#pre-release function

[danielleurbansblog]

Review: Everything You Need to Know to Ace Pre-Algebra and Algebra I

Synopsis: Millions and millions of BIG FAT NOTEBOOKS sold! Pre-Algebra & Algebra 1? No Problem! The BIG FAT NOTEBOOK covers everything you need to know during a year of Pre-Algebra and Algebra 1 class, breaking down one big fat subject into accessible units. The number system, ratios, and proportions, scientific notation, introduction and equations, functions, graphing a line, square roots and…

[foone]

AAA games? Pfft. Indie games? Double pfft.

I only play games from the alternate history where Hillary Clinton was elected in 2008 and banned all video games. You can only imagine how weird their underground gaming scene is. People like to call unlicensed games "bootlegs" but they've got actual bootlegged games! I've played games about helping your grandmother in hospice care realize she's a lesbian by reading Sappho to her, at 2am in a speakeasy in Baltimore. The cops raided it the next night, hundreds of Gamers were arrested. They posted pictures all over Friendster of the Baltimore PD destroying the arcades with axes.

I nearly got busted once because I was imaging old disks from a 386 and someone tipped off the gaming cops that there was a copy of Commander Keen in there. I had to prove that I didn't know it, I was imaging the disks blind and then indexing them later, and I would of course turn over any contraband to the proper authorities.

I was already on a watch list because I'd been known to have some gamedev-related activities pre-ban. They can't arrest me for making games back in 2007 when it was still legal, but they do want to keep an eye on me since I have the skills to break the law.

Anyway that universe's bootlegs are mainly PC games. Can't really have console games if there hasn't been a console release since the Wii/PS3/360 era. At one point Nintendo threatened to release the Wii SDK so game devs in the US could make unlicensed games, but that didn't happen as there were quickly no functional Wiis left in the US, except for very rare holdouts that never move. PC games are easy to distribute samizdat and hide on a USB stick or CD-R labeled "nickelback".

Japan's games industry is still going, so the later Nintendo and Sony consoles still exist, but Microsoft got out of the business of course. They sold the franchise to Sega who were hoping to release the 360 successor (the Xbox One in our universe) as the Sega Phoenix but it never materialized, either through their own financial incompetence or because of pressure from the US. There's a lot of international treaties that the US has pushed "and this aid only goes through if you ban games" clauses into. That would have been an official UN resolution if the USSR hadn't vetoed it. For once, thank God for the security council, eh?

I mainly get my gaming news through Japanese gaming sites (through a set of VPNs, since they're blocked at the border firewall), and some tor onion site run by a weird guy in Minnesota who is obsessed with documenting all the underground US games.

There's a lot being worked on, but it's always a tricky trade off. Too much attention and the police might be able to track down the creators, and it's basically impossible to fund underground games, as the VISA/PayPal etc funds get seized immediately. There's a whole task force for that.

Anyway one of the weirdest differences between our two time lines is that they've gone back and edited out gaming from a bunch of movies. Those that they can, of course. War games was just banned because they couldn't remove the tic tac toe ending. The Net just removed the scene at the beginning where she's playing Wolfenstein 3D, by recording some new screen footage and a new voice over. She's fixing a spreadsheet in the new edition.

(Yes, I've seen The Net from this alternate timeline. On Laserdisc, of course. I'm just that kind of person!)

They even edited Star Wars. You know that scene where R2-D2 is playing holochess with Chewie? They edited it to be a board game instead of holograms, because that made it too "video gamey".

Technically it's not illegal to show gaming in a movie, but it needs to be an 18+ film and you have to show the deleterious effects of gaming and/or the gamesters coming to a bad end.

This has affected films less than you'd think, to be honest. They were never great about showing video games even before they banned them.

Anyway, go have fun playing your AAA games with hundred-million-dollar budgets. I only play indie games made by people under a constant threat of arrest for their art.

[sayruq]

On April 6, Hamas fighters launched a complex ambush against Israeli soldiers patrolling the Zanna neighborhood east of the central Gaza city of Khan Younis. The area, lying around two kilometers from the boundary fence that separates Gaza from Israel, had been under the control of the Israeli military since it was invaded five months earlier. Hamas claimed that nine soldiers were killed in the attack; Israel admitted to four dead and several injured. Hamas later released an eight-minute video documenting its fighters planning the attack, setting up the ambush, and carrying out the elaborate, multistage operation. A day after the attack, the Israeli army withdrew from Khan Younis, having destroyed much of the city but not, it seems, Hamas’s ability to fight there. On May 6, Hamas announced that it had accepted a cease-fire proposal drafted by Egyptian and Qatari mediators with the involvement of President Joe Biden’s personal envoy to the cease-fire talks, CIA Director William Burns. That night, Israel responded by beginning its long-threatened invasion of Rafah. As of today, at least 100,000 people have already fled the city. (The United States has indicated that it does not consider an invasion to have officially begun, and Biden told CNN on Wednesday that he is prepared to pause weapons transfers to Israel if the situation escalates.) The Zanna operation, Hamas’s approval of the cease-fire proposal, and Israel’s attack on Rafah together explain the dynamics prolonging this war—one that, no matter what Israel says, it has comprehensively failed to win. There is a myth, propagated by Israeli Prime Minister Benjamin Netanyahu and his allies, that a “total victory” against Hamas is only one invasion of Rafah away. In this story, the bombardment of the Gaza Strip and the destruction of its civilian life is conflated with the destruction of Hamas itself. There are doubtless many people who do not see a contradiction there. For them, Rafah, whose pre-war population of 250,000 has quintupled with refugees from other parts of Gaza, needs to suffer the same fate as Gaza’s other cities. But the Zanna operation, among others, tells a different story: Despite Israel’s causing so much devastation that the UN estimates it may take decades to rebuild Gaza, Hamas and its allied groups have continued to function across the ruined Strip. Following its withdrawal from Khan Younis, the Israeli army carried out an incursion into the Nuseirat refugee camp and neighboring Mughraqa. But resistance on the ground was stiff. After several Israeli soldiers were killed in an ambush in Mughraqa that reportedly utilized an unexploded US-made Israeli missile, the Israelis withdrew. Meanwhile, the east-west corridor that the Israeli army has set up to bisect the entire Gaza Strip has been under frequent mortar, rocket, and sniper attacks. And on Sunday, rocket fire from southern Gaza killed four Israeli soldiers at a staging area in the Kerem Shalom military base. Palestinians are not just continuing to fight in Gaza; there is clear coordination, command, and control—and, with many of the attacks filmed, a coherent media strategy.

In retrospect, it seems obvious that, despite Israel’s bluster, Hamas has been confident for months in its ability to survive. One key piece of evidence for this is its handling of the cease-fire negotiations. The group has insisted on several conditions for a potential cease-fire: that Gaza’s displaced population be allowed to return unfettered to the north, that Israeli forces withdraw from Gaza, that any cease-fire lead to a formal end to the war, and that the Israelis in Hamas custody be released only in exchange for Palestinians in Israeli prisons. Back in February, for instance, Netanyahu called the group’s cease-fire conditions “delusional.” In the following weeks, the Israeli army raided Shifa and Nasser hospitals. The army’s chief of staff, Herzi Halevi, told soldiers the raids were meant to put pressure on Hamas during negotiations. By the time Israel pulled out, Gaza’s two largest hospitals had been reduced to burned-out husks, their courtyards the site of mass graves. But the pressure did not appear to work—Hamas did not budge from its demands.In fact, if anyone appears to be rattled, it’s Israel. With negotiations underway in Cairo last week, and reports indicating that an agreement might be in the works, Netanyahu announced that he would order an attack on Rafah “with or without a deal” to free the Israelis held by Hamas. A cynic could be forgiven for thinking the Israeli leader prefers to prolong the war over securing the freedom of his citizens. Other Israeli officials kept pounding the drum for a Rafah invasion. Shimon Boker, a deputy mayor of Beersheba who is tied to Netanyahu’s party, went on Israeli TV to say, “I think we should have gone into Rafah yesterday. There are no uninvolved [innocent] civilians there. You have to go in and kill and kill and kill.” There are 600,000 children in Rafah.

Perhaps Netanyahu was banking that his threat would torpedo the talks. Indeed, by the weekend, it seemed like the potential accord had fallen through. Hamas’s negotiators flew back to Qatar, but so did Burns, and indirect talks continued there. Hamas’s announcement on Monday that it had accepted the cease-fire proposal seemed to take the Israelis by surprise. Within hours, they were messaging that the deal wasn’t what they had been led to believe it would be—an interesting approach, considering the central role of the head of the CIA in drafting it.On the other hand, the Biden administration seemed warm to the development, before reverting to form. From the officials who first brought us “UN Security Council resolutions are not binding” came “accepting the cease-fire proposal is not accepting the cease-fire proposal.” But while Burns, the Israelis, Egyptians, Qataris, and Hamas resumed talks in Cairo—though they have apparently now broken up—Israeli tanks rumbled into Rafah under the cover of intense air strikes and artillery shelling that have killed dozens already, including many children. For months, world governments, the UN, virtually every humanitarian organization, and even the Biden administration have warned that a full-scale assault on Rafah would result in a bloodbath. With that in mind, it could be that the Israeli leadership truly believes that such a massacre could be what it takes to force Hamas to back off its demands. Or maybe it’s a last roll of the dice for a government that has little to show for this war other than tens of thousands of Palestinian corpses and millions of tons of rubble. This is a leadership that has failed catastrophically; its strategy of “managing the conflict” has failed, its attempt to integrate with the broader Middle East by bypassing the Palestinians has failed, and the way it has prosecuted this war has led to global revulsion even among allies. It is on trial for genocide at the International Court of Justice, the International Criminal Court may issue warrants against it, and it is unlikely to survive whatever political transition occurs in Israel after the war. This might be the last chance to bring this horror—a mass slaughter of children on a historically unprecedented scale—to an end. The US president has been the one person in the world with the leverage to force Israel to stop. If he decides, as he has many times before, to defer to the murderous whims of Israel’s fanatical, right-wing government, we may find ourselves witnessing new levels of savagery.

[lady-raziel]

It's time...we're edging the sleep

Link to the full pdf document HERE (includes links)

What This Is:

A collaborative, grassroots initiative for fans of Markiplier and The Edge of Sleep to promote the newly released TV show on Amazon Prime Video to raise awareness and generate attention that will drive supporters and casual viewers alike to watch the show.

Why This Exists:

Fans of the hit podcast and followers of Markiplier (Mark Fischbach) have been anticipating the TV adaptation for years since it was announced in 2021 and have been waiting to watch the show since then. However, after radio silence since nearly after filming completed, the long-awaited show is now being dropped on Amazon Prime early—before any official promotion starts.

Many fans disagree with the confusing treatment of an adaptation they have been wanting to watch for years, the haphazard amount of pre-release promotion for the show, and the increasingly high benchmarks of instant success placed on creative material, regardless of origin, that challenges the ability of new ideas and stories to thrive and grow.

This collection of suggested guiding materials is intended to serve as a starting point for fans and advocates in taking matters into our own hands and promoting the show we want to succeed, to open doors for future creative projects for all sorts of innovators, and to bring attention to the current challenging creative environment that stifles new projects before they have a chance to shine.

CRITICAL TAKEAWAY (if you read nothing else):

Stream The Edge of Sleep on Amazon Prime Video if you can and TALK ABOUT THE SHOW. Talk about it and anything else covered in this guide as much as you can, because every bit of chatter matters in allowing this project to succeed.

(More info on steps you can take to help under the page break, or check out the full doc linked above for everything!)

Most Important Steps To Take:

Stream The Edge of Sleep on Amazon Prime Video, as well as add it to your watchlist and like the show on the platform to enhance performance metrics.

The full pdf document has information later on detailing how to access Amazon Prime Video as well as information on low-cost pricing and deals for gaining access to Prime Video, and how to use “Watch Party” mode to stream with others.

You can “like” the show even if you don’t have Prime Video and just have a basic Amazon account! Even small metrics like this impact both the front and backend impressions viewed by corporate employees.

Use the hashtags #TheEdgeofSleep and #TheEdgeofSleeponPrime on social media sites where hashtags are applicable in sharing material about the show. Share or make anything you can—memes, art, discussions of the story, pictures, edits, or even just posts saying you’re watching the show. Truly, it all matters and helps!

It’s important to use both tags or at the very least, the second one indicating the streaming platform. It identifies WHAT the show is and WHERE to find it, which is helpful information for those stumbling across The Edge of Sleep for the first time. Additionally, using the name of the platform frequently attracts attention for Prime Video, which can reflect back positively on the show in the eyes of the company if The Edge of Sleep is the source of the discussion.

Although it can be laborious to type out “The Edge of Sleep” every time and thus impulse says to abbreviate in both discussion and hashtags to “TEOS/teos,” this can hinder effectiveness as it is not a recognizable acronym to non-fans and might impact the potential of the full “The Edge of Sleep” title to trend on any social platform.

Share the show with anyone and everyone you think would like it, offline and in person. A personal recommendation will always be more impactful than any ad—everyone is an “influencer” to someone! Also, be sure to rate the show or add it to your watchlist anywhere you can—including on Amazon Prime Video itself through the like function on the show page, as well as on third-party sites like IMDB or TV Guide.

Not sure how to recommend the show to someone? The brief synopsis, “fast facts,” and “pitch” suggestions in the HELPFUL REFERENCE section of the full pdf document might help, along with thoughts of enthusiasm for the show, original podcast, or any of Mark’s other projects mixed in!

Sites like IMDB allow you to rate shows and films for free, even if you haven’t gotten the chance to watch them yet.

Most Important Thing To Remember:

JUST HAVE FUN!!! This is about promoting the show we’ve waited for and want to succeed, opening the door for more projects we want to see, but also just about getting together as a community and making cool stuff!

Again, you can find all this info and more resources in the full Strategy doc linked here. Go forth and sleedge △

[suppermariobroth]

Super Mario Sunshine contains an unused "scary goop" texture that was briefly seen in pre-release material for the game, and was intended to be used with scary graffiti imagery, as shown in this previous post on the twitter.com Supper Mario Broth page.

The game also contains unused functionality for Mario to be fully covered in goop, with only half of his eyes not being covered. In the finished game, even at the highest degree of goop coverage, more of Mario's model is still clean.

Combining the two by modifying the game's code allows us to see "Fully Covered In Scary Goop Mario".

Main Blog | Twitter | Patreon | Small Findings | Source: SMS (NA, GC)

[writing-for-life]

I feel we’re not talking enough about this panel…

Because yes, we always rant on about how much the fishbowl changed Dream, or that it was the onset of his change. And that’s also true. But…

The ruby was wrenched from his very being when he was young (he was still all white at that point, from what he wore to his hair. Just like Daniel). He took it from his chest. It was part of his essence (I’m sure we could find different words, like what we commonly call soul or heart in the literary/poetic sense, but of course it’s also about what he is, and about his function. Dreams and hopes. It was “powered by his spirit”). Most of the relevant info is linked here:

And then he gradually turns black, from hair to clothing (there’s still white in both in The Heart of a Star—by the end of it, it’s gone). And we wonder why he was often (not always) so cold and detached.

Then that essence gets released again, becomes a part of him again.

But it’s not just about power. It’s about gaining back his proverbial essence, his heart and soul and spirit, all that he is. Even if it hurts because there’s nothing now that keeps the pain and the constant teetering on the edge at bay that comes with feeling so deeply, and feeling everyone else so deeply (severing yourself from your essence, from your feelings, from all the dreams and hopes you have, also for yourself—isn’t that, at least to a degree, what humans do when they dissociate?).

But it also plays a part in him realising his wrongs and starting to set them right.

For billions of years, since he wrenched the ruby from his very being, he was basically incomplete because he denied himself what made him complete. He turned it into a tool, for whatever reason he believed made sense at the time. And then it all comes flooding back, and it’s just so much. Tools are indeed the subtlest of traps…

Yeah, thinking about that makes me a bit unwell…

[mochifiction]

I Saw Transformers One Early Last Week. Let’s Talk About It!!! (SPOILER FREE)

EXPECTATIONS

I’m going to be honest, I had very very low expectations for this movie for a multitude of reasons. The first was the cast, particularly choosing celebrity hires instead of professional voice actors for a franchise where dialogue delivery means SO MUCH historically and the present. I like Chris Hemsworth, I do, but I am so attached to Orion Pax that I did NOT see him as someone fit for the role. I was also afraid of it becoming a WFC situation where the VA tries TOO HARD to be Peter Cullen. I am also a huge fan of Elita One, and Scarlett Johansson was not my first choice by any means. The one thing giving me hope was the fact that Scarlett and Chris interact SO WELL in their films together and in press releases and they do give off that Orion and Elita energy sometimes. Regardless, I was skeptical.

Now for the big thing: I was very nervous how they were going to handle the politics and the buildup that leads to Megatronus and Orion’s separation. It is no secret that Pre-War Cybertron in many continuities begins with a very corrupt and fascist Senate. Corrupted Senators, capitalistic manipulation and unethical abuse, dehumanization, corporal punishment, you name it, Cybertron had it. The concepts of functionalism, shadowplay, mnemosurgery, and empurata also come to mind. It is also no secret that the United States is on the brink of total fascism. A lot of Pre-War Cybertron’s themes, particularly the Decepticon cause in its early days as a movement, emphasized the elimination of the oppressive regime and reconstruction with an end to the very infrastructure that caused class division and brutalization of Cybertronian bodies. Not only this, but Megatronus and Orion’s schism often comes because of class, particularly privilege and lack thereof, which is something that often happens in revolution. Those with more privilege often think that reform can happen underneath the system that looms over them, just with a switching of a guard and elimination of a few policies. They are often ones who partook in and benefitted from the system by birth or for the sake of survival. Those who come from the lower classes want to burn the entire system down, understanding in its entirety that its very infrastructure is unstable and is not sustainable, no matter who is in power. Examples of this divide despite deep friendship and similar ideas is Andres Bonifacio and Jose Rizal of the Philippines (as a Filipino). Orion, in most cases coming from a privileged background, saw hope in simple reform after extracting the corrupt portions of the federal structure. Megatronus, who fought his whole life to be deemed as sentient, understood that the entire system was diseased and could not go on. It would just eventually continue its horrid practices. I can go on a tangent about this, as someone who studies and writes on anti-colonialism, but that’s another post for another day. My concern based on the trailers was that it would address NONE of that and there would be some watered down conflict that removed the nuances and political passion behind a lot of other continuities. The trailers, to me, were not giving me enough proof that it would be handled correctly.

Initial Experience

My theater was filled with mostly adults of various ages who were fans of different continuities. Some people were even talking about how they thought the movie was going to suck, including me with my dad, who has been a fan since G1 in the 80s and was going in blind. However, throughout the entire film, the whole theater was laughing, gasping, cheering, clapping, and screaming. Afterwards, there were people who were literally talking about how it was the movie they’d been waiting for after years of disappointment. Someone literally shouted when leaving the theater that he was so excited for September when everyone else could see it. My dad, who has not been a fan of recent Transformers material, talked nonstop about how much he loved it. Me personally, I was BRIMMING with excitement afterwards, which is huge given that I was ready to criticize the movie’s every move. Let me get into why- note this is SPOILER FREE.

Orion Pax

Believe it or not, I really liked TF1’s Orion. He was witty, had the snark of Aligned Orion, and clearly had a goal in mind: to entirely shift the status quo by breaking the class distinction. He was extremely optimistic like most versions, something that is often criticized in the fanbase, and is also criticized in the film. However, the qualities that G1 created and the Bayverse destroyed were THERE. Orion was a DORK. He was KIND. He CARED for people deeply, even if they weren’t necessarily thinking about him. He was a KNOWN PROBLEM-SOLVER. His intelligence is noted MULTIPLE times. He really is authentically Orion. I��ll do a more in-depth analysis in September.

Megatronus/ D-16

Now, THIS MAN WAS AMAZING. I am so used to the source of his anger being solely lower class-based oppression amongst other things relating to that. The film offered another option, which I will not disclose, but I thought it was a wonderful addition. I will keep my mouth shut about D-16’s personality in this film because it’s a secret, but just know this new take on Megatronus was a bit refreshing and gives new material for both fan continuity writers and fanfic writers.

Elita

I was honestly scared to see how they would portray Elita, especially with their track record of solely making her Optimus’s love interest and killing her off. I also was afraid that they would turn her into a white feminism caricature, which I can go into depth about for clarification if anyone needs it. However, the writers take feminism for Elita and take a much more in-depth route. I found her well done. She was giving mother in this film, absolutely brilliant. There will be an analysis on her as well in September, especially since they have so much intended room for her.

Worldbuilding and Additional Characters

I think that with about an hour and a half, it would have been SO HARD to create an entire world of deep political brutality and nuance like the comics directly. So, I think the writers created a framework that was good enough to convey the fascist undertones of Cybertron while also leaving so many avenues to explore and elaborate on for future films, whether they be prequels or sequels. Some characters were added in with a bit of context, but no in-depth explanations. While I would normally say that’s a downside, I think that it was actually really smart on their part. If you tried to add all of these complex stories from the comics in an hour and a half film combined with everything else, it would have likely been underdeveloped and left more questions and holes than answers. By removing that, I think that it was a smart move to expand on in their own time and with good pacing. Besides, the presence of some characters was very enjoyable and kept the audience I was with wanting more from them. Not in a “there wasn’t enough of them” way at all, but instead a “they were so cool in the short time they were here I need more now” way. Everyone in this continuity gets a new and different start. I honestly think it would give fan continuity writers motivation to continue what they’re doing, now that basic and consistent pre-war plot lines have been redone. I think for how long the movie is, they did a great job.

Additional Thoughts

I think that everything was pretty well done. The pacing was especially important, given we were supposed to witness a buildup in such a devastating “divorce”. That isn’t done lightly, and they made sure that they built it up enough to where the final blow was devastating. It was SO DEVASTATING that people in my theater were gasping left and right. The comedy was well done, as someone who hates poorly-written jokes for laughs. It fit into the characters’ personalities well, that’s what made it work well. It didn’t feel forced because that’s just how that particular character is. I also think that, as a fandom, sometimes we get too wrapped up in very specific characterizations of these individuals to the point where we refuse new ideas. I was extremely guilty of this. However, this film was truly made by someone that loved the franchise and knew exactly what the fans wanted. Brian Tyler, who did the score for TFP, also doing the score for this film was proof of that (as someone who absolutely ADORES film scores as a musician) There was a good amount of brutality within the rating of the film, so bayverse fans who are itching for something shockingly horrible are in for a surprise. I also think that it knew its boundaries well and moved not to push them while also being considerate of certain audiences who may be a bit younger. It was a good restart, especially for animated Transformers films, and I think that they can really build it into something great. This was a very sound foundation and I was not disappointed.

ALSO, THERE IS A MID AND POST-CREDIT SCENE SO DON’T LEAVE IMMEDIATELY

[thedexcat]

VotV Speculation Megapost

(For posterity's sake, the latest major release is 0.8) (Also, buckle in. This post is a long one.) (Edit 9/20/24: Added Addendum 1) (Edit 10/14/24: Added Addendum 2) It should be extremely obvious, but spoilers ahead.

As we all know, Voices of the Void has a "story breadcrumbs" approach to its plot. Combine that with its alpha status, and we're left with a lack of hard answers. However, some pieces did seem to click into place. This is far from anything definitive, but here are some of the conclusions I've drawn. Let's start with everybody's favorite:

Part 1: The Arirals

god i want one to hold me like that

You know em. You love em. Like 90% of the fanart is about them. But the question is... what the hell are they doing here? Judging by the fact that they construct a campsite in the facility, they clearly expect to be here for a while. A common interpretation I hear from people is that the ones out in the facility are either political refugees, or just some sort of benign "tourist group". I've personally come to a different conclusion. Let's consider what they brought with them.

Exhibit A: The weapon (left)

The weapon they drop around Day 24 is no mere Star Trek phaser. If you drop it in the main building, pretty much EVERYTHING in the building is going to be sent flying from the resulting blast. Not only that, but the "human-wieldable" version that can be unlocked for the sandbox mode has one hell of a fire rate. Something tells me that there's no way in hell this thing is a civilian-grade weapon. And, as established in a previous post of mine, they're kitted out in full-body armored stealth suits.

Exhibit B: The stealth suit (Kerf dutifully remains there for scale)

These aren't tourists or runaways. They're goddamn Black Ops. But you're probably asking, "If that's what they are, then why do they have nothing better to do than to steal shrimp and prank you?" Don't worry, I'll get to that later. Eventually. Maybe.

For now, let's move on to a third thing of theirs: The letter to Kel.

Exhibit C: Esraniki's Letter (D-, see me after english class)

This is the letter left at the Ariral camp if you have maxxed reputation with them. There's one line in particular that's always stood out to me. "GET WE HOME YOU GET DEATH AVOID" So... why can't they go home? Let's review: A: They have perfectly functional spacecraft parked right behind you. Even if they were broken, surely some random Pre-FTL primitive wouldn't be able to help with a mechanical failure in their technology. Hell, they buzz you at the radio tower with one. So there seems to be nothing physically stopping them from leaving. B: They've come kitted out with some serious weapons and armor C: Something in the facility is drawing the attention of all manner of extraterrestrials (and ghosts and demons. are 'metaterrestrials' a good word for them?) So my take? They're monitoring something, waiting for an opportunity to act upon it. (In keeping with the Patch Note naming convention, I will be calling this unknown something "The Threat") Not only that, this 'opportunity' may only open up with the assistance of a human. But what could Dr. Kel possibly do that an Ariral couldn't? Well, I can think of one thing he can do better... Interface with human technology.

Exhibit D: Ariral Communique (quality: shit) Computer technology isn't some universal constant. You can't make a program and expect it to magically run on alien technology with an unknown architecture. This ain't Independence Day. The fact that the Arirals barely managed to send a heavily-garbled message to Kel's computer, quite frankly, speaks of an extreme amount of effort on their part. And it was all just to say the word "OUTSIDE".

If The Threat has some ties to human technology, then perhaps Kel actually could be more qualified to deal with it than the Ariral Black Ops. Hmm... An unknown threat with ties to human technology. Could it possibly involve...

Part 2: The Incredibly Suspicious Bunker

"I left a 'Do not enter' note on the floor. That'll stop people from investigating!" This damn thing is quite obviously, as TVtropes would put it, The Very Definitely Final Dungeon. It is my firm belief that this is what the Arirals were sent to monitor, and where The Threat can be found. But we can't really get much further in than a few doors. So... what's in there? An easy assumption to make is that it's some sort of fallout/storm shelter. But something nearby might tell a different story...

Exhibit E: *squints* ...Liberty Prime? If you take a metal detector over to the bunker entrance, you'll quickly discover a buried drive nearby. The image you just saw is its contents. It's clear that something is being depicted here. What exactly it is, well, that's hard to say. but if you look at that teeny tiny thing at the top, you'll see something that looks like the Alpha base and its radio tower

oh god we're getting into crusty duende video territory now

What this says to me is that there is a colossal something underneath the base. Some sort of mega-facility? Unnatural cave formations? Something else entirely? Or I could be looking at it entirely wrong. But the point is, it's very likely that something extremely expansive is down there.

What if we could just take a peek a liiiittle bit further in? Well, there is ONE way...

Exhibit F: The Least Cursed Elevator in Horror Fiction

Roughly around 3:33 each night, there is a chance that a camera inside the bunker will become active. It's monitoring what appears to be a heavy-duty elevator coated in blood. An elevator like this would also indicate something buried deep underneath the base. Say, this elevator seems familiar...

Exhibit G: Monique Santificer's Extremely Ominous Foreshadowing

...Huh. I'm sure that only means good things. So we have a Hellivator and evidence that there's some place that you'd need a Hellivator to get to. Are there any other clues around? Well, there's that handy instruction book on robotics. You can make your own little friend!

POV: You're 5'11 and she's 6'0 And... Oh! looking back at that camera, it looks like someone else made their... their own... friend...

Exhibit H: AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA- ...I don't think they followed the instructions to the letter. So it seems the people in the bunker were working on combining robots and, er, 'biomass'. I don't think our meaty friend here is The Threat itself, but I do believe that it is some aspect of it, or at least a result of it. And whatever The Threat is, it seems to be "leaking" out of the bunker. After all, this toothy bot here seems to have little siblings burrowing out from underground!

Exhibit I: should start running Kerfus. Kerfur. Whatever name they have, they love you! Such a shame that the flesh inhabiting their chassis does not.

they seriously recalled the ++ models over a little thing like this, smh Something deep underground, cursed flesh, and occult sigils. Hmm. Things would tie together neatly if there were, say, some sort of demon around associated with flesh and dark depths.

Part 3: Furfur (and conclusions)

"I WATCH YOU SHIT AT NIGHT" The Great Earl of Hell and raw flesh afficianato, it's Furfur! Demonology refers to him as a liar, but also a teacher of secrets. And he seems to really really like flesh. Not bones, though. He's always leaving those behind.

They say that if you burn an offering of flesh at his altar, he'll give you a marketable Furfur plushie!

The children who survived loved them! Interestingly, there's a certain location connected to Furfur: The bottom of the well. If you pass out at the bottom of the well, you will end up in a (dream of a?) mysterious structure.

Exhibit J: all shall be well and all manner of thing shall be well

A few things of note in this place: -More demonic sigils -The only 'exit' is a tunnel leading upward with a broken ladder. And even if you could reach up there, Furfur's giant skull-face is blocking the way. -A unique knife, which when examined in the inventory, says that it was found "deep underground".

How very interesting that this flesh-loving demon has his own little place down in the depths of the earth. And you say the bunker reaching downwards has been spawning horrific robot-flesh amalgamations? Robots that are specifically of human design?

Well then. So here's what I think is going down:

no i'm not crazy it's invisible alien catgirls versus demon cyborgs you weren't listening were you?

-Some scientists from before did a Very Bad Thing in the bunker depths. If I had to venture a guess, it's that they bargained with Furfur for secrets of the flesh, perhaps in the pursuit of cybernetics, biocomputers, or somesuch. This resulted in the Very Bad Thing happening, thus creating The Threat. -The Threat was contained to some extent, but is starting to noticeably leak out. It is also severe enough to have drawn extraterrestrial attention. -The Arirals have sent a squad to monitor the situation and act if necessary. Seeing as there's been no urgent need to act as of yet, they are bored out of their skulls and taking it out on you. -The fact that the bunker hasn't been blown up by catgirl black ops already says to me that the situation down there is delicate, and a 'guns-blazing' approach would be inadvisable. Not only that, but The Threat seems to be tied to technology they have little knowledge of. They would most likely need outside assistance if they want a 'clean' resolution to the problem. -And wouldn't you know it? Right there in the facility is some nerdy, crusty, half-crazed twink that seems to be very proficient in handling human technology. How very convenient.

"average person eats 3 roaches a year" factoid actually just statistical error. Dr. Kel, who-

That's how I think this ties together, personally. Of course, there's always unaccounted for 'loose ends' that may or may not be tied to the Bunker Conspiracy (the rozital pit in particular has been bugging me with its vagueness). Plus there's always the chance that I misinterpreted things like a dumbass. There were a few other smaller things I wanted to cover, but my fingers hurt from typing, and my ability to hyperfixate has its limits. And sorry if the screengrabs are a bit mismatched, I've already spent hours on this post without having to get screenshots from the game myself. If anyone actually read through this monstrosity of a post, congratulations! If you're as deeply brainrotted as I am, feel free to point out the reasons I'm dumb and wrong :)

Addendum 1: Meta Aspects

no, not this. wrong place. wrong time.

Every now and then I hear talk of lore clarifications in Discord servers, Google Docs, etc. Will I be covering these?

(source) The reason? I want to give my impressions based purely on the work as published. Death of the Author and whatnot. The furthest I'll reach 'outside' the games are those ambiguous little teasers on YouTube, which you don't have to be in any 'specific server' or anything to see.

haha what if funni meme robot was irreversibly corrupted by the horrors?

Think of it as me giving a form of feedback on how the game is presented as an isolated work. Anyway, I'll be posting another Addendum later, connecting more demon stuff to the bunker. Fun! One thing I intend to investigate between then and now is a rumor of a very poorly documented... item interaction. As a little preview, consider this note.

It seems, in my pursuit of knowledge regarding a mysterious bunker in an incomplete videogame story, I find myself investigating a skeletal entity of ambiguous origin described as having a single glowing eye. God. Fucking. Dammit. Every time with this shit.

This always seems to happen whenever the protagonist is bullied by tall monstergirls

Addendum 2: Classified

Progress on my investigation has been slow due to a combination of poor RNG and real-life stuff. Fun fact: I've never encountered the fossilhound in my many months of playing, and it looks like that won't change anytime soon!

I'll get you one day, ya boney bastard. In the meantime, it seems that someone has leaked classified pokemon data communications from our employers...

And just who do we encounter within the first few weeks?

Our classified documents are their vacation photos

So it seems that at the very least, our employers seem to be aware of the Arirals. So to what end do they want to draw them out? And why would the Arirals show any particular interest in a human presence in this facility specifically?

They clearly seem to be hiding their presence from the world at large with their cloaking ships and whatnot, but they seem almost eager to grab the attention of anyone working at this particular site.

And, as everyone already knows, Arirals are certified Goobers. They form like 3/5ths of the Counsel of Goobers*. The ones we encounter at the very least are very much not what our employers expect to kill us. So our employers are also aware of the existence of some other threat, possibly even THE Threat. *the remaining members are Kerfuses and Dinguses

Truly an incomprehensible menace from beyond the stars. (source)

Personally, I feel like this all feeds back into my previous thoughts. There is clearly a Threat at this location, and the Arirals probably believe that they may need human assistance to do something here. Or maybe I'm just biased towards whatever random thoughts got cooked up in my head.

Anyway, hopefully next time I'll be back with reports of yanking the lifecrystal out from the Fossilhound's head and shoving it up its ass. I am so, SO sick of trying to get that thing to show up.

[tojiscrack]

𝐌𝐈𝐒𝐒𝐈𝐎𝐍 𝐀𝐂𝐂𝐎𝐌𝐏𝐋𝐈𝐒𝐇𝐄𝐃

summary: 7k words — while you’re struggling with the difficult pre-calculus questions, megumi ends up finding out information he wasn’t actively searching for.

notes: woah, sumaya released a chapter a week after the last one and not months later? 😱 what caused this? 🫣 @reinaswrld (aka my wife) got a promotion at her job! 🥳 CONGRATULATIONS AGAIN!!! this chapter is dedicated to you and your success, well done <33 ik it’s not much — one of the shortest chapters so far in the story — but it’s building up a bit of plot, i hope you still enjoy it all the same ❤️‼️

tw: a lot of swearing from a very angry man (you’ll see), gossiping, that’s it tbh :)

i do not own any of the characters of jjk, i only own the character of y/n, her parents, and other oc’s mentioned in the story. the rest belong to gege akutami.

previous chapter :)

next chapter :)

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・

the classroom was organised with a focused, minimalist setup, with rows of sturdy tables that filled most of the space, each paired with two hard-backed chairs that left barely enough room for you to move around without bumping into someone else's desk. you stared up at the whiteboard which took up much of the wall, its surface freshly wiped but faintly marked with smudges from the writing by your favourite teacher in the world — kento nanami — who had made you sit at the front for the sole purpose of doing a one-to-one session on the easier questions that you still somehow struggled with.

a projector hung from the ceiling above, casting crisp, blue-tinted notes and problem sets onto the board. his desk was positioned directly beside the whiteboard, immaculately organised, with a stack of ungraded worksheets, a coffee cup, and a single pen resting beside his computer. you thought satoru could use some tips on how to keep his work space as clean as kento's; you knew he wouldn't listen.

around the room, colourful display boards brightened up the neutral walls, each one crowded with pre-calc formulas, visual aids, and student projects — some crumpled from years of use, others meticulously laminated. none of them were of use to you, not when you found yourself stuck on something as simple as functions and transformations.

"try again," kento — or mr nanami, as he constantly demanded you refer to him as — patiently guided you, sliding a fresh worksheet with extra space for you to do your working out on. the previous one you'd been given had been a complete mess of scribbles, doodles, and working out that made no sense whatsoever.

you spun the pencil through your fingers in a dramatic manner, eyes squinted as you addressed the complicated questions on the sheet.

and gave up the second you saw the graphs.

"i'm failing this class," you decided with a sigh.

kento — mr nanami — shook his head at you, his lips in a straight line as he tapped the sheet.

"you haven't even given it a go," he stated sternly, his cheeks hollowing as he stared down at you. "remember what we went through."

"i already forgot," you admitted, abashed.

kento nanami's gaze was a perfect balance of sternness and patience as he looked down at you, his expression unwavering; his eyes were sharp, fixed intently on you with a hint of exasperation glinting beneath his otherwise calm exterior. it did not look as though he was going to let you give up that easily, no matter how deep your sighs of defeat ran. he tapped the sheet again, and despite it sounding like a couple knocks on the table, it really was a beat that spoke in strong tunes, one that said you're going to try again, whether you like it or not,

so you picked up your pencil, frowning at the size of the eraser attached to its rear end (knowing all too well that it was not going to be enough to keep your paper from becoming a mess of lead by the end of the lesson) and got to work, reading the question, and then re-reading it, trying your hardest to understand it down to a t.

kento had left you to tackle the problems alone as he moved across the room, pausing by other students' desks to offer guidance.

...and then returned to find that your paper was now full of doodles and scribbles. he furrowed his brows and let out a sigh, rubbing his straight brows from where they began, to where they angled downwards, the lines on his forehead more prominent as he tensed.

"i tried," you said, looking sullen.

"i can see that," he replied, and it wasn't just the mess of lead he was talking about; he could see the parts of the paper where you had made an attempt at answering the question, only to give up and then fail miserably.

he leaned against his own desk, peering down at you through his circular glasses. they looked odd to you, specifically the way they stuck onto the skin around his eyes like that. it was almost as peculiar as that weird, spotted tie he always wore.

"how often do you study at home?" he asked you, and the tone of his voice, serious, made you suck in your stomach, an unsettling feeling resting in your tummy.

"every friday," you lied. it wasn't as though he'd know you didn't.

only, he somehow had.

"i know you and your family spend fridays at gojo's," he told you, his brows furrowed.

you paused.

thought of your answer.

and then reconsidered it just in case there were any loopholes he could find.

"yeah," you agreed, nodding, "but i study there too. before dinner."

"no she doesn't."

megumi had approached kento with his notebook and worksheet in hand, his handwriting neat, each letter and number placed with a precision that seemed almost methodical.

you scowled at him as he looked straight at your teacher, barely even regarding you with a simple glance, apparently unbothered by your reaction.

"can you grade my questions?" he asked, only looking down and meeting your gaze with a glare when you kicked him from where you sat.

"you're being rude," you snapped, watching him shake the foot you had kicked.

he looked down at his foot, then at you, then back at his foot, as kento took the notebook out of his hands. "you literally just kicked me," he stated with a deep lour.

"yeah, 'cause you interrupted me when i was talking to kento," you shot back, brows furrowed.

"you mean when you were lying to him," megumi corrected you, an accusatory brow raised.

your cheeks warmed as you averted your gaze, barely managing to suppress a scowl. you crossed your arms, focusing on the scribbled doodles and half-erased notes on your worksheet, ignoring megumi's pointed look as you tapped your pencil against the paper in a futile attempt to appear unaffected, but the stubborn heat on your face betrayed your feigned composure.

"check that last question," said kento, handing megumi his notebook back and pointing at something on his page with the end of his red pen. "otherwise, well done megumi."

megumi nodded, muttering a quiet thanks before sitting back in his seat that was somewhere behind you; you didn't bother checking where after his attitude.

"you," kento began, brows furrowed at you, "need a tutor."

you would have beamed at the idea, if not for already being in a particularly sour mood after megumi's comment. still, you vouched for yourself, even though it meant pushing aside your stubborn pride.

"megumi, he said you have to tutor me," you said, turning around to speak to him — he had been sitting on a table with yuji on his left and nobara on his right. you found yourself seething with envy that you were so unbelievably terrible at math, your friends got to squish themselves on a table for two without you.

"i didn't say that," kento added dismissively. "i said you needed a tutor, not that it'd be megumi."

at that, the both of you peered back up at him, dumbfounded.

"i've done it before," your friend informed your teacher, his brows raised expectantly. "she takes forever, but —"

you narrowed your eyes at him. "was that really necessary?"

kento shook his head regardless.

you frowned, looking back at megumi, and you could have sworn you'd seen his shoulders deflate slightly too, but your teacher remained firm, regarding you with tight lips and furrowed brows.

"you get distracted very easily," he told you, his hands resting in the pockets of his formal pants. he nodded in the direction of where your friends were sitting without you. "specifically with megumi."

"megumi and i work very well together, actually," you corrected, unaware of yuji shaking his head in disagreement behind you. he'd stopped when you turned to see where kento's eyes had slowly drifted, suspicious. "even though he's really rude when he teaches me —"

"— i'm not rude —"

"— and super judgemental when i get something wrong," you continued over him; he was most likely glaring at the back of your head, you didn't need to see him to know that, "i still learn a lot."

"while that might be true, something always happens to go wrong when the two of you work together," said kento, and even though he was gentle with his approach on this topic, it still felt like a harsh kick to the stomach. "you aren't sensible."

"i'm sensible," megumi openly disagreed.

you did not appreciate his obvious jab at you. "wha— so am i!"

and to your dismay, yuji had intervened. "no you're not!" he jumped in, expression fierce as he pointed at you accusingly. "you told mr haibara my art work was made out of a toilet accident!"

"well it looked like a toilet accident," you shot back, your face relaxed, eyes half-lidded.

"he asked for her opinion," said nobara — your sweet nobara — coming to your defence without a second thought. she leaned over megumi to speak to yuji directly. "what did you expect her to do, ignore him?"

"if she's capable of saying my art piece looks like a pile of shit smeared on some paper, she's capable of ignoring someone!"

it was kento's slight groan that had the four of you looking up at him, and when you did, you'd been met with the sight of him pinching the bridge of his nose, his glasses lifted by his fingers as he let out an exasperated sigh. kento did not enjoy it when the four of you would argue: he said it distracted the class despite your peers having discussions, jokes, and even arguments amongst themselves, unaware of the little spats you'd have with each other.

"enough," he voiced coolly, before regarding both you and megumi with a look of finality. "you have proven my exact point."

"i wasn't even—" megumi began, but you cut through him straight away. it wasn't like he was going to vouch for anyone but himself anyway, the selfish bastard.

"we're not like this at home," you argued passionately, brows raised in a desperate attempt to get kento to consider your situation, even if it meant dealing with a very judgemental megumi, who was never gentle when teaching you.

it seemed that your statement had only strengthened kento's decision to assign you a tutor who wasn't megumi, for his brows had drawn into a firm line, his gaze much harsher as he stared you with what seemed like a mix of finality and resolve.

"i saw the two of you at gojo's birthday last year," he'd said calmly. "the piñata was meant for him, not you."

ah.

kento was talking about the incident where you had 'hijacked' (as satoru had eloquently put it) his birthday piñata. you scoffed — he lived to tell the tale, with that goofy look on his face that was apparently meant to make you sympathise with him, but lived nonetheless.

it wasn't as though anybody was harmed in the process.

kento adjusted his glasses and regarded you with narrowed eyes. "it was also meant to be beaten open with a weapon, y/n. not megumi's head."

"arguably, his crazy hair is a danger to us all, and therefore a weapon of mass destruction," you stated, and found yourself internally pleased when you heard both yuji's and nobara's quiet snickering. "the piñata would agree."

you heard yuji and nobara's chuckles sputter into startled groans, abruptly cut off by a telltale thunk that had megumi written all over it. you couldn't help a sly chuckle as you glanced their way, where the pair nursed their sore heads with matching looks of betrayal, nobara muttering something that sounded a lot like a threat on megumi's life.

he, of course, remained unfazed, still glaring at you, looking about as done as kento had seemed, and sensing his icy gaze narrow further, you quickly schooled your face into a mask of innocent defiance.

"i'm not tutoring you," megumi replied bluntly, and you barely had the time to process that and groan before kento had intervened again.

"that settles it," he said, no longer leaning on his desk and now holding a finger up in a silent motion of 'no more' when your lips had parted to speak. "i will search for someone who i think will be best to tutor you —"

"but megumi —"

"— and is willing to do so too," he said, before picking up a folder, searching through it, and handing you a new worksheet with a different set of questions. "have a go at these before i come back, y/n."

he had left to go and approach other students, moving briskly towards those with raised hands, leaving you with only the fresh worksheet in your own hand, and a sigh caught somewhere between your frustration and reluctant determination.

you only hoped your tutor would be someone you could get along with.

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・

yuji and megumi walked side by side down the bustling hallway, their steps quick as they wove through clusters of students lingering between classes.

yuji had animatedly recounted an outrageous tale about how choso and todo had finally met, and how it had gone terribly wrong in only a matter of seconds. megumi was silent throughout the story, his mind wandering elsewhere, but he still managed to pay attention and had got the general gist of the story. in fact, megumi was certain that he could summarise it all in one simple sentence, something that yuji had failed to do: yuji's brothers did not like each other and were essentially fighting over him.

yuji squinted his eyes as sunlight streamed in from the tall windows, casting warm beams across their path as they neared the business classroom. megumi raised his arm to shield himself, blinking off the colourful spots in his vision.

"when did all that happen?" he asked, a crease between his brows from the frown he'd been holding up.

"after practice last week tuesday," said yuji, casually, "when i tried catching the early bus, remember?"

"i thought you got the early bus," megumi replied, the two of them taking a right where they'd find their classroom. they'd been stalling for a bit, walking round in circles in different areas of the school, but it was nearly time before the bell rang.

yuji nodded. "i did, but todo insisted on dropping me off. i said no, but — you know him, he doesn't take no for an answer."

megumi knew that quite well. when he first met todo and he'd demanded megumi to tell him his type, no matter how many times he'd refused to, todo remained persistent.

it was annoying.

"and then they met — and then everything was just —"

when the pink-haired boy had stopped speaking so abruptly, megumi glanced over at him.

yuji's gaze drifted into the distance, his eyes widening slightly as he seemed to lose track of his story mid-sentence. megumi furrowed his brows at him, watching his mouth hang open for a beat, the usual spark in his expression dimming as he focused intently on something across the hall. slightly confused, megumi turned to follow yuji's line of sight, the silence between them suddenly weighted, and megumi could only lour at what he'd seen.

"hey," yuji began, voice distant, "isn't that tsumiki?"

across the hallway, kamo stood beside tsumiki, his posture formal yet oddly relaxed, hands resting in his pockets with a quiet attentiveness. tsumiki, in turn, seemed engaged, her expression open and bright, using light hand gestures and motions that she usually did when explaining something.

megumi had seen the same thing in different areas of the school: during study hall, he'd seen tsumiki wave kamo goodbye, just before lunch had ended, he'd seen kamo walking her to her english class, and for the nth time that day, he was watching them interact, watching as tsumiki listened attentively, nodding along with something he was saying.

what the hell was going on? since when did kamo and tsumiki talking to each other become so frequent? was that ever a thing to begin with? megumi couldn't comprehend any of what he was seeing.

but he couldn't blame himself for his lack of understanding here, for everything that had happened in the past week regarding kamo had been odd, especially since that conversation his teammates had had in the locker rooms before practice.

and with a more relaxed, loose expression, megumi realised what that meant; how had this not been the first thought in his mind?

tsumiki was someone that both megumi and yuji knew pretty well. he'd completely ruled out the possibility that kamo would find interest in someone older despite majority of his teammates doing exactly that — they liked older girls.

he just did not believe that any one of them would be interested in his sister.

"yeah," megumi nodded, biting his inner cheek to avoid the natural scowl that he knew was trying to make an appearance. "it is."

"why's she talking to —"

"i don't know," said megumi, now wanting more than ever to enter class early, if only to get rid of the disgusting sight before him. he wished he could also say that he did not care, but he was curious, and he wanted to know what was actually happening between them. "let's go."

"oh, she saw us!" said yuji, raising a hand to wave. "she's saying hi!"

megumi didn't look to see whether this was true or not, but he didn't doubt it, only choosing to ignore his sister entirely and go to his class, half annoyed when he realised that kamo would follow behind him soon since they shared the same one.

"megumi, she's — she's saying hi —" yuji repeated, sounding taken aback by megumi and his cold response of ignoring her entirely.

megumi stepped into the classroom, his expression tight and shoulders tense as he made his way towards his usual seat at the back. the lively hum of conversation around him felt distant, each sound fading as he focused on shaking off the odd irritation from the hallway, and not even a moment later, yuji had trailed behind him, loudly questioning why megumi was ignoring tsumiki, his voice ringing through the quiet room. his obliviousness hung in the air, adding to megumi's quiet frustration as he sank into his seat, mentally urging his friend to just sit down and stop broadcasting his every thought.

to his dismay, yuji did not stop, not even when kamo had entered the room, walking over to his seat parallel to the two.

the rest of the class went by as usual, the only difference being the constant voice at the back of megumi's mind — nagging and pressing — reminding him of what he'd seen throughout the week.

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・

megumi stood just outside the theatre hall, his figure casting a long shadow on the tile floor as the late afternoon light filtered in through the high windows. the hallway was quiet now, only the faint sound of distant chatter echoing from a classroom down the hall, while the smell of fresh paint and worn wood from the theatre room seeped faintly into the corridor.

dressed in his football uniform, his hair still damp from practice, he idly scanned the posters pinned on the corkboard outside the door: upcoming plays, rehearsals, and auditions for the semester. there was even a picture of you from one of the plays back in sophomore year, a huge success, according to the school newsletter attached to it. he remembered that one, a re-telling of rosalind and how even through the mess your family had caused behind the scenes, you had remained professional enough to take your role as the lead and make something better of it — it was admirable, not that he'd ever tell you that.

he crossed his arms, leaning back against the wall, his eyes occasionally drifting to the door as he waited, his gaze relaxed. when he heard footsteps at the other end of the corridor, light and unhurried, he turned his head, brow twitching slightly as tsumiki closed the large distance between them, a gentle smile tugging at her lips, holding a file to her chest as he swiped the damp strands of his hair away from his forehead.

she stopped just short of him, glancing down at his feet. he followed her gaze, frowning when she didn't speak.

"what?" he said, defensive.

she pointed at his socks, stained with grass. "you're gonna walk in your house with those?"

megumi shot her a look, half grimacing, half glaring. "no," he snapped, snippy. "i'm gonna take them off at the front door."

she shrugged, holding her pink folder to her chest as she leaned against the same wall he had been leaning against.

"i knew i'd find you here," she said, the fluorescent lights above softening her already-gentle features, casting a warm glow that blended with the late afternoon sunlight filtering through the nearby windows.

megumi grunted in response. it was enough to show that he acknowledged her comment. she understood that well enough.

"what do you need?" he asked her, flinching when a random cymbal crash had sounded from inside the hall. he could bet his two dogs it was because of you. "i'm not doing your stats homework again."

"no, silly," she laughed, nudging his side and relishing in the slight hiss he'd let out — yuji had tackled him hard on the field during practice, driving his weight into megumi's side and slamming him mercilessly against the grass. the impact bit deeper than he'd expected, the sharp sting lingering even an hour later. "i was gonna ask you a question."

"ok."

...

"you're not gonna ask me what it is?"

"you're the one that needs to ask the question here."

"stop acting like aunt maude, megumi," scolded tsumiki, making an attempt to pinch his side. he slapped her hand away, cross and displeased with her playful nature. "anyway," she sighed, apparently having given up on trying to tease him any further than he'd let her, "don't get mad at me when i ask this."

he looked down at her, a feeling that still felt strange. only this past summer had he finally outgrown her, and after spending most of his life looking up to meet her gaze, he still wasn't quite used to the new perspective.

he didn't like the look she was sporting. it was something in between a sensible smile and a mischievous grin.

"don't say anything to make me mad," he shot back, brows furrowed.

tsumiki held her file closer to her chest, like a mother protectively cradling her baby.

"let me say a quick prayer before i ask," she said, meeting his sharp gaze with a small frown. "what? i don't wanna get attacked when i ask."

he scowled. "i'm not gonna atta—"

but she wasn't paying attention, her eyes closed as she cupped her hands and whispered her prayers into it. megumi could have sworn he heard her mutter something along the lines of 'protect me from the evil standing right next to me'. if he hadn't been taught that disrupting a prayer was a form of evil, he would have hit her twice on the head by now, but the last thing he needed to do was prove a point.

once she'd blown into her chest, she faced the wall opposite them with a smile, letting out a small breath.

"that was stupid," he muttered, unimpressed.

"didn't ask," she hummed, before clearing her throat. "are you interested in anyone?"

he was wrong — perhaps she did need that prayer after all.

megumi peered down at her, a brow raised, judging.

his usual sharp composure faltered for a moment as he processed her question. a frown twitched at the edge of his mouth, and his eyes narrowed slightly, as if trying to decipher the motive behind her sudden curiosity. this wasn't like her usual teasing — it had an edge of genuine interest that unsettled him in a way he couldn't quite place.

"what the hell?" he demanded, visibly disgusted and audibly confused.

"you're making this bigger than it needs to be," she huffed, bringing a hand up to tuck a loose strand of her hair behind her ear. "it's just as simple as any other question."

"except you've never asked me that before," he retorted, glowering as she shrugged, her eyes tracing the display board, the one with your image on it.

her expression shifted to a thoughtful calm, taking in each photo and flyer pinned neatly on the cork surface, her fingers tapping lightly against the folder she held, a small, almost imperceptible smile tugging at the corner of her mouth.

megumi didn't understand what was so amusing about her question.

it was confusing; it made no sense.

"so?" she prompted, nudging his side for the second time that day; he shrugged her off, annoyed. "is there any girl you like? any girl you think you like?"

"what's it to you?" he interrogated, placing his helmet over his head to block her out of his peripheral vision. maybe if she wasn't being so annoying, he wouldn't have to do that.

she didn't hesitate when she answered him.

"i'm asking because of an event," said tsumiki, and as she spoke, the sound of shuffling had penetrated megumi's thick helmet, entering his ears, prompting him to turn and glance down at her to see what she was doing. from the lines on his helmet, he could see her shuffling through pages in her folder, before eventually pulling out a purple flyer and offering it to him. sceptically and suspiciously, he took it. "'cause i'm organising it, i get vip tickets for friends and family. i wanted to give you one, and if you have anyone in mind, give her one too. but you're being so secretive."

"i'm not being secretive," said megumi, barely reading the flyer's contents. he was sure he wasn't going to go anyway, he never usually did anyway. he handed it back to her, waving it when she wouldn't take it. "i just don't have anyone."

she sniffed, pushing the flyer back towards him. "could've just said that."

"you were being suspicious," he sneered, eyes narrowed as tsumiki shook her head at him, disagreeing. he clicked his tongue, disapproving. "i don't even go to any of the school stuff anyway."

tsumiki raised a brow at him, visibly sceptical.

"what about homecoming?" she suggested, and megumi was thrown back in time to when he'd been struggling to avoid satoru and his 'bonding time' (which was essentially just picking out expensive suits together). "winter formal? spring fling? the spring formal last year?"

he remembered all of those quite well. still, he remained stagnant.

"i only went to those 'cause y/n dragged me to them."

tsumiki reached up and knocked on his helmet. he scowled and harshly moved her hand away, failing once, twice, three times before she finally stopped.

"did y/n hold a gun to your head?" she asked him, watching as he slowly took his helmet off and shook his hair out of his eyes. he was in need of a haircut soon, he thought to himself, reminded of his mom who politely nagged at him every day about it.

"mentally, she did," he commented quietly. he locked gazes with tsumiki and looked away not even a second later. "does."

a flicker of thought crossed megumi's mind. he recalled the multiple times he'd caught glimpses of tsumiki with kamo throughout the day — small moments, brief exchanges, but enough to catch his attention. she'd been smiling, animated even, in a way that felt unusual.

he acted on this prickle of curiosity, brows furrowed.

"are you taking anyone?" he questioned, looking down at the flyer to clarify. "to the... choir?"

tsumiki shook her head, a look of mild frustration pained over her face. "ever since satoru and your dad scared derek off last year, i... i stopped looking."

megumi raised a brow at her, very clearly critical of her hesitant response. "you stopped looking or they stopped approaching you?"

tsumiki's usual warmth seemed dimmed, her kind expression weighed down with a mix of weariness and irritation, brows knitted slightly with a faint line of frustration formed between them as her gaze shifted to the side, avoiding megumi's probing look.

"they stopped approaching me," she admitted with a sigh, but she was smiling, so megumi assumed it wasn't a massive bother.

not when she seemed to be hitting it off with kamo, apparently...

"so why do you keep talking to kamo?" he asked, straightforward and blunt. there was, in his view, no point beating around the bush or sugarcoating it. it would take too long for her to explain and equally longer for him to just get to the point. he did not have the time nor the patience for that.

there was a gentleness in her face, but it looked stretched thin, as if the weight of the question had caught up, stunning her momentarily. her lips parted briefly, like she wanted to explain, but ultimately came to the decision where in the end, she would not.

"wouldn't you like to know?" she settled on saying, her lip curled.

it irritated megumi.

"i don't," he lied, his voice distant and quiet.

"kamo's a nice guy," said tsumiki, as though trying to feed him this information little by little, like a child being monitored with how much candy they consume. "a really nice guy, actually."

megumi did not particularly agree with this, but he was not going to communicate that with tsumiki, not when she seemed so starstruck by him. megumi didn't even think she felt this strongly about derek carter from the basketball team; it rubbed him the wrong way, knowing that he might have to see one of his football teammates — other than yuji — turn up to dinner at satoru's every once in a while on fridays.

even so, he didn't necessarily believe kamo to be a bad guy.

he was decent: megumi respected his ability to never indulge in gossip as well as the company he always chose to keep — except for todo, that was something he silently critiqued.

but kamo and tsumiki...?

odd pairing, he thought to himself.

"he can hold a conversation better than i thought he could," tsumiki added thoughtfully, slightly nodding to herself as she spoke. "and... he's considerate."

megumi averted his gaze back to the display board, now uninterested.

"will i be seeing him around more?" he asked her without actually looking at her properly. he wasn't in support of this odd pairing, but if tsumiki genuinely liked noritoshi kamo, he wasn't going to actively try and prevent them from happening.

that did not, however, mean he couldn't silently judge them in his head.

and perhaps verbally with nobara, too, since she did feel quite strongly about his teammate ("he acts like he doesn't care about anything, with that 'i don't care' attitude, but look at his face! he's trying too hard, so he definitely does!").

"possibly," said tsumiki, smiling gracefully.

as the muffled sound of voices grew louder, both tsumiki and megumi instinctively turned their heads towards the theatre hall doors, where a steady flow of students began spilling into the corridor. the doors swung open, and megumi's gaze sharpened as he and tsumiki lightly searched the crowd, his eyes moving over familiar faces until they landed on you, standing and walking amidst your classmates.

you approached the two with a smile.

"ooh, tsumiki, you walking home with us?" you asked brightly, adjusting the strap of your bag as you shoved your papers inside. judging from the format of the text, megumi assumed it was a script for another play.

"mamaguro invited me over for dinner," she explained casually, "but she said absence isn't an option, so..."

"ugh, i'm jealous," you frowned, gesturing to your bag to clarify what you meant. "i want to come over too but i have a script to memorise by next week, and i need help with the pre-calc homework kento gave us today."

tsumiki's eyes darted between you and megumi, her lips pursed as though she had been missing something significant.

"megumi's... not able to help you with that?" she asked, her voice an octave higher with apparent confusion.

you raised your brows. "no, he can."

megumi aided you. "i just won't."

tsumiki's head tilted ever so slightly, and a faint crease appeared on her forehead, the kind she only got when she was trying to piece together a particularly baffling puzzle. her lips then parted as if to ask something, but she hesitated, scanning megumi's indifferent expression and your casual one with a slow shake of her head.

"i'm not gonna ask," she settled on saying, before you noticed the flyer in megumi's hand.

leaning in closer, you scanned the leaflet's front, eyebrows lifting in genuine surprise. the fact that megumi of all people was holding onto one left you momentarily speechless, lips parted as you took in the big, bold text, still a little stunned.

"what's that?" you asked, barely waiting for an answer before reading it aloud. "'choir day: join us and learn the trombone' ... you're actually going to that?"

"no," hestated, looking down and shaking the flyer at tsumiki as though he'd forgotten that he had been holding it. "i'd even pick your stupid plays over some choir show here."

you nudged him with your foot, not hard enough to hurt him, but enough to remind him of who he was speaking to.

"they're not stupid, they're fun," you corrected him with a scowl, pleased when he stepped away from you and threw you a light, warning glare.

tsumiki clicked her fingers at him, making him turn his head and his attention over to her, attentive, like a dog.

"and you're sure you're not taking anyone?" she'd said, brows raised as she opened her folder and tapped at a sheet of paper in it.

you perked up, nonplussed. "you're taking someone?"

"no," he snapped, turning to tsumiki again with a glare. the three of you had started walking out of the hallway now, making your way to the exit. "i told you, i'm not into any girls."

tsumiki, placed in between the two of you, nodded thoughtfully. "ah, so you swing the other way?"

without hesitation, megumi gave her a firm shove, sending her stumbling sidewards — right into you.

"don't be stupid," he'd said over your loud protests, planting his feet firmly onto the ground as tsumiki stood behind him, regaining her balance.

"no, tsumiki, he likes princess jasmine," you told her over his shoulder, watching her enthusiastically nod in agreement.

"i don't —"

"that's why little you's cheeks turned red when her outer robe fell off —" you teased as you walked right up to him, prepared to attack because of his careless shove against tsumiki. 

but he was one step ahead of you.

just as you moved to strike, he planted the helmet on your head and delivered a solid smack to its top. the sound reverberated around you, ringing in your ears, while a dull ache radiated from the point of impact.

your brain had too much fog to focus on what he was now doing to tsumiki. all you could see, through several hard blinks and the stupid face mask lines, was megumi's back, which meant that he was now towering over tsumiki and launching a range of attacks.

you had an idea:

bending over, his helmet now in line with his behind, you charged forward like an angry bull, your head colliding with his back (a stiff one, you had to mention) repeatedly.

"what the—" you heard him grunt.

you couldn't see it, but he was looking down at you from over his shoulder, confused and inwardly concerned with your choice of attack.

it did hurt though, so he'd have to put a stop to it anyway, and that would've been easy to do if tsumiki wasn't now tugging on his hair and stomping on his foot.

from the far end of the hallway, a teacher spotted the scuffle and rushed forward, his expression quickly shifting from irritation to outright disbelief. apparently, he'd first assumed it was a classic tussle between a group of rowdy boys; the vigorous shoving, stomping, and grunts gave that impression from a distance, but as he got closer, he had blinked in surprise, recognising that the three of you involved were a pair of girls and only one boy.

"right, just... walk home safely, you three," he'd said, eyeing megumi's creased jersey and dishevelled hair with a grimace. when his eyes darted to you, the helmet still on your head, he nodded. "bye... y/n."

"no i'm megumi, can't you tell —"

"let's go," megumi grumbled, gripping onto your elbow and tugging you forward with a little more force than necessary.

you shoved him off and walked beside tsumiki again.

the rest of the journey home was filled with collective bullying, laughter, and a disgruntled megumi who vowed to keep you and tsumiki away from each other at all costs. you were rubbing off on her and he didn't like it.

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・

bonus scene:

toji shoved satoru off of him once the door had been kicked shut behind him, his chest puffed out in an attempt to appear more intimidating, but he knew the childish man wouldn't flinch even if he bit at him.

"you touch me again and you're gonna end up in a hospital bed you white haired —"

"shut up," satoru groaned, his words drawn out in apparent exhaustion.

toji did not like this demand, parting his lips to say something — no doubt some sort of threat — but satoru had been quicker: for the first time since toji's known him, he was jumping straight to the point.

"look, i don't like you, and you don't like me —"

"incorrect," said toji, arms folded over his chest, though his fists were still clenched where they rested on each side of his waist.

satoru grimaced.

that look — staring back at him with one side of his upper lip lifted, his brows raised and contorted, his nose scrunched. toji wanted nothing more than to punch it right off, a clean swipe.

however, it seemed that he didn't have to, for his face had shifted into one he recognised even better...

the cocky one.

he hated that one even more.

"see, i'm flattered, fushiguro," he began, grinning as toji's nails cut right into each of his palms, leaving half moon crescent marks behind, "really, i am, but i have a wife —"

toji's nostrils flared dangerously.

"shut-the-fuck-up-before-i-shove-my-fist-in-your-fucking-mouth-you-cocky-fucking-bastard —"

satoru raised his hands in mock surrender.

"woah there buddy —"

"you got it fucking twisted," snapped toji, stepping up to the other male with a menacing glare. "i hate your guts. i wouldn't spit on you if you were on fire — and even now, i wanna squash you where you stand, like a bug. consider yourself lucky my wife likes you —"

"i am not the enemy here!" satoru interrupted him loudly.

without breaking eye contact with the enraged, bulky man before him, he pointed at the door behind him where laughter and chatter sounded from members of the gathering.

"we have a common enemy out there. and just this once... aside from the time the serial-hump-er was out for us men... i offer a truce to get rid of the brat."

derek carter was, by all outward appearances, exactly the kind of guy most people would be thrilled to see with someone like tsumiki. he was relentlessly polite, with a clean-cut look and a warm, ready smile that seemed designed to put parents at ease. always prepared, he carried her books without needing to be asked, laughed at all the right moments, and brought flowers to meet the family — not that toji or satoru could find anything wrong with him, on paper.

and maybe that was the problem.

he was too perfect.

perfectly timed smiles, perfect grades, perfect compliments... to toji and satoru, he seemed like he was performing rather than being genuine, and that subtle insincerity — whether real or perceived — set them both on edge. neither of them bought it, and both of them, despite their very obvious differences, couldn't shake the feeling that he wasn't quite what he appeared to be.

toji's defensive posture shifted, shoulders loosening as satoru's offer had started to sink in. his glare had softened, the tension in his clenched fists releasing as he glanced from satoru to the closed door behind him, where derek's too-perfect laughter rang out.

for a moment, toji just scowled at the ground, processing, and satoru had assumed he had lost the deal, that they would not be able to collectively get rid of the perfect brat of a date that tsumiki had brought out. but then, toji looked up again, and gave him a quick, almost reluctant nod.

satoru gave him a toothy grin, which was not returned.

"what did you have in mind?" toji began, his voice gruff with obvious reluctance.

"hate to say it, but i'm gonna have to be the brains behind this," said satoru, sounding all too pleased with himself.

if toji hadn't been so pissed with the sight of that carter kid, he might have actually spent time being suspicious with the white-haired freak. what if he was setting him up again? it certainly wouldn't have been the first time...

"believe me, i'd love to be in on the action too," he continued, still smiling that dopy smile, "but i'm a teacher at the high school. got a rep to keep up. and... i could lose my job, obviously..." he glanced at toji with a small, cheeky grin. "you wouldn't be able to relate —"

"— get to the fucking point —"

"— all right."

the plan had been made, enacted, and even altered slightly during it.

the chaos that followed was a carefully orchestrated disaster. satoru's brilliant plan had required toji to bring back a bothersome personality trait he had put at rest from meeting his wife onwards, turning an already uncomfortable event into a whirlwind.

plates clattered, chairs tipped, and the silverware clinked at the most inopportune moments, all while derek had tried to keep his composure, only to grow more visibly unnerved as the night went on. between satoru's subtle, deadpan remarks that derek barely caught, and toji's unexpected, pointed comments that cut through any remaining calm, derek found himself squirming, second-guessing every word. and when toji made a point of 'accidentally' standing too close, arms crossed, looming like a silent bouncer, that had been the final straw.

tsumiki's date excused himself with a pale face, disappearing through the door as fast as he could without actually running.

in turn, tsumiki had not spoken to either of them again for a whole, entire week.

at least the brat was gone without any legal reinforcements.

.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・

previous chapter :)

next chapter :)

notes: i hope you enjoyed this chapter (congrats again reinaswrldddd) my wifeee 🎀💓 i hope it pleases you, i hope you become rich and rule the world (gonna need it after trump’s win 😐). you’re the best and ily (did you guys know that she’s my wife? 😱❤️‍🔥)

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i do not own any of the characters of jjk, i only own the character of y/n and her mother. the other characters belong to gege akutami.

[simmerkate]

Health & Fitness Clutter

Hey :) I hope you like this set <3

it is completely decor, im still messing around with learning how to make clutter items like these functional for gameplay.

This set includes:

Zoom Pre-workout Tub

Smoothie Sunday Bottle

Slurps Energy Drinks

Glow Vitamins

Melanite Gummies

Vitamin Serum Shot 

Textures - 2048 x 2048

HD Compatible textures.

Have glossy and metallic spec maps too

Please be careful if using high poly cc on low end pcs

Public Release - 3rd of July

Follow me on insta @SimmerKatex Patreon (xx) ad-free

[lookingforhappy]

hey.. so the umbrellas have to erase themselves from the timeline to prevent the apocalypses and broken timelines..

but abigail was the one who made the marigold? and reginald released it?? and their world ended because the durango/marigold killed it right?

and that all happened at least pre 1918 which is the earliest we see Reginald alive.

so...

why does killing the brellies do anything? it should be abigail and reginald who were the catalyst, and their deaths/lives being erased that return the timeline to normal?

like it would erase the brellies in the process too but at least then it would be logical??

what about their original world? they're aliens so?? was that a future earth inhabited by aliens/future species and they travelled backwards millions of years? or was it another planet altogether?

what about the marigold that destroyed their world? how would that get erased if all the marigold needed to be in this timeline for it to work?? like they specifically said that if the marigold traverses timelines then the erasure ceases to function and it all starts over again..

so what about the marigold of the fives in the deli too?? or sloane??

why did the marigold, created by abigail, power the ancient machine that was oblivion if it was made by the people who made the universe?? why would abigail make the perfect fuel for that machine if she didn't want it used ever??

like is it just me missing something here or does none of it make sense?

[shiongenkai]

Taiga, Romeo, and Gluttony

NOTE: This post contains spoilers for the entirety of the recently released Auction chapter. Read at your own risk.

So the recent chapter was everything to me. It was the shortest, but in my opinion it showed us a lot about Taiga and Romeo and their relationship to one another, and it also helped me refine a specific thought I had about Taiga and his whole deal he has going on.

To put it shortly; I think Taiga has a gluttony curse, and I think it functions as a mirror to that of Romeo's stigma, and is part of why they had a falling out, and why they can't seem to get away from each other.

To put it horrifically, horribly long....

So what do I mean when I say Taiga is cursed? Well, exactly that. I believe he's cursed in a similar way Rui or the MC are; he has an insatiable need to eat anomalies. I believe that this grants certain side effects like the MC and Rui's curse, and that one of them is a sixth sense for anomalies and anomalous circumstances.

I want to explain this before the Romeo part, because it's the basis for my analysis and thoughts on the two of them.

To start from the very beginning; I think Taiga, during one of his missions, was cursed by something like a jikininki as punishment for his 'gluttony' — the rapid rate at which he completed missions in his first year. This left him with his insatiable need to eat anomalies, but more specifically, is the reason he doesn't seem to want to eat them.

While I'm not certain the anomaly is for certain a jikininki, especially because there's certainly other similar folk legends out there, I chose that one specifically because they are noted for their sharp teeth and for not liking the insatiable need to eat corpses.

Now, what does this mean for Taiga? I think he's stuck between being a ghoul and being a jikininki, or whatever anomaly it ends up being, and I think this has given him a sixth sense that messes with his perception of time, self, and memory. But why would it do that?

Jikininki are immortal creatures, and wish to be freed from the torment they're in for the most part. If one was cursed to be part Jikininki, it would make sense for their existence to be similarly excruciating, with a difference being a lack of full immortality.

Remember the Mortkranken chapter, with the failed mermaid flesh? How their bodies continued even as their minds didn't? Taiga has multiple lines detailing how his 'body' remembers, even if his mind doesn't. Yuri and Jiro also explain that part of the side effects of the reaction are rapid mental deterioration. If Taiga had gone through a similar deterioration, it would explain his seemingly sporadic memory loss (not total blackouts like Jiro, nor specific category based amnesia either, just like. Random shit) and the fact that he doesn't have a concrete sense of identity (showcased through his constantly shifting first-person pronoun choice in Japanese). His cells of his body are reverting to their pre-aged self, and his mind is attempting to do that too, but it's imperfect and messy.

The key to the idea of the sixth sense comes from the fact that he's specifically cursed for anomalous gluttony. I think that he can sense anomalous material or anomalies themselves, and as demonstrated from Ed, this includes some sort of future sense. While we don't know the full specifics of what a sixth sense grants, we can see him utilise it in multiple different places. It's also, in my opinion, why he was sent on the Prologue mission.

Some examples of his supposed sixth sense are how he intuitively understood the anomalous dealer's entire thing, the scenes where he knows the Like Dove will appear before it does, when he senses Romeo approaching (Romeo is carrying an anomaly: his artifact), how he understands the auction is an anomaly, when he gets the mask under unknown circumstances, when he directly knows there's no anomalies... the list honestly could go on forever.

There's one other fact that I personally believe sealed this theory for me; his association with Haku.

In the recent chapter, when the MC is thinking about who to talk to about curses, Taiga instantly knows who we're thinking of, and rejects it on the basis that '[He] can't get rid of curses unless the anomaly that did the deed's right in front of him.' and that he's a 'Simp for the rules anyway.'

... Which is interesting, since it seems like Taiga has tried to ask him about this before. But if you think of this as Haku's stigma, and imagine Taiga trying to get his curse cleansed before, it makes sense! It would also be a good reason to put Haku and Taiga together in the prologue; Taiga can track the anomaly with his sense, and Haku can cleanse whatever curse it gives so long as Taiga manages to capture it or subdue it for long enough.

(Which, side note, is so tragic for the MC...)

Okay, now that the basis of 'Taiga is cursed' is out of the way, how on earth does this relate to Romeo?

Simple. I think Taiga's curse directly mirror's Romeo's stigma, and it's what caused their rift.

Romeo's stigma, as we learn in the new chapter as well, is dependent on his attachment to the items he throws. This, thematically, works with Romeo, who is known to be greedy. Everything he does is motivated by a profit of some kind, whether that profit is social or monetary or whatever. He wants special privileges so he does special missions. He wants money so he raises fees and coerces people to gamble. He wants popularity so he dresses nicely and pampers himself. It doesn't always mean he is money grubbing and stingy (because we see he's willing to spend lavishly on grooming and decor!) but it means that he's attached to what he has. His stigma requires him to give up that attachment. It is a punishment, a sacrifice, as a result of the pact. Similar to how Luca lost his brother (and gained a protective stigma), Romeo has to lose what he feels is worth something in order to fully utilise his ability. Call it a sort of pride.

I think, on the other hand, Taiga's curse is one of envy. He has a desire to eat anomalies, yes, but the desire becomes stronger the more attached someone else is to the anomaly. He doesn't need any interest in it, really. If someone else likes it he will need to eat it.

Taiga covets Haru's Peekaboo to eat instead of the wild one that we also know is in Jabberwock. He's composed about the Like Dove (barely, but he restrains himself!) until Romeo wants it. He steals the plants from Rui's BAR, not the ones in the garden outside (both are Rui's, but his bar is arguably the more loved thing of his since it was fully his choice). He covets Mortkranken's anomalies, and becomes mildly obsessed with the immortal one as soon as it becomes a major research subject. He's also completely fine holding and handling the mask, presumably for a long time, up until Romeo sees it as valuable and worthy.

Now, this doesn't necessarily make them instantly incompatible. But when you take one of Romeo's core traits being 'Greed towards anomalies' (He wants to collect them and frequently complains that other houses are 'stealing' them from under him; he sells them; he gets missions from Hyde to get them; etc), it becomes evidently clear that Taiga's curse is directly oppositional to it.

I think it's pretty obvious by now that Taiga and Romeo have a pretty turbulent relationship now, but were extremely close in the past. Multiple characters state that it would be nice to see them on good terms again, and it's certainly worth mentioning that Romeo is one of the few people Taiga consistently remembers. They both know each other exceptionally well, too. Taiga knows how to get under Romeo's skin and Romeo knows Taiga's habits.

Going back to the idea of this curse causing their rift, if Romeo was constantly on the verge of an important capture, or even if there was just one mission that was important, and Taiga ruined it by eating the anomaly, I doubt Romeo would easily forgive and forget. I think it could very easily cause a massive rift that just kept growing with each new snack Taiga picked up.

I think a moment that gets its nuance overlooked a lot is the scene just before Taiga eats the dove. The Japanese line emphasises that Taiga is referring to HIS heart, that Romeo could shoot through HIS heart, not just a general appraisal of sharpshooting. He even points directly to his heart as he says this, and it makes Romeo hesitate. They're BOTH in pain in this scene. They're both conflicted; this is their ex-partner (which I don't mean in the romantic sense, just in the general sense) who they were very, very close with, and who is now literally at arms length with a loaded gun. Romeo could just shoot him. Romeo could put an end to all of this supposed pain. And Taiga might even let him. And wouldn't that be karma for all he's done? But he can't. He hesitates.

And you know what appears after that? The dove.

This dove that symbolises both general desire (flies over peoples' heads when they're thought about) and Romeo's desire. His desire to escape probation. His desire to make money. His desire to capture, not kill. His desire to reconcile instead of fight. His desire to shoot.

And Taiga kills it. Eats it.

I think this is the most tragic scene between the two of them. This is the crux of it; they both want to reconcile. They want to be friends, to be close, to stop the war raging between the two of them that has done nothing but hurt them both AND hurt the wellbeing of Sinostra, but they can't, because Romeo will ALWAYS desire, and Taiga will ALWAYS take that from him.

It's a cycle they can't escape. The auction chapter shows it too. Taiga is almost disappointed at Romeo's greed. He seems jaded by it, and seems proud and happy when Romeo gives it up for once. Romeo is happy too; MC goes out of her way to say that Taiga handing him the mask makes him look more peaceful than he ever has before. It is quite literally a perfect ending for the two of them and a perfect way to reconcile.

And then Taiga eats it! Again! But I think the most horrifying part of it is that he tries to warn Romeo.

The comic doesn't translate or even transcribe it, so it's so, so easy to miss, especially if you don't speak Japanese, but Taiga grunts out the words 'I', 'Eat', and 'Next' as he approaches Romeo and the mask, and it's the direct reason why Romeo is able to realise that Taiga is about to eat it before it actually happens. He basically just grunts out 'I'm gonna eat that next' as he's fighting against it! But inevitably, neither of them can stop it. The cycle continues.

As long as Romeo is greedy, and as long as Taiga is gluttonous, they will never be able to fully reconcile, no matter how much they both want it. Both of them have to change, but I want to point out that at this moment Romeo is the bigger active obstacle between the two of them. Romeo can't let things go, he holds onto everything and lets it build until it explodes in one way or another. Tiris, his stigma, is symbolic in that sense, that he has to learn to let things go, because if he lets it build too much it will explode spectacularly.

(All of the ghouls have this sort of symbolism with their stigma, so it's not just a Romeo thing, but it's definitely important to his character.)

But Romeo can't get over it yet. He can't get over his greed, he can't let go of things he can't achieve (like getting Kaito's necklace), he can't get over past betrayals (Taiga, what happened with his family, etc)... He's too stuck and stubborn, and his refusal to budge has therefore lead to Taiga's refusal to push. Taiga has stopped caring about getting on good terms because he knows it won't turn out well. He's given up and become cynical, which in turn means that IF Romeo were to change, Taiga... still probably wouldn't. They're cyclical again. Always, always missing each other. So close and yet so far.

I hope the MC can be the catalyst for this cycle to end. Or Ritsu, who is a good equalizer to the two of them. But until she learns to see her own worth in the Academy, and until Ritsu accepts that sometimes he's wrong / he doesn't always know the most out of everyone in the room, I'm afraid Romeo and Taiga will remain stuck in this loop forever...

[space-helen]

Silenced

Words: 1114

Pairing: Stephen Strange x Reader

A/N: I know this has taken forever but I hope this is ok! (not proof read before releasing)

Request: Could you do something angsty for stephen strange, where he's working on researching some magic thing and his relationship with reader fell to the wayside as he's totally obsessed with whatever he's working on and anyway he gets more and more irritated and tells her to leave him alone and be quiet but for some accidental magic reasons he unintentionally made her mute. Then when everything's settled and his work/research is finished he assumed things would go back to normal but reader still isn't talking to him, he thinks he's getting the silent treatment for ignoring her while he was working but it's been weeks and she still hasn't said a word to him so he tries to talk to her about it and then he realises what he accidentally did and just angst and sadness pls, but like they work things out and stay together - Anon

______________________

"Y/N, please just leave me for a second" the man spoke totally exasperated. He'd been absorbed into new research for a couple of days now. He'd really planned to get it done quickly but with you interrupting consistently every hour he wasn't making as much progress as he'd have liked.

"I'm sorry I just wanted to make sure you were ok and didn't need anything"

"Y/N I love you, I really do but you're making this ten times harder with your constant interruptions. Just leave, It'll get done quicker and then we can spend more time together."

You were slightly hurt by the comment and felt a twang in your chest. You bowed your head "I'll come back with some dinner for you in a couple of hours" with that you quickly left. The man sighed and buried his head back into the book.

As promised you returned, nervous but hopeful the man was in a better mood. You'd seen him grumpy and mad before but He'd never been like this towards you so you knew it was serious. 

You balanced the plate of food in one hand to knock the door before opening it. Allowing it to swing open you politely greeted you boyfriend but before you could say another word he quietly muttered something under his breath and absentmindedly gestured his hand towards you. You thought you saw some orange sparks but couldn't be sure. 

Approaching his desk you placed down the plate but he continued to read the pages in front of him. You opened your mouth to say "here's the food I promised" You realised not a single sound came out. Tears instantly brimmed in your eyes and you turned on your heels to leave. 

You'd seen him jokingly mute people before but quickly unmute them. But this? It felt like a punch to the gut. Had you really annoyed him so much that he'd done it to you? He'd promised from day one to never use magic on you unless it was to save your life yet here you were. Mute and unable to speak because of him. 

Heading to your bedroom you sat on the edge of the bed. Somewhat still in denial that he'd done it you tried speaking to yourself but heard nothing. Letting the tears roll down your cheeks you lay down. He didn't mean it. He couldn't have. Yet he had been annoyed at your talking. 

You’d busied yourself for the rest of the day. Hoping he’d be done soon and would come and find you to undo his magic. Walking through the corridors you could see the man in the distance talking to Wong. You gazed at him hopeful before he quickly spoke “Y/N it’s an overnight trip. We’ll be back in the morning.” and before you could even react he’d disappeared with Wong.

Defeated you sighed a noiseless sigh and continued on your way through the sanctum towards the bedroom. Sluggishly you moved around and found yourself resting your head on your pillow for sleep.

The next day was spent moving around the sanctum trying to busy yourself, thanking yourself that you’d pre-booked time off work because you didn’t know how you’d function without being able to speak. You knew Stephen had arrived back in the early hours of the morning but you’d continued with his wish and stayed out of his way.

What you hadn’t realised was the longing looks from the man every time he saw you move around that day. He was still busy wrapping things up but wanted nothing more than for you to interrupt him, and save him, from Wong.

Eventually the day was coming to a close and he made his way to bed. He could feel his muscles relaxing as he made his way to you. He’d wanted nothing more all day than to see you and hold you in his arms.

Coming into the bedroom he could see that you were reading, what was unusual though is that you didn’t look up from your book, like you usually would, when he came into the room. Plodding around the room he quickly got changed before pulling the covers up and getting into bed. 

He sat for a moment before adjusting to get comfy. Not a single word from you? “Thank you for being patient with me. I’m sorry.” he moved to give you a kiss on your cheek but you moved away quickly and turned away from the man. Closing your book you went to put it on the nightstand.

His heart dropped, the silent treatment. He was seriously getting the silent treatment and it’d been that way all day and he hadn’t realised. He kicked himself internally.

“I’m sorry Y/N I really am but I promise not to be that way with you in the future. I just had Wong breathing down my neck about the work and how important it was and the emergency at hand. I understand if you’re giving me the silent treatment. I love you, I know I messed up.”

You turned back to the man and tried to reply in the heat of the moment, forgetting about the fact that no volume would come out. 

The man looked at you confused for a second. “Say something again.”

You did as he wished and you could see his features tense up “Someone muted you?” he quickly moved his hands and undid the spell. “You weren’t giving me the silent treatment? Who did this? What happened? Who do I need to go and speak to?”

You could see the anger bubbling up within him but you just stared at the man puzzled. “Wait.” the man stopped and looked at you “do you seriously not know?”

The man gave a very small and slight shake of his head.

“You did. When I came in yesterday to give you food.”

His eyes widened and he froze “I’m so sorry.” his words were slow and he brought his eyes to yours and found your hands with his “I’m so incredibly sorry. I didn’t even realise. I promise to never do it again. If something like that happens you have to come and let me know.”

You nodded, you could see that the man didn’t truly mean it and you couldn’t hold a grudge against him. “It’s ok. Just promise to actually communicate with me next time as well instead of just telling me to go away.”

He nodded and brought your hands to his mouth to place a gentle kiss to them. “Anything Y/N. Anything.”

With that you happily accepted his embrace when he opened his arms to you.

Tag List: (open)

All: @perasperaadastrawriting @asgards-princess-of-mischief @trippol-threat @captainsophiestark

MCU: @coffeeandcrimeshows @spunky-89 @heyitsaloy @captainsophiestark @discocactusblogs @butchers-girl

[lacrimosathedark]

THAT'S IT! This is a Janet Drake Defense Post

As may be obvious, I spend a lot of time reading fanfic. And there's this trend that drives me nuts, and it's villainizing Janet Drake.

I'm not gonna say she's an A+ mother. She's not. She chose her career and adventures over spending time with her child much of the time. But fandom portrays her as some rich pompous ice queen, which is never shown.

Janet Drake mostly appears in the story Tim's introduced, and in the story she dies.

So, let's start from the top: Haly's Circus.

This event is the only time we see her really interacting with Tim before her death, but it shows that at least when he was young, she was an active part of his life. She was worried about bringing Tim because it might scare him. And then rightfully scolds her husband for being sexist because Jack Drake actually IS a jerk.

...I don't like the art in this comic. Or that the writer doesn't know how kids speak.

But Janet is being supportive of Tim's clear interest in Dick's performance.

And then tragedy strikes and she acts like, y'know, a mother.

Her priority is getting her son and herself out of there.

Also worth noting that the Drakes sent a copy of that final photo of the Graysons TO Dick, which is how he has it at all. If both of them were stuck up pricks, would they even bother sending a photo to a grieving child performer they hardly know? I can't imagine Jack really bothering, but I don't see why Janet wouldn't.

And then, by the time she's dying, we know that Tim's parents have been away for a very long time, he never knows where they are, but they've communicated enough that he knows that they've been fighting.

They're passive aggressive to say the least. This marriage is clearly not working anymore.

EDIT CUZ I REMEMBERED A THING:

It's worth noting that this is a time before smartphones. This comic was released in 1990, which was when pre-paid mobile phones had just started existing. Coverage isn't universal NOW, so back then it was even less, and Jack and Janet are archeologists (or archeologist adjacent?) so they're going to be in less developed and populated areas most of the time. It's unlikely they'd have consistent access to a functional phone that could call the states to talk to Tim regularly.

This isn't to defend their absence, because fuck that, but it's to give it some context. I don't think they were trying to ignore or abandon Tim. Communication was just not readily available and Janet seems to get wrapped up in work...and Jack's an asshole.

Also for note, Janet is probably the one sending Tim postcards in the first place. It being signed "Mom and Dad" is what makes me think that. Jack would have put himself first if he wrote it, it woulda said "Dad and Mom". That's admittedly pure speculation, BUT IT FITS SOOOOOO

My thought is if this were made modern, Janet would be sending extremely scattered texts and Tim would get next to nothing from Jack unless Janet prompted him.

END EDIT

(Fair warning, this story is a few levels of Yikes, but I'm gonna stay on topic)

Bad guy Obeah Man does...something? to the pilot, and they crash, and he has a group of people kidnap the Drakes and their assistant Jeremy.

Danger really puts some things in perspective, for Janet, at least. And that continues for her. Jack is a bit delusional and in denial, thinking he has any control of the situation.

They are tied up and filmed for ransom, their assistant killed right in front of them.

Jack just keeps raging, but Janet is having regrets. Notice how she doesn't cry until Tim is brought up. Could be nothing, could be something.

And then she dies.

Her only other major appearance is when Tim is having a fever dream from the Clench and everything is kind of okay for a minute.

Tim very clearly loves his mom. And we may not get a lot of characterization for her, but she's not cold or callous like people write her constantly.

And now, we finally have a little more about her as of Batman 134.

I haven't really been keeping up since the Gotham War stuff because What The Fuck Was That My Guy, but I recently saw this specific comic.

The multiverse is fucked up again, some way some how, and Bruce is lost (again) and Tim has to get him back (again). This time, Tim is going in after him. But he doesn't end up going straight to Bruce.

He goes to see an alt of his mom.

Tim missed her so much that he ended up going to her before Bruce.

And her immediate reaction is to run up and hug him. Does that look like a mother who doesn't love her son?

"Do you have anyone to take care of you?"

"I don't know how this happened, this miracle...but I just know, in my heart of hearts, it was to show me...that every version of my son is a good one."

Tell me again that this woman is heartless and didn't want her son, I fucking dare you.

And we get more meaning to the name "Robin" and a little crumb about Tim's grandmother. As a treat.

This is all to say, please stop writing Janet Drake as a cold, heartless bitch.

Small final note though: Jack Drake is, in fact, a shitty person and a shitty father. He does still love Tim and Tim loves him AND THAT IS NOT UP FOR DEBATE, but the relationship is a mess. If either parent is actively abusive, it's 1000% Jack "smashed a TV because my son wasn't listening to me and threatened Bruce Wayne at gunpoint" Drake. Probably part of why the marriage was falling apart.

Anyway, yeah, let's retire the "Jack and Janet Drake are Bad Parents" tag and replace it with "Jack Drake is a Bad Parent" and "Janet Drake's C+ Parenting" or something.

[metalichotchoco]

Ever since I found out that my baby girl Edgar has an actual high end perfume based on him Miguel matos’ “electric dreams” I thought it could be fun to talk about what some other computers would smell like based on their personalities, stories and overall vibes.

Since Edgar has a perfume already I might as well talk about it

Released in 2021, they describe this scent as being “digital hormones” and trying to understand an emotion and failing at it, which works well for Edgar very well. Electric dreams as a whole lives in the pre internet age of the 80s and how hopeful that dream of the future was in the minds of the people. I love that they included the cheap champagne that miles spills on Edgar as a note here. The other scents are contextualized with the youth of the 80s, strawberry gum and tutti frutti soda, plastic flowers and clean laundry. Even the part where Edgar overheats at the end is in the smoke note. It’s categorized as chypre fruity and I think some other scents fit Edgar very well.

In love with everything by imaginary authors is glitzy and bright almost like those arcade cabinets introduced in the era.its based on the young adults of the time specifically the women, the joys of recklessness. Inexhaustible enthusiasm. To me Edgar is a sugar sweet summer.

Edgar is characterized by the era he was born in, something actually a lot of sentient computers share. As technology morphs and evolves with humanity, our ideas and outlooks also change with it. Electric dreams is coated in the neon lit nostalgia of the 80s, and in a weird twist of fate its legacy is of the 80s as well. The commercialism of it as a whole is what’s remembered most prominently, the song that was made for the movie has outlived its original context. Honorable mentions to age of innocence by Toskovat but I don’t think the rubber or gasoline notes fit him well. Fantômas by Nasomatto is pretty good being a fruity clearly fake fragrance though the gunpowder might be a bit much.

Moving forward, let’s talk about HAL

While technically she was an anomaly by Etat Libre d’Orange makes direct reference to him and his most iconic line, this scent is based on the marriage of Nina Simone and Stanley Kubrick. If hal was human in any shape or form this fragrance would be a generally good fit, as it’s clean professional and one of those your skin but better scents that’s prefect for workplaces.

Eu de space from nasa could work pretty well though it’s not exact. This is a photorealistic space scent with metals and plastics and ozone notes but Hal isn’t directly in space, he’s what the ship would smell like. The burnt sweet quality doesn’t mix well with how pristine and rigid the character is. Spacewalk by Demeter also has a bit of similar problem being a bit too sweet but the soapiness does add points in my opinion. Hal is the sharpness of metal and ozone on your nose to me, not the smell of a hospital or sanitizer but the smell of something newly plastic. Skiing on Europa could be that but unfortunately it’s a little more niche.

Last but not least for now, let���s talk about am, there’s so many different ways to go with am, none being particularly good smelling but there’s so much you could do for him. You can go with the fact that he’s the whole planet, add in soil, rock,gasoline as accords, you can do the religious angle that he has that can pair well with other ideas, use wine or incense and wax like in with the candlestick by clue, you can do blood, sweat, tears and skin to represent the survivors who are now a part of him. Warm electronics, tar, gunpowder there’s so many distinct parts of him.

I think that the two I’m going to single out in terms of perfume are ones that take inspiration from what am’s original function was which is war. And that’s inexcusable evil by toskovat and Molotov cocktail by sylhouette perfumes

Inexcusable evil is infamous in the fragrance and perfume world for its incredibly strong violent smell, it’s a hospital ward ravaged by war. That is its story. Memories that are lost to the tide of battle. “The next war will decide not what is right but what is left.”

Molotov cocktail goes more personal but is still a war scent, the top notes are gasoline,vodka and pepper. the middle notes are blood sweat and rubber and the base is metal, iodine, musk and leather. More animalic and close but both work on the scales that am is a threat in, he’s both a world ender but also a personal tormentor, he spans the globe but also cannot leave his confinement

[masterofdumb]

The Charlie Slimecicle Snacks, Diet, Skincare, Daily Supplements, And Workout RoutineTM

Be warned, it is VERY LONG.

SNACKS:

IF BIG HUNGRY

- Get 1 and 1/2 pound of ground chicken

-if still hungry, get another one

-can put in low fat tortilla, add cheese, spinach, ect.

IF SMALL HUNGRY

-Must be Greek yogurt, MAX three times a day, because one time you had too many and your tummy hurt and you kept doing it and your mom said you had to stop

-can add fruit and chia seeds

-if small hungry but you have already consumed 3 yogurts, then handful of nut

-if still hungry, but not enough for ground chicken, enter post-yogurt, pre chicken gathering, aka squirrel mode

-squirrel mode until you are hungry enough for big chicken

EVERYTIME YOU NEED GAS FOR YOUR CAR

-Go into gas station, find refrigerator, find healthy section

-Grab packet of two wet hard-boiled eggs, preferably with salt, if no salt, you can get packet of salt from the little table

-If sad at gas station, get breakfast sandwich, look at eggs, 50% chance to get eggs, you will know if you want them or not, but even if not, look at them

-Every second wednesday, when driving back from therapy, get muffin

-not every wednesday get muffin, but always get eggs

-look around to see if in sweet or salty mood, then go get the eggs-protein chips

POST WORKOUT

-Once a week, after workout, treat time

-usually a bagel

- Asiago bagel, egg, bellpepper, ham, Chipotle mayo, and chedder cheese

-can also be breakfast sandwich or muffin

-rarely, can be a restaurant you haven't tried, go and get treat

LATE NIGHTS, AKA YOURE HUNGRY BUT YOURE SUPPOSED TO GO TO BED

-after 9-10, past dinner, back in breakfast sphere

-Eggs, turkey bacon, breakfast bites, fruits, ect

-make eggs, either scrambled with spinach or cheese, can be with or without a wrap with meat

-can also be an omlette

-omlette is made with thyme and garlic pepper, NO SALT

-can pair with turkey bacon, or finish with yogurt

-can justify a 4th yogurt this late

-tummy will hurt

SKINCARE:

-every morning and night

-apply gentle foaming cleanser

-must be specific to you, must work for your skin

-once or twice a week, use exfoliating cleanser

-for night specifically:

-apply retinol serum one every 2-3 days-apply 25 hrs peptide moisturizer, not too much, can cause breakout

-use a Vaseline like substance on cracked or dry spots, including lips

-for morning specifically:

-use vitamin c serum, paying extra attention to the space under your eyes and any discolored patches

-after, use green tea face mask to release toxins, refreshing but unreliable and unsustainable

DAILY SUPPLEMENTS:

-step one, two multi viramine gummies

-Allegra, for anti inflammatory benefits and allergies

-orange flavored vitamin c gummies

-2 for 500 milligrams, 4, if on trip, for 1000 milligrams

-difficult to overdose on vitamin c, don't worry about it

-take 1 fish oil pill for cognitive function and slipperyness

-last one, a peach vitamin d gummy (best flavor)

-if experiencing difficulties with nails and/or hair, or are without access to biotin shampoo, use biotin gummies for nails and hair

-people will say that multivitamins and vitamins in general, are a scam unless you are vitamin deficit

-scientifically, they are right, however, they taste gummy good

WORKOUT ROUTINE:

-it is important to keep consistentcy in your workout routine plan

-pick a 12 week routine

-beginner if you're a beginner, intermediate if you're intermediate, and advanced if you have done other routines in the past

-stick with it with for the duration before you make any hasty judgments on its impact

-comes in 3 sets, A, B, and C, swithing every four weeks to make sure your body doesn't get used to any one specific movement or routine

-Workout A of weeks 1-4-3x hip thrust

-barbell, free if available, Smith machine if no other option

-3 seated row-cable

-three barbell full squat

-3 bench press

-barbell-reps dependant, 8 if high weight, 12 if lower weight

-if you can do 12, move up weight and do 8-3 good morning, then barbell-plank-plank-plank-dumbell side bend-band standing abduction

-end workout

-Workouts B 1-4, C 1-4, A 5-8, B 5-8, C 5-8, A 9-12, B 9-12, and C 9-12

-you will become a glutial God

-Open app store

-install my fitness pal

-find macros

-need protein if building muscles, 1.5 to 2x body weight in protein grams every day

-EAT 2X BODY WEIGHT PROTEIN. GET BIG, LIFT BIG.

-EAT 50 EGGS A DAY. YOU WILL BE HAPPY. RIGHT AMOUNT OF PROTEIN IN 50 EGG

-EAT 50 EGGS TO BE SAFE

-400 GRAMS. IT WILL BE ENOUGH.

-IF STILL HUNGRY, TRY YOGURT.

This took so long 😭😭 charlie I think you need help

(Edited for easier reading!!)