#presentation in the temple
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Bartolo di Fredi - Presentation in the Temple. 1388
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Who Is Jesus? (Luke 2:22-40)
The Gospels are not biographies – in the sense we think of them – but rather they are narratives that seek to answer a fundamental question about faith and life on this earth: Who is this Jesus?
The Presentation in the Temple, 14th century fresco in Pomposa Abbey, Codorigo, Italy When the time came for the purification rites required by the Law of Moses, Joseph and Mary took him to Jerusalem to present him to the Lord (as it is written in the Law of the Lord, “Every firstborn male is to be consecrated to the Lord”), and to offer a sacrifice in keeping with what is said in the Law of the…
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#christ&039;s incarnation#christ&039;s birth#christmas#consolation#deliverance#god&039;s deliverance#god&039;s law#gospel of luke#jesus#jesus christ#luke 2#mary and joseph#person and work of christ#presentation in the temple#redemption#salvation#savior#simeon and anna#son of god#spiritual deliverance#spiritual freedom#spiritual life
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Shirley's Angel <3
#juice art#osc#osc fanart#inanimate insanity#inanimate insanity fanart#ii fanart#oj ii#ii oj#oj inanimate insanity#ii oj fanart#oj ii fanart#I HADDDD TO MAKE A DRAG QUEEN OJ DESIGN OKAY#I LOVE DRAG QUEEN OJ SO SO MUCH#it's part of my oj timeline in fact#he's a drag queen post-hotel about a year or two after he leaves#i have a whoooole storyline for him from past to present to future#anyway shirley's angel cause shirley temple + charlie's angel#but you can call her shirleyyyy :)
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Luis de Vargas (Spanish, 1502-1567) The Presentation in the temple, 1560 Museo de Bellas Artes de Sevilla
#Luis de Vargas#The Presentation in the temple#1560#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#mediterranean#christian art#christian#christianity#christentum#catholic#catholic art#western civilization
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Wei Wuxian and Narrative Agency – Part Two
For Xiantober Day Three: Conviction (of a sort)... in which the author temporarily forgets to focus on narrative agency or on Wei Wuxian, in favour of analysing relevant themes and characters that relate to Wei Wuxian. But he does get focus, and again, contextualising him is why i’m exploring these other things, so no harm done.
(Part One | Part Three | Full version on AO3)
It’s Not Just Optimism: Resentment and Self-Definition
Before we discuss the narrative again, let’s take a break to discuss one of my other favourite aspects of Wei Wuxian. We’ve seen how the narrative treats tragedy, and we’ll soon explore how it reflects Wei Wuxian’s views on tragedy. But what actually are these views?
Because the thing is – the narrative and plot can emphasise agency and choice all it likes, but focusing solely on that leaves out the character. And it’s Wei Wuxian’s character that deserves the credit for how he defines himself (…in-universe). If someone had gone through everything he had, who could blame them for being unable to keep going, unable to let go of resentment, unable to see anything that was still worth living for, to see any value in altruism?
(Also, I do have to emphasise this: you can have perfectly healthy coping mechanisms, but still get extremely traumatised. Everyone has a limit to what they can take, that limit differs, and that isn’t your fault. It just so happens that Wei Wuxian’s limit is extremely high (and even he reaches it when everything falls apart in such quick succession near the end of his first life!))
This isn’t something that’s ignored in MDZS. We see multiple characters who have gone through similar levels of suffering as Wei Wuxian, or even less suffering than him*, who do react in some of the ways mentioned above. Whether or not the narrative condemns them depends on if they hold onto resentment from their tragedies and use it to harm others – Xiao Xingchen and Qin Su, for example, aren’t condemned for their suicides (nor should they be, suicide/suicidal ideation isn’t anything anyone should be blamed for), because nobody was intentionally hurt as a result. But people like Xue Yang, who was treated cruelly and senselessly lost his finger, but went on to murder an entire clan as a result; or Jin Guangyao, who remembered the slights against him and his mother down to the exact wording of Jin Guangshan’s dismissal of her freedom, which may have justly hurt him but also unjustly lead him to both burn down a brothel and (separately) kill or imprison multiple innocent prostitutes; or Jiang Cheng, whose resentment for Wei Wuxian due to the latter’s actions lead him to harm many others after his death simply because they were similar**, are condemned.
Why mention this? Well, these different reactions show it isn’t just a quirk of the universe that people are more tolerant to pain – Wei Wuxian’s reactions are a deliberate choice on the part of MXTX, not a writing flaw stemming from misunderstanding the severity of trauma***. But more importantly, many of these characters deliberately foil Wei Wuxian, and so they can give us a good insight into what sets him apart from them (or rather, from the characters who aren’t completely broken by their pain, because that way we know it isn’t simply a difference in tolerance but rather one in attitude). And as I’ve discussed, this has to do with accepting events and letting them go, rather than holding onto resentment.
Part of this may come from differences in personality (though that’s never an excuse for hurting others) – but, though Jiang Yanli may claim Wei Wuxian was someone “born with a smiling look” (Chapter 24, EXR), there are two philosophies Wei Wuxian consciously holds onto that have to do with this attitude:
“Let the self judge the right and wrongs, let others decide whether to praise or blame, let gains and losses remain uncommented on.” Chapter 75, EXR translation
“Remember the things others do for you, not the things you do for others. Only when people don't hold so much in their hearts would they finally feel free.” Chapter 113, EXR translation
And crucially, these ideas directly contrast the actions and mindsets of the antagonists above. All three focus on their ‘gains and losses’, with their suffering at the hands of others being a major motive to harm those others/those affiliated with those others (Xue Yang’s finger; the slights against Jin Guangyao and his mother due to the latter’s job; Wei Wuxian’s ‘betrayal’ and his role in Jiang Yanli’s death, as well as false blame on him for the deaths of Jiang Cheng’s parents, and Jiang Cheng’s inferiority complex). Jin Guangyao and Jiang Cheng are also very focused on their reputation, or in other words, on whether ‘others decide (…) to praise or blame’ them (according to Chapter 10 of the EXR translation, in what seems to be omniscient POV heading into Jiang Cheng’s, the latter ‘cared about maintaining his reputation above anything else’. Meanwhile, much of Jin Guangyao’s actions were taken to protect his reputation, including the brothel burning, as a part of the aim was to conceal which brothel he grew up in (Chapter 104)).
Additionally, much of Jin Guangyao’s resentment stems from how others treat (‘blam[ing]’ him, insulting him), compared to how they treat others (‘prais[ing]’ them):
“But do you know what it was that made me lose hope completely? I’ll answer your first question now. It wasn’t that I’d never be worth a single hair on Jin ZiXuan or one of the holes in Jin ZiXun, it wasn’t that he took back Mo XuanYu, it wasn’t that he tried every possible way to make me a mere figurehead either. It was the truth he once told the maid beside me when he was out indulging himself again.” Chapter 105, EXR
Though the other points didn’t make him lose hope completely, the implication is that they did affect him too (as shown by how he speaks about them), with Jin Guangshan’s words about Meng Shi being the final straw. ‘Los[ing] hope’ here of course relates to holding onto resentment, as Jin Guangyao’s loss of hope is what led him to murder out of his hatred.
Finally, both Jin Guangyao and Jiang Cheng also hold resentment due to holding onto what they’ve done for others, or even onto who they themselves are, without being treated accordingly – and though it makes sense to be hurt by all these things and these reactions are valid, the pain from holding that in your heart and the danger from holding onto it is precisely why MDZS condemns it:
“Why is it that even if I face everyone with a smile, I might not even receive the lowest form of respect, while even though your father was extremely arrogant, people flocked to him? Could you tell me why we were born from the same person but your father could relax at home with the love of his life playing with his child, while I never even dared be alone for long with my wife, shivering out of fright at first glance of my son? And I was ordered to do such a thing by my father as if it was natural—to kill an extremely dangerous figure who could flip out and conjure up a bloody massacre with his corpses anytime! “Why is it that even though we were born on the same day, Jin GuangShan could host a grand banquet for one son, and watch with his own eyes how his subordinate kicked his other son down Koi Tower, from the first stair to the last!” Chapter 105, EXR
(He brings up his role in Wei Wuxian’s downfall due to this as well, in addition to creating any excuse he can to absolve himself of others’ blame – he’s being treated unjustly and hated for something he’s done, even though he was ordered to do that thing by his father and it made sense!)
Jiang Cheng, “Are you stupid? You only counted the time to return and not the time to go there? Let alone the fact that after I got there I had to lead people and search through the entire mountain for the old banyan tree, then dig open the hole that got blocked up by Wen Chao and his people, and rescue you within seven days. Where’s your gratitude?!” (…) He raised his voice, “You killed the Xuanwu of Slaughter together with Lan WangJi, bathing in blood! How great is that?! But what about me?!” He punched his fist into a pillar in the hall, clenching his teeth, “… I have also been running around for days, completely exhausted, with not one second of rest!” Chapter 56, EXR
(And, a bonus to show this being a part of Jiang Cheng’s mindset without stemming from being hurt by a specific event, even when he’s being encouraging:)
“So it seems that both of you killed it together. What’s yours is yours. Why would you give him all the credit?” Chapter 56, EXR
(This moment is a nice display of the contrast between Wei Wuxian’s and Jiang Cheng’s mindsets as well, with the former focusing on what Lan Wangji (‘others’) did for him instead of seeking credit for his role!)
To repeat – of course these feelings are understandable, and I’m not blaming them for feeling this way. What I am placing blame on is letting those feelings drive you to murder many innocent prostitutes, or to let this sense of a debt you’re owed (which is what the philosophy is actually warning away from, because if you hold onto what you do for others, the natural expectation is that they’re indebted to you and should do something for you as a result) turn into resentment towards someone for not acting the way you think they should, leading you to help murder them, even if your sister sacrificed herself specifically to save their life.
This is the danger of holding onto resentment. And are these actions not a choice? Would you, independent of MDZS, absolve someone of a crime because their ‘personality just leads them that way’?
The same is true for acting on these two philosophies, and letting resentment go. And it’s all the more impressive when someone has as much potential resentment to hold onto as Wei Wuxian does.
Of course, Wei Wuxian himself isn’t completely infallible – which further supports the idea that this isn’t just a natural, unalterable quirk, since we see him act contradictory to his usual self as well. But the narrative’s view of resentment in these moments doesn’t change. Importantly, the times he does let resentment drive what he’s doing, during the Sunshot Campaign and Nightless City (as well as him being quick to anger at Phoenix Mountain, etc), it isn’t presented as in the right**** — and though he still lets go of it quickly enough to protect a group related to the one that hurt him (people of the Wen sect, the cultivators who participated in the Siege), it doesn’t prevent the harm done during these times. Additionally, the times he metaphorically can’t control and reign in his resentment in the form of guidao – at Qiongqi Path and, again, at Nightless City – pain is caused to innocents (Jin Zixuan and Jiang Yanli). This is what his internal thoughts have to say when he comes across cultivators gossiping about him, shortly after Wen Qing and Wen Ning have sacrificed themselves:
No matter what he did, not a single good word would come out of these people’s mouths. When he won, others feared; when he lost, others rejoiced. Chapter 77, EXR
He’s hurt by other people praising and blaming him! Holding onto this philosophy isn’t automatic, that decision isn’t simply encoded within him somehow.
But that brings us to another relevant theme: that these characters aren’t infallible, because they’re not mythical creatures or concepts brought to life. Everyone is human.
However, although he thought that his heart was like a stone, in the end, he was still human, not some emotionless grass or plant. Chapter 8, EXR
OuYang ZiZhen, “HanGuang-Jun, why did Senior Wei collapse?” Lan WangJi, “Fatigue.” Lan JingYi was amazed, “I thought that Senior Wei would never get tired!” The other boys felt somewhat astonished as well. That the legendary YiLing Patriarch could collapse from fatigue from dealing with walking corpses—they all thought that the YiLing Patriarch should be able to settle them with just a snap of his fingers. However, Lan WangJi shook his head. He only said four words, “We are all human.” They were all human. How could a human be tireless? How could they stand forever? Chapter 84, EXR
Even with Wei Wuxian’s temperament, even with his attitude, he’s still human! Just as he’s not immune from being affected by harsh words to do with his past, just as he’s not immune from being affected by exhaustion, he’s not immune to being hurt by or angry at his circumstances. As we see in the Sunshot Campaign and at Nightless City, he’s not immune to dwelling on his misfortunes, to being driven by his hurt and anger and by resentment he holds onto (consciously! At Nightless City, Wei Wuxian deliberately accepts the curses thrown at him, because ‘anger was the only thing that could suppress the other feelings within his heart’ (Chapter 78)).
But nearly always, he chooses not to. The Wen remnants he saved were innocent, yes, and Wen Ning and Wen Qing helped him previously – but in his second life, he could’ve easily kept holding onto his resentment and left the cultivators who besieged him, who killed him and those under his protection, to die at the Second Siege. But he didn’t! He held true to his own philosophy, to judge the right and wrongs yourself independent of what others do, and saved them.
Because this is what’s important to him, because this is how he wishes to act in the present, and because he doesn’t let himself be defined by the tragedies he went through.
The donkey seemed as if it knew that he wasn’t in a great mood [due to others bringing up what happened in his past], and for once, it wasn’t being loud out of impatience. A moment of silence passed, and it turned around to leave. Wei WuXian sat by the stream, not responding at all. It turned around to look, throwing its hooves onto the ground, but Wei WuXian still paid no attention to it. The donkey had to come back sulkily, biting and tugging on the corner of Wei WuXian’s collar. He could choose to go, and he could choose to not go. Seeing that the donkey had [gone] as far as to use his mouth, Wei WuXian decided to follow him. Chapter 8, EXR*****
Immediately after this, he’ll continue investigating the puzzle of Dafan Mountain’s night hunt; he’ll come across a ghost, ask where it’s hurt and offer to take a look at it; he’ll rush off to save Jin Ling and the Lan juniors, figuring out the truth behind the dancing goddess and being the only one to do so. Just as it’s more important to the narrative, this – quick thinking, problem solving, compassion, doing the right thing, even seeking out excitement – is what Wei Wuxian finds more important about his own self, and what he chooses to focus on.
Some final questions to end things.
If you saw Wei Wuxian, without any knowledge of what happened in MDZS, without any work done by the narrative structure or by knowledge of tropes – would you have expected the backstory he had? Would you expect his parents to have died when he was at an age where he could barely remember them? Would you expect him to have lived on the streets until he was nine years old, or to have been taken into an unjust and extremely volatile household, or to have (chosen to) lose the source of powers he was very proud of – shortly before he was thrown, now powerless, into the equivalent of hell for three months? Would you expect his first life to have ended because protecting innocents (knowingly) led to the entire world crusading against him, because their siege resulted in him being torn apart? Or would you not think of tragedy when it comes to this person who gleefully jokes and teases, who’s so smart and competent and knows it, who doesn’t focus on the negatives, who acts so confidently on his morals, who revels in life so much?
If you only saw Wei Wuxian’s backstory with no context of his character, would you expect him to remain this way?
And, if you saw Wei Wuxian’s actions in the present day, without knowing what tragedies happened in his past, would he feel like an incomplete character?
It’s impossible to answer, of course – even in the present day, you get information about his past.
But I’m inclined to say no.
(Part One | Part Three | Full version on AO3)
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*But again, let me emphasise – especially in real life, doing the trauma olympics is never good! As I said, everyone has limits, everyone’s limits differ, and just because one person can cope with something doesn’t mean another person can, even with the same mechanisms. And that shouldn’t lead to any judgement!
I say ‘especially in real life’ because in fiction, some characters’ experiences are often made similar or different to others’ in order to parallel or foil them – in which case comparison is often the point. But trauma olympics (‘this person suffered x amount so the other person should be able to take it!!’) is still bad, guys (especially since, as with MDZS, those parallels or foils are often there to explore the harm they do to others as a result, not simply how much trauma they can take).
**My thoughts on rumours here. Tl;dr, if Jin Ling (someone who’d want to defend him!) is saying he did (and that he “never let anyone go” – Chapter 24), if sources like Lan Wangji and Lan Sizhui act as if this is the case (Chapter 10 – to defend, you could say personal feelings play a role, but Lan Wangji especially is someone who knows not to, and explicitly doesn’t, make judgements without conclusive evidence. Again, see my thoughts on rumours) – and if Jiang Cheng backs up this behaviour (eg by telling Jin Ling to kill every demonic cultivator he sees and feed them to his dogs in his introduction – Chapter 7), it’s probably not a simple unbased rumour. There’s enough evidence to support its veracity.
***However, do note that Wei Wuxian isn’t an outlier, either – Lan Wangji, Wen Ning and Lan Sizhui (once he learns of his heritage) are all examples of other characters who aren’t overcome or twisted by their pain, instead still aiming to make the world a better place. And this is Jin Ling’s whole arc, too!
****I delve a lot more deeply into this here!
*****The role this moment plays isn’t actually something I caught myself – it came from a post about a reread of MDZS’ earlier chapters. I can’t find it myself, but if anybody has the link, that would be great (so I can cite it)!
—
Also, a shoutout to this incredible meta by @righteousinadversity – it’s what made me want to delve into this aspect two years ago! It’s still one of my favourite metas, and you enjoyed this, you’ll definitely enjoy that, too.
#yes i did gush a bit at the end but it’s *xiantober* it’s the wwx gushing month!#also re ‘antagonist’ and jc – i don’t want to get into discourse but there are two facts#1) an antagonist is someone who opposes or hinders the protagonists (regardless of their morality - eg L in death note is one)#2) jc is someone who does oppose and hinder the protagonists (capturing wwx in present day + being hostile to wangxian + besieging him in-#-his first life… and in his second life)#sure he isn’t one CONSISTENTLY (not throughout a lot of the flashbacks + during the second siege + in guanyin temple)#but that’s still a frequent role he PLAYS#regardless of how you think he should be presented or what you think he’s feeling – that’s the function his actions serve in the novel#anyway fic for day two will come but it’s still being worked on — i was in an analysis mood today so decided to do this first#mdzs meta#my meta#mdzs#wei wuxian#mo dao zu shi#魔道祖师#grandmaster of demonic cultivation#gdc#jin guangyao#jiang cheng#(<- a little scared of this tag but he does feature a lot)#xiantober day 3#this does admittedly feel less focused than the previous part but maybe i’ll rewrite it later
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Nameless Part Twelve - Apostate Page 1/10 Flashback time! Barriss Offee complains about the Jedi Order and gains a secret admirer. Text is taken from the TCW episode, 'The Wrong Jedi'. The comic is also available here on AO3.
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Part I Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 Part II Navigation: 1 / 2 / 3 Part III Navigation: 1 / 2 / 3 / 4 / 5 Part IV Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 Part V Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 Part VI Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 Part VII Navigation: 1 / 2 / 3 / 4 / 5 / 6 Part VIII Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 Part IX Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 Part X Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9
Part XI Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 Part XII Navigation: 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10
#POV: you're having your 'Twas I who set the house ablaze!' confession in front of the Republic#and the guard behind you keeps making discreet little noises of encouragement and approval#barriss offee#anakin skywalker#jedi temple guard#pau'an temple guard#pau'an inquisitor#clone wars#tcw#anyway context for those like me who haven't really watched TCW#apparently the Grand Inquisitor was one of the guards present at a trial where Ahsoka was wrongly accused of treachery#the real culprit was a disillusioned Jedi named Barriss Offee#and this speech presented here was so very rousing or whatever that the Pau'an Temple Guard began to doubt the Jedi Order himself#nameless comic
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you are pretty, dearest!
#SPEEDRUNNING TO POST BEFORE MY ABM QUIZ STARTS PLEASE POST POSTPOSDPTOPTT GKRKGKRKG#edit: editing this post to make it more presentable since i got time :3#rendered this while at school hehe#~ art#💚 constabell#okay okay and i gotta drop my thoughts here as usual#i totally imagine norton was expressing some sort of insecurity about his face and how it doesnt make him look any better. to which#irene rejects the idea and holds him closer. you are pretty! i think you are very handsome. words hit deep. but this one struck a chord dee#so deep that it reassures him that he still have some worth and he is still deserving of being loved. so much so that a beautiful lady-#is very much in love with him :3#andd yes ^^ his burn scars do extend to his arm - i saw it in his model + sources online if you were able to remove his sleeve#im sure i posted about it here in this blog but its quite far now#i hc his scars to mostly appear on his left side - explains why his left temple is only affected#i imagine there is some coverage on his body as well - i actually wondered if im able to draw that out#unfortunately im jsut not good at masc anatomy so that needs some work. orr i just go chibi mode AHAHAH but what if i dont want to :pleadin
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Half-baked r63 yukierre idea/yapping
Guys bear with me here on this. AFAB Yuki right? Her and Pierre traumabonded during their Alpha Tauri days and all that jazz.
They have almost the exact same dynamics as the non r63 version of themselves but heres where it gets tricky-ish. We all know that even w/ all the flirting Pierre would yap about seeing Yuki as a younger sibling and would say/imply as much
So, fem!Yuki realizing she may have some heavy feelings for Pierre whether they be platonic or romantic (whose she kidding ofc they're romantic) but alas everytime Pierre inevitably finds himself flirting w/ her, he backtracks to the "ur like a little sister to me/ur such an immature little kid angle (think rb maxiel)
Which is a slap in the face to Yuki when Pierre goes public w/ his childbride Kika later on that year whos a freshly turned 19 to her 21/22 (maxiel moment lmao).
Yipyap yip yap. Yuki dealin w/ the western worlds overt sexualization of asian women along w/ the desexualization/infantilization that she going to face as an asian woman in old boys club sport. Pierre gasly is not helping w/ these matters at all
Kika is petite, charming and has just enough bite to intrigue but not offend the old guard, unlike Yuki whos being made to see a therapist over her temper. (poor girl) and Yuki's just feeling like the standing woman emoji in the corner. Dont forget Pierre's leaving AT at the end of the season too lmao
At least she has an elder fellow poc woman on the grid to go to advice for, right??. Alex Albon herself who's also lowkey a mess rn. Fried blonde, overgrown pixie cut and undercut monstrosity, fuck ton of helix and orbital piercings (she went to the lh44 school of drip... shes failing) Shes got a thing for George but hes dating Carmen and she and Lily are dancing around each other (just kiss tf??)
Yuki will be ok though, she has Nyck and Liam next year. Miss girls boutta be having some nice sex and reminiscing to do
WeI hope this made some sort of sense. Idk though PLEASE LEAVE A COMMENT OR REBLOG W/ YAPPING. IM HAPPY TO ANSWER ANY QUESTIONS!!
#Theres eventually going to be a party w/ all the women in the grid where they all get yt girl wasted and ask stupid questions#and someones going to ask everyone if theyve ever had sex w/ anyof their teammates past or present b4#And Alex blows everyones minds by admitting to having sex w/ Charles at one point and Yuki does vice versa by admitting she never had smth#With pierre lol#Yukis had her hair shorter than her chin almost her entire life until shes teammates w/ Pierre and starts growing it out bc shes seen him#Go for ig models w/ long hair#she cuts it again once he leaves. takes a page out of alex's book and gets a undercut. It feels nice.#mcwriting#there is no clear rhyme or reason to this shit but I hope yall understand this mess#Girls: Yuki. Alex. Oscar and maybe max or Lewis#idk I just wanna see how Lando would react around a fem! oscar lmao#yukierre#yuki tsunoda#alex albon#shoutout yuki's 2nd puberty aka the 2023 season#shes got the fresh haircut. new muscle and is no longer under Pierre's wing#chat shes ready to flourish here#Alex will get her life 2gether soon probably#r63 yuki verse#Yap temple
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Tierra Whack Celebrates Debut Album’s Release at Webster Hall on Friday Night
Tierra Whack – Webster Hall – March 15, 2024
Philadelphia rap queen Tierra Whack has been getting the party started worldwide with her infectious rhymes for several years now. (It’s probably only a matter of time before she graces the multipurpose-room stage on Abbott Elementary to battle Tariq Temple at a F.A.D.E. showcase.) Whack channels creativity and visual aspirations into her poetic lyrics and the videos that accompany them. From the Grammy-nominated video for “Mumbo Jumbo” to the recent Alex Da Corte–directed “27 Club,” her flair for fashion exudes further joy and pop, as witnessed on World Wide Whack, her debut full-length. She celebrated its release Friday night at a sold-out Webster Hall.
With a large inflatable of the World Wide Whack avatar occupying a third of the stage, the rapper appeared adorned in her silver clown suit mirroring the attire from her album’s aesthetics. Opening with track one from her latest, “Mood Swing” appropriately began with “I’ve been trying new things.” Throughout the show, the crowd indulged in a call-and-response, which warm-up DJ Kill Sing kicked off with a cry of “worldwide” and requested the “Whack” reply. The admittedly nervous singer would cover the majority of the new songs, from the bounce-inducing “Ms Behave” to the melancholic “Two Night,” Her confidence building thanks to the supportive crowd, Whack effortlessly weaved among rap, pop, and R&B with her new material. On lead-single “Chanel Pit,” music box melodies danced amongst the spits of cultural references, like Vin Diesel and Resident Evil. Closer “27 Club” grooved to more R&B vibes for a downtempo, contemplative swan song, enrapturing the front row.
Tierra Whack didn’t leave her stans without a trip down memory lane, including fan favorites like the bop “Pretty Ugly” and “Fuck Off,” which elicited raised middle fingers across the room. Everybody on the floor happily sang, “He likes my diamonds and pearls,” along with “Hungry Hippo.” For the first time live, Whack performed her section of Lil Yachty’s “T.D.” before calling it a night. Despite the house lights turning on and exit music playing, everyone stayed put, chanting, “World Wide Whack,” leaving the stage crew unsure if they should halt operations. DJ Kill Sing indicated it might not be the end to this unforgettable night, as a wigless Whack returned to confess she was already shedding her costume. The crowd-manifested encore had the Philly native run off “Peppers and Onions” atop the barricade, before dropping to the floor amid her rabid admirers. —Sharlene Chiu | @Shar0ck
Photos courtesy of Edwina Hay | thisisnotaphotograph.com
@thesearenotphotographs
#Abbott Elementary#Alex Da Corte#Bowery Presents#DJ Kill Sing#East Village#Edwina Hay#Lil Yachty#Live Music#Music#New York City#Photos#Review#Sharlene Chiu#Tariq Temple#Tierra Whack#Webster Hall#World Wide Whack
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Indy joins the MCU (kinda)
#indiana jones#the incrediable hulk#hulk#red hulk#the avengers#raiders of the lost ark#temple of doom#the last crusade#avengers age of ultron#avengers infinity war#avengers endgame#mcu#captain america 4#marvel#general ross#lucasfilm#superheroes#superhero comic#action figures#toys#hot toys#present toys#toy photography#action figure photography#figure photography#comic#humor
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EVERYONE HOLD UP I think I just discovered the missing piece that connects the worldbuilding and the plot and the characters and everything and surprise surprise it's an element I was considering near the wip's genesis but discarded and now it's back in full force babey
#second chance wip#as much as I think I am making these things up from scratch it really feels like they are already exist somewhere and I am discovering them#like someone digging up dinosaur bones#anyway I FOUND IT including WHAT TYPE OF WEAPONS THEY USE which has plagued me for literal years at this point#including the technology that they do and don't have#including aspects of why the apocalyptic event™ was so devastating#including the crux of the entire issue (what's behind the locked door in the temple)#including the central mythos of the religion's founder#including part of what ultimately resolves the plot#and including part of how/why they function (or don't) as a team in the present timeline#and how to freaking word the apocalyptic prophecies#asdfghjkl and I never would have come up with this on purpose#truly a result of me only having fun and being completely self indulgent with this wip and focusing on fixing the plot of another one#anyway not me walking to work and suddenly being filled with manic energy lol
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wish i knew the forgotten realms lore better...how am i meant to make my little ocs in this state of ignorance
#i'm so interested in how people relate to the gods in this world which is sort of hard to glean from the wiki#thinking abt those notes in the ilmater temple - 'even bhaal has things to teach us 😔🙏' otoh but the absolute cult is 'heresy'#like who decides that? what does heresy /mean/ in this polytheistic setup where each god's cult seems to p much do their own thing#& it seems like even among the good-aligned gods ppl tend to pick one to hitch their wagon to in a pretty committed way#what does polytheism mean to the average joe in this world#i need to know#i need to make a little guy about it#wrapped up shadowheart's quest and....idk man!#just going off the lore as presented in bg3 so far it's set up distrust for deities pretty much across the board#like babe is your new cult better? bc they've got angel imagery? i guess so#the whole problem of evil thing - the dead three shar et al being so extant & active in the world makes the (apparently?) more distant#benevolence of good gods pretty limp by comparison#so much of what draws lay people to them seems to be protection from the very real material threat posed by the evil ones?#& at least SH is in a better place to choose than say. the goblins#vast swathes of people just born under a bad sign in this world#i heard somewhere that if you don't get a god to claim your soul for their afterlife it just kind of withers away in limbo for eternity?#kinda fucked up#some protection racket shit dude#being a mortal in FR like you're just a little guy in a precarious cosmological situation aren't u#to be clear none of this is a criticism i think it's very fun & chewy#rife with cosmic horror potential#bg3#bg3 spoilers#edit: i mean it's a little bit of a criticism in that i don't think the game sells SH's conversion super well#if the intention is just to be like. yay white-hat god good ^_^#but i don't hate the worldbuilding implications if we take the iffiness as read
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A/N: Hello! This is my first foray into bionicle fic, where I wanted to explore a possible line of reasoning that Roodaka might have used to turn Vakama against the Rahaga specifically... and then this became a Roodaka-POV fic because villainous POVs are so muxh fun to write (plus it makes it distinct from the book version).
Please forgive any glaring inaccuracies; until a week ago, I'd only ever seen the films and am still familiarising myself with the lore/other content!
x
Roodaka almost doesn't recognise the creature her Visorak bring to her.
Almost.
There is more the monster than the Matoran, more the Rahi than the Toa, about the once-warrior now, and the two sides war in odd ways across the ensuing form. The limbs are elongated, but erratically; one side might almost be called Toa-like if one was feeling generous, while the other ends in a wicked-looking blazer claw. The mask bears the least resemblance to its former shape, a mockery of the Great Kanohi it had once been.
"Alone, you say?" she asks the Visorak.
It bows its head in the best approximation its spidery form can muster, and chitters in its gnashing tongue a tale of a single Toa Hordika wandering far from its pack. Then, after a dubious pause, it asks if it should send word to the King.
"No."
More chittering, nervous now.
Roodaka snaps her head away from the unconscious Toa. "Do you doubt me?" she hisses.
The Visorak shakes, as if knowing all too well that any alternative answer will lead to a rapid drop in its quality of life, followed by the abrupt cessation of it. It instinctively lowers itself to the ground, reassuring her it knows exactly how far down it hangs in the pecking order.
Roodaka is mollified enough to let the infraction pass. "Why bring Sidorak back for one captured Toa when he is still in pursuit of the other five?" she croons. Fear works wonders, but a pinch of reason never does any harm. "Better to let him focus on the task at hand, and have this as a pleasant surprise upon his return."
The Visorak doesn't respond immediately. Then, in as careful tones as its speech will allow, asks what is to be done with the Toa.
What to be done, indeed?
A more cautious Vortixx than she might harvest the elemental power now – one fewer strand in her web to tie up later – but, then again... he is only one Toa, and she needs all six for her scheme to succeed.
"Keep him somewhere he won't cause trouble," she orders. And then, "No cocoons. I want him to be able to wake eventually."
After all, live bait is always a better lure.
x
The Toa returns to consciousness the same way he left it: alone.
So much for their precious unity, Roodaka scorns. The reports from the Visorak tell of the other Toa moving across Ga-Metru, with apparently no looking back for their missing companion. Is it confidence in his capabilities that leaves them unaffected, or something more... fractured?
Either way, she is left with a Toa on her hands, alive and kicking and doing precious little to serve as the bait he should have been.
That's fine. She can work with this.
Awake, the Toa's reaction to the Hordika venom is ever more marked; his movements are capricious, tarnished with that feral fear of a caged Rahi, and there is little left of the tactician leader the Toa had once been.
So she leaves him to it. Sidorak is not due back yet – not unless he captures the other Toa, and the whispers that reach Roodaka tell of a merry chase – so she has time. Let the Toa wallow in his fear and his desperation for a little while longer. Let him descend further into his rage.
She can wait.
x
It is only once the howls begin that Roodaka makes her approach.
She has heard the like before, when an ash bear had fallen into a freshly-made crevice, courtesy of the quakes, and broken a limb. It had howled all through the night, calling for its kin and only summoning the Visorak instead.
The howls hadn't lasted long after that.
The howls of the Toa are similarly primal, gutteral with a wordless rage that sends him reeling in its wake. Only when she hears his horrified, "What is happening to me?" that she realises she is surprised to hear speech still remains. If the venom keeps up its course, it may not be long before even that is gone.
An idea takes root, insidious and brutal if she can pull it off. After all even a beast, if it retains some semblence of language, can be reasoned with.
Or manipulated.
He was found alone, her Visorak had told her. And alone he still was. A strange state of affairs for a Toa... but perhaps not so much for a Hordika.
"You are becoming," she rattles.
The Toa scoffs, ire curdling the sound. "Yeah, but what?"
She steps into the light. The Toa keeps his gaze averted as she nears, evidence enough that the Hordika in him knows not to challenge with a stare. She crouches before him, one claw catching the base of his mask and tilting his eyes to meet hers. The eyes, she sees, still carry a Toa spark. The rest is Hordika. "A friend," she offers.
He snarls and tears his gaze away.
"Or a foe," she adds. She rises back to her full height. "That's for you to decide, and why I invited you here."
"Some invitation."
She surveys her captive. Hordika venom is such a messy process, Roodaka can't help but judge. It lacks the finesse, the cruel creativity of her own power, changing at random what would be better done with intent.
Still, she cannot fault its effectiveness. It might be a sledgehammer to her chisel, but in a matter of days it has reduced the Toa responsible for trapping the Makuta into something belonging to a Matoran's nightmare.
"Then perhaps this one will be more to your liking," she says. "I have a... proposal for you."
"And if I don't want to hear it?"
Roodaka smiles, and approaches the Toa once more. From this proximity, she can appreciate the subtler touches of the Hordika venom – the joints that fit at odd angles, the crude connection between the Rhotuka spinner and armour – and as she brings his gaze to meet hers once more, she sees rust-flecked spots across his mask. A side effect of the mask losing its powers? Or a consequence alone of the Hordika venom?
"Be reasonable, Vakama," she croons.
"How do you know my name?"
Her hand dips from the mask and lingers before his heartlight. It's green, she notes; a far cry from the burnished red that had once matched his eyes. A sign, perhaps, that her plan has merit. After all, if the venom has already taken root there, it's only a matter of time before it spreads further.
"I know a great deal about you," she says, and cleaves a claw through the webbing that binds him. "What harm could come from listening?"
And when she tips his gaze again, he does not look away.
x
While fools might prattle on about the power of love or loyalty as a driving force, Roodaka knows power itself is the strongest motivator of all. And so she speaks to the fragmented Toa of strength and fear and authority; things she knows the once-leader has fought with himself. As a show of her own confidence, she allows him to trail behind, and only once does she hear the whirr of his spinner warming up.
("I wouldn't do that, if I were you, Vakama," she had warned without even glancing to him.)
("Then perhaps you should know better than to turn your back on someone," he had replied. "What's to stop me blasting you off the face of Metru Nui?")
(She had gestured almost lazily to the Visorak guard trailing them. "You can try, if you so wish. But how far do you think you'll get before you're trapped in another web?" She had waited for this thought to sink in before adding, "Who knows what another round of Hordika venom would do the second time? That is, assuming you ever wake.")
The Rhotuka spinner quietened after that, and Roodaka hasn't heard it since. Just enough sense left in him, then, to listen to reason. And listen he does, albeit not without complaint.
She wasn't lying when she said she knew about him – from the whispers of Makuta, from the reports of the Visorak, she knows enough to know where the Toa's insecurities lie. She brings him to a balcony that overlooks his old home.
Ta-Metru still glows with the light of fires and molten protodermis, but rather than forges and foundries hard at work, it is the result of cracked furnaces and flooded lava that raises such smoke. Still, there is enough to leave the Toa scrambling to the edge to catch just a glimpse of his metru.
In better times, it would have been his to protect, the same way the Toa of Fire before had, but now it is only a place to be fled. So she offers him the chance to change that, talks of leading the Visorak to rule rather than ruin.
And when she orders her own guard plummeting over the edge and they follow – not because they trust her, not because they think she has a plan, but purely because not following is a worse fate than an almost-certain death – she knows she has his attention. "Obediance," she proclaims. "This is but the first of many lessons I can teach you."
The Toa hesitates. But not as much as he ought to. "And this is something your king would allow?"
"There is a way," she purrs. "Six ways."
She senses something shift then, the balance of the conversation tipping in her favour as a wall, somewhere, comes tumbling down.
And when Vakama looks to her, it isn't the gaze of a Toa, but of a Hordika.
"I'm listening."
"Good." Roodaka starts towards the main body of the tower, and only hears the slightest falter before Vakama follows after her. His shambling gait is still the noisy thing it was before, but now there is a pattern to it. A natural rhythm.
"If you wish to gain Sidorak's trust, you must prove yourself," she says. "The Rahaga have been a thorn in Sidorak's side for too long; deliver them, and he will surely see your worth."
The Toa stills. "The... Rahaga?" There is hesitation in his voice, as if even he is surprised that his response is not the outright refusal it once would have been. "What have they done?"
"They are meddlesome creatures, as I'm sure you've discovered, too fond of interfering where they don't belong."
"Like saving your captives from certain death?" he asks.
Roodaka smiles, and ignores the bite in the question. "Do you think they rescued you for anything but their own purposes?" she returns. "Or are you blind enough to think it was purely an act of selfless generosity?"
A growl rises through the Toa, and she hears him continue behind her. "What are you saying?"
"Only that if they were rescuing you solely from an untainted sense of duty, then where are they now?" Roodaka glances back and reads the defensive hitch of the Toa's shoulders. "Where are any of your friends, Vakama?"
"Like I would tell you–"
"You don't need to. I know where they are. The question is: Do you?"
Vakama doesn't meet her gaze. "If you're thinking that I'm expecting any sort of great rescue–"
"I never said anything of the sort," Roodaka croons. She doesn't need to. By the sound of things, his mind is already doing it for her, wondering when the other Toa will realise he's not coming back. Wondering if they will even care. "Only, how sure are you that they will follow their duty without you to guide them?"
"Toa are bound to their duty," Vakama begins.
"Of course. As they are to their unity." Roodaka gives this a moment to sink in to the lone Hordika Toa. "And their destiny."
The once-Toa of Fire has no reply to that, and that is all Roodaka needs to know the truth of their origins have come to light. She steps out onto a neighbouring balcony, but Vakama lingers in the archway.
She motions to him. "Come along."
He begrudgingly does so, and his gaze finds little of interest in the waterway metru below. "Why have you brought me here?"
"Because this is where your friends are."
Vakama takes a second look at Ga-Metru, overrun with webs but presumably still recognisable from its better days. His head tilts, his eyes narrow. "Ga-Metru? Why...?"
"My Visorak say the Rahaga are leading them to the Great Temple," Roodaka relays, and this indeed is true enough. "They say the Rahaga are seeking an ancient Rahi, the next steps of which they hope to find within the temple."
"Keetongu," Vakama mutters.
"Yes."
Vakama wars with this knowledge, the conflict clear in his silence and his mask. Then, in a halting, hating tone, "The Matoran–"
"Are not the Rahaga's priority," Roodaka finishes. "Don't you see that, now? Why else would they turn the other Toa away from their duty the moment you weren't there to remind them? All they want is to chase after a Rahi myth, and with the help of Toa, they finally have the strength to do so." She sets a clawed hand upon his shoulder, anchoring him. "The Rahaga are not all they appear, Vakama."
A scoff rises through the Toa. "They are old and weak."
"They were not always so," she says. "Once, they were Toa like you, until their meddling left them as the malformed creatures they are now. That is why they truly seek Keetongu; they believe he has the power to undo their change."
It is a half truth, but one supported by enough that the Toa has no reason to doubt her. He has no way to know Roodaka's powers were the catalyst of the Rahaga's transformation, nor that nothing – no mythical Rahi, no Kanohi power – can unravel their altered forms.
Her hand tightens. "Or perhaps you've already begun to suspect the truth?"
A tremor in his breathing betrays that questions of the Rahagas' origins have crossed his mind before, but only now is he realising the possible ramifications of it. "They want to find Keetongu for themselves," he snarls.
"And they need the support of the other Toa to do it," Roodaka says. "Now do you understand? They are not your allies, Vakama; they are parasites. And you know what should be done with parasites."
"Yes," he growls. "I do."
#bionicle#lego bionicle#cat writes#also written in present tense because i find that easier for some reason w/ emotions#this was mostly fuelled by 'what if roodaka revealled part of the rahaga's origins and convinced vakama they were using the toa?'#thus making his first step down this path one that isn't inherently lashing out at his team#but will make returning to the light that much more difficult#also discovering that roodaka's power is mutation really put fuel on the fire for this#i love the idea of her seeing the toa hordika not just as mutated toa#but as a variation on her abilities#part of her dissecting the changes and judging them#i also like writing scheming characters who have a pov with an aggressively agendaed take#anyway idk if ill post this elsewhere#i also want to explore the idea that roodaka sent vakama to the great temple for not just kidnapping the rahaga#but also to drive another wedge between him and his destiny#since entering the great temple will feel Wrong to him#and if nokama hasnt shared her experience then he might just take it personally#okay enough rambling in the tags#if you got this far: congrats!#feel free to shout at me about bionicle
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Luis de Morales (Spanish, 1510-1586) The Presentation of Jesus in the Temple, c.1562 Museo Del Prado
#art#fine art#christian art#european art#traditional art#fine arts#the presentation of Jesus in the Temple#1500s#16th century#europe#christian#western civilization#christianity#christentum#christendom#Jesus#Jesus Christ#Son of God#The Son of God#The Virgin Mary#Virgin Mary#Luis de Morales#spanish art#spain#spanish#europa#european#espana#arte#mediterranean
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when i say i have daily headaches i don’t mean that i get a headache once a day, i mean that from the moment i wake up to the moment i fall asleep, i have a headache. i varies in intensity but it never goes away. and i feel like there’s a big difference that the people around aren’t understanding
#so far the response from my parents is that i need better sleep and i don’t eat enough / properly#i agree that i might be deficient in some vitamins and what not#but my lack access to nutritional food is not my fault#my therapist seems to think that it’s my anxiety and that’s how it presents itself#and so she’s referred me to a psychiatrist#but i’m hoping i get to a normal doctor before then to see if it’s anything else#i’ve been giving myself massages to see if it has anything to do with my muscle tension#and it’s far as I can tell it has no correlation#i’m not sure what type of headaches like this because where the pain is and how it feels varies a lot#It’s in my temples my forehead#it’s been in my temples my forehead my brow bone sometimes it goes down to my cheekbones#it’s also been in the back of my head sometimes it feels like it’s almost in the center of my skull#i’m not sure. I do know that coffee can make it worse as well as like sunlight. but beyond that I don’t know#moving to much ig#chronic headaches#mental illness#chronic illness
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Shoutout to the N64 Shadow Temple/Bottom of the Well no one’s doing it like you
#also also also also did you guys know (long OoT release version lore coming)#all the blood in tst/botw is present in all version except 3D??#N64 NTSC/JPN version 1.2 (equivalent to PAL 1.0/1.1) changed only the colour of Gannondorfs blood (+ fire temple but unrelated)#it did not remove the dry up blood textures on the wall and floor + the bright blood stains around the wooden plank room#that is in both dungeons#OoT 3D was based of off the GC/VC port which was a build of 1.2 (with a few bug fixes and the gerudo symbol change)#and while most changes in 3D were QoL features and just. normal 3DS adaptable stuff EXCEPT#for the blood which was probably changed for ratings and stuff#also also also did you know Europe only got the final N64 version release which was NTSC/JPN 1.2 (called 1.0/1.1 in Europe)#so we never actually got the orginal version of the game#since the N64 was region locked you’d have to region break it#because of this gold cartridge versions of PAL copy do not exist#(which is weird cause grey cart OoT is so wrong to me I don’t like it)#and correct me if I’m wrong but The Shadow Temple is the only dungeon to go down. and not up#which understandable it’s a torture room in the ground but#it’s very uhh. symbolic? that is goes deeper and deeper instead of up like the rest#the legend of zelda#ocarina of time
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