#female warrior

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Writing Female Fighters

The Heroine Must. Fight.

Today's female protagonists cannot sit on the side crying and breaking down or whimpering as the battle ensues.

Readers want to see autonomous female fighters who can at least defense themselves with courage and adequate skill.

Not all women are the same, but the heroine should get her butt moving.

Less Muscle, but More Flexibilty

The average woman is shorter than the average man, which makes it more difficult to wield a long sword or slam something down on the opponent's head.

A woman who works out can plausibly be stronger than a male couch potato, but if her male counterpart works out as much as her, the man is going to be much stronger.

On the other hand, the center of gravity in a woman's body is lower than a man's which makes it harder to knock her off her feet.

She is also more flexible, which gives her advantage in grappling fights, making use of complex landscapes, or deflecting blows.

A woman's small size can also be an advantage if her opponent has only ever trained with male opponents. His big hands might not get a good grip on her slender limbs.

In historical fiction, giving your heroine good muscule build can be tricky as exercise was generally considered harmful for women, with some exceptions for horseriding any maybe archery at best.

In such cases, make your heroine an accomplished dancer or an eager horsewoman, or the only girl whose father considered to be son replacement and thus, gave her a boy's education.

Women of lower classes who couldn't afford to be fashionably weak will be plausibly stronger, perhaps even more than an idle gentleman.

More Room for Negotiation, but Prolonged Ruthlessness

In the Suspense part of your fight scene, females are more likely to negotiate and talk more, strategically trying to descalate the situation rather than attacking on a momentary impulse.

Generally, women are less aggressive than men and remain level-headed longer than her male counterparts, opting for non-violent methods first before using force.

Exceptions apply if she is trying to protect her children (or someone who she cares for as a child). Mothers can be tigresses.

A female pre-fight conversation may be: "If you had not done so-and-so and betrayed me with so-and-so, we could have been good friends as I thought we would be." "What do you mean? It was in fact you who brought bad blood between us. I can still hear you laughing with so-and-so, taunting me, purposefully making me look bad -" "But that was so long ago! If you want me to say sorry about something so insignificant, you should have just said so: I'm sorry. There. Satisfied?" "Ha! I can't believe you say that so easily. You still don't get it, do you?" "Who's being petty and unreasonable now?"

A male pre-fight conversation will be shorter: "Who's the coward now?" "You're wrong." "Prove it." "Bastard."

Compared to men, it will take more time for a woman's fight hormones (adrenaline, neurotransmitters and such) to kick in.

She would be slower to engage initially, throwing reluctant punches and thinking, but she'll grow more and more violent and lose all rational thought and compassion, and once she's in full flow, may not stop even when her opponent begs for mercy.

When writing a male-female duo, you can show him going for the first blow while she observes and strategizes first. When he's past his peak and panting, she is flying about left and right. Later when the tension wears off and she becomes wobbly and teary, she can rely on him to have recovered faster and distract other teammates so that they won't see her cry.

Plausible Skills and Backstory

In many cultures and time periods, the general attitude of society towards girls is that they have no place in fist fights or martial arts, unlike how it is encouraged for boys of the same age. So if your heroine has physical prowess that surpasses typical 'fitness' or is hidden, build a backstory of how she's obtained it.

For modern heroines, it can be as simple as signing her up for martial arts classes or yearly membership at the local gym. For historical fiction or girls with strict 'feminine' upbringing, it can be trickier.

It can be related to profession: maybe she was an erotic wrestler, catfighter, or an assasin who thought killing was more honorable than prostitution. They may have dabbles with it for a short time and is now trying to hide their past from their respectable employer or fiance.

It can be family backstory: Perhaps her mother was an accomplished martial artist or she had to fend for younger siblings on the streets from an early age. Maybe she was the only girl in a family of many boys who refused to be the punching bag.

Inexperienced Female Fighters

A woman with no fighting experience or training is likely to resort to one of these on instinct:

Try to talk herself out of the situation, attempting to persuade or negotiate for her life.

Grab something to use as a weapon. This instinct seems to be stronger for women than it is in men.

Use her hands to try and break free, or kick (often wth little success)

Pull hair

Scratch.

In a serious fight, pulling hair and scratching won't be helpful, except when the police come to find her body, they would find the opponent's DNA under her fingernails.

Plausible Weapons and Clothing

All of the above applies to scenes where both parties have no weapons, or has the bare minimum (like one dagger each).

Weapons are equalizers, and if your heroine is pointing a gun at her opponent she will definitely NOT hesitate to be the one to shoot first.

When giving your female character a weapon, choose one she can plausibly use. It would take an unusually brawny woman to wield a great medieval longsword.

For historical fiction, give your heroine something she'll plausibly own. Swords and firearm were a no-go for women, but archery was borderline acceptable.

For clothing starters, you definitely CAN NOT dress her in a tight miniskirt and chainmail bra with long, flowy hair and multiple silver chockers. Unless she's trying to seduce her way into her opponent's bedroom, and he has a chainmail bra fetish.

A practical heroine will have her thighs covered, preferably with leather but at least with fabric, since a lot of blood flows through the thighs and a slash would be critical.

She'll keep her hair tied, tucked under a helmet, braided back, etc. so that it won't impede her vision.

She'll support her breasts with a strong sport bra. In a historical eprioid, she'll either tie her breasts tight with a fabric bandage or support them with some kind of leather corset.

Invent a female version of male fighter clothing of the time you are writing about if it doesn't exist.

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The Martian Women: A Warrior's Heart

Now more than ever we see questioned the humanity and dignity of women who do not fit the stereotype of what they are supposed to be, look, sound, or act like. Such cases like Imane Khelif are heartbreaking to witness, specially considering the way these false allegations overshadow the efforts and hard work behind her skills, even more so now as an Olympian.

Imane has her Moon and Mars in Sidereal Scorpio, and the themes of others trying to take control of the narrative of her life and existence is ridiculous and overwhelming. On top of it, her Mercury and Jupiter are both in Aries. She is a huge embodiment of how the Martian experience tends to play out.

They are the individuals who deal with the consequences of being "too much" simply by not being afraid of voicing their opinions, of their appearance, or any other aspect regardless of how conflictive it might be. They have and endless source of power to pursuit their passions, and they often achieve as long as they their ego on check.

Childhood years consisted of a push and pull between not being enough of any of the polarities. Often, attracting unwanted attention and different degrees of aggressive/hostile behaviors (spoken, actions, etc). They learn to project outwardly the results of withstanding all of those experiences, and paradoxically are blamed for having a natural hostile response to a hostile environment or actions.

After being forced to repress their hurt, anger, and valid emotions they learn to channel it towards a goal because their nature (Aries and Scorpio) is to plan, analyze, execute, and repeat all over again. They are the Valkyries, Amazonians, etc who learn collectively how to fend for themselves in all aspects outside of patriarchal laws or standards.

From a historic and folklore perspective, Valkyries were associated and often accompanied by ravens or horses which matches perfectly the nature of Ashwini (horses) and Bharani (crows are similar to ravens) which are both in Aries. These mythical warriors guided souls to their depiction of heaven, and Krittika is ruled by the Sun + has a priestly caste. On different levels of humanity we've always had women who take their necessary place with violent, aggressive, and chaotic driven actions as much as men, yet its forced to suppression the most.

In terms of contemporary entertainment, many other concepts of female warrior or heroic/strong/independent female characters from all eras have Martian placements. This is not to say that Mars is the only representation for these arechetypes, but in terms of characters who have a really grim and/or dark past, it fits very well. Other planets (Sun, Moon, Venus, Jupiter) also have their own depiction of cunning female led roles but their background, characteristic, etc are all different. I will expand with other planets on a different post.

Brigitte Nielsen who was the main character in Red Sonja has her Moon in Aries (Ashwini).

Uma Thurman has her Sun in Aries (Bharani).

Summer Glau from the Firefly series and its continuation movie Serenity has her Moon in Aries (Ashwini).

Saoirse Ronan has her Moon and Venus in Aries (Bharani).

Gal Gadot as Wonder Women has her Sun in Aries (Bharani)

Lucy Liu (Sun in Scorpio (Anuradha/Jyestha) and Moon in Aries (Bharani), Cameron Diaz (Moon in Aries, within Krittika) from Charlie's Angels.

Scarlett Johansson as Black Widow has her Sun in Scorpio (Anuradha)

Peta Wilson in La Femme Nikita with Sun in Scorpio (Vishakha)

They function perfectly well alone and also within a group as as long as there is mutual respect. Society doesn't seem to know yet how to properly behave and treat individuals like them. Martian handle themselves in such a raw and powerful form that those who have weak morals, will power, inner strength, courage, or self expression regardless of gender might feel as if they are being personally attacked.

Now, it is good to keep in mind the distinction between deliberate attack or self defense. Due to previous trauma related with heavy power struggles they can easily feel wounded, and will could show an exaggerated or uncontrolled form of aggression.

It could also simply be intentional because both signs (Aries & Scorpio) tend to become more resentful or comfortable using violence if they understand is fair or justified. They LOVE "female rage". Every film, piece of literature, song, or form of art related to anger, disconformity, sadness, rage, wickedness, and other chaotic expressions connect with their suppressed darkness.

It allows them to fantasize of a world where women are able to demonstrate their anger freely without judgement, specially when justified and valid. They understand other women beyond the nature of their caged self under patriarchal standards, but the downside is that others do not connect easily with them.

This is why despite being the real underdogs of many empowering movements they are often lonely, alienated, punished, and treated poorly. It’s the most noticeable with Scorpio rashi, specifically Jyestha where they naturally attract envy, jealousy, and ill wishes the most. They are the ruthless Scorpios who don't really care about turning off their moral compass if it means achieving their goals. They are often only loyal to their vision and those who fit in it.

It is essential for Martian women to maintain a healthy management of their anger and learn how to release it in meaningful ways. Any type of exercise (gym, cardio, pilates, yoga, etc) or sports can become one of the most common channels to fuel their bodies and release heavy emotional overloads. Staying in touch with their root and sacral points by doing activities that promote you to feel safe, nurtured, grounded, creative, sensual, etc will also be optimal.

Protect your energy in all forms, and stay away from individuals who constantly trigger your fight or flight. The ones who make you feel constantly drained and tired. It can be easy for others to syphon your energy because you always have an abundant amount, so be mindful of the people you entertain, engage, and interact with frequently.

Ensure to maintain a good balance between mind and heart as well. Allow yourself to be vulnerable with others. Prioritize feeling safe and comfortable around others. Learning to control your impulses if you're an Aries, or letting go of control if you're a Scorpio. Protect yourself, but don't shut down completely.

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Anna Sawai training with Naginata for Shogun (2024). 😎

Naginata is a weapon used by Onna Musha (Female Warrior) who are non combatants that defends the castle and household. They act as the last line of defense to protect the lord, elderly and children in the event the enemy made it pass through the front line.

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Swan Warrior

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