#posting fiction online

[writerobscura]

Read full post under the cut:

October is my favorite month for many reasons. One, I’m Polish. Two, I’m a Halloween fanatic. Three, autumn is glorious—I could go on.

I’ve tapped out 29 chapters of the TL&TO, and I’m still having fun with it. I think that might be a new record. Only nine chapters are edited to capacity (I won’t touch them again), but what a great high it is to keep creative focus and stay on a production track.

My numbers (included are numbers from syndicated platforms):

Bear House: 213 re-subscribed, with 194 returning every update. Tapas: 47 Subscribers with 8 returning every update. Archive of Our Own: 6 Bookmarks with 12 returning every update. Pixiv: 7 Bookmarks with 7 returning every update.

Bear House: Back in August, I purged most subscribers to ascertain who actually reads, as opposed to bot accounts skirting WordPress security and ninja bloggers seeking hits with comments and ‘likes, ‘ none of which are visible on my posts. Engagement with the work (and not the site itself) is my goal for this web serial, and many subscribers attached to Femitokon weren’t reading TL&TO.

Overall, I was highly satisfied with how many people came back. Since redesigning the site with the ‘Fictioneer’ theme, which looks and feels like an eReader (readers can choose text size, line width, fonts, etc.), I’ve been getting about 1-2 new subscribers a month.

I don’t promote much on the other platforms. I announce chapter updates on Insta, Tumblr, and Facebook with a Linktree link, and I tap out the occasional post at the Tapas Forums. I’m not happy with the Tapas numbers because most are clearly reciprocity subs from other writers who are not interested in reading my series.

I couldn’t understand why they would do this until I learned that Tapas doesn’t allow creators to earn ‘ink’ until they reach a certain number of subscribers + likes. Ouch. I continue posting there because I sub to a few series and read when possible – but it’s no longer my priority.

My impetus for syndicating at Tapas when I began writing TL&TO was the opportunity to purchase promotional space from them for my series. I planned to get about fifteen chapters in before ‘advertising,’ but Tapas did away with this feature about four months into my posting there.

AO3 completely caught me off guard. My fanfic always did well there because it’s AO3, but posting original work and expecting readers is like watching hair grow – or so I thought. Femitokon bombed there – ZILCH – no readers, but TL&TO boasts twelve regular readers, and my Kudos counts are ridiculously high for what is an original work. The AO3.gay mirror brings a large percentage of those numbers, and I hope it keeps growing.

Pixiv, like AO3, is a haven for fanfic and fan art, so my expectations remain grounded. I’m chuffed that seven English-reading users return every update, though, like many Tapas readers my story attracts, they’re the sort that doesn’t ‘HEART’ chapters as proof they’ve read it.

Bear House gets much more traffic with the Fictioneer theme, and my focus in the future is promoting TL&TO there over the syndicated platforms. Comments and conversations are private by choice of the commenter (I love that!), and reader engagement has so far been positive for me.

I still get the occasional ‘If you make this into a comic, I will read it.’ Ugh. My comics days are over because too much attention from strangers brings out the worst in me.

Would I be open to it? Sure, but would I take part in promoting it? NOPE. I learned my lesson from the past – too much attention brings out my toxic side. If you’re an artist who wants to turn TL&TO into something sequential, have at it. Just mention my name in passing, and keep me credited as the writer – anyone gives you crap about it, direct them here.

[unproduciblesmackdown]

Lackadaisy Enrichment

[a-bit-predictable]

arcane: A show about how people from all sorts of backgrounds can be broken down in their suffering and resort to doing bad things, and about how it's never too late to let go of hatred and break the cycle of violence.

some "fans": Selectively hating and demonizing every character that isn't their fav over those bad things. Willfully misinterpreting narrative details to paint those characters as negatively as possible to support a bad-faith argument. Fully dismissing obvious underlying reasons for the bad things with 0 sympathy. And denying that any of the characters' goodness ever existed or can still exist and be nurtured again after having done bad things.

the rest of us: just trying to enjoy a tragic cautionary tale with a hopeful ending in peace

[lacunafiction]

Some homecomings feel more like rude awakenings, but this one will become a waking nightmare. Find love while exposing the secrets of your eerie hometown!

The wait is finally over; Book One of The Fernweh Saga is out now for you to experience! 💚

✨DEMO✨ | GooglePlay, Steam , Apple, Choice of Games

If you enjoy TFS, please consider leaving a review/rating. It does wonders for the series and draws new readers into Fernweh, helping our community grow.

🌲TFS Patreon🌲 (New, alpha content from Book Two available!🎉)

TFS: Book One Achievement and Stat Guide 🏆📊

Thank you for your support and reblogs of this post are appreciated! 😊

The Fernweh Saga: Book One is a 600,000-word interactive, romantic thriller novel by Aelsa Trevelyan. It's entirely text-based, without graphics or sound effects, and fueled by the vast, unstoppable power of your imagination.

Return to a small town that you now feel a stranger in. It has been years since you were sent away following the tragic house fire that claimed your parents' lives, but the death of your grandfather has brought you back. While grim circumstances overshadow the visit you never planned on making, there are also opportunities to reminisce, reconnect, and reunite with old childhood friends, rivals, and neighbors. Familiar faces are all around, but will they aid or hinder you as your return trip spirals into a dark mystery and you start experiencing vivid nightmares? Begin to unravel what is going on in this seemingly idyllic, forested town.

A feeling of unease grows with each sleepless night spent within Fernweh's borders, but you can't leave yet…

It won't let you.

Play as male, female, or non-binary–with options to be gay, straight, bi, asexual, or poly.

Develop the beginning of a unique and enduring romance with 5 potential love interests.

Influence relationship dynamics with a cast of characters from your past and present.

Experience how your personality, habits, decisions, and relationships impact your visit to Fernweh and how you confront what lurks within the town.

Discover that things aren't always what they seem by making connections and noticing links.

Fight, resist, flee, struggle, or give in to whatever is invading your nightmares and the town; there is more to it than a boring ole monster…Much more.

Fall in love, forge friendships, and uncover your past while spiraling into a mystery.

Reblogs of this post and spreading the good news are immensely appreciated. I'm grateful for all of your support, and I hope you have fun in Fernweh! 🌲💚

[silvercat-s]

"a victim should never be shipped with the person who tortured them even if it's ""fanon"" and written as a normal relationship" I'm BEGGING people to PLEASE stop treating fictional characters like they are real people, that's so fucking embarrassing

"I don't care what people ship as long as it's not problematic" OHH MY GODD SHUT UPP

[waspgrave]

'You can't possibly be gay bc you like a male character' is SUCH a weird take in the year 2024. Not only is that male character my wife, I'm also his defense attorney and the father of his children

[skyfullofpods]

Happy audio fiction Sunday! It's October! The busiest time of year for my blog, as Halloween approaches and fiction podcasters everywhere celebrate scary season!

[blacktabbygames]

I've never understood when people complain about an ending being predictable, as if that's strictly a bad thing.

Not every story is supposed to be a guessing game, and often the most powerful endings work because you know they're coming, and the tragedy is watching them unfold with that knowledge.

[0809sysblings]

maybe this will get rocks thrown at me but i kinda hate when people call the 18+ prisoners "grown adults" as insults and ways to like... shut down any sympathy with them. how because they are "grown adults", they "should have known better". this has just always bothered me. i see it and i have to sit and stare at the wall for 10 minutes.

like. idk. being an adult does not automatically give you skills like Emotional Regulation, Impulse Control, Ability To Learn From Consequences, Ability To Plan For The Future, Critical Thinking, Interpersonal Skills, etc etc. you have to be Taught these things no matter how old you are. if you are not taught these things, and you are not supported in an environment that helps you further develop these things... you just. Aren't gonna be able to do them well.

adults just, typically, have accumulated enough experiences in life to have been able to learn these things. but not every adult has had that privilege. or some adults have had to just shut off the parts of their brain that would allow them to learn these things to be able to function at a basic level.

[niuniente]

That freaky feeling when you pick up a book and it's synopsis has your name on it, describing your life:

"Art had always been Niu's passion and the only thing she wanted to do in life, but mundane and repetitive commissions had killed her inspiration."

[mooseonahunt]

Tagging Anya hate under #Anya Mouthwashing is diabolical work. And then hating her cuz she gets praised for doing her job… no fucking duh she’s getting praised for keeping Curly alive. She was taught medicine in, presumably, a place where they had everything students needed to learn. I’d be so fucking amazed if they taught “how to keep a severe burn patient with no skin and no limbs alive for months at a time with basic first aid equipment” at nursing school.

[lunarharp]

things.. uh... Gentry era au

[coockie8]

So do antis realise that their assumption that the fiction we consume is "our entire personality" is pretty much only announcing to the world that the fiction they consume is their entire personality?

Projecting and all that.

Personally, I like to believe antis have lives outside of Twitter and Tiktok and shit, but when they claim proshippers entire personalities are what they show online, it makes me wonder if antis do actually have a life outside the internet, because surely if they did, they would understand that what someone shows online is actually a very small portion of that person' personality.

Their inability, or unwillingness, to understand this very simple fact leads me to believe that what they show is their entire personality. Because if you think what I'm showing is all of me, then that's probably because what you show is all of you.

[chutkiandchotte]

On gold-diggers

So if you watch any amount of Indian tv at all, then you are familiar with a common belief in the world of rich people of ITV (and IRL as well of course, this is how audiences think too), that poor women are always on the make, looking to trap rich husbands for a better life, the double edged sword of the term "gold-digger". I uhhhh rambled a bit on this topic.

The idea of the "gold-digger" is so ingrained that we all instantly understand the negative power of it. We may object with horror and anger when the asshole hero, or his backwards family levy this charge against our beloved female lead; but we, the very same audience won't hesitate to turn around and levy the very same charge against the "vamp" character; the girl in tight clothes who drinks alcohol and *gasp* has no sanskaars - like clearly, SHE is in it for the money, otherwise why would she put up with such a toxic boyfriend?

(like of course it cannot be that the vampy girl is sticking around for the same reason that WE the audience are falling for this toxic male lead despite knowing how much he sucks - it cannot be that she finds him hot & values his good qualities & as for the bad qualities, he's just a traumatized lil baby, i can fix him! - no, that can't be it, because then it feels uncomfortably close to relating to the vamp, and that cannot happen, of course!)

no, she, the vamp, only loves his good looks and his money and his hotness, she doesn't love his "true" self at all, she's a GOLD DIGGER!!! we revel in the power of the gold-digger charge, and how it humiliates her.

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what inspired this rant? i had an intense argument with someone on another platform, about Lavanya's character (from IPKKND). this person insisted that Lavanya was a gold-digger who never loved Arnav. But La is rich, I argued. So what, she said. Even if she is rich, she isn't as rich as Arnav. Arnav is 10000 crore guy, Lavanya is just 1000 crore girl. A gold-digger. She just wanted him because he was a "catch" while Khushi wants him for his true inner self. But La put up with his family for his sake, I argued. She did so much to please him. Well, this person said. That's the proof. Lavanya tolerated all of Arnav's and his family's BS without objection, hence, she MUST be a gold-digger. didn't I know? rich men are always targets of "girls like Lavanya". of gold-diggers. she kept using that word over and over again for Lavanya, probably because by then she had realized how much it was pissing me off. (what can I say? i can definitely be an easy target for trolling at times).

internalized misogyny often goes like - most women are sluts/stupid/useless/greedy schemers/<insert other sexist tropes>, but I - I will prove myself worthy of men's affections by being not <sexist trope>, then maybe I won't suffer the negative consequences those other women do!

and yes, I speak from personal experience. what woman HASN'T harboured deeply toxic thoughts borne out of internalized misogyny at least once in her life? we live in society, how do we escape it's influences?

and caught in these confusions, when we read stories, we project.

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there are, of course, real life cases where there are women who (to quote Amy March) look upon marriage as an economic proposition and make matches based on financial gains. the horror!

of course, that its both men and women, who make decisions about marriage/love based on money, doesn't cross often our minds when we think about gold-diggers. that in desi society at least, majority of marriages ARE economic propositions involving heavy financial transactions, is not at all the same topic. because those transactions are done by the elders; by the men in power, and their enablers. those are transactions that keep society running in its status quo. the horror! the gold-digging horror of it comes in, when its a woman by her own volition seeking to better her financial status as easily as she possibly can, without making any sacrifice or compromise! how dare she? how dare! doesn't she know the tax of living for a woman is sacrifice. you can't pass go without it.

and the OTHER much much larger parts of reality definitely don't exist while people are busy labelling women as gold-diggers. the parts where the leading cause of sudden death for women is murder at the hands of an intimate partner, where 3 out of 10 women have been abused by a partner (and this is just reported stats - who knows what the real figure is). And what about the reality where one of the key aspects of an abusive relationship is financial abuse & power imbalance due to the victim having no resources.

in India, especially, the sad, sorry, disturbing TRUTH is, justice is a monetary transaction. the richer you are, the more you can get away, especially in the matter of women, since as a society we are ever-ready to disbelieve women.

this is also why in this reality we live in, many girls families themselves INSIST on paying dowry - on sending more and more gifts even after marriage - because you know what they're buying? no, not merely a "respectable" husband for their daughter. what they are paying for is the safety, respect, and dignity of their daughter in her married family and their own "standing" in society. its a grand and most successful blackmail scheme; because everybody knows, the girl who brings nothing to her husband's house, is fair game for every other type of exploitation. she's got to pay her dues somehow.

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so. when a poor girl marries a rich guy, it might seem like a fairytale on the outside. it might seem like, its every poor girl's dream. but in REALITY, what it is, is the girl signing up for a statistically much higher risk of being abused, raped, and murdered. not a dream so much as a nightmare.

yet, its always the woman's character that is on trial - SHE has to prove that she isn't a greedy schemer out for his money but a pure hearted girl genuinely in love - while all HE has to do, is stand there and be hot and rich; he never has to prove that he won't abuse her. heck, he will provide categorical proof of being a future abuser, and its absolutely no stumble in a romance path. the power of the word gold-digger is always hanging on her head; the hero as well as the audience, her lover and society, ever eagerly searching to judge her for the same; a little slip, and she could be in vamp territory!

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I tend to be...passionate...about my fictional people opinions. I have definitely heard "its just a story" many times in my life. But I disagree.

These conversations we have about fictional characters are reflections of our realities. And these are Indian daily soaps, not grimdark crazy premise sci-fic/fantasy HBO shows. The same court in which we judge fictional characters, also becomes a court in which we judge real people around us. This is the power of stories, the danger of them - they can reiterate the worst that is in us, reinforce our worst selves; or they can open us up to new perspectives and expand our empathy.

i mean we have seen SO MANY iterations of the angry anti-hero young man, embodying every trope of toxic masculinity, and then turning out to be a perfect husband at the end. character development and taming the beast. alls well that ends well. men can be fixed. sometimes love looks like hate. etc.

i long for a story where we see a heroine who IS a "gold digger"; who is practical, realistic, and smart, who has a career and ambitions but maybe has tasted too much of poverty to ever choose it for herself if given an option. who chooses and chases a guy because the thing that matters to her is financial security and an easy life. why does this girl always have to be the villain? if abusers can reform, why not gold-diggers? why can't SHE be hit with a character development stick, in the same general standard of dignity as a corresponding male lead, and learn some lessons and fall in love and become the best version of herself? and if she does get to do all that, why does she HAVE to be humiliated in some evil way, and/or die at the end, why can't she live, learn and have a happily ever after?

why, in fact, do we reserve so much passionate vitriol for the fictional female offenders - the vamps and the career girls and the ex girlfriends - the ones driven by jealousies and insecurities - while keeping infinite reserves of forgiveness for their male equivalents?

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No - Lavanya has to be a gold-digger, a hopeless harlot, for Khushi to be a perfect wife, for Arnav to be absolved of his sins against Lavanya as well as Khushi, for the audience to be in no danger of relating to a woman as evil and out of bounds as Lavanya, for us all to maintain our collective delusions that rich men are victims of those women, as opposed to being their predators.

EVEN in a show like IPKKND which went out of the way to have a different, ground-breaking narrative...there's this reading of the text. There's the cognitive dissonance to judge/hate Lavanya for certain traits while finding Arnav sexy for those same ones.

I don't think it is at all surprising that Indian tv can never seem to get over its madonna/whore complex - because honestly, we the audience, seem to enjoy it too much!

[sirenofstyxx]

This isnt new or original at all but i gotta say some of my favorite characters are always those absolutely awful charismatic bastard villians who in fiction I enjoy but if I met in real live I would punt into the stars. Bonus points when they get their inevitable and extremely satisfying comeuppance and get their ass handed to them

[leezuhh]

it's crazy to me that there are people out there who still think that media and fiction do not affect how people think at all