#probably a bad time to post this but i must

[pink-vacancy]

Hi ^^

It’s me, the creator of some gifs you like and the creator of many gifs you could’ve probably lived without. A few people have asked me for a giffing tutorial recently so I have made one documenting my normal process! I’m going to gif this Aespa stage in this tutorial because I am still pretty bad at coloring stages. So come struggle along with me 🫶!

Step 1. Getting Sources & Vapoursynth

The worst enemy of the tumblr gifmaker is tumblr itself. You will spend your time making the clearest gif imagineable only for the blue site to reduce it to pixels. But alas, we must gif on. The best way to get good results is have a good source and to precompress your gif with vapoursynth.

As far as downloading from Youtube the best app to use is 4k Video Downloader. 4kVD let's you get download your file as a .mkv which is how youtube stores their 4k quality vids. Only limitation is on the free tier you get only 10 downloads. There are other more technically dubious methods to get 4kvids but I've literally never hit this limit.

10 out of 10 gifmakers agree if you want those good good crystal clear gifs you gotta stick with 4k or 1080p sources. Although if you are a complete sicko like me you can gif 720p and still get pretty good (not great) results.

So now you got your source video but you won't actually be able to open that bad boy up in PS yet. This is where the Vapoursynth step comes in. Vapoursynth will blast that footage into a nice denoised, sharpened and resized little baddie of a video clip for us.

To download VS and get a more in depth explanation of the exact steps on how to use it please reference this post. The basic steps of Vapooursynth are:

Drop your source video on the "vapourscript (drop a video file on me).bat" icon and type in the timestamps

Crop your gif to your liking (I do a lot of 540 x405 or 540x335 for horizontal gifs. 268x480 for vertical.)

Apply the sharpness and denoise (these are the options I use):

copy the code from the white box and paste it into the script like below

I set my denoiser to 1.5 and my sharpening to .5. (I stole this from @hyeongseo lol)

Go to Script > Encode Video. Make sure on this screen to name your file and set the header option to 'Y4M'. (Sometimes this is the step where it crashes and all your dreams are ruined because it can't convert it unfortunately. But 99% of videos are good lol)

You will find your Photoshop ready clip in gifs/output

Step 2. Photoshop

You are now good to open up your clip in Photoshop.

if we export our gif at this moment it will look like this:

Which isn't too bad. They just are pretty washed out and a lot of times at this step you'll see a lot of grain.

Sharpening (again lol) and Noise:

This might sound weird cause we just denoised lmao but stick with me.

We are going to convert our clip to a smart object. If you want to slow down or speed up your clip make sure to do so before converting.

(Often times if i have 60fps clip I put it at half speed, but if the action of the gif is really jerky or flashy at 30fps a lot of times I'll set it to 85% speed)

Convert your video to a smart object by right clicking it in the layers panel and selecting the "Convert to Smart Object" option

Create a copy of layer 1 and arrange it so it is aligned perfectly on top of the first video in the timeline. You have to drag it outside of the video group to do this. It should look like this once you are done:

On the bottom clip (layer 1), select filters -> sharpen -> smart sharpen. Apply the filter with these settings:

Then on the same clip (layer 1) apply the same smart sharpen filter with these settings

Setting up the Sharpness like this makes sure the finer details with stand out with crisp lines in the final product. (Look at how the mesh on her arms is in finer detail now)

Your video might look a little crispy at this point and that is ok cause we are going to soften that.

Now on our top video layer (layer 1 copy) select filters -> Blur -> Gaussian Blur. Use this setting:

Finally apply filters-> Noise -> Add Noise to layer 1 copy with these settings

"Vacancy what the hell? It looks like shit now."

Yeah... But now we'll put layer 1 copy at 25% opacity and it will look less like the shit that it does look like right now I prommy. Here is the current output:

The idea behind all this blurring and adding noise is that it will help create smoother transitions between the colors of the gif and reduce large blotchy bands of pixels that can sometimes show up

PLEASE!!! Save your current step as a PSD file. You can skip having to apply all those filters and just drag the filter groups on to the layers after the smart object conversion step.

Step 3. Coloring

Now to the fun part! There is a lot of trial and error in this step since we only have 256 colors to play with.

Typically my goals for this step are:

Raise the black point (Make Giselle's outfit in this gif black so more color can be used on her hair, skin and the background.)

Reduce the overall contrast of the gif. (Darken the lightest lights if possible)

Saturate the colors enough so they stand out but not so much that everything looks gross.

Depending on how we do these steps we may need to subtract frames from the gif. (Which I hope not cause there is exactly 69 frames in the current version lol)

Here is an example of what my coloring difference can look like:

In this case the colored gif is actually smaller because I elminated a lot of the dark greys in the background.

Vacancy's Dumbass Original Recipe thing

This is probably the only thing different that I do from most creators

My first adjustment layer is usually a gradient map. The green and red one to be more specific.

I then change the blend mode to luminosity and set the opacity somewhere between 12 and 20% (Usually 15%).

This step brings all our shades closer together so we have more freedom with coloring later. Also when idols are very white wash this seems to bring out the shadows and skin tone better in later steps as well. If you overdo it though the person in the gif can wind up looking very orange or yellow so less is sometimes more here.

There's also probably a better way to achieve this but you know... oh well

My Other adjusment layers usually consist of:

Levels: With the gradient map applied you can darken the blackpoint of your gif pretty significantly.

Selective Color: This is the most useful adjustment layer. Make sure to expirement with adding to the black slider on the blacks and neutrals color options. Often times kpop vids are over exposed and darkening this can bring out a lot of unseen color.

Hue/Saturation: I use this layer to darken the blues of the background with the lightness slider as well. You can adjust individual colors with this layer and with selective color and that is a very powerful tool for coloring.

Start:

Finish:

Because I darkened the gif so much I was able to add around 6 frames!

Though I’m not 100% satisfied with this gif, this would be my process from the start. You can put those adjustment layers all in a group and save it to the psd as well to skip all the steps to apply them. I used all the same adjustment layers for the header gif of this post as well which saved me a lot of time ^^!

Since every video is different you usually have to play around with the sliders a lot between clips.

Step 4. It Flops…

Jk jk but it does happen a lot tho on this site so don’t get discouraged ☺️

Parting Notes

If you want a really nicely colored fancam to practice on I would see if MIRAI on YouTube has a fancam of your fave idol. Their videos are really nicely color balanced from the start where stages like this tend to be very bright.

I’ll probably make a follow up post with more coloring tips and my thought processes while making gifs but this is the very basics to making hq gifs hope you learned a lot.

You can always hit my dms or inbox with questions if you have them ^^!

[rebouks]

Do you have any recommendations for starting a story? Yours is so good and it really inspires me to try and make one of my own but idk where to start

Hmmm a tough question! I think we all just kinda start and learn as we go? It's the best way tbh.. if you look back at the beginning of most simblr stories they've usually come a long way! Here's a couple tips that I think might be handy tho...

Maybe we could start a thread and everyone could reblog this with their own tips?! 🤩

Decide if you want to build your own lots/sets or not. If you do you'll probs wanna start off with the main places you'll use that're full of personality, like a main characters house or place of work etc. you can always download some neat lots and edit them to your liking if you're not a builder, or maybe even download a whole save file!

Start a character page (or make an intro post for em if you can't be arsed with the technicalities) - not essential but useful for you and the readers to keep track of who's who and maybe state a few facts about them etc.

Start collecting some poses and ideally rename them so they're easy to find! I personally like to add smth like [PETS] or [KISSING] etc to mine (in s4s) in conjunction with twistedmexi's pose finder to make things easier to grab.

If you use reshade/gshade, taking the time to find or create a nice preset will save you a bunch of time editing.

For the love of god if you're gonna make a bunch of extras, try and dress them in maxis clothes/hair.. I'm so SICK of having to redress everyone every time I clear out a bunch of cc skjdksj 🙈 you can always give em an extra, fancy cc outfit for specific scenes on the day but yeah, do yourself a solid where possible to save time/pain in the future. Same goes for lots you don't use often, try and limit the cc you use!

Figure out if you're a planner or not! If you can't manage without a plan it's okay to take some time before starting to figure everything out and get a detailed outline going. If you're more of a pantser (like me!) you can always just get going with a rough idea in mind and see what happens!

If you're gonna go with the flow I'd still recommend creating at least a rough outline, you don't have to stick to it like glue but it'll probs help you stay on track and I wish I'd have done this in the beginning, esp if you're gonna have a plot heavy story.

Characters > plot.. (imo!) like.. you could have a super interesting plot in mind but if no one really knows or cares about your characters it's gonna have a limited impact/amount of interest. They don't even have to be likable lmao

Give your characters some flaws! It's fun and it makes them more relatable.

Start with a small cast - not a complete must but it'll be probably be easier for people to get to know your pixels if they're aren't a million of them right off the bat. You can always add more later.

Try not to shoehorn your characters into situations they wouldn't end up in just to further the plot.. a hard one to explain and mostly based on intuition but if a scene feels boring, out of place or forced, it probably is! aka.. be willing to kill your darlings. Maybe you've already established that your character is poor or smth but have this fun idea of a road trip montage or whatever.. like you can't just give them a car and the money to drive a million miles just cos you HAVE to see that scene y'know? Maybe they're gonna have to hitch hike, get the bus, or take out a loan? Probs a bad example but hopefully you get the idea! It can sometimes be more fun to force your characters into a different situation than you imagined anyway, like maybe they meet someone really neat on the bus and they join the trip, or maybe whoever they borrowed money from gets all pissy when they can't pay em back quick enough etc etc.

Let your characters guide you - sometimes characters talk to us! You could've had a whole storyline planned for them, or a romance of whatever, but when it comes down to it, it just doesn't feel right and that's okay! Let them lead you in a different direction now n' then.

Write for you! (ugh becca stfu with this shit) I know, I know but really.. if you're not having fun, what's the point? Don't write what you think other people want and learn to be okay with cutting ideas/scenes/characters/whatever! that you aren't excited about anymore. It should never feel like a chore to create, and if it starts to feel that way, take a break or change it up!

I feel like this is super rambly and I've missed a million obvious things but my brain is mashed potato rn lmao.. pls feel free to add your own tips in a reblog or a comment - everyone has a different take on things! I think it's really important just to start and see what feels natural tho 🤸‍♀️🧡

[cosmic-vacuum]

Introduction.

Heard someone online say this— "The right DIRECTION is actually more important than HARD WORK itself."

The first step to "working smart" is also stepping in the right direction.

Hard work directed towards unproductive and degenerative activities is equivalent to stalemate in the specific field if not further degradation.

HOW SO, DO WE STEP IN THE RIGHT DIRECTION?

Step 1: Have a talk with yourself about what you really wish to do.

My talks before starting this usually ended up in tears.

I've been failing in life altogether for over two years now and all the cumulative criticism combined with regrets and embarrassments fueled defense mechanisms and avoidance techniques to develop inside me.

The talk was obviously hard, but finally I've opened myself to opinion and change recently— this in itself is the greatest change a human being can have.

It wasn't easy, of course.

I was supposed to fight down my own behaviour and impulsive reflexes to understand words and opinions of the other people around me whilst not being swayed completely by them or even rejecting them completely.

This is one of those things easier said than done.

It was talking to myself more that led to this.

The only person who can reach the inner voice of your consciousness is you. This voice is the most truthful and genuine guide you can find, only, you must know to separate it from words materialised by intrusive thoughts.

Sit with yourself, talk to yourself, ask yourself what you want to do.

It may take a while, but you will surely get response when you try to connect to your inner self.

Step 2: Get into what you wish to accomplish— know more.

Reasearch about your goal. We can't start into something we barely know about.

2024 is a great year to live in but only for the seekers.

You'll find everything you need to know about anything online today, all you need to have is the desire to see.

This is the first step to "Smart Work" too.

[Smart work: works only when applied with hard work. It's not the other way around— you can not replace hard work by smart work]

We will be revisiting this several times in times ahead so don't worry if there are unanswered questions [you can always comment or dm them to me].

Step 3: This is probably the TRUEST of all advise I've heard growing up– You're the average of the five people you listen to everyday.

I have personally seen so many people change for the worse on having bad company surrounding them.

It's easier for people yo pick up bad behaviours rather than good ones so no matter how selfish it would make you feel, cross out bad influences from your life

If you happen to be someone mostly at home and in presence of parents or siblings (like me), try to make firstly, your pwn mind your best companion. When there's problems, talk about it to your own self.

It's magical, trust me.

This takes time to get a hang of but it's magical.

Other than that, fill your ears with podcasts or perhaps you tube videos of people who are wise and/or related to your specific goal.

[I will be sharing a list of thr best podcasts to hear for personal growth later in a separate post.]

Step 4: Have a proper plan.

How you spend your minutes, hours, days, months and therefore the years becomes how you ultimately spend your life.

A— Take either a calendar or just draw out the months which compose your selected "two month" time.

B— Write your goal on a piece of paper and formulate a monthly procedure to achieve it.

If this goal is some sort of skill development for example, divide the procedure into the two months and then further down to weeks. Then, divide the workload per day of the week.

This is also applicable for students preparing for some or the other sort of examination or are just studying in general.

C— People who wish to upgrade their personalities will be part of a more active process which will run alongside the daily log posts.

WHAT NEXT?

Once we've got all we wish to change outlined, we can step into finally starting the process.

This turned out to be longer than I expected so I'll keep it till here. Anything else we need to do will follow in the following posts.

If we wish, we can.

[check out the blog to join the journey]

[evilfloralfoolery]

I don't know if this will help any of my fellow writers, but a good friend of mine put some things into perspective for me today, so I wanted to share.

I often wonder why some things of mine get a decent amount of engagement while others do not. Is it the content? Is it the length? Is it not enough snzfuckery? Blah, blah, blah.

My friend writes for a well-known organization in our town and told me that she experiences the same thing with her articles. She says that her most popular article is actually quite bad (lol) and she's not even sure why people love it so much. So, she started running statistics on all of her stuff, literally studied trends, markets, etc. She found that it has absolutely nothing to do with her content at all. It's all timing. Every bit of it. Did the right people see it at the right time? Was there a good amount of traffic on the website at that time?

So, if you feel like your stuff isn't being seen or isn't being commented on enough, sometimes? It's probably the timing more than anything else. Did people reblog it at the time when others will see it? Did you post it when people were actually there to read it?

Just something to think about before you go all "I MUST SUCK!" on yourself. <3

[sweetbeagaming]

Sage Beach Community: coming soon to a rental market near you!

It’s available now 🌺

Completely and totally in awe of @windslar's new preset. It's absolutely scrumptious, delicious, divine!

[lucabyte]

Different standards

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[ariadne-mouse]

I feel fandom would get along a lot better if there was mutual understanding that liking a character, agreeing with a character, and thinking the character is well constructed/executed are all separate (if often overlapping) positions, each with their separate tastes and subjectivities. Also: character portrayals are intended to make the audience feel things; this is separate from (if often overlapping with) analyzing/appreciating their actions and role in the story.

[hunxi-after-hours]

Hello! I love your ORV posting. I do have an embarrassing question; can I ask how heartbreaking the ending is? I've tried reading it a large number of times, but have had trouble getting past the chapters in the 300s; I'll reread it up til that point over and over again, but can't continue. Not because I don't enjoy it, but because I get so swept away by the emotions, and all the characters go through is agonizing. I know it's not real! But my heart aches all the same, in a way I've never experienced this with a novel before, and I feel like a child LOL (It's also extremely funny-frustrating because I realize how thematic this is to the story itself). I'm not worried about the characters Kim Dokja is fighting for, but given the patterns in the story and how it seems to be told, I'm too afraid to keep going. I know I could just look it up, but at the same time, I don't want to spoil all the mysteries; just if my heart can rest easy. TLDR, if it's not too spoilery, is there any light for kim dokja in the ending? or is it a tragedy through & through?

(If this is a dumb question, please feel free to ignore this)

oh boy anon, I've been sitting on this ask for a hot second because it's hard to answer! so I will attempt to talk around it in a way that will hopefully (?) avoid spoilers

as I see it, the nature of orv's ending (broadly writ) is additionally complicated by the fact that there are approximately four(ish) endings:

1) the ending at chapter 516

2 + 3) the ending(s) at chapter 551

4?) the side stories

the ending at chapter 516

this is probably what many people would characterize as BE, but I'd personally compare it to the ending of my love, my life, 《琅琊榜》 Nirvana in Fire, in that the ending may be "sad" (broad air quotes to vague-ify whatever "sad" entails) but it feels earned. it feels right. it feels like the logical conclusion of what the entire book was building up to. some may consider it a tragedy, but it's not a hollow, meaningless tragedy — it feels correct. this is the note that the novel officially ends on, but is then over(?)written by the existence of—

the ending(s) at chapter 551

Kim Dokja's Company looks at the ending of ch. 516 and says "aw hell no" and sets out to rewrite that ending. after 35 chapters of epilogue, we've unlocked an OE — an open ending, that concludes the moment before the HE/BE ambiguity will be resolved. schrodinger's ending, except you, the reader, get to choose what you believe — and I do think the epilogues are written beautifully to get you here (they implicate the reader in a wonderful and deeply empathetic way). and from what I've seen, the vast majority of the fandom chooses to take the offered HE option and run with it; everyone lives happily ever after together in a big house, a million domestic post-canon fics will attest. this is the closest, I'd say, that would come answering your question of whether Kim Dokja has light in his future with an emphatic, loving "yes"

(I also think it's worth mentioning that the epilogues add a lot to the story; they fill in narrative lacunae and tie up loose threads that aren't answered in the original 516 chapters, so I don't consider the epilogues as "separate" or "extra." the epilogues aren't a fix-it tacked onto the end of the narrative; they serve and enrich the narrative in a way that would actively reduce the luster of the story if lost)

the side story

a few years down the line, Sing-shong have returned to the text to tie up "a few more loose ends." the side story is currently being serialized, and more or less picks up from where chapter 551 left off. this necessarily chooses among your OE options as detailed above; whether the side story will end happily, or with "light for Kim Dokja," currently remains to be seen as it is still ongoing. I've fallen off the bandwagon and have been meaning to catch up, but from what I've read so far I think the side story is an interesting and worthwhile addition to the text. Sing-shong continue to innovate and develop upon the worldbuilding and narrative they have already created, and we have met a new cast of characters that have rapidly become as dear to us as the old (the old cast of characters are also here, don't worry). if I were a betting person, I would say that the side story is headed in a more-or-less HE direction; the side story is currently engaging with and complicating themes of (self-)identity and (self-)worth through the many lenses of Kim Dokja, and while it remains to be seen how it resolves, I am tentatively optimistic that it will, if nothing else, be satisfying

TL;DR the ending(s) of ORV can be variously construed as HE, BE, or OE, and the elements of tragedy woven into the narrative and characters are inherent to the text. however, no tragedy is meaningless in ORV, and all of the endings feel earned

[tagidearte]

There's something special about Moon being the only side of the DCA who has canonically (gameverse) voiced his counterpart's name ("No more Sun", which yes it's not him directly saying Sun's name since it's a figure of speech, but still) whereas Sun - the chatterbox - only refers to Moon via "he" or "other me". Moon, the quiet one who mostly laughs vs Sun who mostly uses words. Sun, who is scared of Moon, never utters his name whereas Moon clearly has no problem with it. Both of them using "we☀️/us🌙" prior to Eclipse. Moon, whose only opinion of Sun we can infer is "the other me trapped me in light so now I trap him in shadow", vs Sun's whole thing which is profoundly more fleshed out.

I don't know man, the "no more Sun" line always did things to me. I remember playing Ruin for the first time and getting this... jarring emotion when I heard Moon saying that. It's such a small line but good god did I latch onto it.

[brittlebutch]

actually it's kind of funny how people will say Alex's fatal flaw is that he 'doesn't ask for help' and that it's his determination to handle things on his own that leads to his deterioration and eventual death when his whole introduction to the present-day timeline was a very literal cry for help that simply went ignored

[wonder-worker]

"The division between the two families [the Woodvilles and the Nevilles] and their allies can be seen in the royal charters that they witnessed. Warwick, Rivers and Archbishop Neville of York, while serving as chancellor and afterwards, were fairly constant witnesses to royal charters and consequently often appeared together. This was not, however, the case for other family members and friends. From 1466 to 1469, if Scales or Woodville associates like Sir John Fogge, John Lord Audley or Humphrey Lord Stafford of Southwick witnessed royal charters, then members of the Neville group, such as John Neville, earl of Northumberland, or John Lord Wenlock would not, and vice versa. Discounting the ubiquitous Warwick, Rivers and Archbishop Neville, of the twenty-four charters issued between February 1466 and June 1469, twelve were witnessed by men associated with the Woodvilles, eight by men associated with the Nevilles and two were witnessed by no member of either group beyond the two earls at their heads and the archbishop; only two charters, both from 1466, featured associates of both families.

Such striking segregation of witnesses suggests that something more than simple convenience or availability was at play. [...] The evidence of these witness lists does show the extent of the split between the two groups from early in Edward's [first] reign and of the need for political society to work with that cleavage in the heart of the Yorkist regime."

— Theron Westervelt, "Royal charter witness lists and the politics of the reign of Edward IV"

*This is specifically applicable for Edward IV's first reign; in contrast, the charters in his second reign displayed a great deal of aristocratic and domestic unity and cohesion.

[ettadunham]

name one good thing that happens in a cathedral

[coquelicoq]

In talking about Chaucer (p. 74), I said that, in general, puns and verbal connections of sound were unimportant and not to be sought out; and now, you will say, I have been using them to explain cruces in Shakespeare. Alas, you have touched on a sore point; this is one of the less reputable aspects of our national poet. A quibble is to Shakespeare [Johnson could not but confess] what luminous vapours are to the traveller; he follows it at all adventures; it is sure to lead him out of his way and sure to engulf him in the mire. It has some malignant power over his mind.... A quibble was for him the fatal Cleopatra for whom he lost the world, and was content to lose it. Nor can I hold out against the Doctor, beyond saying that life ran very high in those days, and that he does not seem to have lost the world so completely after all. It shows lack of decision and will-power, a feminine pleasure in yielding to the mesmerism of language, in getting one's way, if at all, by deceit and flattery, for a poet to be so fearfully susceptible to puns. Many of us could wish the Bard had been more manly in his literary habits, and I am afraid the Sitwells are just as bad.

William Empson, 7 Types of Ambiguity, ch 2 pp 100-101

i'm sorry this is so fucking funny. that pathetic loser shakespeare who loved puns so much it cost him everything, except of course his status as the most famous, most read, most immortal english-language author of all time. but everything else, he lost and it's all because of how weak he was to resist a pun :/ pouring one out for my sad little girly man who could have had it all if only he was better at writing, the thing he is the most famous guy in the world for.

even empson, who disagrees with johnson that shakespeare "lost the world", is like, too bad our favorite poet is susceptible to the thing that made him famous :/ really tragic that the guy whose wordplay we've been talking about for 300 years likes wordplay :///

also i can't get over writing a book about the types of ambiguity and NOT INCLUDING PUNS?? sorry but puns are ambiguous! that's where their juice comes from! imagine liking ambiguity so much you write a book about it but never mention puns except to dunk on them. imagine being a POET and POETRY CRITIC who looks down on sound-based ambiguity! could not be me!!

[luvbug724]

while i am here i stayed up til 8am rereading icebreaker by a. l. graziadei yesterday for the first time since it came out & ive been offline because theres no fandom for it but i cant stop thinking abt mickey so ive been devouring any mindless book i can get my hands on. if u want a cute little YA romance abt sports & mental health it is probably up ur alley :) you :) read it :)

[icewindandboringhorror]

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