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#probably cause there's not a lot of plot in this ep
no1ryomafan · 3 months
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Yknow I can’t tell if the fact that my group watch today went a little embarrassing-I didn’t know how to stream from my computer because I’m stupid so someone else had to do the rest of bravern for me-or if it’s just how things played out but man I’m either gonna push it back or not do the bravern review thread I promised because when I end up feeling negative about something I feel worse giving my honest thoughts 💀 (also twitter been super buggy for me on browser so I can’t even make it a thread so I’d have to do a tumblr review and fuck if I’ve done one of those)
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genericpuff · 4 months
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hi, i know the episode came out weeks ago, but i wanted to talk about ep 277 and your essay on it. i thought it was very well thought out and had brought up lots of concerns abt apollo's other victims and the harm persephone caused to others that i just. hadn't really thought about myself because honestly this webcomic is a BLUR to me LOL. thank you for writing these insights and putting them online for others to read ! i think you manage to keep a respectful distance to rachel [1/]
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Yeah, regarding how the SA was handled...
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I think Rachel did exactly as well as anyone might have expected someone like her to write a plotline like that.
Honestly if Rachel really did want to do the arrow thing, I think it would have worked WAY better if she had used the arrow of hate. First of all, because it had already been established back in S2 when it was shot at him by Psyche, but ALSO because making it an arrow of love confirmed that Eros literally did what Apollo asked despite the fact that he's Persephone's best friend and should have been more suspicious of what he was going to use it for. Why not just do a bait & switch where Apollo is under the impression that it's an arrow of love but Persephone trusts in her friend and pieces it together that it's probably an arrow of hate? It would also payoff the whole "news crew being nearby" thing (as well as all the other gods that just randomly showed up) because uh oh now they all see his true nature and he can't hide behind his lies anymore!
After all, as I mentioned in my previous post about this (the one I believe you're referring to) it's not like there wasn't already foreshadowing that Apollo was going to fall on his own sword the way of Mr Waternoose from Monster's Inc, he was already showing signs of cracking under the guilt that he was feeling towards how he treated Persephone/Eris/Hermes/etc. so why did it have to be Persephone taking a massive risk by sticking him with an arrow of love that still doesn't fully explain why he would even suddenly be a changed man? Loads of people like Apollo think they're in love / define their infatuation as love so I don't see how an arrow of love would suddenly make him empathetic to her pain. Especially when, again, he still begs her not to make him confess, so the guilt he's feeling is still completely empty and unmotivated.
I will leave this with one final thing that I saw the other day that very much reminded me of the Apollo SA plotline and I think it rings very true for the misdirected conclusion of the plot itself:
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One of the biggest issues of the Apollo SA plotline, at least in my opinion, is that it never really gets to the root of why people like Apollo exist. There absolutely were strong foundations for this - he's the son of a guy who's known for being a serial cheater, he's popular and egotistical and is used to women wanting him, etc. - but all of those foundations kind of fell to the wayside in favor of turning Apollo into just another boogeyman, especially to lift Hades up as a "good man" by comparison (when Hades himself also falls on this spectrum). But many people like Apollo aren't just random guys in an alleyway or conspiring with some "higher power" that's manipulating them, they're men who fundamentally do not understand consent and assault on the varying spectrums in which it exists from "SA just exists, oh well" passiveness to "I'm an actual monster who gets pleasure out of victimizing women" aggressiveness. I think there's a lot to discuss about how people like Apollo exist WITHOUT sympathizing with them, but LO manages to do neither - not only does it give us uncomfortable and unnecessary looks into the rapist's POV more than we get the victims, but it does it in a way that doesn't actually address the issue of how people like Apollo come to be, it's just "Apollo is the big evil boogeyman who raped Persephone". Not only does it not actually put enough focus on the victims, but it reduces the societal and cultural complexities of where Apollo's brand of egotistical entitlement comes from to just "some guys just be evil like that". Guys like Apollo don't just come out of the womb like that, they're often shaped into what they are by a society that both excuses them for awful behavior towards girls ("Boys will be boys!") and enables - if not outright encourages - them to objectify women as trophies that they're entitled to. Even the seemingly innocent and sentimental practice of "giving away a bride" at a wedding is rooted in these patriarchal systems, with the belief that a woman first "belongs" to her father before being "given to" her husband.
It's the part of feminism that often gets overlooked - it's not just about uplifting female voices and helping survivors speak up about and heal from SA, it's also about deconstructing and challenging the patriarchal systems that lead to SA victims being created in the first place. Sure, Apollo got sentenced to building temples in the Mortal Realm, but what is that actually doing to address the bigger topic of how men like him come to exist in the first place? Especially when it was also treated as a good thing for TGOEM to be disbanded, instead of, idk... reworking it into a women's support group for survivors like Persephone?
IDK, it's a very complicated subject that you can approach from a million different angles, I don't think that my criticizing it should outweigh the opinions of those who were satisfied with the punishment that was given to Apollo (my saying the SA plotline sucked doesn't mean you're not allowed to find your own validation in it) but I do think that, at best, Rachel ended the SA plotline the only way she could because she herself is just not equipped to tackle such broad subjects that require a lot more education, experience, and nuance than what she's capable of writing. There are definitely 1298423108 better ways that plotline could have been resolved, but not with Rachel Smythe at the helm.
And that's my many cents on that.
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absolutebl · 6 months
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Began Beginning - Myanmar's first BL 
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Not So Quick Pitch (or is it a pitch?)
Cause I got a lot of thoughts
8 eps 25 min ea YouTube
Began Beginning feels very much like a first timers BL. Which it pretty much is. There’s a lot of explaining and info dumping and information that we really don’t need about the characters (or the family) especially in the first couple of episodes.
Here's your hlepful breakdown:
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Mani = main boy workaholic, probably gay, acts ace 
Hlyan = cute flirty bestie, smoker, closeted gay (for good reason) in love with Mani (becomes main character about 3/4 way through) 
Walar = openly gay visitor recovering from a breakup who enters their codependent dynamic and things happen as a result
Thae = Mani & Hlyan’s other bestie, trans 
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I was tempted to say this reminded me of early Vietnamese BL, but in actuality what it reminded me of most was the stuff we got from way back in the early 2000's out of Hong Kong, or more recently from the Philippines (I'm thinking about something like The Boy Foretold by the Stars).
There is a grungy sticky authenticity to these works, of which Began Beginning is now a part. They have their own tarnished charm. For all their hiccups in storytelling and absurdities, there is an almost documentary feel to them, partly as a result of the inferior quality of production and filming (which is entirely economic). But that itself also somehow adds to the appeal.
This kind of BL is entirely the opposite of something out of Korea or GMMTV. And if you like that BL best, you aren't gonna like this product. But as much as KBL wins top ranks from me pretty consistently these days, sometimes I enjoy this kind of BL too.
The range itself keeps the genre vibrant and healthy.
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So what is Began Beginning about?
Childhood best friends must come to terms with their own identities and true feelings for each other when a new boy comes to town, putting them into conflict with their families and ultimately, each other.
For the first half of this show there’s a lot of sitting across from each other and talking about life choices over yummy food and then going to tourist spots (mildly boring and not particularly important to the plot). 
It changed tone about 2/3 in to be way more of a coming out family drama about forced marriages and homophobia.
And then at the very end it changed again, becoming a full on soap opera with kidnapping, crazy characterization shifts, and rescue missions.
All in all? It was a wild raw creature to consume as a binge. No kisses since this is Myanmar, but a very romantic end, so I think maybe actually worth your time? I'm certainly glad I watched it.
Recommended with lots of reservations but great respect. I’m going with a 7/10.
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There is a particularly important part at the end when Hlyan talks about asking Thae to dress him as a girl to see if he was third gender because he had these feels for another boy. And how unpleasant that made him feel. I thought it was hugely impactful as a window into the boxes same sex loves in modern society forces upon us. No matter what options our culture provides for us, if the boxes are limited we feel limited too. Also, drawing a distinction between gender identity and sexual identity. Lovely bit of storytelling.
(see comments, turns out this is not the first one)
(source)
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overthinkthis · 2 months
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Final thoughts on MMDIY
This is not going to be a review because I don't really do that kind of thing, but I do want to write about the point that I loved most about this show. I know it's not perfect but I will forgive a lot of wobbles in plot or editing when a show emotionally resonates with me or makes me feel seen in a way other shows don't. And the way queer struggles were portrayed in mmdiy definitely did that.
Neither Wan nor Kim are out as queer but it's like they're living in an open closet. It should be obvious to everyone (even themselves) that they love each other and yet, for the longest time they seem unable to make that last step and confess their love, even though they both desperately want to on some level.
We do get some explicit homophobia with regard to Wan's career but it very quickly becomes obvious that that isn't the actual problem. Wan is very well able to stand her ground when she is attacked directly, we see that with Jessie and with Marwin's family. She is ready to confess to Kim, plans to do so multiple times. Why is it so hard to make that last step?
I do not know what the creators of the show were trying to say, but what I feel when watching the show, is the impact of the invisible homophobia and misogyny woven into all of society. The kind that isn't openly hostile but consistenly equates happiness for women with straight marriage and queerness with being miserable. We can write essays about comphet, but to me, this show gives a good take on what it actually feels like to be pressed into this expectation (although, I should probably say that I come at this from the perspective of a trans guy, not a lesbian - I still think a lot of the feelings are similar).
I love the conversation between Wan and Kim and the end of ep 9, where Kim tells her that she is going to marry Marwin. She basically admits that she doesn't love him, but she is still going to marry him because her mother wants her to.
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And we know her mum isn't really trying to control Kim or make her miserable - quite the opposite. All she wants is for Kim to be happy. She should probably know better - given how her own marriage ended - but the idea that marrying the 'perfect' guy is the pinnacle of female happiness is so ingrained in society that it's understandable why she still falls into this trap. I really like that they show how suffocating a parent only wanting what's 'best' for their child can be.
I love that this show made Marwin someone who looks like such a good catch. I mean, there were some red flags from the start, but at a time where Wan was more controlling and aggressive, he genuinely looked like the better option. Gentle, patient, rich (some people even commented that the show made them ship the straight couple). The kind of guy that would be endgame in every second cheesy het romcom.
The people around Kim can kind of feel that he isn't right for her (even Marwin on some level does) but they still all enable her terrible decision to marry him. Which is another aspect I like about the show: The conflict is only resolved when Wan and Kim choose each other.
Women are constantly discouraged from going for what they want, especially when it causes other people distress, but the show clearly says: They make this choice for themselves, even though it hurts people, and that is how they get their happy ending. Not by being perfect all the time, not by caring about everyone else's feelings, but by choosing what they want for themselves.
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And yes, obvisouly the whole thing could have been resolved earlier with less people getting hurt. But in another sense it couldn't, because they weren't ready. It's easy to blame Kim and Wan for not being more honest earlier on, but we can't do so without acknowledging the silent (and sometimes very loud) pressure to conform to heteronormativity.
I know some people didn't like this show very much and I do hope you all get all the kinds of GLs you're longing for soon. But imo it shows important aspects of queer experiences that we don't see a lot. And I'm really glad it exists in the way it does.
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roccinan · 1 month
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Snowfall 冰雪谣 (Uncut)
Translating/sharing some things I saw on this Douban thread for anyone interested. It includes details about important plot points that were cut/edited based on evidence and speculation from netizens. Some things were more obvious than others.
The takeaway was that Tencent could have had a really special show (and it would have been waaay more popular on the platform) if they weren't forced to cut out so many things :'D
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^Starting with this. One of the MOST important plot points was edited out: Shen Zhiheng is afraid of sunlight, hence the umbrella + hat + sunglasses getup. As the thread points out, he's never seen in sunlight without some kind of covering. As the show goes on, he would have become more and more sensitive to the light.
This is why he had that random wound on his face in ep. 24. The sun burned him, but he went to rescue Mi Lan anyway.
Other changed/removed things below the cut:
Ep 10 originally had footage of Shen Zhiheng revealing his fangs and sucking the blood of all those soldiers. Remembering all the blood he took is what caused his breakdown later. His wounds healed so quickly because he gorged on so much human blood here. Around 20 min. were removed.
Whenever Situ Weilian visited Shen Zhiheng, he was carrying blood in his bag. He only does it in the nighttime because doing this in the daytime draws too much attention. All of this was removed.
In ep 1, when Mi Lan originally meets Shen Zhiheng, there's a scene of Shen Zhiheng being tempted towards sucking her blood and resisting. That was removed, but you can still see a shot of him opening his mouth.
The scene where Mi Lan rescues Shen Zhiheng in jail by "kissing" him should have been longer. He apparently reached out to cup her head, but that was removed. --> Later in the thread, someone adds on to this: in one of the original shots, there was blood on Mi Lan's lips, further implying she bit herself. This is guesswork, but it's very probable- since she gains sight briefly in a later ep/scene, it means she also bit Shen Zhiheng after he couldn't resist biting her through the kiss.
A scene of Li Ying Liang staring down at Shen Zhiheng from another floor was removed.
Shen Zhiheng didn't recover from his wounds in ep1 by sleeping. That was an excuse Situ made up. Originally, Situ gave him blood instead of just doing surgery, but the blood part was removed.
After healing, Shen Zhiheng goes to meet Li Ying Liang and shouts loudly when talking to him (My note: I think we all remember this part). It wasn't a random choice. Shen Zhiheng felt too close to Li Ying Liang's neck and wanted to drink his blood, so he gave that shout to distance them.
Situ Weilian is the second male lead (this is confirmed!). But it feels like all his scenes revolve around Jingxue because the majority of Situ's scenes revolve around blood and vampirism, so when they cut all that out, the only thing remaining was his subplot with her.
When Situ's dancing with Jingxue during their first meeting, a part was deleted (so the show skipped directly to them already dancing). Situ likes her so much because he's a pureblood vampire and doesn't understand human emotion, so every time he comes across an emotion he doesn't understand, he goes to her.
Miss Mu (the villainess) and the corrupt officer guy (Li Ying Liang's boss) were originally Japanese. They wanted to capture Shen Zhiheng for the 731 experiments (fair warning: project 731 was a real atrocity that happened, where the Japanese medically experimented on Chinese prisoners). This was all edited out.
A lot of lines were changed in post, so that's why sometimes the dialogue doesn't match the lips
When the stepmother (Meng Ziyi's character) slaughtered the Shen family: the reason the grandmother wanted her burned was likely because she was caught feeding on human blood (the show changed it to "chicken" blood). If you look carefully at her speaking to little Situ, you can see her fangs.
In ep14, Situ and Shen Zhiheng say the stepmother's death had to do with the blood stone. Their lines don't match their lips so the dialogue was originally completely different. Op notes that in the novel, the stepmother was a pureblood vampire who died after her loved one (Zhiheng's father) died and she lost the will to live.
The conversation Shen Zhiheng has with Mr. Mo about the blood stone was also different in the original cut. Again, their lines don't match their mouths.
When Shen Zhiheng finds the blood stone in his grave, there was originally a shot of him opening his mouth and showing his fangs. That was removed.
When Shen Zhiheng turns Mi Lan, there was originally a shot of him coming close to her neck with fangs. That was removed and replaced with shadows.
With all of the above in mind, this is why a lot eps were only around 30 or so minutes when they should have all been 45. This is also why it feels like Li Ying Liang has a disproportionate amount of screentime, because they likely had to make up for all the lost time with his scenes (or maybe he was always meant to have that many scenes, but the loss of Situ's scenes just makes it more obvious). And unfortunately, why Situ Weilian has so little screentime, which I personally think is a shame because he was amazing in the role.
As you can imagine, everyone in the thread was NOT happy about this. My favorite comment was someone going, "So they think if they remove all references to blood drinking, we won't know he's a vampire? Do they think we're stupid?" Lots of people rightfully disappointed we never got to see Shen Zhiheng vampiring.
Also, apparently the final cut of Snowfall we got takes place in a timeline where WWII never happened(???) since they were forced to remove all references to it and all references to the Imperial Japanese. It's a little murky, but I think the reason has less to do with trying to do pretend Japanese war crimes never happened (most "serious" Republican era c-dramas are about defeating the Japanese or KMT anyway) and more to do with the fact that the censorship bureau has a rule about not mixing history with "fiction." So you can't have vampires with the Republican era, a time grounded in history. But you can have all the immortals and demons you want in stories that take place in "unspecified" ancient times.
*I still think that's Stupid because nobody is currently living in the Republican Era, come on. It's as much in the "past" as your average xianxia, and nobody's going to watch this and think "oh yeah, vampires existed in 1930s China!". Someone at the censors just has too much time on their hands imo!
*I can't tell if that whole mess with the gemstones was part of the original cut or added in as a backup plan though. On one hand, if you have the Japanese and vampirism, they don't need that subplot anymore. But Mu's minions were very clearly "ninja" coded, and that crazy lava scene was apparently always part of the original cut (but they removed a fight between mind-controlled Li Ying Liang and Mi Lan for some reason). It'd also be very odd to give Li Ying Liang a redemption arc if his whole schtick was selling out his own people to imperial Japan. Plus, someone in the thread also mentioned an IMPORTANT plot hole- "If Shen Zhiheng is this powerful, why doesn't he just kill the Japanese army?" They're not wrong! I think the idea of corrupt Kuomingtang officers makes more sense in that context.
Some of Mi Lan and Shen Zhiheng's "romantic" shots were cut, maybe to play down the romance(?). Personally, I might be in the minority, but I think this edit worked in the show's favor- the repression elevated the relationship to something more memorable and graceful.
People pointed out that the last scene in ep24 felt abrupt, like the ending should have been something else and that the director likely shot something different originally. I think it's still 50/50 on who to blame for That ending lol, the director or the censors.
Lastly, I'll say that not everything can be blamed on the censors. For instance, the weird cinematography during the "fast" fight scenes would still have been the same. The writers could still have come up with something less clunky than the gemstone drama and lava climax. Li Ying Liang (I think he did a decent job, not fantastic but decent, and I wasn't bored during his subplots but there really was too much time spent on him) would likely still have all those scenes irrelevant to the main trio. And I doubt it was the censors who told the director, "hey make the last scene as abrupt as possible so you can piss off all your viewers lol!"
But IMAGINE what could have been :'D Who knows, maybe one day they'll release the uncut version or somewhere else will buy the rights and release it. At least we now have more context thanks to the netizen detectives.
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mikuni14 · 1 month
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4 Minutes - Ep 4
This ep featured some of my favorite tropes: when two lovers share a secret that requires them to choose between their loved one and a cause, family, work, etc., when one of them decides to side with and protect their beloved, even if it means opposing and endangering their own family. And also that, besides Great choosing to side with Tyme and the kidnapped girl against his own family, Tyme himslef also doesn't waver in his conviction about what's right like Tan, even if it could cost him Great.
I just like this kind of stuff. I think it's neat 💖 The only thing I miss is the development of these scenes, more of them.
Unfortunately, this is not possible for one reason, namely that we are probably watching it all from the perspective of the dying Great, so there are no extended scenes, "fillers", there is no conversation between Great and Tyme about what actually happened, who Nan is, what is going on, what happened to Tyme's parents and what's the deal with Great's family business.
I apologize to WinTonklaKorn fans, but I can't convince myself to invest my interest and emotions in them. Especially now, because messy love triangles ALWAYS turn me off. There is also a lot of focus on the physical element of these relationships, and I find myself turning my head away when that happens (and as a fujoshi I should watch it like a National Geographic cameraman spying on two endangered species having sex like 👀), and generally drifting away. This plot could have been interesting, with elements of toxicity, crime, mourning, ambiguity, but it looks like it might want to, but it comes out more and more like a cheap romance with unnecessarily emphasized pornographic elements. Again - sorry to the fans of this thread and this couple 🙇‍♀️, but that's how I see it. Tonkla's brother was murdered, and he's constantly shown in a sexual context, in relation to other guys who are into him, instead of in the family/ sibling context of someone who lost his brother in terrible circumstances like Tan.
The only interesting scene was how Great's changed "reality" affects Tonkla's reality. The moment when he hears his dead brother's voice was very moving. I won't hide the fact that I would rather see more of this Tonkla. I would rather see him follow Tan's path from DFF in a sibling context, than entangle him in love triangles. I would like to see him as someone who doesn't lose sight of the goal and isn't distracted by the pussies around him like Phee. Unless Tonkla has some plan for Win and Korn 🤔 but I doubt it atm.
Of course I must mention the love scene between Great and Tyme, and I assure you, I did NOT turn my head here 🤩 I have no complaints, Bible and Jes are super comfortable together, they kiss beautifully and their physical contact has a nice flow, is smooth and natural (has Jes ever acted in a BL production?). You can also see in this scene the feelings that Great and Tyme have for each other. And I love how Great is vulnerable and open to Tyme in this scene (as in every other scene).
I like how Tyme starts with "innocent" kisses, giving Great time to react and even say no. I like how Great is just as eager as Tyme, which he shows with his whole body (as a huge fan of equality in relationships, I pay close attention to whether the series shows that both MLs are equally emotionally involved AND want each other). I love the moments when they smile at each other, when they laugh, when in addition to obvious desire they also have FUN, gosh, it's so 💯✨👌
Bible's tattooed thigh will forever be burned into my brain.
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Oh and this?
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This is it people! This is what it's all about, this is the quintessence of them and a good BL series. This showing of every aspect of a love relationship, this joy and pure fun, these smiles, these tattooed thighs, this beauty. Just.. wow. Wow!
(this is the second version of the post, the first one didn't appear at all, probably because of the full screenshots and Bible's thigh area lol hence the second attempt with cropped photos. EDIT, the previous version was flagged! 🥳 This is my first flagged post in my life, what a special day, I think I'll get drunk in honor of it)
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random-mizu-fan · 9 months
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WHO TURNED MIZU IN (THEORY/ANALYSIS)
It was both Mikio and Mizu's mother. They both plotted it.
So. I just reached ep 5 of bes. And boy do I HAVE A LOT TO SAY. Idk if it's confirmed or not, and there are a lot of theories going around on who turned Mizu in. Initially while I was watching, I thought that both Mizu's mother and Mikio turned her in. The fact that Mizu asks the soldiers "was it her?" and how salty her mother was acting towards her nearing the time where the men came to kill her. And when the soldiers come to kill her, Mikio comes right and he has this GUILTY look on his face, meaning he must have turned her in, or know about it. Like he wasn't shocked when he arrived and saw the men trying to kill Mizu, he looked GUILTY. And he wasn't shocked when he watched the men tried to kill Mizu, meaning he already KNEW that this was going to happen.
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His face screams; "I am so sorry for this."
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But then Mizu's mother is there, she was in the house ALL ALONG. She watched the scene unfold.
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Mikio was WAYYY too quick to blame Mizu's mother. He must have been too overwhelmed with guilt and tried to blame someone else but why is he blaming Mizu's mother specifically? Why didn't he say "Someone else must have did it!" And of course Mizu's mother denies it and has an excuse to Mikio's accuses.
(holy shit tumblr has a 10 image limit fuckk anyways I'll just reblog this with a continuation that has more images)
She's saying she sold herself on the bridge cause she needed her medicine and Mikio must have done it to win back his title and that she's her mother and would never.
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Boom. She says Mikio stood by to watch them kill Mizu, but yk who else also watched? Mizu's mother. She watched, both of them watched. And the fact that they're pushing the blame onto each other and fighting against each other to win Mizu's trust and affection has me thinking that they did plan this all along and now willing to sell the other out because of guilt and frustration leading them Mikio to KILL Mizu's mother because of the overwhelming guilt and not knowing what to do, but Mizu kills him!
All in all, with Mizu asking "Was it her?, " Mikio not being shocked and looking guilty, Mikio and Mizu's mom fighting and pushing the blame onto the other to win Mizu over, yep they planned this. BUT I think Mizu already knew. I think she might have overheard a conversation somehow. They both planned this and she knew. Perhaps when Mikio showed up, she thought Mikio changed his mind to save her but then he's a btich and leaves and ofc Mizu's heart is crushed. She was probably thinking "I thought he would come to save me because he felt bad. Guess I was wrong." And boom. What got me was also Mizu barely reacting to Mikio and her mom fighting. It must be because she knew they BOTH were in this, and didn't bother to intervention with the fight because they're both traitors.
But you know, maybe this dated WAYY back before when Mizu was born, or when the fire happened. Maybe Mizu's mother and Mikio already planned it then, maybe Mizu's mother made a deal with Mikio already then and already planned this out. What if Mikio was one of the men who tried to kill Mizu when she was a baby. But we'll never know for sure.
(Extra: in reblog - Mizu handing over/betraying Akemi. Watching the guards take her away with Ringo, mirroring what had happened to her.)
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imthepunchlord · 1 year
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Possibly How It Should Have Been
Gosh, I've just thought about it sometimes, as I'm largely trying to turn my creative focus onto something more enjoyable than ML (hence less writing for ML fics), but sometimes I just can't help but focus on it. Cause it's a great concept and it's butchered and that bothers me so much.
And there's SO MUCH that could've been done to improve it. Some of which could be easy tweaks. Some of which needs massive overhauling. Some of it is just picking a lane, staying in that lane, and you follow the road to progress.
It's a great concept with a LOT of possibilities and ways it could've been done. I've actually thought about possible ML Rewrites a few times, I even reached out to a friend to try and help develop a Rewrite that we could've collabed on cause I was struggling to much to decide, and we both just got stuck cause there's so many options for characters and what could possibly be done as we could see so many pros for each option.
And of course, part of the pondering that came to my mind was seeing promising improvement with kwami swaps.
Like, Marinette and Adrien may have developed better if they had each other's miraculous. Plagg could've been the ideal foil to Marinette as he's the opposite of her in every way, addressing her overworking herself, prioritizing others over herself, and caring so much about her responsibilities that it just weighs and stresses her out. And with Adrien and Tikki, she could've helped him develop as an actual, step up in responsibility, learn to take on duty, to care about others over himself. She also would've helped him get the plot rolling, as Adrien is a stagnant character but Tikki is not. She's going to get him involved into the Agreste plot whether he wants it or not, and in turn, he's going to get Tikki to learn to be more attentive and considerate of her holders cause things can go south for Adrien very quickly if she pushes too much.
Gosh, another great kwami swap that could've been done that could've improved a lot was switching up who are the leads. I always wondered if Tikki and Plagg TRULY would've picked Marinette and Adrien, also if they were even the right picks now that we know that Fu doesn't know everything and is running on limited knowledge. As far as we know, they ARE the wrong picks for these two. And considering there was an ep of Tikki and Plagg picking their own users, I now wonder if Alya and Nino should've been our actual leads.
How Alya was initially as Scarabella screams to me that it would've better served in the Origins as a starting hero. Alya also has promising potential arcs as a starting hero, especially as being a superhero is her living her dream:
There's the struggle of balancing her civilian and hero life, she can learn that the civilian life is just as important.
She can learn that being a hero isn't all glory and isn't always easy.
She can learn the importance of secrecy, and what happens if she exposes herself to the public or to a friend (probably Marinette).
And a lot of the lessons Tikki is involved with would make more sense with Alya, who does get tunnel vision and isn't good at listening to others and isn't so considerate and can be very pushy with her own agenda. Alya naturally aims for the leadership position and Tikki wants her Ladybugs to be leaders, so Tikki can help guide Alya to improve as a leader. Lastly, Alya will challenge Tikki on her call outs, which could at certain points help established that Tikki isn't always right and is open to learn and adapt too. And Alya could busy herself looking into HM, making her theories and being nosy about his identity, which Tikki would readily be apart of and encourage. Which Alya should've done in the show than recklessly trying to expose the heroes identity to the public and help HM win. Which, if Adrien wasn't a hero, maybe that should have been his role instead, which Gabriel could encourage and Adrien is even more excited cause he thinks his father is taking an interest in what he does which can be some later Adrien angst for you.
With Nino and Plagg, the BIGGEST plus is that it would actually give Nino SOMETHING outside Alya and Adrien. It would've prompt him to get more focus, and based on what's seen, he's 2nd to Marinette in having the most friends, meaning he can be more engaging and present with what happens to his classmates. Plagg also could bring some needed chaos to his life. You can even expand upon what's seen in Horrificatr where Nino can be controlling, strict, and harsh so Plagg can work on that. Nino does have some similarities to Marinette where he does care a lot for his friends and is hardworking, so there's something there to make Plagg a bit of a foil to him. To expand on Nino's role as Alya embraces being the big hero and savior, could even do the fandom popular idea of him getting Guardian training.
With those two taken, this nicely opens up others getting the Five.
Marinette can work with either Bee or Fox. If you want to work off Chloe vs Marinette, it works best if Marinette has the Bee. Though I think Pollen's personality should be overhauled, but if not, at least there's a perk that yes man Pollen going to force Marinette to take initiative and decide things for herself instead of seeking advise from her kwami. And with Fox, that can work off Marinette being a meddler, schemer, being creative, and her more inclined to work from the shadows. There could also be a fun twist to explore with Marinette not liking liars and she has a miraculous tied to deception, plus her and Trixx could've been an interesting pair to see interact, especially if working off what's seen in Sapotis where Trixx is very observant and manipulative, but also a bit of a chaotic gambler (from what I've seen, later seasons seem to ruin Trixx as a character). And of course, Marinette having Fox could work off her vs Lila, you could even dabble in her vs Felix.
Arguably, Chloe MAY grow as Alya and Nino would NOT have been so tolerant of her unlike Marinette and Adrien, so Chloe could've gotten the Bee and actually be a good hero and character for it. But that can also come down to preference and how you want Chloe to go.
Adrien could've gotten the Turtle, which I think could've been one of the best miraculous he could've gotten as he naturally likes to be a protector, and this miraculous works off that while also giving him protection. Wayzz also could've maybe addressed Adrien readily sacrificing himself, help him learn to be more cautious instead of rushing in, or at least think and be smart about how you go forward. There's even a possibility of Adrien having Turtle full time, as Nino could share his suspicions with Fu about Gabriel, so Wayzz could be there as a spy to check things out, which would have Adrien eventually get involved in his own plot, but still allow things to be at a slower pace. And as Wayzz, ideally, seems to be serious and dedicated but also playful and open minded, I think he would be very engaging with Adrien, which in turn could mean that when Adrien needs a call out, he would listen to what Wayzz had to say more (as most of the time Adrien ignores what Plagg says).
As for the leads, both would have an equal neutral involvement in the plot that can explain why things don't resolve quickly (looking at you Adrien who won't even ask questions about the suspicious book your father has). Alya would be a hero and lead for glory and self-righteousness, Nino would be to genuinely help others. Neither would have a super close tie to Gabriel, allowing him to sit under their noses for a while.
Also, gosh, you even could've had a lot of fun with color coded rivals/foils/personal antagonists for Alya and Nino.
If you really wanted to do Alya vs Lila, let Lila actually have the Fox or maybe she bought the Fox in Volpina, and this has Alya and Lila having the miraculous the other is color coded for. She could work off being a hero initially for the wrong reasons, just like Alya who starts for the glory too, as well as integrity vs deception.
Something could also be done between Nino vs Felix, with Nino really color coded for Peacock while Felix is color coded for Cat. Could play off both being ambitious to a fault and being selfish and nosy, but Nino cares more for others vs Felix is more exclusive.
And if expanding to others...
Of course could do Marinette vs Chloe if Marinette has the Bee, Chloe could have the Mouse, which could be funny to see Chloe deal with herself. That might humble her.
As for Adrien... could do him and Max being foils, work off Max getting Horse while largely wearing green, and I think Adrien is most color coded for Horse. Could work off both being perfectionist and could delve into the shared interest of gaming, with Max trying to bring out the competitiveness in Adrien. Could be thinking vs action.
Either way, ML is frustrating cause it's a show with potential and great concepts and it's irritating that it got butchered so. And the most frustrating thing is that there is just so many options to how it could've been done better. And kwami swap wise, these are my top two picks that would've been better.
Thank you for coming to my TED talks.
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coolguyincsworld · 2 months
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Ok so I saw a post abt what if Bobby didn’t come back. And if that happens, who would become captain???
Cause, sorry to break it to you Buck super stans, he is not ready to be captain. Yeah he’s done a lot, and seen a lot but I jst don’t feel like he’s ready.
So that leaves 4 options (if they don’t pick a random or bg) Eddie, hen, chim, Ravi.
Scratch out Ravi, only cuz he hasn’t been a firefighter for that long. And I’m gonna say no to chim, cuz there was whole plot in an ep abt how he need to work on his leadership skills, and to be a captain that is one of the biggest things you need.
So that leaves hen and Eddie. Eddie was in the military, so he has good leader. He’s a great firefighter and has been in the field for a while. And hen, we’ve seen, is a great leader, an even better paramedic and (if she’s needed) a great firefighter.
And this is where it gets tricky. I legit can’t pick who would be better. I want to say hen (and irl it probably would be) cause we’ve seen her be a great one while Bobby was out. But Eddie is also a great candidate.
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nimrism · 5 months
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could you make this post? please, it's so fascinating i really want to hear your thoughts on it
"The Dark Tower" Morgwen Interactions Analysis
i've literally been waiting for someone to ask me this so i can go all out in answer, so you're literally my favorite- THANK YOU! i've tried to put all the thoughts swirling around in my head into one coherent post, so strap in and let's LOOK AT THE IMPLICATIONS (from my perspective)!
first and most importantly, i want to zero in on morgana's choice of kidnapee; she could've chosen anyone in camelot, any one of the knigts who were regularly privy to arthur's battle plans and schedule, but nope. if we're looking at it from the perspective of "she needs the closest person to arthur" wouldn't that be merlin? she could have kidnapped and brainwashed him; he would've made for a fabulous inconspicious mole in the court, and arthur literally goes to him for anything and everything. i actually think it would make for a really interesting au/fic if it were merlin who was kidnapped instead of gwen (love confession/magic reveal possibilities are ENDLESS), but maybe it's a little too close to the plot of "a servant of two masters" and the writers didn't want to be repetitive. i'm going to be biased and delusional in believing that morgana did choose gwen, in particular, for more personal reasons as well as for her nefarious ones.
the way i see it (and this is obviously very objective), by the time we get to this point in s5, morgana is LONELY, like, has-no-one-in-the-world-except-aithusa type of lonely, and her choice of allies has been lacking diversity as of late (why are they all men 💀), AND they all end up dying anyway. so, she needs a plan, and she needs a trusted ally (she also needs a bit of love and lip balm cause DAMN). BUT the thing is, why would anyone be loyal to her? she's never kept any allies (or friends) thanks to her wit and charm alone, she's only ever kept men loyal to her by striking fear in their hearts. it's the same for her friends and family, i think. she doesn't believe they even tolerate her existence, so she needs to be crowned queen to subdue them and FORCE them to respect her. the same goes for gwen. she was only morgana's friend when morgana was a naive and vulnerable girl, plagued by nightmares and unexplained fears, and the second morgana grew out of them (or learned to control them) gwen stopped being affectionate, stopped being open. that's how morgana sees it, and it only reinforces her belief that gwen would never understand the person she's become now, she wouldn't quite see what morgana was trying to do. unless morgana forced her to.
the whole kidnapping affair was to MAKE gwen understand, because she wouldn't do it of her own free will. gwen would never willingly be on morgana's side, so she had to jump through a few morally questionable hoops to bring her over. in the end, i do believe all morgana really wanted was a friend (maybe a little bit more, amirite ladies), though by this point her concept of friendship had become twisted beyond recognition, and in all the chaos, this was the only way she thought she could have one. throughout the episode, a lot of the old morgana shines through, even if it is portrayed as just manipulation, and i do think that was her either slipping back into old habits or forcing herself to, for the sake of the brainwashing and for the sake of their friendship that she's trying to rekindle.
a point that i've seen several people make is that between the niceties, the "real" morgana peeks through several times throughout the ep, but i kinda disagree. i don't necessarily think that just because her smile drops, it means that the niceties were a facade and her "evil" side pops back out. i read the sudden change in expression more as disappointment. gwen fights back with such vigour that it's probably painful for morgana to realize that her former friend sees her as nothing more than an evil witch who's hell-bent on hurting her, now. she's disappointed that gwen, who was supposed to know her best, believes what the others do, and doesn't believe that morgana is being sincere in her offer of friendship.
a small remark i also have is: why wasn't morgana one of the visions/hallucinations gwen had in the dark tower? it's interesting to see that the closest three people to gwen are her brother, arthur, and merlin, of all people. i feel like gwen's history with morgana has to have had a lasting effect on both of them, even if morgana is supposed to be "evil" now. you don't stop loving someone just because they've chosen (or BEEN chosen by) the dark side. morgana was one of the people gwen cared about most in seasons 1 through 3 (s3 is pushing it a little, but still), it doesn't really make sense for it all to be forgotten so completely like we see in this episode. i also think it would've been super interesting to see a hallucination of younger morgana in particular, partially as a reminder that part of gwen still cares about morgana and largely because i'd like to see how gwen would react to that vision... would it differ from the other three? what would morgana do? would she sneer and laugh like elyan and arthur? would she do a little rawr like merlin (😭)? i feel like a ficlet is in order for this concept cause i would like to see it but i have to imagine it first (but that's the hard part 😭)
NOW ONTO THE MOST DELICIOUS PART OF THIS ANALYSIS: THE QUOTES
M: "Would you prefer some chicken?"
i just found this one hilarious tbh like she's so out of pocket what are you doing offering your kidnapee some chicken and WHAT WAS THE OTHER OPTION, IF NOT CHICKEN?
M: "I know how lonely you must be, all by yourself in that room. At least you're not shackled, and there's daylight. You can move, you can see."
oof. she's obviously referring to her own capture and torture, pulling from her own experience. it's heartwrenching that morgana has been through all of this, traumatised beyond reason, but it's even more heartwrenching that she thinks she's doing gwen a service, like this. it might not seem like that to any sane person, but after everything she's been through, morgana's worldview is completely different. in her mind, however twisted and detached it has become, she's being merciful to gwen this way, giving her luxuries that she was never afforded when she was captured. (including a warm meal with chicken at miss havisham's table 🤩)
M: "I too have suffered, Gwen. I spent two years living in darkness. I spent two years chained to a wall at the bottom of a pit... You did not know."
goddddd this line... it's just so painful, so powerful, so indicative of SO MANY THINGS. it's EVERYTHING. every acting choice katie and angel made in this scene was brilliant but ESPECIALLY their facial expressions in this particular part WOAH. the way morgana's voice cracks on the word "pit" is DEVASTATING. i was floored. the way gwen's face falls as she processes her words and they properly set in... INCREDIBLE. the concern in gwen's eyes is palpable as she realizes the horrors inflicted on her friend. and the final "you did not know" was so, so powerful. morgana realizes that gwen didn't know about and clearly wasn't okay with what she went through. gwen had no part in it. morgana SMILES at gwen's reaction, but instead of it being a smile of malice or evil it's one of RELIEF, and one that she hides very promptly. she's reassured in the knowledge that gwen had no idea she had suffered so immensely, and that, more importantly, she wasn't involved in it. it's SO important to note that morgana has no idea whether arthur had a hand in her own torture or not. it's especially not a good look on him that he invites the sarrum as a friend of camelot so soon after the events of "the dark tower", so, as far as morgana knows, he could've been a "friend" when she was being tortured for years, too. i wonder what would've happened if morgana had kidnapped gwen AFTER the sarrum's visit to camelot... i feel like that would have complicated things with gwen much further, if morgana thought she was complicit in her imprisonment.
M: "I would have sold my soul for someone to show me kindness such as this."
only two points on this heartbreaking line: 1- FUCK the sarrum of amata. all my homies HATE the sarrum. s4 and s5 morgana might both be textbook cases of "evil", but they're two VERY different people with two very different worldviews and tactics. morgana's imprisonment turned her into the cold husk of a person she is by s5. and 2- this just further confirms that morgana thinks she's doing gwen a favor, dining with her and letting sunlight into her room and choosing not to tie her up etc.
M: "Your hands are cold... I have a warm fire going for you."
oh boy is this a MOMENT. the way morgana keeps her hand held out. the way gwen reluctantly puts her hand in hers (MORGWEN HAND-HOLD!) *ivy by taylor swift starts playing out of nowhere* {ohhhhh goddamn, my pain fits in the palm of your freezing hand, taking mine, but it's been promised to another, ohhh}
um anyway i digressed. then the way gwen wriggles her hand out of morgana's grasp, while morgana grips her fingers with unwavering determination... it's just delicious.
M: "Anything you want, you can have. I'll give it to you."
idk about you but personally i'm SOLD. take all my money. i read this as morgana trying her utmost best to sell gwen on joining her, but i can also see the manipulation laced in it.
G: "Why are you doing this?"
M: "Because we're friends. We always were."
to me, this reinforces the theory that morgana's just trying to get her friend back on her side. by stating that they've always been friends, morgana reaffirms their friendship as much to herself as to gwen. she was her friend once, and she can be again.
M: "I'm helping you. I'm looking after you."
this sort of feels like morgana is telling herself that, more than she's telling gwen. maybe it's just part of the manipulation process, but i do believe that this was morgana's conscience reassuring her that what she's doing is in gwen's favor and that she's being kind to her.
M: "It's alright, I'm here."
UGH this line. morgana is being the person she needed when she was imprisoned. this scene is also a parallel to all the times morgana woke up screaming in the middle of the night and gwen was there to comfort her in s1/2. this time the tables have turned and it's morgana comforting gwen. simply delicious.
M: "My darling, I was wrong to make you suffer."
TEA! to say that this line was spoken from the bottom of morgana's heart might just be a bit too delusional, but i like to think there's at least some truth to it. torturing gwen had a lot of paralells to morgana's own imprisonment and torture, and she did want to make her suffer, at least in the beginning. but it was also different from what morgana went through. this is NOT to justify torture, btw, torture is BAD, but her "manipulation" tactics got a bit too personal at some point, and i like to think at least a part of it was genuine.
G: "No. Whatever twisted game you're playing, I want no part in it. I would rather stay here and die."
ouch. gwen's resistance to the last possible minute shows such strength on her part (cause me? i would've given in before she even dragged me through the desert tbh) and it gave us such a delicious performance from angel; the reluctance? the uncertainty? the distrust? the relief that morgana is there but also the FEAR of what she's doing? the contradiction between the morgana that gwen once knew and the morgana that everyone KNOWS is evil? but the morgana that gwen once knew is shining through now, and she's saying everything gwen wants to hear... grade-A angst.
IN CONCLUSION they're gfs your honor, this was all just a plot to snatch gwen back from arthur cause morgana didn't think seducing her herself would work. (this phrase could be in reference to this ep or the "lancelot du lac" ep i'm cackling morgana really is hopeless) there are also SEVERAL psychological layers to it, but describing it this way is just easier.
SO... this is possibly the longest post i've ever made. it got a little more comprehensive than i originally thought it would be, but THERE YOU HAVE IT! that's my take on the morgwen interactions in the dark tower. if i seem a little biased, that's because i 100% am :) i hope that clears things up. this is an open invitation to keep sending me asks (even if it's about the most random things ever) cause i love them and i love every single person who sends in an ask, and a public apology for how long these answers get sometimes 😭
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skayafair · 2 months
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Just watched some MVs and OH MY GODS Crystal is SO fucking cool.
In the beginning I thought she was crazy cool, but by the end of ep 1 that changed to "endearing" because she showed her vulnerable side - just a lost girl. Like. Somebody take care of her ASAP, with blankets and hot meals and lots and lots of kindness because this girl's been sucking it up all on her own for too long, she needs a break.
Now the endearing part has settled in and I'm back to the crazy cool because SHE IS. I admire everything about her post-amnesia personality (and have some compassion for the previous one).
Also I've seen some people saying Kassius' acting was bad or bland. I've considered it. Rewatched some clips. You know what, I'm falling more and more in love with the character and her portrayal.
Crystal may seem more "bland" compared to other characters because Edwin and Niko have very pronounced designs and I'm not only talking about the looks here, it's about the mannerisms and the lines delivery as well. They are pretty dramatic. Charles is sort of theatrical too, in a way. Basically all the characters look and act like they came straight from the comics, and I don't mean the DBD comics specifically but more in terms of how encapsulated and distinct comic characters images are usually in general.
Crystal though is the viewpoint chatacter. Despite being the psychic, driving the whole plot and having several plotlines she seems the most "normal" among them, the one we're supposed to associate with and see the events through, more or less. Her behavior is less dramatic and theatrical, more casual - I probably have low chances of coming across someone like Edwin or Jenny in real life, but I wouldn't be surprised to meet someone like Crystal. Not saying Kassius acting isn't expressive - it is, very much so, but it's still toned down compared to the others. I'm convinced it's intentional though.
And another possible reason is that Crystal is often angry or unhappy during the episodes, so to some it may seem like her whole character is limited to a few defining points, which affects the acting, too. Except it's NOT.
While rewatching I was blown by how alive and visceral Crystal felt. All the emotions were delivered the way I'd expect from an irl girl. The post was initially caused by the scene when Charles talks about their relationship and "being professional" to Niko and Edwin while Crystal is present and Kassius showed her character's discomfort SO masterfully. It's the microexpressions, it's the gesture of covering her face with her hands and the way it's done, it's her quiet remarks and intonation. Or the scene in ep 5 when Crystal tells Charles about David while sitting on the pavement in front of the butcher's shop and something in me breaks every time I see this scene because Crystal is breaking there, too. There are too many examples, basically all of her screen time. Yes I'm a fan of Crystal's why asking
So yeah. I don't like to deny other's points of view just because I don't like them, and Kassius' acting wasn't something I thought of while watching, so I took time to actually think about it. Hence why I have a full right to say: this opinion is a total bullshit 💖
And I didn't think of her acting while watching because it felt so natural that I DIDN'T have to think of it. Which tells a lot as is, I think.
So yeah. Stan Crystal everyone, she's a gem.
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zishu-arts · 4 months
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1. What's ur fav avm ep? Or generally ava ep
2. What's ur fav short?
3. And favorite character? Why is that your favorite character?
4. Do u kin anyone? Why?
5. What are your thoughts on King Orange? Personally, I do love the character but I wanna see some controversy. He was forgiven too easily. Do you think that he's affected by immense guilt of his actions? Pls go in detail as much as you wish
6. What are your favorite (hc or not) relationships? Doesn't need to be romantic. Do you have thoughts on relationships between characters that haven't interacted? Or some hc on characters that did (example: I love the hc on Purple and Red hanging out so often that Red goes to visit Purple for advice on PRANKS out of all things)
If I think of something more, I'll send it through!!
1). i dont think i can pick a favorite since there's so many but i love rewatching Lush Caves, Ultimate Minecart Race, The Chef, The Ultimate Weapon (and honestly just the entire KO arc lmfao). For AVA its gotta be The Showdown it's just SOOO GOOD the animation, the concepts, the plot, ahhhh
2). hard once again, but Music Lesson is so goddamn funny
3). THE DARK LORD THE DARK LORD THE DARK LORD (red is my second favorite tho). okay so, honestly it's just the amount of potential and trauma i could give him. i love his character and lore like, the idea of the Mission Code. what does it mean that you've been created for the sole purpose to destroy, and what does it mean that the person you're made to destory become your best friend? like, the existance of that code brings up so much potential and you could literally take it in so many ways. and like, just the story of cho and dark being two people who were coded for a purpose and run away. what...happens to that purpose? what are you supposed to do now? it's very "what am i if not a weapon?" "yourself. isn't that a wonderful person to be?" (i also dont remember where this quote is from). and also, i look at this little bastard and i think ah yes, he is a goddamn maniac. absolutely insane. i can make him as unhinged as possible and i think that's amazing.
i also think it's great that it's so easy for me to just do whatever i want with him like he's some dress up doll. i've got a genderbent version of him. i've got him with ADHD. i've got him with autism. i've got him trans. he's depressd. he has anxiety. he's in love. there's no saving him.
i also like that like. he's dead. he might not be dead. who fucking knows? and he's such an interesting character, is he evil, is he nice, does he care, what does he like? i want to know everything about him and i want to squish him like a little ball
(i alos like that he's very easy to self project into)
4). hmmmm honestly? i only ever kinned like one character (yuki from horimiya) so im not too familiar with actually kinning. if i had to pick, probably red, mostly cause i see him as a hyper possibly ADHD guy who's always running head first into situations without a thought and think damn he's jus tlike me fr
5). KO/MANGO TALK LETS GO !! you're def right, he was forigven too soon, but i like to think or hope that they at least had a bit of bonding. okay well first off i want to start off with: i see a lot of content where we view mango as like around 20 years old which i want to immedately have on the table: what do you mean 20 years old. he's got a goddamn kid that seems to be maybe 8-10, he's got to be at least reaching 40 by the time we actually see him in AVM. and no, 40 is not too old, they can still do backflips and fight ppl (as long as mango maintained a healthy lifestyle with daily exercise, healthy diet, and good sleep).
i love the fact that he went evil because he lost his son, and that he got lost in his anger and started hurting everyone around him. although i do think his and purple's relationship could do with A LOTT of work. their trust was broken over and over again (mostly on purple's end) and im not sure mango particularily remembers how to treat a child well. and did mango ever like,,,yk,,,properly grieve for his son? for all we know, he went home the same day he lost gold, punched his wall a lot, then went straight to working on the staff. now that he doesn't have that drive anymore, i think that's all going to catch up to him. he really needs to properly grieve and mourn and recover before he goes about doing anything else.
he can, in fact however, be a good person/father as long as he's got that under the belt. (which you could def see that he was pretty swag when he still had gold). i personally see him as a raspy and gruff guy so he's also a man of very few words. that also means he probably has a buttload of communcation issues that is gonna affect his relationship with other people. he has got A LOT to work on
i also want to mention how i don't particulary enjoy the "overprotective father that trails their child everywhere". i don't think a lot of people view mano this way either, but i just want it on the table that even though mango would definitely be protective of purple, he won't be weird about it
6). ohhhh okay okay if you've read my fics you know i am in love with the "siblings victim & dark" as well as "siblings chosen and second". i feel like vic and dark are both insane and enable the worst, unhinged parts of each other. and then chosen and second are pretty much polar opposites with "doesn't say a word + yapper"
i also love it when CC treat red as like the youngest hyper sibling bc he really does give off that energy. also I AGREE WITH YOU purple and red together were so cute it was so unexpected but i love that
i also really really really want to see dark and purple interact with each other. mostly because they're probably the two most least likely characters to ever see each other. but i like the idea of dark terrorizing purple and it works because purple the whole time is like 'holy fuck this is that terrorist holy fuck shit oml'
i also want to see purple and mango interact with alan. im not sure if they ever did? but id like to imagine one day alan logs onto his computer and sees these two random sticks on his screen and is like who the fuck are you guys
(my guy desperately needs a VPN)
i ADORE blue + yellow. both in a platonic and romantic sense. they're like skater girl + nerd girl to me. they're so goddamn adorable and i'm very obsessed with seeing them. they hold hands. they're polar opposites. they're always together. they're the duo that if you just see one of them it seems wrong. if one of them is missing, you automatically ask the other one where they are, because they no doubt would know. gods they're so entwined with each other
thanks for the ask !!
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smilingperformer · 6 months
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Me: "Yaaaay it's Horizons anniversary soon!!"
Others: "It's been a year since Satoshi's journey ended"
I... I didn't even think about that |D
Guess I was that ready to just let him leave the story.
Considering that none of the original series staff stayed in the writing team, they were too.
Since it's soon been a year and we're reaching the end of act 2, I can confidently say this is like, my favourite Pokémon series. Alongside Sun & Moon. And both are favs for wholely different reasons, as in, love Sun & Moon for tackling mature topics and for having wonderful humor, alongside good world building and nice focus on family theme. While Horizons I love the story focus shift from normal, cast that is super enjoyable and a take on a found family type of group, new original villains that I've come to like a lot, etc etc.
I love how different both shows are. I love how both dare to try new things out in different way. Liko is one of THE most relatable characters to me, and I love the whole entire cast to bits. I even adore the Explorers, esp. Sango is slowly making a hole in my heart that wants me to call myself a fan of hers. Yes. She's been that enjoyable to me. Even Amethio's grown on me immensely, I like how his character works, and excited to see his role this upcoming ep.
At the start Roy felt a tad bit too alike to Satoshi, and at times I can see that similar type of "forget about a skill and then do the skill" writing from Satoshi era is thrown on him, but he's still mostly his own character. But that is probably why I'm more drawn to the likes of Liko, Dot, Friede, Amethio and Sango, because their fighting styles are so refreshing for me. I even like how Onyx and Sango pairing works, with Onyx fitting Sango's oni-speaking pattern (srsly wtf that must have been intended and now I want to know if dub has ANYTHING to match this speaking pattern with.)
There's been clear growth, clear character progression, much much slower team progress than whatever the fuck JN did (not jabbing at anyone who likes JN but I won't deny that I really hate how fucking fast most Pokémon evolved there. It seems Horizons knows not to rush things).
Act 1 suffered from pacing issue where stuff happens in one episode and then the next ep sort of shrugs it off and continues the plot in a really weird tone-shift, but I don't think act 2 had that, which I liked. But act 2 also had more fill-ins compared to the action-packed act 1. But imo, it was good to have a more slower, calming pace for a while. It helped build on the characters more, and show how the Rising Volt Tacklers exactly live like. Which makes the Brave Asagi breaking in recent episode ever so more heartbreaking aaaaaaaaah-
I'm also kinda glad I was wrong on the "only a one year long series", because so far I'm quite attached to the cast and definitely wouldn't have felt happy to see them go yet. So knowing that Horizons seems to follow the usual 3 year pace (maybe 2, maybe 4, who knows) makes me happy. And I totally look forward to act 3 that is definitely caused by the Brave Asagi needing long, long time for repairs.
So um yeh. This was a weird ramble lol. But like, love Horizons, don't exactly miss old show as I felt it told whatever it wanted to and had the danger of just, butchering characters further from what I enjoyed it for. Sometimes it's better to let go. Fanfics and fanarts will still exists for a long long time, I'm sure. But my enjoyment on Horizons has definitely caused me to not miss the old days at all. And I'm glad.
(Do I want Satoshi to return? Honestly? No. 26 years is long enough for me.)
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riacte · 2 months
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Could you pretty please info dump on your Might Be Over Now, But I Feel It Still au?
This is a month late bc I’ve been saving up brainrot and it’s making my brain go brrrrr soooo :D
The entire premise is based on False saving Ren from mobs on HC sooo if you watch their old eps you might find a plot point or two 😭
Martyn was originally not going to be in because I KNEW the story would spiral into Treebark but in the end fuckass Martyn is simply irresistible to me.
Probably a side effect of watching M*raculous Ladybug: gotta love hero teams with different colour schemes and themes <3 (why did that rhyme)
Minecraft is also weirdly a good setting for hero/villain aus because you HAVE built in enemies of varying difficulties and they are already distinct in terms of visuals and powers. I have so much fun humanising the Mobs and giving them personalities
(I didn’t humanise the Zombie mob because that’s too close to humans and it would cause confusion with Cleo lol)
And it’s also a good basis because in MC, players (heroes) slay the Mobs (villains). The Mobs are specifically created to be enemies and to “make” the players heroes (insert hero of the village achievement). Translating that into a standard hero/villain story has interesting implications that the Mobs are Born Evil and Made To Be The Bad Guys and their very purpose is to elevate people into “heroes”. Which then creates another story of “if the mobs are made to be evil, doesn’t that make the creator/developer/author/storyteller the evil one for imposing such villainy onto blank figures for the purpose of raising up their faves?”
The overworld / nether / end variants of mobs are also reallly interesting for creating different “difficulty levels” of Mobs with even some “boss” Mobs.
(I say all of this without owning a Minecraft game)
Also the thing about hero aus in the mcyt fandom is that they tend to be quite male dominated. Because a lot of the ccs are male. I did not really intend for it to be a all Hermitgals hero team but it came out that way and honestlyyyy I have such a blast writing them. It’s even funnier that the usual hero choices for this fandom (Hotguy and Cuteguy) are the trainees under Pearl. Like it makes sense why they have these silly and matching names 😭
And oh yeah the order in which they join the hero team is based on when they joined HC. Cleo is the OG, followed by False, then Stress, then Pearl (bc she was in hermit adjacent events earlier), and finally Gem.
Having a Cleaning Lady (and her underlings) being specifically in charge of rebuilding solves some logistics problems of damage from fights + fits in with the MC theme of building and crafting + turns it into some tower defence strategy in which Torches ward away Mobs and Mobs can destroy Torches
So yeah MC has a lot of potential for such a setting.
Oh by the way Iskall is gonna appear at some point 👀 he’s like Martyn because he’s just irresistible to me lmfao. They both brute forced their way into the story yayyy
False-Ren dynamic reaches its peak stupidity in which they’re like “yeah I don’t mean that much to the other person 🤡” and they’re both screaming crying shaking sobbing and being pathetic and Not Communicating while being the only people who can match each other’s freak
Yippee thanks for the ask :)
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cupidarchived · 3 months
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Love Sea Thoughts
So, after watching episode 3, my brain is full. I have a lot of questions and a lot of thoughts. I'm going to try to organize them here. If this comes out a jumbled mess, please forgive me.
Let me preface by saying I love love love FortPeat. I think they are both talented in their own rights. I absolutely adore what they gave us with PrapaiSky. I adore them together, I think their chemistry is amazing.
As with any piece of anything, but especially media, there are going to be flaws and things we like and dislike. Differing opinions, views, feelings, experiences, and interpretations. But that's not what this is about at all. I do feel like the first two episodes, something felt off for me and I thought it was the pacing. I believe that's a small part of it. (I also believe that this might be another one of those shows where the plot is lacking, unless I have sorely missed something, and our actors are doing the heavy lifting.) I think a lot of the time we don't always get a grounded plot, more like a genre and a few tropes and that's kind of what we have to work with. Romance, 'hate'-to-love, and the couple just kind of getting together. Which is fine, but it can cause things to seem off in some areas.
Anyways, after watching ep 3, I feel that things are supposed to seem fast? It's supposed to be a simple, one-off, whirlwind vacation romance. They barely know each other. Tongrak disliked him a lot in the beginning, etc. But there is a time limit on what they have or it should be. (Judging by the preview for episode 4 and the fact that we have very many episodes left, we have way more drama and romance to come.) Tongrak seems traumatized by his home life/family dynamic. He spoke about his mother as if she was the last thing he wanted to be like and yet.. he shows some of the exact same traits, and also some opposing traits, that have made him all the more worse as a result. He buys Mahasamut, tries to control him with his money. And although he apologized, and Mahasmut seems fine with it, it has to hurt, having someone treat you like nothing or as if you're beneath them. Those were Tongrak's first instincts, he does apologize and show sympathy later on in the episode, but it says a lot about what he's probably experienced. Both of their familial stories sound intense and heartbreaking and it's really the first (or second, if we count the auntie's restaurant by the sea date) time we get to seem them sort of connect and get to know each other better, beyond just their physical attraction and sex.
Speed is important, I think, or at least something to take note of. Two weeks Tongrak spent there and Mahasamut is already asking him to stay (and Tongrak asking him to go back home with him, as per the preview). They seem to like each other, and yet, Mahasamut is ready to jump in full force, while Tongrak has stated multiple times that love is imaginary, not real. Our leads are not on the same page at all, which would probably give us more conflict down the line. But they also seem to not be able to stay away from one another. Which must be nerve-wracking for Tongrak, being that his mother was obsessed with his father who seemed to want nothing more to do with any of them other than her money (I felt those same vibes after the phone call with his sister, too. Dad must be lurking around after their money, but creeping on your granddaughter's school is an even more horrible way to do it). And Mahasamut has been tossed aside by his father, too. He's poor, working multiple odd jobs to make ends meet; he's been alone since he was 15, never daring to ask anyone for anything. He must be no stranger to being looked down on but he wants to be more for Tongrak clearly, but he's afraid he won't ever be enough, no matter how hard he tries.
I'm not sure where I was going with this but yeah. If I think of anything more, I'll come back and add it.
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rxyhiraeth · 8 months
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thoughts on pjo ep 6
also SPOILERS FOR PJO
i’m just kinda getting all my thoughts out on this episode! it was very interesting and VERY different from the books but not in a terrible way! i trust uncle rick with this show and im more so just curious why some things were changed from the books so much, and im sure a lot of these are going to be answered themselves in these last 2 episodes.
i also love hearing everyone’s ideas about what is going to happen from this point on cause ik even book fans are LOST
no zebra moment! i can’t think of any other moments in TLT that would give us time to learn about percy being able to talk to them, so this is probably going to get brought up for the first time with the hippocampi in SOM which actually works out. i would have loved to see this scene, but i can get that it would have taken up a good chunk of time, and for production reasons probably had to be skipped for now or entirely cut from the season.
clarisse?? traitor?? *LOUD INCORRECT BUZZER NOISE* i have my thoughts on why they did this, but also not?? i figured they did this to balance out the conversation percy and annabeth have with hermes about luke in order to take some attention away from it as to not make it TOO obvious he is the real traitor, but also why even have that conversation about luke in the first place then?? idk. i’m not sure if this is something that will be explained or make more sense with the rest of the season, and if not, i hope uncle rick can explain why this choice was made. there are so many choices in this episode that i would love to hear explained as to why they decided on it!
going off the last point, i do feel like they are slightly forcing the luke is the traitor point for the audience. we never got this much about luke in the books while they were on their quest, and even when he was talked about, nothing really pointed in the direction of him being the traitor. maybe im just an idiot but i remember the luke reveal being pretty shocking! i hope they don’t force it too much and allow everyone to guess it before the reveal even happens! maybe this is just me wanting it to be just like the books, but i guess they do need to hint at it here and there in ways the books didn’t?
also am a little weary about the “old married couple” comment. i hope they don’t speedrun their relationship. this is a SLOWBURN i hope it stays this way!
i get not having poker face in the casino. rick HATES those movies and probably wants to make this as different as possible while still being accurate to the books. honestly tho, dua lipa was a good ass choice. i can’t complain about that.
HELLO I HEAR NICO!!!!
also CAMP JUPITER CAMPERS???? MAYBE???
besides being confused as to why the casino scene itself was pretty different from the books, it was a great event regardless. extremely well produced and was so fun to look at and watch for little details with everyone in the background. that being said, i was hoping for a bit more of a montage type scene. percy and annabeth didn’t get to have any real fun like in the books, it was mostly all grover. i don’t really know shit about production of tv shows and such, but i’m shocked the casino scene was changed this much from the book. but uncle rick i trust you wholeheartedly.
i did love them using the casino card to get a taxi to santa monica, but the hermes taxi in this was better. i was giggling the whole time. percy “i fought and killed a minotaur how hard can driving be” jackson my sweet child. and percy running the taxi into the damn wall because he was busy looking at annabeth??? love them so much
the only two things that REALLY confused me as they are changing major plot points:
1: 4 pearls?
2: the solstice is OVER??
the 4 pearls defeats the whole purpose of them arguing about who is going to stay in the underworld. either this plot point is going to change a lot, OR they are going to lose one of the pearls on the way, but if that is the case, what’s the point of giving them 4 if they are still going to end up with 3? i’m assuming it is going to be the former option, as getting 4 just to lose 1 for the sake of it doesn’t make much sense.
solstice??? over??? i’m very confused on this. this feels like it defeats the whole purpose of continuing the quest, but obviously percy is still determined to get sally (king), so we aren’t just ending the quest. i’m curious to see how these two plot points effect the rest of the season and why these were chosen instead of keeping the original plot!
overall i did really like this episode!! obviously it was very different from the book, but we can’t expect this entire show to be EXACTLY like the book. i would love to hear rick talk about a lot of the choices made throughout the season and why they were done. he has seemed very proud of this show and how it has played out, so i trust him with whatever he decides to do with it.
also if you have thoughts on the reasoning behind any of these changes PLS I WANNA KNOW
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