#podcast radio show social media

[flyertemplates]

Dj Flyer Template is very modern psd flyer that will be the perfect for your online dj stream, Club event or Guest Dj party! All elements are in individual layers and the text is fully editable!

2 PSD files – 4”x4” with 0.25” bleed + 1080×1080 Rgb Flyer

[lady-raziel]

It's time...we're edging the sleep

Link to the full pdf document HERE (includes links)

What This Is:

A collaborative, grassroots initiative for fans of Markiplier and The Edge of Sleep to promote the newly released TV show on Amazon Prime Video to raise awareness and generate attention that will drive supporters and casual viewers alike to watch the show.

Why This Exists:

Fans of the hit podcast and followers of Markiplier (Mark Fischbach) have been anticipating the TV adaptation for years since it was announced in 2021 and have been waiting to watch the show since then. However, after radio silence since nearly after filming completed, the long-awaited show is now being dropped on Amazon Prime early—before any official promotion starts.

Many fans disagree with the confusing treatment of an adaptation they have been wanting to watch for years, the haphazard amount of pre-release promotion for the show, and the increasingly high benchmarks of instant success placed on creative material, regardless of origin, that challenges the ability of new ideas and stories to thrive and grow.

This collection of suggested guiding materials is intended to serve as a starting point for fans and advocates in taking matters into our own hands and promoting the show we want to succeed, to open doors for future creative projects for all sorts of innovators, and to bring attention to the current challenging creative environment that stifles new projects before they have a chance to shine.

CRITICAL TAKEAWAY (if you read nothing else):

Stream The Edge of Sleep on Amazon Prime Video if you can and TALK ABOUT THE SHOW. Talk about it and anything else covered in this guide as much as you can, because every bit of chatter matters in allowing this project to succeed.

(More info on steps you can take to help under the page break, or check out the full doc linked above for everything!)

Most Important Steps To Take:

Stream The Edge of Sleep on Amazon Prime Video, as well as add it to your watchlist and like the show on the platform to enhance performance metrics.

The full pdf document has information later on detailing how to access Amazon Prime Video as well as information on low-cost pricing and deals for gaining access to Prime Video, and how to use “Watch Party” mode to stream with others.

You can “like” the show even if you don’t have Prime Video and just have a basic Amazon account! Even small metrics like this impact both the front and backend impressions viewed by corporate employees.

Use the hashtags #TheEdgeofSleep and #TheEdgeofSleeponPrime on social media sites where hashtags are applicable in sharing material about the show. Share or make anything you can—memes, art, discussions of the story, pictures, edits, or even just posts saying you’re watching the show. Truly, it all matters and helps!

It’s important to use both tags or at the very least, the second one indicating the streaming platform. It identifies WHAT the show is and WHERE to find it, which is helpful information for those stumbling across The Edge of Sleep for the first time. Additionally, using the name of the platform frequently attracts attention for Prime Video, which can reflect back positively on the show in the eyes of the company if The Edge of Sleep is the source of the discussion.

Although it can be laborious to type out “The Edge of Sleep” every time and thus impulse says to abbreviate in both discussion and hashtags to “TEOS/teos,” this can hinder effectiveness as it is not a recognizable acronym to non-fans and might impact the potential of the full “The Edge of Sleep” title to trend on any social platform.

Share the show with anyone and everyone you think would like it, offline and in person. A personal recommendation will always be more impactful than any ad—everyone is an “influencer” to someone! Also, be sure to rate the show or add it to your watchlist anywhere you can—including on Amazon Prime Video itself through the like function on the show page, as well as on third-party sites like IMDB or TV Guide.

Not sure how to recommend the show to someone? The brief synopsis, “fast facts,” and “pitch” suggestions in the HELPFUL REFERENCE section of the full pdf document might help, along with thoughts of enthusiasm for the show, original podcast, or any of Mark’s other projects mixed in!

Sites like IMDB allow you to rate shows and films for free, even if you haven’t gotten the chance to watch them yet.

Most Important Thing To Remember:

JUST HAVE FUN!!! This is about promoting the show we’ve waited for and want to succeed, opening the door for more projects we want to see, but also just about getting together as a community and making cool stuff!

Again, you can find all this info and more resources in the full Strategy doc linked here. Go forth and sleedge △

[mostlysignssomeportents]

A media literacy handbook for Israel-Gaza

Next Tuesday (Oct 31) at 10hPT, the Internet Archive is livestreaming my presentation on my recent book, The Internet Con.

Media explainers are a cheap way to become an instant expert on everything from billionaire submarine excursions to hellaciously complex geopolitical conflicts, but On The Media's "Breaking News Consumers' Handbooks" are explainers that help you understand other explainers:

https://www.wnycstudios.org/podcasts/otm/segments/breaking-news-consumers-handbook-israel-and-gaza-edition-on-the-media

The latest handbook is an Israel-Gaza edition. It doesn't aim to parse fine distinctions over the definition of "occupation" or identify the source of shell fragments. Rather, it offers seven bullet points' worth of advice on weighing all the other news you hear about the war:

https://media.wnyc.org/media/resources/2023/Oct/27/BNCH_ISRAEL_GAZA_EDITION_1.pdf

I. "Headlines are obscured by the fog of war"

Headline writers have a hard job under the best of circumstances – trying to snag your interest in a few words. Headlines can't encompass all the nuance of a story, and they are often written by editors, not the writers who produced the story. Between the imperatives for speed and brevity and the broken telephone between editors and writers, it's easy for headlines to go wrong, even when no one is attempting to mislead you. Even reliable outlets will screw up headlines sometimes – and that likelihood goes way up in times like these. You gotta read the story, not just the headline.

II. Know red flags for bullshit

The factually untrue information that spreads furthest tends to originate with a handful of superspreader accounts. Whether these people are Just Wrong or malicious disinfo peddlers, they share a few characteristics that should trip your BS meter and prompt extra scrutiny:

High-frequency posting

Emotionally charged framing

Posts that purport to be summaries or excerpts from news outlets, but do not include links to the original

The phrase "breaking news" (no one has that many scoops)

III. Don't trust screenshots

Screenshots of news stories, tweets, and other social media should come with links to the original. It's just too damned easy to fake a screenshot.

IV. "Know your platform"

It used to be that Twitter got a lot of first-person accounts from people in the thick of crises, while Facebook and Reddit contained commentary and reposts. Today, Twitter is just another aggregator. This time around, there's lots of first-person, real-time reporting coming off Telegram (it runs well on old phones and doesn't chew up batteries). Instagram is widely used in both Israel and the West Bank.

V. "Crisis actors" aren't a thing

People who attribute war images to "crisis actors" are either deluded or lying. There's plenty of ways to distort war news, but paying people to pretend to be grieving family members is essentially unheard of. Any explanation that involves crisis actors is a solid reason to permanently block that source.

VI. There's plenty of ways to verify stuff that smells fishy

TinEye, Yandex and Google Image Search are all good tools for checking "breaking" images and seeing if they're old copypasta ganked from earlier conflicts (or, you know, video-games). The fact that an image doesn't show up in one of these searches doesn't guarantee its authenticity, of course.

VII. Think before you post

Israel-Gaza is the most polluted media pool yet. Don't make it worse.

There's plenty more detail on this (especially on the use of verification tools) in Brooke Gladstone's radio segment:

https://www.wnycstudios.org/podcasts/otm/episodes/on-the-media-breaking-news-consumers-handbook-israel-gaza-edition

The media environment sucks, and warrants skepticism and caution. But we also need to be skeptical of skepticism itself! As danah boyd started saying all the way back in 2018, weaponized media literacy leads to conspiratorialism:

https://www.zephoria.org/thoughts/archives/2018/03/09/you-think-you-want-media-literacy-do-you.html

Remember, the biggest peddlers of "fake news" are also the most prolific users of the term. For a lot of these information warriors, the point isn't to get you to believe them – they'll settle for you believing nothing. "Flood the zone with bullshit" is Steve Bannon's go-to tactic, and it's one that his acolytes have picked up and multiplied.

It's important to be a critical thinker, but there's plenty of people who've figured out how to weaponize a critical viewpoint and turn it into nihilism. Remember, the guy who wrote How To Lie With Statistics was a tobacco industry shill who made his living obfuscating the link between smoking and cancer. It's absolutely possible to lie with statistics, but it's also possible to use statistics to know the truth, as Tim Harford explains in his 2021 must-read book The Data Detective:

https://pluralistic.net/2021/01/04/how-to-truth/#harford

There's a world of difference between being misled and being brainwashed. A lot of today's worry about "disinformation" and "misinformation" has the whiff of a moral panic:

https://www.nakedcapitalism.com/2023/10/are-we-having-a-moral-panic-over-misinformation.html

It's possible to have a nuanced view of this subject – to take steps to enure you're not being tricked without equating crude tricks like sticking a fake BBC chyron on a 10-year-old image with unstoppable mind-control:

https://sts-news.medium.com/youre-doing-it-wrong-notes-on-criticism-and-technology-hype-18b08b4307e5

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/28/fog-o-war/#breaking-news

[augustyearroundprod]

It’s the end of Darling’s world, and she knows it. Actually, her world died three years ago. Darling is a survivor. But when Darling hears the call of another lonely girl over her radio, Darling has a choice. She can die in the bunker she calls home or find what she craves most — a true friend. 

Written By: Katie Rose Rogers Narrated By: Katie McGrath

Well well well the dream team is back, and magic was once again made! I don’t think I’ll ever have enough wonderful things to say about the Katies! But I shall continue to try. @katierosietoesrogers is a creative savant, a writing powerhouse, and a dream of a human being! You can count me forever as her biggest fan! And Katie McGrath, who has so healthily escaped social media… I mean what a truly remarkable actress! Everything she touches is elevated. And once again, she breathes such life into this story! I’m honored these two continue to come of this journey with us!

I can’t wait for you all to listen to HOW TO SURVIVE THE APOCALYPSE!!

[jolapeno]

DEAR-UARY

a new epistolary writing challenge from jolapeno

what is epistolary? epistolary refers to works of fiction that are written in the form of letters or other documents. this includes:

texting

letters

podcast / radio transcripts

tv show / film scrips

diary / journal

emails

social media posts

postcards

receipts / invoices / lists

**for this you don't HAVE to write the entire thing in this form if you don't want to, but it must include one of the epistolary written styles within the piece.

to enter:

for this prompt challenge, we have three options so its accessible to all writers, no matter where you are in your journey and there's an example at the bottom of this list:

hard: inbox me what epistolary you'd like from the list above and three characters you don't mind writing. I'll respond with a randomised prompt from the list and one of your selected characters from your list via spin the wheel.

medium: inbox me three characters you don't mind writing for me to spin the wheel and a letter from A to Z be given a "trope", you can then choose to match to an epistolary type above.

low: inbox me that you're joining so I can send love, and happily choose your own character, and epistolary type from the list and have fun!

here's an example of what it could look like: your prompt could be, the letter that wasn't meant to be found + joel. you could write the fic in normal prose, but include the letter mid-way through when joel discovers it. this would be epistolary. OR, two characters conversing through text message would also count. OR social media IG photos with the captions hinting at a relationship.

I am on hand for ANY questions on this, if you need to check if something counts or you want to bounce ideas. for all options, please follow the rules under the cut.

RULES

writing must be more than 500 words, but there's no max

pieces need to include at least ONE pedro pascal character - not RPF pls

must consist of a form of epistolary

add proper warnings

tag me and use the hashtag #jolapenosdearuary so I can track and add to the masterlist (if tumblr glitches and I don't add, pls message sometimes things slip)

have your piece ready for posting on 1st February (it can be sooner, but I'll begin reblogging from then) there's no end date - so no pressure okay?

tagging some moots who may be down (reblog to spread):

@goodwithcheese @secretelephanttattoo @pedgito @whocaresstillthelouvre @almostfoxglove

@kedsandtubesocks @ozarkthedog @polaroidpascal @thundermartini @sawymredfox

@mothandpidgeon @moonlitbirdie @gothcsz @thelightsandtheroses @hellishjoel

@saradika @luxurychristmaspudding @javierpena-inatacvest @javierpenaispunk @iknowisoundcrazy

@iamasaddie @isengards @missredherring @evolnoomym @agentmarcuspike

@milla-frenchy @covetyou @hauntedhowlett @quinnnfabrgay-writes @yxtkiwiyxt

[whamgram]

Charlastor Week - Day 7 - Free Day

 An AU where Charlie and Alastor are podcasters. 🎙️ This one has been percolating in my brain for a while! Plot summary under the cut.

Alastor is the OG overlord of true crime. Back in his college days, he and his roommate Vox started what would become one of the first ever podcasts. With Vox’s tech savviness and Alastor’s knack for dramatic storytelling, The Hazbin Radio Program quickly became the podcast playing in every commuter’s car, gym bro’s headphones, and office jockey’s earbuds. Focusing on crimes where the victim “deserved what they got” might be controversial, but Alastor’s jazzy interludes and old timey radio schtick add a certain kind of whimsy to every episode.

As Vox grew their dorm room recordings into a digital media empire, Alastor struggled to remain authentic in a world being rapidly consumed by social media and influencer culture. The two friends had a huge falling out. Knowing it would mean death for his beloved radio program if he didn’t stay, Alastor remained under contract with Voxtek Entertainment. Years later, his listenership is dwindling, his sponsors are dropping like flies, and his desperation is stronger than ever to finally break away and have complete creative control of his show.

Charlie has big dreams, a bigger heart, and a behemoth of a family legacy she’s trying to separate herself from. The Morningstar family name is synonymous with pain and punishment, as their network of for-profit prisons house nearly every incarcerated individual in the country. But Charlie refuses to let her rich and influential father buy her way into the industry. The Happy Podcast’s moderate success was due to her hard work, passion, and the secondhand recording equipment she bought with her own money. Like every amateur influencer, she dreams of landing a contract with VoxTek Entertainment. Not for the bragging rights or all those sweet endorsement deals, but because she truly believes that her podcast can inspire her listeners to be better people.

The Happy Podcast is a mix of self-help, advocacy, social commentary, and whatever else Charlie feels passionate about that week. This can sometimes cause a bit of controversy, like when her strong feelings about prison reform lead to an unhinged rant about why a recently imprisoned axe murderer “deserves a second chance” because “he was a good guy who volunteered at his local animal shelter”. Despite this, she still snags an invite to the annual VTE Summit and is hoping to get some facetime with the media mogul himself.

It’s at the VTE Summit that Alastor and Charlie meet. Charlie is as starstruck as she is charmed by the mystery man behind her favorite guilty pleasure podcast. Alastor finds himself instantly drawn to the bubbly young woman who knows a surprising amount about true crime. In a cesspool of wannabe celebrities and people who would sell their soul for a brand deal, she feels like the only other person who’s in it for the craft and the content, not the clout.

Be it fate, coincidence, or a bit of meddling on Alastor’s part, they continue to cross paths and eventually agree to help each other out. Alastor teaches Charlie the art of presentation and storytelling while she brings his technical skills into the 21st century so he can start producing his podcast on his own.

As the pair dance around their feelings and look for any excuse to spend time with each other, Charlie asks Alastor to be a guest on her show. It goes so well, he asks her to be a guest on his. Even their audiences can’t deny the chemistry between them. No one would have thought this odd pair of podcasts would work so well together, but the sky-rocketed ratings and influx of sponsorships speak for themselves.

They both are soon to get everything they always wanted. That is, until Charlie starts to wonder exactly how Alastor knows so much about the victims he discusses on his show.

[justinspoliticalcorner]

Dan Rather at Steady:

The morning after the election, I was talking with a friend who said something that made me pause: “The American people aren’t buying what the Dems are selling.” At the time I acknowledged the notion but filed it away for closer inspection, once the shock wore off.  Vice President Kamala Harris and the Democratic Party were selling hope and freedom, upholding the rule of law, saving democracy. What’s not to buy? With the benefit of lots of discussion, reading, watching, and thinking over the past 17 days, it became apparent that that analysis is incomplete.  It isn’t that the American people didn’t buy what Harris was selling; they didn’t know what she was selling. The increasingly powerful right-wing media championed her opponent’s message while distorting hers. And millions of Americans bought it. 

As The New Republic editor Michael Tomasky wrote, “It wasn’t the economy. It wasn’t inflation, or anything else. It was how people perceive those things, which points to one overpowering answer.” The right-wing media now controls the agenda.   For those of us who grew up on a steady diet of truth-telling, it’s gut-wrenching to see this mega misinformation machine grow into a multi-headed monster.   Perhaps it shouldn’t come as a shock. Gallup says trust in the media is at an all-time low. The most trusted news source according to YouGov is … The Weather Channel. Couple that with exit polls showing people who consume a lot of news from traditional sources voted overwhelmingly for Harris. 

If you only read The New York Times or watch CNN or so-called legacy networks such as CBS News, you might be surprised to learn there is a vast right-wing media ecosystem that goes well beyond Fox News. Founded in 1996, Fox is the granddaddy of the far-right media but has since been joined by Newsmax and One America News Network. This media universe also includes Sinclair Broadcasting, which owns hundreds of radio and TV stations — reaching 40% of the viewing public — and newspapers, including the recently purchased Baltimore Sun; iHeartMedia, which dominates right-wing talk radio and podcasting; Trinity and Bott Radio, two massive Christian broadcasting networks; social media platforms like Trump’s own Truth Social and X, owned by Trump bestie Elon Musk; and a multitude of hugely popular far-right podcasts.  Collectively, these various and varied media outlets have been feeding growing audiences a constant diet of disinformation for years. They have been fighting and winning an information war Democrats didn’t seem to know existed. The 2024 election may have been the inflection point when the right-wing media’s influence finally eclipsed the mainstream media. That is a major reason a convicted felon won with just under 50% of the popular vote.

The landscape is changing at light speed. Today, traditional media is not where most people get their news. Not so long ago you had to pick up a morning newspaper or turn on a television at a specific time to get news. Now “news” is available 24-7, from hundreds of sources, in tiny bite-sized portions, often without the benefit of context or even fact-checking. Right-wing outlets peddling half truths have learned how to navigate and thus dominate this new landscape. It is important to note that this battle is being waged between right-leaning media and mainstream media. The combatants are not two ideologues. One group is pushing a hard-right agenda, and the other is striving to report and expose the truth. The social media landscape mirrors this reality. On the right, you have Truth Social and X. On the left, not much. In reaction to the misinformation rampant on its sites during the 2020 election, Meta-owned platforms like Facebook and Instagram removed most political content.

An excellent read from longtime CBS News journalist Dan Rather on how right-wing media propaganda being fed to millions of Americans without any real fact-checking of lies is what led to Donald Trump become a Presidential candidate in the first place, let alone win twice.

[redtsundere-writes]

Imagine:

Heartsteel Members As Iconic BTS Moments

Contents: Funny moments, SFW

Word Count: 569 words.

Author's Note: Hello again! I'm sorry about my absence. This has been a busy week since I just graduated from college! I'm finally a certified translator! So, you'll see me around here more often 0.0

> In an interview, Heartsteel was asked what they like from one another. K’Sante looked at Yone and said: “I like your brain.” Yone felt appreciated and thanked him. After that cute interaction, it was his turn to say something nice to Kayn but he struggled to find a good thing to say about him. “I like your eyebrows” Yone finally said. Kayn flexed his eyebrows on fleek to the camara before turning to Sett. Without a beat he goes: “I like your elbow,” and then giggled. Sett felt offended by the weird compliment tried to elbowed him since he liked it so much. 

> Kayn loves his fans more than any other Heartsteel member, so he screams the fandom name into a mic everytime he can. Kayn will scream “HEARTSBEAAAAAAAATS!” at random times during interviews, podcasts, and concerts.

> In Japan, Yone explained to the interviewer that the other members of Heartsteel arent very good at speaking japanese. Out of nowhere, Aphelios says to the interviewer in fluent japanese: “I like your videos, your videos are so nice.” “Oh, well, he can speak a little” Yone said dumbfounded. 

> In another interview, Sett kept singing Despacito throughout the whole show, embarrassing himself. K’Sante kept repeating that he was a rapper and not a singer, so people wouldn’t think that Heartsteel songs sound like that. 

> The interviewer asked how they deal with girls and fangirls in their dating life. Ezreal simply answered: “I don’t think”

> At the Grammy’s, someone ask who is the bad boy in the group. Everyone quickly looked at Kayn. He just smirked to the camera with confidence. “I’m bad boy,” he said with his ego up his ass. 

> Yone was hosting a Q&A at a fanmeeting. He picked a question about them hanging all the time because of Heartsteel. “Do you ever get tired of eachother since you live together?” he read aloud. Ezreal jumped from his seat and hugged Kayn over his shoulders. “No, you are my bro,” Ezreal said with a big smile while the punk tried to push him away, even if he liked the attention. 

> K’Sante has a tradition with Heartbeats at every concert. He will craft red hearts to incorporate into his outfit on stage or show in creative ways for the audience to show his appreciation for their support throughout his career.

> At a podcast, Aphelios revealed that he likes to draw, he even showed some of his drawings. The host encouraged him to post his drawing to social media. Aphelios said that his drawings were a secret. The host giggled and said: “Not anymore since this will be uploaded to YouTube.” Aphelios stayed quiet after that fuck up. 

> At a radio show, the host asked Heartsteel members to present themselves and say something most people don’t know about them. K’Sante went first and thought about a secret he was willing to share. “I’m hungry. Top Secret,” he said, making everyone laugh at the booth. Sett confessed: “My underwear is black.” Everyone looked at him confused.

> At a Halloween Special, Heartsteel went to a haunted house. Sett tried to square up at every zombie he saw. 

> They were playing air hockey at an arcade once. K’Sante and Sett were playing against eachother. Sett hit the pock so hard that it flew out of the table and landed on Aphelios nuts. Everyone laughed at him while he was holding his balls in pain. 

Order your own fanfic! (Starting price: $5 USD)

Masterlist.

[charliewhaw]

What would vox reaction be if he knew about Lilith and all.

(Good question! I'm going to assume we're talking about if Lilith abused the fuck outta Al.)

Vox would drop his 'Fuck Alastor' mug. He wouldn't even glance down at it as it shattered at his feet. He would be in absolute shock.

"Alastor sold his soul?" He would say, dubious at first. But as the dots started to connect, he would begin to grin. "He's being tortured? By the queen of Hell?" His grin would turn to a laugh. "Oh-ho-ha-ha! This is rich!"

He would put on a fucking show about how hilarious he found it. But as the reality would begin to sink in, his amusement would slowly change and distort into something more disturbed.

Lilith wasn't just a demon. She was the first demon. She was powerful. She was strong. She was... torturing Alastor.

"Oh fuck," Vox would say, as it finally dawned on him just how bad this was. How brutal was the abuse? "Shit," he would say, as he realized how fucked Alastor’s situation probably was. How fucked Alastor was… She owned his soul. "Dammit!" He would yell, knowing there was absolutely nothing he could do about it. For once, Vox would feel powerless. Lilith was a whole different ballgame than the overlord he was used to facing.

Alastor was his enemy. His arch-rival. The villain of Vox's story. But he used to be so much more than that. He still was.

Vox would then spend more time rigorously analyzing the videos he managed to capture of Alastor. Instead of obsessing over them, hate and anger in the forefront of his mind, his focus would become checking on Alastor's condition. He'd give himself headaches with how much he would squint, trying to see through Alastor's video distortions. Was Alastor limping? Did he just hold his side for a second? Was his smile strained? Was he okay today?!

He’d probably rope Velvette into it, using her social media platforms to keep track of any mention that someone spotted Alastor not looking at full health.

Vox has always been obsessed with Alastor, and we'd definitely see that here. He would set up alerts on his video feeds to detect Alastor's video anomalies. It would be to keep an eye on where Alastor went, how long he was there, and if he came back hurt. Vox would prepare himself for if he ever saw Alastor return from a meeting with Lilith and he was too injured to make it back to the hotel. This plan would include causing a distraction on the other side of town-- probably blowing some shit up or something-- so no one would see Alastor in a vulnerable state, then booking it to the Radio Demon's location. He'd be aware that Alastor would be stubbornly unreceptive to any assistance Vox offered, of course. He would expect nothing less from the Radio Demon. But, he still wouldn’t hesitate to try and help him, as pathetic and unhelpful as his attempts would end up being. Vox would cross that bridge when he came to it.

Outwardly, Vox would use Alastor’s situation against him, flawlessly pretending he wasn’t alarmed, but inwardly falling apart about it. He would debate blackmailing Alastor, probably even threatening the Radio Demon with it from time to time. He couldn’t let Alastor think he cared, because he totally didn’t! This knowledge was just too good to pass on using it to his advantage. He even had some ideas on what to make Alastor do if he did blackmail him.

His first idea would be to make Alastor join the Vees, naturally. Forcing Alastor’s surrender after years of fighting and resisting would be so invigorating! He could make Alastor do whatever he wanted. He would make him start a podcast. It would fit with his style but force him to catch up with the times. He could even make him get a new wardrobe. Something that fit with the Vee’s theme– he could make Alastor even change his name! Valastor— Vastor— Vala— okay, maybe not. But he would have the option to make him do it regardless! The endless possibilities!

His second idea would be much more childish, but satisfying nonetheless. He could make Alastor say “Vox is superior to me in every way. Much more powerful! Much more influential! Much more handsome!” Even better, he could make Alastor say it on his radio show! Though… it would occur to Vox that Alastor might be more willing to let Hell know he was owned by its queen than to ever say any of that.

His third idea would be more… private. Less extravagant, though much more impactful. He could make Alastor– oh, hey look! Is that your obligatory RadioStatic merch?!

In the end, Vox would have a field day with this information. He’d use it for his own selfish gain, probably leaving Alastor in several humiliating and precarious predicaments. At the same time, his stomach would churn whenever he got an alert on his video feeds that Alastor had left the hotel. Was he going to meet Lilith? If he was, Vox would end up biting his nails as he waited, and waited, and waited for Alastor to return from the meetings. And then would endure headaches as he did his best to compulsively examine Alastor’s status through the glitching mess that covered him.

[flyertemplates]

Dj Flyer Template is very modern psd flyer that will be the perfect for your online dj stream, Club event or Guest Dj party! All elements are in individual layers and the text is fully editable!

2 PSD files – 4”x4” with 0.25” bleed + 1080×1080 Rgb Flyer

[aninventoryofthepossible]

Inspirations for VOID 1680 AM

Earlier this year, I released a new solo TTRPG: VOID 1680 AM. In it, you use a deck of cards, a six-sided die, your music collection and a voice recorder to create your own late-night radio show.

The cards help you dig deep into your collection to reconnect with music you love; they and the die also help you create anonymous Callers and the concerns, hopes and obsessions that drove them to reach out to you, a fellow lone voice in the darkness.

I also included steps for joining the library of Callers for other players to use, and even to submit your full show for broadcast on the "real" VOID 1680 AM. You can see some of those Affiliate broadcasts here. They're genuinely very cool.

You can check out the game here, and I'm proud to say VOID 1680 AM is now a Judges' Spotlight Winner in this year's ENNIES.

Okay, enough table-setting. Let's get into it.

VOID was the culmination of a lifelong obsession with commercial radio; both the technology (which feels retro despite scarcely being over a century old) and the melancholy romance of lonesome voices baring themselves to an audience they'll never know the scope of.

This, to me, is an apt metaphor for the act of making something - anything at all. Speak into the Void, the back cover copy says. You never know who is listening. So it is with putting something you love into the world.

So what inspired VOID? I cite both Anamnesis by Sam Leigh and The Wretched by Chris Bissette in the book itself, two solo RPGs whose tones and methods did much to help me find my own.

But if I'm being truthful, VOID's inspirations mostly reside outside of games. Here are a few things that haunted me profoundly enough to drive me to respond.

The first is Talk Radio, specifically Oliver Stone's adaptation of Eric Bogosian's play. The movie's tagline is "the last neighborhood in America," which to me frames radio's persistent relevance and puts social media - often called a "town square" itself - in proper context as one piece of the many ways people find connection with others, for better or worse.

Contra the VOID DJ, Barry in Talk Radio is very, very aware of how his audience receives him (hint: not well). Barry must be heard, and so must the similarly damaged souls who call in to dump the poison in their brain into his... and everyone who's listening in, besides. It's a host of people who want to connect but don't know how, spiraling in decaying orbit around each other until something awful happens.

VOID 1680 AM was originally much darker before I decided to pull back and let players pick their own tone, and Talk Radio is why.

Oxenfree is a narrative video game about a small group of teens stuck on an island haunted by hungry ghosts who can be tuned in and out of reality with handheld radios. There's more to it than that, but I'll leave you to discover what on your own - because I would recommend this game to just about anyone.

Insofar as VOID 1680 AM can have a "soundtrack," it is this one by scntfc, created using WWII-era radio equipment.

The Vast of Night is a quietly alarming lo-fi/sci-fi set in a small town in New Mexico in the late '50s. A radio DJ and a switchboard operator pick up strange signals, and then... things happen.

This specific radio station (stylized in the poster above) is what I picture for "my" VOID 1680 AM.

Then there's Stevie in The Fog, played by Adrienne Barbeau. She's the bridge between VOID 1680 AM and my earlier solo game, Lighthouse at the End of the World.

She is, yes: a late night DJ. And her radio station is, yes: in a lighthouse. She's living my dream, at least until the ghost pirates show up.

Spoilers, I guess?

But the most important influence? VOID 1680 AM cover artist Jordan Witt's fan art for the podcast King Falls AM years ago. This image took up residence in my head, so much so that I still use it as phone wallpaper despite never having listened to the show it's for.

When it came time to partner with a cover artist, who that cover artist would be was never in question. Entirely unknowingly, Jordan took all these loose ideas in my head and gave them something to cohere to. A beacon, if you will.

They spoke something into the Void, and I listened.

Fun fact: Jordan even jazzed up the original logo I made for VOID 1680 AM when that title only applied to the AM transmitter in my garage. Here's my original - you can plainly see the influence of Jordan's art on that O. It all really came full circle.

Those are the biggest ingredients in the stew that made VOID 1680 AM. It's fun to talk about stuff I like, but also I hope it might nudge someone - anyone - to get going on something they're after.

(That's you. I'm talking about you.)

A project finding its voice is a wonderful thing, but there's no real miracle to it, no outside influence that will tell you what to do. It's just things in your head magnetizing to each other until they got a shape that - with coaxing - can stand on its own.

See you on the dial.

[panelshowsource]

there are a lot of fun lil things to catch up and enjoy and shout out so think of this as my lil newsletter of the week :)

been a lot of great discussions on the rest is entertainment recently! a few i recommend: 1) in this ep richard discusses the former (����) importance of the edinburgh fringe and how the pipeline standup>stage>stardom has completely changed with the popularisation of social media and the instant delivery of topical comedy (loved the vittorio shoutout!); 2) in this recent ep (8:17) richard talks about the integrity and motivations of professional tv quizzers, like those on the chase; and 3) in this another recent ep (20:33) richard passionately criticises the emmys allowing the bear to compete as a comedy series and yet again stands up for out-of-work as well as underappreciated comedy writers

rob beckett & romesh ranganathan are doing promo for the new season of rob & romesh vs, so here is a ridiculous video of them doing "impressions" on ladbible lmao

david mitchell's new series ludwig comes out this week!!! this is a wonderful interview with david + rave reviews are rolling in from the guardian, the radio times, and more

larry dean had a small speaking part in the netflix film this time next year, which is out now!

icymi global superstar, drag artist, and scottish comedian/enne lawrence chaney took over trixie's channel a few weeks ago

GRAHAM NORTON SHOW IS BACK ON FRIDAY!!! 9/27 Lady Gaga, Colin Farrell, Demi Moore, Richard Ayoade, and Jack Savoretti & Miles Kane 10/4 Hugh Grant, Sebastian Stan, Greg Davies, and Neneh Cherry

i know i talked about this last week but just so everything is in one place here are the links for bobby mair's and harriet kemsley's episodes of the divorce podcast

vic reeves recently made a few comments about wanting to get back with bob to do something new 🥹

some new books out! and most of these include book tours — including richard osman in the USA this week!!! tickets here We Solve Murders by Richard Osman Friends of Dorothy by Sandi Toksvig Jokes, Jokes, Jokes by Jenny Eclair Frankie by Graham Norton

speaking of people coming to north america here are a few coming up: 9/5–10/3 Jamali Maddix 10/11–10/27 Sindhu Vee 11/8 Michael & Jack Whitehall 11/9–13 Paul Chowdhry 2025 Romesh Ranganathan, Mo Gilligan (can anyone else believe ben elton went to mf abu dhabi but couldn't make it over to the usa for a show or two 🥲)

david o'doherty has a new podcast out with max rushden called what did you do yesterday?, and the first guests include elis james, lou sanders, alex horne, josh widdicombe, and suzi ruffell

just a reminder that fin taylor is still...fin tayloring over on ig

joe lycett is currently filming a series for sky where he goes to all of the birminghams in the usa LMAO he's giving sneak peeks of his country-wide travels on his social media so check them out hehe

fern brady won big at the sky arts awards :")<3

[l-a-l-o-u]

if you had to pick just one category of creative works to partake in, which one would it be?

[the-official-account]

Do you love detective stories but hate cops?

Do you love gay detective stories and hate capitalism?

Like disabled main characters who's disability actually comes up?

Like characters of color but not in the mood for stories on racism?

Tempted by the thought of romance at ages of 30+?

Does the idea of stories so queer you'll hesitate before calling any character a "man" or a "woman" make you think "Ah, yes pronoun shenanigans, just like my discord used to make"

And you into an abundance of strong, diverse female and nonbinary characters?

Do you fight for women's wrongs?

I know rep-only recommendations can be annoying, but I'm trying to grab your attention to promote some Indie media. Luckily, though, this post isn't rep-only!

To read my full reccomendation and review of Three of Hearts, click below. ♦️♥️♣️♠️

And if you aren't in the mood for a new thing right now, consider reblogging! Maybe even ping a friend who might be into this! You love supporting queer indie creators!

Note: I am not involved with the making of the show or the game space Kings. I just really like this podcast.

The story

♠️♣️♥️♦️Three of Hearts♦️♥️♣️♠️ centers on two paragovernmental agents in a fantasy, post-war, queernormative 1950s.

Roughly 20 years before the opening, a set of heroes purged magic from the world to turn the tide of the war. But scraps of this thaumaturgic energy still remain. S.U.I.T.S (securing unpredictable injurious thaumaturgic situations) is an agency founded to deal with everything left behind.

When two of the longest standing employees at S.U.I.T.S, Agent Vellum and Agent Felspar, are called onto a new case involving stone crops and a missing person, Felspar isn't surprised (Though Vellum, who's injury had him doing desk work most of his career, is). Things devolve quickly when the Agents realize this case comes from Felspar's home town of Cloven heart, an idyllic magical village that prefers to handle justice on it's own.

Answers yield only more questions, as the Agents realize almost everyone in town has something to hide, and Felspar isn't the only one whose past keeps catching up to him:

How much magic is still around? What's Vellum got sloshing around in there that people think is so juicy? What is Diamond, elven pop star and queer icon, doing in such a small town? Just how big is this case, and how can the Agents balance their legal responsibility, with promises they've made to Cloven Heart?

WHEN. WILL. THEY. JUST. KISS?

(if you're skeptical about central romances, I get it! See notes on aro/aceness and platonic relationships in the rep section for more info)

The combination of magic and newfangled war tech — think telegrams and radios — is somehow just as charming as a rotating cast of characters who will each stake their claim on your heart, but betrayal is imminent and mistrust is rife. The story strikes a wonderful balance between slice of life goodness, and edge-of-your-seat high drama, culminating In a show I highly recommend.

But are they just reskinned cops: my answer has got to be no. While they are technically law enforcement, the main two are entering a commune-like space, where that isn't so welcome. It's a situation they treat with caution and respect. The classic cop-plot of "Should I make myself judge, jury, and executioner because The Bad Guy™ deserves punishment" just isn't a problem. The justice system isn't perfect, in our world or the show's, and the story acknowledges that. But in a social, cultural way, they don't act like cops. They DO act like detectives. But the rules they choose to break and the ones they choose to follow will hopefully satisfy my fellow cop-haters who crave a good mystery

The format

♠️♣️♥️♦️Three of Hearts♦️♥️♣️♠️ is an Indie actual play — this is not DnD, hear me out — podcast in the game Space Kings. All the tension of dice rolls, without drawn out combat or clunkiness, it's a breeze of story-forward listening, even if you've never listened to actually play podcasts before!

If you've tried dnd actual plays, and haven't like the flow of them, I would recommend trying this. A few encounters that may feel random (though they're not) get the story kicked off at a fast pace, but it quickly settles into a story with a tight plot, great pacing, and impactful character development.

The use of a playing card deck to see the outcomes of risky actions means that no matter what happens, success or failure, the tension keeps rising. And the hosts do a wonderful job of explaining mechanics in the show, so it never interrupts the listening experience.

Actual-play connessuires who want to primarily see people playing a game might not be satisfied, as bonuses are given liberally, and I would describe the podcast as more story focused than game focused, But the risks are ALWAYS real, sometimes (often) with thrilling, shocking outcomes.

Also concerned AP listeners should know there's some chaos magic involved! I was surprised when it first came up, and doubtful about how it might affect the story, but it ended up weaving into the rest of the plot really well, and I feel neither like it had no affect, nor like it shook up everything the party was building in an unsatisfying way. Personally I would have preferred to go in knowing it was there, but I also don't think it's major enough to belong in the main synopsis. Now you know, though!

The hosts make a real effort to blend stats and story, and I think the pull it off wonderfully without spending too much time on mechanics. If you want to see that though, session 0 and other details are on the Patreon (where you get the same content no matter how much you pay, at a minimum of a dollar a month).

The pod has all the lighthearted fun and banter of a "friends around the table" show, but never once have I had that "oh my god, I'm not a part of your inside joke, shut up and play!" Feeling.

I think it's a delight for AP and non-AP fans alike.

The episodes: roughly 45- 75 minutes long, with a midtro and some post-end music scenes, so listen through the end music, or check that there isn't extra content by seeing how close the play head is when the end music starts. It's not too long and quite pleasant in my opinion! The midtros always come at a nice moment to step back from the story, and are not too long and not irritating. I enjoyed listening to them! At some point, a midtro starts getting reused, and I was slightly disappointed I wasn't hearing new jokes every episode, but it's a small thing. I skip the repetitive ones with my 30 seconds forward button, and while I haven't timed the Intro, that's worked really well for me. I don't have to fiddle with my play head to make sure I don't skip forward too far. Super convient.

Trigger warnings: the show is pretty lighthearted! Listeners sensitive non-graphic mentions of needles, blood, and/or guns might want to skip on this one, but most episodes don't get heavy. The few that do have pre episodes notes that warn you things get dark, how they get dark, and how to skip the darkest bits. Personally, I listened through them and enjoyed those parts a lot! But if that's not your thing, I agree with the warning that they're very skippable, and I think trigger-sensitive listeners will be pleased. As an indie pod, there are no fan made, super specific lists of triggers. However, my DMs are always open if you have particular concerns, and I'll answer to the best of my ability.

I try to emphasize the balance between lightheartedness and drama, but if you mental health is sensitive to grim & dark media, i think this one is pretty safe. Please always exercise caution! But I'd describe 30♥️s as emotionally restful.

Transcripts: transcripts are in the works, but do not currently exist. Three of Hearts is a non-scripted show, so those are also unavailable

The rep

Don't you hate when someone raves about rep and you go in expecting something good and get like. One dog-boy described as having "chocolate colored skin"? Or when people make a "watch for rep" post and then mention like. Gay and maybe trans people and that's it, even when shows DO have disability and POC rep? Yeah that's not me. Here's the spoiler free rundown, race is at the bottom because I get into more detail with it, not because it isn't important:

Edit: For more on some of these topics from a hosts perspective, see the reblogged addition by @/citrusandsalt

MLM characters: Main characters, one confirmed bi the other unknown

Wlw characters: Reoccurring side characters (present or mentioned in every episode I think) Married. Orientation unspecified.

Enby love: LOTS. It's actually hard to really categorize mlm and wlw stuff because almost every character is nonbinary. Anyways— it's VERY queer

Women: I...I don't know exactly which characters are women 😂. But there are many feminine characters, and they're badass as fuck. Some are compassionate, some are cold, some are chaotic, most are a mix! The two main characters are...masculine...(I say with much hesitation) but you will not feel robbed for your woman-ly content.

Non-traditional family structures: All of the families in the story, pretty much, are non-traditional. Adoption is super common. (You want some wlw who just KEEP adopting kids? You got em) Found family is a MASSIVE force in the story. Also, It's a post-war story.........which is to say almost everyone's parents are dead.

Edit: an MC had poly parents, which may not be obvious but is true!

Polyamory: to my knowledge so far, there are polyam characters, and it is definitely present in the world! But no poly relationships in the forefront. I am about 2/3 through the current episodes, so there may be a present polyamorous relationship later, but also if I confirmed it that would be a spoiler. This may be that "playing it by ear" thing that happens with ttrpgs. I wouldn't listen for the hope of polyamory alone, but I don't tell you it's not there/won't happen.

Trans characters: almost all of them. Might think "oh there are only a few!" And you are wrong. You are so wrong.

Neopronoun users: yup! To my knowledge, minor characters. A handful who use at least he/she/they or they/them and may also use neos in a manner im forgetting

Plurality: no system characters yet, but the creators are friendly, I asked ;)

Platonic relationships: YES. As an aro person who hates so many romance tropes this one gets my stamp of approval. There's no real jealousy drama, exes who communicate and are supportive, and romance doesn't kill friendships. There's a central sibling relationship and non-familial platonic ones that have conflict, drama, resolutions, and a deeply satisfying significance in the story. If you don't like romance at all, this one might not be for you. If you just don't like stories exclusively about romance, I think you'll enjoy this. Genre wise, I'd definitely describe three of hearts as a mystery primarily with a strong romantic subplot, not a romance itself, and that comes through in player and character's additives and priorities.

Aro/ace characters: none confirmed yet to my knowledge. Romance is very central, sex is joked about on occasion but it isn't at the forefront of the story at all. There are many, single characters who are thriving.

Edit: Actually! There is one character who discusses demiromanticism in cannon that I forgot, and another confirmed out of cannon character who is ace. Both are non-main major characters!

Age diversity: the youngest characters in the show are older to middling teens, and the oldest are in their 400s. Okay but the oldest in human terms are roughly 60-70. The most common age range, and the ones the central characters are in, is 30-40. The second most common is that 60-70, then some ~40-50 folks here and there, with people in their 20s being probably the rarest (no named ones off the top of my head?) And there are a small number of teens. This is not a story about youth and youthful beauty. Generally, the older a character becomes the most bad ass/spooky powerful they are, and older characters are very involved in the plot.

Mental illness and neurodivergency: to my knowledge so far no characters are in cannon confirmed to have a specific mental illness or ND, though I wouldn't be surprised if it was part of a character or the main characters, and just hadn't come up. Listeners with cluster b or "scary" disorders, or with conditions that may cause them to lash out, will find satisfaction with how compassionately the narrative treats werefolk. To say more encounters spoilers. I would also say that depression, while the word isn't used and it is not central to the story, is present as a narrative force, and also treated wisely and with compassion. Still, as is usually for a good story, all of these bitches need therapy.

Disability: LOTS. There's a lot of "different, not broken" themes that disabled listeners are likely to love, but both of the main characters are disabled! One is a cane user, the other experiences migraines. These have a genuine, pressing, mechanical impact on the story. It's COMES UP. It's a real joy. For a magical world, there is no magical healing! Or there is, but it isn't a perfect solution, which in my opinion is just a magical version of real healing, though yours may differ! Also, there is a minor, reoccurring character who's a wheelchair user, and I think he's really fun.

Disfigurement: Excuse me if I am not prepared with the most sensitive way to speak about this, but I'm doing my best! There is a character with no eyes or nose, who is central and lovely. To my knowledge, there are no amputee characters or characters with limb differences (of the wheelchair user I'm not sure if it's specified whether or not he has legs). There is a character of questionable morality who has significant facial and bodily disfigurement. In as few spoilers as possible: this was not injury or genetic related. The disfigurement is treated with a firm compassion, and does not exist as a "this character is evil" signal. It's a long arc, but I imagine people who relate will be satisfied, though I cannot speak for anyone.

Characters of color: many! The main two are Hispanic and Asian. Terms like "dark skinned" are used for characters, but in the fantasy world race doesn't exactly translate, and I wouldn't call it "important" in this story. Read more about race below:

Fantasy racism: sort of! The word "race" is used to mean "humanoid species" and I know some folks don't like that? None of these fantasy races are oppressed, but specific people (Magic versus non-magic people) have conflict about that aspect of their identity, and policing is a related concern. I would place the allegory more in the space of transness and disability/neurodivergency if pressed to choose, but it doesn't feel like it's trying to tell a story about real-world oppression, primarily. I have more complicated thoughts on exactly what I'm trying to communicate here, but they involved some spoilers. DM me for more info!

Hosts/creator identity: out of three hosts, two are white, one is not! They are very queer, and disability is also...a thing! These are real life people, so I'm not going to get into detail, but check out their twitters plugged in the show for more on how they self-identify.

Okay but are they racist: Real talk! As a black person who thinks I keep my ears sharp, I would say no! Not at all! This is one of those situations where I was like "YOU'RE WHITE?" And shocked about it, (if you listened to TSCOSI, same vibe) which is a very good thing in my books. The hosts are open and sensitive, and I have no complaints, however, this is just one perspective! This isn't coincidental, race is an active consideration in how the story is told — just not a central theme.

Edit: One of the hosts, Essay (@/citrusandsalts) discussed more on hosts identities in a reblog! If this concerns you, and you want less of me walking on eggshells about other people's identities, read her addition too!

Edit 2: Jordan, the GM also has commented additions!

Minor but worth mentioning: A minor character has a name with what I believe is the Nahuatl "tl" sound in it, which is not pronounced correctly. It's a really hard sound! I can't really do it! But if that really irritates you this might not be the podcast for you.

People who might be interested in this post, as always let me know if you don't want to be pinged (I rarely ever do this) and it won't happen again: @citrusandsalt @fyeahaudiodrama @boombox-fuckboy

[billspotts]

Silence, Siege and Persecution: Venezuela’s Media After the Elections

“Today I heard on the radio: ‘Our programming today will be 100% music, because music is a refuge, a safe place,’” economist Omar Zambrano tweeted a few days after the July 28th elections. In fact, for almost two weeks after the disputed results were announced by the National Electoral Council and spontaneous protests erupted throughout the country, most radio shows –including those with the largest audiences, such as journalists Shirley Varnagy’s and Román Lozinki’s– went off the air.

“These have been difficult weeks for all of us as citizens, including those of us who practice this profession”, Varnagy said in an Instagram post after two weeks of silence. “The circumstances force me to think very carefully about the words I say and write. I don’t live abroad, I’m inside.” Varnagy then announced she wouldn’t return to the radio until September 9th, more than a month after the presidential elections. Lozinski returned on August 26th. “I insist that these have not been easy days for those of us who make a living from the radio,” he said on an Instagram post announcing his return.

But the silence, the veiled messages, weren’t limited to Venezuela’s already highly-censored radio stations – of which more than 150 have been closed down by CONATEL, the government’s telecommunications agency, since 2022 according to the National Press Workers Union (SNTP).

As reports of detentions and passport annulments multiplied after the elections, the silence–usual in television, newspapers and most radio shows–suddenly swayed through social and online media too.

Journalists put their accounts private or altogether stopped tweeting, political podcasts halted and Venezuelan independent media started to publish articles without bylines (as we’ve been doing in Caracas Chronicles).

A week after July 28th, journalist Alonso Moleiro accurately described the ambiance: “The prevailing feeling is fear,” he wrote in the Spanish newspaper El País. “Politicians are hermetic. Interviews are canceled. People close to political leaders change their phone numbers. There is a huge hesitance in WhatsApp groups; Zoom conversations are rare. The police harass citizens looking for data on their mobile phones.”

The crackdown against the press ramped up before July 28th, when CONATEL ordered that public and private internet providers block a series of independent media, watchdogs and fact-checking websites. First, on early July, the government blocked anti-disinformation fact-checkers Es Paja, Cazadores de Fake News and Observatorio de Fake News alongside the media NGO Instituto Prensa y Sociedad de Venezuela (IPYS Venezuela) and VPN service Proton. Then, on July 22, the sites of watchdogs Medianálisis and VE Sin Filtro were blocked alongside independent media El Estímulo, Analítica and Runrunes.

During the same period, Nicolás Maduro repeatedly referred to foreign media agencies –including Reuters, AFP, AP, EFE and CNN– as “garbage” and “hitmen of untruthfulness.” His legislature speaker, Jorge Rodríguez, even engaged in an online brawl with APEX–the Foreign Press Association in Venezuela.

Then, the elections came. And detentions followed.

Since July 28th, 13 journalists and press workers have been detained in the country by state security forces, according to the SNTP (four have been freed, including one on parole). Three of them–including Ronald Carreño, a political prisoner with ties to opposition party Voluntad Popular who had been released last year as part of the US-Venezuela talks–were arrested for belonging to opposition parties. Other detained journalists including showbiz reporter Carmela Longo–who was released on parole afterwards, but charged with terrorism–, La Patilla journalist Ana Carolina Guaita in La Guaira, and photojournalist Deisy Peña in Los Teques, were taken for just doing their jobs.

“Our media outlet has a profile that is very different from the rest and we don’t do hard news,” says Irene (fake name), who works in a small Venezuelan digital outlet. “But in the end, as Carmela’s case shows, anyone can get in trouble for whatever reason now without you necessarily doing anything.” The pattern is changing. Before the elections, detentions were mostly focused on people helping the opposition campaign or participating in it. In fact, the three journalists detained before the elections–Gabriel González, Luis López and Carlos Julio Rojas–had ties to political parties or grassroots political movements. But, since July 28th, repression has drifted towards reporting-focused journalists.

The role of journalists in narrating the people’s rejection of the results announced by the CNE and the coverage on their veracity led to a “policy of silencing, of siege, of persecution” against the press, SNTP Secretary General Marco Ruiz says. Similarly, he says, there’s been a policy of silencing the coverage of protests and anti-government expressions.

And the July 28th elections have not only unleashed detentions. “We have recorded campaigns of hate and criminalization against journalists in different states like Aragua, Portuguesa, Carabobo, Zulia, Bolívar, Táchira,” Ruiz says, “Many of them are now in safekeeping. In other cases, we have had to use extraction procedures and they are outside the country because they were at risk of arrest.”

The situation has also changed the content and internal dynamics of Venezuelan outlets. “Everything we had planned to publish during the rest of the year is now paralyzed,” Irene says, “because now we are not publishing anything that doesn’t have to do with what’s happening, because we think there’s nothing more important.” Some of her colleagues, she says, have also stopped tweeting because of the emotional toll.

Similarly, outlets –including Caracas Chronicles– have faced difficulties to find sources willing to speak on the record or contribute with their analyses. “I can’t find voices willing to give a testimony on what’s happening in Venezuela, they are taking a lot of care”, says veteran Venezuelan journalist César Miguel Rondón, who hosts a radio program in Miami, “No one wants to end up disappeared, in a jail, because of some henchman’s whims… I think we had never seen a situation as ugly and dangerous as this one.”

In fact, many journalists have been affected by the massive annulment of passports that social activists, politicians and NGO members have also reported. “I know of correspondents who had their passports annulled,” says Nancy (fake name), who works as a stringer in Caracas for an international outlet and decided to leave the country after the elections. “I know of other journalists who also left the country under the radar, I know of photojournalists who have decided not to publish political pictures on their social media or asked for credit to be removed, I know of international media outlets who are now solely doing remote work to avoid the risk of going to their offices.”

This is why so many outlets are publishing articles without bylines and the alliance Venezuela Vota resorted to creating the AI avatars of Operación Retuit to broadcast news summary videos without risking their staff.

“We put safety of the team and staff as the top priority of the media outlet where I work and lead,” said Carlos (fake name), the director of a Caracas-based digital outlet. His site is not publishing bylines and has avoided sending journalists to cover protests “due to the risk of arbitrary detention.” The team is also using alternative messaging applications like Signal (blocked in Venezuela after the elections) and working remotely. Carlos says they have also designed a protocol to offer a safehouse to any journalist in his team who is threatened and even to be extracted from the country “in coordination with international networks of journalists specialized in this type of actions.”

For Nancy, journalists in national and regional outlets are at more risk but she doesn’t rule out the possibility of crackdowns on correspondants and stringers. “Now I have an enormous terror I had never felt,” she says, “especially because of how random the decisions seem and how unclear the rules of the game are. It’s basically a roulette and you never know when your turn will be.”

The State has also cracked down against social media and digital communications beyond the work of the press. Checkpoints where officers check people’s phone for pro-opposition content, usually leading to detentions or thousand-dollars extortions, have become common throughout Caracas and the rest of the country after July 28th. In fact, the government has called on Venezuelans to stop using Whatsapp and even blocked X–originally for ten days, but the deadline passed on and the network continues to be inaccessible in Venezuela without a VPN.

“The underlying problem is that WhatsApp is the platform that people used to efficiently disseminate information horizontally” and without censorship during the campaign and post-electoral protests, human rights activist Rafael Uzcátegui says. “Censorship in social media is not only to try to avoid people from expressing themselves, or being afraid to do so, but also to neutralize their autonomous capacity to establish links with others that bypass the state” and its media ecosystem.

In fact, the government has even threatened influencers who publicly supported María Corina Machado.

“You have to decide whether you want to continue your careers, first of all, with your families in Venezuela”, Maduro said, addressing celebrities–particularly Miami-based Youtube humorist Lele Pons–and social media stars that hosted lives and podcast episodes with Machado.

Maduro even accused Pons of conspiring to “impose” a government in Venezuela.

In fact, on July 31st during a press conference with international media, Maduro said “TikTok and Instagram are in the hands of imperialism” and “they are manipulating [people] to bring a civil war to Venezuela.” He then lambasted international agencies: “Do not insist on your agenda to bring war to Venezuela,” he said, “you, the international media, are responsible for the death and wars in Afghanistan, Iraq and Libya.”

A month after the elections, Maduro charged against the media again: this time, he accused local outlets TalCual, Efecto Cocuyo and El Pitazo of receiving USAID funds and of being part of the alleged conspiracy that the government blames for the recent nationwide power outage.

“This is an informal curfew against journalists, imposed de facto,” Ruiz says, “to dismantle the journalistic profession and the media in practically all the states of the country.”

“What I fear the most is the government’s level of evilness. I know they are capable of going against children and the elderly alike, and I will die if they touch my parents or my child,” says Nancy, who is unsure about returning to Venezuela, “this changed. And very quickly.”

[justinspoliticalcorner]

Parker Molloy at The Present Age:

During his acceptance speech as the Democratic vice-presidential nominee on Wednesday night, Minnesota Governor Tim Walz shared a deeply personal story about his family’s struggle with infertility. As he concluded by saying, “Hope, Gus, and Gwen, you are my entire world, and I love you,” the camera caught his 17-year-old son Gus standing up, tears in his eyes, pointing to his father and exclaiming, “That’s my dad!”

It was a sweet display of familial love and pride — a rare moment of raw emotion in the ordinarily carefully choreographed world of political conventions. For many viewers, it was surely a timely reminder of the human beings behind the political personas we see on stage. However, what should have been universally recognized as a beautiful father-son moment quickly became fodder for cruel mockery from pro-Trump social media accounts. The contrast between Gus Walz’s sincere emotion and the derision it provoked from the right offers a troubling glimpse into the state of political discourse and the depths to which partisan attacks have sunk. This not only highlights the lack of basic human decency in certain right-wing corners of our politics but also raises important questions about how conservatives view emotional expression, particularly from young men, in the public sphere. Not only is Gus a minor, but he’s also neurodivergent. People recently ran a story about the Walz family and what Tim and Gwen Walz have come to refer to as Gus’s “secret power" — a non-verbal learning disorder, ADHD, and anxiety disorder.

Tim Walz told People:

["When our youngest Gus was growing up, it became increasingly clear that he was different from his classmates," the couple tell PEOPLE. "Gus preferred video games and spending more time by himself." The statement continues: "When he was becoming a teenager, we learned that Gus has a non-verbal learning disorder in addition to an anxiety disorder and ADHD, conditions that millions of Americans also have."]

It’s a sweet article that makes the attacks that would follow Gus’s display of emotion that much more unacceptable. Anti-LGBTQ activist Terry Schilling of the American Principles Project mocked Gus Walz, writing, “Tim Walz’ son Gus wears eyeliner.” Prominent pro-Trump Twitter accounts Dom Lucre, Colin Rugg, and Autism Capital all mocked the 17-year-old. “Get that kid a tampon already,” wrote a right-wing podcaster Alec Lace. Trump ally Mike Crispi called Gus Walz a “beta bitch.” Right-wing radio host Jay Weber called Gus Walz a “blubbering bitch boy.” Ann Coulter called Gus Walz “weird.” You get the idea.

Right-wing beta losers doing what they do best: insult people.

This time, it’s Gus Walz, the son of Tim Walz.

#DNC2024