#potential canon characters available

[livingdescenddeadrise]

Generalized list of fandoms that I can write for/have written for:

Comics: The Walking Dead, Hellboy, The Boys, Watchmen, The League of Extraordinary Gentlemen, The Losers, A History of Violence, Hellboy

Marvel: Daredevil, The Punisher, Spiderman (Venom included), Captain America, Blade, X-Men, Falcon & Winter Soldier,

DC: Batman/Gotham, Superman, Blue Beetle

Shows: Sons of Anarchy, Stranger Things, Supernatural, Once Upon a Time, Critical Role, Teenage Mutant Ninja Turtles

Movies: The Gray Man, Pacific Rim, Teenage Mutant Ninja Turtles, Jurassic Park/Jurassic World, Godzilla, Kong

Video Games: Dead by Daylight, Detroit Become Human, Call of Duty, Resident Evil, Apex Legends, Infamous, Uncharted, Gears of War, The Evil Within, Far Cry 5, The Quarry, Texas Chainsaw Massacre

Horror/Slasher: Halloween, Friday the 13th, Texas Chainsaw Massacre, A Nightmare on Elm Street, House of 1000 Corpses, The Collector, Laid to Rest, House of Wax, Saw, The Boy, My Bloody Valentine, Scream, Don't Breathe, Abigail, Underworld, Dracula, Tragedy Girls, Spree, The Evil Dead. Movies listed here include the franchises as a whole

[ruvviks]

made the realization my vampire story would work best as a video game and now i can't stop thinking about it

[b1rds3ye]

Mask On

How the boys react to their new ally who is more adamant on wearing their mask than Ghost himself.

Characters: Captain John Price, Simon “Ghost” Riley, Johnny “Soap” MacTavish, Kyle “Gaz” Garrick

GN!Reader w/ no physical descriptions (except shorter than Ghost)

Genre: Fluff

Word Count: 3.1 (~0.8 each)

Warning: Canon-Typical Violence, Mentions of Reader potentially having insecurities, Not Proof Read

A/N: You know what maybe I want to be the badass masked character 😤

Captain John Price

The captain is thorough, and he immediately knew something was up when he looked up your file only to be greeted with no photo. He’s honestly a little peeved that his rank doesn’t grant him this confidential information, he’s known Simon before he took up the mask so this is the first time he’s genuinely had a faceless ally

But ultimately, as long as he can trust that you’ll be following orders, he doesn’t care if you have a mask or not. But his concern is only that for a fellow soldier

It takes a little longer for him to warm up to you - facial expressions tell a lot about someone’s character. He’s a bit prickly around you, he learns about you indirectly with how you interact with the rest of the 141

But over time there’s a shift. He can’t pinpoint when exactly but the sight of your mask relaxes him. After days separated on a mission, high stakes and adrenaline has Price snapping his head at the faintest of foreign sounds. But upon the familiar sight of your signature mask, he feels at ease

Price is fiercely protective of you and your mask. He likens it to his hat, only far more important - that mask is part of your identity and he knows just how important a soldier’s psyche is. If the enemy manages to take off your mask, he’ll stop at nothing to get it back on your behalf, even if you reluctantly tell him to abandon it

If he can’t salvage your mask, Price has now made it a habit to carry a balaclava for you in one of his pockets. If that’s not available, he’ll even offer you his hat, tipping it down far enough to obscure your eyes

Off duty he finds himself staring at your visage more these days. Looking at how the mask curves over your features, or the small slivers of skin that reveal themselves. He catches himself before you notice but he’s still disappointed in himself, he feels like a Victorian-era prude hyperventilating at the sight of an ankle

“Looking fresh, sergeant.”

You let out an audible chortle at Price’s words. The last mission was a success but at great costs, one of them being your mask damaged beyond repair during melee combat. Your face still wasn’t revealed, but slashes against fabric embedded with dirt and ash have made your signature mask look unrecognisable. Immediately upon returning to base and after debriefing, you were out of commission until you could don a new mask.

Price would be lying if said he didn’t miss your presence for the last few days, hiding away from the rest of the soldiers in base. He has no doubt you’ve still maintained your training and visiting the infirmary for mandatory checkups, but he’s gotten far too used to you being at his beck and call. The famed sight of your mask is no longer in his periphery, giving a nod of approval (not that he ever needed your approval, but he does enjoy your attention).

And now here you are with a new mask, the highlights glowing under the overhead lights and the darks swallowing up the lightwaves like an animal starved. Your updated look had you noticeably confident, shoulders square and head tall.

“Thanks, Captain.”

He can hear your smile and he ends up sitting next to you. Did he need to sit so close? No, but he acts as though his thigh brushing against yours was pure coincidence.

“What are you going to do with the old one?”

“I don’t know,” you shrug, giving a light pat to a pocket in your cargo pants that your past mask currently resides in. “I know there’s a lot of memories in this… it’s my first mask… but I don’t know what to do with it.”

“I’ll keep it.”

You look at him. Price now has the uncanny ability to read your mood purely through your body language. From the speed at which you turn your head, the inclination of the neck, how your shoulders slant, he’s surprised that such a vicious soldier can act so endearingly in these moments.

“For what?”

“Safekeeping,” he says simply. “I’m proud of my soldiers, sergeant - want to remember their accomplishments.”

You shrug in agreement and fish your mask out of your pocket. You don’t need to know how much Price truly values you, how having your mask will be like having a part of you by his side to motivate him when he’s working alone.

Simon “Ghost” Riley

You’ve got a mask? Cool, so does he. Simon really doesn’t care when he first met you. He offers a simple nod of acknowledgement to you and then it’s all mission talk. If anything, the mask makes him respect you more, like him it’s always the masked ones who’ve seen shit and can get shit done

Even before you two became friends, you two were often paired together for operations. Perhaps it was just assumed the two masked people were on the same wavelength and to be fair, they were right. It didn’t take long for Ghost to admire your prowess on the battlefield

However as the two of you start to get closer, Simon gets a bit of a eureka moment. So this is how all his allies feel when trying to get along with a masked figure, unable to see any of their expressions. Oh how the tables have turned. It’s not daunting for him, more just amusing

He knows the struggles of having a mask so he helps out where he can. He reminds you if it’s been some time since you last washed your mask (advice he does not follow himself) and he’ll offer you some of his obsidian powder he uses to obscure any uncovered patches of skin

Price often has the two of you accompany him for interrogations, he calls it “mask pressure”. There’s nothing more terrifying to a target than having two imposing faceless figures standing on either side of them, unreadable and unpredictable

It’s clear you don’t want to show your face to anyone and Simon doesn’t question it. His natural curiosity is not worth your discomfort and he makes that abundantly clear. If on the rare occasion you catch him without a mask, he’ll sometimes put it back on so that you don’t have to be the only one with their face covered

If your mask is ever compromised, Simon covers you with his hulking figure. No one dares get on the bad side of Ghost who shoots the most terrifying glares towards anyone looking in his - and consequently your - way. He stands in front of you, back rigid and shoulders square, his posture only slacking if he feels you hold onto his back, seeking comfort

A few weeks ago, when left in a briefing, you finally noticed Simon was staring at you from across the room. He had been staring for a good while now, but you - ever the diligent soldier - were distracted discussing tactics with a corporal. So there he was, standing and observing in the corner of the room - his “observing” being drinking the sight of you. And that was when he noticed, among all the glory that was you, that your mask was slightly off alignment. Cue his eyes being trained on your head for you to get the idea that something was wrong.

When your head stayed still - probably challenging his gaze - he tried to change tactics. He added the occasional upward jerk of the head - miming an attempt to shake the mask back in place - but your head only tilted in confusion. You still could not figure out what he was doing.

Eventually he gave up and walked up to you. He lifted a tentative hand, silently asking for permission and you nodded. He pinched at the fabric on the side of your face.

“Your mask’s slippin’,” he said gruffly. It wasn’t the end of the world, only a small adjustment that only someone as observant as him could notice. Still, he felt satisfied at your heavy exhale, you must’ve noticed it’s a little easier to breathe with everything in alignment now.

“Thanks.”

Today, Simon finds your gaze trained on him, head following whenever he moves across the room. You used to stare when you first met, you probably found him intimidating and he doesn’t blame you. He thought you’d be over that though, you two were closer than that. At least he hoped.

“Penny for your thoughts?” He eventually asks and that spurs you into action.

Standing in front of him, you reach up, your hand grabbing the top half of the skull that overlays his balaclava. Your thumb lightly hooks into the skull’s eye socket - a little close to Simon’s actual eye but he trusts you. He feels you tug upwards, and Simon now realises that the skull had been sinking down his face, the peripheral around his brow no longer obscured. He’ll need to reapply the glue for the mask later.

“We really need a hand sign for this,” you mutter.

And so you two make one. It’s discreet, a closed fist with a thumb poking out, dragged from the jawline up to the hairline. The rest of the 141 just look at the two of you in confusion whenever you use it though, your little secret.

Johnny “Soap” MacTavish

Johnny’s generally a good judge of character. Although it’s a little uncanny being unable to see your features, he’s used to it because of Simon. One conversation is all he needs to reach a conclusion as to what type of person you are and now he treats you as if you’re good friends

Yes, he is curious about what you look like under the mask. He used to make comments about it occasionally until he caught you on a bad day

“C’mon Sarge, just a peek.” “Not happening, Johnny.” “What, you ugly?” “… that’s not for you to speculate, MacTavish.” “Shit, sorry. I- I’d never think that of you, or care. I know you’re a looker.”

And Johnny stands by his statement. Even if he’s never seen your face he quickly developed a little crush on you. How you conduct yourself in battle has him watching you with stars in his eyes and he just knows you’ll take his breath away if you ever show your face

When Johnny’s bored, he likes doodling your mask and potential alternative designs in his journal which he’ll show you sometimes. He’s not an artist but he gets the idea across. He’s created a “happy” design, an “angry” one, and the “when I see Soap” design which is just your standard mask with a whole lot of shoddily drawn love hearts on it (you haven't seen that design yet)

He’s genuinely surprised at how determined you are at keeping your mask on in all circumstances - you’re worse than Simon at this point - but he’ll never ask because he doesn’t want to potentially open up old wounds. Despite his curiosity for what you could look like, Johnny will never invade your privacy and ensures no one else does either. If you’re in your room he’ll knock once, twice, thrice, until he’s absolutely sure you’re ready for him to enter

If something goes wrong and your mask falls off he’s looking away and shoving everyone else to look away as well. He’s like a guard dog, shouting and name-shaming anyone who dares look in your direction. No one except other members of the 141 will be able to approach you until you’re covered

Was it smart to have you and Soap - combined to be the most disruptive and obnoxious soldiers on the field - alone to handle a stealth mission that was off the books? No, but you sure as hell weren’t going to disappoint Price or Laswell. The objective was clear and the rules of engagement were even clearer; under no circumstance can the enemy know you’re from 141.

“We’re gonna need to cover our faces,” Johnny mutters absentmindedly beside you. You pull your binoculars down to send him an incredulous look and he chuckles. “I need to cover my face.”

“You got a mask?”

There’s a pause and Johnny’s looking at you, eyes glinting in that familiar mischief. That was never good news.

“You bet.”

You offer a tentative nod of encouragement before lifting your binoculars back up to observe the target site. You hear the repeated shuffles of fabric against fabric and clothes sliding against skin. It’s prolonged, you swear it’s enough time for Johnny to change his entire uniform. His breaths become muted, mouth now covered until it eventually falls to complete silence. It’s unnerving, the designated demolitions expert is not known for his silence, and you have to look back at him yet again.

Of course you expected Johnny to be wearing a mask, but it was the mask itself that took you by surprise.

“Is that… mine?”

“Was yours.”

You squint and somewhere in the depths of your mind, you vaguely recall Soap asking if he could have one of your spare masks back at the base. You humoured him, and said your wardrobe was his.

That was your first mistake.

You figured he was just going to take the piss, wear your mask to scare some privates around the base. You didn’t think he’d actually wear it on a mission. It was unexpected, but it felt like an honour. How he was so willing to identify with you in some of the most dangerous of situations.

But your silence has Johnny getting fidgety. He’s already reaching up to pull the mask off.

“I have a normal balaclava. If you don’t like this I can-”

“Wear it.”

You can’t see Johnny’s face but you see him pull his head back in surprise. Then he smiles, one so wide, expanding his cheeks you can see it stretch your mask. In that moment you’re glad your mask obscures your features as you feel yourself grin at his own joy.

“We’re a team, aye?”

“You bet.”

Kyle “Gaz” Garrick

Kyle’s may be close to Simon but he's not entirely used to masked allies. When you first arrived he shot Captain Price a cautious look, a silent conversation between them finished by Price’s definitive nod. Eventually he relents and puts up with you

Subconsciously, without seeing your face he ends up reducing you to a weapon. He respects you like a soldier, a robot. His language is restrained, only issuing orders and you recite them back

It’s only when another soldier cracks a joke on the mission and you laugh does it flick a switch in Kyle’s mind. You weren’t all orders, you weren’t a machine, you were a human (with a damn nice voice might he add). He feels terrible for reducing you to a tool simply because he can’t see your face but he’ll make up for it now

He becomes a bit of a menace in the sparse quiet moments of a mission. He makes the occasional one liner about how you wear the mask so others aren’t distracted by your good looks, but then changes the topic so quickly you’re not even sure he said it

Yes, Kyle’s a little obsessed with your voice. He can’t see you and he doesn’t have the experience like Price or Simon to read body language accurately. Instead, he can read your mood near perfectly with the inflections in your voice (which is arguably more impressive). While he doesn’t want you to ever be upset or angry, sometimes how you taunt the enemy has a shiver running down his spine

Because your mouth is blocked by a mask, many allies don’t offer you food or drinks. Not Kyle though, if he’s grabbed refreshments, he always ensures he has extra for you. At first he just gives them to you and then leaves. But when you said it was okay for him to stay - trusting him enough to just look away when you lift you mask - Kyle’s heart soared

If anything happens to reveal your face, Kyle is immediately by your side. He pulls you close to provide comfort, while also guiding your head into his neck or shoulder to block anyone from seeing you. Another member of the 141 will find a solution to cover your face, you are Kyle’s first priority and he’ll gladly hold you all day

After a long mission, you and Kyle are finally safe upon reaching exfil. Sitting on a helicopter Kyle slumps against his seat, and you do the same beside him. Although he could finally relax, he feels absolutely filthy, swamped in his own sweat under multiple layers. Dirt and mud caked his boots and crept all the way up to his thighs. Some even sneaked up into under his tactical vest.

He spares a look and sometimes he thinks you can’t possibly be human. The heat is suffocating enough without a mask, Kyle has long forgone his signature cap to let his head breathe. If your body language was any indicator, you weren’t handling the sweltering heat of the helicopter engine or Al Mazrah’s temperament. Your chest notably heaving under the weight of your tactical gear, breaths so laboured it sent the fabric around your mouth pulling and billowing with each inhale and exhale.

There isn’t much Kyle can do for comfort, but he tries. He shifts a little closer to you. Your head shifts to look at him, the movement was far too slow, like your head was too heavy and his heart tugs a little.

With one hand, Kyle gently tilts your face up to him. With the other he lightly pinches the fabric of your mask at the junction between your jawline and ear. Teasing it between his fingers, when he pulls his hand away there’s gunk on his fingertips. Dust, dirt and as he squints at your mask he realises that some of the stains are likely the dried blood of an unidentified enemy.

The hand he’s resting on your chin is about to pull away until he notices how you’re resting your head on it. He can’t see your face but he has no doubt that your eyes are near shut, almost drifting off to dreamland. He occupies himself by gently brushing away loose debris off your mask which has you relaxing further into his touch.

“We gotta wash this,” he murmurs defeatedly.

“... yeah, we do,” you grumble, voice thick with fatigue. Kyle does not stop his ministrations - even pulling some fluff off of the cotton of your mask. It does little to actually clean your mask - at this rate it’s going to need pure bleach to clean it - but he can’t bring himself to stop. Not when you trust him this much, leaning into his touch, entrusting him to be the respite from your mission.

Masked Reader Masterlist Call of Duty Masterlist

[a2zillustration]

Farewell

Not "farewell," but "see you later."

| First | | Previous |

[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

...Time to blather on under the cut. I've got thank yous, some notes about potential future comics, and if you scroll to the end of the post, I've decided to compile Croissant Adventures into a physical book. It's mostly for me, so I can hold all TWO HUNDRED AND FIVE of these strips in my hands, as a brick, but if you'd like to own a copy as well, I'll have a link to the preorders down below. If this is where you're going to stop reading, I'll extend a quick heartfelt thanks to you for joining me on this adventure!

Thank you, reader.

This is undeniably the largest project I've ever tackled in my art career; it was never supposed to be this big, and I expected maybe a handful of people to read it, at most. Instead, it became this massive project that I've been working on for ten months straight, and in the end these characters meant so much to me. I'm incredibly grateful for everyone who's bothered to read my little comic strips, whether it was just one or two, or if you've been here since the beginning, following Croissant's adventure from the minute they plummeted off the nautiloid. Thank you so much for being here and supporting this project. Thank you to everyone who left kind words and comments, sent me asks about Croissant, liked or reblogged these posts, or just read these and enjoyed them! While I was determined to finish this project no matter what happened, you certainly made it all the more fun and kept me excited to tell you the next part of Croissant's story.

Thank you, Larian.

If by some chance someone at Larian ever happens to see these, I also want to give an immense thank you to everyone who was a part of making this game. I don't play that many games these days, but BG3 rocketed to the top of my all-time favorite games almost immediately. (It was also the game that made me feel the most out of anything I've ever played; I got legitimately depressed for a few days during my run don't worry I'm fine now we're all good haha). You can tell there was so much work, and so much love involved in this game's development, and I'm so happy the studio has been rewarded with multiple awards in recognition of that dedication to making a fantastic game. Thank you again for sharing this story with us, and I can't wait to see what the studio does in the future.

Is this goodbye?

I'm hoping this is less of a "goodbye," and more of a "see you later." I'll probably take a bit of a break, since I've put off other projects for months, and art fight is happening, but I have many more things I'd like to add to Croissant's story! I have yet to play the epilogue, and I intend to illustrate parts of that depending on what happens. I also have a handful of comics for post-game Breadweave, in addition to some scenes I thought would've happened in-game but weren't canon so I left them out of the original story. (If I haven't gotten to these in a few months and you find yourself wondering about Croissant again, my ask box is always open, feel free to give me a good kick to get me back into their story, lol).

...A book?

I said I never intended this project to be so large, and I meant it. But now that I'm sitting here with two hundred and five Baldur's Gate 3 Tav comics, I really wanted to compile them into a physical book for me to hold. This is mostly for me, but if you'd also like one, I'll have a preorder available in my shop until the end of July.

✨✨✨ Croissant Adventures Preorder ✨✨✨

If you made it to the end of this post, I can only thank you again, from the bottom of my heart. I hope Croissant's story brought you joy, and if you're able to play BG3, I hope that you're having just as much fun in your own tavs' stories.

[dcafanzine]

Hello everyone! We’ve compiled this handy-dandy FAQ to hopefully answer any basic questions regarding this zine that you all may have.

(As this FAQ has gotten pretty extensive, all of the questions and answers are now listed under the cut!)

FAQ

What’s a fanzine?

A fanzine is a collection of fan works (typically art and/or writing) by fans for fans that focuses on a specific fandom, ship, or character! Most of the time contributors and the team behind a zine are not paid, and the cost of the zine covers production and shipping costs. Any surplus may be donated to charity, or, in the case of a for-profit zine, the contributors and team will be financially compensated.

What’s this zine about?

This zine will be focusing on the daycare attendant (DCA) from Five Nights at Freddy’s in all of their canon variants: Sun, Moon, and Eclipse (including other forms such as the Ruined and arcade cabinet forms and Jack o Moon). We aim to celebrate all canon forms of these characters with a similar number of pieces dedicated to each of their main three forms (Sun, Moon, Eclipse) together or separately.

Will this zine be SFW?

All content produced for this zine will be SFW. NSFW and 18+ pieces will not be included in this zine.

Will ships/pairings be included?

Following feedback from the zine interest check, we’ve decided to focus more strongly on the DCA as characters in general for this zine rather than on romantic pairings. Romantic ships won’t be the primary focus of any pieces for this zine. Platonic interactions and fluff are A-okay.

(Ship lovers please see the question below for an added note on ships!)

Will AUs be included?

Following the zine’s interest check results, for this zine, most pieces will be focusing on more canon-adjacent leaning depictions of the DCA where the designs and/or circumstances are not too far removed from those depicted in canon (for example, where the daycare attendant/s are still working or had previously worked at the pizzaplex, with room for AUs like role swaps where Sun has the more prominent effects from the virus, the DCA working in the theatre or as Glamrocks or on the carousel or something else, the characters being in separate bodies or the same body, etc etc), with some wiggle room for more differentiated AU content and designs to be included in a few pieces so long as it is submitted by either the creator of the AU or with the AU creator’s express permission and depending on the pitch(es) provided by the applicant(s).

(A note on the last two questions: There will be a potential for a bonus PDF or two to be produced focusing more closely on AUs (submitted by the creator of the AU or with the creator’s permission) and/or SFW shipping content depending on contributor interest and availability. This will be separate from the main zine. Interest in this or lack thereof will in no way affect your application and no one will be obliged to participate.)

Will other canon characters / self inserts/ y/n characters / OCs be included?

Other canon characters are completely okay to include so long as the piece still strongly focuses on the DCA! Self inserts, y/ns and OCs may be included so long as:

They have a defined physical design (if drawn) and are either the contributor’s own creation or submitted with the express permission of their creator.

The primary focus of the piece is still the DCA.

What are the general requirements for joining this zine as a contributor?

All zine contributors must be aged 16 or over.

Most zine communications will happen over Discord. Zine contributors should have a Discord account and be willing to use Discord for communications when working on the zine.

Zine contributor applications should include at least one piece (preferably more) depicting the DCA (canon-adjacent or in an AU form where they still have a similar general physical appearance and/or play a similar role is preferred) for a good chance of a successful application. Contributors will also be asked to pitch an idea or two on what they potentially want to do for their piece in the zine which may help secure them a spot in the zine and aid in brainstorming for their piece even if they don’t ultimately use the suggestions they gave for their pitch.

Will this zine be for profit or for charity?

Surplus profits from this fanzine will be donated to charity (when a specific charity has been chosen by the mod team, we will announce this and update the FAQ - suggestions are most welcome!).

Who will be contributing to this zine?

At the heart of this zine from behind the scenes is a team of 8 mods working together to bring you tons of fun DCA content who will be announced in due time!

While exact contributor numbers have not yet been finalised, the zine’s contributor lineup will include something resembling the following:

23 page artists who will draw full-page coloured illustrations with backgrounds as standalone pieces for the zine

5 writers who will each write a short piece for the zine (around 1.5-2k words) which will be illustrated by an accompanying spot artist

5 spot artists who will illustrate scenes to accompany pieces written by the writers working on the zine

2-3 merch artists who will design merch to be produced dependent on the zine hitting certain financial targets

Will mods be allowed to contribute to the zine?

Yes, mods will be allowed to contribute to the zine, if they find that they have the time, but this will not affect the number of other contributors that we take on. Mods will be held to the same standards as every other contributor and must complete the check ins regardless of their mod status. Mods will only be allowed to contribute one piece of work, or may instead opt to be a pinch hitter in the case of a contributor dropping out!

Will this zine be physical or digital?

Dependent on sales, we are hoping on making this a physical printed zine with the option to purchase a digital copy. There will be a selection of bundles available with a range of merchandise.

Are contributors allowed to collaborate?

Two or more contributors may work on a single piece for the zine so long as they work well together! Collaborations will be counted as a single submission.

Will contributors receive a free copy of the zine?

Contributors will receive a free digital copy of the zine and, dependent on sales, will receive a free physical copy of the zine as well. We are hoping to offer discounted or free merch for contributors as well, although this will depend on sales.

In the case of collaborations, whilst each of the collaborators collaborating on a piece will be guaranteed a free digital copy of the zine, each collaborator receiving a free physical copy of the zine will ultimately depend on sales.

When can I apply?

Contributor applications will open on the 25th of March and will close on the 22nd of April.

Can I apply for more than one role?

You can apply for as many roles as you like on the zine (though be sure your application caters specifically to the role you are applying for when you complete each of your applications!), however, you will still only be selected as a contributor for one role. A comment field will be made available in each application form so you can state your order of preference here if you like!

How long will I have to complete my piece if I’m selected?

Zine contributors will have around three months to complete their pieces upon being selected. If you have applied to and are selected to be a pinch hitter (taking a spot in case another contributor drops out) this may vary.

If your question hasn’t been answered here or you’re looking for more clarification, please head on over to our ask box or our CuriousCat!

[kr-starz]

Sick and TIRED of people claiming Ekko loved Alternate Universe Powder and not main universe Jinx. Throughout the series Ekko has continuously proven that he cares for Jinx dearly, through both canon actions and deleted scenes we know that Ekko cares deeply for Jinx.

Within the AU we're able to see an emotionally available Powder who was able to have a stable support system alongside a flourishing relationship. Which shows that Powder, Jinx, is fully able to be a good person. A normal human girl. Ekko is finally able to see this, that Powder is only so happy because she's lived so peacefully. He's always had a crush on her, it's lingering and it's never gone away. During the bridge scene, and Jinx's debut, we notice that Ekko freezes up both times when seeing jinx face to face. That she's able to draw out strong and violent reactions out of him that aren't exactly rational.

Usually people aren't able to do that to him, he's confrontational and stern because he's the Firelight leader, but we notice that most all of his decisions so far have been well thought out and responsible. In s1e4 we see him look at his stopwatch, see he has little time left before their crystals break, and he STILL goes to pursue Jinx. This is probably because he still harnesses strong feelings of hate towards Jinx, shock and frustration overwhelm him. Because it's Jinx who's done this, one of Silco's goons, but most importantly his childhood friend who's become so twisted. Scar is forced to grab Ekko and stop him before he goes too far, which shows off that Jinx does cause an especially strong emotional response for multiple reasons.

But the bridge scene shows that Ekko still does see the girls he's loved inside of Jinx. He hits her twice, neither time's does he get a good look at her face. But as he's winding up to hit her a third time, he pauses, he looks at her desperate face and he see's nothing more but an innocent girl. Which is why he stops, he still bears affection for her, clearly. The rest of the bridge scene is intimate enough but if I do have to mention anything, people who don't bear feelings for each other don't smirk at the other person like that.

When Ekko finds himself in the AU he's able to see Jinx/Powder in her most healthy form, finding ways of mourning and coping considered healthy. He see's pieces of Jinx inside of this Powder, her potential and what she could be. That's not something you do with someone you don't bear affection for. You don't look at the seemingly perfect version of someone and say that there's something missing; something missing that only versions that have gone through hell have. Pieces of herself that can't be replaced. Ekko doesn't just love Jinx.

He loves her entirety, he loves her innovative mind able of creating the worst war weapons. He loves that she's able to push herself to limits that he couldn't dream of, because he loves her for who she is. In both universes, what we notice is that they're both artists, they're both creators. Powder doesn't discard her love for gadgetry because she didn't experience atrocities, she's still unbelievably smart, being able to help Ekko create the anomaly. Being able to follow along while not knowing anything beforehand.

Jinx is able to crack hex tech with nothing more than Viktor's notes and some tinkering, this shows that no matter what universe, Jinx/Powder is an unbelievably talented and smart girl who could do so much.

Ekko is able to recognize that with Jinx's Genius it comes madness, and he simply would rather have her be both rather than an assistant. Not saying that he wouldn't love Alt Powder, I'm just saying that Arcane Ekko wouldn't be nearly as happy with her rather than Jinx. Because with Jinx comes crazy ideas and a leadership that matches his. That's the Jinx he never fell out of love with.

Even in both of these characters, Jinx and Powder have never been different. In each universe, they never got to blossom yet they're one bud. Two sides of a coin who'd never know the other existed if not for "what if's"

Powder is what Jinx is if she was happy, soft and delicate, she still holds the potential to create extraordinary devices, yet she doesn't because she never had the need to.

Jinx is what Powder would become if she was put under tremendous stress and trauma, devoid of a support system she turns to her gadgetry and weaponry, while slowly losing the part of herself that could be soft.

They both exist in one person, and Ekko is able to see both of them, and give them what they need in order to bloom. He's able to give Jinx unconditional yet not unhealthy amounts of support, and he's able to give Powder the push to expressing herself through her inventions more harshly.

Ekko realizes that Jinx is still Powder, no matter how many times she changes her name. Us as the audience is able to realize that Jinx is still able to love for Powder, because we've seen her interact with Isha. Isha is similar to Powder which is healing for Jinx. When Jinx loses Isha, we can see that she never truly let go of Powder, that Powder was never different from Jinx. That they're simply a part of herself she never wanted to accept until she saw it from another perspective.

But Ekko doesn't know this, yet he still has continuous faith in her that she's capable of change. We see Ekko actively pursue Jinx in order for her not to kill herself, because he loves her. He cares for her deeply and he wants to redeem himself by simply being there, even if he's late. Because what Jinx has needed all along was an unconditional companion. Which is what Ekko can be.

Being the support that someone needs, unconditionally.

If that's not love then I don't know what is.

[mimikyufriend]

Update as of 10/5/24

Since several of the fundraisers I selected are no longer available, I will be focusing future donations toward Omar and his family. All funds that go through me will go toward Omar. I will also be accepting proof of donation of $25 or more to any of the active fundraisers linked below.

I'm hoping to fill the last 9 slots and reach a goal of $300 total donated. I also would like to make alternate versions of characters who've already been completed so that we can raise even more.

Commission Details

64x64 pixel portraits from the chest up

choose how the character is posed (facial expression, portrait vs 3/4 angle, etc.)

choose whether you want canon appearance or your hc/au (potential for more than one slot per character)

Payment

Option 1

$10 upfront

remaining $15 after completion

preferably through paypal to making transfering funds easier

I will then provide proof of payment to the specified gofundme both privately and publicly

Option 2

provide a screenshot showing a $25+ donation to any of the available fundraisers linked below.

Contact

please direct message, don't send asks

this account or @aseasoninseason (the latter is preferable)

if you're unable to send messages for whatever reason, my email is aseasoninseason@gmail.com

Fundraisers

(all gofundmes were chosen using gazafunds)

Omar and Family (€25 raised + an additional €20 from the recipient)

Iman

Abdullah and Nour

Ahmed at Al-Aqsua Hospital

Emad's Family

Asmahan

Northern and Southern Gaza Distribution

Dr. Khaled

Walaa and Family

Al-Ameen's Family

If you are uninterested in or unable to commission me, I implore you to donate what you can to one of the fundraisers linked above.

If you have any questions about the process, please feel free to send an ask or reply to this post.

Proof of donations below:

[stevetonydatingsim]

Steve/Tony dating sim announcement & writer casting call!

The best part about a multiverse is all the different Steves and Tonys we get—and imagining them meeting. And kissing. And flirting. And maybe doing something a little spicier.

But why stick with imagining that when we can make it a reality? When we can make a Steve/Tony multiverse dating game? 

That’s right, we’re making a game and it'll be free to play! What exactly does that entail? The Steve/Tony dating sim (name TBD. We’re all ears for any ideas you have) will be a visual novel-style game that’s mostly dialogue with some simple minigames thrown in. You get to play as a Steve or Tony from one of the many universes that exist who’s thrown into a rift in reality with a bunch of other Steves and Tonys. You’ll get to decide whom to work with to invent, fight, flirt, and date your way back home. 

We’ll be sharing updates on the game development and launch on this Tumblr so make sure to follow us!

Who we are

The Steve/Tony dating sim team is made up of passionate Steve/Tony fans who have come together to write and illustrate the dating game of our dreams, coded by the wonderfully talented @v-thinks-on. You can read more about us here.

How this works

In order to make the game, we need writers for the player and love interest characters, artists for the visuals, and more. At this point, we’re looking specifically for love interest writers, but make sure to follow us as we’ll be looking for volunteers for other roles in the coming months!

Love interest writers can either work on their own or with a partner(s) to plot out and write a simple narrative arc and series of dates for a potential love interest character (a character that the player can choose to interact with and date). They construct the foundational beats for the story and dialogue for the love interest character, and they provide choices for player responses (you can indicate that the player can respond angrily, morosely, or happily to a certain line, but you’re not writing the player dialogue yourself). Later, player writers will insert responses to the existing love interest’s dialogue you wrote. It’s kind of like roleplay! 

For example, your script may look something like this:

Tony616 “So, you’re a Steve, huh” If <angry response>: Tony616 “Sorry I asked” If <happy response>: Tony616 “You’re a cheerful one, eh?” [the player gets closer to Tony616]

To get a more detailed understanding of how this works, see this guide here. We’re also happy to answer any questions, and we have a Discord server where we brainstorm and talk as a group.

Existing love interest storylines (more to come later!)

The following characters have arcs that are outlined already, and their writers are looking for a partner to collaborate with. Here are short pitches to give you a sense of each character’s emotional journey through the game.

616 Tony 

Iron Man V.1 128 Tony is newly sober for the first time and still hiding that he’s Iron Man. The player can either help Tony open up or drive him to drinking again. 

1872 Tony

Pre-canon Tony has lost faith in humanity and himself. Will the player convince him to get back on his feet? Or will he think everyone's better off with him at the bottom of a bottle?

616 Steve 

Avengers V4 Steve has just returned from the dead after his fight with his Tony about the Superhero Registration Act. He wants to trust Player, but can he?

MCU Steve

Post-2012 Avengers Steve is lost and doesn't know his place in the new century. Through his interactions with the player, he finds his home and purpose.

Don’t see a character you want to write for on this list? 

You can volunteer to write any Steve or Tony you want! In fact, we actively want more Steves and Tonys. This is a multiverse dating sim, after all, so the more the merrier. To help you choose, here is a list of universes we have writers for and available universes (if you want a universe not on this list, that means it's available)! Just contact us with the canon character you’re interested in writing for and whether you’d like to work solo or with a partner(s).

The only exceptions we have are a Steve or Tony who doesn't exist in the universe you picked (e.g., we won't accept Noir Steve as he doesn't exist in Noir) as well as Hydra Cap and Steves and Tonys who are canonically under 18 due to the nature of the game, the type of game people want to make/play, and how the game-making process works.

We don't foresee issues with other universes, particularly as we're in the "you do you"/"YKINMKATO" (your kink is not my kink and that's okay) camp when it comes to fandom. However, we'll be considering other universes on a case-by-case basis as we may not know or remember all the universes that exist. Because of this, we recommend giving more than one character option in your application if possible!

How to apply

Please email stevetonydatingsim@gmail.com with the following information:

Confirmation that you’re over 18 (just let us know you’re 18+; we’re not asking you to share personal info)

The best way(s) to contact you

What character you’d like to write for (universe and name). If you have multiple, please order by preference

Do you want to write alone or with a partner(s)?

A writing sample focusing on Steve and Tony (link or attachment), ideally with a good amount of dialogue. This doesn’t have to be a complete piece with a beginning, middle, and end; it's more to get a sense of your style and understanding of characterization, so all we ask is that it’s easy to follow. This can be something you’ve already written or you can write something new for this application. We don't have a minimum word requirement; if we need more from you, we'll let you know.

Contact us

Please don’t hesitate to contact us if you have any questions. You can reach us by email, Tumblr Messenger, askbox, Twitter DM, or Bluesky DM. Thank you!

[ckret2]

Roughly what would you say is the rarity of "psychics"/shapes with the same mutation as Bill in your story? Something like a percentage or a "one in X number" sort of thing

Extremely rare.

If I give a specific number people are gonna like, start comparing it to the prevalence of real world conditions, figure out how much of the population has it, figure out how well-known it should be in the general population based on that number, etc. That's annoying. This is not the kind of worldbuilding where we're going "okay, here's what percentage of the population has this thing, from that percentage we can figure out how this thing is viewed socially." This is worldbuilding where we already know how it's viewed socially, and trying to work backwards from that to invent a percentage just runs the risk of accidentally creating a number that doesn't make sense with how it's viewed. There's no good reason to try to make a number.

It's so rare that there are some people who haven't heard of it, but common enough that plenty of people HAVE heard of it and you can readily find research papers studying it—but, not a lot of research papers.

It's so rare there are more people who'd like to study it than there are psychics volunteering to be studied.

It's so rare that it's more likely to be the subject of military research than medical research, because the military could sure make use of a psychic, but the pharmaceutical industry is like "we don't think there's enough potential patients for us to make back the money we'd spend developing psychic-specific treatments."

It's common enough to be scientifically verified but rare enough that it's extremely easy to make up mystical bullshit about the condition with low risk of running into anyone who can prove you wrong.

It's well-known enough that there are movies about psychics but it's not so common that an actual psychic has ever played the lead role in one.

They're rare enough that if anyone argued "why aren't psychic actors playing psychic characters?" someone else could argue back "name ONE psychic actor" and they wouldn't be able to come up with a name.

It's common enough that Bill briefly met a few other psychics before Euclydia's destruction, but did not know any on a day-to-day basis.

There's enough medical knowledge available about it that a doctor can specialize in treating issues related to being psychic, although they can't make a living only treating psychics; and it's rare enough that there was only one specialist with experience with psychics within travel distance of Bill's family.

Bill only ever ran into one other psychic in this doctor's office, and that's the first one he ever met. He had to go to the Doctor's Office For Psychics to find his first fellow psychic, and he didn't even manage to find two that way.

The one thing people are most likely to know about psychics is that they can see through objects and see what's on the backs of cards and hidden inside boxes and stuff like that, but they're rare enough that casinos don't have rules against psychics playing card games because it doesn't dawn on people that that's, like, an issue they need to prepare for.

Psychics are so rare, and the theory that light radiates from some source in a higher dimension is so new, that Bill was the first person in history to put two and two together and realize that the tiny white points in his peripheral vision are the hypothetical "stars" he read about in pop sci articles.

And here's everything we know about their population size from canon: they're rare enough that Bill calls it a "rare mutation," but common enough that somebody recognized what Bill has and was able to tell him it's a rare mutation (rather than, say, leaving him to assume he's the only person like this in history).

So they're whatever percentage of the population makes sense for that. And remember to consider that psychics having such remarkable skills would increase how widely they're discussed compared to less glamorous conditions with similar percentages, which makes them look more common than they are; and that some psychics might not know they're psychic or hide the fact that they're psychic to avoid negative attention, which makes them look less common than they are; and that the bigger the population is, the smaller their percentage of the population can be while still having a large enough population to reach the tipping point where they can be verified as really real and general knowledge of them spills into public consciousness; and that we don't know how long ago they reached that tipping point.

I ain't about to figure that number out.

[isaidyoulookshitty]

idk it is so upsetting to me that veilguard is the first dragon age game i won't be replaying. when i was 15 i played origins so many times (almost a dozen) it is one of the only games i have ever 100% finished. da2 was the same! and while i didn't make it through as many playthroughs of inquisition i put hundreds of hours into it and made an effort to get to the bottom of everything the game threw at me. until veilguard, i had bought every available dragon age dlc for all games, tried to play almost every route given in the story choices, and spent hours reading through codex entries to soak up as much lore as i could.

veilguard has rendered all of that completely null.

it feels almost spiteful at this point that this new frakenspliced bioware cared so little to honor the bones and meat of the first three games. 15 years i have spent loving and cherishing (and criticizing) this franchise and now i feel like a fucking idiot for it. my grey warden? canonically awol and never addressed again. hawke? irrelevant and, for some players, potentially stuck in the fade forever. inquisitor? stripped of any complexity or depth i had given her in favor of the most syrupy, out of character fairytale true love's kiss ending with a man that shattered her worldview and broke her heart. how do you take 10 years to craft an ending this dissatisfying and thoughtless?

and the world i spent a decade and a half fighting for, shaping with player choices, and calling home? gone. "overwhelmed by the blight." literally scorched earth for the next game to build on with whatever the writers pull out of their ass to make players forget all about the original dragon age. it's tragic! disrespectful to longtime fans at best, at worst it feels intentional and like i am being made the butt of a joke told by writers who in the promotional material sound like they could not even be assed to play the games they're attempting to draw from. veilguard is just a product to be sold, not a story worthy of The Dragon Age Setting.

and i haven't even touched on all my gripes with the game's writing, the sanitization of any canon conflict that could be uncomfortable or difficult to address, the stale and cutesy therapyspeak and lessons in basic morality that are baked into every in-game interaction (most of which are shallow and all the same anyways) compared to the dialogue trees from the other 3 games. it is so frustrating to see that the devs chose to cave to a decade of vitriolic fandom politics in favor of addressing the kettle they wrote themselves into.

instead of hand-waving racism toward elves, the panic over qunari, the isolation of the dwarves, the corruption of the chantry, the abuse in the circles of magi, and slavery in tevinter, we should have been given the chance to confront all of it. to put a real end to it. we will never get to do that now. in fact, in their failure to follow through, bioware has only succeeded in exacerbating all of these issues. they have made the elves, which they have openly ADMITTED were "inspired" by Jewish and indigenous peoples, their mouthpiece for white guilt and shame passed down from one's ancestors (while also gutting elves' religion, culture, history, social differences, etc. i could go on). they PERPETUATE the same stereotypes of barbarity, violence, and warmongering imposed on the qunari by the rest of thedas by continuing to make them an opposing enemy force with the exception being a couple of friends they have neatly packaged for us. the unsatisfying conclusion to the mage-templar schism in inquisition is inconsequential. who the player chose to HEAD THE SOUTHERN CHANTRY as divine is deliberately made irrelevant. the dwarves are still isolated and ignorant of their origins save for harding (assuming she doesn't end up killed) and a single closed-off group. and the slaves in tevinter (again, mostly elves)? conveniently kept out of sight and conversation when we finally get to minrathous. everything that happened to fenris to make him the character he is, arguably the most impactful and sympathetic out of all the da2 companions, is not even addressed, much less tackled. all of it is swept under the rug.

i wanted dragon age: dreadwolf. i wanted a solid conclusion to a story almost 20 years in the making. a dragon age reboot might even have been a great idea somewhere down the line, but this was not the game to do it with. it was supposed to be a sequel and they couldn't even get that right. did i enjoy parts of it? of course! i finished it! but i won't be doing it again. the game clearly intends you to, considering a significant portion is locked away by decisions players are forced to make pretty early on, but i can't make myself do it. it makes me way too sad.

i could go on about how i, a queer and nonbinary adult fan, thought their handling of gender and LGBTQIA+ identities was heavy-handed, infantilizing, and felt so out of place within the setting it makes easy fodder for the "woke=broke" crowd that wouldn't have been receptive to queer rep anyway, but that would need to be another post in itself. not to mention the romance! unfortunate that i chose to romance lucanis not knowing his is now notorious for a lack of content, meaningful dialogue, pacing, and actual development. i won't even get to see the other romances in comparison because, as i have said, i will not be replaying.

[magicalella]

Hi all!! For those of you who don’t know me, My name is Ella Griffin, I’m a 24 year old trans woman based in south florida. For the last four years, I’ve been working on a super special project that I’m beyond thrilled to share with you all: my debut novel, The White Liar. As a big fan of fantasy books, I’ve felt for a long time that there’s a serious lack of authentic trans representation in the genre. For years, I yearned for even just one iconic transfem hero in a high fantasy setting. The White Liar is my attempt to fill that gap in the literary canon.

As a bit of background, I am a massive fan of hard fantasy books with an epic scope and in-depth magic systems; such as Brandon Sanderson’s Cosmere books or Ursula Le Guin’s Earthsea series. I’m also a big fan of gothic literature and character-driven classics like Victor Hugo’s Les Miserables and Anna Karenina, all of which have played an influence on this book. The White Liar’s setting is heavily inspired by celtic folklore, mythology and history with a feminist twist.

It’s a world where fae creatures range from tiny glowing insectoids to massive flying mounts and even humanoid beings. Yet, even the tiniest of these has the potential to unlock unfathomable magical potential through the art of Serimancy! Serimancy, the primary magic system of the book, gives users the ability to transmute or ‘spin’ the silk made by fae creatures into supernatural strength, telekinetic threads, and twelve other distinctive powers. Think Rumplestiltskin spinning straw into gold, but more vaporwave.

Without giving too much away, the book features a diverse cast of characters from all different backgrounds, including transfem, transmasc, nonbinary, aspec and disabled characters, although those aspects don’t always define their motives or character arcs. Mainly, The White Liar is a book about the nature of truth and identity; the ways in which our environment affects how we perceive those things, and the friction that creates with our own perception.

I would also characterize the book as a gaslamp fantasy like the Mistborn series or the video game Lies of P, with a baroque/art nouveau-meets-Bridgerton 19th century aesthetic. I’m a 100% independent author with a summary $0 budget publishing through kindle direct, and flat broke, so I would highly appreciate any and all support with this project, be it word of mouth or otherwise. The cover art is a digital painting created entirely by me and is canon to the book!

Thank you so, so much for giving me your time and attention. This book is my love letter to the queer community and I truly hope someone somewhere finds it hopeful or inspiring like I’ve found with the works that inspire me.

The White Liar is available now on E-book here:

[yupuffin]

On Dan Heng and Draconic Transformations

(Honkai: Star Rail ❗ SPOILER WARNING! ❗)

Dan Heng is an captivating conundrum, a character with a convoluted past shrouded in mystery, and it often seems that finding answers to our questions about him only leads us to further questions.

We know he's the reincarnation of Dan Feng, the previous High Elder of the Xianzhou Luofu's Vidyadhara, and we know multiple forms of interference in the reincarnation process led to an unusual outcome in which Dan Feng's power was transferred imperfectly.

In the Xianzhou Luofu chapter of Honkai: Star Rail's main story, we observe Dan Heng wielding Dan Feng's residual power to change into his more draconic Imbibitor Lunae form, in which he physically resembles his previous incarnation, and command the Vidyadhara's cloudhymn magic for combat as well as for parting the seas of Scalegorge Waterscape. As spectacular and enlightening as this portion of the story is, the audience can't help but ponder further unanswered questions about Dan Heng's identity and capabilities.

From my experience, there are two prominent questions in the Honkai: Star Rail fandom concerning Dan Heng and his transformation abilities:

1. Whether his transformation is voluntary, and 2. Whether he can transform fully into a dragon.

Neither question seems to have been directly answered in canon thus far; the most we've gotten as the audience is hints at potential answers in the form of canon (e.g. character backstories and voicelines) and extra-canon (e.g. character trailers) material -- and some of these hints are delivered much more enigmatically than others (as in the former case). Many players utilize various headcanons to fill in the gaps, leading to a number of different potential interpretations. I'll attempt to address all of these aspects in my analysis of these questions.

Let's start with the first question, since, logically and chronologically speaking, it's relevant before the second.

While Dan Heng's transformation sequence is shown canonically, it's not immediately clear whether the transformation is fully voluntary.

In the Imbibitor Lunae "reveal" scene, when Dan Heng is first shown changing into his Imbibitor Lunae form, said transformation immediately follows Blade running him through with his sword, suggesting a direct connection between the two events. The nature of said connection, however, is canonically ambiguous.

I've seen a common headcanon that Blade stabbing Dan Heng is the sole, direct trigger for this transformation, which would thereby be involuntary. Personally, I think this is a plausible conclusion with intriguing narrative implications worth investigating. After all, Dan Heng's disgruntled expression upon the transformation's conclusion and his delay in reverting to his humanoid form do seem to indicate that changing forms, even if deliberate, was at the very least not a decision he made willingly.

Later in this portion of the main story, Dan Heng is again shown in his humanoid form, indicating that he changed back "off-screen" at some point while returning from Scalegorge Waterscape to Central Starskiff Haven, with the exact mechanism remaining unclear. Then, following this quest, Dan Heng's companion quest "The Dragon Returns Home" becomes available; upon its initiation, Dan Heng has returned to his Imbibitor Lunae form, again with the transformation itself not shown.

This back-and-forth switch does seem to indicate that Dan Heng's transformation is indeed a voluntary process. That said, Honkai: Star Rail's side quests are presented with obscure enough chronology (as in. you can literally do them completely out of order, based on when they unlock and whether you do them immediately or wait months to even start them -- I'm the latter) that I think you could logically support a reading either way.

As far as extra-canon material goes, the most plausible evidence for Dan Heng's transformation being fully volitional is the Dan Heng Imbibitor Lunae trailer "The Prodigal's Return." The video opens with Dan Heng facing Phantylia calmly, Blade absent, as his transformation begins, suggesting that the process is a deliberate "power-up," for which healing mortal wounds, like the one he received from Blade, is a secondary function.

(Granted, from a story standpoint, this is not actually how the fight with Phantylia occurred, so one could argue that this scene is solely for aesthetic/presentation purposes, leaving its canonical significance questionable.)

Lastly, there's the scene in Penacony's dreamscape where Dan Heng appears in his Imbibitor Lunae form alongside Jing Yuan, but it's later revealed that this scene is a mere figment of the Trailblazer's imagination, so as far as canon implications go, it's inconclusive.

So, to summarize our answer for question one: personally I think it's more logically supported that Dan Heng does transform voluntarily. However, given the lack of conclusive evidence, I also think one could make a plausible argument either way, depending on their preferred interpretation.

Which brings us to question two: if Dan Heng, wielding a significant portion of the High Elder's powers, can switch between his humanoid and Imbibitor Lunae forms, does that mean he can also transform fully into a dragon?

While he hasn't done so yet in the story, it does seem entirely possible. Indeed, the game's lore indicates that the High Elder is capable of changing into a fully draconic form, and that Dan Feng previously did so.

However, so far, beyond his Imbibitor Lunae transformation, Dan Heng is only shown, in his technique and idle animations, performing a partial transformation at the very most -- with his horns growing longer and a translucent, semi-present dragon tail extending from the base of his spine -- serving as a mere suggestion of the possibility of him being capable of transforming further.

Assuming this is an ability he possesses, canonically speaking, it's entirely possible that Dan Heng can perform a full dragon transformation, and hasn't yet simply because he doesn't want to. Several of his Imbibitor Lunae character stories and voicelines, as well as his reluctance to address his past prior to the "reveal," indicate that his draconic identity is a source of deep emotional hardship for him and that he resents his connection to his previous incarnation.

This attitude also explains why, in the "reveal" scene, Dan Heng's change into his Imbibitor Lunae form may have been, even if deliberate, not fully voluntary per se (in other words, he had no other choice).

Hence, at this point, the answers to these two questions can presently be only speculated at best, with ample evidence to support a "yes" response to both, but enough ambiguity that a "no" to either is also plausible.

Of course, with inconclusive evidence contrary to either viewpoint, this means the potential answers to both questions are rewarding to investigate via headcanons. I've seen fans speculate that Dan Heng's Imbibitor Lunae form is his "default" state -- i.e. his "true form" as it is typically referred to in the game's lore -- in that maintaining his humanoid form requires conscious effort, perhaps in the form of the same cloudhymn magic his previous incarnations commanded. This could certainly explain why receiving a mortal wound in his humanoid form would cause him to revert to his more invulnerable Imbibitor Lunae form.

Personally, I think you could also argue the reverse. In his Imbibitor Lunae self-introduction voice-over, Dan Heng refers to his Imbibitor Lunae form as his "original" appearance rather than his "true form," and he appears in his humanoid form in every other part of the story aside from the ones I've mentioned here -- even when he's asleep in his room or otherwise not fully conscious.

Granted, given his feelings on his previous incarnation, these points could simply be a consequence of individual interpretation and willingness (or rather, lack thereof) on his part.

Additionally, in Chinese mythology, the orb held by dragons seems to signify wisdom, prosperity, and spirituality. Therefore, I'm personally inclined to interpret his Imbibitor Lunae idle animation as him deliberately entering a sort of meditative state, and the resulting extensions of his horns and tail as a conscious choice that he "turns off" upon the conclusion of the animation.

But again, this is straying decidedly into headcanon territory, which is fully up to individual interpretation.

So, again, as a fan of dragons, I like to think, based on canon evidence, that Dan Heng indeed transforms voluntarily and could potentially further change into a fully draconic form at some point, but I suppose, story-wise, it remains to be seen!

[a-court-of-lust-and-stardust]

*taps microphone* Is this thing on?

I'd like to give my perspective on something, from someone who started out in the ACOTAR fandom as part of the general audience, and who has a sister that is not apart of fandom but has read the books.

I read the series back in November 2023 in about 2 weeks. I stayed off of social media for a bit until I decided to make a Tumblr account.

After reading the books, I wasn't sure if the series was complete. It didn't feel complete. The first three books focused on Feyre. Nesta had an entire, almost 800 page book dedicated to her. For me, it was natural to assume, "Oh, Elain is next!" because logically, that was the only thing that made sense. Why would two sisters have books, but the third wouldn't? The series would seem incomplete.

Flash forward, and I find out that yes, there will be more to come in the series. However, at this point, I was still unaware that a bonus chapter for Silver Flames existed until a friend casually mentioned it. I asked where to find it and I began reading.

The first part of the bonus chapter confirmed what I already believed from reading the books. Azriel and Elain share mutual feelings. Truly, I didn't need confirmation in the bonus, because there were moments in the books that I already had picked up on. The bonus was just a nice surprise. Something fun.

But imagine my shock when I decided to insert myself into fandom space as a casual reader, and see folks who are 110% convinced that the next book's main character is going to be a secondary side character that was introduced about 40% of the way into the 4th book.

You don't have to imagine my shock, because I'll tell you. The moment I set foot into this fandom, I have been beyond confused. Bamboozled. Befuddled. And honestly, a bit gaslit.

Prior to this bonus chapter, I assumed everyone thought it was obvious and picked up on the pattern. The first sister gets a few books to explore her powers, heal, and fall in love. The second sister gets a book to do the exact same thing. The third sister would get a book...to do the exact. same. thing.

There was a week where I had zero idea that the bonus chapter existed. There are STILL people who have no idea that the bonus chapter exists, and may never end up reading it. These people are not on Tumblr, Reddit, Instagram, or Discord, discussing in depth theories and potential love squares. They are solely relying on canon text.

So, genuinely, what do you think their reactions are going to be, if the next book does not focus on Elain, the third sister, but rather a priestess, who was part of someone else's story, who was only just introduced in the very last book, who does not have any ties to the plot? Yes. They will be lost, too.

My sister, who is part of the general audience, and is not present in fandom spaces, has the same opinion. The idea of Azriel and Elain not ending up together doesn't make sense to her. Prior to showing her the bonus, she had already assumed Azriel and Elain would be the next pairing in the next series. Because she had only read the canon text. The canon text that is available to everyone. The bonus is not.

So, essentially, what I'm trying to say is, if the next book does not feature Elain as the main character, and Azriel as the main love interest, with sprinkles of Lucien here and there because he is still important because of the mating bond, then there will be a gigantic chunk of casual readers, who are not involved in fandom spaces, that will be utterly confused at the direction of the story. Because for people who are not on social media, they are only using the canon books. Their information is only coming from the canon books that are available for all readers. If information in bonus chapters is supposed to be important, then it would be featured in books for everyone to read.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 少年歌行/The Blood of Youth

The Blood of Youth is a 2022 live-action adaptation of the tale of a deposed, disabled, and incredibly cunty prince who's on his way back to settle the score with his asshole father, and the rag-tag band of weirdos he accumulates along the way, including Spear Girl, Bad Monk, and Fire Puppy (pictured above).

I hope you like shounen anime, because this is the most shounen anime something is allowed to be without actually being based on something running weekly in Shounen Jump. What if Nirvana in Fire were also Naruto? It would be the Blood of Youth.

This show is an underrated gem of action-packed fun that not nearly enough people in English-speaking fandom have seen. In an attempt to correct that -- and ahead of an announced second season and prequel in progress -- I'm here with five reasons you should try it out.

1. Zero thoughts head empty

You do not have to pay an enormous amount of attention to this show to understand what's going on. The show itself does not always know what's going on. It got distracted by a shiny object over there, and now we're all gearing up to go punch the shiny object. We'll get back to the main plot when we're done with the punching.

It has a million billion plot threads going on at any given moment. Bad guys roll in from sects you've never heard of before, using superpowers with stupid names, only to get kicked into next week. There's approximately eleventy thousand characters -- so many, in fact, that I ran into problems several times while making this rec post, because there aren't readily available photos of everyone I want to talk about. Just look at the DramaWiki cast list. See how it goes on for like fifty screens? That's a little what the show feels like.

Except I'm not saying that like it's a bad thing, because the show knows it's doing this, and it acts accordingly. It telegraphs pretty well who's important and who isn't (and then it goes out of its way to color-code the latter, which is handy). What you're left with is absolutely a manga-style plot, complete with training arcs and semi-relevant sidequests, all working up to the final boss match.

It is an extremely self-aware show. On multiple occasions, something would happen, I would crack a joke about it, and then a beat later the show itself would make the exact same joke. I wouldn't call it an outright comedy, but it's still very funny, and on purpose. It has no illusions about being some kind of profound, meaningful epic. Mostly it's just here for a good time.

Yet this lightheartedness is what makes the powerful emotional parts really powerful by contrast. The show is not stupid; it's just goofing around most of the time. When it knuckles down, it can be devastating. And you know what? It does wind up being profound and meaningful about some stuff. How about that.

So yeah, if you're up for something that bops merrily right along and only occasionally rips your heart out, here you go!

2. Putting the poly in polycule

Bisexuals, rejoice! It's representin' time!

Here you go, I made a relationship chart of about 40% of the show's potential and canonical ships. I could have included so many more, but I only had so much space on the image, so I had to leave out some amazing ones, like the sword hedgehog who's real into this one cougar who could easily wipe the floor with him, or the rich nerd who thinks he has a chance with the aforementioned hot butch, or the fancy MILF who cheated on the emperor with a dreamy jianghu man and is trying not to cheat on him again with a different, slightly less dreamy jianghu man. See? There's just so much.

I would also say these are not exclusive ships. They are extremely inclusive ships. I am a fan of most (though admittedly not all) of the pairings listed here, and in fact of many of the three-and-more-somes indicated by these lines. They're such a cuddle puddle of shared intense feelings that it's hard to imagine anyone getting more than mildly jealous. Moreover, the potential for romance does not get in the way of hetero friendships; a boy and a girl who are each dating other people can go do adventures together, and (mostly) nobody gets weird about it, which is nice. If anything, what makes the overall dynamic so polycule-like is how equally friends and love interests get treated, meaning that it's not difficult to see a lot of crossover potential between those two categories.

If you're like me, you're hesitant about canonical romance, especially when it's straight, mostly because so many straight love stories wind up being tiresome, gross, and/or skull-poundingly boring. You will then be pleasantly surprised by how the canon pairings with members of the main cast are not like this at all!

Xiao Se and Sikong Qianluo are the main textual romance, and golly gee, they're just cute as heck. As the chart above indicates, I like interpreting them as two Kinsey 6's who have found their single exceptions, Mulder-and-Scully-style. Maybe one of the best things about their relationship is that it gets sidelined all the time for the plot. They're not so busy being in love that they forget to get shit done. Then they get a bit of downtime and get to go on a date, and you're like, aww, those sweet gay disaster babies are gonna do a little bit of heterosexuality. Just precious.

Tang Lian and Fairy Rui are right up there with the cuteness. She's a sex-positive dancing beauty who wants to ride that pretty boy like she stole him, and he's a shy sword boy so tightly bottled up that he'll explode if he sees a bare ankle. Avoiding spoilers, I will simply say that this is a pairing of two relatively soft people, until a bad thing happens to one of them and the other hardens up about it. If that's your jam, they're here for you.

Lei Wujie and Ye Ruoye are probably the most magical and the most practical of the bunch. They have a beautiful, super-dreamy, really horny sword-dance meet-cute, complete with its own pop song ... and then that's it, they're basically just together. She likes him, he likes her, good for them. In-laws aside, it's a refreshingly low-drama situation. Besides, I always love it when the hypercompetent woman gets the sweet, devoted himbo who'd do anything for her. Ruoye's had a hard life, and she deserves someone who can dick her down good at night and make her a nourishing breakfast the next morning.

And then there is, of course, The Ship:

Xiao Se and Wuxin are canonical, textual soulmates. The show treats their dynamic as more important than any other. It's so important, in fact, that the show has to sideline Wuxin for huge parts of the drama, lest everything get too damn gay. They each get a boyfriend catch on the other. They both do fairly reckless things when the other is in trouble. They are the secret hidden happy ending to the series. They share the kind of ride-or-die relationship built on mutually being the hugest bitches in any given room. Whether or not you think this is romance, it is extremely romantic, and the series agrees as much as it can, all things considered.

And if none of those flavors of love float your boat? Well, have you considered ... eunuchs?

3. She likes e4e

So I'm on record as being real into eunuch characters, right? Well, if you're with me on that, you are in for a treat here, because these are some absolutely buck-wild eunuchs.

There's five main ones, and I can't even begin to scratch the surface of what's going there. Like, really, I don't even think I understood all of what was happening with them. They're kind of the bad guys, but then they're kind of the good guys, but then some of them are the bad guys, but then they're just working for the bad guys, but then they screw over the bad guys, and ... it's just a lot, okay? It's a lot, and it's all happening with this bunch of catty bitches.

Also, you would not believe the difficult time I had finding any images for this section. I guess for some reason, fandom isn't way into a bunch of canonically dickless color-coordinated middle-aged men in weird hats? Whatever, man, they are missing out. If, however, you have the good sense to be into the intense and complicated (semi-romantic??) relationships among colleagues who also professionally just happen to be missing their external genitalia, buddy, strap in (and maybe strap on, depending).

Don't let me oversell how much these guys are in the show. They're not. They're vaguely important at points throughout, and they become incredibly important near the end, but they're hardly main characters. They're mostly back at the palace, doing their various schemes and looking absolutely fantastic.

So if they're such a minor part of the story, why do they get their own selling point? Well, I think their presence is a good example of two specific things about the show:

Specific thing the first: It's so queer -- not gay, but queer. Thinking back to my last selling point, you will notice how many of those straight pairings may look normie on the outside, but once you get down to it are not playing by cishet rules. (For instance, I've seen a lot of people read Tang Lian's resistance to sexual advances as asexuality, which, sure!) Likewise, there are lots of incredibly important, intimate relationships that don't conform to standard romantic pair dynamics. Add to that a lot of bodies with unusual characteristics and conditions, and you've got the makings of plenty of delightful non-normative love stories.

Specific thing the second: There are so many things going on with so many side characters that there's a kink here for everyone. Don't care for eunuchs? How about slinky villains with mind-control powers? Devoted servants who would do anything for their masters? Former bad guys who owe life-debts to the good guys who saved them? Bonded pairs traipsing around the jianghu together? Sons nursing legitimate grudges against the men who killed their fathers? Alcoholic widowers with incredibly slutty necklines? Mysterious cross-dressers with unconvincing moustaches? Vengeful brides? Martial siblings? Murderous royals? Guilt-ridden half-siblings? Boring star-crossed lovers? All these and more! It's a smorgasbord of rarepair fuel!

Also, I just love these toxic drama queens. It's like if RuPaul's Drag Race had the authority to have you executed.

4. The most intriguing outfits I've ever seen in anything (and yes, I'm including Winter Begonia)

Time for a fashion show!

The asymmetrical fits, the detailed embroidery on everything, the brilliant colors -- everybody just looks so good. And yet everything still looks ... eh, I don't know if "practical" is the word I want, but at least wearable. Nobody's dragging ten-foot trains of fabric behind them or wrapped in eighty floofy layers of gauze (except Rui, but she's special). Their outfits are strange and elaborate, but they don't defy physics.

What's truly stunning is how often they get new outfits. Xiao Se alone changes clothes about once every other episode, and more if he's getting a flashback. He is the fashion plate of the whole series, and every look he serves is pitch-perfect.

They're not outright color-coded, but the main characters do have certain colors associated with them -- which is extra-fun when you watch those colors bleeding into their friends' clothes as their relationships get stronger. I also think -- and I'm willing to be proven wrong on this point, but I think I'm right -- that they recycle some characters' outfits into parts of other characters' outfits. On more than one occasion, I'd swear that Lei Wujie shows up wearing the left half of something Xiao Se was wearing a few episodes back (tailored to fit him, of course, because that dumb ponytail boy is tall).

Where I think the costume design gets massive points, though, is that the costumes are themselves adaptations.

Before the live-action series, there was a 2018 3D animated donghua. I have never watched the latter, but apparently the drama is intensely faithful to the animated visuals, to the point where some fights are shot-for-shot remakes.

Of course, you can do a lot more with unreal clothing and bodies in animation -- and you can show a lot more skin, at least according to Chinese content laws. The live-action costumers chose to preserve about as many of the appearance beats from the donghua as they could manage, while still accepting the limitations of real-life bodies and materials. You can see some side-by-side comparisons here. The live-action outfits manage to be instantly recognizable without being slavishly devoted recreating to their inspirations.

So if you're sick and tired of dreary, ill-lit shows with bland palettes, this vibrant, colorful drama may be just the thing for you. It's a rainbow from start to finish.

5. Actually a good central plot?

Despite all the wacky delightful shounen nonsense that this show has -- and it has a lot -- the core of the whole narrative, which is Xiao Se's story, is surprisingly great and cohesive.

The short version is this: Xiao Se used to be Xiao Chuhe, sixth prince and somewhat heir apparent. Then he and his jerk-ass dad had a falling-out that resulted in the prince's having his martial arts abilities all but taken from him. He's been living the life of a very well-dressed innkeeper for several years, trying to avoid all of that palace garbage. But now his jerk-ass dad is dying, which means that a lot of horrible decisions are finally having unfortunate consequences for everyone, and Xiao Se's got to get back in there to make sure everything does not go to shit and land someone terrible on the throne -- even if it has to mean taking it himself.

His central conflict is between what he used to be and what he's become. Does he miss being Xiao Chuhe, high-ranked martial artist and future emperor? Or is he happier being Xiao Se, long-suffering nobody who can barely run a business, much less hold his own in a fight? What would he be willing to do to get back what he's lost? What are his obligations to himself versus his obligations to everyone else? How much is he responsible for his father's bullshit? And why has he wound up having to babysit this stupid Fire Puppy?

It's okay, they're best friends now. Lei Wujie decided.

No spoilers, but I liked Xiao Se's ending a lot. I feel it's very true to the character and shows a real understanding of who he is and what he values. And really, at the end of the day, sometimes all you need for a happy ending is your girlfriend, your girlfriend's girlfriend, your girlfriend's girlfriend's boyfriend who's also your boyfriend, your other boyfriend, his girlfriend, and your long-distance for-real soulmate.

Feel like giving the youths a try?

You can find them on YouTube or on Viki. But be absolutely sure that no matter where you watch it, you make sure to go watch the epilogue as well. (And if you get real into the story, well, here's a link to information about all the other adaptations.)

You are also welcome for how I did not spend this post going off for five hundred years on how much I love Wuxin and his funky relationship to Buddhism. I figured that's way too niche of a selling point for most people, and might indeed have even been counterproductive. But know that I could have.

Also, I'm very happy about the announcement of a second season, because that's going to mean Liu Xueyi has to shave his head again, and he looks unbearably good with a shaved head.

Oh yeah, did I forget to mention the whole motorcycle photoshoot?

In case you hadn't noticed, the whole cast is stupidly hot. Hachi machi.

[thedemonofcat]

As I immersed myself in the books, watched the show, and even played one of the games, I couldn't help but wonder about the immense popularity of Jaskier among the fan base. Joey Batey's stellar performance in the Netflix series undoubtedly plays a significant role, but that only accounts for his portrayal in that specific adaptation.

Then it struck me.

When it comes to Jaskier, very little information is actually known beyond a few minor facts.

This is everything currently known about Jaskier

1.) Jaskier is an important character, largely depicted through his close friendship with Geralt, which forms a central aspect of his interactions.

2.) A talented bard, Jaskier received his education at Oxenfurt academy, where he graduated with the highest honors as a Master of the seven liberal arts. This suggests that he possesses intelligence beyond what he often portrays.

3.) Originating from the town of Lettenhove, Jaskier holds the title of Viscount, and his true name is Julian Alfred Pankratz Viscount de Lettenhove. The specific location of Lettenhove on the map, however, remains undisclosed.

4.) Jaskier is known to have numerous romantic partners, as the Netflix adaptation even confirms his involvement with both male and female individuals.

5.) Jaskier's loyalty to Geralt knows almost no bounds, and he is willing to make great sacrifices, even risking his life, to ensure Geralt's safety.

6.) Remarkably, despite being one of the few human characters, Jaskier seems to defy the aging process. This intriguing aspect of his character is not just a casting error in the Netflix series but is also referenced in the books, where his youthful appearance compared to his actual age is mentioned

The enigmatic nature of Jaskier's character offers a captivating canvas for fan creations. With limited canonical information, fans can freely explore various backstories and headcanons. Some popular fan theories propose that Jaskier is more than just human, potentially having ties to a non-human lineage. Others imagine a tragic past, where one of his parents, often his father, was abusive, and he grew up with siblings.

In the realm of fan fiction, creative minds have woven tales of Jaskier's immortality, delving into the reasons behind his agelessness. These speculations and many more allow fans to shape Jaskier as a blank slate, utilizing the scarce details available to craft diverse and compelling narratives that align with their own interpretations of the character.

This artistic freedom empowers fans to explore the depths of Jaskier's persona and invent their unique perspectives, making him a versatile and captivating figure in the realm of fan works

[dalishious]

Reclaiming Independence of the Dales

Before anything else, I’d just like to clarify that that vast majority of this is made of my own ideas, based on interpretation from the little canonical information provided, and a little inspired by my own people’s history and governing structure. Additionally, what I am presenting here is an ideal situation, not necessarily what I think is an immediately realistic outcome in the world-state established. So, please keep that in mind.

The Dales were established as a homeland for elves—a small piece of a continent that was once called their home in its entirety, before the humans colonized it—by Maferath in -165 Ancient. This was in reward for the eleven people’s participation in the fight against Ancient Tevinter. But in 2:10 Glory, Divine Renata I broke this treaty and declared an Exalted March against the Dales, ending in its annexation by Orlais.

[Related Post: All You Need to Know about the Exalted March of the Dales]

If Solas has very low approval with Inquisitor Lavellan, and Lavellan accuses him of not doing enough to help their people, he will say the following: “You could order Halamshiral returned to the Dalish, if you wished. But ultimately, you know that would fail. That even you cannot solve this.” I hate this with a burning passion. The reason I can’t do that, Solas, is because it’s not an option in the game! Why are you as a character angry at me, the player, for not doing something that is not an option for me to do? Why was this written? Just to push the point that it’s not worth it to try and fight back against oppression? Because if I refuse to accept hopelessness in real life, why would I in accept it in a video game where the story is made-up, and therefore anything is possible if the developers so wish it.

Regardless, according to Solas, the Inquisition has enough power to support the reclamation of an independent Dales. I imagine this would require a lot of political maneuvering within the Orlesian governance, and therefore I think the best opportunity to do this would be with Briala ruling through Gaspard. This would then later open the door for Briala to be the leader of the newly independent Dales, too. I would like to see Briala as ruler of the Dales not just because she is a favourite of mine, but because I genuinely believe she is the best established character fit for the job. She was trained in everything Celene was trained in, has first-hand experience in court, has extensive connections, and has demonstrated her ability and desire to utilize these skills and assets for the benefit of elven kind.

Briala’s blackmail on Gaspard may help prevent Orlais from invading again while under his rule, but to last longer, the Dales would need to establish itself as a strong, independent Nation with allies. This is why I believe it would also be important to have Leliana as Divine Victoria in such a world-state where this could happen. Leliana re-canonizes the Canticle of Shartan, and in making it available for the common person to understand, would ideally help sway the minds of the average Andrastian into supporting the Dales’s independence. The nobility would of course be much trickier, because they and the Chantry are the ones who actually benefitted from its annexation—but there is little they would be able to actually accomplish if they did not have the power of the people behind them.

As far as allies go, Ferelden could only gain from Orlais losing control of the Dales, because it would mean cutting Orlais off from a lot of Ferelden’s border, therefore reducing the threat of another invasion. Additionally, a leader with just plain good morals like say, Alistair, would easily accept the elven kingdom’s return. But even Anora is willing to grant part of the Korcari Wilds to the Dalish if Mahariel requests it, and while this sadly doesn’t last, it does show a positive sign into her potentially being open to the idea of an independent Dales as well.

I sincerely doubt that all Dalish clans would return to the Dales and re-settle down. After all, they have developed differentiating cultures over the years of wandering in separated groups, with different ideals and different ways of life that they might not want to give up. But many would return, and that would likely create conflict between the elves coming from the Dalish clans and the elves coming from the cities. We know that some prejudice exists against “flat-ears” as some Dalish call those from the city, and we know that city elves have adopted a lot of misinformation from humans into their views of the Dalish. It would take time and positive leadership to reconnect the people, without risking falling into some sort of hierarchy based on origin. This is why I do not believe one group or the other should single-handedly rule alone. Rather, I think there should be a Grand Council of High Keepers made up of those voted into the position each to represent a single district of the Dales. (I like the idea of there being seven High Keepers, not just because there are seven traditional districts of Mi’kma’ki, but because it works out that there seven of the Creators. So it makes sense that there would be seven High Keepers.) The Grand Council would meet and make decisions together, with one appointed leader at the head to act as the Council’s chair.

In terms of protection and order, the Emerald Knights should be reformed. This would include the Fade Hunters, to protect the people against demons and maleficarum, with there being no Circles or Templars.

Restoring the independence of the Dales would lead to a revival of elven culture in ways that could never happen before, because they would actually be free to pursue re-learning the language, re-discovering the history and culture, and sharing it all amongst each other. They would not have to fear arrest the crime of simply being an elf.  

But what of the other races presently living in the Dales? I see no reason why they would have to leave, so long as they would be willing to follow the Grand Council’s leadership. I imagine many nobility would flee to Orlais, simply because they would not stand for it. But for the average human or surface dwarf, their life wouldn’t really even change much; they’d still be managing their farms the same as always. Hell, it might even improve things for them, assuming the Grand Council gives fairer treatment than the nobility previously.