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bunnys-kisses · 5 months ago

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how can i take your order? all you have to do is pick a dessert, drink and driver/character of your choosing! are you in the mood for a mille-feuille or a big slice of chocolate cake! please, please, please indicate who you want me to write about!!

the servers are from the following: formula one, call of duty, baldur's gate 3, haikyuu, one piece, jujustu kaisen, detective comics (dc), marvel comics (but i am open to any other fandoms you might have in mind! please do not hesitate to ask!!)

i do also accept polyam relationships! (pairing + reader), up to about four people! just to make it manageable on my end!

all orders can be made to the inbox for @bunnys-kisses and i'll get your order together asap! also let me know if you want it extra sweet or a little more spicy !

mille-feuille: “that’s it, fuck, that’s a good girl.”

butter tart: "let's ruin ourselves for anyone else."

sugar pie: “gonna let daddy hear ya?”

zebra cake: "well, what do we have here?"

carrot cake: "swallow it. all of it."

millionaire shortcake: "if they saw you now, you'd be the biggest shame to your family."

pots de crème: "if a picture is worth a thousand words, then i could probably get a million dollars for this photo."

oat flapjacks: "i'm not scared of you."

persian rolls: "it's mandatory i finish. you getting to finish is a treat."

spice pie: "i didn't know it was possible to be a liar and a slut."

mushroom pie: "if you don't shut up. i'm going to shut you up."

lemon slice: "i'm sorry, what was that? i can’t hear you over all that noise you’re making."

swiss roll: "everything you own, everything you wear i paid for. so i guess that means i own you."

pumpkin pie: "i've met strays who were more obedient."

pastry braid: "your job is to make me cum. now get to work."

sausage roll: "i wonder how much i could get for photos of this cunt."

pithivier: "if you don't behave, i'll let the boys take care of you."

tiramisu: “my little slut to ruin.”

sponge toffee: "aw, is someone mad that they can only cum because of me?"

pull-apart bread: "i love you"

powered sugar donuts: "marry me."

blueberry bars: “gonna make you a mamma and you're gonna make me a daddy.”

pudding chomeur: "i don't share."

ice cream bars: “did you see the way he was eyeing you? he need to know you're mine."

chocolate cake: "do you feel that? that's what happens when i think about you all day."

soufflé: "i'll be gentle."

fried dough: "i know virginity is a stupid concept... but i want to take yours."

apple pie: "now be good and beg. thank you."

vanilla cheesecake: "where are your manners?"

berry trifle: "wrong. try again."

maple cream pie: "either you wear the necklace with my name on it, or wear my bruises around your neck."

s'more: "The accent gets to you, doesn't it?"

belgian waffles: "i cum in that every night."

pancakes: "if you bite me. i'll bite you back."

loaf of whole wheat bread: "you're going to shut that mouth and take me."

jos louis: "does someone need a daddy?"

maple taffy: "oh my god you're stupid."

snowballs: "don't worry, drug tests aren't till next week."

shortbread cookies: "and who does this belong to?"

flan: "i'm not possessive... i'm obsessive."

peach cake: "if you spill a drop, we start all over."

angel food cake: "if he fucks with me again, i'm finishing inside of you."

red velvet cupcake: "if you don't like being called a whore, then stop acting like one."

mince pie: "i'm not jealous."

banana bread: "i'm going to fuck that sweet pussy of yours until the only word your little brain can form is my name."

crumb cake: "if you just listened, all of this could've been avoided."

chocolate chip cookies: "you're beautiful when you smile, but you're the prettiest when my cock is in your throat"

nanaimo bars: "who's my pretty girl? c'mon say it."

coffee cake: "knees. now."

sourdough bread: "i'm going to breed you."

blueberry muffins: "i don't think it'll fit."

pound cake with strawberries: "you know i hate going over rules, but just because i like seeing you embarrassed, i'll tell you them again."

croissant: "i wonder if your father knows what happens during the off hours. if he knows you're here with me."

crepe: "pretty girl."

french toast: "you're trying to make me jealous!"

churros: "if you don't shut that little mouth of yours, i will stuff it full. okay?"

shortbread squares: "you're just mad that that my cock fits perfectly in you now. must be a blow to the ego that we're a perfect match."

savory pastry: "let your brother find out."

sweet pastry: "i'll make it all better."

eclairs: "the family's precious little girl. under me like a slut."

boston cream pie: "yeah, i'll use protection."

bagel: “gonna paint you with my teeth.”

crostata: “stupid slut, this is what you wanted huh? wanted me to fuck you like i hate you.”

tres leches: "i wonder if your brother know i cum in you."

peanut butter bars: “scratch me, bite me, just mark me sweetheart. show them I’m yours.”

eton mess: "be careful. your breath smells like cum."

scones: "but what if they see us!"

english muffin: "aw, is someone crying?"

honey cruller: "i forget how small you are sometimes."

banana split: "don't look at me like that."

beer brownies: "stick your tongue out anymore and you'll look like a dog."

fudge: "your father is pissing me off."

sticky toffee pudding: "the only way this is ending is you getting pregnant."

hot cross buns: "don't hide your face from me. i'd hate to have to tie you up."

brownies: "you're so much more agreeable when you have something to occupy that mouth of yours."

chocolate mousse: "the only necklace you need is my hand around your throat"

tim bits: "stupid little thing."

fruitcake: "i'll make tonight special."

cornmeal muffin: "i need you most."

devil's food cake: "you're my most unhealthy obsession."

crème caramel: "oh. you thought you were getting away from me?"

banana & chocolate muffins: "i'm only doing this because you need to learn how to behave, rules are rules, and you need to follow them."

custard tart: "i've never done this before."

cinnamon rolls: "no one needs to know."

mango sorbet: "you are by far the dumbest thing i've ever fucked. how did they even let you graduate?"

date squares: "you look better with my marks on you."

figgy duff: "if i buy it, will you stop pouting?"

spicy upside down cake: "let's play a game: don't get caught."

cream puffs: "let me finish inside."

profiteroles: "come away with me. for a week, together. anywhere you want, we'll go."

with a side of:

coffee: rivals

tea: semi-public/public sex

juice: cockwarming

mocha coffee: breeding kink

bubble tea: daddy kink

a vodka shot: rough sex

sparkling water: gentle sex

coconut water: alternate universe

energy drink: doggy style

champagne: sugar daddy situation

hard lemonade: possessive behaviour

espresso shot: dirty talking

a glass of wine: cowgirl position

ice capp coffee: werewolf au

bloody mary: vampire au

martini: mafia au

frozen latte: dumbification

frozen lemonade: consensual non-consent

cranberry juice: mean!character

glass of water: aftercare

chocolate milk: tenderness

milkshake: size kink

pina colada: pregnancy

cider: body worship

mai tai: loss of virginity

margarita: unprotected sex

mint julep: punishments

chai: biting/hickies

earl grey: big cock

fishbowl cocktail: protected sex

tonic water: age gap

matcha latte: collars/bondage

root beer: filming/recording

soda: jealousy

americano: oral sex

whisky: degrading language

vitamin water: dom/sub dynamic

irish coffee: high sex

sangria: drunk sex

dark roast coffee: sub!character

dark hot chocolate: sub!reader

iced tea: accidentally launching relationship

lemon water: university/college au

naked & famous: bimbo/ditzy!reader

on the house: author's choice!

ORDER UP!

1K notes · View notes

ineffable-romantics · 1 year ago

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Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

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daydreamerwonderkid · 1 year ago

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Me, after doing 15 minutes of excessive googling on every Batfam member's birthday only to then realize I've accidentally missed the majority of them this year, and then also finding out that people are still aggressively debating over whether Bruce's birthday is April 7 or February 19, Dick's birthday happens 3-6x throughout the year, and Stephanie might have just popped into existence for all that DC cares:

Batfam birthday dates btw for anyone who needs them are listed beneath the cut:

DISCLAIMER: DC is notorious for being super inconsistent with everything and I am a mere tadpole caught in the tidal wave of DC's ocean. This post will be regularly updated with edits and corrections so please do not use it as word of law, I am begging you.

Update (8/24/23): To keep things more simple and easier for everyone I am going to start categorizing the birth dates I've collected into 3 categories.

-Most popular: Self-explanatory. These are the birth dates that have been canonized and confirmed by DC and are also more wildly celebrated by the fandom. Typically, this should be the first result you see when you google the character's birthday. But not always because DC sucks ass.

-Other date(s): These are the additional birth dates I come across that have been canonized in some form with multiple sources, but are not as wildly celebrated or popularized by DC and/or the fandom. Why am I including them here? Mostly because I don't want people coming in saying I forgot a date. But also because if I have to see this mess, then y'all have too as well.

-Potential but unconfirmed date(s): This is where I will put all the other additional dates I find, but specifically those that are lacking in complete sources or seem to be highly debated and scrutinized.

Also fun emoji ranking guide for me and me alone:

👑👑: Queen Shit. Characters with a consistent and simple birth date(s). Can absolutely do no wrong.

👑😮‍💨: In the Running. Characters who don't have a set birth date, but the mess is minor and completely DC's fault. They shouldn't have to be punished for DC's crimes.

🤡🤡: Gtfo. Shit is so inconsistent and stupidly messy that it's making me lose my shit. I'm putting DC and the characters on trial for this bullshit.

👑Alfred Pennyworth👑

Most popular: August 18

Other date(s): June 27 or August 10

Potential but unconfirmed date(s): September 19 (fml)

(Yes, I'm including Terry, fuck you lol

Also SERIOUSLY WTF is up with so many of these August birthdays!!!! Fuck, was everyone just getting crazy BUSY in November!!!! What's going on in the DC universe that is making November of all months the HORNY MONTH????!!!!)

(Mini update ((8/18/23)): Well, I just found out that apparently June 27th 2023 is also a highly debated birth date for Terry. As is August 10 2023/2024 and August 18 2023/2024. I even saw a mention of September 19 2023, but I don't know how credible that source actually is. I'm just putting it here because I'm losing my mind and I don't want someone to pop in and say I forgot it omfg I'm dying

I'm just ... why? Why is it so hard to just commit to one month and one date. I'm not even concerned about the exact year. Just commit to ONE, man.

Excuse me while I march over to DC HQ and burn the whole place to the ground iswtfg)

Feel free to correct me if I'm wrong on any of these. I have a massive headache now and am open to any suggestions or clarifications y'all have to offer.

Also, I'm going to fist fight Dick in a Denny's parking lot.

Update (8/17/23): So a mini post that I meant to use as a way to vent how insane Dick was making me somehow blew up way more than I ever expected it to, and now I feel obligated to clarify again that I am open to any corrections and additional info that anyone has to offer.

I'm saying this because I've noticed people reblogging this post for actual Batfam bday references and someone already pointed out I fucked up Tim's bday and now I feel bad for everyone who reblogged this post prior to that edit.

It's probably just the anxiety talking, but yeah I just wanted to put that out there.

Also justice for Stephanie Brown! She deserves to have her own special day and if I have to bully DC into giving her a canon birthday, then you bet your ass I fucking will.

(And to all of y'all who are encouraging Dick to keep running his side scam business, I just have this to say: There's an empty Denny's parking lot somewhere out there just waiting for you, too lol)

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dragon-chica · 21 days ago

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Cryptid Hunting - Eddie & Venom x Reader

Fandom: Marvel / Venom

Dear gods it's been a long time since I wrote but this duo? marry me.

You have a love for monsters and stories, folklore and cryptozoology especially the more interesting creatures, in particular.

Eddie once had asked you if you really believe in all those stories, legends and cryptids and folklore. He found them interesting and entertaining, especially some of your favorites you shared with him, but didn't consider a lot on the subject.

"Babe, your body contains an alien slime that cured your cancer and eats your ass. This is just a cursed child that flew out a chimney and haunts New Jersey. No offense, Venom, honey."

"NONE TAKEN."

"That's fair."

You had always wanted to try cryptid hunting just for fun, but could never convince anyone to join you for a night of tomfuckery in a creepy area with legends and rumors.

Eddie though, had no excuse.

Your reasoning was, he's a journalist, he should investigate this story, spinning your laptop around with an article on a chosen cryptid for him to look at while you also read about it from one of your cryptozoology and folklore books.

Your second reason was, he's your boyfriend and "Please, please, please, please baby?"

Which of course he could never say no to, not that it helps that Venom is also now pleading along with you.

"YES EDDIE, PRETTY PLEASE? WE CAN FIND IT AND EAT IT. AN EXOTIC SNACK, AND WE WILL IMPRESS THEM."

Both his lovers pleading for him to do something? He's a lovestruck sucker as is, even if it is walking around like a couple of dumbasses in the dark. He's done weirder.

You honestly didn't actually expect him to agree though, and are ecstatic that he does.

Your excitement and the big kiss on his cheek is already worth it he thinks.

"SEE EDDIE? WE ARE AMAZING PARTNERS. MORE CRYPTIDS AND MORE KISSES."

You make a day out of it, a roadtrip.

With snacks. Lots of snacks, and one guy at a gas station that was just awful. "HE DIDN'T TASTE VERY GOOD EITHER."

All in all, Eddie was having a good day. Time off spent with his favorite beings, a scenic drive, wearing shoes. Not really expecting much of the "cryptid hunt" besides walking around in the dark and talking to the woods like ghosthunters.

But you and Venom were hyped, as soon as you parked in a secluded area and geared up with flashlights and a video camera, he didn't know who was more excited.

Venom was hovering over his shoulder, head whipping around so much he was spinning Eddie as he went, following you "to a good spot."

You sat in the woods for awhile together waiting for it to get dark, wrapped in a cozy hoodie and leaning against Eddie while reading to him different stories from one of your cryptid books.

When darkness settled around you and something could be heard walking through the brush, you flashlight spun toward it.

"DO NOT WORRY MORSEL, WE ARE THE LETHAL PROTECTOR. YOU ARE SAFE."

Eddie did not expect, at the sound of something moving closer in the woods, for Venom to jump out of him, and into you. Backing up with black good around your hand now shaking with the beam towards it.

"What the hell V?" he whisper shouted while your other hand covered your mouth trying to hide a snicker.

"THAT'S ENOUGH HUNTING FOR TONIGHT."

A weird trilling sound came for the forest and Venom encased you, going full form and grabbing Eddie over your shoulder before sprinting back to the card and tossing him inside.

Your flashlights, heavy duty and bought just for this, were long forgotten while multiple tentacles rummaged around Eddie before finding the keys and slamming them in the ignition.

"What's wrong V? i thought you wanted to eat a cryptid for me?"

You try to soothe and pet him while Eddie gets his bearings again.

"NOT HUNGRY. THE UGLY MAN GAVE US INDIGESTION. BESIDES, EDDIE WAS SCARED."

"HEY!"

Eventually, against Venom's protests on Eddie being a chicken and too scared to continue, Eddie trekked back to retrieve your gear, Venom back with him and switching from full cowl to hiding inside him again while you waited in the car.

#Venom x reader #Venom imagine #Eddie Brock x reader #Eddie Brock imagine #my stuff #marvel x reader #marvel imagine

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the-real-couchrat · 30 days ago

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Post ending / rescue AU / recovering Curly is everything to me, so I’m making a list of other people’s posts that feature him. (The links will connect to a reblog of them in case anything ever happens to the original post)

If anyone ever see’s posts like these ones, PLEASE tag me in a reblog!! All posts are welcome, not just art!

Please note that I don’t decide what to add to this list based on shipping, opinions on the metaphors in the game, the accuracy of burn scars, the morality of Curly, or anything else that causes discourse in the fandom. I just add any posts that I come across that include Curly recovering from his injuries in any way. Prosthetics, wheelchair, wig, crutches, It just needs to have him in better shape than when he first got injured.

No NSFW

(Also this post is edited to add new ones when I find them)

Rehabilitated Curly

Party with no Jimmy

Stand around in medbay party (Idk if this counts, but he has prosthetics so I'm saying it does)

Happy abortion!

Post-ending speculation (text)

20 years later (I AM NOT WORTHY TO LOOK UPON THIS WITH MY MERE MORTAL EYES)

ANYA’S GRADUATION DAY

Post ending

Rescue/Recovery AU

My own post! (text)

Aftermath Curly

Good ending

Best way to approach captain’s disability?

A little sketch

They care

“I wouldn’t want to frighten her”

Anya doesn’t quite overdose

They’re safe

Guys rate my fanart

WWI face prosthetics

Less fucked up Curly AU

Fix-it type AU

Silly recovering time

Curly got some gifts for his b-day

Imagine Curly survived (twitter)

Curly with a service dog

I’m not a dog and you’re not a mare

Drawing the dentalcare crew (does this count?)

The quality will not be questioned

Fix-it AU

Want to make Curly some cool new mechanical hands so he can strangle Jimmy

One can dream

He’s got a wig now

Happy ending where they all survive (devianart)

It hurt my heart (twitter)

God forbid I get sick (translated?)

This might be controversial but… (text)

Let’s get you out of the house!

Cyberpunk AU

Cartoons with breakfast

Old-school surgeries (text)

Post-ending fic prompt (text)

Post-rescue AU curlyana

Post-rescue curlyana part two

Why is this goddamn white boy so hard to draw?

Captain stop infodumping the baby

Maybe never forgive

Draw Captain Curly having a prosthetic limb

Curly from Mouthwashing (good ending)

This is how I imagine Curly post OP

whats the worse fate, whatd be better for the tulpar crew

Wip

🐈

Mouthwashing AU (Reddit)

Curly if he survives (Reddit)

My own art

I’ll give him smoochies, prosthetics, and skin grafts

Art dump time✨

Hoppin on da trendin train

The crew built curly a mechanical hand

How to give Captain Curly a voice (idk if this technically counts, but it’s a disability aid so I will)

Doodle of the Tulpar crew post-rescue!

New hyperfixation just dropped

Hi Tumblr. Funny seeing you here

Another rehabilitated Curly

Who up washing they mouth rn

Don’t use the dog buttons (text)

Haunted part one and two

Prosthetics

AU were someone saves them

Mouthwashing doodles

A New Ladder-Reader x Curly (I’ll add the original art videos when I can) (also I didnt read it. if someone did read it, please let me know if it’s SFW)

I know he always have his headphones on

More rehabilitated Curly✨

You guys like this right

Anya, what’s it like working as a medic on a spaceship?

This is how we can still get the good ending

“I’m sorry Anya”

More cringe mouthwashing art be upon thee

Curly’s happy (and recovering) ending

Writing an AU of mouthwashing where the crew survives

Most people seem to be giving him prosthetics…

Doing a bit of study

#mouthwashing #mouthwashing AU #Captain Curly #recovered Curly #healing curly #healing curly mouthwashing #mouthwashing curly #curly mouthwashing #recovering curly #recovering curly mouthwashing

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nekropsii · 10 months ago

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ALPHA TROLLS RANKED BY HOW WRONG THE FANDOM AT LARGE IS ABOUT THEM:

This is a personal challenge, based entirely on my own experience and perspective, and also ranked from Most to Least Correct. I was bored, and thought this might be fun.

Putting this under a cut, because it's long as hell.

MEULIN LEIJON

People get her mostly correct, from what I’ve seen… Most of the time, fan content of Meulin is absolutely recognizable as Meulin, but her pride in her deafness + joy of learning new ways to interact with the world through/due to her disability is always removed, and I do not often see people tackle the Toxic Positivity aspect of her character. That seems less like character assassination, though, and more like a combination of people not actually playing through the Openbounds, people not being able to fathom disabled people (especially those who gained a disability later in life rather than being born disabled) being happy, and general fandom distaste for the idea of touching anything uncomfortable, especially when that uncomfortable topic is highly mundane, normalized, and potentially applicable to them or their loved ones. Meulin’s toxic positivity was, of course, commentary on Tumblr’s ecosystem at the time, so… It was much harder to touch back then.

ARANEA SERKET

People tend to get her general, broad strokes personality right, but unfortunately she gets treated pretty roughly for the crime of Being A Serket. People refuse to understand her motivations, and she often gets demonized for what she was doing around/during [S] Game Over, even though that was something she’d gotten pushed to and also was cool as fuck to watch. God forbid a woman do anything.

DAMARA MEGIDO

People are right about the racism, 100%. It is completely despicable, hard to look at, and extremely blatant. She does, however, have character outside of that. No, it isn’t “whore”, it’s more like “angry, dysfunctional abuse victim”, and she’s genuinely a very interesting and tragic character. But, again, people are right about the racism, so she gets to be placed way up here.

MEENAH PEIXES

She is such a chaotic little bastard. I love her. I really do. Please understand that she genuinely does not understand the concept of consequences. This girl didn’t have a Lusus, she didn’t have parents, it was functionally illegal to tell her “No, you can’t do that.” That would fuck up literally anyone’s moral compass. That’s not me hand waving away all the fucked up and bad shit she’s done, we all know what she did, but people tend to forget this aspect of her character and it pains me deeply, because it is a very genuinely interesting concept that I want to see more of. She’s capable of regret, we’ve seen her feel it, I just don’t think foresight is her forte. No one raised her to consider consequences, or help her experience them in a healthy way, because nobody raised her period.

Also, her ass is not butch, she is the girliest girl in the entire comic. She is about hot pink and glitter and kiss marks and unicorns and cute little puns and you will respect that. She is not masculine. Her ass is not masculine nor is she butch. Let her be her hyper-feminine self.

LATULA PYROPE

Please for the love of god there is more to her character than “Gamer Girl” and “Mituna’s Girlfriend”. You are falling for her fucking ruse. Please. Please. Please recognize that her entire character is about internalized misogyny, and being forced to overcompensate for misogyny in gaming circles as a gamer who happens to be a woman. Please. I’m begging.

KURLOZ MAKARA

His character is not that deep, it’s mostly just a string of events he is mysteriously, inexplicably involved with. The Makaras are extremely Function Over Form- their characters practically do not exist, they're mostly just plot devices that exist to push the story along. I'm sorry to Makara fans. You just invented a guy in your mind and decided he was real. He is also not that soft, though, and his relationships with both Meulin AND Mituna are not healthy. Hard to stop people from ascribing cutesy squishy lovey dynamics to random men who happened to have looked at each other once, though. Some people truly haven't graduated from 2012.

HORUSS ZAHHAK

I am begging people to consider that maybe the biggest issue here is not that he is “Bad Otherkin/Therian Representation” and is in fact maybe the fact that Hussie was actually making fun of Systems when he was writing Horuss. Because Horuss is canonically a system. He uses the word system. He uses the word switching. He uses the word host. He literally talks about his Plurality at length in extremely upfront, plain terms. I don’t know how him being “Bad Otherkin Representation” was and still is the main discourse about him. It makes me insane. That is a commentary that truly writes itself. Talk about having your priorities out of wack, honestly...

PORRIM MARYAM

No, she is not a MRA, she’s just a regular feminist who happens to live on a different planet with different politics and social hierarchies from Our Real World Earth’s USA. Whatever argument you’re about to pull out of your ass to say that she sucks is bad. She already explained what she meant by that, in more detail, very clearly, and she was right. Half the time she’s literally just giving you factual information about what Beforus was like, and literal plot synopses. She isn’t saying anything insane. She’s literally normal. I don’t know why people cannot handle or process this. Porrim has not ever said anything controversial. If you disagree with this you’re either misconstruing her on purpose or you fell for Kankri’s bait, and that’s just fucking sad at that point.

Also, she’s more than a sex object, and her tits are not huge. Honestly, half the shit she was saying was just “I am more than my sex life”, and so many people took that and made her main character trait her sex life. Just pathetic.

RUFIOH NITRAM

This man is a fucking war criminal and I will stop at nothing until he is behind bars for his crimes against Damara. Raging misogynist. Total fucking cunt. Just the worst. If I talk any more about this, this part will be 1,000 paragraphs long. But also, I’m begging people to recognize his relationship with disability, too. He was similar to Meulin in the sense that he didn’t mind his disability, and his biggest gripe with it was the way that Horuss tried to “fix” it… Which is an interesting way to expand upon how Beforus’s culling system is not only very explicitly ableist, but mimicking real world systemic ableism. I also want people to recognize that Hussie is actively having a conversation about the reclamation of slurs with Rufioh’s character, and how not letting people reclaim such language is doing nothing but giving the word power against them while stripping away their own personal agency. Rufioh’s a complicated guy, and he’s interesting and also the worst, and I am really tired of how he gets watered down to nothing but “Pretty Boy Victim Of His Inexplicably Psycho Ex”.

MITUNA CAPTOR

Holy Fucking Shit, You Guys Are Ableist.

KANKRI VANTAS

To this day I see people saying he was just Hussie making fun of SJWs. To this day. To this day people think Hussie was trying to make Every Tumblr Leftist look bad, and that he hates them Because They Are Leftists. When will people recognize him as a bootlicker to the oppressive class and the violently bigoted. When will people recognize that. When will people recognize that this is more of a commentary on the legitimate real flaws of Tumblr’s politics at the time. When. When.

When will people stop portraying him as a lovey-dovey Catholic Whore. I’m going to stab my fucking eyes out and then kill everyone in this building. Me when it's based and cool to ship an aroace character with a sexual predator. I GUESS.

CRONUS AMPORA

I say this with every ounce of sincerity I can possibly muster as a person: What the literal actual fuck.

#homestuck #homestuck fandom #alpha trolls #beforan trolls #dancestors #damara megido #rufioh nitram #mituna captor #kankri vantas #meulin leijon #porrim maryam #latula pyrope #aranea serket #horuss zahhak #kurloz makara #cronus ampora #meenah peixes #nekro.pdf #nekro.txt

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python333 · 1 year ago

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your writing is literally the best in the cod fandom. we need more injured reader angst. it's too good

don't breathe — python333

— — — —

synopsis [reader] gets buried alive after refusing to give intel to enemy soldiers and *slips up and writes reader almost dying again* oops how did that happen haha

relationships platonic!price & gn!reader.

characters cap. john price.

word count 2.7k

warnings suffocation [reader], just generally really depressing thoughts, near death??, 2nd person pov [you/yours/yourself], usage of c/n [code name/call sign].

note aww tysm :(( dont say its the best im gonna get a complex LMAO but i appreciate it!! and yes i agree injured reader angst ftw :3 i present to you: reader gets very injured and theres a lot of angst and its basically just you suffering for a good 3/4 of the fic while the last quarter has the actual comfort!

“Hello?” You try again, your voice cracking and your tone as desperate as it can get, “Please, God, say someone can hear me.”

You’ve been trapped in a casket for about five minutes now—at least, you woke up five minutes ago. God knows how long you’ve been stuck in the stupid thing, but realistically, it’s probably been much longer than five minutes.

The last thing you remember from before you were buried is being in the interrogation room of some small terrorist group’s facility, one you and the others were led to believe was abandoned weeks ago.

Unfortunately, whoever gave you the information must’ve either had incredibly outdated information or was setting you all up for failure, because the facility was very much not abandoned and was instead full of enemy soldiers.

You all had already gotten into the building before you knew that, because of course you all had to be in the same spot at the same time—practically sitting ducks for the enemy—and of course you all had to be clueless about the possibly hundreds of people in the facility until it was too late.

As far as you know, everyone managed to escape. Everyone but you. They didn’t mean to leave you behind, of course they didn’t, they were more focused on just booking it out of the facility. However, because of that, you were now stuck—you assume—several feet underground in a casket that has a limited amount of oxygen that drops every time you take a breath.

You let out the breath you’re currently holding and suck in another deep breath, holding it as you think. Your strategy of holding your breath until you no longer could mostly worked, but it wouldn’t for long, you knew that soon you’d suffocate in all of the carbon dioxide gathering in the enclosed casket.

You don’t know how long you’d been unconscious in the casket, breathing in oxygen carelessly in your slumber, which made the whole situation worse. You didn’t even know how much time you had left.

You hate to waste your breath checking your comms, but the enemy soldiers had accidentally left your earpiece in your ear—the small device apparently going undetected under their radar—and you wanted to make the most of it. You move your arm from your side and press onto the PTT button on your earpiece, wincing a little at how cramped the casket was.

“Does anybody copy?” You ask again, staring up at the almost pitch black space above you, “I repeat, does anybody copy?”

It’s a vain attempt at contacting your team, really. You don’t know if they’re thinking about you, if the signal is going through, if they even have their earpieces on—you know nothing, and that terrifies you because you really don’t want to die right now but there’s literally nothing else you can do besides helplessly talk into your earpiece, not knowing if anyone’s listening.

Your lungs start to burn and you let out the breath you were holding, taking another deep breath and beginning to hold that one. The air feels… thick. It’s starting to get harder to breathe, and you know you shouldn’t panic but you can’t help the few worried thoughts that come to the forefront of your mind.

What am I going to do when I run out of oxygen and the only thing left for me to breathe in are my own discarded breaths? What will I do when all there is to do is suffocate? Am I going to try, in one last desperate attempt, to break out of the casket, or am I going to just lay here and die? Will my team try to find me, or will they forget about me? Have they already forgotten about me?

Before you can listen to any more of those depressing thoughts, a voice comes from your earpiece.

“H—lo? [c/n]?” It’s hard to tell with the static and the cuts in between the words, but you think it’s Price talking.

“Price?” You ask immediately, all thoughts of preserving your breath forgotten. “Holy shit, you can hear me?”

“Je—s— whe—e—” He cuts out for a moment and your stomach drops when all you can hear is static for a moment.

“You’re— You’re cutting out, Captain, what did you say?”

“Wher— —re you?” It takes you a moment to realize what he’s saying, your mind working much slower than it usually does, but once you do you shake your head negatively despite him not being there to see you.

“I don’t— I don’t know,” You respond, taking a deep breath before adding on, “I think I’m underground, I just know I’m in a casket and it’s getting harder to breathe and—”

“Okay, o—y,” You hear Price’s voice crackle, his voice becoming more distant and sounding almost muffled to you, “Sa— —ur bre—th, I’ll try to g—t some—e to track your— —tion.”

With the constant cutting out of his words and the distortion of his tone, you can barely register or process what he’s saying, and that only panics you more but you refuse to let your emotions get the better of you even in the state of disorientation you’re in, so you keep holding your breath.

A minute later, Price’s voice crackles through your earpiece again.

“Okay, we’ve got your loc—tion,” Price’s voice sounds… oddly far away, “We can—”

His voice slowly becomes muffled, and you release the breath you were holding without realizing it, slowly blinking up at the ceiling of the casket. A sort of haze falls over your mind and you can barely even hear Price anymore before you suddenly snap back to reality and hear his now much clearer voice loud in your ear.

“[c/n]? [c/n], are you still there?” You recognize his tone now, and you’re just a little shocked at the sheer amount of worry in it.

“Haven’t moved an inch,” You breathe out, before lying, “You cut out for a second for me, sorry.”

“Don’t be sorry, it’s okay,” Price reassures you, “I said we got your loc—tion and we’re hea—g out th— —w. It’s not t— far away from where —e alre—dy are, we’re ba—ely three clicks away.”

“… Clicks?” You ask, your eyebrows drawing together in confusion.

“Yes, clicks,” Price replies, sounding concerned, before hesitantly asking, “… You know what those are, right?”

“I don’t—” You struggle to find words for a moment before you speak again, your own voice starting to sound distant, “I don’t think so?”

“What do y—u mean you don’t thi— —o?” Price asks, his voice sounding freakishly close, “Are you okay?”

“No, yeah, I’m fine,” You lie through your teeth, not wanting to worry Price further, “I just… how far away are you?”

“Just ab—t two cli—ks now,” Price says, before pausing and clarifying, “Two kilometers.”

Two kilometers… how far is that? “And that’s… is that far, or?”

“No, it’s not too far. It’s just a mi—te away, we didn’t ge— —o far before Laswell got your loc—tion,” Price tells you, “We’ll be there soon, ok—y? We’ll get y— —ut of there.”

“A minute—” You cough and feel tears pricking at your eyes from how hard it is to take another breath, “A minute?”

“Yes, a minute— [c/n], are you okay?” Price asks again, before laughing nervously, “You know what a minute is, do— —ou?”

“...” You struggle to answer the question, thinking long and hard for a few seconds before hesitantly answering, “… Yeah, I do, sorry. It’s sixty seconds.”

“Why’d it take you so long to answer?”

“I don’t know, I’m sorry, I—” You take a few shallow breaths, and feel a headache start to build up, “How far away are you guys?”

“We’re alm—t there,” Price promises you, “The heli’s ab—t to l—nd, and we’ll dig you up, and—”

Why is it so cold? Price’s voice cuts off and when he stops talking you realize that you’re shivering. You ball your fists up and can’t even feel your nails digging into your palms, your hands having gone numb from the cold, and realizing that makes you discover that your lips feel numb too.

Your ears start to ring and you feel that uncomfortable pins and needles feeling in your hands, the sensation slowly traveling up your arms, making you both wanting to peel off your own skin and also grateful that you can at least feel something besides the cold.

In the midst of your thinking, you hear muffled thumping coming from above you—whoever buried you couldn’t have buried you anything below six feet.

“—llo? [c/n]? Are you still there?”

You bring your hand up, the movement slow and sluggish, and you try to search around the side of your face for your earpiece. You eventually find it and when you do you press against it until you feel the PTT button being pushed.

“Still here,” You confirm breathlessly, coughing again as you take a few more shallow breaths, “I think I’m running out of— of… what’s the fuckin’ air that you can breath in, it starts with an o…”

“… Oxygen?”

“Oxygen, yeah,” You slowly blink up at the ceiling of the casket, “There’s— I think— I don’t… I think… I think I’m gonna pass out, Captain.”

“[c/n], don’t you fucking dare,” Price growls, “You stay awake, I swear to fucking god.”

“I can’t—” You take a few more shallow breaths, before coughing, the tears escaping your eyes reaching the corners of your mouth.

You can hear Price briefly talk with someone else, his voice the most serious you’ve ever heard it, before he talks directly to you again, “How much longer do you think you have before you run out of oxygen?”

It takes you a moment to register the question, but when you do, you answer, “Uh… I don’t— I think… maybe a few more minutes? I can’t tell, it’s just hard to breathe, I can’t…”

“Okay, okay,” Price softly says, gusts of wind blowing into his mic as he talks, “Give me a second, okay? We’re almost there, kid, we’ll— we’ll be there in just a minute, we just passed over you, I just need you to stay awake.”

“In a minute,” You repeat to yourself, before taking a deep breath, hoping that you have enough oxygen to make it out of this casket because you really don’t want to die here, not when there’s help just a minute away.

After what you assume is a minute or two, instead of thumping, you hear something cut into the dirt above you. The sound, however, is heavily muffled, so muffled to the point where you don’t know if you’re hallucinating or not.

Is that a symptom of CO2 poisoning? Hallucinations? You lay still in the casket and can’t help but release the breath you’d only just taken, the ringing in your ears starting up again and growing louder faster than they had before.

Your entire body is numb, your chest is heavy, and you can feel a sort of fog fall over your mind. You can distantly hear Price yelling through your earpiece, but you can’t find it in yourself to respond, instead simply laying there, your blinking starting to slow down before it eventually stops, leaving your eyes closed.

—

For a moment, you think you died and went to heaven, which would be weird, considering all the things you’ve done in your life. Not saying you’d go to hell, just saying God would probably hesitate for a second before letting you in through the pearly gates.

You blink awake, slowly but surely, and the first thing you realize is that you can feel things again. You tilt your head down to the bump under the white bed sheets laid on top of you, and squeeze your hand into a ball, watching the bump move and feeling your fingers dig into your oddly sore palms.

You let out a sigh of relief and pull your hand out from the sheets, bringing it up to your face and feeling the oxygen mask that’s been placed over your mouth and nose.

“Don’t mess with that,” You hear a voice say to your right. You turn your head and see a very tired Captain Price, dark eyebags hanging under his eyes and arms crossed, his hands having a white knuckle grip on either one of his elbows.

“…” You don’t say anything, instead you simply stare at him until he sighs and gets up from his seat. You watch silently as he leans over your bed and bends down, before pausing, and then quickly snaking his hands under your back to pull you up just enough for him to properly hug you.

You reach up with shaky hands and tentatively hug him back, not nearly as tightly—not that you don’t want to, but you physically can’t with how weak your arms are right now—but with just as much sincere affection. You can feel Price’s beard rubbing against your neck and hear his small sniffles as he embraces you tightly.

Maybe it’s his sniffling, or the way you can finally feel warmth for the first time in what feels like forever, or maybe it’s just the fact that he’s holding you with so much care and affection that it almost makes you burst at the seams, whatever it is, it causes you to tear up as well.

Those tears quickly become sobs that bubble up in your throat and crawl their way out of it, forcing you to tuck your head into the crook of Price’s neck and muffle your sobs in it, muttering a small ‘sorry’ after each one.

After each ‘sorry’, Price responds with, “It’s okay, let it out, sweetheart, you’re okay,” and those reassuring words only make you cry more because God, you didn’t even think he’d find you, yet here he is, letting you cry into his neck and is reassuring you after every apology that it’s okay.

“I’m sorry, I’m sorry—” You mumble a litany of apologies into Price’s neck, your breath stuttering and hitching as you try to hold back your sobs. Price only shushes you and rubs his hand up and down your back in a comforting gesture, bringing his head up to kiss the top of your head.

He tucks your head under his chin, “Don’t apologize, it’s okay. You didn’t do anything wrong.”

And fuck, you know it’s just words, but it only makes you cry more.

Your sobs eventually stop, leaving you hiccuping against Price’s neck, silently crying as he continues to rub your back.

“I thought you died,” He whispers, his hand stuttering on your back, “I thought you died and I was going to dig up your dead body, when you didn’t answer me.”

You stay silent, letting him continue, “I thought you were dead when we dug you up and needed to feel your heartbeat for myself to confirm that you were still alive.”

He pauses for a moment before continuing, “I’ve been here ever since they put you in here. I haven’t slept, I’ve just stayed here, waiting for you to wake up so I could tell you that I—”

He chokes up for a moment before taking a deep breath and continuing, “I’m sorry for not even thinking to drag you out of the facility with me when we all ran out. You were— you were right there, and I couldn’t just grab your arm and take you with me, I just had to leave you behind and I—”

“You watched me while I was asleep?” You ask quietly, your eyebrows drawing together.

Price pauses and pulls his chin off of your head, and pulls you away from his neck so he can properly give you the most incredulous look he can pull, before saying, “I’m pouring my heart out to you and apologizing for practically leaving you for dead, and that’s what you’re worried about?”

“Well, I’m not worried, I’m just—” You shrug, not knowing how to explain it. Price sighs and chuckles quietly before tucking your head back under his chin.

“You’re insufferable,” He mumbles, sniffling a bit.

“… I forgive you, by the way,” You say after a moment of silence, “I didn’t really blame you in the first place.”

“You had the right to.”

“Sure I did.”

“But you didn’t blame me.”

“Right.” “…” Price stays silent for a moment before pressing another soft kiss to the top of your head and saying quietly, “You should blame me.”

“Maybe,” You mumble back, “But I won’t.”

Later, maybe an hour later, if the others see you asleep in Price’s arms while he keeps your head tucked under his chin and rubs your back affectionately—no they don’t.

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