#poor james lol

[nukacourier]

James probably was constantly surprised at just how sweet Arcade was consistently in their relationship because James hadn't actually dated another man since Butch when he was 19-20 and Butch definitely didn't do nice things for him often

[rheya28]

"Hello's"

[ashortdropandasuddenstop]

"Show that it's worth sharing what I know with you and I'll do so." The pirate said with a nod in agreement. If James really wanted to see justice through hopefully they could come to more equal grounds. But how long this would take worried Hook. His crew was still out there sailing, without their captain they were laying low so they wouldn't get captured as well. There were sea farers that Killian escorted, fishermen and small merchant ships he would protect in dangerous areas from both man and monster.

In the logs of british ships that had encountered the Jolly Roger and it's pirate crew, the captains would initiate offensive action against the pirate ship. The pirates would return fire and circle around their attacker's to the stern where they would proceed to board. The fighting was brutal but Killian and his crew didn't seek to kill and deaths only occurred when someone wouldn't yield. The pirates would come out victorious they would proceed to dismantle the canons to make them in operatable, stealing gunpowder, some wealth and food rations but leaving enough for the ship to make it back to the closest port. They were not ruthless in the slightest, the physician even tending to some of the british sailors wounds before leaving them. No recent records indicated Hook committing acts of piracy.

James found himself growing increasingly frustrated with Killian's evasive tactics and demands. The pirate's flirtatious nature and reluctance to provide information tested his patience. As he walked away from the cell, he couldn't help but mutter under his breath, "Stubborn pirate��"

Hours passed, and the weight of his conscience settled upon James. He couldn't shake off the feeling that there might be more to Killian Hook than met the eye. Unable to find respite, he decided to delve into the naval ship logs, hoping to find the truth buried within the records.

As James delved into the naval ship logs, even MORE frustration began to creep in. The accounts painted a different picture from the notorious reputation that surrounded Captain Hook. The encounters described the pirate crew's tactical maneuvers, their avoidance of unnecessary bloodshed, and even instances of aid provided to injured sailors. It was in stark contrast to the ruthless pirate he had envisioned.

"Blast it all," James muttered to himself, realizing that he had underestimated the complexities of the situation. He couldn't help but feel a growing irritation towards the pirate for forcing him to question his preconceived notions.

A persistent unease gnawed at James. He couldn't shake the feeling that he had judged Hook too harshly. It was a nagging conscience that pushed him to revisit the cell where the pirate was held.

Approaching the cell, James found Killian still seated in the corner, his eyes fixed on the entrance. The commadore hesitated for a moment, taking a deep breath to steady himself.

He paused, his gaze steady as he met Killian's eyes through the bars. " It would seem I- I owe you an apology. My initial judgments were clouded, influenced by assumptions and preconceived notions. I was wrong, and I'm sorry." his voice carrying a rare hint of humility. "The logs tell a different story than the one I've been led to believe. Your actions, while not entirely innocent, reflect a level of mercy and restraint that is seldom associated with piracy." The weight of his words hung in the air, and James waited for Killian's response.

"You are not judge or jury, only executioner. Only thing you're achieving is hurting innocent lives, there are people who count on me. Who I protect. They will die thinking I abandoned them." The pirate said and pointed to James with his hook. "You don't care about innocent lives, you only care about about your king's people. Rulers are all the same, they convince you to serve them but once you are of no more use they toss you away. You're expendable, just like I was."

Killian went back to the far wall of his cell to sit back down on the floor. His demeanor reflected he wasn't interested in talking to James any more. "Just because you have morals doesn't mean those you tell will have the same." The pirate crossed his arms and stared over at his captor. "I'm not giving any more information for free. You want to know more you got to give something. Maybe go look at the naval ship logs of those I've 'attacked'? I've hardly sunk any so I'm sure they're somewhere. Might be surprised by what you read."

[aludraslytherin]

Why the fuck, when the Fidelius Charm was cast, did they not think to make a goddamn unbreakable vow !? Like, it's so obious ???

And Sirius ? They can literally take a memory into a pensine something and watch it, they have legilimency for crying out loud !! They have veritaserum ! So whyyyyyyyyyyyyyyyyyyyyy ??? It's so stupid!

And Dumbledore ! oh this sorry excuse of a human being !

He knew that Peter was the secret keeper ! So WHY IN THE EVERLY MOTHERLY FLIBBIDY FUCK didn't he said so ???

It makes me so fucking crazyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy

And everyone that is like 'ThE BoY WhO LiVeD' 'hE DefEtEd tHe DaRk lOrD' erh, NO ?! It was thanks to LILY ?? He was just an INFANT who had the chance to be under a protecting spell created by LILY when she SACRIFIED HERSELF for her son ? Why is everybody forgeting about her ??

Oh, and don't start me about Snape !

'hE wAs BulLiEd bY JaMeS, HiS WoRsE MeMoRy iS HiM BeinG BuLliEd' Yeah, because he called Lily a slur

'hE WaS jUsT MiSuNdErStoOd' No, he was a death eater, fully believing in Voldy's BS,he only changed side because the girl he was obsessed with was in danger... Because of HIM ! People tend to forget that he was the one searching and giving the prophecy to the dArK LoRd, resulting in Lily's death.

And, 'JaMeS WaS jUsT A BulLy' We only sees him throught Snape's pov, aka, when he got 'bullies'c after he called Lily a mudblood.

And if James is a bully, doesn't that mean the Snape is one too ? No because :

-He made fun of Hermione for her teeth

-He bullies his students

-he exposed Remus when he had no reason for, since he is the one brewing the wolfsbane potion

-he hates and bullies the son of 'the love of his life' because Harry had the infortune of looking like his father, that Snape resents

-favoritism

-he was a death eater

-he is a racist

-he is a blood supremacis

-he is Neville worst fear, the boy who literally had his parents torturedby Bellatrix. Shouldn't she be his boggart ?? But noooo, it's our 'wonderful and misunderstood' Snape

-when he hugged Lily's body, while her son was crying his eyes out, being hurt, seeing his mother die, having blood on his forehead, and then leaving the house without even comforting or taking Harry to Saint-Mungos !!

-blamed James for bullying him, when he created Sectum Sempra, and was into dark magic !

-trying to make Harry expelled

[redacted-gay-username]

Prove me wrong, but If Tim and Sasha were alive throughout seasons 3-4 of tma they would totally say eye themed jokes to Jon 24/7

[lnich]

I just cued up a movie, and the opening narration starts by saying, "Biologists will tell you that every living creature on the planet has been discovered."

I think this movie is going to be bad XD

[manzis-world]

Mary dedicating this song to james at their seventh year Halloween party

[r0semultiverse]

Classpects & Canonicity (an observation & speculation)

Vrissy isn't the same classpect (thief of light) as Vriska or just can't have a classpect due to this timeline lacking canonicity; alternatively, the difference in classpect is in part due to the timeline falling outside of or (in other words) beyond canon.

Is that part of why Vriska can tell it's phony? The lack of Vrissy having her own classpect? Or is Vriska cosmically tuned-in somehow to knowing something is wrong? I mean some of the stuff that has happened is pretty wonky, but I feel like this is part of her powers as a character. She's always been a key point in moving things forward & now that things aren't moving much at all in regards to canon, she is here to steal the spotlight & shed some light on this whole thing.

When/if Vriska fixes the canon, will Vrissy vanish along with the other characters or become changed? Similar to the hypothetical dream sequence we see near the end of Adventure Time Fionna & Cake, perhaps. Alternatively, will classpects suddenly be thrust upon all the new characters & their existence as well as their personalities remain??

There's much to think about here, let me all know what you think! 💜

[seriousbrat]

@annasghosts I didn't want to pile on that post any more lol but I wanted to reply to this because it's interesting.

To me headcanon always implied something that could feasibly be canon. Like, to me it means "in my head, this is basically canon". So presumably something that you think would fit believably into existing canon but just hasn't been confirmed. So a headcanon would be "I think Vernon Dursley is a chelsea supporter", like u can't just go "I headcanon that the avengers came to hogwarts and were sorted into a secret fifth house".

It does seem like it's been warped over time. In some ways I think this is okay, such as saying "my headcanon is that Sirius was gay" even though iirc jkr said he wasn't*. Because even though it's not true in terms of the author's intent, it also doesn't contradict canon in any significant way. There's no concrete information either way in the actual text and it doesnt (or shouldn't lol. anyway...) change anything about the character or the story.

however since most of the fandom has Pretending There Is No Info About the Marauders disease, this just leads people to use 'headcanon' to mean "any random thing I made up on the spot which I personally would like to be true" to the point it has no meaning lol. Since the fanon Marauders are basically just OCs at this point, their "headcanon" are just character traits that they've given to their original characters. Which is kind of funny.

*edit: apparently jkr did not say that and I misremembered/was misinformed. BUt I do think it's likely that he wasn't intended to be gay, so I think my point stands anyway.

[pinazee]

The irony that Jim Kirk has had more screen time than Sam Kirk despite not even being part of the enterprise crew is very meta and i love it

[get-back-homeward]

Paul’s Trying To Get To You

The thread of this song weaving in and out of Paul’s most formative music experiences

Oct 1956: Elvis’s debut album is released in the UK as Rock ‘n’ Roll and the B-side includes Trying to Get to You

I just had to reach you, baby / In spite of all that I've been through / I kept traveling night and day / I kept running all the way / Baby, trying to get to you.

Well if I had to do it over / That's exactly what I'd do / I would travel night and day / And I'd still run all the way / Baby, trying to get to you

[full lyrics]

Jan-June 1957: Ian James gets the Elvis record and a guitar

“It was in this time frame that Paul formed a closer friendship with Ian James, an Institute boy (in his year) he’d known since 1954. Ian was also into rock and skiffle and he’d recently been bought an acoustic guitar by his grandparents, at whose house he lived in the Dingle. (Every guitar had a maker’s name: his was a Rex.) The two boys became good pals on the strength of it. While they tended not to see each other in the evenings, because they lived some distance apart, Paul often went to Ian’s house for an hour or two after school—they walked there together down the hill from the Institute—and Ian sometimes went to Forthlin Road at weekends, taking his guitar with him. Ian James held a triple attraction for Paul: he was an intelligent, decent and affable lad, he had some rock records, and he had a guitar—an unbeatable combination.

In the front room at home I had a table-top portable record player, three speed. I remember playing “Blueberry Hill” by Fats Domino over and over, just the first line and then I’d pick up the needle and put it back at the start. I also had Elvis Presley’s first album, which we played time after time after time, with “That’s All Right Mama,” “Trying to Get to You,” “Lawdy Miss Clawdy,” “I’m Gonna Sit Right Down and Cry (Over You),” “Mystery Train” … Elvis was the one to copy, he was the hero. He had everything: the charisma, the looks, the voice. Frank Sinatra had only one style but Elvis could do anything—gospel, blues, rock and roll, romantic ballads. There was nobody else like him. Paul and I talked about Elvis all the time.15

The Rex guitar was ever at hand. Ian showed and reinforced to Paul those three chord fundamentals that would get him started, C, F and G or G7, the basis for pretty much every song they loved.”

—Tune In (Ch. 5, Jan-June 1957)

July 1957: Paul is invited to join the Quarrymen and trades his trumpet for his first guitar

At some point in July 1957, Paul finally got his first guitar. It had been a long time coming and he was desperate. As he couldn’t afford to buy one he had the bright idea of swapping his trumpet for it, the one his dad had bought him two years earlier. Jim didn’t mind—it was clear where Paul’s interest was. “I traded in the trumpet for a £15 Zenith guitar from Frank Hessy’s. There was a feller there called Jim Gretty and he showed us (me and George) a great chord. I never knew its name—we called it ‘a jazz chord’…”

Mike McCartney has said of Paul and his first guitar, “He would get lost in another world. It was useless talking to him—I had better conversations with brick walls.” Paul played the guitar everywhere, even on the bus. At home he played it in the bath and sitting on the toilet. “The fine acoustic of the toilet area was always very appealing to me. And it was also very private, about the only private place in the house. I used to sit there for hours—there and the bathroom. Dad would shout, ‘Paul, get off that toilet!’ [And I’d reply] ‘I’m practicing!’ ”4

…Rod Davis has a recollection of Paul dropping in to see a group rehearsal at (of all places) Mimi’s house, and Eric Griffiths says the group all went to Paul’s house one afternoon for a rehearsal together—something Paul has never mentioned. (Like almost everything to do with the Quarry Men, solid information is lacking.)

…Ian James says he and Paul struck up an informal musical duo: “We used to take our guitars around to parties and play a few numbers. Have guitar will travel—wherever we went our guitars went too. We played songs from that first Elvis LP: ‘Trying to Get to You,’ ‘Lawdy Miss Clawdy,’ ‘Mystery Train’…

—Tune In (Ch. 7, July-Aug 1957)

Aug 1957: Paul’s away at summer camp and then on holiday but glued to his guitar

[O]n August 7, the Quarry Men played the Cavern again…This Cavern booking would have been Paul’s Quarry Men debut but for him being away with the Boy Scouts at summer camp—another ten days of wet feet, wind and Woodbines. The 19th City troop’s destination this year was the Peak District—Callow Farm, Hathersage, Derbyshire—and both McCartney brothers went. Paul (inevitably) carted his Zenith along with his sleeping bag and tin mug. Almost as soon as they’d pitched tents, Mike had an altercation with an oak tree, badly breaking his arm; he was taken to the hospital in Sheffield while Paul remained at the camp and entertained around the fire with Elvis’s “Trying to Get to You.”13

Mike was in the hospital four weeks, his plastered arm in a sling, and on the day of his release—the last full week of the school holidays—Jim arrived in Sheffield with Paul and revealed they were all heading straight off to Butlin’s. Bett and Mike Robbins had fixed them seven days at Filey, on Yorkshire’s east coast…

Ever the keen photographer, Mike operated the camera single-handedly to take a fascinating photo of Paul on Filey beach with Bett Robbins and her infant son Ted. Paul is perched on Ted’s pushchair and playing the much-traveled Zenith. The photo could be the closest taken to the date he met John Lennon, showing a 15-year-old who’s come through his chubby period and is looking good.

—Tune In (Ch. 7, July-Dec 1957)

Oct-Nov 1957: Paul plays his first gigs with the band as John’s equal

In images of the Quarry Men before Paul joined they’re all wearing different clothes. In the first photo of the group with Paul they have a uniform look, and a sharp one at that: white shirts with black bootlace ties and black trousers, and John and Paul (only) are also wearing jackets on top, white or cream—it’s Paul’s “white sports coat” and something similar John has managed to acquire. This was undoubtedly Paul’s doing, reaching back to his experience at Butlin’s in 1954 when he saw how a singing group in matching gear claimed everyone’s attention. He’d brought the thinking early to John, and John had bought it. And something else is compelling about this Quarry Men photo: although it’s John’s group, new boy Paul is not at the back with Colin or Len, or to the side like Eric, he’s up front with John. Lennon and McCartney are clearly the front line of the Quarry Men, strumming crummy Gallotone and upside-down Zenith, and they’re the only ones with vocal microphones. The group is the two of them and three others. When one sings lead the other provides harmony; often they sing the lead in unison—and their voices go together.

One can only surmise what they sang into those microphones. Nigel Walley remembers plenty of rock in the repertoire in this period and not so much skiffle, including several Elvis numbers—“All Shook Up,” “Blue Moon of Kentucky,” “Heartbreak Hotel,” “Hound Dog,” “Lawdy Miss Clawdy,” “That’s All Right Mama” and “Trying to Get to You”—as well as “Be-Bop-A-Lula,” “Blue Suede Shoes” (Carl or Elvis), “Come Go with Me” and “Twenty Flight Rock.”

—Tune In (Ch. 7, July-Dec 1957)

Jan-May 1958: Paul writes In Spite of All the Danger and John wants to record it

As George knew several more guitar chords than John or Paul, every time he showed them a new one they tried to write a song around it36—and it was in this period, possibly at Upton Green, that Paul wrote one he called “In Spite of All the Danger,” a chugging and melodic country-flavored number with a couple of extended lead guitar solos created by George. For this reason, the song was a unique deviation from the Lennon-McCartney credit: it went down as McCartney-Harrison.

The tune of “In Spite of All the Danger” was entirely Paul’s, but it leaned heavily on the melody of Elvis’s “Trying to Get to You,” a song that includes the lyric “[in] spite of all that I’ve been through.” Using an existing song as inspiration for the writing of another is standard practice, but the rock and roll era was already littered with outrageous examples of plagiarism seemingly free of legal action—possibly because the song being copied was not entirely original to that composer either.

…John decided the Quarry Men should make a record, and the others needed no persuading—just 3s 6d each. This time the answer to “Where we going, Johnny?” was 38 Kensington, where one Percy F. Phillips ran probably Liverpool’s only recording studio and record press.

Seventeen years later, without the advantage of hearing it in between times, John recalled what he could of the session: “The first thing we ever recorded was ‘That’ll Be the Day,’ the Buddy Holly song, and one of Paul’s called ‘In Spite of All the Danger.’ It cost us fifteen shillings and we made it in the front room of some guy’s house that he called a recording studio.”

…John again sings lead on “In Spite of All the Danger,” Paul provides more fine harmonies throughout, and George adds an “ah” backing. It’s said Colin and Duff hadn’t heard the song before, and so were feeling their way through it, but it’s not solely for this reason that it plods somewhat. Though the debt to “Trying to Get to You” is clear, it’s still an original number and an interesting, attractive one at that, written by a boy of 15—a fantastic achievement.

—Tune In (Ch. 8, Jan-May 1958)

[shostakobitchh]

me writing Ariel and Remus talking about James

[siriuslytruee]

as soon as i see a 'james fell first but regulus fell harder' story i start giggling screaming and kicking my feet in the air everytime.

[sinistersxns]

Open: F Connections: Any and taboo friendly Plot: 'I want so desperately to lose my v-card but I'm too nervous and introverted to actually attempt having sex with a stranger. But I'm not that way with you, so can I ask a favor' type of plot.

"I can't stop thinking about it." Were the first words out of James' mouth, standing outside of her place, not caring that the rain was cold or that he looked like a completely desperate and pathetic idiot waiting for her in the rain. He'd never been one to be so open and honest, but this was driving him insane. "I'll do whatever you want, I don't care what it is. I just want to experience this and you're one of few people that I don't feel anxious around to ask for this kind of thing."

[paceypeternathanslawyer]

One Tree Hill Meme {107/187} Season 6 Episode 1: Touch Me I'm Going To Scream, Part 1 Nathan & Haley In Every Episode

[james-stark-the-writer]

now that i've actually seen Poor Things, i've been watching the interviews for it and videos about it and so on and i'm watching the video from Vanity Fair of Ruffalo watching his movies and him comparing Duncan from Poor Things to Andrew Tate is fucking killing me, like genuinely. absolutely fucking hilarious. but also Duncan is so much better than Andrew Tate like Duncan sucks, do not misunderstand me, he is absolutely horrible, but he is so much better than Andrew Tate lmao.

also, whenever i see Ruffalo getting even remotely "political" at this point, i just remember that he made a tweet about Palestine like maybe a year ago at this point, or possibly more, that properly called what's happening a genocide and then was forced to delete it in like under 15 seconds and then immediately had to tweet something about how it is a "both sides" issue. i'm sure his management sucks ass.