#process talk
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catsharky · 9 months ago
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I am in awe of how consistently your draw characters faces?????? i struggle a lot with that, may i inquire if you have any tips to share on that front???
Sure! This took a little bit because I wanted to put some visuals together.
Unfortunately, as it always is with art, the main tip is just... practice. Not in the sense that you have to sit down and do drills, but in that the more times you draw a character, the more consistent they'll naturally start to look because you won't be figuring out how you want to draw them on the fly. Even I struggle to keep a character consistent when I first start drawing them, and it usually takes me a little bit to settle on how I want them to look. If you look back at my earlier Mass Effect comics, my Shepard looked quite a bit different then to how I draw her now. And I know it can be hard to get a sense of time from something like tumblr posts, but those changes happened across a span of six months. So be patient with yourself!
As for specifics though, I'd say the main thing that can help with consistency is to think of it less as one big whole and break it down into smaller pieces. What features need to be there for a character to read as that character? If you take something away, does it still look like them? How do their features differ from another character's?
For example, I compared Ember with my Shepard and tried to point out what goes through my mind and what I think about when I'm drawing them (besides obvious things like hairstyle/horns):
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Additionally, reference!! Reference makes such a big difference. Any time I'm drawing a character, I'll pull up previous drawings I've done of them so I can check how I drew them before. I also have a small standing mirror that sits on my desk. If I'm not sure how something should look? I can just look at my own face to get an idea of what should be going on.
On top of all that (though this is something that won't apply to most original characters), because Ember is based on my in-game BG3 Tav I just have a big folder of screenshots that I've taken of her that I look at whenever I'm drawing her. I've never posted what she looks like in-game, but here she is:
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(I love her so much)
I do something similar for most existing characters I draw. I have folders for each of them that are just a bunch of reference images of them at different angles, so I never have to wonder how something should look.
I hope this helps at least a little, and if anyone wants more specifics about anything, feel free to ask!
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drsteggy · 2 years ago
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So I was mulling over how to do this freaky new arm Link has and so far I’ve rejected body paint as no one has time for that and considered a glove.
I had purchased a pair of cheap silk ones but I don’t think they will stand up to what I plan to do. I saw at least 3 Links at MagFest with the arm and all of them appeared to be using a glove from a company called We Love Colors that makes tights and arm wear and stuff that cosplayers love but they didn’t sit right with me.
So I’m like I’ll just make my own and I’ll use that stretch mesh stuff dancers use on their costumes.
Well stretch mesh is here and about to go in the wash. I got a blue that should work as a base but I think I’m going to need to paint it. I want to prioritize my Skyloft stuff this week and I have some repairs to make to Gerudo Link too.
And then I dove back into TOTK Link.
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nooling · 7 months ago
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LOOK I JUST REALLY ENJOY THEIR FRIENDSHIP OK?? You can't tell me they wouldn't hang after their respective personal quests (spawn ending ofc)/emotional breakdowns over their own mortality
EDIT: I forgot to watermark these so now more than ever PLEASE don't repost
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uwudonoodle · 3 months ago
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hinamie · 3 months ago
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unconditionally
#my art#jujutsu kaisen#jjk#yuji itadori#megumi fushiguro#itafushi#fushiita#fanart#jjk fanart#jujutsu kaisen fanart#megumi#yuuji#im shaky and numb the way this took years off my life#genuinely cannot believe i thought it was smart to make it a comic i could have stuck at a painting and it would have been fine#but nooooooo in my hubris i thought Surely im an expert at this longform stuff now Surely i can do it :)#and then it killed me it killed me dead this is like over twice as long as the train comic and 4 times as detailed#backgrounds . angles. i yearn fr death.#AND I HAD 2 WRITE THEM ACTUALLY TALKING GGSDH i am actually so insecure abt the way the dialogue flows gomen....#i wanted to add more to it to fix how clipped and rushed i think it reads#but that would mean drawing more expressions would mean drawing more panels would mean more gd hyDRANGEAS#so ultimately i decided 2 have the conversation take the hit because let me tell u.#if i have to draw. one more blue petal i will snap i will lose it#i knew tht would happen n wanted to alleviate some of the pain so i found a few brushes that helped speed up the process#but the thing w a lot of premade flower brushes is they also come preshaded n look uniform in a way that stands out badly against my style#so i had 2 render over them anyway........#yuuji's domain rly putting me through the wringer first the train station now death by a bajillion petals smh#all that to say tho . my labour of love . i am going to take a nap#hina.comic
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gefeliksiteerd · 11 months ago
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I've realised my process for designing character heights is literally just
>. Google the right body type
>. Paste into Affinity Photo
>. Squish down until right vibe
>. Liquify that shit and use as reference
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bunnieswithknives · 3 months ago
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As much as I love angst I think it would be funny if he just didnt give af
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turtleblogatlast · 5 months ago
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Leo learns something about himself 🏳️‍⚧️
Based roughly on this old post.
Bonus:
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[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rise leo#trans leonardo#trans leo#rottmnt headcanons#turtle art tag#rise draxum#happy pride everyone~#if you’re wondering why there’s no backgrounds that’s because my files got messed up so just blankness in the bg sorry#but yeah!#this is forever and always my fav headcanon for Leo it makes too much sense to me#I wanted to make sure I got it done in time for pride haha#I don’t know if it’s obvious by the end but Draxum ran off because he was for once doing something nice for Leo#that being leading him somewhere else not in front of everyone so Leo can process the fact that he was born female in peace haha#(but he also just - wanted to avoid the ensuing awkward Talk as long as he could lol)#“how would Leo NOT know’’ he had an inkling but never thought much of it because he’s a teenage turtle mutant with no access to healthcare#also yeah that’s splinter’s hand at the end there I just KNOW he’d want those pics#also also - Leo here can technically be trans or even intersex in some way too#both is good#making this made me remember why I never do color#at least for comics#it just takes sooo long#but it was fun and worth it for my fave hc#this is like the first time I’ve drawn Draxum and man he’s kinda hard to draw#also their sizes are just 1 2 and 3 because Draxum had a simple system in place for sizing his subjects#(aka I was too lazy to think of anything else to put there)#also dunno if anyone noticed but look at Raph’s paper and look at his baby’s self’s photo
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decaffeinatedpartymuggoop · 6 months ago
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People talk about how “overpowered” and freaky some of the physical feats in PJO and HOO are but I think people forget that all demigods inherently have enhanced, speed, agility, and strength. So at lot of these physical feats actually make a lot of sense in their “power scaling.”
And I know a lot of people like talk about the Lois Arc jump because that is insane but there are a lot of other feats that show off the enhanced attributes some of the other demigods have.
Like, Hazel ran after a Arion, the fastest horse alive for a WHOLE day. Hours upon hours on end. And even if Arion WASN’T the fastest horse he’s still. A horse. That Hazel was able to keep up with. And then run all the way home.
Reyna EASILY knocks away giant werewolves with a knife and used her javelin like a pole vault. Annabeth managed to fight Kronos, a whole ass Titan, to a standstill. And she’s been shown to perform moves only professional acrobatic and gymnast can do. Piper threw a fifty pound shield at Medea and was described to move fast as a viper.
Jason had dodged arrows that have appeared out of no where, no warning, and Percy has side stepped bullets. BULLETS.
Not to mention that with the Lycaon and werewolves they were all out running and keeping up with WOLVES.
So, yeah, demigods have freaky physical feats.
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aritany · 1 month ago
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I'm sorry your writing strategy is WHAT?? I'm going to need a thorough explanation of this because I'm FASCINATED
[brian murphy voice] I DIDNT SAY ANYTHING WEIRD!!!
okay i did. but also! if it ain’t broke…
here’s how this crumbles cookie-wise. sometimes (as is currently the case) i feel like i am trying to hold onto a whole novel in my brain at once. this does not feel particularly good because the novel doesn’t belong in my brain it belongs Out There. so i make a very detailed outline and then i start at chapter 1, and i write to 100 words (give or take a few). then i move on to chapter 2 and write to 100 words. then to chapter 3 and so on until i have at least 100 words in each chapter. then once i’ve run through the whole book, i go back to the beginning and make sure each chapter is up to 200. then i’m usually in the Meat of each scene so i’ll get everything up to 500, then 1000, then 1500 and then usually i clock out of chapters around or just under the 2k mark.
this appeases the hyperactive part of my brain by making sure i’m never bored, and helps the project manager in my brain so i can keep track of many moving parts in the novel and also ensures that scenes at the end speak to scenes at the beginning since i’m (sort of) writing the whole book at once.
NOTE: sometimes i get lost in the sauce and write way past 100 or wherever im at, and that’s fine. it just means i probably skip that chapter during my next pass since it’ll be past my goal wc for each chapter of the run.
that is all. try it, if you want. i honestly don’t know how to write books any other way
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dripgnoll · 4 months ago
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this took a good few weeks and was across 4 photoshop files btw
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once i got the anatomy down the lines and colors only took a few days between other work. deciding on colors took the longest tho they r so hard but so so so worth it
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might be a bad place to be doing all this..
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catsharky · 10 months ago
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I've just discovered your Rolan x Tav comic.
It's SO neat and accurate, in matter of deign and details!
In case you don't mind, of course, I have some questions you maybe have answered before:
What software do you work with? What kind of pencils do you use? How do you manage to set so neat and clean results? Do you need many references for that or is just a gift you have? How many years have you been drawing to achieve those results?
I don't mind at all! And I don't believe I've answered any of these questions before, at least not since I started doing my comics.
For software I mainly use Clip Studio, though I do also use PaintTool Sai (v2) for certain things that I feel it does better. All of my Mass Effect comics are lined in Sai, for example because things like armour have a lot more inorganic shapes and require long, sweeping, unbroken lines, and I like the pen stabilization in Sai far better than CSP's for that sort of thing.
For how long I've been doing art, I've been at it basically nonstop since I was 9 (so 20 years now, jeez). I was in an art program throughout highschool, went to college for art/animation for 4 years, and I'll have been working professionally as an animator for 8 years in May! So there's a lot of practice there for sure.
And yeah, I use a ton of references. Usually a good chunk of the time I'll spend on something is just collecting or making the reference material I need for it.
I'm putting the rest under a read more because it's pretty long:
(Tumblr keeps eating my formatting so sorry if this is a little scuffed)
Because I'm normally working full time and doing this stuff in my free time after hours and on weekends, if I know I'm going to be drawing something a *lot*, I'll usually put together some kind of reference for myself in 3D so I can take some of the brainwork out of it and get more out of my evenings even when I'm feeling fried. It also means I put as little extra strain on my wrist as possible because I injured it a number of years back and it gets angry at me if I go for too many hours in a day.
But to give you an example, for Ember I have a Sculpt of her head that I can use to reference any angle I want, or to draw directly over top of for tricky angles. How I draw her isn't quite 1:1 to the model, but it gives me a base structure and landmarks I can build on top of.
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My basic workflow is to take the angle I want, draw over it using the model as a guide (while picking and choosing where to stay true to it and where to say fuck it and do what I want), then I get rid of the 3D and do another pass, tweaking and redrawing anything I'm not totally happy until I'm satisfied with how it looks. I draw Ember with a slightly softer, more rounded face than the model has, for instance. Just because something looks right in 3D doesn't always mean it looks right once translated to 2D and I don't care if something is technically "correct" if it doesn't feel right or isn't conveying what I want it to properly.
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I'm also always checking reference screenshots to make sure I'm in the right ballpark of how something should look. I actually have a wall of photos next to my desk and while I didn't put them up for that purpose, it has come in surprisingly handy for quickly checking face or hair details when needed. I also just have a big folder of screenshots and other saved reference material.
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I don't have a problem noooo~ 😅
Additionally, if my art has a background these days, there is a 100% chance that's a 3D set I built in Blender because I hate drawing backgrounds, but I do like building them in 3D.
Here's two examples: the area around Astarion's bed, which I built out of some of the in-game assets like a lego set (this was a pain in the ass, it probably would have been faster to just build it from scratch based on screenshots 😩) and a closet I modelled for something that's still a WIP.
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I'll get the angle I want, have Blender generate some linework from it and then grab a basic render of it to slap into CSP so I can draw the characters over top of it.
And as for brushes: the main brush I use in CSP is just the default 'Real G-Pen', with opacity effects turned off and these pressure settings: (I like to keep it simple, and I have a bit of a heavy hand so the altered pen pressure just helps me get a smoother taper). I change up the stabilizer settings depending on what I'm doing. Lower for things that need short, quick lines like hair and higher for most other things.
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For Sai, I use a 9B pencil I found a number of years ago on Deviantart (I think?) and I wish I could link you to the original post I got the settings from, but Deviantart's search is... bad and I'm unable to find it again.
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I hope that answered all your questions! If not, feel free to ask more!
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nova-rpv · 3 months ago
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a redraw of the first drawing i posted here to celebrate the fact that ive been in tumblr for more than a whole year posting my shit and havent deleted my blog in panic yippee \:D/ (mushy rant in tags)
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lilislegacy · 6 days ago
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percy, holding out his fist in his palm: ok wise girl. rock paper scissors time. if i win, i get to pick the movie for date night
annabeth, doing the same: fine, but if i win, we move back across the country to that house in westchester that i love
grover, looking over in alarm: what?! how is that even—
percy, nodding firmly: deal. rock pap—
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theriverbeyond · 3 months ago
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tbh I can't stop thinking about how i went into Hadestown being like "this is a tragic love story based on a greek myth I enjoy :)" and I came out the other side covered in blood being like "this is a thesis about how capitalism inevitably leads to both personal and global ruin, and so we are duty bound to resist it even as we lose, again and again and again. no matter how impossible it feels or how many times we fail and hit a wall and fall, we try again"
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hinamie · 2 months ago
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"I'll show you every day that choosing to live was worth it"
some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3
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