#please this forshadowing

[writerobscura]

Please ByeonDuck, I just can't...

[basilbots]

Bro if you think New Moon, before the Nexus arc where they were doing everything in their power to write him off as evil because they knew he was going to be killed off and replaced, was a worse brother than Old Moon or even anywhere close you are just straight up incorrect sorry.

First off very serious, stop downplaying Old Moon's abuse, you may not be meaning to but you are, you cannot be obtuse about why NM jokingly threatening Sun like normal siblings do all the time is okay but OM threatening the same thing when he would actually physically abuse Sun isn't okay. There is an obvious difference there and it's gross to say otherwise. Secondly more silly I am bapping you like an annoyed cat NM was around for a year and I guarantee you he was not played with Nexus in mind for the majority of it they were not in fact dropping hints that he would be evil this whole time. This is not to say New Moon was perfect, he wasn't, but literally none of the characters are. If you picked at every mistake or ruder comment a character made then they're all secretly evil and toxic (which some people actually believe looks at the Solar is evil theories). But I think it's insulting to go to people upset that their fav character was butchered and say "um actually New Moon was NEVER good" because you're biased against Nexus and want to rewrite what New Moon was actually like. Which is something that the show doesn't even support btw. Earth recently talked about how sweet New Moon was, Sun during the turning point of NM's grief arc turning into the Nexus arc admitted that New Moon up until that point was a better brother than Moon, the bulk of Nexus' horrible actions were not of him being a toxic brother it's him being an EX-brother turned villain. Which for reference is like how the og Eclipse was a toxic brother to Lunar but you would not say he was a toxic brother to Sun and Moon because the role and circumstances around how he hurt them were very different. New Moon was a very good brother that the story left turned into trying very hard to justify getting rid of so we could have our current story (Old Moon as our Moon, Dark Sun successfully having Sun kill a Moon, the dimensional discrepancy, etc).

[thunderstomm]

The more I think about the finale of A New Wish, the more I can’t help but think it’s going to play out as a tragedy. That Dev & Hazel will be cemented as rivals, or their friendship will be a bittersweet “what could have been”.

Dev is a tragic character. He is a product of his environment, and he acts accordingly. And those actions will almost definitely have consequences. I can’t help but wonder “what if he loses Peri”?

Would really hammer in the fact that fairies and wishing cannot help every kid.

Magic hasn’t exactly been good for Dev, it’s been making him worse with every new piece of information he finds out. Dev makes a lot of empty wishes, chasing a fleeting feeling of happiness, because the only thing he really wants- his Dad’s love -is something he can’t wish for.

I think the finale is going to be Dev’s moment of “flying too close to the sun”, and we’ll see him fall. He’s offered a supporting figure, and it’s still not enough, because it’s not the one he wants.

And as a result, he loses everything. His fairy, and his friend. And even after all that, he’s still not got his father’s love.

(Regarding Hazel’s rule free wish- I feel like it’ll be used to save Fairy World in some regard.)

This is all theorising, and I could be proven wrong ! I would LOVE a happier ending for Dev, because I do think he deserves friends, and a support system. Perhaps they could explore that in a second season, if we end up getting this tragic route.

[hercarisntyours]

A thought I have think thought a lot since my eyeballs experienced this film burning into them

[sweatandwoe]

My fandom needs media literacy post but just towards the cis sraight male dudes who just discovered literary devices at the age of 30

[acourtofquestions]

Current #1st read theory (Heir of Fire):

Manon & Celaena’s golden eyes — do they have some sort of connection? … Manon mentions her eyes being of pure gold & that leading to her immediate status from birth (though she also mentions she doesn’t remember why it meant anything to her grandmother/the coven)… there is the poem about Ashryver eyes (frequently mentioned are Celaena’s golden ringed turquoise eyes) which are obviously a big enough deal in their worlds history to be mentioned in a book … Perhaps their is some sort prophecy or connection? …or I’m just piecing together random nonsense lol

[bmblboop]

[twinsarekeepers]

SOMEBODY MAKE A GIFSET OF JOEL CARRYING SARAH TO HER ROOM AND LAYING HER DOWN TO REST IN HER BED AND THEN OF HIM FINDING ELLIE ON THE OPERATING TABLE AND PICKING HER UP AND CARRYING HER OUT

[icharchivist]

I did hear that the OG was a bit obtuse and especially when the world opened up later, you kinda had to talk to every NPC for breadcrumbs leading to your next destination, and I actually love doing that? I love talking to every NPC in a video game! I play Pokémon to go into everyone's houses and talk to them, that's the best part!

Maybe in the Remake they tried to avoid frustrating people by having things be so unclear, but they could've figured out a happy medium. Maybe optional quest markers

The newer Zelda games let you disable quest markers if you love stumbling ass backwards into problems and solutions

We have the technology, is all I'm saying

yeah right!!

Like it's true the OG becomes a bit confusing when you unlock the open world, there's some point where it becomes hard to remember where you're supposed to go, and if you stopped playing in the middle of exploring and forgot what you were doing, you're out of luck! Not to mention also super weird stuff and secret place to unlock some limit breaks (thinking about that one NPC that will give you Aerith's final Limit Breaks after you walked a certain amount of steps with a Materia). that's definitely an issue, but it's also... fun? to have you figure out where to go next by talking with people?

and like, the OG didn't have quest markers or even an easy to use map, so it's kinda confusing yeah, but just adding that would already help a lot without completely cutting down on interreacting with the scenery?

like yeah pretty much, the OG was confusing sure, but in ways that modern technology could help out without removing the detective aspect of trying to talk with people to figure out where you go next.

there HAS to be a middle ground between leaving you fully on your own in the OG and taking your hand on literally everything in the Remake, yaknow?

esp also since the first part of the Remake follows the one "linear" portion of the game where you mostly have to go from one map to another without specifically having any way to leave the area you need to stay in.

Like the Shinra building is normally kind of one puzzle or detective work by floor in order to unlock the key to unlock the next floor, so all of them come with the aspect of letting you discover each floors.

in the remake it's really just going from one quest marker to the other instead, and every exploration bits are instead replaced with cutscenes that tells you straight up what to do and it's just.... why... where is the interactive aspect of it...

idk it feels frustrating, and if it happened only for one or two quests it's whatever, but at this point it's been systematic and anything that's supposed to feel like something you worked for in the OG ends up just.... well. being hand held instead through everything. Once or twice is fine, but when it's all the time it's just. man what the point.

i miss the OG 😔

[secretly-insane]

I have a love hate relationship with foreshadowment. On one hand, it’s kinda fun to guess what’s going to happen based on the little clues. On the other hand, it’s super annoying when I correctly guess what’s going to happen based on the little clues!

[curdled-blood]

If I had a Skrill, I'd name it Thunder Guts

Tbh if I was a skrill and heard people calling the night fury the unholy offspring of lightening, id be pissed.

[elysia-nsimp]

Hello scary Danganronpa community I would like to leave my Korekiyo redesign here an an offering please do not hunt me for sport /hj

Details and stuff (giant bricks of autistic text) below cut

Okay so in canon, we know Kiyo’s sister made his uniform and (I THINK) (DONT QUOTE ME ON THIS) he canonically doesn’t like it very much but wears it because of the whole… sister thing.

This redesign is meant to NOT be just a replacement of the OG design, but takes place in a non-despair AU where Kiyo actually learns that the relationship he had with his sister was NOT a healthy one. He gets support from his classmates and possibly the therapy he DESPERATELY NEEDS, and after beginning to accept his situation, he makes his OWN uniform with help and input from his peers.

That being said, what all did I do and what was my thought process?

- his og outfit was highly inspired by military-style clothing, and. *The anti-semetic armband.* so all that went in the trash because I didn’t like it

- I put him in more comfy traveling clothes—a soft button-up, a cardigan, slightly baggy pants, high travel boots. He travels a lot so might as well be comfy for it! The boots have a fluffy lining for cold weather

- I changed the hat. He needed a hat still but I changed it from a military style hat to a sea man type hat. It just felt right.

- kept the mask, but he wears it more because of his travels—lots of diseases. + his sister died of illness so he’s cautious about that. (I did change some of his story too but I tried to keep the big plot points while not romanticizing it)

- kept the bandages too. He does a lot of field work so I imagine he gets scratches a lot. Just another precaution to protect himself when traveling.

- I wanted to use the rope and rose motifs in his official art. I was so disappointed there wasn’t more of that. So his cardigan and pants have matching vine patterns and he has a rope tied around his waist—it’s there because sometimes you need a rope yknow. It’s a tool but also stylish/hj

- it’s commented on in the game how he’s very feminine (QUEER) and how he “has the kind of beauty that puts female colleagues to shame” ??? which is a weird way of forshadowing BUT I decided he gets to have long eyelashes and longer nails.

- his locket has been moved from his breast pocket to a necklace.

- and lastly I kinda liked the weird stringy hair thing Danganronpa does sometimes?? I just gave it more volume because . Yeah.

So yeah those are my big notes. How about some more story-based explanations?

- Kiyo got used to the darker palette (plus it keeps the mysterious spooky vibe the creators were going for), so he just kept that.

- all the material is soft and breathable, which was his priority when looking for the base clothing pieces!

- Angie helped him with the rose and vines! They’re embroidered. All Kiyo said was that he felt it was all very green and wanted to bring back some red, something about roses, and that’s what Angie came up with for him. He really liked how it came out

So yeah :] I hope y’all enjoy, I like the final product. Definitely not intended to be canon in the event of the killing game universe but I’ve always preferred exploring non-despair AUs.

If anyone WANTS to hear about the story changes I made lmk but uhhh I’m not making that my first Danganronpa post ahahahahahahha (<- read this as frightened and shaking like a chihuahua)

Again please don’t shoot me point blank danganronpa community

[shapelytimber]

Wdym it's been 5 months ? Anyway, here is the end of my little comic serie about this niche Skyrim mod

*Insert me 100%ing the 4th arc of the hit mod 'vigilant' for the elder scrolls V Skyrim with little difficulty having a grand ol' time*

I messed up my files so Teldryn divorced me while I was away ckgkckkc And you know what good for him, he got a cottage and a kid out of it

[PART 1] - [PART 2] - [PART 3]

[COMMISSIONS]

If you're interested in my thoughts about this mod, you can read that below (it's fucking long so I'm sparing you all just here for the art to have to scroll through all that) vvv

A fantastic mod for sure ! I had so much fun, the voice acting was (for the most part) quite impressive, the music !!!!!!!!! Excuse me who gave this mod permission to have this fucking banger of an ost ???? Loved the new environnements, and there was so much of them !! Especially in act 4, I felt that all the locations had a unique and gorgeous aesthetic (frankly it was the most fun I had doing dungeons in skyrim... the bar is on the floor tho- if I ever see another nordic tomb or draugr I'll not be responsible for my actions), and fucking impressive mise en scene.

And the fights were so fun ??? In skyrim ?? Incredible.

But I still have some problems with it- first let's get the elephant out of the room : act 1 and 2... Boy oh boy were they not so great- I get that the begining is a slow burn to 1) get to know the vigilants of stendar, and 2) drive home the fact that the vigilants are quite incompetent and stendar hates them. Ok this is cool ! And they definetly were some highlights, like with the story of the three kajiits (I'm not good with remembering names (forshadowing for later-)), the ending of act 1, and uuuuuuuhhhh underground windhelm looked sick in act 2 !

But the quests in general were not very fun, at least not fun enough to distract me from the parts of the scenario I understood- which were kind of sexist and not that interesting (the sexism doesn't get better with act 3 and 4 but at least I'm having fun)- like I don't expect great women characters, this is still a tes mod, and it definitly doesn't get to "the man writting this is a fucking creep and I'm not playing this any longer" territory... But all the women we interact with are either : prostitutes, mothers/wives, or abuse(it's nearly always rape) victims- like I don't really mind that the first quest is to track down a vampire prostitute who propose to show me her sweetrolls, but it gets pretty tiresome after a while (and kinda ridiculous, like do all the big musley men I'm fighting in act 4 have to angst about their wives ? Can't a big musley woman angst about her partner too...). The worst one is Lamae Bal. From the charadesign, to the dialogues with her, to her story- hated that.

And also we don't have much dialogue choices and ways to influence the story in these 2 (3) first acts. Which I understand like this is a lot of work for fan content, but it's such a stark contrast to act 4 it's a bit jaring.

But speaking of the story... I get this is a very thoughtful and well researched story. A lot of work reading the tes wiki as been done by the author... But I, on the other hand, did not read the entire extended lore wiki- and I admit I was not understanding any of it during Act 4. Like I got a general idea, and the epic, dramatic and emotional moments were still impactful ! But I really don't think the author did a great job getting the story accross, and the more the mod progress, the more this problem becomes relevant. The recuring problem of tes games is that they have really deep interesting lore that we rarely get to see in the games ; the problem of this mod is that we get presented with this lore as if we already knew it.

And after watching an explaination of the story, it's such a shame because it's really good !! And well written ! But I don't think I should need a youtube video to understand it...

Also omfg I am not good with names mod please- everything has like 2-3 different weird fantasy names (but it's never explained it's the same thing, and what the thing is is never explained-), there is a billion men characters with weird ass long names, and the mod expects me to remember them all 5-6 hours after they got killed ??? I don't remember them 5 seconds after I'm done talking to them-

But I had fun playing it, and that's what matters <3 and I'll never get other twink molag bal <3

Also, my mage dragonborn is even more op now omg I can summon an army of 8ft musle men + molag bal + Jyggalag ??? The only fight I had a bit of trouble with was Pelinal's, the rest got obliterated easily (by Pelinal) kgkgkfjfifb

I'll probably need to nerf Elaris at some point in the future-

[another-day]

time for another lovely EPISODE IN REVIEW!!! and boy, do we have a lot to discuss for this one

!!!SPOILERS FOR II EPISODE 16!!!

oh my gosh

that episode was insane, i’m still reeling from it, but let’s start from the beginning

i remember seeing a post somewhere where someone was saying 3gs would most likely have a very ‘army general’ type personality, and i think that still holds, just not to the degree i intially thought

he’s someone who focuses on motivation and praise to not only please but get people to follow through. this is not in the way of manipulation, just in order to get what needs to be done, done. expanding on his personality like this was so interesting, especially interspersing his moments of fear with his moments of joy because he hadn’t seen other people in years. it really goes to show how cobs can negatively affect other characters than mephone 4.

trophy has really grown as a character in the sense that he can now see the fundamental flaws in the persona of knife, though i do feel he’s still heavily guided in this by his own values. he has this firm belief that knife is similar if not the exact same as him; angry and violent. he breaks down all of the cracks in knife’s facade, but incorrectly so, which was interesting.

alongside this, knife is shown to still be perceived incorrectly to how wishes to be by many of the contestants. considering he’s trying to make such an effort to change and become a good person only for trophy to treat him like this is clearly dishesrtening to him. as much as he likes to build up his whole tough guy persona, in this episode and the last, we’ve seen that the words of others, especially those he considers allies, can really affect him. granted, trophy is no ally of his, but it still has an impact on him to be so shamelessly called out, even if a lot of it is assumption.

i love that they make everyone’s attempts to comfort suitcase feel so condescending in order to emphasise her confusion and disarray in terms of the situation. this feels like a circus, where suitcase is realising she’s a clown for being fooled. i love her reaction to realising nickel and balloon are friends because she has that underlying anger, yes, but more than anything else she’s confused and upset. soooo cool.

i nearly screamed but it was two in the morning when i was watching this so i did not.

but oh my gosh, the idea of “deleting” a character is horrifying. as taco put it, seeing “the life drain out of him” must’ve been horrifying for her. this, oj’s, and nickel’s deletion are only amped up by this prospect of having people around to see the life drain out of someone they were once friends with.

also why did it have to be pickle. literally what did he do.

also also, now we know what happened to toilet i guess.

forshadowing cobs being able to see wherever they go, alongside how everything of theirs in under control, even if not by cobs.

cobs is meant to parallel mephone 4 in this scene. his advertisment is very “brainwash”-y, and it emphasises what a hold he used to have on people and the control he once held through his creations. similarly so, through the reveal at the end, WHICH I’LL GET TO, we see that mephone similarly has control over all of the contestants, whether direct or otherwise. so very peculiar really.

depicting the death scenes like this was brilliant. a persuing entity, sounded by alarms that only the person who is to be killed can hear is a horrifying concept, and something so horrifying from an outsider perspective.

imagine this from paper’s perspective: you’re arguing with your best friend about the amount of tasks you’ve been given for so little credit, and you finally admit everything that’s been bothering you. instead of the reassurance you usually receive, your friend stands there in shock before asking “do you hear that?” you hear nothing. the fear on his face grows and he backs against the door, crying for something you can’t see to ‘stop’. you’re confused, but before you can question it, he’s dead, spilled. any semblance of life in him as disappeared, and everyone is terrified.

this was so masterfully executed all the times it happened; taco’s incoherency when she was found with pickle, the hotel’s reaction when oj spills, and baseball’s silence and shock as he re-enters after nickel’s death. it sets up a tone of horror, and shows just how unaware everyone truly is. soooooo very cool.

it was so cool seeing the purgatory crew again because i really missed these goofy guys. but it really gets you thinking about what role they’re going to play.

unlike bow, all of the “deleted” contestants have had their melife icons completely removed, so that begs the question; will they be turned into ghosts at purgatory mansion? bow states in the episode that it took her a while to appear in the mansion, so it gets you thinking if deletion counts as a perma-death, and those killed will be turned to ghosts.

knife’s very impersonal handling of this situation versus suitcase’s gentle assurance and questioning really brings out the difference between these two.

this scene is meant to make knife seem foolish for wanting to rush by all this, but that’s not what knife intends to look like, again bringing back this idea of misunderstanding his actions. knife doesn’t like focusing on what’s around him when he’s been given a clear objective, getting information to find cobs in this case. alongside this, he doesn’t have the same understanding of what 3gs has been through as suitcase, yet he tries, to a degree, to understand this individual. when knife isn’t given the information he needs, he looks for his own means of finding it, and moves ahead.

suitcase on the other hand is shown to want to take it slower. unlike knife, she’s more invested in the story than the lesson or outcome. this is something normally detrimental to someone in a finale, but due to their working together, knife doesn’t really get too far ahead of her. she wants to understand motivations for actions so that she can figure out how to respond, whereas knife just wants to, for lack of a better phrase, cut to the the chase. very interesting.

now, the titular reveal of the episode, “the reality of the situation”, if you will.

despite how of guard i was caught, this makes perfect sense.

though i don’t really like season three, cabby has a scene where she freaks out when questioned about her parents. i initially thought this had something to do with her memory issues, but this explanation makes much more sense. bot knew about theur parents because their parents actually exist, cabby’s did not.

no character ever talks about their past, nor their parents, nor their motivation to join the show. it all quite literally starts from the first episode, and picks up from there. that is why mephone can regenerate them. that is why when mephone dies they can’t be regenerated, because as their creator, he was the only one capable of REcreating them. its an incredible reveal, and a very well working one.

all in all, this episode was phenomenal. the chracter work and development and storyline were all so well done and i totally adore it. episode 15 was very character focused and took a step away from the plot. this episode on the other hand took the plot and bolted with it, scattering all slrts of bombshells on the way.

i love this episode because it shows unity and disharmony and everything really feels like its coming together and i’m so excited for the next episode.

till next time lovelies!!!

[verndusk]

LIKE REX SAID

"BEING DEAD IN THE EMPIRE'S EYES HAS A FEW ADVANTAGES"

AND

Weird ass Tech is alive theory I'd not considered until now: he might be wanting everyone to think he's dead so he can successfully infiltrate Mt. Tantiss in some way which wouldn't be possible if anyone thought he was alive. In other words, he Plan 99'd in a way that would leave everyone, even his family, thinking he was dead, on purpose.

At the point in the episode when he opts to shoot out the railcar, they've already blown their chance to track Hemlock. They've also tipped their hand about being alive, about poking around whatever the Empire is up to, etc. In other words they have NOTHING going for them now.

But if Tech is presumed 'dead', he can skulk around on Eriadu, use Tarkin's base as a route into Tantiss. He can't do this with anyone thinking he's alive. Hemlock is probably suspicious; Tarkin has been so dismissive of clone capabilities I expect he's not. So if Tech can pretend to be dead and infiltrate the base in a more legit fashion, he can possibly get himself to Tantiss from the inside, and THEN signal everyone.

I don't know if this works in a general sense but I do like it for bonus points of everyone losing their fucking minds at him when this happens:

'of course I wasn't dead. but I needed you to think I was.'

'you...what.'

'you needed to all think I was dead so the Empire would. Sorry about that.'

'we're gonna need to mourn you all over again when we kill you for real WHY DID YOU DO THIS TO US??????????'

which would be fun! and zany enough it could be a show thing. Anyways, there is another comedy idea to roll with: tech takes the opportunity to fake his own death in true Ludicrous Tech Plan fashion so he can find Mt. Tantiss.

[eightratsinatrenchcoat]

Wishing everyone who enjoyed / related to Isaac’s plotline in Heartstopper S2 a very please read Radio Silence and Loveless by Alice Oseman.

Radio Silence is about Francis Janvier, a bisexual girl, and her friendship with Aled Last (the member of Charlie’s friendship group who Isaac was substituted for). It includes Aled’s journey of identity as a gay, asexual and possibly non-binary person and adjusting to life at university among other things. It is very sad in places and Aled’s mum is shown to be manipulative and emotionally abusive but overall it is a very sweet book with a happy ending.

Loveless follows Georgia, also a first year university student, and her relationship with her friends and discovering that she’s AroAce. Loveless was also in the background of quite few of the Isaac scenes and my sister kept getting very confused as to why I was pointing at a very blurry purple book and going FORSHADOWING as we were watching.

Both books have asexuality and the importance of friendships as key themes and are generally wholesome and uplifting, but be warned in Radio Silence things get worse before they get better.