inscrutable and inaccessible to men' going back to the original meaning of the word irl and instead of despairing Daniil fervently agrees that this kind of unimaginable leap is worth it, no matter where it actually leads