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Review: Everything You Need to Know to Ace Pre-Algebra and Algebra I
Synopsis: Millions and millions of BIG FAT NOTEBOOKS sold! Pre-Algebra & Algebra 1? No Problem! The BIG FAT NOTEBOOK covers everything you need to know during a year of Pre-Algebra and Algebra 1 class, breaking down one big fat subject into accessible units. The number system, ratios, and proportions, scientific notation, introduction and equations, functions, graphing a line, square roots and…
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#Algebra I#College#Colorful#easy#easy to follow#easy to understand#Engaging#equations#Everything You Need to Ace Pre-Algebra & Algebra I#fast#functions#graphing#graphs#high school#Highly Recommended#math book#middle school#new#New Release#order of operations#Pre-Algebra#recommended#simple#The Complete High School Study Guide#Workman Publishing
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AAA games? Pfft. Indie games? Double pfft.
I only play games from the alternate history where Hillary Clinton was elected in 2008 and banned all video games. You can only imagine how weird their underground gaming scene is. People like to call unlicensed games "bootlegs" but they've got actual bootlegged games! I've played games about helping your grandmother in hospice care realize she's a lesbian by reading Sappho to her, at 2am in a speakeasy in Baltimore. The cops raided it the next night, hundreds of Gamers were arrested. They posted pictures all over Friendster of the Baltimore PD destroying the arcades with axes.
I nearly got busted once because I was imaging old disks from a 386 and someone tipped off the gaming cops that there was a copy of Commander Keen in there. I had to prove that I didn't know it, I was imaging the disks blind and then indexing them later, and I would of course turn over any contraband to the proper authorities.
I was already on a watch list because I'd been known to have some gamedev-related activities pre-ban. They can't arrest me for making games back in 2007 when it was still legal, but they do want to keep an eye on me since I have the skills to break the law.
Anyway that universe's bootlegs are mainly PC games. Can't really have console games if there hasn't been a console release since the Wii/PS3/360 era. At one point Nintendo threatened to release the Wii SDK so game devs in the US could make unlicensed games, but that didn't happen as there were quickly no functional Wiis left in the US, except for very rare holdouts that never move. PC games are easy to distribute samizdat and hide on a USB stick or CD-R labeled "nickelback".
Japan's games industry is still going, so the later Nintendo and Sony consoles still exist, but Microsoft got out of the business of course. They sold the franchise to Sega who were hoping to release the 360 successor (the Xbox One in our universe) as the Sega Phoenix but it never materialized, either through their own financial incompetence or because of pressure from the US. There's a lot of international treaties that the US has pushed "and this aid only goes through if you ban games" clauses into. That would have been an official UN resolution if the USSR hadn't vetoed it. For once, thank God for the security council, eh?
I mainly get my gaming news through Japanese gaming sites (through a set of VPNs, since they're blocked at the border firewall), and some tor onion site run by a weird guy in Minnesota who is obsessed with documenting all the underground US games.
There's a lot being worked on, but it's always a tricky trade off. Too much attention and the police might be able to track down the creators, and it's basically impossible to fund underground games, as the VISA/PayPal etc funds get seized immediately. There's a whole task force for that.
Anyway one of the weirdest differences between our two time lines is that they've gone back and edited out gaming from a bunch of movies. Those that they can, of course. War games was just banned because they couldn't remove the tic tac toe ending. The Net just removed the scene at the beginning where she's playing Wolfenstein 3D, by recording some new screen footage and a new voice over. She's fixing a spreadsheet in the new edition.
(Yes, I've seen The Net from this alternate timeline. On Laserdisc, of course. I'm just that kind of person!)
They even edited Star Wars. You know that scene where R2-D2 is playing holochess with Chewie? They edited it to be a board game instead of holograms, because that made it too "video gamey".
Technically it's not illegal to show gaming in a movie, but it needs to be an 18+ film and you have to show the deleterious effects of gaming and/or the gamesters coming to a bad end.
This has affected films less than you'd think, to be honest. They were never great about showing video games even before they banned them.
Anyway, go have fun playing your AAA games with hundred-million-dollar budgets. I only play indie games made by people under a constant threat of arrest for their art.
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On April 6, Hamas fighters launched a complex ambush against Israeli soldiers patrolling the Zanna neighborhood east of the central Gaza city of Khan Younis. The area, lying around two kilometers from the boundary fence that separates Gaza from Israel, had been under the control of the Israeli military since it was invaded five months earlier. Hamas claimed that nine soldiers were killed in the attack; Israel admitted to four dead and several injured. Hamas later released an eight-minute video documenting its fighters planning the attack, setting up the ambush, and carrying out the elaborate, multistage operation. A day after the attack, the Israeli army withdrew from Khan Younis, having destroyed much of the city but not, it seems, Hamas’s ability to fight there. On May 6, Hamas announced that it had accepted a cease-fire proposal drafted by Egyptian and Qatari mediators with the involvement of President Joe Biden’s personal envoy to the cease-fire talks, CIA Director William Burns. That night, Israel responded by beginning its long-threatened invasion of Rafah. As of today, at least 100,000 people have already fled the city. (The United States has indicated that it does not consider an invasion to have officially begun, and Biden told CNN on Wednesday that he is prepared to pause weapons transfers to Israel if the situation escalates.) The Zanna operation, Hamas’s approval of the cease-fire proposal, and Israel’s attack on Rafah together explain the dynamics prolonging this war—one that, no matter what Israel says, it has comprehensively failed to win. There is a myth, propagated by Israeli Prime Minister Benjamin Netanyahu and his allies, that a “total victory” against Hamas is only one invasion of Rafah away. In this story, the bombardment of the Gaza Strip and the destruction of its civilian life is conflated with the destruction of Hamas itself. There are doubtless many people who do not see a contradiction there. For them, Rafah, whose pre-war population of 250,000 has quintupled with refugees from other parts of Gaza, needs to suffer the same fate as Gaza’s other cities. But the Zanna operation, among others, tells a different story: Despite Israel’s causing so much devastation that the UN estimates it may take decades to rebuild Gaza, Hamas and its allied groups have continued to function across the ruined Strip. Following its withdrawal from Khan Younis, the Israeli army carried out an incursion into the Nuseirat refugee camp and neighboring Mughraqa. But resistance on the ground was stiff. After several Israeli soldiers were killed in an ambush in Mughraqa that reportedly utilized an unexploded US-made Israeli missile, the Israelis withdrew. Meanwhile, the east-west corridor that the Israeli army has set up to bisect the entire Gaza Strip has been under frequent mortar, rocket, and sniper attacks. And on Sunday, rocket fire from southern Gaza killed four Israeli soldiers at a staging area in the Kerem Shalom military base. Palestinians are not just continuing to fight in Gaza; there is clear coordination, command, and control—and, with many of the attacks filmed, a coherent media strategy.
In retrospect, it seems obvious that, despite Israel’s bluster, Hamas has been confident for months in its ability to survive. One key piece of evidence for this is its handling of the cease-fire negotiations. The group has insisted on several conditions for a potential cease-fire: that Gaza’s displaced population be allowed to return unfettered to the north, that Israeli forces withdraw from Gaza, that any cease-fire lead to a formal end to the war, and that the Israelis in Hamas custody be released only in exchange for Palestinians in Israeli prisons. Back in February, for instance, Netanyahu called the group’s cease-fire conditions “delusional.” In the following weeks, the Israeli army raided Shifa and Nasser hospitals. The army’s chief of staff, Herzi Halevi, told soldiers the raids were meant to put pressure on Hamas during negotiations. By the time Israel pulled out, Gaza’s two largest hospitals had been reduced to burned-out husks, their courtyards the site of mass graves. But the pressure did not appear to work—Hamas did not budge from its demands.In fact, if anyone appears to be rattled, it’s Israel. With negotiations underway in Cairo last week, and reports indicating that an agreement might be in the works, Netanyahu announced that he would order an attack on Rafah “with or without a deal” to free the Israelis held by Hamas. A cynic could be forgiven for thinking the Israeli leader prefers to prolong the war over securing the freedom of his citizens. Other Israeli officials kept pounding the drum for a Rafah invasion. Shimon Boker, a deputy mayor of Beersheba who is tied to Netanyahu’s party, went on Israeli TV to say, “I think we should have gone into Rafah yesterday. There are no uninvolved [innocent] civilians there. You have to go in and kill and kill and kill.” There are 600,000 children in Rafah.
Perhaps Netanyahu was banking that his threat would torpedo the talks. Indeed, by the weekend, it seemed like the potential accord had fallen through. Hamas’s negotiators flew back to Qatar, but so did Burns, and indirect talks continued there. Hamas’s announcement on Monday that it had accepted the cease-fire proposal seemed to take the Israelis by surprise. Within hours, they were messaging that the deal wasn’t what they had been led to believe it would be—an interesting approach, considering the central role of the head of the CIA in drafting it.On the other hand, the Biden administration seemed warm to the development, before reverting to form. From the officials who first brought us “UN Security Council resolutions are not binding” came “accepting the cease-fire proposal is not accepting the cease-fire proposal.” But while Burns, the Israelis, Egyptians, Qataris, and Hamas resumed talks in Cairo—though they have apparently now broken up—Israeli tanks rumbled into Rafah under the cover of intense air strikes and artillery shelling that have killed dozens already, including many children. For months, world governments, the UN, virtually every humanitarian organization, and even the Biden administration have warned that a full-scale assault on Rafah would result in a bloodbath. With that in mind, it could be that the Israeli leadership truly believes that such a massacre could be what it takes to force Hamas to back off its demands. Or maybe it’s a last roll of the dice for a government that has little to show for this war other than tens of thousands of Palestinian corpses and millions of tons of rubble. This is a leadership that has failed catastrophically; its strategy of “managing the conflict” has failed, its attempt to integrate with the broader Middle East by bypassing the Palestinians has failed, and the way it has prosecuted this war has led to global revulsion even among allies. It is on trial for genocide at the International Court of Justice, the International Criminal Court may issue warrants against it, and it is unlikely to survive whatever political transition occurs in Israel after the war. This might be the last chance to bring this horror—a mass slaughter of children on a historically unprecedented scale—to an end. The US president has been the one person in the world with the leverage to force Israel to stop. If he decides, as he has many times before, to defer to the murderous whims of Israel’s fanatical, right-wing government, we may find ourselves witnessing new levels of savagery.
#yemen#jerusalem#tel aviv#current events#palestine#free palestine#gaza#free gaza#news on gaza#palestine news#news update#war news#war on gaza#palestinian resistance#rafah#all eyes on rafah#rafah under attack#gaza genocide#genocide#long post
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It's time...we're edging the sleep
Link to the full pdf document HERE (includes links)
What This Is:
A collaborative, grassroots initiative for fans of Markiplier and The Edge of Sleep to promote the newly released TV show on Amazon Prime Video to raise awareness and generate attention that will drive supporters and casual viewers alike to watch the show.
Why This Exists:
Fans of the hit podcast and followers of Markiplier (Mark Fischbach) have been anticipating the TV adaptation for years since it was announced in 2021 and have been waiting to watch the show since then. However, after radio silence since nearly after filming completed, the long-awaited show is now being dropped on Amazon Prime early—before any official promotion starts.
Many fans disagree with the confusing treatment of an adaptation they have been wanting to watch for years, the haphazard amount of pre-release promotion for the show, and the increasingly high benchmarks of instant success placed on creative material, regardless of origin, that challenges the ability of new ideas and stories to thrive and grow.
This collection of suggested guiding materials is intended to serve as a starting point for fans and advocates in taking matters into our own hands and promoting the show we want to succeed, to open doors for future creative projects for all sorts of innovators, and to bring attention to the current challenging creative environment that stifles new projects before they have a chance to shine.
CRITICAL TAKEAWAY (if you read nothing else):
Stream The Edge of Sleep on Amazon Prime Video if you can and TALK ABOUT THE SHOW. Talk about it and anything else covered in this guide as much as you can, because every bit of chatter matters in allowing this project to succeed.
(More info on steps you can take to help under the page break, or check out the full doc linked above for everything!)
Most Important Steps To Take:
Stream The Edge of Sleep on Amazon Prime Video, as well as add it to your watchlist and like the show on the platform to enhance performance metrics.
The full pdf document has information later on detailing how to access Amazon Prime Video as well as information on low-cost pricing and deals for gaining access to Prime Video, and how to use “Watch Party” mode to stream with others.
You can “like” the show even if you don’t have Prime Video and just have a basic Amazon account! Even small metrics like this impact both the front and backend impressions viewed by corporate employees.
Use the hashtags #TheEdgeofSleep and #TheEdgeofSleeponPrime on social media sites where hashtags are applicable in sharing material about the show. Share or make anything you can—memes, art, discussions of the story, pictures, edits, or even just posts saying you’re watching the show. Truly, it all matters and helps!
It’s important to use both tags or at the very least, the second one indicating the streaming platform. It identifies WHAT the show is and WHERE to find it, which is helpful information for those stumbling across The Edge of Sleep for the first time. Additionally, using the name of the platform frequently attracts attention for Prime Video, which can reflect back positively on the show in the eyes of the company if The Edge of Sleep is the source of the discussion.
Although it can be laborious to type out “The Edge of Sleep” every time and thus impulse says to abbreviate in both discussion and hashtags to “TEOS/teos,” this can hinder effectiveness as it is not a recognizable acronym to non-fans and might impact the potential of the full “The Edge of Sleep” title to trend on any social platform.
Share the show with anyone and everyone you think would like it, offline and in person. A personal recommendation will always be more impactful than any ad—everyone is an “influencer” to someone! Also, be sure to rate the show or add it to your watchlist anywhere you can—including on Amazon Prime Video itself through the like function on the show page, as well as on third-party sites like IMDB or TV Guide.
Not sure how to recommend the show to someone? The brief synopsis, “fast facts,” and “pitch” suggestions in the HELPFUL REFERENCE section of the full pdf document might help, along with thoughts of enthusiasm for the show, original podcast, or any of Mark’s other projects mixed in!
Sites like IMDB allow you to rate shows and films for free, even if you haven’t gotten the chance to watch them yet.
Most Important Thing To Remember:
JUST HAVE FUN!!! This is about promoting the show we’ve waited for and want to succeed, opening the door for more projects we want to see, but also just about getting together as a community and making cool stuff!
Again, you can find all this info and more resources in the full Strategy doc linked here. Go forth and sleedge △
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Super Mario Sunshine contains an unused "scary goop" texture that was briefly seen in pre-release material for the game, and was intended to be used with scary graffiti imagery, as shown in this previous post on the twitter.com Supper Mario Broth page.
The game also contains unused functionality for Mario to be fully covered in goop, with only half of his eyes not being covered. In the finished game, even at the highest degree of goop coverage, more of Mario's model is still clean.
Combining the two by modifying the game's code allows us to see "Fully Covered In Scary Goop Mario".
Main Blog | Twitter | Patreon | Small Findings | Source: SMS (NA, GC)
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About that Dragon Age: The Veilguard audio web series
Thinking back about the marketing for DATV I now realize it was kind of deceptive.
No, it was not literal fraud. They did not make specific promises and then broke them, not explicitely and in a way you could hold them liable in court over. And I get when you are advertising your product you will of course highlight its most favorable aspects while not shoving its negative sides into everyone's noses.
However I do think that EA/Bioware did stretch out the boundaries between regular endorsement and fraud.
It started with the web series Vows and Vengeance they uploaded weekly on Youtube right before release. At that time I was still hopeful and excited for the game. And Vows and Vengeance all but encouraged that excitement.
You know why? Because, and this surprised me, it was genuinely good.
Vows and Vengeance functioned as an early introduction to the companions. While they were not the main characters they did play a key role in each episode. The plot was what could be typically expected from a regular DA installment. It had a dark, gripping story. The dialogue was well written. It dealt with mature themes, it actually discussed the classism of Tevinter.
Lucanis was a proper crow who killed a good man because he was hired to do so. He was positively morally grey. Davrin had actually strong opinions when the main character dropped the Dread Wolf's name. Bellara was interesting in that it became clear how she struggled with her ADHD without using infantile language, Scout Harding acted smart, mature and competent, Taash was a morally grey bad ass, fitting for a freelance treasure hunter and with smart and witty dialogue to go with it.
It was amazing, I found myself excited every week for a new episode. It got me interested in the companions. I already contemplated to romance Taash because they were so cool and charismatic in that series. I thought, if a FREE webseries that was made for advertisement was already this great then the game had to be nothing short of phenomenal.
And then it just...wasn't. There was nothing of the depth that came through in the web series. It was as if I was presented with a sample of a multilayered chocolate cake but got a dry brownie after I actually paid the full price for it.
The sheer audacity behind this course of action is still so inconcievable to me, I sometimes still wonder why they put effort into writing the free thing and not the product they demand payment for. I still don't get it. The only explanation is they purposefully put out a misleading sample to lure in the customers in the beginning to spend money, right?
This fraud adjacent behavior does not stop there.
Remember when we thought we would be importing our worldstates from our previous games? There wasn't even a question about it in the beginning because this is such an intrinsic Bioware feature. But then the info about the three choices in the character creator leaked.
Leaked!
Meaning they never intended for this information to be known pre-release. They fully intended to keep it secret until it would be too late. They also never said they wanted a soft reboot.
This is the conclusion the fandom has drawn after they destroyed their own lore and went scorched earth on the entire south of Thedas.
And the biggesr lie was when they said this was their best work. After all this!
This is the reason why DATV's shortcomings are so devastating. This is why so many feel like the game was a slap to their faces. EA/Bioware gaslit and manipulated us from the very beginning. We have been cheated and betrayed.
The last bit of trust I and many others had in Bioware, they mercilessly crushed.
I personally will never take even one thing they say at face value again. You can only trust their actions from now on.
#dragon age#dragon age inquisition#dragon age 2#dragon age origins#dragon age the veilguard#vows and vengeance#taash#lucanis dellamorte#scout harding#bellara lutare#davrin#datv critical#bioware critical
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I feel we’re not talking enough about this panel…
Because yes, we always rant on about how much the fishbowl changed Dream, or that it was the onset of his change. And that’s also true. But…
The ruby was wrenched from his very being when he was young (he was still all white at that point, from what he wore to his hair. Just like Daniel). He took it from his chest. It was part of his essence (I’m sure we could find different words, like what we commonly call soul or heart in the literary/poetic sense, but of course it’s also about what he is, and about his function. Dreams and hopes. It was “powered by his spirit”). Most of the relevant info is linked here:
And then he gradually turns black, from hair to clothing (there’s still white in both in The Heart of a Star—by the end of it, it’s gone). And we wonder why he was often (not always) so cold and detached.
Then that essence gets released again, becomes a part of him again.
But it’s not just about power. It’s about gaining back his proverbial essence, his heart and soul and spirit, all that he is. Even if it hurts because there’s nothing now that keeps the pain and the constant teetering on the edge at bay that comes with feeling so deeply, and feeling everyone else so deeply (severing yourself from your essence, from your feelings, from all the dreams and hopes you have, also for yourself—isn’t that, at least to a degree, what humans do when they dissociate?).
But it also plays a part in him realising his wrongs and starting to set them right.
For billions of years, since he wrenched the ruby from his very being, he was basically incomplete because he denied himself what made him complete. He turned it into a tool, for whatever reason he believed made sense at the time. And then it all comes flooding back, and it’s just so much. Tools are indeed the subtlest of traps…
Yeah, thinking about that makes me a bit unwell…
#the sandman#sandman#dream of the endless#morpheus#lord morpheus#death of the endless#the sandman comics#sandman meta#the sound of her wings#dc comics#vertigo comics#queue
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VotV Speculation Megapost
(For posterity's sake, the latest major release is 0.8) (Also, buckle in. This post is a long one.) (Edit 9/20/24: Added Addendum 1) (Edit 10/14/24: Added Addendum 2) It should be extremely obvious, but spoilers ahead.
As we all know, Voices of the Void has a "story breadcrumbs" approach to its plot. Combine that with its alpha status, and we're left with a lack of hard answers. However, some pieces did seem to click into place. This is far from anything definitive, but here are some of the conclusions I've drawn. Let's start with everybody's favorite:
Part 1: The Arirals
god i want one to hold me like that
You know em. You love em. Like 90% of the fanart is about them. But the question is... what the hell are they doing here? Judging by the fact that they construct a campsite in the facility, they clearly expect to be here for a while. A common interpretation I hear from people is that the ones out in the facility are either political refugees, or just some sort of benign "tourist group". I've personally come to a different conclusion. Let's consider what they brought with them.
Exhibit A: The weapon (left)
The weapon they drop around Day 24 is no mere Star Trek phaser. If you drop it in the main building, pretty much EVERYTHING in the building is going to be sent flying from the resulting blast. Not only that, but the "human-wieldable" version that can be unlocked for the sandbox mode has one hell of a fire rate. Something tells me that there's no way in hell this thing is a civilian-grade weapon. And, as established in a previous post of mine, they're kitted out in full-body armored stealth suits.
Exhibit B: The stealth suit (Kerf dutifully remains there for scale)
These aren't tourists or runaways. They're goddamn Black Ops. But you're probably asking, "If that's what they are, then why do they have nothing better to do than to steal shrimp and prank you?" Don't worry, I'll get to that later. Eventually. Maybe.
For now, let's move on to a third thing of theirs: The letter to Kel.
Exhibit C: Esraniki's Letter (D-, see me after english class)
This is the letter left at the Ariral camp if you have maxxed reputation with them. There's one line in particular that's always stood out to me. "GET WE HOME YOU GET DEATH AVOID" So... why can't they go home? Let's review: A: They have perfectly functional spacecraft parked right behind you. Even if they were broken, surely some random Pre-FTL primitive wouldn't be able to help with a mechanical failure in their technology. Hell, they buzz you at the radio tower with one. So there seems to be nothing physically stopping them from leaving. B: They've come kitted out with some serious weapons and armor C: Something in the facility is drawing the attention of all manner of extraterrestrials (and ghosts and demons. are 'metaterrestrials' a good word for them?) So my take? They're monitoring something, waiting for an opportunity to act upon it. (In keeping with the Patch Note naming convention, I will be calling this unknown something "The Threat") Not only that, this 'opportunity' may only open up with the assistance of a human. But what could Dr. Kel possibly do that an Ariral couldn't? Well, I can think of one thing he can do better... Interface with human technology.
Exhibit D: Ariral Communique (quality: shit) Computer technology isn't some universal constant. You can't make a program and expect it to magically run on alien technology with an unknown architecture. This ain't Independence Day. The fact that the Arirals barely managed to send a heavily-garbled message to Kel's computer, quite frankly, speaks of an extreme amount of effort on their part. And it was all just to say the word "OUTSIDE".
If The Threat has some ties to human technology, then perhaps Kel actually could be more qualified to deal with it than the Ariral Black Ops. Hmm... An unknown threat with ties to human technology. Could it possibly involve...
Part 2: The Incredibly Suspicious Bunker
"I left a 'Do not enter' note on the floor. That'll stop people from investigating!" This damn thing is quite obviously, as TVtropes would put it, The Very Definitely Final Dungeon. It is my firm belief that this is what the Arirals were sent to monitor, and where The Threat can be found. But we can't really get much further in than a few doors. So... what's in there? An easy assumption to make is that it's some sort of fallout/storm shelter. But something nearby might tell a different story...
Exhibit E: *squints* ...Liberty Prime? If you take a metal detector over to the bunker entrance, you'll quickly discover a buried drive nearby. The image you just saw is its contents. It's clear that something is being depicted here. What exactly it is, well, that's hard to say. but if you look at that teeny tiny thing at the top, you'll see something that looks like the Alpha base and its radio tower
oh god we're getting into crusty duende video territory now
What this says to me is that there is a colossal something underneath the base. Some sort of mega-facility? Unnatural cave formations? Something else entirely? Or I could be looking at it entirely wrong. But the point is, it's very likely that something extremely expansive is down there.
What if we could just take a peek a liiiittle bit further in? Well, there is ONE way...
Exhibit F: The Least Cursed Elevator in Horror Fiction
Roughly around 3:33 each night, there is a chance that a camera inside the bunker will become active. It's monitoring what appears to be a heavy-duty elevator coated in blood. An elevator like this would also indicate something buried deep underneath the base. Say, this elevator seems familiar...
youtube
Exhibit G: Monique Santificer's Extremely Ominous Foreshadowing
...Huh. I'm sure that only means good things. So we have a Hellivator and evidence that there's some place that you'd need a Hellivator to get to. Are there any other clues around? Well, there's that handy instruction book on robotics. You can make your own little friend!
POV: You're 5'11 and she's 6'0 And... Oh! looking back at that camera, it looks like someone else made their... their own... friend...
Exhibit H: AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA- ...I don't think they followed the instructions to the letter. So it seems the people in the bunker were working on combining robots and, er, 'biomass'. I don't think our meaty friend here is The Threat itself, but I do believe that it is some aspect of it, or at least a result of it. And whatever The Threat is, it seems to be "leaking" out of the bunker. After all, this toothy bot here seems to have little siblings burrowing out from underground!
Exhibit I: should start running Kerfus. Kerfur. Whatever name they have, they love you! Such a shame that the flesh inhabiting their chassis does not.
they seriously recalled the ++ models over a little thing like this, smh Something deep underground, cursed flesh, and occult sigils. Hmm. Things would tie together neatly if there were, say, some sort of demon around associated with flesh and dark depths.
Part 3: Furfur (and conclusions)
"I WATCH YOU SHIT AT NIGHT" The Great Earl of Hell and raw flesh afficianato, it's Furfur! Demonology refers to him as a liar, but also a teacher of secrets. And he seems to really really like flesh. Not bones, though. He's always leaving those behind.
They say that if you burn an offering of flesh at his altar, he'll give you a marketable Furfur plushie!
The children who survived loved them! Interestingly, there's a certain location connected to Furfur: The bottom of the well. If you pass out at the bottom of the well, you will end up in a (dream of a?) mysterious structure.
Exhibit J: all shall be well and all manner of thing shall be well
A few things of note in this place: -More demonic sigils -The only 'exit' is a tunnel leading upward with a broken ladder. And even if you could reach up there, Furfur's giant skull-face is blocking the way. -A unique knife, which when examined in the inventory, says that it was found "deep underground".
How very interesting that this flesh-loving demon has his own little place down in the depths of the earth. And you say the bunker reaching downwards has been spawning horrific robot-flesh amalgamations? Robots that are specifically of human design?
Well then. So here's what I think is going down:
no i'm not crazy it's invisible alien catgirls versus demon cyborgs you weren't listening were you?
-Some scientists from before did a Very Bad Thing in the bunker depths. If I had to venture a guess, it's that they bargained with Furfur for secrets of the flesh, perhaps in the pursuit of cybernetics, biocomputers, or somesuch. This resulted in the Very Bad Thing happening, thus creating The Threat. -The Threat was contained to some extent, but is starting to noticeably leak out. It is also severe enough to have drawn extraterrestrial attention. -The Arirals have sent a squad to monitor the situation and act if necessary. Seeing as there's been no urgent need to act as of yet, they are bored out of their skulls and taking it out on you. -The fact that the bunker hasn't been blown up by catgirl black ops already says to me that the situation down there is delicate, and a 'guns-blazing' approach would be inadvisable. Not only that, but The Threat seems to be tied to technology they have little knowledge of. They would most likely need outside assistance if they want a 'clean' resolution to the problem. -And wouldn't you know it? Right there in the facility is some nerdy, crusty, half-crazed twink that seems to be very proficient in handling human technology. How very convenient.
"average person eats 3 roaches a year" factoid actually just statistical error. Dr. Kel, who-
That's how I think this ties together, personally. Of course, there's always unaccounted for 'loose ends' that may or may not be tied to the Bunker Conspiracy (the rozital pit in particular has been bugging me with its vagueness). Plus there's always the chance that I misinterpreted things like a dumbass. There were a few other smaller things I wanted to cover, but my fingers hurt from typing, and my ability to hyperfixate has its limits. And sorry if the screengrabs are a bit mismatched, I've already spent hours on this post without having to get screenshots from the game myself. If anyone actually read through this monstrosity of a post, congratulations! If you're as deeply brainrotted as I am, feel free to point out the reasons I'm dumb and wrong :)
Addendum 1: Meta Aspects
no, not this. wrong place. wrong time.
Every now and then I hear talk of lore clarifications in Discord servers, Google Docs, etc. Will I be covering these?
(source) The reason? I want to give my impressions based purely on the work as published. Death of the Author and whatnot. The furthest I'll reach 'outside' the games are those ambiguous little teasers on YouTube, which you don't have to be in any 'specific server' or anything to see.
youtube
haha what if funni meme robot was irreversibly corrupted by the horrors?
Think of it as me giving a form of feedback on how the game is presented as an isolated work. Anyway, I'll be posting another Addendum later, connecting more demon stuff to the bunker. Fun! One thing I intend to investigate between then and now is a rumor of a very poorly documented... item interaction. As a little preview, consider this note.
It seems, in my pursuit of knowledge regarding a mysterious bunker in an incomplete videogame story, I find myself investigating a skeletal entity of ambiguous origin described as having a single glowing eye. God. Fucking. Dammit. Every time with this shit.
This always seems to happen whenever the protagonist is bullied by tall monstergirls
Addendum 2: Classified
Progress on my investigation has been slow due to a combination of poor RNG and real-life stuff. Fun fact: I've never encountered the fossilhound in my many months of playing, and it looks like that won't change anytime soon!
I'll get you one day, ya boney bastard. In the meantime, it seems that someone has leaked classified pokemon data communications from our employers...
youtube
And just who do we encounter within the first few weeks?
Our classified documents are their vacation photos
So it seems that at the very least, our employers seem to be aware of the Arirals. So to what end do they want to draw them out? And why would the Arirals show any particular interest in a human presence in this facility specifically?
They clearly seem to be hiding their presence from the world at large with their cloaking ships and whatnot, but they seem almost eager to grab the attention of anyone working at this particular site.
And, as everyone already knows, Arirals are certified Goobers. They form like 3/5ths of the Counsel of Goobers*. The ones we encounter at the very least are very much not what our employers expect to kill us. So our employers are also aware of the existence of some other threat, possibly even THE Threat. *the remaining members are Kerfuses and Dinguses
Truly an incomprehensible menace from beyond the stars. (source)
Personally, I feel like this all feeds back into my previous thoughts. There is clearly a Threat at this location, and the Arirals probably believe that they may need human assistance to do something here. Or maybe I'm just biased towards whatever random thoughts got cooked up in my head.
Anyway, hopefully next time I'll be back with reports of yanking the lifecrystal out from the Fossilhound's head and shoving it up its ass. I am so, SO sick of trying to get that thing to show up.
#votv spoilers#votv#ariral#spoilers#tw blood#dr kel#voices of the void#votv speculation#speculation#furfur#kerfur#kerfus#kerfus omega#this is what hyperfixation and brainrot does to you#i should have been in bed like five hours ago#Youtube
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Merry Christmas, Baby
Summary: Terry and Nyla work together to bring Patrice some Christmas cheer.
Pairing: Terry Richmond x Black!OC
Word Count: 2.2k
Warnings: Language
Previous: Back Up
Santa came down the chimney
Half past three, y'all
Left all them a good ol' present
For my baby and for me, ha, ha, ha
Terry bopped his head along to Otis Redding’s classic playing from some soul Christmas station he found on Spotify as he examined his handiwork with a mouth full of baby fingers and no idea what he was doing.
When he set off to decorate the house on Patrice’s behalf, he hadn’t considered all of the meticulous planning that went into her creating their personal Winter Wonderland. Ribbons needed careful tying to make beautiful bows. Garlands he thought could be tossed on any surface he chose required deliberate care to achieve their festive flare. And, to his surprise, Christmas trees out of the box did not come pre-fluffed.
He was so confident that he could start and finish his side project in his mother’s final hour of childcare that he didn’t change out of his office attire. The tightness of a half-buttoned polo and stiff slacks with a sleepy little girl cradled in the crook of his arm reminded him of just how wrong he was.
Clear bins labeled by function and location crowded their quaint living room with Patrice’s arrival coming quicker than he was prepared for. He squinted at the tree, trying to understand how he’d managed to put every single ornament on only the front while leaving the back side bare. The sensation of Nyla’s fingers tightening their grip on his bottom lip brought his attention from the eye sore he’d created to the four-month-old with her mother’s smile. He pretended to gnaw on her hands.
“What you looking at, girl, hm? You watching Daddy tear up Mommy’s tree?”
Sleepy baby giggles lit up her round face and dark eyes as her pacifier bobbed in her mouth, thoroughly entertained by her father’s voice and smile. He leaned down to kiss her forehead before smoothing a hand over her soft hair.
“Hopefully she likes it. Mama hasn’t been feeling like herself so we gotta bring the Christmas joy for her. What you think? Did I do a good job?” He adjusted Nyla in his arms to turn her toward the tree for her opinion. She squirmed in his grip, whining and fussing before releasing a small cry as the only way to communicate that she’d seen enough. He took the hint with a chuckle. “Oh-kay. You are Patrice’s child, I’ll tell you that.”
With Nyla providing lively company, Terry adjusted and re-adjusted earth-toned ornaments of all sizes in a failing attempt to salvage his surprise. She cooed along to Terry’s chatter about work, music, and life, offering commentary here and there like a child who’d been speaking for years.
He listened to her grunt and kick at the mention of watching football on Sunday and smiled. “Maybe me and you can go to a game together one day. Don’t get your hopes up for the Panthers being good though baby girl.”
Nyla laughed as if she understood Terry’s jokes, making him laugh in response. From the foyer, their back and forth sounded perfectly ridiculous to Patrice’s already scrambled mind. Motherhood had come with an unexpected price. Every day came with the overwhelming responsibility of balancing work and home life. Months away from her desk only to return during the end of semester swirl made reaclimating to eight hours away from home grueling. Her emotions were a jumbled mess that she traversed on a fraying tightrope. Exhaustion was her default setting these days. No matter how much her family assisted her, there were never enough hours in the day.
A sigh of relief rushed between parted lips as she pressed her back against the front door to seal her home from the frigid early evening wind. A single minute of tranquility couldn’t erase the day she’d had, but it came close. The rest needed the help of her two favorite people in the world.
The alarm’s chime stopped Nyla and Terry’s conversation, alerting them to their queen’s arrival.
“Petey! You’re home,” Terry exclaimed from the living room.
Patrice scoffed and rolled her eyes as she placed bags on the ground. “Don’t play with me, Terrence. I don’t wanna have to knock you out in front of your best friend.”
“I’m not worried about it. She got my back. Right, MiMi? You got Daddy’s back?” Patrice smiled at Nyla’s squeal in response, listening and watching it intensify as Terry appeared in the foyer.
His standing there, tall and thick with a baby carefully balanced in his arms and an incredible softness in his eyes, instantly awakened senses that had long taken the day off.
“How you doin’, beautiful?”
“I was exhausted until I saw you. You married or just out here fine for no reason?”
He chuckled at her shameless flirting and flashed his ring. “Happily married. She a little off in the head too, so be careful.”
“That was perfect. Make sure you say it just like that every time.”
Terry closed the gap between them, pressing quick kisses to her forehead and lips as he helped her shrug out of her coat with his free hand.
“Was your day okay,” he asked, a hand gripping her elbow to hold her steady while she kicked off her boots. She shrugged.
“I didn’t feel like crying by the end so that’s a step up, right?”
“Sure, but I don’t want sad at all. Is there anything I can do?”
Patrice attempted to answer Terry’s concern with a weak smile. “No, but I appreciate you lookin’ out for me. I’ll get better. For now, let's talk about this smiling girl instead. Come here, my sunshine!”
Nyla kicked her little feet and panted from excitement as she transitioned from one set of arms to the next. She worked overtime to ward off sleep for dueling kisses on both cheeks from doting parents elated to have their baby girl earth side.
Terry pulled away from family time to collect the heap of bags left by the door. “What’s all this?”
“Just me tryin’ to find some Christmas cheer. I figured we could bake some cookies with Ny before she goes to bed. Then we can have a drink, order in, and watch a movie or something? I don’t know. Tell me if that sounds stupid.”
Uncertainty was thick in her delivery. She hadn’t been sure of anything in the past four months. Herself, her parenting skills, being a good wife, her teaching - nothing. The need for validation was growing more dire by the day.
“We can do whatever you want, baby. I’ll dress up like Santa if you need me to.”
His affirmation came with a gentle kiss and a slight squeeze to her backside that made her giggle like a teenager in the presence of her crush. “Thank you, Pooh. You hear that, Naomi? Daddy’s gonna dress up like Santa and let Mommy sit on his lap.”
“That ain’t all Mommy can sit on but we have to wait until you’re asleep for that part.” His joke came with a suggestive eyebrow raise that incited a hearty guffaw and butterflies in Patrice’s belly. She leaned in to rest her forehead on his chest for as much touch as she could handle. He rested his chin atop her head to speak. “There’s a surprise for you in the living room if you’re up for it.”
“Does this surprise have something to do with my baby being drenched in all this glitter?”
“No. That’s courtesy of her grandma and her outfit earlier today. You know your mama loves sparkles.”
Patrice attempted to dust silver flecks from Nyla’s face to no avail. “Then lay it on me. I’m ready to be surprised. At least I think. I never know when you two get in cahoots.”
True enough. Terry and Nyla usually found a way to cause havoc, whether in the middle of the night with a dance party or throughout the day with a host of loud distractions. Terry couldn’t deny his propensity to look for trouble with his partner in crime, but he could convince Patrice that, this time, their mischief was something she’d enjoy.
Carefully, he pulled Nyla from Patrice’s arms and led her into the living room with strict instructions to keep her eyes covered until he gave her permission. Anticipation had Patrice nervously bouncing from foot to foot while she waited for the signal. Nothing in her immediate area gave away what she might see on the other side of an extended blink. There were no smells outside of something hearty with a hint of spice simmering nearby. The soft murmur of what sounded like Christmas music didn’t seem out of place. She attempted to feel for clues with one hand out in front but came up empty.
“Can I open my eyes now,” she asked for the third time.
Terry chuckled as he positioned her in the center of the room. “You’re so impatient, baby.”
“Now, don’t make me start on you. We just had our first wedding anniversary on our original wedding date but I’m impatient?”
“Yeah, yeah. Open your eyes before you go too far.”
All of Patrice’s smug laughter slowed to a halt as her eyes feasted on every detail in the room. Crooked garlands dusted in artificial snow adorned the fireplace. Gaps in the Christmas tree created portals to the blank wall behind it. Ornaments sat jumbled together with no rhyme or reason. The skirt meant to hide the unsightly plastic tree stand was comically flipped inside out. Her Christmas star, passed down from her mama’s mama sat glittering under soft white light, waiting to take its rightful place on top of her most eclectic tree to date.
Each imperfection made her heart swell ten times its size, creating a steady stream of tears that coated her cheeks.
She released a shaky breath, the sound betraying the emotions she attempted to keep at bay while she marveled at the tree with her back turned to her helpers. “Oh wow. You did all this for me?”
“When I told Ny how much you love Christmas she was like, ‘Dad, we should do something for Mommy since we love her so much.’ It was all her idea. I only opened my wallet. And put stuff together. And held her the whole time because she hates her mat.”
“Yeah,” she asked, laughing to release nerves and wiping at her face as she finally turned to face them. “You talk that much, little girl?”
“Oh, she’s a great conversationalist. Give her a little formula and she’ll yap all day.”
Patrice stepped closer to rub her nose across her daughter's cheek, inhaling the fresh baby scent that never failed to calm her often racing thoughts.
“This is…so sweet. It’s probably the nicest thing anyone’s ever done for me,” she started. “It’s been kinda tough to get excited this go round. I can’t really find that spark like before and I’m trying so hard.”
“I know. You’re doing a great job, Mama. A perfect job. I wouldn’t wanna be doing all this with anybody else,” Terry reassured while he pulled her into a hug.
She wrapped her arms around his waist, squeezing with all the love in her body when no words could get past the heavy lump in her throat. The leak in her emotional dam had erupted into a crater, turning small tears into a near sob that made her head hurt. She’d cried all of her sadness away in the dead of night or when sitting in traffic between work and home. This was happiness. An unmistakable joy and gratefulness for being blessed beyond her wildest imagination.
Terry didn’t intervene or coax her into deep breaths to stop her crying. Instead, he held her close with one arm and alternated loving pecks between her head and Nyla’s face as the infant rested on his shoulder for comfort. Her tiny hand reached out to leave little pats against Patrice’s forehead, finally making her giggle as her crying paused.
“You’re right. Mommy needs to get it together,” she laughed. “I’m killin’ the vibe big time.”
Terry chuckled. “MiMi cried when I showed her, too. Is this a happy cry or do you hate it?”
“I love it and I love y’all. So much. So, so much.”
“We love you more than we can put into words. You know, since one of us literally can’t talk.”
Patrice's belly laugh made Terry grin from ear to ear in triumph. His chief concern was bringing her happiness, even if only for a few hours. He’d take today as a win and try to top it for the rest of his life.
Wiping fresh tears from her eyes, she took a deep breath and received another whiff of the aroma wafting from the kitchen reminding her that she was starving from a day of educating the leaders of tomorrow. She hummed at the smell with her eyes closed. “Why didn’t you say you cooked? What is that? It smells good.”
“That is your other surprise. Think about it and tell me what you think it could be.”
Hints of cayenne and the spice of fresh jalapenos made her nose tingle. Something warm and sweet followed as the perfect accessory to the savoriness commanding attention. The smell felt familiar. It felt like her childhood. It felt like home.
Her eyes shot open and up to his in sudden realization. “Daddy’s chili! Really? Is that what that is?”
“I owe him some help in the shed but it’s worth it for you. Hope it brings back some magic for you.” Patrice stared at Terry, eyes misty and lips drooping in a deep frown that confused him. “Wait, what did I -”
“Oh my God, whyareyousoperfect!?”
All of her words came out in another muffled sob as she dramatically buried her face into his chest. He couldn’t help but tease her, whispering comments about her theatrics and how she could’ve been a movie star from her ability to burst into hysterics at the drop of a hat.
Drooping eyelids from their pride and joy forced them to share hushed laughter while Patrice regained enough of her composure to help add the finishing touches to their first Christmas display as a unit. Watching Patrice gently bounce Nyla to sleep while she adjusted ornaments and decor to her liking filled Terry with enough warm fuzzies to make him blink back emotions he didn’t know he had brewing.
He had a family.
For all the ups, downs, and haymakers life had thrown him, he had two people looking up at him like the sun rose and set in his eyes. The thought alone took him back to his first time in the same spot with a pecan pie and a carefully wrapped gift in his hands.
Terry slowly approached Patrice from behind to assist her in the effort to place the topper where it belonged. “Remember our first Christmas together?”
“The one when you stayed too long and had your mama worried,” she laughed. “Yeah, I remember. Now look at you. Still over here after all this time.”
“I always knew what and who I wanted.” His declaration came with silly, loud smooches to her exposed neck while they wiggled the star into place atop the tree.
Perfection. Patrice smiled at their joint effort and the feel of Terry holding her and Nyla close. She angled her head to watch him shower their little one in soft kisses.
“Hey,” she called to get his attention. “Merry Christmas, baby. Thank you. For everything.”
He met her thanks with a tender kiss and the gentle graze of his lips against hers, sharing a silent conversation between lovers that needed no explanation.
“Of course. Merry Christmas, honey.”
-----
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𝐌𝐈𝐒𝐒𝐈𝐎𝐍 𝐀𝐂𝐂𝐎𝐌𝐏𝐋𝐈𝐒𝐇𝐄𝐃
summary: 7k words — while you’re struggling with the difficult pre-calculus questions, megumi ends up finding out information he wasn’t actively searching for.
notes: woah, sumaya released a chapter a week after the last one and not months later? 😱 what caused this? 🫣 @reinaswrld (aka my wife) got a promotion at her job! 🥳 CONGRATULATIONS AGAIN!!! this chapter is dedicated to you and your success, well done <33 ik it’s not much — one of the shortest chapters so far in the story — but it’s building up a bit of plot, i hope you still enjoy it all the same ❤️‼️
tw: a lot of swearing from a very angry man (you’ll see), gossiping, that’s it tbh :)
i do not own any of the characters of jjk, i only own the character of y/n, her parents, and other oc’s mentioned in the story. the rest belong to gege akutami.
previous chapter :)
next chapter :)
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・
the classroom was organised with a focused, minimalist setup, with rows of sturdy tables that filled most of the space, each paired with two hard-backed chairs that left barely enough room for you to move around without bumping into someone else's desk. you stared up at the whiteboard which took up much of the wall, its surface freshly wiped but faintly marked with smudges from the writing by your favourite teacher in the world — kento nanami — who had made you sit at the front for the sole purpose of doing a one-to-one session on the easier questions that you still somehow struggled with.
a projector hung from the ceiling above, casting crisp, blue-tinted notes and problem sets onto the board. his desk was positioned directly beside the whiteboard, immaculately organised, with a stack of ungraded worksheets, a coffee cup, and a single pen resting beside his computer. you thought satoru could use some tips on how to keep his work space as clean as kento's; you knew he wouldn't listen.
around the room, colourful display boards brightened up the neutral walls, each one crowded with pre-calc formulas, visual aids, and student projects — some crumpled from years of use, others meticulously laminated. none of them were of use to you, not when you found yourself stuck on something as simple as functions and transformations.
"try again," kento — or mr nanami, as he constantly demanded you refer to him as ��� patiently guided you, sliding a fresh worksheet with extra space for you to do your working out on. the previous one you'd been given had been a complete mess of scribbles, doodles, and working out that made no sense whatsoever.
you spun the pencil through your fingers in a dramatic manner, eyes squinted as you addressed the complicated questions on the sheet.
and gave up the second you saw the graphs.
"i'm failing this class," you decided with a sigh.
kento — mr nanami — shook his head at you, his lips in a straight line as he tapped the sheet.
"you haven't even given it a go," he stated sternly, his cheeks hollowing as he stared down at you. "remember what we went through."
"i already forgot," you admitted, abashed.
kento nanami's gaze was a perfect balance of sternness and patience as he looked down at you, his expression unwavering; his eyes were sharp, fixed intently on you with a hint of exasperation glinting beneath his otherwise calm exterior. it did not look as though he was going to let you give up that easily, no matter how deep your sighs of defeat ran. he tapped the sheet again, and despite it sounding like a couple knocks on the table, it really was a beat that spoke in strong tunes, one that said you're going to try again, whether you like it or not,
so you picked up your pencil, frowning at the size of the eraser attached to its rear end (knowing all too well that it was not going to be enough to keep your paper from becoming a mess of lead by the end of the lesson) and got to work, reading the question, and then re-reading it, trying your hardest to understand it down to a t.
kento had left you to tackle the problems alone as he moved across the room, pausing by other students' desks to offer guidance.
...and then returned to find that your paper was now full of doodles and scribbles. he furrowed his brows and let out a sigh, rubbing his straight brows from where they began, to where they angled downwards, the lines on his forehead more prominent as he tensed.
"i tried," you said, looking sullen.
"i can see that," he replied, and it wasn't just the mess of lead he was talking about; he could see the parts of the paper where you had made an attempt at answering the question, only to give up and then fail miserably.
he leaned against his own desk, peering down at you through his circular glasses. they looked odd to you, specifically the way they stuck onto the skin around his eyes like that. it was almost as peculiar as that weird, spotted tie he always wore.
"how often do you study at home?" he asked you, and the tone of his voice, serious, made you suck in your stomach, an unsettling feeling resting in your tummy.
"every friday," you lied. it wasn't as though he'd know you didn't.
only, he somehow had.
"i know you and your family spend fridays at gojo's," he told you, his brows furrowed.
you paused.
thought of your answer.
and then reconsidered it just in case there were any loopholes he could find.
"yeah," you agreed, nodding, "but i study there too. before dinner."
"no she doesn't."
megumi had approached kento with his notebook and worksheet in hand, his handwriting neat, each letter and number placed with a precision that seemed almost methodical.
you scowled at him as he looked straight at your teacher, barely even regarding you with a simple glance, apparently unbothered by your reaction.
"can you grade my questions?" he asked, only looking down and meeting your gaze with a glare when you kicked him from where you sat.
"you're being rude," you snapped, watching him shake the foot you had kicked.
he looked down at his foot, then at you, then back at his foot, as kento took the notebook out of his hands. "you literally just kicked me," he stated with a deep lour.
"yeah, 'cause you interrupted me when i was talking to kento," you shot back, brows furrowed.
"you mean when you were lying to him," megumi corrected you, an accusatory brow raised.
your cheeks warmed as you averted your gaze, barely managing to suppress a scowl. you crossed your arms, focusing on the scribbled doodles and half-erased notes on your worksheet, ignoring megumi's pointed look as you tapped your pencil against the paper in a futile attempt to appear unaffected, but the stubborn heat on your face betrayed your feigned composure.
"check that last question," said kento, handing megumi his notebook back and pointing at something on his page with the end of his red pen. "otherwise, well done megumi."
megumi nodded, muttering a quiet thanks before sitting back in his seat that was somewhere behind you; you didn't bother checking where after his attitude.
"you," kento began, brows furrowed at you, "need a tutor."
you would have beamed at the idea, if not for already being in a particularly sour mood after megumi's comment. still, you vouched for yourself, even though it meant pushing aside your stubborn pride.
"megumi, he said you have to tutor me," you said, turning around to speak to him — he had been sitting on a table with yuji on his left and nobara on his right. you found yourself seething with envy that you were so unbelievably terrible at math, your friends got to squish themselves on a table for two without you.
"i didn't say that," kento added dismissively. "i said you needed a tutor, not that it'd be megumi."
at that, the both of you peered back up at him, dumbfounded.
"i've done it before," your friend informed your teacher, his brows raised expectantly. "she takes forever, but —"
you narrowed your eyes at him. "was that really necessary?"
kento shook his head regardless.
you frowned, looking back at megumi, and you could have sworn you'd seen his shoulders deflate slightly too, but your teacher remained firm, regarding you with tight lips and furrowed brows.
"you get distracted very easily," he told you, his hands resting in the pockets of his formal pants. he nodded in the direction of where your friends were sitting without you. "specifically with megumi."
"megumi and i work very well together, actually," you corrected, unaware of yuji shaking his head in disagreement behind you. he'd stopped when you turned to see where kento's eyes had slowly drifted, suspicious. "even though he's really rude when he teaches me —"
"— i'm not rude —"
"— and super judgemental when i get something wrong," you continued over him; he was most likely glaring at the back of your head, you didn't need to see him to know that, "i still learn a lot."
"while that might be true, something always happens to go wrong when the two of you work together," said kento, and even though he was gentle with his approach on this topic, it still felt like a harsh kick to the stomach. "you aren't sensible."
"i'm sensible," megumi openly disagreed.
you did not appreciate his obvious jab at you. "wha— so am i!"
and to your dismay, yuji had intervened. "no you're not!" he jumped in, expression fierce as he pointed at you accusingly. "you told mr haibara my art work was made out of a toilet accident!"
"well it looked like a toilet accident," you shot back, your face relaxed, eyes half-lidded.
"he asked for her opinion," said nobara — your sweet nobara — coming to your defence without a second thought. she leaned over megumi to speak to yuji directly. "what did you expect her to do, ignore him?"
"if she's capable of saying my art piece looks like a pile of shit smeared on some paper, she's capable of ignoring someone!"
it was kento's slight groan that had the four of you looking up at him, and when you did, you'd been met with the sight of him pinching the bridge of his nose, his glasses lifted by his fingers as he let out an exasperated sigh. kento did not enjoy it when the four of you would argue: he said it distracted the class despite your peers having discussions, jokes, and even arguments amongst themselves, unaware of the little spats you'd have with each other.
"enough," he voiced coolly, before regarding both you and megumi with a look of finality. "you have proven my exact point."
"i wasn't even—" megumi began, but you cut through him straight away. it wasn't like he was going to vouch for anyone but himself anyway, the selfish bastard.
"we're not like this at home," you argued passionately, brows raised in a desperate attempt to get kento to consider your situation, even if it meant dealing with a very judgemental megumi, who was never gentle when teaching you.
it seemed that your statement had only strengthened kento's decision to assign you a tutor who wasn't megumi, for his brows had drawn into a firm line, his gaze much harsher as he stared you with what seemed like a mix of finality and resolve.
"i saw the two of you at gojo's birthday last year," he'd said calmly. "the piñata was meant for him, not you."
ah.
kento was talking about the incident where you had 'hijacked' (as satoru had eloquently put it) his birthday piñata. you scoffed — he lived to tell the tale, with that goofy look on his face that was apparently meant to make you sympathise with him, but lived nonetheless.
it wasn't as though anybody was harmed in the process.
kento adjusted his glasses and regarded you with narrowed eyes. "it was also meant to be beaten open with a weapon, y/n. not megumi's head."
"arguably, his crazy hair is a danger to us all, and therefore a weapon of mass destruction," you stated, and found yourself internally pleased when you heard both yuji's and nobara's quiet snickering. "the piñata would agree."
you heard yuji and nobara's chuckles sputter into startled groans, abruptly cut off by a telltale thunk that had megumi written all over it. you couldn't help a sly chuckle as you glanced their way, where the pair nursed their sore heads with matching looks of betrayal, nobara muttering something that sounded a lot like a threat on megumi's life.
he, of course, remained unfazed, still glaring at you, looking about as done as kento had seemed, and sensing his icy gaze narrow further, you quickly schooled your face into a mask of innocent defiance.
"i'm not tutoring you," megumi replied bluntly, and you barely had the time to process that and groan before kento had intervened again.
"that settles it," he said, no longer leaning on his desk and now holding a finger up in a silent motion of 'no more' when your lips had parted to speak. "i will search for someone who i think will be best to tutor you —"
"but megumi —"
"— and is willing to do so too," he said, before picking up a folder, searching through it, and handing you a new worksheet with a different set of questions. "have a go at these before i come back, y/n."
he had left to go and approach other students, moving briskly towards those with raised hands, leaving you with only the fresh worksheet in your own hand, and a sigh caught somewhere between your frustration and reluctant determination.
you only hoped your tutor would be someone you could get along with.
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・
yuji and megumi walked side by side down the bustling hallway, their steps quick as they wove through clusters of students lingering between classes.
yuji had animatedly recounted an outrageous tale about how choso and todo had finally met, and how it had gone terribly wrong in only a matter of seconds. megumi was silent throughout the story, his mind wandering elsewhere, but he still managed to pay attention and had got the general gist of the story. in fact, megumi was certain that he could summarise it all in one simple sentence, something that yuji had failed to do: yuji's brothers did not like each other and were essentially fighting over him.
yuji squinted his eyes as sunlight streamed in from the tall windows, casting warm beams across their path as they neared the business classroom. megumi raised his arm to shield himself, blinking off the colourful spots in his vision.
"when did all that happen?" he asked, a crease between his brows from the frown he'd been holding up.
"after practice last week tuesday," said yuji, casually, "when i tried catching the early bus, remember?"
"i thought you got the early bus," megumi replied, the two of them taking a right where they'd find their classroom. they'd been stalling for a bit, walking round in circles in different areas of the school, but it was nearly time before the bell rang.
yuji nodded. "i did, but todo insisted on dropping me off. i said no, but — you know him, he doesn't take no for an answer."
megumi knew that quite well. when he first met todo and he'd demanded megumi to tell him his type, no matter how many times he'd refused to, todo remained persistent.
it was annoying.
"and then they met — and then everything was just —"
when the pink-haired boy had stopped speaking so abruptly, megumi glanced over at him.
yuji's gaze drifted into the distance, his eyes widening slightly as he seemed to lose track of his story mid-sentence. megumi furrowed his brows at him, watching his mouth hang open for a beat, the usual spark in his expression dimming as he focused intently on something across the hall. slightly confused, megumi turned to follow yuji's line of sight, the silence between them suddenly weighted, and megumi could only lour at what he'd seen.
"hey," yuji began, voice distant, "isn't that tsumiki?"
across the hallway, kamo stood beside tsumiki, his posture formal yet oddly relaxed, hands resting in his pockets with a quiet attentiveness. tsumiki, in turn, seemed engaged, her expression open and bright, using light hand gestures and motions that she usually did when explaining something.
megumi had seen the same thing in different areas of the school: during study hall, he'd seen tsumiki wave kamo goodbye, just before lunch had ended, he'd seen kamo walking her to her english class, and for the nth time that day, he was watching them interact, watching as tsumiki listened attentively, nodding along with something he was saying.
what the hell was going on? since when did kamo and tsumiki talking to each other become so frequent? was that ever a thing to begin with? megumi couldn't comprehend any of what he was seeing.
but he couldn't blame himself for his lack of understanding here, for everything that had happened in the past week regarding kamo had been odd, especially since that conversation his teammates had had in the locker rooms before practice.
and with a more relaxed, loose expression, megumi realised what that meant; how had this not been the first thought in his mind?
tsumiki was someone that both megumi and yuji knew pretty well. he'd completely ruled out the possibility that kamo would find interest in someone older despite majority of his teammates doing exactly that — they liked older girls.
he just did not believe that any one of them would be interested in his sister.
"yeah," megumi nodded, biting his inner cheek to avoid the natural scowl that he knew was trying to make an appearance. "it is."
"why's she talking to —"
"i don't know," said megumi, now wanting more than ever to enter class early, if only to get rid of the disgusting sight before him. he wished he could also say that he did not care, but he was curious, and he wanted to know what was actually happening between them. "let's go."
"oh, she saw us!" said yuji, raising a hand to wave. "she's saying hi!"
megumi didn't look to see whether this was true or not, but he didn't doubt it, only choosing to ignore his sister entirely and go to his class, half annoyed when he realised that kamo would follow behind him soon since they shared the same one.
"megumi, she's — she's saying hi —" yuji repeated, sounding taken aback by megumi and his cold response of ignoring her entirely.
megumi stepped into the classroom, his expression tight and shoulders tense as he made his way towards his usual seat at the back. the lively hum of conversation around him felt distant, each sound fading as he focused on shaking off the odd irritation from the hallway, and not even a moment later, yuji had trailed behind him, loudly questioning why megumi was ignoring tsumiki, his voice ringing through the quiet room. his obliviousness hung in the air, adding to megumi's quiet frustration as he sank into his seat, mentally urging his friend to just sit down and stop broadcasting his every thought.
to his dismay, yuji did not stop, not even when kamo had entered the room, walking over to his seat parallel to the two.
the rest of the class went by as usual, the only difference being the constant voice at the back of megumi's mind — nagging and pressing — reminding him of what he'd seen throughout the week.
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・
megumi stood just outside the theatre hall, his figure casting a long shadow on the tile floor as the late afternoon light filtered in through the high windows. the hallway was quiet now, only the faint sound of distant chatter echoing from a classroom down the hall, while the smell of fresh paint and worn wood from the theatre room seeped faintly into the corridor.
dressed in his football uniform, his hair still damp from practice, he idly scanned the posters pinned on the corkboard outside the door: upcoming plays, rehearsals, and auditions for the semester. there was even a picture of you from one of the plays back in sophomore year, a huge success, according to the school newsletter attached to it. he remembered that one, a re-telling of rosalind and how even through the mess your family had caused behind the scenes, you had remained professional enough to take your role as the lead and make something better of it — it was admirable, not that he'd ever tell you that.
he crossed his arms, leaning back against the wall, his eyes occasionally drifting to the door as he waited, his gaze relaxed. when he heard footsteps at the other end of the corridor, light and unhurried, he turned his head, brow twitching slightly as tsumiki closed the large distance between them, a gentle smile tugging at her lips, holding a file to her chest as he swiped the damp strands of his hair away from his forehead.
she stopped just short of him, glancing down at his feet. he followed her gaze, frowning when she didn't speak.
"what?" he said, defensive.
she pointed at his socks, stained with grass. "you're gonna walk in your house with those?"
megumi shot her a look, half grimacing, half glaring. "no," he snapped, snippy. "i'm gonna take them off at the front door."
she shrugged, holding her pink folder to her chest as she leaned against the same wall he had been leaning against.
"i knew i'd find you here," she said, the fluorescent lights above softening her already-gentle features, casting a warm glow that blended with the late afternoon sunlight filtering through the nearby windows.
megumi grunted in response. it was enough to show that he acknowledged her comment. she understood that well enough.
"what do you need?" he asked her, flinching when a random cymbal crash had sounded from inside the hall. he could bet his two dogs it was because of you. "i'm not doing your stats homework again."
"no, silly," she laughed, nudging his side and relishing in the slight hiss he'd let out — yuji had tackled him hard on the field during practice, driving his weight into megumi's side and slamming him mercilessly against the grass. the impact bit deeper than he'd expected, the sharp sting lingering even an hour later. "i was gonna ask you a question."
"ok."
...
"you're not gonna ask me what it is?"
"you're the one that needs to ask the question here."
"stop acting like aunt maude, megumi," scolded tsumiki, making an attempt to pinch his side. he slapped her hand away, cross and displeased with her playful nature. "anyway," she sighed, apparently having given up on trying to tease him any further than he'd let her, "don't get mad at me when i ask this."
he looked down at her, a feeling that still felt strange. only this past summer had he finally outgrown her, and after spending most of his life looking up to meet her gaze, he still wasn't quite used to the new perspective.
he didn't like the look she was sporting. it was something in between a sensible smile and a mischievous grin.
"don't say anything to make me mad," he shot back, brows furrowed.
tsumiki held her file closer to her chest, like a mother protectively cradling her baby.
"let me say a quick prayer before i ask," she said, meeting his sharp gaze with a small frown. "what? i don't wanna get attacked when i ask."
he scowled. "i'm not gonna atta—"
but she wasn't paying attention, her eyes closed as she cupped her hands and whispered her prayers into it. megumi could have sworn he heard her mutter something along the lines of 'protect me from the evil standing right next to me'. if he hadn't been taught that disrupting a prayer was a form of evil, he would have hit her twice on the head by now, but the last thing he needed to do was prove a point.
once she'd blown into her chest, she faced the wall opposite them with a smile, letting out a small breath.
"that was stupid," he muttered, unimpressed.
"didn't ask," she hummed, before clearing her throat. "are you interested in anyone?"
he was wrong — perhaps she did need that prayer after all.
megumi peered down at her, a brow raised, judging.
his usual sharp composure faltered for a moment as he processed her question. a frown twitched at the edge of his mouth, and his eyes narrowed slightly, as if trying to decipher the motive behind her sudden curiosity. this wasn't like her usual teasing — it had an edge of genuine interest that unsettled him in a way he couldn't quite place.
"what the hell?" he demanded, visibly disgusted and audibly confused.
"you're making this bigger than it needs to be," she huffed, bringing a hand up to tuck a loose strand of her hair behind her ear. "it's just as simple as any other question."
"except you've never asked me that before," he retorted, glowering as she shrugged, her eyes tracing the display board, the one with your image on it.
her expression shifted to a thoughtful calm, taking in each photo and flyer pinned neatly on the cork surface, her fingers tapping lightly against the folder she held, a small, almost imperceptible smile tugging at the corner of her mouth.
megumi didn't understand what was so amusing about her question.
it was confusing; it made no sense.
"so?" she prompted, nudging his side for the second time that day; he shrugged her off, annoyed. "is there any girl you like? any girl you think you like?"
"what's it to you?" he interrogated, placing his helmet over his head to block her out of his peripheral vision. maybe if she wasn't being so annoying, he wouldn't have to do that.
she didn't hesitate when she answered him.
"i'm asking because of an event," said tsumiki, and as she spoke, the sound of shuffling had penetrated megumi's thick helmet, entering his ears, prompting him to turn and glance down at her to see what she was doing. from the lines on his helmet, he could see her shuffling through pages in her folder, before eventually pulling out a purple flyer and offering it to him. sceptically and suspiciously, he took it. "'cause i'm organising it, i get vip tickets for friends and family. i wanted to give you one, and if you have anyone in mind, give her one too. but you're being so secretive."
"i'm not being secretive," said megumi, barely reading the flyer's contents. he was sure he wasn't going to go anyway, he never usually did anyway. he handed it back to her, waving it when she wouldn't take it. "i just don't have anyone."
she sniffed, pushing the flyer back towards him. "could've just said that."
"you were being suspicious," he sneered, eyes narrowed as tsumiki shook her head at him, disagreeing. he clicked his tongue, disapproving. "i don't even go to any of the school stuff anyway."
tsumiki raised a brow at him, visibly sceptical.
"what about homecoming?" she suggested, and megumi was thrown back in time to when he'd been struggling to avoid satoru and his 'bonding time' (which was essentially just picking out expensive suits together). "winter formal? spring fling? the spring formal last year?"
he remembered all of those quite well. still, he remained stagnant.
"i only went to those 'cause y/n dragged me to them."
tsumiki reached up and knocked on his helmet. he scowled and harshly moved her hand away, failing once, twice, three times before she finally stopped.
"did y/n hold a gun to your head?" she asked him, watching as he slowly took his helmet off and shook his hair out of his eyes. he was in need of a haircut soon, he thought to himself, reminded of his mom who politely nagged at him every day about it.
"mentally, she did," he commented quietly. he locked gazes with tsumiki and looked away not even a second later. "does."
a flicker of thought crossed megumi's mind. he recalled the multiple times he'd caught glimpses of tsumiki with kamo throughout the day — small moments, brief exchanges, but enough to catch his attention. she'd been smiling, animated even, in a way that felt unusual.
he acted on this prickle of curiosity, brows furrowed.
"are you taking anyone?" he questioned, looking down at the flyer to clarify. "to the... choir?"
tsumiki shook her head, a look of mild frustration pained over her face. "ever since satoru and your dad scared derek off last year, i... i stopped looking."
megumi raised a brow at her, very clearly critical of her hesitant response. "you stopped looking or they stopped approaching you?"
tsumiki's usual warmth seemed dimmed, her kind expression weighed down with a mix of weariness and irritation, brows knitted slightly with a faint line of frustration formed between them as her gaze shifted to the side, avoiding megumi's probing look.
"they stopped approaching me," she admitted with a sigh, but she was smiling, so megumi assumed it wasn't a massive bother.
not when she seemed to be hitting it off with kamo, apparently...
"so why do you keep talking to kamo?" he asked, straightforward and blunt. there was, in his view, no point beating around the bush or sugarcoating it. it would take too long for her to explain and equally longer for him to just get to the point. he did not have the time nor the patience for that.
there was a gentleness in her face, but it looked stretched thin, as if the weight of the question had caught up, stunning her momentarily. her lips parted briefly, like she wanted to explain, but ultimately came to the decision where in the end, she would not.
"wouldn't you like to know?" she settled on saying, her lip curled.
it irritated megumi.
"i don't," he lied, his voice distant and quiet.
"kamo's a nice guy," said tsumiki, as though trying to feed him this information little by little, like a child being monitored with how much candy they consume. "a really nice guy, actually."
megumi did not particularly agree with this, but he was not going to communicate that with tsumiki, not when she seemed so starstruck by him. megumi didn't even think she felt this strongly about derek carter from the basketball team; it rubbed him the wrong way, knowing that he might have to see one of his football teammates — other than yuji — turn up to dinner at satoru's every once in a while on fridays.
even so, he didn't necessarily believe kamo to be a bad guy.
he was decent: megumi respected his ability to never indulge in gossip as well as the company he always chose to keep — except for todo, that was something he silently critiqued.
but kamo and tsumiki...?
odd pairing, he thought to himself.
"he can hold a conversation better than i thought he could," tsumiki added thoughtfully, slightly nodding to herself as she spoke. "and... he's considerate."
megumi averted his gaze back to the display board, now uninterested.
"will i be seeing him around more?" he asked her without actually looking at her properly. he wasn't in support of this odd pairing, but if tsumiki genuinely liked noritoshi kamo, he wasn't going to actively try and prevent them from happening.
that did not, however, mean he couldn't silently judge them in his head.
and perhaps verbally with nobara, too, since she did feel quite strongly about his teammate ("he acts like he doesn't care about anything, with that 'i don't care' attitude, but look at his face! he's trying too hard, so he definitely does!").
"possibly," said tsumiki, smiling gracefully.
as the muffled sound of voices grew louder, both tsumiki and megumi instinctively turned their heads towards the theatre hall doors, where a steady flow of students began spilling into the corridor. the doors swung open, and megumi's gaze sharpened as he and tsumiki lightly searched the crowd, his eyes moving over familiar faces until they landed on you, standing and walking amidst your classmates.
you approached the two with a smile.
"ooh, tsumiki, you walking home with us?" you asked brightly, adjusting the strap of your bag as you shoved your papers inside. judging from the format of the text, megumi assumed it was a script for another play.
"mamaguro invited me over for dinner," she explained casually, "but she said absence isn't an option, so..."
"ugh, i'm jealous," you frowned, gesturing to your bag to clarify what you meant. "i want to come over too but i have a script to memorise by next week, and i need help with the pre-calc homework kento gave us today."
tsumiki's eyes darted between you and megumi, her lips pursed as though she had been missing something significant.
"megumi's... not able to help you with that?" she asked, her voice an octave higher with apparent confusion.
you raised your brows. "no, he can."
megumi aided you. "i just won't."
tsumiki's head tilted ever so slightly, and a faint crease appeared on her forehead, the kind she only got when she was trying to piece together a particularly baffling puzzle. her lips then parted as if to ask something, but she hesitated, scanning megumi's indifferent expression and your casual one with a slow shake of her head.
"i'm not gonna ask," she settled on saying, before you noticed the flyer in megumi's hand.
leaning in closer, you scanned the leaflet's front, eyebrows lifting in genuine surprise. the fact that megumi of all people was holding onto one left you momentarily speechless, lips parted as you took in the big, bold text, still a little stunned.
"what's that?" you asked, barely waiting for an answer before reading it aloud. "'choir day: join us and learn the trombone' ... you're actually going to that?"
"no," hestated, looking down and shaking the flyer at tsumiki as though he'd forgotten that he had been holding it. "i'd even pick your stupid plays over some choir show here."
you nudged him with your foot, not hard enough to hurt him, but enough to remind him of who he was speaking to.
"they're not stupid, they're fun," you corrected him with a scowl, pleased when he stepped away from you and threw you a light, warning glare.
tsumiki clicked her fingers at him, making him turn his head and his attention over to her, attentive, like a dog.
"and you're sure you're not taking anyone?" she'd said, brows raised as she opened her folder and tapped at a sheet of paper in it.
you perked up, nonplussed. "you're taking someone?"
"no," he snapped, turning to tsumiki again with a glare. the three of you had started walking out of the hallway now, making your way to the exit. "i told you, i'm not into any girls."
tsumiki, placed in between the two of you, nodded thoughtfully. "ah, so you swing the other way?"
without hesitation, megumi gave her a firm shove, sending her stumbling sidewards — right into you.
"don't be stupid," he'd said over your loud protests, planting his feet firmly onto the ground as tsumiki stood behind him, regaining her balance.
"no, tsumiki, he likes princess jasmine," you told her over his shoulder, watching her enthusiastically nod in agreement.
"i don't —"
"that's why little you's cheeks turned red when her outer robe fell off —" you teased as you walked right up to him, prepared to attack because of his careless shove against tsumiki.
but he was one step ahead of you.
just as you moved to strike, he planted the helmet on your head and delivered a solid smack to its top. the sound reverberated around you, ringing in your ears, while a dull ache radiated from the point of impact.
your brain had too much fog to focus on what he was now doing to tsumiki. all you could see, through several hard blinks and the stupid face mask lines, was megumi's back, which meant that he was now towering over tsumiki and launching a range of attacks.
you had an idea:
bending over, his helmet now in line with his behind, you charged forward like an angry bull, your head colliding with his back (a stiff one, you had to mention) repeatedly.
"what the—" you heard him grunt.
you couldn't see it, but he was looking down at you from over his shoulder, confused and inwardly concerned with your choice of attack.
it did hurt though, so he'd have to put a stop to it anyway, and that would've been easy to do if tsumiki wasn't now tugging on his hair and stomping on his foot.
from the far end of the hallway, a teacher spotted the scuffle and rushed forward, his expression quickly shifting from irritation to outright disbelief. apparently, he'd first assumed it was a classic tussle between a group of rowdy boys; the vigorous shoving, stomping, and grunts gave that impression from a distance, but as he got closer, he had blinked in surprise, recognising that the three of you involved were a pair of girls and only one boy.
"right, just... walk home safely, you three," he'd said, eyeing megumi's creased jersey and dishevelled hair with a grimace. when his eyes darted to you, the helmet still on your head, he nodded. "bye... y/n."
"no i'm megumi, can't you tell —"
"let's go," megumi grumbled, gripping onto your elbow and tugging you forward with a little more force than necessary.
you shoved him off and walked beside tsumiki again.
the rest of the journey home was filled with collective bullying, laughter, and a disgruntled megumi who vowed to keep you and tsumiki away from each other at all costs. you were rubbing off on her and he didn't like it.
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・
bonus scene:
toji shoved satoru off of him once the door had been kicked shut behind him, his chest puffed out in an attempt to appear more intimidating, but he knew the childish man wouldn't flinch even if he bit at him.
"you touch me again and you're gonna end up in a hospital bed you white haired —"
"shut up," satoru groaned, his words drawn out in apparent exhaustion.
toji did not like this demand, parting his lips to say something — no doubt some sort of threat — but satoru had been quicker: for the first time since toji's known him, he was jumping straight to the point.
"look, i don't like you, and you don't like me —"
"incorrect," said toji, arms folded over his chest, though his fists were still clenched where they rested on each side of his waist.
satoru grimaced.
that look — staring back at him with one side of his upper lip lifted, his brows raised and contorted, his nose scrunched. toji wanted nothing more than to punch it right off, a clean swipe.
however, it seemed that he didn't have to, for his face had shifted into one he recognised even better...
the cocky one.
he hated that one even more.
"see, i'm flattered, fushiguro," he began, grinning as toji's nails cut right into each of his palms, leaving half moon crescent marks behind, "really, i am, but i have a wife —"
toji's nostrils flared dangerously.
"shut-the-fuck-up-before-i-shove-my-fist-in-your-fucking-mouth-you-cocky-fucking-bastard —"
satoru raised his hands in mock surrender.
"woah there buddy —"
"you got it fucking twisted," snapped toji, stepping up to the other male with a menacing glare. "i hate your guts. i wouldn't spit on you if you were on fire — and even now, i wanna squash you where you stand, like a bug. consider yourself lucky my wife likes you —"
"i am not the enemy here!" satoru interrupted him loudly.
without breaking eye contact with the enraged, bulky man before him, he pointed at the door behind him where laughter and chatter sounded from members of the gathering.
"we have a common enemy out there. and just this once... aside from the time the serial-hump-er was out for us men... i offer a truce to get rid of the brat."
derek carter was, by all outward appearances, exactly the kind of guy most people would be thrilled to see with someone like tsumiki. he was relentlessly polite, with a clean-cut look and a warm, ready smile that seemed designed to put parents at ease. always prepared, he carried her books without needing to be asked, laughed at all the right moments, and brought flowers to meet the family — not that toji or satoru could find anything wrong with him, on paper.
and maybe that was the problem.
he was too perfect.
perfectly timed smiles, perfect grades, perfect compliments... to toji and satoru, he seemed like he was performing rather than being genuine, and that subtle insincerity — whether real or perceived — set them both on edge. neither of them bought it, and both of them, despite their very obvious differences, couldn't shake the feeling that he wasn't quite what he appeared to be.
toji's defensive posture shifted, shoulders loosening as satoru's offer had started to sink in. his glare had softened, the tension in his clenched fists releasing as he glanced from satoru to the closed door behind him, where derek's too-perfect laughter rang out.
for a moment, toji just scowled at the ground, processing, and satoru had assumed he had lost the deal, that they would not be able to collectively get rid of the perfect brat of a date that tsumiki had brought out. but then, toji looked up again, and gave him a quick, almost reluctant nod.
satoru gave him a toothy grin, which was not returned.
"what did you have in mind?" toji began, his voice gruff with obvious reluctance.
"hate to say it, but i'm gonna have to be the brains behind this," said satoru, sounding all too pleased with himself.
if toji hadn't been so pissed with the sight of that carter kid, he might have actually spent time being suspicious with the white-haired freak. what if he was setting him up again? it certainly wouldn't have been the first time...
"believe me, i'd love to be in on the action too," he continued, still smiling that dopy smile, "but i'm a teacher at the high school. got a rep to keep up. and... i could lose my job, obviously..." he glanced at toji with a small, cheeky grin. "you wouldn't be able to relate —"
"— get to the fucking point —"
"— all right."
the plan had been made, enacted, and even altered slightly during it.
the chaos that followed was a carefully orchestrated disaster. satoru's brilliant plan had required toji to bring back a bothersome personality trait he had put at rest from meeting his wife onwards, turning an already uncomfortable event into a whirlwind.
plates clattered, chairs tipped, and the silverware clinked at the most inopportune moments, all while derek had tried to keep his composure, only to grow more visibly unnerved as the night went on. between satoru's subtle, deadpan remarks that derek barely caught, and toji's unexpected, pointed comments that cut through any remaining calm, derek found himself squirming, second-guessing every word. and when toji made a point of 'accidentally' standing too close, arms crossed, looming like a silent bouncer, that had been the final straw.
tsumiki's date excused himself with a pale face, disappearing through the door as fast as he could without actually running.
in turn, tsumiki had not spoken to either of them again for a whole, entire week.
at least the brat was gone without any legal reinforcements.
.・。.・゜✭・.・✫・゜・。. .・。.・゜✭・.・
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notes: i hope you enjoyed this chapter (congrats again reinaswrldddd) my wifeee 🎀💓 i hope it pleases you, i hope you become rich and rule the world (gonna need it after trump’s win 😐). you’re the best and ily (did you guys know that she’s my wife? 😱❤️🔥)
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I Saw Transformers One Early Last Week. Let’s Talk About It!!! (SPOILER FREE)
EXPECTATIONS
I’m going to be honest, I had very very low expectations for this movie for a multitude of reasons. The first was the cast, particularly choosing celebrity hires instead of professional voice actors for a franchise where dialogue delivery means SO MUCH historically and the present. I like Chris Hemsworth, I do, but I am so attached to Orion Pax that I did NOT see him as someone fit for the role. I was also afraid of it becoming a WFC situation where the VA tries TOO HARD to be Peter Cullen. I am also a huge fan of Elita One, and Scarlett Johansson was not my first choice by any means. The one thing giving me hope was the fact that Scarlett and Chris interact SO WELL in their films together and in press releases and they do give off that Orion and Elita energy sometimes. Regardless, I was skeptical.
Now for the big thing: I was very nervous how they were going to handle the politics and the buildup that leads to Megatronus and Orion’s separation. It is no secret that Pre-War Cybertron in many continuities begins with a very corrupt and fascist Senate. Corrupted Senators, capitalistic manipulation and unethical abuse, dehumanization, corporal punishment, you name it, Cybertron had it. The concepts of functionalism, shadowplay, mnemosurgery, and empurata also come to mind. It is also no secret that the United States is on the brink of total fascism. A lot of Pre-War Cybertron’s themes, particularly the Decepticon cause in its early days as a movement, emphasized the elimination of the oppressive regime and reconstruction with an end to the very infrastructure that caused class division and brutalization of Cybertronian bodies. Not only this, but Megatronus and Orion’s schism often comes because of class, particularly privilege and lack thereof, which is something that often happens in revolution. Those with more privilege often think that reform can happen underneath the system that looms over them, just with a switching of a guard and elimination of a few policies. They are often ones who partook in and benefitted from the system by birth or for the sake of survival. Those who come from the lower classes want to burn the entire system down, understanding in its entirety that its very infrastructure is unstable and is not sustainable, no matter who is in power. Examples of this divide despite deep friendship and similar ideas is Andres Bonifacio and Jose Rizal of the Philippines (as a Filipino). Orion, in most cases coming from a privileged background, saw hope in simple reform after extracting the corrupt portions of the federal structure. Megatronus, who fought his whole life to be deemed as sentient, understood that the entire system was diseased and could not go on. It would just eventually continue its horrid practices. I can go on a tangent about this, as someone who studies and writes on anti-colonialism, but that’s another post for another day. My concern based on the trailers was that it would address NONE of that and there would be some watered down conflict that removed the nuances and political passion behind a lot of other continuities. The trailers, to me, were not giving me enough proof that it would be handled correctly.
Initial Experience
My theater was filled with mostly adults of various ages who were fans of different continuities. Some people were even talking about how they thought the movie was going to suck, including me with my dad, who has been a fan since G1 in the 80s and was going in blind. However, throughout the entire film, the whole theater was laughing, gasping, cheering, clapping, and screaming. Afterwards, there were people who were literally talking about how it was the movie they’d been waiting for after years of disappointment. Someone literally shouted when leaving the theater that he was so excited for September when everyone else could see it. My dad, who has not been a fan of recent Transformers material, talked nonstop about how much he loved it. Me personally, I was BRIMMING with excitement afterwards, which is huge given that I was ready to criticize the movie’s every move. Let me get into why- note this is SPOILER FREE.
Orion Pax
Believe it or not, I really liked TF1’s Orion. He was witty, had the snark of Aligned Orion, and clearly had a goal in mind: to entirely shift the status quo by breaking the class distinction. He was extremely optimistic like most versions, something that is often criticized in the fanbase, and is also criticized in the film. However, the qualities that G1 created and the Bayverse destroyed were THERE. Orion was a DORK. He was KIND. He CARED for people deeply, even if they weren’t necessarily thinking about him. He was a KNOWN PROBLEM-SOLVER. His intelligence is noted MULTIPLE times. He really is authentically Orion. I’ll do a more in-depth analysis in September.
Megatronus/ D-16
Now, THIS MAN WAS AMAZING. I am so used to the source of his anger being solely lower class-based oppression amongst other things relating to that. The film offered another option, which I will not disclose, but I thought it was a wonderful addition. I will keep my mouth shut about D-16’s personality in this film because it’s a secret, but just know this new take on Megatronus was a bit refreshing and gives new material for both fan continuity writers and fanfic writers.
Elita
I was honestly scared to see how they would portray Elita, especially with their track record of solely making her Optimus’s love interest and killing her off. I also was afraid that they would turn her into a white feminism caricature, which I can go into depth about for clarification if anyone needs it. However, the writers take feminism for Elita and take a much more in-depth route. I found her well done. She was giving mother in this film, absolutely brilliant. There will be an analysis on her as well in September, especially since they have so much intended room for her.
Worldbuilding and Additional Characters
I think that with about an hour and a half, it would have been SO HARD to create an entire world of deep political brutality and nuance like the comics directly. So, I think the writers created a framework that was good enough to convey the fascist undertones of Cybertron while also leaving so many avenues to explore and elaborate on for future films, whether they be prequels or sequels. Some characters were added in with a bit of context, but no in-depth explanations. While I would normally say that’s a downside, I think that it was actually really smart on their part. If you tried to add all of these complex stories from the comics in an hour and a half film combined with everything else, it would have likely been underdeveloped and left more questions and holes than answers. By removing that, I think that it was a smart move to expand on in their own time and with good pacing. Besides, the presence of some characters was very enjoyable and kept the audience I was with wanting more from them. Not in a “there wasn’t enough of them” way at all, but instead a “they were so cool in the short time they were here I need more now” way. Everyone in this continuity gets a new and different start. I honestly think it would give fan continuity writers motivation to continue what they’re doing, now that basic and consistent pre-war plot lines have been redone. I think for how long the movie is, they did a great job.
Additional Thoughts
I think that everything was pretty well done. The pacing was especially important, given we were supposed to witness a buildup in such a devastating “divorce”. That isn’t done lightly, and they made sure that they built it up enough to where the final blow was devastating. It was SO DEVASTATING that people in my theater were gasping left and right. The comedy was well done, as someone who hates poorly-written jokes for laughs. It fit into the characters’ personalities well, that’s what made it work well. It didn’t feel forced because that’s just how that particular character is. I also think that, as a fandom, sometimes we get too wrapped up in very specific characterizations of these individuals to the point where we refuse new ideas. I was extremely guilty of this. However, this film was truly made by someone that loved the franchise and knew exactly what the fans wanted. Brian Tyler, who did the score for TFP, also doing the score for this film was proof of that (as someone who absolutely ADORES film scores as a musician) There was a good amount of brutality within the rating of the film, so bayverse fans who are itching for something shockingly horrible are in for a surprise. I also think that it knew its boundaries well and moved not to push them while also being considerate of certain audiences who may be a bit younger. It was a good restart, especially for animated Transformers films, and I think that they can really build it into something great. This was a very sound foundation and I was not disappointed.
ALSO, THERE IS A MID AND POST-CREDIT SCENE SO DON’T LEAVE IMMEDIATELY
#tf mtmte#transformers prime#megatron#elita one#humanformers#orion pax#transformers idw#transformers more than meets the eye#transformers one#transformers movie#transformers megatron#earthspark megatron#tfp megatron#megatronus#tf orion pax#idw optimus prime#tf optimus prime#bayverse optimus prime#tfp optimus prime#transformers optimus#tfp megop#megop#oplita#movie review
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Taiga, Romeo, and Gluttony
NOTE: This post contains spoilers for the entirety of the recently released Auction chapter. Read at your own risk.
So the recent chapter was everything to me. It was the shortest, but in my opinion it showed us a lot about Taiga and Romeo and their relationship to one another, and it also helped me refine a specific thought I had about Taiga and his whole deal he has going on.
To put it shortly; I think Taiga has a gluttony curse, and I think it functions as a mirror to that of Romeo's stigma, and is part of why they had a falling out, and why they can't seem to get away from each other.
To put it horrifically, horribly long....
So what do I mean when I say Taiga is cursed? Well, exactly that. I believe he's cursed in a similar way Rui or the MC are; he has an insatiable need to eat anomalies. I believe that this grants certain side effects like the MC and Rui's curse, and that one of them is a sixth sense for anomalies and anomalous circumstances.
I want to explain this before the Romeo part, because it's the basis for my analysis and thoughts on the two of them.
To start from the very beginning; I think Taiga, during one of his missions, was cursed by something like a jikininki as punishment for his 'gluttony' — the rapid rate at which he completed missions in his first year. This left him with his insatiable need to eat anomalies, but more specifically, is the reason he doesn't seem to want to eat them.
While I'm not certain the anomaly is for certain a jikininki, especially because there's certainly other similar folk legends out there, I chose that one specifically because they are noted for their sharp teeth and for not liking the insatiable need to eat corpses.
Now, what does this mean for Taiga? I think he's stuck between being a ghoul and being a jikininki, or whatever anomaly it ends up being, and I think this has given him a sixth sense that messes with his perception of time, self, and memory. But why would it do that?
Jikininki are immortal creatures, and wish to be freed from the torment they're in for the most part. If one was cursed to be part Jikininki, it would make sense for their existence to be similarly excruciating, with a difference being a lack of full immortality.
Remember the Mortkranken chapter, with the failed mermaid flesh? How their bodies continued even as their minds didn't? Taiga has multiple lines detailing how his 'body' remembers, even if his mind doesn't. Yuri and Jiro also explain that part of the side effects of the reaction are rapid mental deterioration. If Taiga had gone through a similar deterioration, it would explain his seemingly sporadic memory loss (not total blackouts like Jiro, nor specific category based amnesia either, just like. Random shit) and the fact that he doesn't have a concrete sense of identity (showcased through his constantly shifting first-person pronoun choice in Japanese). His cells of his body are reverting to their pre-aged self, and his mind is attempting to do that too, but it's imperfect and messy.
The key to the idea of the sixth sense comes from the fact that he's specifically cursed for anomalous gluttony. I think that he can sense anomalous material or anomalies themselves, and as demonstrated from Ed, this includes some sort of future sense. While we don't know the full specifics of what a sixth sense grants, we can see him utilise it in multiple different places. It's also, in my opinion, why he was sent on the Prologue mission.
Some examples of his supposed sixth sense are how he intuitively understood the anomalous dealer's entire thing, the scenes where he knows the Like Dove will appear before it does, when he senses Romeo approaching (Romeo is carrying an anomaly: his artifact), how he understands the auction is an anomaly, when he gets the mask under unknown circumstances, when he directly knows there's no anomalies... the list honestly could go on forever.
There's one other fact that I personally believe sealed this theory for me; his association with Haku.
In the recent chapter, when the MC is thinking about who to talk to about curses, Taiga instantly knows who we're thinking of, and rejects it on the basis that '[He] can't get rid of curses unless the anomaly that did the deed's right in front of him.' and that he's a 'Simp for the rules anyway.'
... Which is interesting, since it seems like Taiga has tried to ask him about this before. But if you think of this as Haku's stigma, and imagine Taiga trying to get his curse cleansed before, it makes sense! It would also be a good reason to put Haku and Taiga together in the prologue; Taiga can track the anomaly with his sense, and Haku can cleanse whatever curse it gives so long as Taiga manages to capture it or subdue it for long enough.
(Which, side note, is so tragic for the MC...)
Okay, now that the basis of 'Taiga is cursed' is out of the way, how on earth does this relate to Romeo?
Simple. I think Taiga's curse directly mirror's Romeo's stigma, and it's what caused their rift.
Romeo's stigma, as we learn in the new chapter as well, is dependent on his attachment to the items he throws. This, thematically, works with Romeo, who is known to be greedy. Everything he does is motivated by a profit of some kind, whether that profit is social or monetary or whatever. He wants special privileges so he does special missions. He wants money so he raises fees and coerces people to gamble. He wants popularity so he dresses nicely and pampers himself. It doesn't always mean he is money grubbing and stingy (because we see he's willing to spend lavishly on grooming and decor!) but it means that he's attached to what he has. His stigma requires him to give up that attachment. It is a punishment, a sacrifice, as a result of the pact. Similar to how Luca lost his brother (and gained a protective stigma), Romeo has to lose what he feels is worth something in order to fully utilise his ability. Call it a sort of pride.
I think, on the other hand, Taiga's curse is one of envy. He has a desire to eat anomalies, yes, but the desire becomes stronger the more attached someone else is to the anomaly. He doesn't need any interest in it, really. If someone else likes it he will need to eat it.
Taiga covets Haru's Peekaboo to eat instead of the wild one that we also know is in Jabberwock. He's composed about the Like Dove (barely, but he restrains himself!) until Romeo wants it. He steals the plants from Rui's BAR, not the ones in the garden outside (both are Rui's, but his bar is arguably the more loved thing of his since it was fully his choice). He covets Mortkranken's anomalies, and becomes mildly obsessed with the immortal one as soon as it becomes a major research subject. He's also completely fine holding and handling the mask, presumably for a long time, up until Romeo sees it as valuable and worthy.
Now, this doesn't necessarily make them instantly incompatible. But when you take one of Romeo's core traits being 'Greed towards anomalies' (He wants to collect them and frequently complains that other houses are 'stealing' them from under him; he sells them; he gets missions from Hyde to get them; etc), it becomes evidently clear that Taiga's curse is directly oppositional to it.
I think it's pretty obvious by now that Taiga and Romeo have a pretty turbulent relationship now, but were extremely close in the past. Multiple characters state that it would be nice to see them on good terms again, and it's certainly worth mentioning that Romeo is one of the few people Taiga consistently remembers. They both know each other exceptionally well, too. Taiga knows how to get under Romeo's skin and Romeo knows Taiga's habits.
Going back to the idea of this curse causing their rift, if Romeo was constantly on the verge of an important capture, or even if there was just one mission that was important, and Taiga ruined it by eating the anomaly, I doubt Romeo would easily forgive and forget. I think it could very easily cause a massive rift that just kept growing with each new snack Taiga picked up.
I think a moment that gets its nuance overlooked a lot is the scene just before Taiga eats the dove. The Japanese line emphasises that Taiga is referring to HIS heart, that Romeo could shoot through HIS heart, not just a general appraisal of sharpshooting. He even points directly to his heart as he says this, and it makes Romeo hesitate. They're BOTH in pain in this scene. They're both conflicted; this is their ex-partner (which I don't mean in the romantic sense, just in the general sense) who they were very, very close with, and who is now literally at arms length with a loaded gun. Romeo could just shoot him. Romeo could put an end to all of this supposed pain. And Taiga might even let him. And wouldn't that be karma for all he's done? But he can't. He hesitates.
And you know what appears after that? The dove.
This dove that symbolises both general desire (flies over peoples' heads when they're thought about) and Romeo's desire. His desire to escape probation. His desire to make money. His desire to capture, not kill. His desire to reconcile instead of fight. His desire to shoot.
And Taiga kills it. Eats it.
I think this is the most tragic scene between the two of them. This is the crux of it; they both want to reconcile. They want to be friends, to be close, to stop the war raging between the two of them that has done nothing but hurt them both AND hurt the wellbeing of Sinostra, but they can't, because Romeo will ALWAYS desire, and Taiga will ALWAYS take that from him.
It's a cycle they can't escape. The auction chapter shows it too. Taiga is almost disappointed at Romeo's greed. He seems jaded by it, and seems proud and happy when Romeo gives it up for once. Romeo is happy too; MC goes out of her way to say that Taiga handing him the mask makes him look more peaceful than he ever has before. It is quite literally a perfect ending for the two of them and a perfect way to reconcile.
And then Taiga eats it! Again! But I think the most horrifying part of it is that he tries to warn Romeo.
The comic doesn't translate or even transcribe it, so it's so, so easy to miss, especially if you don't speak Japanese, but Taiga grunts out the words 'I', 'Eat', and 'Next' as he approaches Romeo and the mask, and it's the direct reason why Romeo is able to realise that Taiga is about to eat it before it actually happens. He basically just grunts out 'I'm gonna eat that next' as he's fighting against it! But inevitably, neither of them can stop it. The cycle continues.
As long as Romeo is greedy, and as long as Taiga is gluttonous, they will never be able to fully reconcile, no matter how much they both want it. Both of them have to change, but I want to point out that at this moment Romeo is the bigger active obstacle between the two of them. Romeo can't let things go, he holds onto everything and lets it build until it explodes in one way or another. Tiris, his stigma, is symbolic in that sense, that he has to learn to let things go, because if he lets it build too much it will explode spectacularly.
(All of the ghouls have this sort of symbolism with their stigma, so it's not just a Romeo thing, but it's definitely important to his character.)
But Romeo can't get over it yet. He can't get over his greed, he can't let go of things he can't achieve (like getting Kaito's necklace), he can't get over past betrayals (Taiga, what happened with his family, etc)... He's too stuck and stubborn, and his refusal to budge has therefore lead to Taiga's refusal to push. Taiga has stopped caring about getting on good terms because he knows it won't turn out well. He's given up and become cynical, which in turn means that IF Romeo were to change, Taiga... still probably wouldn't. They're cyclical again. Always, always missing each other. So close and yet so far.
I hope the MC can be the catalyst for this cycle to end. Or Ritsu, who is a good equalizer to the two of them. But until she learns to see her own worth in the Academy, and until Ritsu accepts that sometimes he's wrong / he doesn't always know the most out of everyone in the room, I'm afraid Romeo and Taiga will remain stuck in this loop forever...
#tokyo debunker#taiga hoshibami#romeo scorpius lucci#eset theories#td spoilers#eset td#I cant shut up im so sorry#written at like 1 am please forgive the rambling and circles it goes in#see its like a loop much like their relationship#taiga's interaction with hyde also showcases taiga's refusal to push with stubborn people#he doesnt try to actively push Against hyde. he leaves!#presumably to ponder but still#eset essay
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Health & Fitness Clutter
Hey :) I hope you like this set <3
it is completely decor, im still messing around with learning how to make clutter items like these functional for gameplay.
This set includes:
Zoom Pre-workout Tub
Smoothie Sunday Bottle
Slurps Energy Drinks
Glow Vitamins
Melanite Gummies
Vitamin Serum Shot
Textures - 2048 x 2048
HD Compatible textures.
Have glossy and metallic spec maps too
Please be careful if using high poly cc on low end pcs
Public Release - 3rd of July
Follow me on insta @SimmerKatex Patreon (xx) ad-free
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hey.. so the umbrellas have to erase themselves from the timeline to prevent the apocalypses and broken timelines..
but abigail was the one who made the marigold? and reginald released it?? and their world ended because the durango/marigold killed it right?
and that all happened at least pre 1918 which is the earliest we see Reginald alive.
so...
why does killing the brellies do anything? it should be abigail and reginald who were the catalyst, and their deaths/lives being erased that return the timeline to normal?
like it would erase the brellies in the process too but at least then it would be logical??
what about their original world? they're aliens so?? was that a future earth inhabited by aliens/future species and they travelled backwards millions of years? or was it another planet altogether?
what about the marigold that destroyed their world? how would that get erased if all the marigold needed to be in this timeline for it to work?? like they specifically said that if the marigold traverses timelines then the erasure ceases to function and it all starts over again..
so what about the marigold of the fives in the deli too?? or sloane??
why did the marigold, created by abigail, power the ancient machine that was oblivion if it was made by the people who made the universe?? why would abigail make the perfect fuel for that machine if she didn't want it used ever??
like is it just me missing something here or does none of it make sense?
#tua s4 spoilers#tua#the umbrella academy#im gonna come back to all these points later and do a finessed post for each probably#but im trying to work this out for myself atm lol#like genuinely#what does any of this mean
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2003, The Era of Sport, The Era of the Hockey Men
I'll be honest, I wanted to do a big multi part write up in a similar vein to the one I did on the Bohrok Pens, but after getting all the sets in hand I just...didn't have much to say about them. I took a ton of photos but when it came to actually putting a post together I just wasn't having any fun, felt like I'd end up reciting set numbers and other things that anyone can look up on other sites, so screw it. In no particular order, here's my rambling thoughts about the 2003 Bionicle Hockey sets:
They're okay.
Function
The spring part at their core is neat, it's bidirectional, so both ends of the spring are set up in such a way that when its rotated it will return to centre.
There are two configurations of hockey men, they all use the same basic functional parts:
The first kind mounts the spring vertically and by pushing on the head the stick rotates slightly
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The second one mounts the spring horizontally and pressing the head swings the stick in a wide arc.
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There's four different kinds of sticks, two for each configuration.
Each has a different shape to it to affect how the hockey puck is hit, but in practice the horizontal mount is by far the more powerful of the two.
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This one fires pretty straight.
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This one is curved so it kinda flicks the puck in the air.
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This one destroys everything in its path.
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And this one is pretty much the same, but with a slight bend in it.
And that's it really. Despite there being 8 different hockey men across all the sets, there's only those four configurations.
When looking at some of the parts, like the spring and the base, I saw how they were mirrored, and was hoping that maybe you could reverse the mechanisms at the very least, but nope.
Sadly the main wedge parts are chiral, so they can't be flipped around. Which seems rather a shame, having left and right handed hockey men would have added some variety.
Masks
On the topic of variety, one of the more interesting aspects of the hockey men is the masks. This was really the reason I got them. I'm really in to the pre-Bionicle idea of Voodoo Heads, and some of these masks seem like they would have fit in well with that theme.
The hockey men actually use a Tohunga head, the same as in the 01 Bionicle sets, but in light grey. So their masks are completely compatible with Bionicle.
The way they were released though was very odd.
There's 7 different masks, which works out perfectly for the number of sets, 4 canister sets, a two pack, a mess, and the omni man who can be anything you wish:
The masks were on sprues, three to a wheel. The first row of three was on one, the second on another. The seventh mask was released on its own.
What's so odd about the sprues is how...different they are.
The first one has a much thinner wall to the ring, there's no support spokes, and the masks are supposed to be held together with a little 3 pronged bit of plastic in the middle, though none of the ones I got had that part in place. In fact, one sealed set I got that was supposed to come with this ring just had the masks loose, with the bit of plastic along with them. Note how the masks all have horizontal parts jutting out from the mouth peg, that slots in to the mouth of the Tohunga skull, just like a Bionicle mask would.
The second wheel is much thicker, with additional supports along the edges, and three spokes holding everything in place. Now you'd think this would be a later revision, but look at the mouth pegs, they're lacking the parts that lock in to the mouth, meaning they're harder to align properly.
The seventh mask is lacking any sprue marks so I think it was done as a single part and has the side parts on the peg. Its also quite similar to one of the ones on the first sprue, so for a while I didn't know it was its own thing.
They're quite odd. Neat looking though.
Mess
Speaking of the seventh mask, here's the set it came with.
Its best described as a hot mess.
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In theory its supposed to be a puck feeder, shooting pucks out for you to attempt to hit, but the motor is so weak, and the construction of the feeding mechanism is really prone to jamming.
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It barely has enough power to get through the included pucks, which it just limply drops out of its ramp.
If that isn't good enough for you there's alternate instructions for a...thing instead.
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Its super awkward to wind up, and you get seconds of a hockey stick shaped thing flailing around a bit, the bulk of the mechanism itself filling most of the goal on its own.
Its also even more susceptible to jamming than the first build!
Goals
Okay, back in to more positive things, the goal in that last set was a stripped down version of the goals that came in the two pack set, which I think are some of the better things to come from the theme.
Featuring lovely long red axles and a special net, they really look the part! shame about the blue friction split pins, this was right on the edge of when everything fell apart colour wise.
What's better is that if you got the big multi pack which came with the two pack and two of the omni-men, you also got the huge hockey rink base which had special tabs just for locking the goal in place.
The rink is a really cool thing, its made from this milky plastic and they printed everything on the back side, so the prints are viewed through the semi transparent plastic. This makes it look very authentic to how ice rinks really look (I'm Canadian I know these things).
Its huge though, it needs a lot of table or floor space. Its larger than toy hockey rinks, and is getting close to some smaller air hockey tables I've seen.
Couldn't even take a full photo of it easily.
You can fit all the major sets on it, but its pretty tight, but that doesn't really matter that much, as I don't think you'd be able to play the game like this at all.
Really I don't know how playable this game is, even with the rink, there's some sets that are purposefully designed to flip the puck in the air.
Combination Models
Speaking of flipping pucks in the air: the hockey Kaita. Okay I don't have a good link to this part.
I think these guys really highlight the weakness of this system. even when using parts from multiple sets the functions stay identical, the extra parts are just tossed on haphazardly.
Also, even though this one says its a combiner of those two sets, you can make it without touching any part of the second one.
It doesn't come though on this scan, but the face plates in these photos are clearly 3d printed.
Mini Guys
As is traditional, the theme also features several small sets. Its quite confusing as there's a lot of different versions, some come together, some separate, some in bags, some not, but at their core there's 6 figures, two pairs of each size class; large, medium, and small. The larger ones sometimes had goals, depending on the version.
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The mini guys all have the same function, which honestly is pretty ingenious, using a Slizer foot to wedge the two feet beams apart on one side and snap them together on the other side to shoot the puck. Honestly its a bit more fun than some of the full sized sets.
The one issue is that hitting them too hard on the softer plastic of the armour piece does feel liable to bend it. Something to look out for, especially with the set exclusive yellow one.
That part came in a very wide array of colours in this one theme.
Female Bionicle M.O.C.s for decades after owe a lot to the hockey-men.
Bottle
And I guess to end things I'll briefly touch on the bottle. Much like the Roboriders and Bionicle sets, they came in canisters, in fact the threading is cross compatible between many of these various canisters.
The canisters always had a purpose, the Roborider's lids could be used in the combiners, the Toa's canisters were an important thing in the story, and the lids represented the suva and could store 7 masks, and the Bohrok canisters represented their hive and doubled as a way of displaying them.
The hockey canisters are functional water bottles.
The nub on top can be pulled out and drunk from. Its a fairly standard water bottle design, though I think more recently its fallen out of favour. the lid is lacking a gasket of any kind however, so the water tightness of this bottle is questionable.
Conclusion
And that's all I have to say about the hockey men of 2003. Turns out it was quite a lot, but it wasn't quite as comprehensive as I was intending. I took a lot of photos that I didn't end up using, so I'll put them all up on my drive HERE. In my attempts to get all the sets I just incidentally ended up with practically all the boxes and cans, which is pretty funny considering all the effort I went through to achieve the same for other themes.
Overall, they're kinda neat, interesting to mess around with a bit, but the system was really needlessly limited and some functions were quite lacklustre. If I had to give them a number ranking it would be an eight point three.
****
I'll leave this post on a bit of a mystery I'm not invested enough to get to the bottom of:
There's an odd amount of inconsistency between how the sets are depicted, whether its a straight image or doing this effect where its a single image projected across multiple screens. I got all the canister sets at once, and they all came with their instructions, so unless the person selling them was mix and matching them, which is possible but seems unlikely with the condition they were in, I have no clue what's going on here. Some match, some are one way, some are the other, its all very odd.
Well, have a nice day.
Ah yes! One last thing:
Like the Slizer boxes, the Hockey Men all come with a nice blank tile to write your name on.
Which is, I believe, a crime in oleg fan circles severe enough to warrant execution.
#Bionicle#Hockey#Sports#writeup#photos#I think looking at the name of the big rink set#they might as a group be intended to be called Slammers
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Had an idea, thought it was cute, so I wrote something for it.
Introductions - Dante x F! Reader
Sypnosis: Needing to touch base with the various high lords and regents of his new Imperium, Robute Guilliman hosts an enormous social function at his palace on Ultramar. Naturally, Commander Dante is invited. And, naturally, he's taking his beloved as his plus one.
C/W: No warnings, possible lore inaccuracies/ooc (especially for Guilliman since idk anything about his lore lol), reader is described as female in this one, pre-established relationship, kinda fluffy with a smidge of angst, lil spicy insinuation at the end but nothing nsfw, unedited.
Back in the days before the Heresy, Guilliman had hated events like this.
The pomp, the lavishness, and the expenditure; all so his father could have the opportunity speak with the high lords and imperial regents face-to-face. It's so gawdy, so wasteful. And, frankly, it's so unbearably pretentious.
But, just like those early days, Guilliman understands the necessity. Without them, he'd never see any of the imperial upperclass. Half of them are too preoccupied to try and arrange private audiences with, while the other half will simply refuse. Events like this are a chance to bring all these people together in one place, allowing Guilliman to brief, reprimand and pass orders to everyone he must while keeping them from being distracted or finding some way to avoid him. These conversations are exhausting, though. And, more often than not, frustrating to all hell. Several times throughout the night, Guilliman has to disengage from mingling, to preserve his sanity as much as his strength.
Now is one such time.
Swirling a cup on wine in one hand, the Primarch surveys the floor of his place's vast dining hall, which for tonight has been converted into something akin to a ballroom. His serfs had done well in setting everything up; everything from the music to the drapes to the crystal chandeliers scream luxury from the tops of their lungs. Guilliman takes a swig from his wine. While the taste is pleasant, he find himself resenting the fact that he is immune to the effects of alcohol.
Everyone here, I despise, one way or another.
His gaze catches on the right side of the room. A flash of red; deep, rich and belonging to an ornate set of robes; draped over a man taller than anyone else in the room aside from the Primarch himself. Black hair streaked with silver cascades over his shoulders in loose waves. He's standing against a wall, hands clasped across his lap, sharp amber eyes following something amidst the crowd that Guilliman cannot pick out. The Primarch recognises the man immediately. As he does, a weight suddenly lifts from his chest.
Well, not everyone.
Guilliman starts towards the man in red. When he notices the Primarch approaching, the man's already rigid posture stiffens even more. Setting his fist across his heart, he begins to bow. But before he can complete the gesture, Guilliman intervenes. "How many times must I tell you, Dante? I'll not accept such signs of humility from a man such as you."
He speaks with a smile, but evidently, Dante's innate reverence of the Primarch will not allow him to partake in the jest.
"Forgive me, my lord," the Blood Angel says. "You surprised me, is all."
"There's nothing to forgive." Guilliman sets a hand on Dante's shoulder. "It's good to see you, nephew. I am glad you could attend."
"I..." Dante trails off, and Guilliman fears his attempt at personability have unsettled the space marine. But, eventually, Dante allows himself a brief half-smile. "Thank you, Guilliman. It is good to see you, too."
Releasing his shoulder, Guilliman pauses to look Dante up and down. In spite of his advanced age, Dante remains a spitting image of his gene-father, Sanguinius. Paired with his noble heart and soft-spoken demeanour, and the commander might as well be Guilliman's long-dead brother reborn. The thought tugs at the Primarch's heart. He covers it with a smile. "You look well. Very well. You have recovered from your wounds sustained on Baal, I hope?"
"Somewhat," Dante admits. "Though I cannot say the same for Baal itself."
Guilliman nods sombrely. "The Tyranids are a merciless enemy. Even in defeat, they leave little upon which to rebuild." He offers the commander another smile. "You will rebuild, though. It will just take time."
Dante's expression is thoughtful. "Not too much, I hope; time is not something we have in abundance in the Imperium Secundus. "
Rueful silence follows the commander's words. Slowly, Guilliman can feel it turning melancholic. He moves to break it before that happens. "I see you lack a glass; can I get you a drink?"
Suddenly, Dante perks up. "Oh, no, my lord. You needn't worry. My-"
"My wife is already on it, he meant to say."
Guilliman turns around sharply. He sees you, wrapped in a slinky dress the same crimson shade as Dante's robes, smiling playfully up at the Primarch. You have a glass in each hand. Both filled with wine, though one is significantly larger than the other. This you hand off to Dante, before gliding to the space marine's side and slipping your now-free hand around his arm. For a moment, both men are at a loss for words: Dante, due to your unbelievably casual behaviour towards the Lord Primarch, and Guilliman due to your refering to yourself as...
"Wife?" Guilliman stares at Dante in surprise. "I didn't know you had a wife. "
Dante's expression suddenly hardens. "You don't disapprove, do you?"
"It'd be a bit late if he did," you add slyly.
Guilliman blinks. "I- No, no! Of course not. I'm just... I'm just surprised, is all."
You throw your husband a smirk. "Surprised?" you mutter. "That's a bit rude." Dante's only reply is an unamused glare.
Guilliman shakes his head. "That's not- I only meant that I didn't realise space marines... had partners. Let alone... got married."
"They don't, typically," you reply. "But Luis and I-" quickly rising to your toes, you plant a quick kiss on Dante's cheek. "We're a unique case, you could say. "
Guilliman hardly hears what you're saying; the mere sight of you has his thoughts paralysed. Your crown barely reaches the Blood Angel's shoulder, and yet hanging off his arm, you look completely at home.
Dante is the same, too. Guilliman sees the way his face lights up when you kiss him. Had seen the hostility in his eyes when the Primarch had questioned him, like a primal protectiveness. Even now, it's not yet faded. As much as Dante reveres Guilliman, the Primarch realises that if given the choice between him and you, Dante will choose you without hesitation. Guilliman feels... He isn't sure how this makes him feel. The logicitian in him cringes at the thought of his fellow Lord-regent- his second-in-command, effectively- having his loyalty split between the Imperium and something (or, in this case, someone) else. But another part of him, the human in him, sees the way you look at each. The way you stroke Dante's arm as you speak. The way Dante unconsciously leans into you, as if drawing comfort from your touch. Guilliman sees all of this, and everything that lays unspoken beneath, and he feels... He feels happy. Hopeful. And maybe, though he'd never admit it aloud, he even feels a little jealous.
Before he can ponder that point any further, you address the Primarch again. "Well, Lord Guilliman, it was an honour to finally meet you. But I'm afraid I must steal my husband back for a moment."
Blinking his reverie away, Guilliman nods. "Of course, my lady." He stifles a wince at how quiet his voice has become. "It was... It was a pleasure meeting you, as well."
You flash a brilliant smile. Dante simply nods. Rather than wait for you both walk away, however, Guilliman takes his leave first. Turning on his heel and retreating back to his earlier vantage point. For the rest of the night, however, his thoughts remain on the pair of you. Swirling amongst pleasure, melancholy and other things he does not yet know how to label.
********************************************
The moment that Guilliman is out of earshot, Dante sighs in relief. "By the Throne," he mutters. "That went better than expected."
You raise an eyebrow. "What went better than expected?"
Finishing his wine, Dante sets the empty glass down on a table as you walk past. Then, you feel him squeeze your hand; the one you have threaded through his arm.
"You and Lord Guilliman," he says softly.
You take a moment to study your husband's face. You find it wrought with undeclared anxiety. Slowing to a halt, you turn to face Dante, keeping a hold on his arm. "Why?" you ask gently. "Did you think he'd disapprove?"
His grip on your hand tightens. "I thought he would take you from me."
You find the suggestion humorous- as if you'd let anything get between the two of you- but upon seeing the stress still lingering on Dante's face, you do not say so. Instead, you ask, "Why would he do that?"
Dante looks at you ruefully. In spite of his feelings, it seems your naivety has amused him somewhat. "Space marines are weapons, sweetheart," he answers. "The only things our hearts are supposed to feel are duty and honour. Not..."
Gently, you finish his thought for him. "Not what we have."
Dante smiles sadly. "Exactly."
"Well... Guilliman said outright that he doesn't disapprove. So, that must bide well, right?"
"That could change," Dante argues.
"If it does, we will fight it."
"And if we cannot?"
Sighing, you set your glass aside. Then, you reach up to cradle his cheek. Immediately, he leans into your palm.
"Then nothing," you say softly. "It will change nothing. No matter what does or doesn't happen, Luis, I'm not going anywhere. Remember what I said? You'll never have to manage without me again."
Draping your arms around his neck, you pull him into a hug. You feel him grab you around the waist, forearms pressed against your lower back and pulling you flush against his front.
"I love you," he whispers into your ear.
You nuzzle into his hair, resting your head in the crook of his neck. He smells delicious; of musk and sweet spice.
"I love you, too, " you reply.
For several, tender moments, you remain locked in each other's arms. Many passers-by eye you curiously. Some even begin to gossip. But neither of you pay them any heed. In fact, neither of you even notice them. Eventually, you're the first to draw away, but it's only enough enough to meet Dante's eye. Your arms remain firmly wrapped around his neck. "I don't know about you, but I'm about ready to get out of here."
Absently, Dante begins stroking your back. "Is that why you pulled me away from Guilliman?"
You nod. "I've taken all the high lords and ecclesiarchy I can for one night." With a sigh, you rest your head on Dante's chest. "Between that and meeting a Primarch, I need some peace and quiet."
"I understand," Dante says. "And I agree. Although..."
"What?"
"Maybe you could hold off from the "peace and quiet" for little longer?"
You look up at him. "Why?"
Dante flashes a smirk. Through it, you make out the tips of his angel fangs. "My love," he says sweetly. "You've made me watch you glide around in that dress all evening..." He holds you tighter. Suddenly, you're accutely aware of how low down your back his hands rest.
You give him a sultry smile. "Well, in that case... I suppose I can." With that, you pull away, taking your husband by both hands and pulling him towards the ball room's exit.
Taglist: @solspina :)
#warhammer 40k#wh40k#blood angels#space marines#40k#primarchs#space marine x reader#robute guilliman#guilliman#sanguinius#luis dante#luis dante x reader#dante#dante x reader
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