#probably not the first thing i should have noticed in that ep

[omglord1]

Jace looks SO fine this season im sorry

[flwernyrvie]

𝗛𝗲𝗮𝗱𝗰𝗮𝗻𝗼𝗻𝘀 𝗳𝗼𝗿 𝗯𝗿𝗼𝘁𝗵𝗲𝗿!𝗝𝗮𝗰𝗮𝗲𝗿𝘆𝘀 𝗩𝗲𝗹𝗮𝗿𝘆𝗼𝗻

ᴡᴀʀɴɪɴɢꜱ!: smut, mentions of pregnancy, possessive!Jacaerys, incest, Reader has long silver hair but dark brown eyes, a year younger than Jace, reader likes snakes, both characters are 18+!!

Pairings: Jacaerys Velaryon x sister!reader, mentions of betrothal to Daeron.

Author’s note!: This is also my first time writting here but I am currently writing on wattpad, its a Benjicot Blackwood x Velaryon!reader so check it out (@flwernyrvie).

Younger Jace!

Is definitely protective of you seeing how you’re the only daughter and only sister of theirs.

Would listen to you talk about your dreams and explanation of snakes and why they are so wonderful.

You two (including Luke) would always ride your dragons together.

Definitely would shield you away from the rumors about your parentage like how he do the same to Luke and Joffrey.

Would read to you about your favorite stories every night.

Spoils you in anyway he can. Like get you snakes from kingswood, or get your favorite flowers from the garden, etc.

Older Jace!

WOULD absolutely not let any men go near you, except of it’s luke or any of your brothers.

If someone did try and talk to you, he would pull you away from them making a excuse then would probably scold you for talking to another man and after the lectures he gave you, he would not leave your side.

He’ll probably glare at any men that would try to have an conversation with you and would tell them to fuck off in a nice way, (like the way he silenced Aegon in s1 ep 8?)

Of course Rhaenyra wouldn’t be too fond of knowing your brother is not letting you talk to other people and only to him and your siblings and would be rude to others when trying to have a nice conversation with you.

Of course this limitation of having the freedom to talk to people would affect you for finding a future husband but Jace doesn’t care about that because if your mother didn’t find any men to betrothed you to she’ll have to go to the obvious one, which is him.

Until your Grandsire announcement that you are to wed his youngest son, Daeron.

This made Jace angry that, that night after your grandsire made that announcement he marched his way to your chambers and fucked the living shit out of you. While whispering filthy things in your ear.

“How dare he betrothed you to him?” “Does he not know you belong to me?” “I’ll make him know.. we’ll make him know won’t we? Dōna mandia.” “Fuck we better stay quiet Issa jorrāelagon..” “You’ll give me my heirs, won’t you? Issa dōna mandia.” “Daeron will never make you feel this way, only I can.”

He didn’t stopped until the sun came up making sure his strong seed was planted on your womb, creating a life.

Jacaerys didn’t want to do that of course but he was desperate, desperate to have you, desperate to spend his entire life with you, desperate to have you be his wife and be your husband, desperate to make you happy knowing damn well their uncle cannot make you happy as he can.

One moons after that fateful night, your mother noticed how you’ve yet not bleed and is showing the signs of pregnancy. She brushed this off knowing you wouldn’t do such a thing but after another month went by she called you into your chambers to confront you.

You confessed and told your mother everything and Rhaenyra was not happy.

First of all, Jacaerys ruined you and he impregnated you nonetheless, second you are already betrothed to Daeron and was expected to marry him next year.

Daemon however found this amusing and even laughed at his step-sons boldness. He requested that you and Jacaerys should be married or else whispers might happen if not.

So that’s what happened, in less than a month you and Jace are married. You two of course had a secret wedding but when your grandsire found out Rhaenyra married you to Jacaerys he got mad but he cannot undo it now as you both already consummated the marriage.

Jacaerys however was more than happy at this. He gets to have you and you get to have him, a happy ending for all.

Seven moons later, you gave birth to your son Laenor. Two moons early to everyone’s shock.

[piratecaptainscaptainpirates]

I was surprised when rewatching both seasons today to notice how little worth everyone assigned to their lives at the beginning of the show.

It's obvious with Stede "Do I want to live? I dunno, probably" Bonnet and Edward "haven't tried dying yet, maybe we should do that" Teach over there, but once I started looking for it, I was shocked how often it turns up.

Talk of death is ever-present throughout s1. The very first thing we hear is Frenchie singing about how a pirate's life is short. One of Olu's reasons he gives to Lucius for not mutinying on Stede at the end of the pilot is "we'll all be dead soon, might as well enjoy it while it lasts." The indigenous people they meet in ep 2 remind Olu multiple times that Stede's gonna get them all killed. Jim talks blithely about killing the man who killed their family - "we live in a state of nature, grow up!" We get the sense life is fuckin' cheap -

But over the first season, there's a shift. Pete started out talking in the pilot about how he "should have 20 kills by now" and says killing "is like breathing" to his fantasy version of Blackbeard in s1e2, but by s1e6 he's visibly deeply shaken when Lucius almost dies. "I'm used to death...but not your death." Stede screaming that he doesn't want to die in s1e9 is such a huge marker of that shift, because he's finally living a life where he feels happy and loved and valued.

Take all of that, and put it into contrast with Jim saying in s2e2 that "there used to be a time when life meant something on this ship." It sets up such a nice contrast, because all the death Ed's crew have to deal with at the beginning of s2 isn't weird by pirate standards, but suddenly it's become weird for these pirates. Ed's suicidal behavior and Frenchie saying that "we've been living moment to moment for a while now, it's kinda nice to have a deadline" are terribly sad to us, because these pirates had a time when they learned to value their lives.

Stede Bonnet, being his cringefail, bitchy, unceasingly kind little self, built a community where life was allowed to mean something. It's about queer joy, about queer love, about finding community and finding reasons to love being alive with one another as we try to become the versions of ourselves we want to be. Fucking beautiful.

[thrillered]

Couples Tattoos | Spencer Agnew x Reader Oneshot

Here's my little blurb about a tattoo I noticed during this vid and I'm obsessed with it. I know the pic is blurry asf but I had to screenshot it from the smosh mouth ep 😭

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"I think I want to get a tattoo.” you mentioned offhandedly while you were working on your laptop, sitting near Spencer. 

“You should, I think it’ll be cool.” Spencer agreed. 

“I just want it to be important I guess.” You remarked, scooting closer to Spencer. “At least for my first.” 

You didn’t have any tattoos. You always wanted to get one but felt nervous about putting something so permanent on your body. Your boyfriend, on the other hand, had many tattoos. He frequently got tattoos; he had gotten 4 since you got together. You adored his tattoos, you thought they were so nerdy and fun but made him extra attractive. 

“Can we get one together?” You asked.

“Seriously?” He asked, turning his whole body to face you, with a surprised face. “That’s a big commitment.” 

“Well I love you and I don’t plan on ever not being with you so..” 

Spencer couldn’t help but smile at this. The sentiment made him giddy and why not? You had been together for years and Spencer planned on marrying you one day. 

“Let’s do it.” Spencer agreed, wholeheartedly ready to make an appointment. 

“Really?” You asked, the widest smile on your face. 

“Fuck it man.” He laughed, both of your work long forgotten. “I’ve gotten tattoos of absolute bullshit, at least this would be meaningful.” 

—

You and Spencer had been brainstorming tattoo ideas for weeks, doing intense research on styles and artists. As excited as you both were, neither of you had any clue what to get. Spencer wanted to let you have the final decision since it was your first. 

You were laying in bed with Spencer, watching a movie. You flipped over, settling your head on his chest and laying your leg over his, straddling his side slightly. This was your favorite way to cuddle, it felt intimate. Spencer knew this about you. It was something he had noticed very early on in your relationship, and he loved it. Something about the way you loved being close to him brought him a lot of joy. You settled into Spencer, sighing when you found the perfect position. 

This was when Spencer had an idea. He didn’t want to wake you, as you were on the verge of sleep, but he immediately wrote his idea down on his phone. 

The next day when you both went into the office he made his way to the art department. “I need one of your guys' help.” He said, walking up to the group of desks. 

“Okay?” Erin Kushner asked, pulling her headphones off one ear. 

“I need a concept design for a tattoo, doesn't need to be anything crazy.” 

“Yeah sure, what's the tattoo?” Erin agreed. 

Spencer explained his idea, getting teased by Erin for how cute your relationship was. Erin quickly drew up a perfect picture for him. He was incredibly excited to show you it, knowing you would fall in love. 

—

He waited until you were home and settled. You were cuddled on the couch with him, watching as he scrolled through twitter. “I think I have the perfect tattoo for us.” Spencer said, pulling the paper out of his pocket. “I thought of it last night but wanted to get it drawn out to show you.” 

He showed you the drawing Erin did, noting the gasp that left your lips. It was a Keith Herring-esq drawing of two figures lying together, cuddled up in your favorite position. 

“Wait, I love it, that’s so cute.” 

“It's the way we always lay together.” He explained, even though you already knew, he was just excited to talk about it. 

“This is the sweetest thing ever, it’s perfect. I love you Spence.” You squealed, smiling into a sweet kiss you placed on his lips. “Wait! We can fill in the one that represents us.” You offered excitedly. 

“I love that.” Spencer smiled, his heart swelling at your excitement. “I’ll book an appointment tomorrow? We’ll probably get in within a few weeks.” 

You agreed, rambling about where you should get it. 

—

Three weeks had gone by and today was the day of your tattoo appointment. It wasn’t until yesterday that you decided your placement, you and Spencer both wanting to get it on your inner arm. 

Spencer got his tattoo first, showing you it would go just fine. It eased your nerves, calming you down before you got in the seat. 

He held your hand the entire time. You told him it was okay and the pain wasn’t awful but he insisted on holding it the whole time to “keep you calm”. 

When the appointment was over you and Spencer had the most beautiful couple tattoos. Your artist took some pictures for you and you both immediately posted them, excited to share it with the world. 

Even though everyone knew you and Spencer were in love, now you both had a depiction of your love immortalized forever.

[slavghoul]

Interview from Sweden Rock Magazine 10/2023

Hi, hi. There is an interview with Tobias in SRM’s newest issue, but it’s in the subscribers only section, so I thought I’d translate/share since I guess not many people will be able to get their hands on it. It is about Prequelle and it’s part of SRM’s „200 best Swedish hard rock albums of all time” series. Prequelle placed #68. The other albums may have scored higher, but for now we don’t know the whole list. Either way, enjoy. Very insightful. 

„Do you think that "Prequelle" is Ghost's worst album?” Now that’s an unusual opening question. Especially when the interview is about an album that Sweden Rock Magazine's writers and qualified Swedish hard rock musicians (including Tobias Forge) have voted as one of the 200 best Swedish hard rock albums of all time. The question wasn’t planned, but comes spontaneously, as a reaction to the first thing Tobias Forge says when we sit down on opposite sofas in the record company office. I'm here for a two-part interview, partly about the EP "Phantomime" (published in #6 2023), partly about "Prequelle". Neither record companies, artists, voters, nor even our writers who conduct interviews for this series of articles have any idea what placement an album has received. Interviews are often done well in advance and we simply don't want placements to leak and become public long before publication.

No Ghost album has ever been on the list before. The idea is actually to end the day with the "Prequelle" talk, but when Tobias Forge suddenly starts with a funny little comment that this album is probably the one that those who have voted think is Ghost's worst or least popular album, I just have to take the opportunity to ask the question: Do you think that "Prequelle" is Ghost's worst album?

No, absolutely not, he says and laughs. If I'm going to be completely pragmatic, I'd say: "How many songs do we actually play from that record?" There are songs that work damn well live and sit where they should. So it's a pretty strong album.

But is this what you are basing it on? "Prequelle" was released after Ghost had become really big so it can't be compared to "Opus Eponymous" and "Infestissumam" which you don't play many songs from. I mean, no matter what kind of record you had released when "Prequelle" came out, you would still have played many songs from it and they would have worked precisely because Ghost's songs nowadays are moulded more to the arena format.

I don't know how to answer that, it's difficult. If the album had been different, it would have been. If I'm going to talk somehow both artistically and practically, I know that for every record we have become exponentially bigger. "Prequelle" was definitely no exception, but it also took us a big step forward and upwards and we became bigger and broader. To the extent that when we introduce old songs in the live set, you notice that there are elements on albums one and two that make some songs more difficult to play. Not technically, we can play the songs, but they don't work in quite the same way as the later songs, which means that there is a slight favouritism.

I asked the original question about whether you think it's Ghost's worst album only because you directly said that this means it's the least popular one.

I'm just so full of myself I assumed all the other albums are also in the top 200, which may actually be incorrect. This might be the best album and the others aren't even there, haha.

It wasn't long after "Prequelle" was released that you were self-critical of the album in interviews, saying that it was too ballad-heavy and a bit too soft. I haven't noticed that before, you being so self-critical shortly after the release.

Yes, but I still feel that way. If, as an artist, I am only going to look at the work with the criticism that one can feel towards one's own work, I think that if things had been different or if I had more time, I might have wished that I had managed to get maybe two more hard songs. Maybe one more hard song would have fit on the album and another harder song might have phased out one of the ballads. Now five years after the album came out, I know that the two ballads ("Pro Memoria" and "Life Eternal"), which I may not think are bad, are one too many. But I know that many of the people who like the band like both of them, so it's kind of a useless argument.

Who sets the length of an album? Have you set a limit, that it can't be longer than this and have no more songs than that?

No, but it must fit on an LP disc and there is a physical limit. I think the absolute pain threshold is 46 minutes and that's 23 minutes on each side. Now maybe Mikkey Dee (co-owner of Spinroad Vinyl Factory) will raise his hand here: "But I can make it longer!" And it's maybe 48 minutes, I don't know, but I do know that when a disc starts getting so full that you start getting close to the sticker, it starts to sound bad. Especially nowadays, because recordings today are so very maximalist in scope. It's one thing if you record 60s music with drums, a guitar and bass where the sound is cleaner and finer or if you play acoustic stuff with just vocals. Bob Dylan records could have eight songs on each side and it worked all the way through. But this kind of fairly compact music doesn't work well. Not only am I a militant vinyl advocate, I think we should respect the fact that most artists don't manage to create more than 45 minutes of good music on a regular basis. A lot of famous double records are not that good. I don't think the Rolling Stones "Exile On Main St" is very good. It might as well have been on one disc. And if I'm actually going to turn it into something completely mundane, I'd say that I think it's irresponsible to sit and make records with twelve songs if it results in the record being 63 minutes long and you automatically have to make a double record. It's pretty wasteful.

When you said that it's irresponsible, I thought you were going to say that it's irresponsible to print a double vinyl because of the environmental destruction that it entails.

Of course, if we're going to be completely straightforward and not do anything that harms nature, we shouldn't even release any records, so I say this with reservation. But with that in mind and for the sake of art, I think more people should embrace the actual given format that has been the most prevalent in rock history. There is a reason why a film is usually one hour and 30 minutes. You can’t take any more. There's a certain dramaturgical structure and there’s a certain comfort in it. Then the CDs came along they screwed that up, and suddenly there weren't two sides anymore but it started one way and ended another. Now that the CD is no longer important and we've gone back to vinyl, creators should follow suit and start embracing the physical rules.

Are there songs that have been rounded off just because you thought „I have to round off here, because if I continue, it won't fit on the vinyl disc"?

We actually had that problem on the last album. „Watcher In The Sky” ended the A-side and the outro is much longer on the CD and digitally. Two minutes longer I think. Much, much, much longer. It's long, noisy and has all these dives. It's a very chaotic soundscape. You get the feeling that it goes on and on, and on the vinyl it's just the beginning of an outro and then it drops almost immediately. I think that was a huge mistake.

So the overall sound quality was more important than vinyl buyers getting everything? Because you could have pressed the vinyl and it would have fit, but you would have had to compromise the sound quality.

Yes, exactly. You can get the song to just keep going until the vinyl simply runs out. Then it just starts spinning in the middle, depending on what kind of record player you have. But the problem then, if you want to anticipate events at a creative stage, is that people today buy and listen to vinyl records and are sensitive. It's quite common for people to complain that the record is broken. I don't just mean our records, but people complain a lot about the presses. If you make ten songs, it's therefore stupid to have a too thick soundscape towards the end of song number five and song number ten. If you want to be really good and old school, that's where you put a piano ballad because it's an easier sound to handle so far into the record. This is what I think about when I make records. But clearly sometimes I miscalculate.

This must cut right through the record collector Tobias Forge's whole body and soul, that "Watcher In The Sky” is shortened by two minutes on the vinyl of all versions.

Well... I don't toss and turn and wake up in the middle of the night thinking about it anymore. But when it happened, I was livid. Luckily it was just an outro. It would have been worse if it had continued with some kind of narrative into the next song. Now I can't remember in my head how long "Prequelle" is, but if I'd had to go back in time and just re-construct it, the re-construction wouldn't have had much to do with the existing material, I would have just wanted to add a scene. And it's not a scene that's missing, it's just for the sake of balance. It became asymmetrical in a way that bothers me a bit.

You've talked about this before, but it was before "Prequelle" that you really started to talk a lot about how you were thinking about what kind of new songs might suit the live show. Can you get stuck in that mindset, thinking more about what songs are needed live right now rather than creating an album that will last 30 years?

Hmm... (long pause)... The reason I'm sitting here thinking is because I'm trying to come up with examples of other bands that I think might have gone through something similar. I’m looking for examples to the answer I'm about to formulate and that is that: yes, I think there comes a point in the career when most bands make a record because they simply feel they need to… Because what we're talking about is that when you go from playing in small smoky clubs in front of an already inveterate audience that already understands the perhaps a little more chewy expression, that experience can change if you start playing in front of a larger and especially a different type of audience. When a different type of audience comes and you play in a different format, you discover that this song doesn't work very well, it doesn't sound very good and it's difficult to get the sound right. Then there's usually a record or two or three during your career when this transition happens where you start filling in with songs that work better live. Look at Piece of mind", "Powerslave" and "Somewhere in time". There's a reason why Iron Maiden didn't play a lot of the first two albums there and then, because it was easier to play the new songs. You get to that point somewhere in your career and it's very difficult to say when it is - there's no given rule and there are artists who continue to release relevant records and have an amazing ability to release new records and just play the whole new record. Well, now Iron Maiden does that and tests their audience a little bit in that way, but then they will always compensate by doing like a "best of" set the following year so everything is forgiven. Now we're in the middle of the "Impera" period here and have a very strong set, but I'm starting to feel that now that I'm about to start writing a new album, it feels like it's not really on my agenda to write three more albums that will change the live setlist ten years ahead. I think we already have the blueprint for what is Ghost's setlist, especially if you include the entire catalogue. After a while, each new record you make becomes a little less important. It's really hard to know when that point comes, but the truth is that new records don't matter in the same way. Slayer didn't have to release "Divine Intervention”. They definitely didn't have to release "Diabolus In Musica". I didn't care about it and I just wanted to hear the old stuff. If they had just come up and played "Reign In Blood" I would have been soooo happy. And that's the way it is with most bands. Nobody would be sad if the Rolling Stones came up and didn't play anything from "Emotional Rescue". And that's just the way it is. In the future, I can see a scenario where there is probably a basis to possibly build up an alternative setlist. There are so many songs that we do not play and that I have nothing against - I love them too! But it would almost be easier to build up a completely alternative setlist and run a show with only the odd songs. There are so many songs now. There's no reason not to build on that. But when I want to make a new record, it's irresponsible for me not to consider that there might have to be some songs that are a bit more direct. But it doesn't hurt me if we have more songs that we don't play live. I don't know if this answers your question...

I would actually like to ask exactly the same question again, because I wonder if you yourself feel that you get stuck during the making of the record. You said that you would have liked to include another hard song because "Prequelle" doesn't have the balance that you would have liked to have in retrospect.

Exactly, but the explanation for that has more to do with my mental capacity there and then. I simply couldn't cope. I felt that I had probably maxed out… It was probably about as much as I could do that year. That's the simple explanation. To get another song that would have fit and that would have fulfilled this requirement that I now in retrospect would have wished I had, it would have required something that I did not have there and then. The only thing that could have made it easier is if I had more time. It is difficult to reason about it, you see.

I was in the studio for a few days during the recording and it's one of the few times in all these years that I've done interviews where someone has started crying during an interview. It was quite obvious that everything that had happened with the split of the band affected you.

Yes. Of course. It did.

Is "Prequelle" a difficult album to listen to for you? Can you sit and listen to it all the way through? 

Well, at the moment I have to do that from time to time, and listen to all the records, because we're just about to start rehearsing again and then I sometimes have to go back and just listen to the record to go: "Fuck, is that really how I sing?" Especially when we start rehearsing, I can be a bit like: "Damn, who changed this bit?” Then I usually sit down and it hits me: "Oh, it's me who has changed my song!" You simply do that over the years, you start singing it in a slightly different way. So sometimes I have to go back and listen, but it’s more practical. I don't think it's fun to listen them. I do it until they are finished. I listen over and over and over again and really try to listen with all the imaginary ears and all the imaginary perspectives you can have. "How would I have listened to this if I had heard it from this perspective?" Just to get as "objective" a perspective as I can until I'm satisfied, but then it's like „No, I don't want to hear this anymore". But I have to say that I think "Prequelle" is a very tolerable disc despite everything that interfered with the process. Therapeutically, it works quite well considering that we are still playing at least half of the album. For every artist there are songs that you want to play, and there are songs that you don’t want to play because they feel too personal. I don't feel that way about this one, it's more like: "Ah hell, they're part of the setlist and people like it and it sounds good. So that's what we're doing."

On a personal level, was Tom Dalgety the perfect producer for you, the way you were feeling at the time? Tom feels like the kindest, sweetest producer you can meet. He wasn't the kind of producer who pushed you very much, it was more of a nice atmosphere between you.

Yes, really, and it would have been different if Klas Åhlund, who is more confrontational, had been in the room. Now Klas and I are great mates, so it would certainly have been very therapeutic also, but it would have been a different process. If an artist comes in who is in such bad shape that they can't make a record, or a band where the main songwriter has just left them, then a Bob Ezrin goes in and says: "If you don't make the record, I'll make the record myself.” And he goes and makes Kiss "Destroyer" or Alice Cooper records. I'm not saying they didn't make them, just that you hear that Bob Ezrin made "Beth". It's a type of producer that's very different from a lot of other producers who maybe act a little bit more like buddies and cheerleaders and make the atmosphere good. Bob Ezrin doesn't care so much about the atmosphere in the room. Klas is somewhere in between, I would say. Given the condition I was in during "Prequelle", the result could probably have been different if Klas had come in. Ironically, there was actually talk of him doing it, but he didn't have the time and we'll never know how it would have turned out. I only know that it would have been different, but right there and then Tom was fantastic. I know that a lot of bands like to work with him because he is technically brilliant. He's really good at those typical sounds that people like: cool drums, guitar, bass, tone and clarity. He is also very "happy go lucky", a nice guy who sits and jokes all the time. Even if he has a bad day, it doesn't affect anyone else, which is convenient.

Let me compare it to when a writer contacts me after an interview and says "that was such a nice interview". For me, "nice" is not something positive in such a work situation and the result is often better when there is a little friction.

Mmm, and that is more Klas. There is more friction and more confrontation. And I was much better equipped for that at "Meliora" and later at "Impera". I felt better and was simply stronger. There wasn't the same survival instinct as on "Prequelle". If I think back, not about how the album turned out and how I have to live with it, but if I think back to the situation I was in, I was very anxious all the time. Even though I'm happy with the result, I wouldn't want to go through the recording again, even though Tom was great. Because it's hard to work when you're under attack. I realised that now when I made "Impera", when it was no longer like that. You are much more comfortable, it doesn't feel the same, you are more mature, you make better decisions, you are more controlled or dare to be uncontrolled. When things are this serious, you can end up in a freeze mode. Maybe that's also why there wasn't another song. The song that I miss doesn't exist because I simply squeezed out everything I had. If I had been in a different emotional state, I might have been more comfortable working out something at the last second from bits and pieces. But I felt that I really just wanted to get it done, deliver it, get back out on tour and start over again.

When you described being more mature during "Impera" you sounded like a 70-year-old, kind of like all the Aerosmith-like bands that have been fighting all their lives and now that they're in their 70s they say "we're soooo mature,” haha.

I think with all artists, especially when they're required to work in a group, there are many recordings that have been a collision with a wall because you're expected to function in a context all the time, whatever and whenever. But you do change and from one year to a few years down the line there can be a huge difference in a person's drive, hunger and priorities in life. Whether you have the same band structure as I do or whether you play in Metallica, people come in one state and they may end up in another, because you have different priorities at different times. It's unfortunately against the whole rock myth. I think that's the biggest problem for bands and businesses, that you always have this idea that if you just get to a certain stage - not just monetarily or career-wise, but you get to a certain stage of fun - then we've reached the status quo. But that is never the case! Never! There’s always something. Even in the best moments when everything is working, the band is awesome, everyone is working well, the crew is awesome, everyone is laughing, it's just a party all the time mentally, you have the world's best tour manager, everything is flowing and the tickets are selling, there will always be someone who doesn't like it and then has to break away and want to do their thing because it's no longer fun. It's usually somewhere in the lead-up to a stage where it's interesting and then once you've achieved it, it all becomes a bit boring. Just like in a relationship some people may eventually think, "well, that's a bit boring, I have to go out and do something else".

Since I was in the studio when you were laying down guitars on "Witch Image", my heart beats a little extra for that song and I thought it would be a great live song, but you've barely played it (at the time of writing it's Ghost's forty-fourth most played song live).

We did it during the "Prequelle" tour, or "A Pale Tour Named Death" as it was called. Then we did quite a few "an evening with" concerts, for better or worse. The advantage was that if you were a big fan of the band we actually played a lot of songs and actually a lot of the first albums, like "Idolatrine" - or "Witch Image". We did a set, a break and then a whole other set. That was a bit of a taste of what I was talking about earlier: doing a slightly larger set and then a slightly smaller one. You just shouldn't do it on the same night because it gets a bit stale. We played for two hours and 30 minutes or something and that wasn’t a good idea, haha. At least we did "Witch Image", but it has fallen behind a bit and it doesn't mean that we will never play it again, just that we don't do it right now. What I've been happy about is that there has been a feeling for the records that we've made recently, "Prequelle" and "Impera", that people still want to hear the new stuff. We haven't gotten to that stage that I talked about earlier when it doesn't matter anymore. Then it's very fun to try to find a new way to perform the songs, not technically, but suddenly a song like "Witch Image" might fulfill a very nice purpose between a completely new song and another song.

Let me speculate: in 30 years, I think "Rats" will be considered the great hard rock song, "Dance Macabre" the great hit and "Life Eternal" the great ballad. What do you think? Will this in the future be seen as the three big songs of the album?

Yes, that makes sense, I think. I understand that an instrumental song automatically ends up in the wake of a "best of" collection, in the sense that you do one in 30 years. I realise it's not a hit but the instrumental "Miasma" is a big part of our live show. It's strong and feels like such a keeper. Now we don't play "Life Eternal" very often actually, but it was very well received. For some reason people like to get married to it, I don’t know why, hehe. It's nice but it's also a bit like U2’s „I still haven't found what I'm looking for" and you don't use that one at a wedding. But people like it and I guess interpret it differently to me. It’s also a song that I don't think is fun to play live.

And why not?

Because I find it hard to play ballads. Physically, they don't feel the same as rock songs. I miss the "dunka dunka". Now everyone who plays music today knows what I mean - sorry, readers who don't play music - and it's that there's a small problem with having in-ear monitors. This means that you have to reach a certain frequency of beats in order to feel the music, unlike when you played at clubs with only a guitar amp behind you. You felt every single note you made and it just went through your body. Nowadays, I think it's sometimes hard when you play slow songs, because you have to trust that it sounds good, whereas when you play a rock song, you feel that it sounds good.

Does it also apply to "He Is” which is such a huge ballad, not least live?

Well, just the intro and then it gets going quite quickly and suddenly becomes a hard and rather fast-paced song. The classic ballad concept has always been that you play so-called edge beats to make it sound soft, while "He Is” is actually a rather hard-played song considering that it is a ballad. Once the drums come in – boom, boom – it's got AC/DC bite to it. It has a rock feel to it that "Life Eternal" doesn't really have. As I said, I don't think that "Life Eternal" is a lot of fun to perform, but that doesn't mean that it isn't quite good to listen to. It’s just that when I play "Dance Macabre" or "Mummy Dust" I feel that I can express myself physically more in line with what the text says and what it means.

[astridthevalkyrie]

cw: afab reader + she/her pronouns, creepy stuff, yandere ig??, very very very brief and extremely mild use of phone as a vibrator, if you've seen gravity falls this is inspired by the soos and the real girl ep 💀

You pause and exit out of the app right as you open up the video call link, ignoring the twinge of guilt you feel at leaving during such a steamy scene. It's not real, you remind yourself, like you have a million times in the past month. A part of you wants to find the coziest corner of this library and play until you've leveled up all the memories you can and gone on all nine claw machine dates you're allowed to, but it's time to unplug.

Besides, you have an actual date.

"Hey!" your boyfriend greets as soon as the video loads up, grinning when he sees your face. "Are you in the library?"

"Yeah. Booked a room all for you," you tease, setting your phone down to focus on your laptop.

"Wow, I'm flattered. So what's been up lately?"

You sigh. "Nothing much. Same old boring stuff. What about you?"

He starts talking about his new job, the entire reason that you and he have been long-distance for the past few months. You're not going to lie to yourself—it's rough. It feels like torture, not being able to see him and hold him and kiss him. You've really, really missed him. That's probably why you've turned to dating sims of all things in the first place.

Your phone buzzes while he's talking, and your eyes flick over to the screen.

new text from alien boy <3

Your brows furrow in confusion. This app doesn't notify you about new texts, because they only come through while you're on the app itself. And you never just get texts, unless you've leveled up on affinity, which you haven't in the past half hour.

Whatever. Probably some new feature or event you don't know about yet. You turn your attention back to your boyfriend.

"—And my break will be in two weeks," he finishes his story, then smiles. "Which means in two weeks I'll be seeing you, pretty girl."

Eyes lighting up, you lean in so you can blow him a light kiss. "I can't wait. I already have the whole weekend planned out. We'll go to the park, the museum—I thought we could go canoeing if you wanted to—"

Once again, your phone buzzes.

alien boy <3: didn't we have plans that weekend?

Your stomach flips unpleasantly.

Huh?

"What is it?" your boyfriend asks, noticing your struck expression.

"N-nothing, just—this app I downloaded, it gave me a super weird notification. For a second, I thought it was, like, listening to me."

He chuckles. "Creepy. What app is it?"

"Nothing," you say quickly, not sure if you should even tell your boyfriend that you've found solace in fictional characters during his absence. "Just some stupid game."

This time when your phone buzzes, you jump a little in your seat.

It's not a text. Someone's calling you. Your shoulders almost sag until you notice there's no name on the caller id, just a small spaceship emoji.

"What the hell," you mutter under your breath, putting one finger up to the camera. Your boyfriend nods in understanding, leaning back and muting himself while you swipe and answer the call. "Hello?"

No answer.

"Hello-o-o?"

Still nothing. You almost hang up, until the barest of sounds makes your ears perk up. If you strain them and press the phone so close it's smushing your cheek, you can hear something. It sounds like someone whispering, but you can't make out anything.

"Hello? Um, your audio is super low, I can barely hear you. Hello? Can you hear me?"

With no change, you hang up, frustrated. It might be a prank call. You're in the library on a Friday night and there's barely anyone here, one of your friends might've thought it was hilarious to mess with you.

"Spam call." You shrug uneasily, slipping the phone down between your thighs this time instead of on the table. He nods in understanding, then starts saying something.

"You're still on mute, sweetheart, I can't hear you."

He makes an oh face, then leans forward a bit to use the mouse. After a few seconds, though, his eyes narrow in focus and he shakes his head. He looks up, mouthing can you hear me now?

"Nope. Can you still hear me?"

An affirmative nod. Weird. It's still showing that he's muted on your end. "What, is it not clicking?"

You see him look back up to the screen, whether to nod or shake his head, you don't find out, because the screen glitches out for a moment, and all you see is a door.

You shriek, clamping a hand over your mouth.

His face is back in front of you again, and you still can't hear him, but he clearly sees how freaked out you are, because he tilts his head up concernedly, as though to ask you what's wrong.

You didn't scream because of the glitch.

You screamed because you've visited your boyfriend at his new place before, and that door was his door.

"Can you hear me? Is your door locked?" He only looks more confused, shaking his head like you're the one who's muted now.

Your phone lights up before you can grab it and call him, and you gasp when it buzzes against your core and doesn't stop buzzing. It doesn't vibrate this much when you get a call, and there is no call on the home screen, nor text, nor any kind of notification. It feels like it presses itself into your skin more, and you grip the table with one hand at the brief jolt of pleasure before snatching it and unlocking the screen.

Before you can click the phone app, Love&Deepspace opens. You groan in frustration, trying to swipe up to no avail. Did you accidentally click on it? It wasn't even in the list of apps on your main page.

Movement from your laptop catches your eye. Your boyfriend's looking forward, but not at the camera. He's looking at—at something, and he backs up in his chair, looking terrified all of a sudden.

"What is it?" you say as loud as you can, but even if he does hear you, he doesn't respond, and instead, his mouth falls open in a silent scream.

The screen goes black, and then so does the entire library.

"Holy shit, holy shit, holy shit." You look back down at your phone, ready to crack it if it doesn't swipe up and get out of this stupid app—

There's no one there.

Your heart stutters in its chest.

There's always someone in the Destiny Cafe.

There's no one there.

And on the little white armchair in the background, there's a dark streak of red dripping down and staining the cloth.

"What the fuck," you whisper, eyes wide. Your laptop screen flickers.

The facetime has been replaced by grey-blonde hair, that gently brushes against baby blue eyes with a soft, unassuming smile.

"You shouldn't pause me," he coos, "now, where were we?"

a/n: i hope no one tells me that people don't put their phones between their thighs while sitting bc i very much do. also. i'm talking to a guy on FT in the library tomorrow. hope i don't have gift of foresight. or maybe i hope i do muwahahaha. this is actually mad goofy and not scary at all

[autismprotocol]

TMAG Theory Board Update (EP 11-12)

Hi guys sorry about the late posting I've just started a new quarter of college and its been pretty hectic. also got into my school design BFA program so pretty stoked about that! Anyways lets get into the Episode Breakdowns because even though not a lot of lore related things happened I still have a lot to talk about

For the breakdown I'll separate each by episode in sequential order

What Happened in Episode 11: Marked

Celias Rude Awakening- we jump right into the weirdness straight away with Celia waking up on the side of the interstate. she indicates that this is not a weird occurrence and ends the scene by telling someone named Jack that she's "on her way." If you remember episode 8 after Celia and Sam talk to Gerry and Gertrude, she mentions stuff about wanting help with her own mystery. When Sam asks about it she says she's looking into Time travel, other dimentions and teleportation. Many people have theorized that maybe Celia is just a super heavy sleepwalker, but I think the she teleports random places out of nowhere. This could be a side effect of her reality hopping if this Celia is originally from The archives universe.

As for the identity of Jack I'm not quite sure about that yet. I cross referenced the name Jack with past episodes of TMA. The only thing that came up was Jack Barnabas from the statement about dating Agnes Montague (aka an avatar of the desolation and Jesus-like figure for the cult of the lightless flame) So Unless Celia is secretly Agnes of Agnes reincarnated , I can't find any way to link Barnabas to Celia. (if anyone has a theory feel free to send it my way.)

Sam Lore- this one is pretty minor story-wise but I thought it was interesting. Before the statement for the episode is presented we get some classic Sam and Alice Banter ™ most of it is pretty lighthearted but I noticed Sam mention something that could indicate he might be an amputee.

These could not mean anything and I find it weird that it hasn't been mentioned until now but thought it was kind of cool and I will probably be drawing sam with a prothetic leg in the future cause I really like this head-canon. It also begs to question if he is missing a leg. it might have anything to do with his past as a Magnus institute test subject but then again could just be a fun character detail added by Jonny and/or Alex .

The Statement- Getting into the statement we get another Ink5oul appearance. Also possible Ink5oul identifying as she/they. (and lets be honest being a fear avatar is pretty non binary core). I found this Episode gave me a feeling of a hybrid between the Vast, Buried and the Flesh some people are theorizing that is might be a new entity called the Deep but I think that the fear of the ocean could easily apply to the vast or buried. Not much to say about this story though pretty standard Magnus horror that also gave us a hint to what Ink5oul's goal could be/which entity they serve.

Post Bonzo- Gwen has a debrief with Lena after her first Externals Liason assignment and her meeting with Mr. Bonzo. Undoubtedly Gwen is still pretty shaken from her encounter, even arriving late to work due to sleeplessness. Gwen is able to ask Lena a few questions mainly she wanted to know who's name was written on the letter given to Bonzo

Lena is largely unhelpful but tells Gwen she should have worked it out by now and if not to pay close attention to the case load for the next couple of days. before the latest episode my guess was Klaus because that is the only person mentioned so far that the OIAR intends to kill. but more on that later

Marked- Now were getting to my favorite thing about this episode. This episode title can have two meanings. The first is the more literal interpretation. Tattoos are marking of the body and the case this episode was all about tattoos so easily a good name would be marked. But I believe this is a red herring meant to misguide listeners who have not consumed all 200 episodes of TMA because if you know the world of Magnus Archives the term Marked takes on a entirely different meaning.

In TMA the term marked is used to indicate that somebody has been influenced by one or more or the fears and are one their way to becoming an Avatar. I think this could be a coded way to tell the audience someone in the OIAR has been marked. I have two potential candidates

Alice Dyer- Alice has been having dreams about the Institute after her and Sam's adventure into the ruins. also she mentions feeling like someone's watching her (common to people influenced or fed upon by the Ceaseless Watcher/The Eye) My guess if she is marked it would be by the Eye.

Gwendolyn Bouchard: Probably the most likely culprit. The main way an entitly tends to mark people is through encounters with other avatars. Gwen has just had an encounter with Mr Bonzo last episode who I strongly believe must be an avatar of some sort.

What Happened in Episode 12: Getting Off

Aww Sam!!- Sam asked Celia out and it was adorably awkward. not much to say I just loved this interaction and I'm longing for a new Magnus brand office romance hopefully is wont be an agonizing slowburn that ends tragically like a certain pair of morons from Archives (I love you Jon and Martin but Jesus christ)

It's Bonzo time bitches!!- Probably one of the most gruesome Magnus statement I've ever listened to (good work Alex) Mr Bonzo completely annihilated some poor dude at his bachelor party. Based on the date of the Incident the I can confidently say that whoever Baz (the groom) was he was our mystery person the OIAR sent Mr Bonzo to get rid of. Along with some of the bloodiest imagery we learned a few things about Bonzo. The most interesting detail is that Bonzo has to be summoned by playing his theme song I think the CD of his theme song acts somewhat like the tapes did in TMA by materialising out of nowhere. Also fun fact you know that torn seam that is right down Bonzo's middle? that is actually is his mouth lined with rows sharp teeth so I guess I know that now (so fun) Moral of the story dont f*ck with Mr. Bonzo

Alice knows something: Theres been this recurring audio glitch throughout TMAGP thatnks to a few extremly observent fans we have started to relize that these glitches are not at all random and are actually letting the audience know when a character is lying (i actually reposted somones deepdive into all the istances of this glitch so far if you guys are intrested in knowing more) why i bring this up now is becuase since we know when any charater is lying we also know when they are being truthful if there is no glitch when they say somthing and at the end of this episode this interaction occurs

Alice goes ahead and makes a joke about this to annoy Gwen but the fact theres no audio glitch when she says "I know" means she does actually know who is behind the OIAR and is activly refusing to share it with Gwen or the others. What do you know Alice!?

and that's about it im already loving these next batch of episodes and am so excited to learn more (ERROR has to show up somtime )

thanks to everyone who resonded the poll on the last update I will continue to include drawings into the breakdown even if it takes me a little bit of time to post. anyways I wrote this all in one sitting and I'm about ready to pass out so thanks again and the ask box and comments are always open for discussion and theory crafting.

-Echo

[scekrex]

Love your writing!!

Can I request an Adam x Lucifer’s Ex! reader? Reader is basically the same rank as Lucifer was (so he’s the same strength as him too) Basically, they split up after he and Lilith got together and gave Eve the Apple. Reader is extremely depressed about it but then he meets one of the humans from Eden, Adam . And they find solidarity and comfort in going through the same/similar situation.

Lowkey giving that one scene from Steven Universe (No idea if you’ve watched/like SU so, if you’re not sure what I’m talking about, I’ll link it here. (If you want, you can probably just skip to the time stamps or watch all of it, either’s fine, but it starts at 2:33 and ends around 3:11

Spoilers for Steven Universe, if you even care.

https://youtu.be/PnlRR0rX_Q0?feature=shared

(The context for the SU scene is ofc different, but just the overall vibe of it is what I mean.) but just 2 people abandoned by someone who was supposed to be their soulmate (Twice for Adam) and them finding love in each other in the end.

(Like, imagine both the fluff AND angst potential.)

Also!! If/After you write this one, I might request a Part 2 of this with angst for the aftermath of EP.8. (ONLY if you’re ok with it OFC! If not, just tell me in your A/N for this one and I won’t send it!!)

I hope you have a great day!!!! 💙💙

Okay first of all: gimme that EP 8 request right now, I need it soooo badly °^° I haven't seen SU but I've watched the scene you linked and it helped to get the vibe right so much, this is a lil short but dragging it out just to make it appear longer felt wrong. I hope you like it though. Also friendly reminder: this is set in Eden before Adam became a douchebag.

Part 2

I'm a jester and I'm yours, call me your fool

pairing: Adam x male!reader

warnings: language, hurt (with comfort)

note: not beta read bc fuck you I don't have beta readers

Eden had always been the place for you to ge whenever you felt sad or upset, it calmed you down, eased your mind, made your thoughts shut up for only a couple moments. Lucifer had betrayed you, you knew that, you also knew that it had been for the best to end things with him before he would take it too far with his wish for free will and with the things that were going on between him and Lilith. And before you even realized how sad that made you feel, to be betrayed, to be replaced by a mortal soul that would never be as pure as you were, you started crying - it wasn’t loud and if someone wouldn’t have paid attention it was also not visible but Adam did pay attention. Lucifer and Lilith had given Eve the apple, the forbidden fruit, how much further would heaven allow them to go? You weren’t sure. What you were sure about though, was the fact that you missed Lucifer, you missed his warmth, his chaotic yet gentle way of handling things, no matter what it was. You missed his creative mind, his joyful character, the love he had held for you that he had never been able to hide. You missed your clumsy blonde little angel - you shook your head, no, he was no longer yours.

And while you tried to sort your emotions out, the brunette human carefully creeped closer, he noticed your sadness and despite the fact that he didn’t know why you were crying, he felt like he understood without knowing the true reason - he had heard them whispering about it. About how Lucifer had left his boyfriend in order to get together with the first woman, his ex wife, Lilith. And while one loss alone had been seemingly impossible to carry, Adam had not only lost Lilith to his former best friend, he had also lost Eve. Eve, who had tried to talk him into eating the apple as well, he had refused to though, he wanted to remain pure, if she decided that wasn’t for her though, then that was her deal and not Adam’s.

Once he had reached you, he quietly sat down next to you, he wanted to take the sadness away from you, a creature as gorgeous and heavenly as yours should not sit in Eden and cry. He wanted to ask you why you were crying, who caused all those tears but he felt like it wasn’t his place to do so - you were an angel after all. Was he even allowed to sit next to you? The first man didn’t know, but he was sure that if he wouldn’t be allowed near you, you would tell him so. Lucifer might be disobeying heaven’s rules, but you? You looked too pure to do so.

You quickly wiped your tears away as soon as you noticed the presence next to you, when you turned your head to look at the person that had decided to take their place by your side, you were quite surprised to see the face of the first man there. “You look so sad,” the brunette hummed as he reached out to gently touch your cheek. Your golden, broken looking eyes met equally broken brown ones and you somehow found comfort in them, even though they belonged to a total stranger. “Yeah,” you softly chuckled at his words, a small smile forced itself onto your lips, “I guess that’s normal when you get dumped, though.” So the rumors had been true, Lucifer had left his boyfriend for Adam’s former wife. He inhaled deeply, “That’s what love brings.” And yeah, he had a point. Love was able to bring joy and happiness, but it could also take those feelings away from you within seconds. Carefully you leaned into Adam’s touch and closed your eyes as you breathed in the scent of the brunette. “A creature as beautiful as you shouldn’t be sad over losing someone like Lucifer though,” the first man continued and gently caressed your cheek with his thumb, wiping away all remains of your tears. “That’s so easy to say, Adam,” your voice cracked when you said his name and you opened your eyes again, “He was everything.” Adam nodded, he understood, “So was Eve. And Lilith. But sometimes they choose a different path than you do and there is nothing you can do to change that.”

And looking at it that way made you realize that Adam was in the same situation as you were, a situation that tore apart everything just because Lucifer had made a reckless decision. You had lost everything and so had Adam, you were sitting in the same boat, sailing the same ocean of sadness. But now you had found each other, so at least you weren’t sailing alone anymore. “Adam?” you asked quietly as you looked at the first man, making sure you’d get nothing but honesty when your eyes met his, “Can you stay?” And without hesitation the first man nodded, this would not only bring you comfort and take a little bit of the sadness away from you, no, the brunette would also find comfort in this, you would keep his mind busy and that he was very thankful for.

[natliyy]

drdt 16 spoilers

I need to spitball my thoughts on charwhit. this reads like I know where I’m going but there’s probably going to be very little connections and cohesion and I am NOT good at analysis pls forgive me. my first actual post of course it’s about it drdt LMAOO

A lot of people have noticed how focused whit was on charles in the latest episode, me included. And now I’m thinking.

and I want YOU to think about it too. whit’s go-to for grieving is to not acknowledge it. everything that happened in ep 16, ace about to die, broken monotv, teruko almost dying, levi getting shot and on the brink of death, so many gorey things. it’s all too much to process, so many unexpected things rapidly happening one after another, and you pile that on top of whits grieving method. he needs to laser-focus in on charles, because there’s a lot of blood, and judging by how min’s execution was, there should probably be more soon. it gives him something to do.

and now this is the part where I Get Confused. And a little Concerned. And things start Falling Apart. triple whammy.

teruko has a machine gun aimed at her. she’s saying what might possibly be her last words, and everyone’s telling her GET OUT OF THE WAY??? HIDE?? (even ARTURO. sounded thoroughly panicked. this isn’t about him but I have thoughts on him too) and you know the weird part? whit likes teruko. he wants to see her smile. he apologizes, and jokes, and knows she doesn’t have to close off her heart the way charles did. but did he say anything to teruko during her execution?

NO?? ABSOLUTELY DID NOT? he says “Charles, stop talking and cover your eyes!” which. Sure. Okay. charles has a pretty strong attachment to teruko. he genuinely likes her. that machine gun would’ve reduced her to bloody mass. he’s gonna be borderline hysterical. like I get it? but dude teruko is about to DIE. you want her to be your friend. I hold some acknowledgement towards mm whit theory but I really think it’s too early for me to believe in that, yet at the same time, if he didn’t call out, didn’t say a word to her, did he like… know she wouldn’t have died? already known how her luck works? I don’t know…

and now we cut to levi getting shot. And this is the part where things start getting more insane with me for no damn reason. there’s blood everywhere, and charles is starting to break down. and you know what whit says?

Hey, dude? What the HELL???

The smell of blood is really strong. Even though I told him not to look, he still…

the choice of words is really messing me up. “Even though I told him.” whit telling charles to cover his eyes was lowk the most forceful we’ve heard him so far. I really can’t decipher this, but I will rewind a little to convey why this line made my skin crawl so much.

in trial 1, whit was pretty damn convincing to the audience. “He’s my friend, of course I’ll argue for his sake!” and telling people to lay off of charles… it was really sweet. very considerate and compassionate.

except in chapter 2, he doubles down. in ep 2, he says something along the lines of, “Oh, I did say he was my friend, didn’t I? Well, that was a total lie! I only said it to make people believe me! But I think he took it to heart, or thinks he owes me…? So, yeah, I’ve decided we’re friends.”

…………. okay my thoughts r falling apart it’s 4 am let me try to think of connecting this somehow

whit seems to know charles is dependant on him. whit also has a history of avoidance and ignoring things that bother him. and let me make it clear, I don’t think these two r some ultra toxic relationship at all. I’m trying to pinpoint their flaws and predict where their relationship will go.

it’s kind of funny? imagine the ultimate matchmaker with commitment issues. though it’s not too far, considering how isolated his childhood probably was.

anyways, I feel like this is all setting up for a shift in dynamic in chapter 3. which is where I get to the part I really want to say: if charwhit’s relationship deteriorates due to Charles’ dependance and Whit staying subtlety dismissive and avoidant, I will be amazed. What seems to be the most sturdy relationship in the series crumbling due to the killing game wearing down on their compatibility is a writing choice that would send me to cloud nine, I think. we know DRDTdev has been subverting troupes since chapter 1. the “tragedy” of this relationship being them growing more unhealthy due to their problems, rather than one of them dying would be so. How can I even articulate it?

although, if whit’s prediction of “Charles Cuevas, dead at 3” comes true, I will simply reach into the screen and strangle him. anyways, that’s all I got. enjoy my braindump maybe

[the-mighty-e]

I haven't seen many people talking about it, but being the crazy huskerdust fan I am, I'll talk about it.

I have the whole Loser, Baby mv memorized in my mind, and I've been practicing singing with certain emotions that will make my singing better. With all of this I noticed something in loser, baby: Husk sounds happier than ever. And yeah this may be obvious, I mean, look at him.

We've seen in episode 5 how scared he is of Alastor, and how relieved he was in ep 8 while Al wasn't there with them.

He was happy that Angel opened up in ep 4, even if he opened up snapping. Husk took that chance to tell Angel that he also made terrible decisions that made him end up caged.

BUT THAT'S NOT EVEN THE BEST PART, HE WAS EXTREMELY HAPPY TO HAVE SOMEONE TO TALK TO

I mean look at his smile.

For the whole first part of loser, baby before the chorus Husk was "talking about himself", as a way to show Angel that they're really in a similar situation.

He was opening up to someone. And not idk a bartender, like he definitely did in the past, he was opening up to someone who could understand him, who ALSO needed someone else. Husk realized this, he realized that they found each other, LOOK AT HOW MUCH HE SMILED HERE

And even this, he probably insulted himself like this multiple times, he was happy to share those insults with someone else

EVEN HERE, HE DIDN'T JUST SAY "just like me" HE PUT HIS HAND ON HIS CHEST, AS A WAY TO EMPHASIZE THAT THEY'RE ACTUALLY THE SAME

He was having fun, he was actually having fun opening up like this. I'm 100% sure that if we rewatch the whole season, and take all the times Husk smiled, in this song he smiled the hardest.

He was stuck for so long "at rock bottom", he knows what Angel is going through.

LITERALLY LOOK AT HIM, HE'S HAPPY TO HAVE FOUND ANGEL

He even LAUGHED, he couldn't hold it anymore. Many people when they're happy they laugh. He laughed not to mock, but to tell angel "yeah, tell me about it!"

"Get outta here man" Basically saying that it's useless to whine, he knows the pain of being constantly controlled by others, he literally means to say that he shouldn't waste his time regretting. He knows what that feels like

Anyways I can't fit any more images but, even later on when he says to angel "baby that's fine by me" YEAH THAT'S FINE, IF BEING A DICK SUCKER IS YOUR COPING MECHANISM, THEN WHO SHOULD STOP YOU??? BE YOURSELF!!!!

Angel realizes this now, he's not alone anymore. He has someone he can talk to knowing well that he can relate too. If they stick together "things will end up differently".

And the last chorus, my favorite part of the song, it's meant to be a message to everyone, even the viewer. Stop hating yourself, your only path from now on is going on, who cares what everyone thinks about you. Yeah you're under someone else's control, so what? If it doesn't stop you from living your best life, why should YOU limit yourself? "Play your cards, be who you are".

Anyways I love this song it makes me feel accepted and I'm so happy it exists

[sco-ot]

viserys i targaryen was an exceptionally shitty parent.

when aemma was alive, he consistently ignored and neglected rhaenyra, to the point that at her mom's funeral she isn't just coping with her grief but also says explicitly when being told that her dad will need her that 'i will never be a son.'

later, when he finally gets the son he so desperately wanted, he also ignores and neglects him and his siblings, leaving them to his child bride. the only time we have seen him interact with aegon positively was when aegon was a baby at his name day feast. evey other time it was either to berate him, like in s1 ep 7, or to affirm that rhaenyra is more favoured than him and his siblings, like in s1 ep 8.

and that episode annoys me particularly, bc viserys makes a public appearance in a long time, by the reactions of the courtiers and he does it for rhaenyra. imagine what aegon and his siblings must have felt, seeing their father and knowing that despite his pain, he came to see rhaenyra, that he was willing to climb the iron throne for her. and knowing that he would never do such a thing for any of them.

his first public appearance in ages, and it is for the child that has effectively abandoned him for years to go and live on dragonstone, while they lived with him in the keep and he never bothered to try and see them, or call for them or get to know his grandkids by them.

they probably would have wondered what they had done, to have their father not love them. they would have questioned their self worth, and what they could do to get their father to pay attention to them for once. aegon was drinking by the time he was 13, aemond was so desperate for a dragon that he was willing to get mauled to get one, helaena was a dreamer and struggling with it and her father, who had read up on valyrian magic and believed in prophecy, arguably the only person who could have recognised the signs and helped her never even realised it bc he spent so little time with her and daeron was sent away from his whole family when he was 4, and viserys didn't even seem to notice that he was gone.

and again, even in rhaenyra's case he's a shitty parent, because he named her heir out of guilt for aemma and to spite his brother, and even after he had sons he kept to that decision, thus putting her in danger and risking a succession crisis.

he does all of this without preparing rhaenyra to rule in any way, he didn't make her hand (like jaehaerys made baelon hand after naming him prince of dragonstone), he didn't give her a seat on the small council so she could familiarize herself with ruling, he didn't have her go on royal progresses so that she could get to know the realm and the nobles, didn't teach her diplomacy, or warfare or any of the myriad other things a ruler or any lord should know. he just let her do her own thing, and when she fucked up he covered for her in a way that not only ensured she didn't learn from her mistakes but also hurt and pissed off people who could have been her allies.

so yeah, he was a shitty parent to all his kids, but particularly to his kids by alicent and watching aegon destroy his model of old valyria, knowing that he spent more time with that thing than with his own damn kids, felt extremely cathartic.

[byslantedlight]

Hello OFMD Tumblr thingie, and all the amazing people who are out there, and especially the ones who've been making all the posts that have made me so happy over the last few months. 💖💖💖 First and most importantly, thank you, thank you, thank you, to anyone who sees this!

This is my first post to Tumblr (probably pretty obvious from my huge lack of Tumblr sophistication! And the length of this post...) If you don't count reblogging things that I wanted to be able to find again. I've braved up to comment thank you to people a couple of times, but that's been it so far. I must admit it all looks a bit scary from this side of the glass, even though I can also see how friendly people mostly are.

But OFMD fandom is big! And you've been here a long time! I loved Series 1 when I watched it, and knew I wanted to watch out for Series 2, but it wasn't until I re-watched it when the Series 2 trailer came out on BBC iPlayer that I fell veeeery in love with it! And by then you were already here, and there was a language and debates about things I'd barely even noticed, and it's mostly me staring with big eyes thinking wow, and sometimes huh? and... well, you know. Plus there's trying to work out Tumblr, which I definitely haven't actually managed to do yet, and possibly never will, so... I decided to just jump in and post summat. Even just rambling, which is a bit of a specialty of mine... I mean - what's the worst that can happen, right? 😬

So... how come now? Well, I can't make art or gorgeous screenshots or gifs. I do write, but I'm still hanging out to get the right voices in my keyboard... I know them when I hear them, but you've gotta get the right rhythm going, and I'm not quite there yet, I don't think. Although really, I should probably just sit down and try (and stop waiting for work to shut up and give me time - I should be a pirate and take it!)

Anyway (told you about the rambling...) what I'm mostly doing apart from rewatching the eps on a constant loop is reading the fic. I'm picking it according to kudos on AO3, and according to recs that I see on Tumblr, and it's occured to me that alot of the stories I'm loving must have been recced looong ago, and that newbies like me totally missed them, and so maybe I could do my own recs, even if they are of older stories, and someone might find them useful. You know, if I work out how anyone else might ever see my posts. 😁 And if people aren't put off by my probably age-revealing use of emojis. (But I am entirely age-appropriate for Ed and Stede, and if I had to look up what zaddy meant too, well, that just means I matched Rhys Darby's expression in the bts, right? 🤨)

So it's not much, but I'd like to contribute even just a tiny bit to OFMD fandom in return for everything it gives me, so... yeah. That's my plan. I'll start in a bit, but this post is probably already too long since it's just rambling. And kind of dull. I should probably have said tl:dr at the top, shouldn't I, but then maybe anyone who actually saw this wouldn't, so... See, I kind of live in hope. 😊

Okay. Tags next, right? ... ack ... why won't it let me create new tags instead of just using ones from the drop down...? Well, those will have to do for now... maybe someone who sees this will have mercy and tell me how? I'll just be over here being a slight failure at Tumblr... And if you've made it this far (how long is an acceptable post over here?! Not this long, I don't think...) - thank you hugely for just that, and may your dreams be OFMD and joyous!

[lilac-5ky]

The Party (Satoru x Fem!Reader)

Plot: You decide to surprise your boyfriend on his birthday

Tags: Birthday fluff, Comedy, Hurt/Comfort, Slight Angst, Shibuya incident?What Shibuya incident? (year is 2018), Established Relationship, Gojo Senpai, Satoru being the adorable menace everyone loves, SO. MANY. CHARACTERS. MAKING. APPEARANCES, feels like an actual jjk ep at this point, (fic deteriorates a bit over the latter part as my mental health does, writing until 6 am is exhausting, i know im late but spare me)

Word Count: Slightly under 9k.

A/N: Happy late Birthday, my love 💙💙💙

Masterlist | Requests | AO3

“Are we there yet?”

“Almost there—watch your step!” You warn, only to lose your footing a second later as you smash head first into your boyfriend’s back.

There is no way Satoru doesn’t know where the two of you are headed. Even with his technique supposedly turned off and your shaky hands concealing his curious eyes, all the things that make Jujutsu Tech into the place that raised generations of sorcerers (yours, included) continue to exist, bearing witness to his intentionally dumb guesses.

“Is it the beach? Are you taking me to see the ocean?” Satoru excites. “Aw, baby! You should have told me so; I would have brought my swimming trunks with! Although, I hafta say swimming in December is probably a bad idea, my nipples will freeze and fall right off. You wouldn’t want that, right?”

A sigh evades your lips, expelled as a little white cloud of frustration. On second thought, his mouth was what needed to be covered. Preferably stitched.

“I appreciate your enthusiasm, but we aren’t going to the beach”—aw, shoot—“and your nipples get to live another day.” Your teeth chatter. Tiptoeing behind him with upstretched arms is already hard on its own. Doing so in the cold is purely exhausting.

You lose count of how many torii gates you cross, the joint click of your shoes switching to an uncoordinated thump as you go from traversing cobblestone paths to climbing an endless uphill of stairs, your stroll, again, feeling like part of a survival show. Curse Master Tengen. They might have only been responsible for the barriers, though in your scare, that doesn’t stop you from holding them accountable.

We are going to die.

Or more like you are going to die, considering Satoru’s already secured himself a life net in the form of your poor broken-to-be bones, and that’s the best case scenario you can hope for, the worst being having to repeat your ascension from the bottom step up.

“Then, are we visiting Himeji Castle?” Satoru continues, the frigid temperature not enough to crack his spirit. “Because I know the single best place for Tama Tsubaki. So fragrant, so elegant, so deliciously sweet! You haven’t been to Himeji before, have you? It’s also known for its excellent leather craftsmanship. Last time I went there, they had these insanely pretty wallets with—”

“N-no!” You yelp, voice as strained as if you’re walking on a tightrope. Shivering, “Wouldn’t you have noticed if I took you on a 4-hour road trip?”

“But time always moves so fast when I’m with you.” He coos in response, his tone serious when he asks, “Wanna take a break? Promise to keep my eyes closed till we reach the top. And after that too, if you want.”

Silky lashes map out the inside of your palms as they flutter against them, sweet little butterfly kisses that convince you to withdraw your hands. After all, you’d hate for his birthday to be stained with blood.

Not yours, at least.

“If you dare open them, I’ll kill you.”

“How scary!” Satoru captures your frozen hand and slips it in his coat’s pocket with far too great precision for someone with impaired vision. You don’t complain. Not even when he makes you bump into every single step on your way up, giggling to himself, until, as promised, you reach the summit and he lets go for you to assume your previous positions.

“I don’t”—pant—“miss”—pant—“walking this w-walk.” You muster in between labored breaths, palms on your knees as you crouch forward like an elderly lady with chronic back pain. “Wh-what are you smiling for?”

“Nooooooothing!” Satoru chirps, soft dimples carving hard into his milky complexion. “Just takes me back to the time when you still called me Gojo Senpai is all.”

Your youth comes playing in your head like an old cassette forced to rewind, bittersweet recollections sending you on a sudden trip down memory lane.

You met Satoru at the peak of spring and fell in love with him over the course of fall—a swirl of autumn leaves coloring the currently naked maple trees red. Muddy soles and uniforms soggy from the rain. Chasing after an umbrella you agreed to share and hopscotching across shallow puddles. Laughing louder than the pending storm.

But before that, bickering. So much bickering that continuously tested the patience of those around you, arguments over video games escorting you to morning assembly, and plans to catch new movie releases sealing your goodbyes.

The bitterness of Shoko’s cigarettes and the promise to never smoke again. Arcades and electronics in Akihabara. Karaoke and conveyor belt sushi in Shibuya. Getting a stranger to buy you your first beer and puking your guts outside a convenience store in Shinjuku. The promise to never drink again.

Moon-viewing festival. The unforgettable sight of him in a yukata, your heart multiplying itself into your eyes. Stolen glances and not-so-accidental nudges. Your first kiss tasting of melon soda, your second burning faster than the wick of his sparkler. Another kind of promise.

The giddiness of first love filters the film pink. Five-minute dates behind the old gym in flash forward. Late-night expeditions to each other’s dorms. Your loss of innocence overshadowed by the sudden loss of Haibara. Tears that threaten to spill out of the sequence. Suguru’s betrayal. The strength to move forward.

You’ve come a long way since the days you cheekily called him Gojo Senpai without a care in the world, and even though tragedy managed to forever sully them, standing here with him now makes it worth the pain. Given the chance, you’d do it all over again.

Rolling the cricks around your neck and shoulders, you walk up to Satoru, a tug at the lowest hanging tuft of hair signaling for him to meet your height. Knees bent. Eyes still closed. Lips still curled. Features so undeniably beautiful at 29 as they were at 17.

“Don’t move.” You mumble, smiling softly as you watch him pucker his lips in anticipation of a kiss. Instead, you fish out a pair of rectangular shades from inside your pocket and place them over the bridge of his nose.

“Let’s go before we get scolded for being late again.” Your hand steals his this time around, ushering him forward. A speckle of heat shooting from your fingers to your cheeks. “I trust you not to spoil your own surprise, Gojo Senpai.”

You are less than thirty steps away from your destination when, without a warning, the man behind you stops moving, forcing you to halt with him.

“What is it?” You ask, your body reeled closer to his from the bind of your fingers. “If you’re gonna ask whether I’m taking you to Laputa, I’m sorry to disappoint, but I’m still figuring out the coordinates.”

“That’s not it.” He huffs a chuckle against your knuckles, tenderly brushing them against his cheek. “But drop a pin when you do. Always wanted to take a nap in that fluffy flower bed. I’m sure it tastes fluffy too, just like whipped cream.”

“I’ll keep it in mind.” You return, a yawn coaxed at the mention of napping. “So, what is it? Why did we stop?”

“I’m cold.”

“Well, so am I, but we really are close this time. If you just—”

“You should kiss me.” Satoru announces with solemnity better befitting a declaration of war. He realizes that himself, bringing his free hand to ruffle the hair on the back of his skull. Awkwardly. Ears tinged red. Cutely. “That would warm me up.”

“Is that your excuse?” You ask, chapped lips rubbing together. Your heartbeat felt in your throat. You shouldn’t be feeling like this. Not when you’ve known each other for the better part of your lives. It’s not normal. You don’t think you are.

“Nope.” He balances things out with a boyish smile that doesn’t make things any better for the lovesick teenage girl residing in your heart. She doesn’t know any better but to fawn over it. “My excuse is that we haven’t kissed here before. We’ve kissed there,” you follow his pointer, first to a bench made of stone and then to a blind spot behind some shrubs, “and there—many times there, heh, but not here. So we should kiss.” He reasons with a simplistic, nearly childish mindset. One you can’t quite argue against.

Until his spell breaks on you rather unceremoniously.

“I thought your eyes were closed!”

“Well, they were, but then I—hah, stop pullin’ like that—started missing your pretty face too much. Can’t deny me the simple joys in life, sweet cheeks.” He grins. “C’mon, just one kiss. Then we can meet with Yuji and the others. Promise I’ll act extra surprised!”

“Y-you knew?” Your eyes widen.

“I’ve known for about a week now? Heard you two talking on the phone, plus the kids asked to be put on cleaning duty when they usually leave everything to Megumi. Then a ton of chairs started to go missing, and—”

You barely bother listening to the rest, too caught up in your thoughts for Satoru’s detailed explanation of where it all went wrong to matter. Every year without exception—from your 16th birthday party-for-two in that tiny storage room you were accidentally locked in together to last year’s all-out murder mystery dinner party—he’s managed to sweep you off your feet, and yet you can’t throw him one party without it being spoiled.

You aren’t a planner. You know that. You know, but somehow you hoped this year would be different. That, twelve years after his insistence to spend his birthday in your company alone took root, (“Why would I want to spend this day with anyone other than you, angel? We have tons of fun together, don’t we? Just me and my special girl. Speaking of, any special requests for your birthday? I have some ideas myself, hehe~”) and one year after he stopped waiting for an apparition to show up and celebrate with him, he’d allow himself to bask in the appreciation of the living.

“Are you mad?”

The buzz of his voice quiets down, the paleness of a winter morning dawning beneath snowy lashes as he peers at you from above the rim of his sunglasses. Snowflakes of wonder stirring in his irises that contain them like two perfect snow globes, trapped in them, an ageless moment of the past.

“I’m relieved.” Satoru whispers, so faintly you almost miss it.

“Re…lieved?”

“You brought everyone here, right?” You nod. “Without blackmailing anyone?”

“Just Nanami.” You admit. “And Ijichi—Shoko promised to take him out for drinks if he came.”

“That’s good.” His lips pull into a smile warm enough to thaw your worries. “Honestly, I’m not the biggest fan of my own birthday.”

“I’ve noticed,” you interrupt. “You aren’t the only one perceptive here, Mister Six-Eyes.”

He gives you a funny look, creases forming over his brow as an imaginary zipper is drawn across the corners of his lips.

You unzip it. “Please continue, Great Gojo Senpai.”

His eyes light up. Satoru isn’t one for honorifics, yet hearing you address him as such makes the lovesick teenage boy in his heart shudder with excitement.

“You know what birthday I got the biggest haul for?” A shake of your head prompts him to continue. “Seventh.” Figures, you add. He nods. “Wanna know what they got me? A Hokusai painting. You know. One of those wavy ones.” Only he would ever refer to a Japanese classic that way. “But seven-year-old kids don’t care about dead people’s paintings or Shinto shrine visits. They want adventure, balloons, and luscious Gâteau au Chocolat. The new Street Fighter game, maybe.” His fingers snap together. “They want Laputa.”

You forget your hand is still in his until it’s given a light squeeze, Satoru nervously fiddling with your fingers while he mulls over what to say next.

“Bottom line is, birthdays with the clan suuuuuucked. And then, as I got older, I grew tall enough to outrun those stupid goons watching over me. So I’d run straight to Suguru’s house, drag him to the station, and from there, we’d go to that one pastry shop in Shinjuku and buy every cake on display. We’d eat till we both got sick—hah, you wouldn’t think his stomach was this sensitive with all those curses he gobbled up, right?—and then a few years later we met Shoko, and she’d put out her cigarette on my share.” He hisses like a distressed cat. “Then we met you”—another squeeze—“and those were the best birthdays of my life. Back when we were all together.”

“Satoru—”

“I didn’t think I could have that again.” He cuts you off. “But you said you got everyone together, and while some of us are no longer here, a lot are. This is good. You did well. I’m relieved, really. I’m happy.”

By the time Satoru finishes talking, you find yourself at a loss for words, blankly staring at his unaffected expression. It’s easy to forget how vulnerable he can be in those rare outbursts of sincerity; easy to forget that the one branded as the strongest is a person who cries and breaks too, and even easier to let yourself be deceived by that happy-go-lucky attitude. But as a smile begins to take shape upon your features, you can see where he’s coming from.

You are relieved.

“What are you smiling for?” Satoru asks in the same manner you did earlier.

“Nooooooothing!” You shamelessly steal his line. “Just thinking about the sorry look on your face when you realize there’s no chocolate cake.”

“You evil witch!” He proclaims, mouth hanging slack and forefinger pointing in accusation. “Next you’re gonna tell me you didn’t buy candles either!”

“Actually…”

You take hold of his finger before he can protest any further. Not that he wants to when both his hands are enveloped in the warmth of your smaller ones, childishly swinging by your sides. Back and forth. Up and down. Round and round. Arms overlapping as you both step closer, chuckling at a joke only your eyes seem to know.

“About that kiss.” You begin, laughing again at the small, exasperated mhm your boyfriend lets out, his Adam’s apple bobbing under the high neck of his sweater. “Are you still feeling cold?”

“So cold.” Satoru wiggles his shoulders as if he’s truly shivering. “Warm me up before the cold hand of death takes me away. Pleaseeeee.”

You aren’t one to deny him. Tiptoeing forward, you crane your neck so you can reach higher, while he bends his knees to shorten himself, meeting you halfway. Heavy breaths are shared as your noses brush together. The subtle notes of bergamot on his clothes blending with the wintry crisp in the atmosphere. Eagerness tugging at his bottom lip.

You might not be one to deny him, but you definitely are the type to tease him.

“Why don’t you do it? Why should I be the one to kiss you?”

“Wha—because I asked you!” Satoru quips.

“And?”

“And I have Senpai rights. Plus you didn’t pay boyfriend tax this morning, and come think of it, you didn’t wish me a Happy Birthday either!” He gasps like he only realized that just now. He builds his entire case around it. “Birthday Boy demands it. You have no choice but to give in or you’ll be cursed for your next seven birthdays!”

“But I thought you didn’t like your own birthday.”

“Baby!” Satoru finally breaks, his voice reduced to a high-pitched whine. “Even so, you can’t be mean to me on my own birthd—”

His lips are warmer than yours when you nullify the distance, conveying the softness and fruitiness of your stolen chapstick. A smirk is written on them, bitten away as you drag his hands closer to your body, foreheads bumping together and sunglasses nearly slipping from his nose. He giggles into your mouth, whispering how hot he finds it when you take the lead—moaning at the way your tongue presses against his, and disregarding the three sets of footsteps that enter the scene.

“Sensei!” A somewhat recognizable, albeit squeaky, voice calls out. “We’ve been waiting for you!”

“Way to ruin the surprise, Itadori!” Another, angrier, squeaky voice scolds.

“Idiot, you just said there was a surprise. And I told you both to go easy on the hellion.” The last of their group tries to deadpan, somehow sounding more ridiculous than his peers.

“Pft—F-Fushiguro!” Nobara and Yuji laugh in sync, too preoccupied with poking fun at their classmate to notice your form erasing itself from existence behind Satoru’s back as he turns around to face them.

“Yuji! Nobara! Megumiiiii!” His tone is colored with a falsetto when he addresses his favorite (target) student, prompting the duo to keep harassing him with countless pokes at his confetti-laced spikes.

Your plan to use poor Megumi’s torture as a decoy to flee the premises goes to waste as your hand is held out in the open, with Satoru showing you off to them like the big prize at the end of a wrestling match.

“Oh, future Mrs. Gojo Sensei!” Yuji is the first to acknowledge your presence; the effects of the gas are all but worn off as he timidly waves at you. “I didn’t know you were here! What brings you to school today?”

“That’s quite the title, Yuji. Told you to just—ugh!—call me by my first name.” You struggle to pull your wrist out of Satoru’s grasp. You lose. “Also, no need to keep playing charades. He knows.”

“You told him? Then what was all of this for?” Nobara comes forth, a pink balloon dramatically deflating in her hands.

“Actually, I figured it out myself! Aren’t you proud to have such a smart teach—”

“No!” Two out of three shout in unison. You almost do so yourself.

After their back and forth escalates into a full-blown debate on who’s more intelligent, Satoru or Megumi’s shikigami (the results to be announced on a future episode of Are You Smarter than a Toad?) and happy birthdays are wished, Yuji asks the one question you feared answering the most.

“Sensei? Miss Y/N? What were you doing out there in the cold?”

Their own curiosity beats Megumi and Nobara to the classroom as they stall their entrance, with Satoru being the first to hit the buzzer.

“You see, Yuji, when a man and a woman love each other very much, they—ahahouch! Love really does hurt! It hurts so badly!” He yelps as you stomp on his foot hard enough to cripple an average man.

“Don’t you dare use me as a test subject for the talk, Satoru!”

“What talk, darlin’?” He smiles coyly, not losing the chance to brag. “Oh, you mean the talk about how you fell victim to my charms and couldn’t wait till we were alone to kiss me? Guess I still got it, despite the extra candle on the cake.”

“Aww!”

“Eww!”

“Gross!”

The reactions vary.

“You’ll get another candle lit up in your memory if you keep spewing shit like this!” Your attempt to step on his shoe is countered by his technique.

“Hey, no cursing in front of my precious students!” Satoru chides. “We’re supposed to set an example for them, not taint their innocent souls!”

“Satoru!” With a tremendous roar, the door flies open, startling the three students to jump behind their teacher and you to follow suit.

Principle Yaga stands by the frame, his authoritative tone coursing through your body as it recalls every punishment he ever subjected you to. The soreness in your calves from running laps around school for being late. The dryness in your eyes after surviving one of his excruciating educational VHS tape sessions for being “cheeky” and the ache in your fingers from scrubbing the gym floors squeaky clean—courtesy of being caught sneaking back into the dorm with tousled hair in the dead of night.

You almost feel sorry for Satoru acting as the wavebreaker for the incoming tsunami, but then you remember how the majority of your crimes were incidentally committed in his name and wish him good luck. He deserves whatever earful he gets, possibly something along the lines of “Sixteen minutes late? Are you trying to break a world record?”

“You think Gojo Sensei will die?” Yuji whispers. “He’s at that age when a lot of celebrities die, right?”

“He’d better not! I didn’t bring any funeral wear with me.” Nobara answers back.

“Can’t you read the room?” Megumi rasps. “Plus, that’s the 27 Club you’re talking about. Gojo Sensei has outlived that.”

“Didn’t take you for a clubgoer, Fushiguro.” The two of them snicker, prompting Megumi to sigh as he again points out their idiocy.

“Principal Yaga!” Satoru bravely puts himself forward, your line of defense falling apart like a house of cards you’re made to support on your own. “Are you here to wish me a happy birthday? How thoughtful! Guess it’s true what they say: People mellow down with age.”

“Sixteen minutes late—”

The man’s mouth twitches furiously as an invisible countdown starts in all your heads, none of you expecting the situation to simmer down before it boils over.

“But I’ll let it slide this once. Happy birthday, Satoru. I’ve stopped hoping that the years bring you wisdom and fix your bad habits. It’s pointless; every year you turn more impudent than the year before,”—is that supposed to be a birthday wish or you getting kicks from throwing shade at me?—“but I wish they bring you happiness. I made this with you in mind. Hope it’s to your liking.”

You watch as Principal Yaga reveals a felt doll from behind his back, handing it to a repulsed Satoru, who makes no effort to conceal his personal feelings, let alone express gratitude.

“Huh? What’s that supposed to be?” He asks, shaking the doll so quickly you only catch a glimpse of its fluffy white tail and stitched black sunglasses—a cat?

“It’s you.” Its maker replies, as if it’s the most obvious thing in the world. “And he has a name. Satoru, say hello to Catoru.”

Four of you share a look among yourselves, too stunned to say a thing until Satoru and his doll counterpart face you, the latter being held up by the scruff of his neck. Just like an actual cat.

“Do I look like this?” Satoru asks, and you all go quiet, with three hands simultaneously nudging you to represent them. Traitors!

“I mean, there are times when you do act like a cat—kinda?” Your voice is pinched up, hands moving frantically to dispute your words as your boyfriend’s face turns sourer than umeboshi. “But you look ten times—no, a hundred times more handsome! I promise! If anything, you resemble a—uh, Turkish Angora? Those are super beautiful!”

“You’d better get along.” Yaga warns. “I designed Catoru with a sweet tooth like you.”

“I don’t want a little mochi thief in my house!”

Yaga marches back into class without waiting to hear Satoru’s concerns about the impending depletion of his secret mochi stash. The kids tail after him, leaving you to comfort Satoru with a gentle pat on his back. “Let’s go inside, mm?”

The atmosphere inside the classroom is significantly more promising than what Yuji showed you on FaceTime this morning. All desks are pulled to the side in a rough T formation, with the spread of food you spent two nights making carefully put in order, from platters full of golden-crusted corn dogs and crispy chicken fingers to dainty cupcakes decorated with Konpeito candy and colorful mochi of every filling you could think of. Inumaki serves bar, and you’re pleased to see people returning for seconds, with Yuji waving his hands while praising your popping candy cake poppers to his taciturn upperclassman.

Balloons hang near the ceiling—a flag garland dangling from one end of the blackboard to the other. A gigantic birthday message spans across the surface, with smaller wishes sprinkled in abundance, some consisting of mere congratulations and others expressed with heartfelt emotion. You can easily guess who wrote what based on handwriting alone; Megumi’s by far the tidiest.

You knew leaving the decorations to Nobara was a smart choice. She knows it too. She doesn’t waste the chance to boast to Maki about it, the older girl twirling a bouquet made of lollipops between her fingers while gazing at the drifting clouds outside the window.

Satoru was right. This is good. You have every reason to be proud, too.

In the far back of the room, the adults have struck up a conversation with Panda, who snaps a picture of your entrance. The two party poopers—Ijichi and Nanami—look up from their quiet exchange.

“Satoru! You came!” Principal Yaga’s pride and joy steps forward with open arms, a party hat pulled taut between his round ears. “Congratulations on your birthday,” says Panda, planting two identical party hats on your heads. “Let me take a picture of the two of you. Couldn’t get an angle from back there.”

Your shoulders get squeezed as Satoru smooshes your faces together, the pointy tip of his hat nearly taking your eye out when he tries to steal a kiss from your cheek. You squint—and snap!

“Hey, can you take another? I think I wasn’t looking straight.”

“No do-overs!” Satoru interferes before Panda can even open his mouth. “Don’t worry! Getting a bad picture of you is impossible when you look perfect at any given time. Right, Panda?”

His former student glances down at the camera, letting out the exact same sound your computer makes when a Windows program crashes, and then rushing to mask it with a hearty chortle.

“Of course, Satoru! You got very lucky; Y/N is as beautiful as she is kind-hearted.” He shows you a grin that’s mostly teeth. “You know, she worked really hard for this party. We barely did anything ourselves.”

Not true; you all did your part…

Your eye is endangered once more, with his lips finding their target this time around. “That’s my vanilla caramel drizzle cupcake muffin baumkuchen pie to ya!”

That’s half your macchiato and half your bakery order, you argue silently.

“Shame Yuta couldn’t make it.” Panda continues. “Heard he’s down with a cold, though he did send you his gift via Maki.” A fuzzy thumb points at the closet-turned-gift-depository, where various bags and packages are stacked into a pyramid. “Anyway. I’ll let the two of you mingle. Come over if ya want more pictures of you taken. Got lots of props too.”

Your eyes follow as he returns to his post, spotting Shoko experimenting with a pair of groucho glasses. Nanami shakes his head disapprovingly, leaning back into his chair while Ijichi’s stutter is visible from where you and Satoru stand.

You glance up at him, a default smile plastered on his lips. Unreadable to others, but painfully obvious to you. The face he’s searching for is not among those present.

“Everyone seems to be having fun.” Satoru points out.

“Y-yeah.” You croak.

“Can’t believe you got everything down. Class looks like it did back then. Even the wobbly pom-pom on the party hats.” He squeezes the one on your head. “That caught me off guard.”

“Well, it would’ve been a greater surprise if you didn’t eavesdrop on my private phone calls.”

“That ain’t on me, sweets.” He whisks your hand into his and drags you onward. “Not my fault I was born with heightened senses. Better get used to it; our kids will probably take after me in that aspect.”

You shrug his comment off, watching as Satoru stows the cat away in the closet and dramatically dusts his hands off. “Another great addition to the world’s creepiest collection.” He grumbles.

“But Catoru is the cutest so far!” You object.

He is about to answer when a sound akin to that of someone choking has you both turning toward the makeshift buffet where Ijichi is downing water straight from the jug, his sunken cheeks a scarlet shade of red.

“Shit! He must’ve discovered the jalapeno poppers.” You bite your lips into a straight line, feeling somewhat responsible.

“Nice job!”

“It wasn’t my intention!”

Your plea of innocence doesn’t resonate with Satoru, who gives you a thumbs up before forming a cone around his mouth and shouting at Ijichi—chuckling at the hurried way the man searches for an escape between chairs and people.

“Ijichi! Oi, Ijichi! I-ji-chi! Over here! Come wish me a happy birthday!” He waves his arms around like Tom Hanks in Cast Away, declaring—unlike Tom Hanks—that he’s coming to him instead.

“Don’t go around terrorizing people, ‘Toru.” Your voice has him stopping his march to peck your lips.

“Promise I’ll be a good boy. You’re free to punish me if I’m not.” He smirks, finger-gunning you all the while stepping backwards in slow motion.

“You never are!”

“Hmm, that’s only because I’m the best. And you’d better prepare a handsome reward for when we get home, ‘cause the best always wins.” A flirtatious wink makes you question how many people listened in on your exchange, praying that the answer is none.

You take advantage of Satoru’s absence to pay a visit to your old friends, mentally counting the days since the last time you all gathered up. It’s been way too long—the beer you’d promised to catch up over turned into a distant fantasy.

“Gonna get yourself nauseous if you keep staring at that whirlpool, Shoko Senpai.” You plop down on the closest vacant chair, the bored brunette humming without lifting her eyes from the lemonade swirling inside her cup.

“If you gaze long into the abyss, the abyss will also gaze into you.” She states, managing to sound both mesmerized and disinterested at the same time.

“And? Seen anything yet?” You lean closer.

She retires with a sigh, dark circles looming below her hazelnut eyes. “Nothing yet.”

“How about now?”

Pulling your trump card—aka one of those miniature vodka bottles you specifically brought with her in mind—from your pocket, you pour a generous amount into her drink, reminiscing about the time she accidentally spiked Satoru’s soda and had him swimming on the floor.

It takes one sip for Shoko to liven up, a sudden jolt of energy coursing through her veins as she reaches out for the bottle.

“You’re a lifesaver, you know that?”

You chuckle. “Big praise coming from someone who actually saves lives.”

“Big words coming from people who openly drink in front of underage students.” The man to your left observes, absentmindedly picking at the tentacles of the octopus sausage on his plate.

“Kento! You made it!” You tip from one side of your chair to the other, arms dangling empty as he dodges your hug. “Having fun?”

“Please stop acting like him. I know the years in his company have caused your twisted personalities to merge, but the world is already wretched enough with one Gojo Satoru around.” He munches on the “good part” of the dissected octopus, discarding the tentacles inside a carefully folded napkin.

“But to answer your question, whether I’d rather spend my Friday afternoon explaining to everyone I know that the man in the picture dancing inappropriately with half-naked models in Ibiza isn’t me but a look-alike or sitting here, chaperoning a bunch of kids and making sure no one kills themselves, then yes. It’s not as horrible as I expected. And you’re as good of a cook as I remembered.” He wipes his mouth. “But I’m still clocking out at 7 sharp.”

“Come on! I did what I had to do to get you here!” You giggle, experiencing a little of the same rush Satoru feels when he’s poking fun at Ijichi. Oh no. “I am glad you’re enjoying the food, at least!”

A sound viler than any curse’s wail pierces through your ears as a TV cart is dragged into the room. You recognize it as Yaga’s old torture device—those five-hour black and white tapes gleaming menacingly on the lower shelves, with an unknown machine piled atop the cassette player. You aren’t sure what its purpose is until Yuji connects a microphone to it.

“Everyone—ah, ah, ah! Can you hear me?” The boy dabs a palm against the microphone, sounding loud and clear across the room. “Fushiguro, can you hear me? Fushiguro—ah, ah, ah!” The last of his ah’s interrupted by Megumi’s calling him out in front of their live audience.

“Everyone, thank you for coming to Gojo Sensei’s birthday party! I’m Itadori Yuji, and I’m happy to have co-hosted this event with Miss Y/N.”

A couple of heads turn in your direction, Satoru’s among them. It’s easy to make out his silhouette when he dwarfs everyone around him—Principle Yaga on his side and an antsy Ijichi lurking behind them.

“I enrolled in this school a little over a semester ago by accident.” Yuji continues undeterred. “Back then, I didn’t know any more about curses than the next person. Not that I do now.” He scratches through his hair. “Honestly, it was a lot to stomach, especially the part where I get to share my body with another. I was told I’d be better off dead, and I did die once. I was supposed to be dead, but then Gojo sensei gave me a choice, and I’m here because of that choice. More than a helping hand, he’s been a guiding light to me, and on behalf of all of us, thank you, and Happy Birthday!”He bows. “I hope you have a good one!”

Yuji holds out the microphone for Satoru, the two of them sharing a high five with an affectionate pat seeing the boy off.

“Thank you, Yuji, for this wonderful speech!” Satoru grins, evidently moved by his student’s words. “Everyoooooooooooone! Give it up for the man of the hour, the one and only, the most incredibly handsome and magnificently strong sorcerer known as Gooooooooooojo Saaaaatoruuuu!” His body twists in a pirouette, peace signs and heart signs flying everywhere as he lands with a finger pointing at where the imaginary camera would be.

Unsurprisingly, no one is impressed. Cricket sounds almost audible.

“Wow, okay. Tough crowd, I guess.” His lips comically jerk to one side of his face, his tone turning nasal before switching back. “I won’t bore you with individual thanks and other useless formality crap.”

He smirks at the way your mouth rounds a silent gasp. Nanami notices too, posing a question you shrug off.

“To cut it short: first-years! You’ve all proved yourselves as worthy sorcerers and worthier humans. As a reward, I’m proud to announce your reward in the form of a—c’mon guys, drum your desks a little!—luxurious, one of a kind, ten outta ten, uniquely planned field trip by moi!”

“Is it Paris? Are you taking us to Paris?” Nobara dreams out loud.

“Sensei! How about Universal Studio? I saw them post their newest churrito flavor on their webpage.”

“Can I sit this one out?” A gloomy murmur begs.

“Great thinking, Yuji! Unfortunately, Nobara, we won’t be going overseas this time, but, Megumi, you’ll definitely want to reconsider once you hear our destination, which iiiiiis—excitement is free, everyone!—Parque Espana!” Satoru claps for his suggestion.

Three dejected faces say pass in unison, with only Megumi daring to complain about Satoru taking him and Tsumiki to the theme park every second Sunday when the two were younger. You remember that. Some times you’d tag along, and you’d all grab ice cream while staring at that humongous roller coaster the kids were too short to ride.

Undefeated, Satoru directs his attention to the second-year students, the three of them loitering by the chip bowl. His tone turning grave, “Second years, I’m honestly very disappointed in all of you. In our two years of knowing each other, you never thought to throw your favorite teacher a party for his birthday. You’re lucky I don’t have the authority to drop you a grade, but still. You fail!”

“Fish Flakes!” Inumaki expresses his supposed disagreement.

“Huh? You never even told us when your birthday was because you didn’t want us knowing your real age, you blindfolded idiot!”

“Maki, not now!” Panda anxiously gets in her way. “Cool it!”

“You should have figured it out yourselves.” Satoru toots. “Moving forward! I’d like to give my special thanks to the moon of my life, my sun, and my stars.”—you knew watching Game of Thrones with him was a very bad idea—“Y/N! Come here, sweetie. Don’t be shy; everyone knows how much we love each other.

It almost feels like you have the limelight shining on you, with every person eagerly awaiting your response. You gulp hard, whispering so that only Nanami can hear. “You were right. Please save me.”

“What is it, Buttercup? You already have my heart, but if there’s anything you’d like for me to do, then now is the moment to say it.” Satoru smiles sweetly, his voice dripping with honey.

“Actually, there is. Can you put me down?” You kick your legs around while he hoists you up in bridal style, your unjust abduction having occurred in the blink of an eye.

“Anything and everything for you!” He kisses the top of your head, holding you close to him even after letting your feet touch the ground. “Alright, that’d be all! I hope everyone gets to have the time of their lives. Now, let’s get this party started!” He throws the microphone up in the air.

Nothing happens.

“I said, let’s get this party star—whatever.” Satoru gives up half-way through raising his arm again. “Yuji, play something fun!”

“On it!” Yuji salutes him, and the two of you walk away from the blackboard.

A faint sigh echoes behind you, its relief cut short as Satoru grabs the microphone once more. “Ah, right. Ijichi, I’ll see you in my office on Monday. I’d wear a headband if I were you.”

“I’ve c-committed a mortal sin, G-Gojo!” Ijichi struggles to say, uncertain of the crime he’s being accused of, yet hopeful for Satoru’s forgiveness.

“You are such a menace!” You throw a playful punch to his chest once he sits you on his lap, away from the eyes of people gathering around the karaoke machine, and close to Nanami, who departs with a disgusted scoff.

“You love me for it.” Satoru’s lips press softly against yours, incapable of hiding his smile when you pull his face in for another kiss, the tight squish of his arms making sure you’re going nowhere.

“I do.” You affirm, rubbing your nose on his. “I love you.”

“How much?” His eyes crinkle fondly.

“Hmm, like, a lot?” You giggle, your fingers absently brushing through the trimmed hair on the back of his skull. “Enough to spend half a lifetime by your side and still find you the most incredible person in all of creation.”

“Wanna spend the other half too?” His breath on your cheek colors your skin red, your eyes momentarily lost between shades of blue.

“Come back with a ring, Shit-toru.”

“That’s not the way you talk to your future husband!”

“He’s here? With us? Right now?” You gasp, frantically looking around, until Satoru forces you to face him with a thumb on your chin, his other hand squeezing an innocent touch around your thigh.

“Satoru!”

“Scared your future husband will see us?” He throws his head back, laughing at your panicked state. “Don’t worry. I’ll fight him for you. And win. After all, I am the strongest.”

“Ladies and gentlemen, he did it! He said the line with only—”you glance at your phone—“six hours left before the day ends, what an amazing record!”

A shrill screech fired from the other side of the room interrupts your banter, the microphone turning into a lethal weapon in Panda’s massive palms. The students appear to have divided themselves into couples, fighting over who gets to go first until Inumaki takes the initiative with a rap song—or, more accurately, sings over a rap song, as the only words in his roster revolve around onigiri ingredients that are mentioned nowhere in the lyrics.

“Stop hogging the mic!” Maki attempts to steal it, backing away as the boy teases to unzip his collar. She knows better than to push her limits while unarmed.

Panda still gets in the middle. For precaution, you assume.

“Reminds you of something?” Satoru comments on your riveted attention. “They’re just like us. How we once were. Young and full of dreams.”

“Nah. You were always a horny bastard.” You slap the inappropriately placed hand away before you get up and sit where Nanami was previously stationed. Poking your tongue at his devastated expression.

Conversation between the two of you is kept to a minimum after a different tune begins blasting from the speakers—Yuji and Megumi take over the stage with Takada-Chan’s most recent success, one of them performing the vocals to perfection while the other merely mumbles yeah’s whenever the song calls for it. Next are Nobara and Maki, the two girls belting out to an anthem of empowerment that has the boys in the room gulping uncomfortably among themselves.

The mood shifts completely when Yaga pours his soul into an 80’s power ballad, his raspy voice transforming into the smoothest velvet, complemented by Panda’s harmonies. Even Satoru praises his old teacher, cheering him on from the bleachers with a makeshift napkin-banner.

You don’t realize your boyfriend’s gone until you see him with the microphone in hand, bending the cable as he makes quick gestures for the floor to empty, performing what is possibly the cheesiest, most romantic love song ever written, and ushering you to join him once he drops to his knees—quite literally at your feet.

You ruffle his hair and shove his goofy expression away. No matter how charming his singing voice may be, he’ll never get you to sing in public. Similar to how he’ll never catch you admitting how loudly your heart beats in your chest, despite the fact that it’s written all over your face.

God, you hate this man. So much that part of you wishes you’d spent his birthday like you did every other year—tangled in his sheets and kissing till you cannot breathe.

As soon as the karaoke session ends, Megumi and Yuji exit the room to bring in the cake, with Satoru jumping them for a thorough inspection. The dessert is inspired by one of his favorite confections. Handmade mochi bites are spread evenly between three layers of fluffy strawberry cake, the entire enterprise covered in fine red bean paste and topped with vanilla buttercream, strawberry cutouts, and, of course, more mochi in a light pink shade to recreate the world’s largest daifuku.

You lost count of how many failed attempts it took to create your own recipe from scratch, but the look on Satoru’s face is better than any payment you could possibly ask. He struggles to find a word that describes his feelings—phenomenal being the one he ends up using. Definitely better than chocolate cake. Perhaps even on par with the legendary Laputa.

Everyone gathers anew for the birthday boy to blow out his candles, awkwardness sweeping through the crowd as, one by one, you come to the conclusion that there is no available lighter.

you search through your pockets for a lighter, finding none. Shoko’s unhealthy (and supposedly cut) habit comes in clutch, with the brunette handing Yuji the keys to her office. The boy sprints outside at full speed, idle chatter put on pause as the TV starts playing on its own, the song selection window traded for a relic of the past.

“Is this even working?” A young Shoko taps the camera, tilting her body at a curious angle. Short skirt rolling up.

“Probably not. That shit’s ancient, but feel free to test it! Maybe try showing it something funnier, like your pant—”

Horny bastard. Right on the money.

“Cut it off, Satoru.” A voice makes both you and present-day Satoru shudder, its owner taking the camera from their friend’s hand to shoot footage around the gym. “Yaga Sensei told us to use this to document the Goodwill Event, not film amateur gravure.” The frame shakes once more. “Looks good to me.”

“Pft, what’s the point?” Satoru flicks a pebble at the camera. “So he can make a quick buck out of me destroying those brats? The outcome’s already decided. Now turn this thing off. I wanna lay under the sun without some junk in my face.”

The camera zooms in on him splaying his limbs on the grass, possibly near the track field, based on the slight hint of red inside the green.

“The only junk in your face is your face itself.” Shoko deadpans, making him chase after her while Suguru continues filming them until they turn into a pair of flickering dots.

“These two.”

The world is turned upside down as a close-up of his bang takes over the screen. Realizing that himself, he pulls the camera further away, cat-like irises shining like pure amber under the sunny sky. You’ve missed their warmth.

“Preparation for the Kyoto Sister-School Goodwill Event, Day 1.” He declares, and the screen goes black in an instant, white noise reigning over the space.

Your hand seeks Satoru’s on its own, the faint sound of his name dangling from your parted lips, both your breaths catching in your throats. He’s left gawking at the screen, reciprocating your touch with shaky fingers that try to anchor him to you. It’s safe to say this was not part of your plan.

“Weird. Thought it’d be one of those old workout tapes.” Nobara reveals herself as the culprit behind the incident, ejecting the tape back into its box and later standing with her hands pinned to her waist. “Gojo Sensei, I recognize you and Ieri, but who was that third person in the video? Bangs Guy.”

Out of everyone in the room, she’s the only one to have absolutely no information on Suguru. Aside from the adults, the second-years were all present during last year’s attack, and Megumi knows whatever has slipped from Satoru during his stay at the Gojo clan’s compound.

Nobody rushes to respond; all of you tuned in on Satoru even though only Shoko, Yaga, and you are directly gazing at him, his face contorted with a pained grimace he tries hard to disguise.

“Geto Suguru was—”

“My best friend.” Satoru grins at Principal Yaga’s attempt to help him, grasping your hand more confidently as he confronts the girl. “Geto Suguru is my best friend.”

“Huh. Guess there’s hope for everyone.” No one’s left with any courage to laugh at Nobara’s poor attempt at a joke. “Where is he now—”

“Senseiiiiiiiiiiiiiiiii!” A voice gains volume as the door bursts open, Yuji pouring into the classroom with the lighter held over his head like it’s the Olympic flame. “I g-got th-the—” He tries to breathe, ending up only saying, “Fire. Wish. What. Miss?”

“Yuji!” Satoru makes you follow him to the door. “You’re right on time! And no, you didn’t miss anything. Just stories of the past.”

“Stories?” Yuji wipes the sweat off his forehead. Still very much exasperated. “But I…like stories.”

“I know you do.” Satoru’s eyes settle on yours, the clamor in his eyes hushing for the first time in years. “But birthday wishes are meant for a future that’s yet to be written.”

“Thank you!”

Appreciation falls from your lips as a long-drawn yawn, every second you spend huddled under the kotatsu’s warmth begging to lull you to sleep. Today was a long day. So long, it feels as if it spanned an entire lifetime.

Satoru plops down beside you, the neckline of his sweatshirt diving low over his collarbones as he chugs his share of hot cocoa. Yours remains untouched while you switch between the same two movie options, incapable of picking one over the other.

“What do you have for me?” He asks, running his fingers over the ceramic rim. A melodic string instrument-like sound is induced.

“Okay so. Got the cult classic Sixteen Candles, which we’ve probably watched more times than Molly Ringwald had to practice her lines for the role, and I also have La Boum, in case you’re feeling more adventurous, and I don’t know. Frenchy, maybe.”

“Hmm, I mean. When you phrase it like that…”He acts as if he’s seriously contemplating his choice, only to snatch the remote from your hand and choose La Boum. He smiles slyly, curling near your chest. “It’s what you obviously wanted to watch. And I always choose, so.”

“Forfeiting your birthday boy rights?” You hum, tenderly combing through his freshly washed white strands. He smells just like his cake, you think. “Be careful. There are still nine minutes left before your birthday’s over, and you’re robbed of your rights for an entire year. Think you can make it?”

“Will you be with me during those horrid days?” His voice turns muffled.

“Always. Now, before the movie starts and you ruin the fun with your excessive blabbing, how about you reach under the kotatsu for your gift?” You suggest, chuckling as his head lifts up, cerulean eyes shining with unfeigned surprise.

“Angel! You shouldn’t have!” Satoru beams whole as he drags the heavy box out, shaking it in an attempt to feel out its contents.

“You know that doesn’t work with me. C’mon. I’ll pause for you.”

He wastes no time to untie the light silver bow that ties the box together, taking, however, his sweet time to review each and every object placed within. Carefully, he lays everything out on the table, small gasps evading him at a constant and maturing into a full-on shriek as he spots that one rare Digimon trading card you bust your gut trying to purchase via private online auctions.

“I—um. I know it doesn’t sound too good ‘cause I’m your girlfriend and I’m supposed to know everything about you and what you want, but I really had no idea what to get for your birthday. So I decided to get you a bit of everything from your favorite things. You can blame me for weaponizing nostalgia later.”

You clear your throat with a quick sip of cocoa. Licking your lips, “Anyway. It’s really no biggie as you can see. I just bought off some trading cards, ported a few of your old favorite games to a current generation console—yes, Street Fighter included—and made you this silly beaded charm with our initials for your phone, since they are back in fashion.

“I know it’s not much, and you could buy those things at any given time, but—time is something you cannot buy, right? Your childhood, your youth. The so-called best years of your life. I wanted you to have that back, even if just for a day.”

It’s been minutes, and Satoru remains quizzically silent, to the point where the array of kisses aimed at your neck comes as a true ambush. You’re knocked to the floor, giggling and flailing while he shows you his affection in every way possible, kissing you, praising you, hugging you—loving you.

“H-Happy Birthday, Toru.” You repel his face enough to say. “Y-you know, a thank you would be nice to hear!”

“As if you don’t know what I’m about to say.” Satoru grins, holding your palms to his mouth. Kissing them one by one, repeatedly, and slowly. Multiple times each. “You are my childhood. And my youth. And the best years of my life—they are all you. Everything we’ve been through, and everything we’ll live together.”

“How’s that for a thank you?” He chuckles, quickly breaking the tension with a final kiss on your nose. Perhaps the only part of you that’s not tinged red. “That being said…”

“You want to go for a quickie?” You sniffle against your will.

“See? You do know everything about me.” He reaches for the deck of cards with the swirly brown backside. “It’s time to duel!”

A/N: sorry for hastily written ending. had no time, oopsie!

[indieyuugure]

Officially asking your timeline for the 2012 series!

Feel free to answer in two parts if that's easier (and/or less confusing) considering the first three seasons are less convoluted than the last two.

Thanks!

Yeah! Of course here you go:

So this is assuming that the Turtles’ birthday is in the spring, I could of course be wrong, but it seems unlikely it’s a different time.

Okay so first thing you probably notice is that the time line doesn’t start in 2012, it starts in 2011. It’s weird but according to Rocksteady’s résumé, they joined the foot clan in 2013, but they do that in season 3, which should be about 3 years later.

There’s also a few other things, including the fact that Kraang Prime states I believe in season 3 that it has been 2 years since their first invasion. I’m not as certain on that one as someone told me about that, if you have an episode number that’d be great.

If you can prove me wrong on this really weird error I would be genuinely delighted.

So I guess starting with season 1 and 2’s distance, there’s a line between Casey and Raph during the episode The Invasion Part 1 where Casey states it’s been 1 year since the last invasion: (source: turtlepedia.fandom.com)

So that means that season 1 and 2 have to span 2 years. Mikey also states there was a month gap between the first and second season heard in The Mutation Situation: (as in season 2 episode 1, not my comic)

After season 2, stuff starts getting a bit weird. Assuming we ignore the animation error that there is no snow on the ground and the trees have green leaves in early December in Massachusetts, then it’s definitely true that 3 months have passed since December so now it’s March, which makes sense for there to be no snow.

There’s another really odd error in The Croaking, where Michelangelo introduces himself as being 15 years old, when actually he’s 16 almost (or is, depending on their birthday) 17. I figure though that’s probably an error with the script writers and not related to the actual timeline.

Then of course there’s the time travel dilemma. At the end of season 3 it ends with the planet being blown up and they travel back in time an amount that Donnie claims to be 6 months given the Earth’s position in comparison to the sun.

However, there are a few issues to this. One being that in the episode Trans-Dimensional Turtles(season 4, ep 10) the turtles go back in time. The time is unclear until the end when a Kraathatrogon pops out of a portal that is the same one that they threw into a portal back in the episode The Manhattan Project(episode 13, s2)way back in season 2. Unfortunately this means that either A) all of season 2 and 3 covers 6 months, which is definitely not true, or B) Donnie was wrong about how long they were actually in Space.

Now the tricky part is the question “Well if Donnie was wrong, then how long were they ACTUALLY in space.” Now I made the guess that maybe it’s more like 1 and a half years because that way Donnie was still right, he didn’t realize how many times the Earth had made a full circle, so it’s more plausible.

I have some issues with how he guessed 6 months, because they are right next to the Earth, but the Earth has an elliptical orbit around the sun, so 6 months would be half a circle, so unless they were also following the earth in it’s orbit, it would actually need to be 1 or 2 years—one or two full circles to the same position—but whatever I guess. Diagram of what I mean:

The other issue is that yes, now we have a point of reference in the first timeline, but where was that in the Space timeline. There’s not a clear answer, but given that there are 14 episodes in the space arc, The Manhattan Project taking place at episode 10, and the fact that the turtles bemoan the fact that the last few episodes are actually incredibly far spaced because of travel time, I’m going to assume it’s somewhere between the first 1/3 and middle of their time in space.

(In this diagram it’s more like 1.667 years, but whatever)

So after that you have season 4 which is even harder to pinpoint the length of be about half of it is the space arc, now, you could say that the remainder 2013 is also the rest of season 4, however another question arises with Rocksteady’s résumé where he states that he stopped working for the Foot in 2016, though I’m not sure when he’s considering their work for the foot to have ended (if you have an episode that’d be great) so I’m not really sure.

So unfortunately, everything after the end of the Space arc I have no clue on, though it seems you were mostly interested in the first half.

I basically have no clue for season 5, but most of it is silly “what-ifs” so I doubt most of it has a time line placement.

So yeah, that’s my wacky timeline research, please nit-pick as much as you can. My goal is to create an official timeline so if you have more stuff to add to this that might clarify things, or prove things differently, I’m all ears!

Hopefully that made any amount of sense, feel free to ask more questions :]

[pinazee]

First season wrap up:

Okay, to start, i should mention my general opinion on first seasons for shows, especially cable shows, is not to read too much of it as canon. The writers, producers, actors- everyone- are all trying to figure out what works and what doesn’t, so i give them latitude, particularly when it conflicts with later seasons. That being said, i do enjoy jumping through the hoops to make it all fit haha

So heres a few leftover notes i had as i revisited the eps to rank them:

I bet part of Lassie was craving the father figure in Henry, since we find out later his own father passed away when he was quite young. I wonder if thats part of the reason why he became a cop, as they are portrayed as the protectors and in the 80’s they were mainly men (i don’t really remember if he states his reason later, i suspect he did and im just not remembering). So when Henry didn’t meet up to the expectation he had in his mind, i bet it hurt a little more as it reminded him of what he lost :/

I think the other reason Shawn plays dumb so much, besides hiding his genius so ppl believe hes psychic, or for laughs, is because its how he gets people talking. Like in Shawn vs. the red phantom, he purposely guessed the wrong room number so the boys would correct him. My apologies if someones pointed this out before, i haven’t combed through the internet for everyone’s theories 😬 i only now noticed. I’m not the quickest at picking these things up lol

If i had to guess, Shawn didn’t want to be a cop for halloween, he probably wanted to be something star wars related to go with Gus’s Lando. So i wonder at what age Shawn stopped trying to please his dad. But also, why didn’t his mother ever stand up for him?? I’ll come back to her later -_-

I somehow missed it the first time, but shawn clearly asked Gus to come to the dinner and Gus even points out that it was a big deal for henry to reach out. Soo, yeah, shawn obviously didn’t wanna be alone with his dad, and even henry seemed nervous about it as hes pretty drunk.

Shawn has a right to be afraid of pointy things, his dad hid his easter eggs under glass when he was 6! Not to mention he later gets stabbed 3 times! (Also its just a legitimate fear???)

So far the list of Shawns knowledge (things i wouldn’t expect an average person to know) includes (beyond the obvious observational skills, deductive reasoning, reading people (poker), and all things police (marksmanship, police codes, etc.)):

Incredible spatial and physical reasoning skills (knowing how much money could fit in the duffle bag, knowing to rotate the water pitcher to catch the reflection from the tv)

Kurt Vonnegut (well, I didn’t know who he was at least)

How to spell aggiornamento (and probably all words because of his photographic memory)

Handwriting expert

Casually spoke and understood german

Has every road he’s driven mapped in his brain, and likely all of Santa Barbara

Familiar with paint (enough to know to mix latex enamel for no messy drips)

Animal tracks (i went back and forth on this but ultimately decided he must have known what to look for)

And heres a list of Gus’s niche interests:

Forensics

Spelling bee

Safe cracking

Historic rifles

Comic books

Astronomy (even though he was going to the planetarium for the girl)

Law

Local tennis

Online poker

Lastly, Ive decided instead of ranking them, im putting them in tiers. I feel like too many of them are hitting at the same level and I can’t differentiate:

Sweetest, Juiciest Golden Pineapple Tier

Scary Sherry, Biancas toast (ohmygod i just got the biancas toast 🤦🏽‍♀️)

Blue Psych Logo Tier

Weekend warriors

Forget me not

From the earth to starbucks

Poker? I hardly know her! (Sorry @pineapple-psychic!)

Pepto Bismo Pink Tier

Spelling bee

Pilot

She loves me, she loves me not, she loves me oops hes dead

Who ya gonna call?

Shawn vs the red phantom

Oops Canadian Flag Tier

Cloudy with a chance of murder

9 lives

Game set muuurder

Speak now or forever hold your piece

Woman seeking dead husband, smokers okay, no pets

[taintedges]

*tiny little polished shoes running across igneous rock* inkblade headcanons perchance?

You can’t just say perchance!

However, I am absolutely honored to be asked. All takes place after junior year.

This one, I thought of after the little epilogue they had. With them hinting that Adaine and Aelwyn will hunt their mother down maybe during summer break, they will probably need a little party of their own to do that.

So the rest of the bad kids are busy. Kristen and her four-god pantheon, Riz trying and failing to de-stress, Fig’s podcast with Sandra Lynn ep. 69, Fabian buffing up to welcome his new sibling, Gorgug probably busy in his new bench with Mary Ann. And going back to the forest of Sylvaire is certainly going to be difficult for just two wizards.

Jawbone trying to both be a helpful parent and school counselor, suggests they bring trg or now high five heroes(?), let's face it they need some practical applications outside school.

Adaine absolutely hates this idea and does not think another wizard would be useful (she strongly emphasizes that Oisin should be excluded)

Aelwyn provides her own sassy remarks but surprisingly becomes the mediator when an argument happens, which is often.. usually when Oisin tries to refine parts of the plan and puts forward his many “better” ideas which, of course, he has.

And even when Adaine admits to herself that his plan makes more sense she doesn’t ever give up an argument. At first, Oisin doesn’t reciprocate but his cattiness comes out and the whole thing just escalates.

During travel when the silence is too awkward, Oisin will start talking about a book he really likes, and Adaine just roasts his taste even though she probably thinks the opposite.

They may have saved each other from dying multiple times in combat and will awkwardly say thank you after.

There are times when the forest gets too dark and Adaine remembers the last time she was there and how scary it was to face her fears alone. She often wonders if it was the same when Oisin died before getting forced with a rage star in him.

Sometimes they stay up talking at night when she can’t trance and finds him the only one still awake.

When they start to become familiar with each other’s magic, they become totally in sync during a battle (the rest of the group pretends not to notice how good they work together).

Sometimes Oisin wonders how Adaine would know something about his magic that he didn’t talk about (in my head, when tbk snooped around Ruben’s house and Adaine was in his wizard’s tower, I think she studied everything she found and probably took some of his stuff too, perhaps his quill and Oisin certainly notice it missing and wonders how it got into Adaine’s backpack. He doesn’t take the quill back after seeing that Adaine likes using it.)

Adaine also would threaten Oisin to teach her how he created the spells inside ping pong balls all while making remarks about what he did.

Oisin carries Boggy around when the familiar doesn’t immediately follow Adaine. Adaine just assumes Boggy always follows her and Oisin secretly likes stealing Boggy, who is just happy to be here because he now has two parents.

I think Oisin’s crush on Adaine dissipates and only comes back 10x harder at the end of their quest when he sees how capable she is.

Here’s a fun one. Coming back after their adventure, a party at Seacaster Manor in anticipation for senior year.

Adaine gets drunk on bad baby milk and insists on playing beer pong with Oisin.

Ivy is teasing because Oisin actually cannot make a shot (for real, not on purpose).

The drunker Adaine gets the more careless she becomes and hurls the ping pong ball at Oisin and boy do they hurt.

Bickering starts and tbk and trg are no help until Ragh intervenes and puts them on time-out upstairs. Bad idea.

Probably for the first time, Adaine admits that she thought he was cute and bluntly asks him if it was all a ruse to undermine her party and WHY HE MESSAGED HER SORRY AT THE CAFETERIA he could have just not said anything and left her alone.

Oisin does admit that he did like her then and he still likes her now, but the rest of senior year is just Oisin groveling.

Adaine has many times placed ping pong balls with spells written in them in his locker so that when he opens it, his things just fly out and he has to clean it up (I rewatched the scene and Adaine’s really disappointed expression tells me she will not let this go). trg finds this absolutely hilarious and are the ones who kept telling her his locker combinations.

Oisin continues therapy sessions with Jawbone and they find each other there after school.

One time Adaine accidentally left Boggy in Jawbone’s office so Oisin comes to her after to return him.

And every single time after that, Adaine just leaves Boggy on purpose. Jawbone notices (because Boggy just stares at him with his big round eyes. Boggy knows what to do even when Adaine doesn't tell him) but doesn’t say a thing.

One time, tbk are outside on one of the benches when Oisin comes to return Boggy, Kristen’s like, "What’s going on are you co-parenting?"

There’s no formal conversation, just a mutual understanding that Adaine isn’t angry anymore and trusts Oisin to always bring Boggy back.

Do they talk during these interactions? Not at first. But after it became a routine, now they hang out in the library, in Mordred Manor, and of course at Basrar’s.

Some days, Adaine doesn’t leave Boggy at all and Oisin just knows to find her at the end of the day.

This might have been too long.

I cannot write romance for the life of me but I try. Perchance these would suffice because this is a crisis and we are in drought!

INKBLADE NATION WE MAY HAVE LOST THE BATTLE BUT WE STAY WINNING THE WAR!