#prison break season 1

[fake-russian-chick]

Oh my Odin. That’s IT. And I know it’s kinda fucked up ro find a guy as T-Bag kinda hot, but well, what can I do? The guy have his charm

Prison Break

There is a pandemic (duh…), so one of the things I have done recently was re-watching season 1 of Prison Break and GOD…

How much have changed since the last time I’ve watched this… First of all, John Abruzzi is HOT. God, I had no interest in him whatsoever when I first watched over a decade ago!

Secondly, T-Bag is so fucking alluring and HOT. Gosh, he is evil, but he is so charming and addictive, I could watch him and watch him for hours, every scene with him is just so. damn. good.

What is this magic…?

[raayllum]

I know the patience of a prisoner. I have not seen the stars in centuries. But when I see them again—when the stars are forced to look upon me, their dark brother—they will know how I have waited. And when everything they have built lies shattered, I will savor their fall from the sky.

[liar-or-lawyer]

[mrsgreenworld]

So I've been off the radar here again. Life keeps being crazy and the dizi world has been so freaking disappointing, tbh. Been done with Safir for a while now. And then kinda took a little break from dizis all together. But I checked out a new Gülseren show - Sakla Beni. It's a psychological slaughter house so I don't think I'll be watching it. Got enough psycho mess in my actual life now.

I binge watched Yabani, courtesy of @lolo-deli 😁 It's a decent show that's got a fast moving plot but it's nothing more than that for me.

And then yesterday completely out of the blue I decided to rewatch the first season of Prison Break and was reminded how good shows could actually be. I was reminded how much I love Michael Scofield and why he's one of my favourite characters ever. Besides the fact that he's a freaking genius, he's so damn gorgeous, his eyes alone will one day become my undoing. And then there's his beautiful heart that's bigger than the freaking universe. Imagine being loved by someone like him. It's a privilege I don't believe exists. At least not for me.

[mortemoppetere]

@muertarte replied to your post “[pm] No longer in my prison. But am sure you...”:

[pm] Are we […] friends Emilio?

​[pm] I don't know. I thought we were, but I think I am bad at knowing.

[cigarette-room]

wait so prison break is getting another season?!

[jennerallydrawing]

And for even MORE throwbacks...some of my animation ref from season 1 episode "Prison Break". This scene was originally boarded by Aaron Austin. I think this was one of the very last things I worked on from season 1!

[blluespirit]

Overall NATLA Thoughts

Okay, now that I've watched the series, I can give my thoughts.

Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.

I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.

Having said that, I need to get my initial thoughts off my chest... here we go.

Things I thought were good:

Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.

Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.

Zuko and Iroh moments were great. Had me on the floor crying. As it should have.

The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.

The scenery was stunning. It just looked so beautiful. I loved it so much.

Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.

S U K I

The Freedom Fighters were ✨ perfect

They were so real for making Oma and Shu lesbians

Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.

I actually like the change they made that Katara is Aang's sole waterbending teacher.

Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.

Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.

In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.

I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.

Things I didn't like:

Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.

Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???

Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.

Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.

Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.

WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.

When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.

Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.

NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.

Bumi.... sorry I just didn't vibe with him at all.

Things I can't decide on:

Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.

I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.

Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??

Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.

Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.

anyway...

Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.

Enjoy it for what it is!

[twohearts-hs]

Defying the Odds - Michael Scofield x Reader Series

Words in Total: 105k

Pairings: Michael Scofield x Reader: afab x reader

Synopsis: Y/N was a victim of the mob since the age of fifteen, however, falling in love with the wrong guy and having an argument got her 25 years in prison for murder. She had a plan to get out in faith of her husband until she met Michael Scofield, who, despite his plan, fell in love with her. Now she has the mob and Michael Scofield's escape to worry about. Based on Season 1 & 2 of 'Prison Break'.

Warnings: Swearing, Prison, Murder, Pregnancy, Miscarriage, Alcohol, Smut, Steamy Scenes etc. you know the deal...

Hope you enjoy :)

Wattpad Link

-

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

[defectiveporcelaindoll]

Chapter IV: The Prophecy

“Hand on the throttle. Thought I caught lightning in a bottle, oh– But it's gone again.”

series masterlist previous chapter

pairing: post-prison/ cm: evolution Spencer Reid x BAU AFAB!Reader (I like to think this is where Spencer is during the current seasons.) series synopsis: an unsub with a taste for couples and power imbalances leads Doctor Spencer Reid not only back into the classroom but down the hypothetical aisle with the BAU's newest Probie for an undercover assignment that may change his life. cw: age gap (Spencer is 42, reader is 24 in chapter 1), Use of y/n's (I'm sorry, I know I'm sick of it too.), fake marriage, romance romancing, kisses, and touches but no smut (yet…maybe); Reader is feisty and flirty; Spencer is anxious and has an aggressive outburst; female reader she/her pronouns, and mentions of typical CM violence. wc: 2.5k of conversation and world-building

The drive back to the university was nearly silent, with only the hum of the engine and the rhythmic tap of the rain breaking the tension that still hung in the air from Spencer’s outburst. When they finally arrived home, an unmarked car with government plates was waiting for them.

With a sigh, Y/N moved to open her door, only stopping when Spencer reached out, taking her hand in his. “Wait—” His voice was soft and timid, melting a part of her soul. Her gaze shifted from the waiting officer to Spencer. He cleared his throat, his grip on her hand tightening. “I’m really sorry that I snapped at you. We were having a great night, and I hate that I might’ve made you feel unsafe in my company…”

Y/N’s brows knit together as she shook her head, turning to better face Spencer. Her free hand cupped his cheek as she leaned in, her nose brushing gently against his before their lips connected. “Hey…I could never feel unsafe with you, okay? I understand it’s the job, it’s tough, and it can get to you…but we’ll figure it out. We’re in this together…till death do us part or whatever.” She teased, desperately trying to lighten Spencer’s somber mood.

He chuckled, nodding his head gently against hers. “Yeah…okay.” He kissed her quickly before letting her hand fall away, getting out of the car, and rushing to grab her door for her.

The pair looked a sight—clothes still dampened from their frolicking in the rain, wild curls, and kiss-bruised lips. They looked more like a pair of high schoolers than professionals.

“Looks like you two had a good night,” the agent called, slamming his car door. He looked annoyed, or maybe that was just his face, Y/N thought, observing the new file box securely under one of his arms. “The press finally caught wind of this one; it’ll be all over the 11 o’clock news if you two are too busy…socializing.”

The agent smirked, his eyes raking over Y/N’s body, catching the way her dress clung to her curves, leaving little to the imagination.

“I’m going to need you to apologize—” Spencer started, taking a protective step in front of Y/N. She had to admit, the role of husband looked good on him. Her hand gently gripped his bicep, trying desperately to ground him. “Spence—” Her warning tone begged him to stop.

“Come on, bro, be serious. I didn’t say anything that wasn’t true. I mean, good for you, honestly, bagging a newer model?” The agent threw Spencer a wink.

“Newer model—?” Spencer’s brows shot up in disbelief as Y/N snapped, her brows knitting together. Her feet carried her towards the agent, and her fist connected hard with his jaw before she even had time to register what she was doing. She snatched the box and stormed into the house.

“And I look unstable—

Gathered with a coven round a sorceress table.”

“Em, sorry, I punched him. If you get a call saying that one of your agents punched Agent Asshat or whatever his name was, I take full responsibility. Go ahead and write me up.”

Y/N all but yelled into the phone sitting in the middle of the table, a very tired Emily Prentiss on the other end.

There was a muffled yawn from the other end. “Did he deserve it?”

Y/N sighed, “Well—”

“Yes,” Spencer cut her off, returning from the kitchen with a makeshift bag of ice for her hand. “We may have looked less than professional, but that doesn’t excuse his blatant misogyny, nor the way he was practically eye-fucking Y/N on our front lawn.” He huffed, sinking onto the sofa.

“Sounds like he deserved it…” Much to Y/N’s surprise, Emily didn’t sound upset. If anything, their unit chief sounded amused.

“Should’ve seen it, Emily. She would’ve made Morgan proud. I think she might’ve broken his nose,” Spencer chuckled, glancing over at his literal blushing bride with a cheeky grin.

Prentiss laughed. “I don’t condone violence…but good on you, kid. I’ll let you know if I receive that call, but if he’s the jack-off you’ve made him out to be, I doubt he’ll admit to his superiors that a woman broke his nose. Regardless, I won't be writing you up for this.” There was a brief pause, the sound of shuffling papers and drawers closing on Emily’s end. The time difference between Seattle and the District meant it was past midnight.

“You should go home, get some rest, Em. We’ll look over the newest crime scene photos and see if anything stands out. If it does, we’ll let you know. The agent made the comment that the press had the story…so we’ll keep an eye on that as well…”

Emily, ever the workhorse, sighed. “Fine…I’m going to head out of the office now, but as always, call me if you need me or if there are any urgent developments.”

“Have a good night, Em…” Spencer sighed, his head lulling back against the cushion as the line went dead. “How’s your hand?” he muttered quietly as he started unpacking the newest box of evidence onto their coffee table.

“It hurts…” she shrugged, flexing her fingers under the ice pack, “but I hope his face hurts more.”

Spencer couldn’t help but laugh, a genuine smile tugging at the corners of his lips as he gazed at Y/N with pure admiration and pride. “Angel, I genuinely think you might’ve broken that idiot’s nose. I can almost—actually, no, statistically, I can guarantee his face will be hurting for a while, especially right now.”

“Pad around when I get home— I guess a lesser person would’ve lost hope.”

The night slipped by, the story was run, and the case stayed the same— unsolved. Nothing particularly groundbreaking was found at the crime scenes, and the MO and victimology were painfully consistent, which left little for Spencer or Y/N to analyze. It was driving Spencer crazy, how after nearly twenty years with the BAU, he found himself genuinely stumped.

In the coming days, everything suddenly became real. After their date, their kiss—it wasn’t just a cover story anymore. Spencer and Y/N no longer felt like characters in a tragic play. They were a couple, who kissed and held hands, who slept in the same bed and talked about their days.

Days turned to weeks, and before they knew it, August had slipped away like a bottle of wine. As the leaves began to change, the lines between reality and their cover began to blur. 

For the first time in a long time, Spencer was happy, and content in a life he had always imagined for himself—a wife, a home, a steady schedule. None of it was real, but if only for a moment, it was real to him. His classes ran smoothly, with students who weren’t just there because he had a pretty face—they cared, and it was groundbreaking. The university had even given him a TA to hopefully lighten his workload. She was sweet, not much older than Y/N, but working on a doctoral thesis in his field of expertise. All the pieces of this illusion had fallen perfectly into place.

"Still, I dream of her…"

Spencer woke with a start. He hadn’t had that particular nightmare in years, not since his brain had nearly bled out all those years ago, not since he saw Maeve that one last time. He couldn’t seem to catch his breath, his hands blindly searching for Y/N in the bed beside him… and then there she was, groggily furrowing her brows.

She wasn’t lying next to a psychopath in a pool of blood, cold and lifeless at his feet. She was in his bed, in his arms even, tangled in the sheets.

Memories and flashes of that night with Maeve, with Diane—the way she’d touched him, the way Maeve had looked. The cases were different, yes, but something felt very familiar to him. Reluctantly, he pulled himself out of bed, padding into the living room where the coffee table had been overrun by evidence from the newest murder. The body count was up to eight now, four couples, and the press was having a field day with this; they’d named the unsub The Albatross.

“Cautions issued, he stood shooting the messenger. They tried to warn him about her.”

The words danced across his mind, echoing in his ears as Spencer sat on the sofa, his eyes searching the crime scene photos desperately. The MO had shifted with the latest couple; the once precisely slit throats were no more, instead replaced by a single shot through the heart. The couple themselves were the same—an older man and a younger woman. However, with this couple, there had been an incident—a fatal shooting years back involving a stalker. Spencer shuddered at that information, his stomach twisting as he read the original case report.

“Shooting the messenger…” he scoffed, tossing the note back into the pile of evidence. He sat back, his head lolling tiredly against the back of the sofa as his mind worked overtime, assessing the words on the page as well as the previous notes left behind, trying to find any connection, any story or reason to the cryptic poem.

“What’re you doing up…?” Y/N’s sleepy voice caught him off guard. He turned to glance behind him at the half-asleep woman leaning against the hallway wall. “Rolled over and you weren’t there…” Y/N mumbled, trying to rub the sleep from her eyes.

“Couldn’t sleep…” he shrugged, trying to hide the fact that he’d been sleeping just fine—except for the haunting nightmare. He opened his arms for the younger woman, beckoning her to come and sit beside him on the couch. He needed to hold her, to know that she was real, but he wasn’t quite ready to get back in their bed just yet.

After a brief moment of contemplation, Y/N shuffled over, flopping down beside Spencer on the couch, her blurry eyes scanning the photos from the crime scene. She’d seen them earlier before they had inevitably decided to call it a night, but now, something she hadn’t noticed before caught her eye.

Without hesitation, she leaned forward, snatching up the evidence bag that held the latest note, her brow furrowing as she examined the reddish-brown splotches near the edge of the page. 

“Is that blood?” she asked, glancing back at Spencer as she handed it to him.

He stared blankly at the mess for a moment before reaching out for an evidence bag that held yet another cryptic poem—though this one was different—if only because he was fairly certain the unsub’s blood had dripped onto it, considering that when the lab had run it, there was no match to any victim. 

"Poisoned blood from the wound of the pricked hand."

“Oh—” Y/N shook her head, looking over the victim's hands…not a drop of blood.

“If it’s not from the victim, it’s sloppy…why not start over, why leave a trace behind?” she said softly, fighting a yawn as Spencer nodded slowly. 

“It’s almost like she's giving us a clue—”

“She?” Spencer asked, raising a brow. Dr. Spencer Reid was the king of picking out a female unsub, usually long before anyone else on their team. What had she seen that he’d missed? “How do you know it’s a woman? What stands out to you?” Spencer asked, leaning forward on the couch, observing the mess of case photos.

“Well, up until this last set…the husbands' throats are slit, and these notes are placed in their left palms. It’s brutal, but there’s an art to it.” She hummed, sinking back into the plush cushions of the sofa. “The wives, on the other hand, are laid out peacefully in bed with an albatross feather in their hands. It shows remorse—after the fact, the unsub is giving the women the respect that’s deserved…it's a different kind of death for the women."

“Okay, and what do you think the notes signify?” Spencer encouraged, slipping into teacher mode as his own mind raced a million miles a minute, putting together all of the points she’d made against the profile he’d been building in his mind.

“Well, they’ve always been in the left hand…ancient beliefs said the left hand was feminine, while the right was masculine. Other ancient stories point to your left hand being bad luck…which clearly…” she motioned to the gruesome photos before them with a sigh. “In some literary works, the left side symbolizes decay…death.”

Spencer nodded along. He’d already reached his conclusion, put the puzzle together, and built his profile. Now he was left to guide her, wait, and see if the younger agent would find her way to the same conclusion.

“Why slit their throats?” he asked softly, his eyes trained on the younger woman’s features, carefully analyzing every micro-expression he could find.

“Obviously, our unsub believes the husbands took something significant from their wives. The way our unsub is slitting their throats leads me to believe that she thinks it’s their voices or possibly their autonomy…I mean, we’re dealing with older men… I mean, it’s the history of man, right? To use women? Take something so simple but vital,” she said thoughtfully. “But it’s the albatross feather in the woman’s hand…such a heavy symbol, and you said before that the bird is associated with burden and guilt. It feels like the unsub is trying to release the wives from any guilt she believes they’re enduring…she’s just setting them free.”

Spencer nodded. “And this tells you what about our unsub?”

Y/N paused for a moment, thinking over the details before offering Spencer a small shrug and a heavy sigh, “Well, I would say that our unsub is a woman, and these men are surrogates…but she identifies with the wives and feels a need to avenge them.” She glanced up to meet Spencer’s eyes, desperate for the approval of the older agent, which he gave with a small nod, so she continued, “The careful way she arranges their bodies shows she has a sense of empathy… she sees herself in these women.”

“Exactly,” Spencer said with a warm smile. “Why do you think she targets older husbands?”

“She probably has a history with an older man—someone who dominated her or took away her voice. This is her way of reclaiming her power and avenging the other women she sees as victims.” Her voice trailed off, her eyes fluttering between Spencer’s eyes and his lips, as he leaned in to gently press a kiss to her forehead.

“Right…you are one hundred percent correct,” he sighed softly, his eyes raking over her delicate albeit exhausted frame with a frown. “And fortunately for us, this case will still be here when we wake up. Come on, let's get you back to bed…”

With a soft yawn, Y/N nodded, slowly rising to her feet, her hand outstretched for Spencer.

“Come on.”

"But I look to the sky and say

please…"

taglist : @olives-and-sunshine @iniyalovesall @suzysface @guiltyyassin @spencereidbasis @tatilolz @cherrycemeterry @hiireadstuff @r-3dlips @sweetpeterparker @catertotshitposts @purple-flower9 @wonderstruck4llthew4yhome @torturedpoetspsychward @skewedcherries @jackchampiongf13 @bouquetolegoflowers @pleasantwitchgarden @conrad4life13 @jdjwjdjjd @lilyn1909 @liquormoneysex @lynlin379 @imgublergirl

I hope i got everyone! if you’d like to be added to the taglist don’t hesitate to lemme know and as always i’d love to know the thoughts and feelings! So sorry this took so damn long

xo

[unhingedbrothers]

Wentworth Miller in Prison Break season 1 Extras – Beyond the Ink

[liar-or-lawyer]

[blue-sophia]

I think the show in no way captured just how hard season 3 was on the Specialists. I mean, obviously they were barely treated as nothing more than love interests, but season 3 broke these boys.

Sky was spelled and manipulated to the point where he had no idea what reality was. Coming out of that must have been terrifying. Having no clue of what's real or who to trust, it must have taken him such a long time to start feeling like he had somehwat control over his life again. And knowing his parents didn't even recognise the state and pain he was in only makes it more painful.

Brandon was captured and treated as a traitor by the realm he spent his entire life fighting for. Growing up as a child soldier, he was taught that the only thing he was good for was being Sky's meat shield. But at the moment his best friend needs him the most, he gets thrown into a prison cell for wanting to help him.

Timmy's grief over losing Tecna gets a surprising amount of recognition in the show, I'll give them that. But I still think the show moved on too fast from the fact that everyone assumed Tecna to be dead. The sleepless nights trying to find her, his refusal to come to terms with what happened... Even after finding her, that shit stays with you.

Riven is the only one that caught somewhat of a break in season 3. Him and Musa are doing better and he's finally learning to let the people around him into his life. However, seeing Darcy once again trying to take over the world, hurting the people he loves, must rip open a wound that he's tried to stitch up about a million times. He'll forever feel guilty for his actions in season 1, and Darcy will forever be a reminder of that.

[mortemoppetere]

[pm] No longer in my prison.

But am sure you think I should still be in there.

[pm] Good to know. Still not sure why you thought you had to

[morningstarbee]

i love how we all agree that Will would have become his murder husband a lot faster if Hannibal didn't have his "genius" plan to let will's brain burn and make him think he was going crazy and then frame him for murder

Like season 1 will was already unhinged, with no outside interference:

a literal corpse, like a dead person "Field kabuki"

"I like killing people actually"

"You didn't kill Stammets" "i was thinking about it tbh"

*fully hallucinates, on his own, a dead man telling him about his Becoming* (it's not something Hannibal planted, because he literally realized Will had encephalitis earlier this episode when he sniffed him)

"Are you trying to alienate me from Jack Crawford? Oh you are? Oh yeah go ahead idc"

*stares directly into his eyes as Hannibal has his hands in another man's organs*

"You saw Abigail kill someone and hid the body? Cool. Why are you so bad at hiding bodies??"

"Idk why you looked so suspicious when you said Tobias killed Franklyn but okay."

*breaks his own thumb, takes out all his guards, and escapes an armored prison vehicle*

[lokigodofaces]

how does aos continue to always outdo itself? every season, it gets crazier and crazier. like season one is pretty normal, seems pretty typical of the mcu, the only odd thing is how coulson came back to life, it didn't affect skye, it affected garrett like crazy, and now coulson has hypergraphia. then season two has inhumans, okay, but that's easy enough to work with, to see that's crazy would be like saying the concept of x-men is insane. then season three comes along, and jemma is stuck on another planet, okay. and now ward is dead on that planet, alright. now ward's dead body is being possessed by an immortal inhuman that mind controls other inhumans, okay. season 4, there are ghosts? alright, okay. also ghost rider. and robbie's uncle is breaking physics, okay, using the book of the damned. which changes based on the the viewer and corrupts people. also fitz & radcliffe made a scarily human like android, alright. now aida is making brains out of light after reading the darkhold, okay. robbie is in hell now, alright. radcliffe replaced may with an lmd, okay. mace isn't inhuman, this is fine. crap, everyone was replaced by lmds, this is fine, this is fine. okay, okay, they're all in a virtual prison where hydra took over & fitz & may are #2 and #3 in hydra. also aida is #1 and has fallen in love with fitz and made a real body for herself but she does not take rejection well. coulson is ghost rider, cool, and he kills aida. and now they're all in future in space and have to time travel to stop this from happening. also daisy might be the one to destroy the world, that's fine. oh, deke, he's fitzsimmons' grandson, and he has a crush on daisy. also coulson is dying and talbot has superpowers. now talbot is going to destroy the world, but daisy stops him just in time, cool. now fitz is dead. but wait! there's another fitz floating around in space with enoch, they can find that fitz. coulson is dead. now coulson's doppelganger with no memories is on earth & killing people and demon birds. also he wants to nuke the landing site for izel. okay, jemma found fitz, but now they're in a chronicum mind prison and evil versions of themselves try to kill themselves, but then the evil ones make out in front of the good ones. now fitzsimmons are on a ship with izel, but they just realized she's evil. okay, but they kill her, right? nope, she possessed davis. and may. and diaz. and piper. and deke. and fitz. and pretty much everyone else, notable ones being mack, piper, davis, and elena (she killed davis :( ). oh, also coulson accidentally created a clone of himself when the monoliths blew up and all. that clone is immortal and host of some crazy powerful thing. and it's half way through the second to last season.

and what's great is that you just get used to it. like, i probably forgot so much stuff on this list because they just seem normal now. i mean, i almost forgot to mention tahiti and ghost rider, so that is saying something.