#pro tips for writing

[johncarter54]

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[reachartwork]

how to write fight scenes

many people have told me that Chum has good fight scenes. a small subset of those people have asked me on advice for how to write fight scenes. i am busy procrastinating, so i have distilled my general ethos on fight scenes into four important points. followed by a homework assignment.

Fight scenes take place on two axii - the physical and the intellectual. For the most interesting fight scenes, neither character should have a full inventory of the other's abilities, equipment, fighting style, etc. This gives you an opportunity to pull out surprises, but, more importantly, turns each fight into a jockeying of minds, as all characters involved have to puzzle out what's going on in real time. This is especially pertinent for settings with power systems. It feels more earned if the characters are trying to deduce the limitations and reach of the opponent's power rather than the opponent simply explaining it to them (like in Bleach. Don't do that). 1a. Have characters be incorrect in their assumptions sometimes, leading to them making mistakes that require them to correct their internal models of an opponent under extreme pressure. 1b. If you really have to have a character explain their powers to someone there should be a damn good reason for it. The best reason is "they are lying". The second best reason is "their power requires it for some reason".

Make sure your blows actually have weight. When characters are wailing at each other for paragraphs and paragraphs and nothing happens, it feels like watching rock 'em sock 'em robots. They beat each other up, and then the fight ends with a decisive blow. Not interesting! Each character has goals that will influence what their victory condition is, and each character has a physical body that takes damage over the course of a fight. If someone is punched in the gut and coughs up blood, that's an injury! It should have an impact on them not just for the fight but long term. Fights that go longer than "fist meets head, head meets floor" typically have a 'break-down' - each character getting sloppier and weaker as they bruise, batter, and break their opponent, until victory is achieved with the last person standing. this keeps things tense and interesting.

I like to actually plan out my fight scenes beat for beat and blow for blow, including a: the thought process of each character leading to that attempted action, b: what they are trying to do, and c: how it succeeds or fails. In fights with more than two people, I like to use graph paper (or an Excel spreadsheet with the rows turned into squares) to keep track of positions and facings over time.

Don't be afraid to give your characters limitations, because that means they can be discovered by the other character and preyed upon, which produces interesting ebbs and flows in the fight. A gunslinger is considerably less useful in a melee with their gun disarmed. A swordsman might not know how to box if their sword is destroyed. If they have powers, consider what they have to do to make them activate, if it exhausts them to use, how they can be turned off, if at all. Consider the practical applications. Example: In Chum, there are many individuals with pyrokinetic superpowers, and none of them have "think something on fire" superpowers. Small-time filler villain Aaron McKinley can ignite anything he's looking at, and suddenly the fight scenes begin constructing themselves, as Aaron's eyes and the direction of his gaze become an incredibly relevant factor.

if you have reached this far in this essay I am giving you homework. Go watch the hallway fight in Oldboy and then novelize it. Then, watch it again every week for the rest of your life, and you will become good at writing fight scenes.

as with all pieces of advice these are not hard and fast rules (except watching the oldboy hallway fight repeatedly) but general guidelines to be considered and then broken when it would produce an interesting outcome to do so.

okay have a good day. and go read chum.

[odinsblog]

In 4 minutes, Kurt Vonnegut explained stories better than anyone I’ve ever heard. “The shape of the curve is what matters. Not their origins.”

He plots stories on 2 axes: X: Time, Y: Good fortune / ill fortune. He goes on to say, “Somebody gets into trouble, then gets out of it again. People love that story. They never get tired of it.”

Point 1: Stories have defined patterns.

In Joseph Campbell’s Hero of a Thousand Faces, he makes the case for the Hero’s Journey. Since then, it’s become the most famous storytelling structure in the world. Vonnegut argued stories could be divided into 8 shapes.

Each story, he said, fit one of the 8.

Point 2: Vonnegut says, “Be a sadist.”

No matter how sweet and innocent your leading characters, make awful things happen to them — so the reader may see what they're made of.” To see who your characters really are, you have to make them suffer. Only then does your audience have someone worth cheering for.

Point 3: End on a high note.

Vonnegut says, “It’s not accidental that the line ends up higher than where it began. This is encouraging to readers.” The way a story makes people feel when they finish is how they remember it. It’s called recency bias. Lift people up and they will love you.

“There are people. There are stories. The people think they shape the stories, but the reverse is often closer to the truth.” —Kurt Vonnegut

(source)

[vexwerewolf]

WRITING PRO TIP: things and people in your stories can be both morally complex and still definitively good or bad

[alvivaarts]

Writing Tips For You (as if I don’t currently have insane writer’s block)

-Can’t start a scene? Write the setting instead. What is the lighting like? Is this place comfortable? Is it familiar or not? What should you point out now so it doesn’t suddenly appear when it becomes important for the characters? SET! YOUR! STAGE!

-Everyone says “show, don’t tell”. I like to think of that as “what are your character’s physical reactions? What are they feeling?” You can say “Character looked dismayed”, or you can say “Character grimaced with dismay.” See the difference?

-Struggling with dialogue? Talk to yourself while you’re writing. You might be blocking yourself if you subconsciously think some dialogue feels unnatural.

-Context, context, context! This applies to everything from the small interactions to the big plots. Every force has an equal and opposite reaction, allow interactions and events to grow as such.

-Context, context, context pt 2! But worldbuilding! If your character is performing an act, how does that fit into the physical reality they already exist in? How is it possible? Can you imply (imply, not explain) that these things are commonplace or why they wouldn’t be?

-Build the action. (Stealing this from theater class like twelve years ago.) You can’t just put a character into the scene and say ‘they made a sandwhich’. What has to happen for the sandwhich to be made? Your character has to walk into the kitchen, open the cupboard, get out a plate, get out the jam and peanut butter, get out the knives, open the fridge, get out the bread, close the fridge, open the bread bag, lay down two slices of bread on the plate, close the bag, open the first jar, pick up the first knife, scoop up the jam, slather it on the bread, put the knife down, close the first jar- and so on and so forth. Every small step is necessary for you to understand, and to engage your readers. You don’t have to go into ridiculous detail like I just did, but even understanding that for yourself helps remember the ‘state’ of your scene at any given moment.

-See above, but it’s not a scene and a sandwhich. The scene is your whole story and the sandwhich is your plot. What small steps MUST happen to reach the climax? Does changing one of those small steps change the result? How?

-Emotions are best portrayed when you have experienced them or can get insight from those who have experienced them. Let yourself get emotional in a scene. Allow yourself to be empathetic and vicariously experience what your characters are.

-Reread your own work! Your writing style and characterizations can change over time, but if you feel like you’re losing them, don’t be afraid to look at where you started to ground yourself!

-Proofread your own work 2-12 hours after you finish a section! Not while you’re writing! Don’t let yourself get carried away with writing things ‘right’, just get the ideas out.

-Have a friend or volunteer proofread for you too! This can help pick out things you repeatedly say, words you might misuse, grammar and punctuation that might need correction, and phrases that are hard to digest or don’t make sense.

-Make sure you’re making an effort to use regionally/era specific words and slang both in dialogue and in your writing. There are plenty of websites and videos online that list and discuss regional and era slang worldwide. Not to mention, we can connect with people all over the world using the web just to ask! Using incorrect phrases can really break immersion and make characters feel- well, out of character! I.E. an 80s jock saying ‘dope bruh’, American characters (generally) saying ‘lift’ instead of ‘elevator’, so on and so forth.

-Research research research! Research bloodloss limits, research how laws and jobs operate in different regions and countries, research weirdly specific myths and biblical themes, research as much as you can! You can only build a richer environment to write in!

-If you actively want to implement themes, allow them to reflect the experiences of your character. Example character is an Italian American who was orphaned at 13 after his orthodox Catholic parents died, he has been in and out of foster care his whole life, and the moment he got out his military job became strict and he allowed himself to be blackmailed to protect a child in a similar position. This has plenty of fun themes and symbolisms, like sacrifice, fate, lack of control, love, losing autonomy, etc, all of which can be framed under the impactful history of his Catholic childhood. This evokes the imagery of farm animals, servitude, animal tags/dog tags, holy spaces being used for other purposes. Play with it!

-Build three base playlists! One for your overarching story, one for songs that remind you of the main character and their story arc, and one for how you feel when you’re writing/songs that weirdly remind you of your story. You can cycle through these to help get into your mood.

-Consume other media! If all you do is focus on writing, you WILL lose steam and inspiration. Don’t be afraid to watch new shows, read new books, look at more artwork, read more poems, listen to more music. You might get a flicker of inspiration for themes, motives and ideas, and you’ll continue to fill yourself instead of dumping your focus out on your writing.

-Understand how each major character thinks and instinctively reacts to things. Some characters can stay calm, but others might instinctively react to things ‘angrily’, others might try to run away. This is an easy way to figure out character flaws and impliment easy conflicts.

And last but not least:

-Take breaks! Don’t worry about forcing yourself to keep a posting schedule (unless you’re being paid. I’m not. I’m doing this shit for free and for funsies) if all you do is spend all your time worrying about your writing, you won’t be able to relax your brain. Spend time with friends, play games, go outside!

I hope this helps!

[tippenfunkaport]

FYI, I have also locked all my fanfics down to registered users only because of the AI scraping on AO3. I'm one of many fan creators doing this right now and I know it stinks for users without an AO3 account, but it's the only option writers have available to us at the moment to stop our work from being scraped and stolen.

If this makes you mad, the Federal Register is currently open to comments on AI accountability until June 12th, 2023.

It only takes a second to leave a comment to ask for legislation that works used in AI creations or training MUST secure the express consent of the original creator before they can be used. If we can get protections for artists, writers, musicians and everyone who creates that their work cannot be used in AI without their permission, we can go back to making fanworks freely available without fear of them being misused. Until then, we're stuck playing defense until the courts catch up.

(If you're a fan creator looking to do this as well, AO3 has a tool to let you do all your fics at the same time in seconds. On your dashboard, go to Edit Works and you'll be able to change the status on everything at once.)

If you missed the context, AO3 recently found that the archive was scraped for use in AI services like ChatGPT and Sudowrite. While they put in protections in December 2022 to try to stop it from happening in the future, it's not foolproof and there is nothing they can do about works already swiped prior to that date. The archive is recommending fan creators restrict their works to registered users only to prevent against additional large scale scraping in the future.

[sweepingboy]

Mu Qing writes a tune dedicated to his and Feng Xin's changed relationship. It seems to him that playing this truce between them they are farther apart than ever, constrained by those humble nods instead of greetings and norms of etiquette, as if everyone else is in heaven. Sometimes he wishes for conflict again if it would mean they would touch each other's raw souls with swinging fists and bared teeth...

He names it "Longing for the Storm" but really should've known better because Feng Xin is dumb.

When he finds out he asks if Mu Qing really misses Shi Wudu that much? As his friends starts to fume he makes another attempt to guess who the song is dedicated to. Shi Qingxuan? We can visit them if you want? No??? So Yushi Huang? Um... Blackwater???

He barely dodges the punch flying at him and together they roll on the floor as Feng Xin tries to calm the suddenly enraged general.

[bitethedustfools]

TWST Story Idea (6)

Inspired by a post from a long time ago, but I don't remember their name.

Twisted Wonderland with Yuu, who is not scared of meeting beastmen, ghosts, or fairies, not because they're brave but because they've already seen horrors that Twisted Wonderland never saw before.

Yuu was at first amazed and wary of the existence of magic and those who are not human. They were rather dismayed at living in a ramshackle dorm and were reluctant to accept Grim, though Yuu eventually accepted that it was better than being alone.

However, days of staying with Yuu made Grim learn something about Yuu, and that Yuu had rules. It's not just normal rules like "don't make noise after 10" or something, nor were they stupid rules like Heartslabyul.

No, it's so much different than that.

'Don't step outside after dark', 'don't go to the woods alone and make noise', 'don't answer anything until you feel certain it's a person', 'don't jinx', and so on.

Well, it is stupid like Heartslabyul, but the way Yuu looked at Grim just makes it sound ominous, and it doesn't help that Yuu followed these rules to a T.

One day, not long after Grim settled in that house, he almost broke a rule.

It started late at night where he heard knockings on the door. Grim woke up, blearily and upset for ruining his good sleep. He thought that a certain three ghosts was playing tricks on him.

They were always trying to prank him, and this was the last straw. He shouted at the ghost to stop, and the knockings ceased.

It was quiet indeed, just like Grim wanted, but Grim couldn't get rid of the horrible feeling creeping up on him.

The knocks continued, this time followed by a voice.

"Can I come in?"

Grim jolted awake, fur bristling. It sounded like Yuu, but it couldn't be Yuu. It sounded so weird and scratchy, like it's his first time talking, and Yuu is right here in this room with him, so who is behind that door?

"Grim, can you let me in?"

It knows his name.

The door knob budged repeatedly, growing aggressive as time goes by. Yuu had locked every door and window that leads inside dutifully, and this room is no exception, but Grim feared that it's going to break from how loud it's turning.

Grim tried to wake Yuu up, but Yuu didn't show any slightest hint of stirring awake, too deep asleep. Grim hit Yuu again and again to no avail.

Grim is alone, and the monster won't leave him alone.

The door creaked, and something peeked through the cracks. Grim cried to leave him alone, and the monster merely responded by getting closer, inch by inch, red eyes locked on Grim's shivering body.

And then, Grim woke up. Sweats covered his paws, and Yuu hovered above him with concern. Grim sniffled, the bed sheet, and some part of his fur wet with tears. He was glad to know it's only a nightmare until Yuu said,

"Which rule did you break?"

It was on that same day that Grim followed the rules with devotion, fearing the same thing to happen. These rules don't limit to Grim and Yuu only but to the guests as well.

Ace was first; he knocked on the door of the ramshackle dorm somewhere late at night, wanting to sleep here instead.

He knocked and knocked, but no one answered. He decided to loudly yell for them instead. This proved to be the right choice since he could hear woods creaking and shuffling from the inside.

The door opened in a matter of seconds, and Ace would greet casually like he just didn't come here late at night with a collar but stopped at the panicked look on Yuu and Grim's faces.

"Stop screaming!" Yuu hissed.

He didn't have to say anything since Yuu grabbed him by the tie and dragged him in. He found himself in their bedroom, awkwardly standing as Yuu explained the rules they have on the house.

Ace huffed wearily, saying how he got tired of the rules courtesy of Riddle, but Grim's reaction was very out of character, to say the least.

Ace would ask why, and they said to wait till morning. In the end, they all went on the same bed. Ace doesn't even bring up about sleeping in their bed; it was Yuu who wanted him to, so who was he to deny opportunity?

Ace tried to sleep, but the collar is just so cold and it's digging on his neck. He tossed and turned, and his eyes laid on a curtained window.

Weird, he thought. Almost everyone he met slept with opened windows and parted curtains to let moonlight and the coldness of the night in. The curtain in this room was closed tightly, and sleeping on the bed with another two is already hot enough since the fan is slow.

Ace made up his mind to open both the curtain and the window. However, tonight moonlight is bright enough that there's a distinct shadow behind the curtains in the shape of a person.

'But this is on the second floor,' Ace will gradually realize. He will reason that it's someone using the broom to fly, but the shadow is completely still.

At this point, Ace remembered some of the rules that barely got into his brain.

'Do not look outside at night.'

'Do not acknowledge or respond to it.'

'Do not make noise.'

'Pretend you didn't see it.'

Ace quietly got into the bed, closed his eyes, and went under the sheet as he tried to make sense of what he saw. He had to wait until tomorrow; there's only a few hours before morning, but his will is tested with the scratches on the windows.

Ace couldn't tell when he got to sleep, but he woke up with a gasp as sunlight shone in his face, and Yuu staring at him.

"You'll get used to it."

Deuce was the next victim. Despite what happened that night, Ace is still willing to sleep in the ramshackle dorm or maybe he doesn't have a choice because something is following him and yuu knows how to deal with it. Deuce, however, didn't know any better until Yuu explained the rules.

Deuce, being dumb, will then say, "Huh? You mean ghosts? We see them all the time, don't we?"

A look of horror crossed their expression, and then there's laughter in the hallways that most definitely don't belong to them.

Deuce's instinct was to fight in the adrenaline moment. Just as he stood up, he immediately fell down and got dragged out of the living room down the hallways right before their eyes.

The lights flickered, showing them a horrifying shadowy figure holding Deuce by the ankle. Deuce screamed as he was dragged into one of the rooms, and the door slammed shut.

Deuce yelled as he banged on the door repeatedly. The others tried to open it to no avail until Deuce kicked it off its hinges, face pale and full of sweats while his eyes kept darting back to the empty room.

Deuce wished to go back, but Yuu didn't allow him to do so.

"If you leave, it will follow you. Stay here; I'll protect you."

They weren't the last. Those who became friends of Yuu were now well aware of these rules but not before experiencing the horrors.

Trey is concerned about the rules, but he always obeys them anyway, so there shouldn't be any problem until he borrows the kitchen and witnesses dishes pushed off the table and breaks them. He also hears an indescribable noise that's a mix between moaning and growling from one of the rooms in the ramshackle dorm when Trey is passing by, as though something is trying to attract his attention.

There was also a rule that said to avoid using a camera in the dorm. Cater didn't like that much, seeing that a haunted ramshackle dorm sounded like a good way to attract more likes on Magicam. Cater didn't give any thought when he tried to take a picture of himself when suddenly, the square thingy used to identify a face is multiplied and scattered all over the screen.

Riddle once came unannounced, and the entrance door opened, so Riddle invited himself, though he found it suspicious that no one is inside. He thought it was Ace and Deuce who tried to prank him and shouted to stop it at once. There was silence until Ace's voice said, "You got us, Riddle."

Riddle instinctively tried to reply, "It's Housewarden Riddle for you," before shutting his mouth when he realized that the voice sounded weird, and Ace still hadn't popped out yet.

"I'm right here," Deuce said this time, slightly echoey and out of tune.

He tried to come closer, trying to discern where the voice was coming from, only to be pulled back.

"I was looking for you." Yuu's voice was calm, but there's a sense of urgency on his face, which Riddle finds out later when he meets with Ace and Deuce.

Similar things happened to the rest, with Vil seeing his reflection move, Epel hearing something following right behind him, and Rook feeling watched but unable to find who.

Kalim saw his doppelganger and attempted to follow him into the woods alone, or that time he was talking to someone, but there isn't someone there at all. Jamil had bruises in the shape of hands and whispers in his ears as he lay in bed.

Idia saw his dead brother, and he almost jumped to his death. Ortho, who is in full battery, would just drain in a matter of seconds. Any attempt to scan would be glitched and met with errors.

As for a certain merfolk and beastman, they are suddenly sensitive to the ramshackle dorm and attempt to avoid it. Jack, however, despite his reluctance to sleep in the ramshackle dorm, proved to be a great asset. Since he's a wolf beastman, closer to dogs, naturally, ghost attacks lowered down to almost nothing. This means beastmen are rarely bothered, mostly just being watched.

For certain Diasomnia members, these types of ghosts are rare and dangerous and cannot be destroyed. They didn't even knoe they exist amyway and magic cannot destroy spirits, no matter how strong they are. Though, just like Jack, ghost attacks will drop down with Lilia and Malleus around, though not to zero. They both will get harassed as well as the other two.

-

Yuu has a third eye, so they see things. Yuu's spiritual power is so great it affected the ramshackle dorm, waking up/attracting ghosts. Those who get closer to Yuu will inevitably have Yuu's power lingered on them so they can see as well.

So basically, they got 'cursed' unintentionally by getting close to Yuu. Those who can't see ghosts won't get bothered with serious stuff; they only get to deal with ransacked rooms or broken dishes.

[starfireandthistledown]

can you do jealousy/possessive prompts or aus? thanks!

Absolutely! Not really a fan of the possessive side, but I can do some jealousy prompts all day long. Hope you enjoy! :)

Person A sees Person B, their crush, talking to their mortal enemy, Person C, and immediately assumes that B and C must be having some kind of romance. This makes them hate C even more and causes some resentment towards B.

Person A knows, absolutely knows deep down that Person B would never cheat on them, but they can't help the twinge in their heart every time they see B talking easily with someone else.

Person A is very socially awkward and self-conscious about it, which makes them think that their partner Person B is always looking for someone new.

Person A notices Person B talking to someone else at a party and immediately swoops in with an arm around B's waist to claim them as their own.

Person A can feel their temperature rising a degree every time Person B dances with someone else at a party, finally culminating in them cutting in and not letting B dance with anyone else the rest of the night.

Person A has mind-reading abilities and gets irritated every time they can sense Person B is thinking about someone else.

Person A can hardly blame anyone for being attracted to their hyper-attractive partner Person B, but that doesn't mean they have to like it.

Person A is in love with Person B, who is in a committed relationship with Person C. Person B is unaware that A is absolutely seething every time they are affectionate with C. (or for bonus spicy points, B absolutely is aware that A is jealous and plays it up so that A will reveal their feelings).

Person A knows that Person B likes them but is too shy to let them know, so they start actively flirting with Person C to get A to make a move out of sheer jealousy.

Person A gets aggravated every time Person B hurries through a conversation or situation together, convinced that B is having an affair with someone else.

[littledeadling]

People have been leaving kudos on my fics again and he’s back in my head . I would like to draw him more soon

[thedeerman]

i was starting to kind of slow down on progress for DYWTK and i was feeling kinda sad about it because i couldn’t figure out why i wasn’t able to speed-write entire 6k word chapters in one sitting like i usually do and then i realized i once again haven’t been taking my mood stabilizers properly 😬 two days into taking them at the right dose and i’m slamming out entire fucking chapters again. so the moral of this story:

Don’t forget your meds!

[reashot]

The Secret to write a good Jaune centric Fanfiction or just fic featuring Jaune

If your Jaune does not suffers from physical or emotional Trauma then you’re probably writing him wrong. For further help please consult the graph below:

[spop-romanticizes-abuse]

for more info, atla had 61 episodes. s2 of SU (which contained the entirety of peridot's redemption arc) had 26 episodes. s3 of infinity train, like i mentioned above, only had 10 episodes.

spop had 52 episodes in total, which is only around 10 episodes less than atla. you're telling me that wasn't enough time to redeem catra?

[sugarpasteltmnt]

Hey would you like to read a seperated AU where Mikey was Raised by Draxum

[puts my hand on your shoulder]

brother it ain't about what you think I'd like to read, it's always about what you wanna write

[shrimpathizer]

I think that, when it comes down to it, there isnt really any meaning of life. and I’m not saying that in a depressing way. im saying that we get to give life meaning. we get to decide why we are living and what to do with this wretched earth. we get to do things that will make us happy, no matter how small it is. we get to draw, we get to write, we get to dance and sing and hug friends and eat food and sleep and laugh and damn if thats not beautiful. I don’t care about capitalism or this fucked up world if I can still hug you, if I can still make daisy chains, if I can put on temporary tattoos and stick googly eyes on trash cans and eat a bagel and listen to music and. it’s worth it, I think. please make it worth it. if not for yourself but for me, little ol’ gay person on your phone.

[fairyhaos]

pro writing tip: don't write all hunched over with your laptop on your lap. you're not a heathen. put a pillow on your lap and then put your laptop on that.