#posting into The Empty

[theriverbeyond]

companies underestimate how much locking their content behind needing an account will just make me go do something else. oh your website wants me to make an account to view this content? oh your website doesn't show media to logged-out users? okay. i didn't actually want to see it that bad. yeah. bye ✌️

[chez-cinnamon]

Ideas ideas ideas....

Thinking of adventures that could take place in my AU, a fancy ball adventure sounds perfect!!!!!!

There would be more but I had a busy and stressful day lol

[96z]

hey let's have this conversation again since the like/reblog ratio is getting SOOOO much worse. if you like content, reblog it. the people who follow you cannot see when you've liked a post, unless your likes are visible and they are routinely going through them, which i assure you they are not. by reblogging content, you are making it visible to other accounts. fanart, gifs, edits, etc. may be fun to make but they are very time consuming and it is much appreciated that if you enjoy them, you take the brief moment to reblog them to show that appreciation - and it helps. as fun as they may be, it is often kind of discouraging for posts to not do well because for every one person that reblogged it, five left a like and kept it pushing

[angel-cryptid]

[poorly-drawn-mdzs]

It's just guys night talk! Don't worry about it!

(Read Tiger Tiger and shake this man awake so he can finish that thought!)

[shotmrmiller]

there are two modes to simon. handsy and handsy.

handsy is the gentle hold he has on your wrist when you're watching a movie on the couch, his thumb brushing your knuckles, tracing ever bump and curve. it's a cozy arm thrown over your waist, weighty enough to leave your side sore after, with his leg slid between yours while he snores into your ear after a long day's work. the hand on your knee under the table while eating breakfast, lightly squeezing when you ask him if he wants more.

and then there's handsy. his grip tight around the soft of your waist, fingers creating little divots into your flesh as he tries to slow the pace you've set, feeling his climax too close too soon. it's how he fists your hair and maneuvers your head to the side without much effort while you're on your stomach, the light prick on your scalp only adding to the pleasure, as he mutters into your ear if you can give him another one. (guess you'll die, then.)

how he paws at your arse when he's got you on your knees with your face dug into a pillow as he pistons his hips, the occasional slap of his balls onto your clit making your ears ring and calves tense almost painfully, until he pulls you up, his chest and your back slick with sweat and you come with his one hand around your throat and the other jerking little circles on your stiffened pearl.

the two touches are so different from each other, one a tender thing as if he's afraid to hurt you and the other wanting to hurt, but a different kind of ache, the one he will always soothe with his fingers, mouth and cock.

(call him a triple threat.)

whether you like it or not, you've been conditioned. soft and gentle means affection and care, similar to him bussing the side of your head every morning before work while rough and firm means you're about to be ploughed until you're left to soak in a bath to recover from the onslaught.

and you'd been prepared to take this secret to the grave, to not tell a soul how he'd pulled you out of a pool with enough strength to feel your rear shoulder sting and you'd just about moaned in broad daylight. or how he'd moved you out of soap's trajectory during the first meet by the wrist and if you hadn't been wearing a jumper, your peaked nipples would've been visible to anyone.

but naturally, things never go your way. he'd found out in no time and now he uses that knowledge to his advantage. a quick sneaky fuck in price's bathroom during a barbecue starts with a vicious tug of your arm. getting ate out in the back alley of a pub: giving your thigh a squeeze so tight it could bruise while you sip on the swill you call beer.

and every single time he's pulling your pants down or flipping your skirt up, you're already dripping with want.

now to get him to stop manhandling you like that when the 141 are around.

(soap's left like a deer in headlights after he forcibly sat your tipsy arse down next to him because "LT said to keep 'n eye on ye," and a moan had slipped past your lips unbidden and now the girls boys are fighting someone help)

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[cait-sith]

Day 12: Core

[sunlit-mess]

-

[lotus-pear]

learning to love

[slavhew]

lonely

[decaffeinatedpartymuggoop]

“If you want more representation” okay but what if they did a better job than all the other actors???

Like, with PJO Rick didn’t go “only black people can audition for Annabeth!! Grover has to be Indian! Zeus has to be black!”

No, the actors auditioned, did a good job, and got the gig.

Like instead of crying cause all these white actors didn’t get it, ask yourself if they even deserved the position.

Everything isn’t some “woke” propaganda or “more representation.” They just deserved the job.

[cinthgarden]

Remember ?

[grayeet]

I love the pale garden and how it's like a parallel to dark forests. I love how the two divert expectations.

Dark forests, despite their name, are saturated and full of life. Even compared to regular forests, there's a lot more biodiversity than many of the "basic" biomes. There's three whole different trees found there, giant mushrooms, and plenty of flowers. They're one of the biomes capable of spawning a lush cave underneath it. It has its dangers just like any other overworld biome, obviously, but it's nothing overly more than anywhere else. Traversing it can be tricky sometimes and illagers may take residence in the biome's woodland mansions, but it's ultimately a very colorful and lively environment.

Opposing it is the new pale garden. Usually white and light colors are seen as pristine and good, but the pale garden takes it the opposite direction and goes right into uncanny valley territory. It has none of the color of dark forests, none of the biodiversity, none of the liveliness. It has trees and moss that look familiar, but something is off. It has a signature mob, but even the creaking is just a puppet of the trees, not really sentient, not really even plotting against anything. There's "life", but, once again, it's wrong.

I think the pale garden is a wonderful addition to Minecraft's world building as it is, but the deliberate parallel to dark forests? Delicious.

[klancer-warrior]

currently making a little mini comic for fuunsies so here's some wip panels!!!

[charaznablespeteevee]

Really glad to report that there is yuri in Gundam After War X