#please free me from my suffering

[bananashakexx]

brain rot

theyre all my litle tienpsys <33

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[asbestos-11]

and we're back to drawing rarepairs. i love you characters who never interact in canon

[nyaskitten]

WOAH GUYS! IT'S MR. BEAST!!! DO YOU THINK HE HAS SOME FREE MO- oh. never mind it is not him. it's just a vicious, rabid, disease-ridden child suffering horribly.

(please reblog this took SOOOO much time)

[nedsseveredhead]

I know i have it better than most so i really shouldnt complain but living through this current political climate (of the last 8 years even) is just so.. exhausting. Our rights dangling on a knifes edge, my existence debated as some hypothetical scapegoat by politicians, twitter idiots, and childrens authors alike.. several genocides happening that no one in power seems to care about. My constant news feed is just. Horrible warcrime, stupid take on the warcrime, transphobia, someone dunking on the transphobia but i still have to see the transphobia for their joke to land, warcrime warcrime... Its just so exhausting.

[makenna-made-this]

They are not mine (yet); I have to investigate this decaying place they seem to live at.

[ley-med]

One thing that's been on my professional bucket list is epidural anesthesia. Since it's a pretty rare occurrence in my hospital, I haven't got to do one yet. So knowing that today is the day, that I will have a case that requires EDA, I've spent yesterday afternoon watching videos and re-reading on the theory.

So naturally, the patient tells me she changed her mind and would rather face the pain of a hemicolectomy than to face her fear of epidural analgesia...

And it hurts because lady! please let me help you! please let me ease your pain! But of course her decision is her decision...

So yeah, it's still on my bucket list.

[thornsofrosesdumps]

this be doing numbers!

Mentally, on my brain, I am going to become a statistic and a case study in insanity.

[lardedallwithsweetflowers]

"As fate would have it, Cusack had fallen in love with a tall, laconic actor called Jeremy Irons, who was starring in Godspell just down the road. It was a case of opposites attracting. 'He was so elegant and refined,' she recalls. ('She was so Irish and wild and seemed to embody everything I wasn't,' he said.)

[...] Sam was born less than 10 months after Cusack's mother died of heart disease in 1977 ('I think he was conceived the night before she died. I like the thought of their two souls mingling'). 'The combination of all those emotions was just too much to deal with,' she says quietly. She recognises now that, for at least six months, she suffered from severe post-natal depression, undiagnosed at the time. Her work and her husband got her through — 'Jeremy has always been my greatest support'".

Sunday Independent, 30 July 2006

[qualityrain]

ik hny is abt satoko and her (lack of) autonomy but damn isnt it depressing to see her constantly being pressured to do something she doesnt really want to do over and over and the way she just kind of follows peoples plans like the whole time its her family then shinpei then kotaro then mitsueda and then asagiri and now asagiri wants to take something from her that to satoko losing it is worse than death and its like man. and the worst thing is that shes doing all this complying to peoples plans just so she can go back home and follow somebody elses. tachibana give her a break im begging you

[time-is-restored]

73 yards thoughts

now that ive had a night to sleep on it, and read everyone's thoughts, im rewatching the episode to see if i can come to a more definite opinion about the episode (though that's perhaps against the spirit of the thing, lol!)

so a few moments that stood out for me that i don't think have already been talked about a lot:

when mrs twist shows up on the mountain, and ruby is giving her messages to pass along to the woman, she wants to say sorry. when mrs twist asks 'what for?' ruby looks genuinely thrown + upset, and eventually says '...i don't know.' since the woman/curse that haunts ruby is functionally an externalisation of ruby's deep seated sense that there is something fundamentally wrong with her, i think this interaction was super poignant. ruby 'knows' that she's done something that she needs to apologise for in the same way that she 'knows' there is something wrong with her that will make people react with fear + anger. there's no proof, no clear flaw or mistake that she can point to, because that's the point. the woman isn't saying anything specific -- there's nothing to say. noticing her (noticing a part of ruby that has a perception filter on it -- that is hard to see until you get close) just means that you see in ruby what ruby sees in herself. she is afraid that people will 'discover' whatever is wrong with her, and she'll lose them forever.

relevant to this is the fact that ruby didn't actually break the circle. if reading the messages is what summoned the woman in universe, then sure, she has culpability for that. but if it was breaking the circle, she had to live with the consequences of someone else's actions, and feeling guilt for something she didn't do. while im less confident with this reading, you could argue this is an allegory for her being given away. ultimately, that decision had nothing to do with her. she was literally a baby lmao. the idea that there's something wrong with her bc of her mother's decision is illogical -- doesn't follow reality, just like magic. she's spending her life trying to make up for a mistake she hasn't made (and, honestly, probably wasn't made. we don't know anything about her birth mother -- its more than likely that she wasn't fit to be a parent to ruby, no matter how human or supernatural the reasons for that were. but the facts of the situation don't matter here, in this liminal space. guilt and fear and shame bleed through the gaps. ruby could arguably be 'the spiteful one' the pub laugh about. she thinks she needs to be punished for something, and so the woman punishes her.)

following along this line, we know that ruby genuinely doesn't know what might have caused the woman to appear. she suggests trespassing, or breaking the circle, and gets the idea that reading the notes might have been wrong from the pub, but she never finds out for sure. unit doesn't know, or at least doesn't have the chance to tell her. the lack of closure ties in really well -- ruby has to carry a trauma that, even as she comes to terms with it, she can never truly explain or understand. even the partial amnesia at the end of the episode can be read as a sort of 'the body remembers what the mind forgets'. some part of her knows something terrible has happened, something that scarred her and left her alone for an immense amount of time (even if that time, in a literal sense, was undone), but she won't be able to put words to it. it seems that self acceptance - literally opening her arms to this *thing* that has haunted her her whole life,

now for some more rambly thoughts/things im still confused about

i genuinely think if not for the single shot of the episode reversing and old ruby now standing with her arms out on the cliff, i would have no problems with the themes of this episode. it was a powerful representation of rejection and fear that genuinely freaked me out (ruby running after her stone-faced mother while crying BROKE me), and i think it was a great character study of ruby. like others have said -- how many people would have stuck it out for that long? how many people would have never resented/blamed the doctor (or anyone, really) for leaving? and how many of THEM would've come to find a sense of companionship with their spectre?. ...however.

i can not wrap my head around the shot where time reverses and old ruby is looking out from the pov of the woman. it completely breaks my brain. i know at a certain point i should just accept that the woman can do whatever the story needs her to do, but there was nothing about time travel up to that point. it was all about physical and psychological boundaries. more than that, there was no indication that ruby was trying to make up for what had gone wrong. she didn't try and fix the circle, she didn't try and communicate with the woman at all beyond her first failed apology. on its own, i like this -- ruby becomes resentful of the woman quite quickly, which tracks as an expression of her poor self esteem. why would she try and get in the good graces of someone she rejects + dislikes? and again, i LIKE that she eventually treats her as a companion. all ruby has is herself, and she can never leave herself. getting to a point where she doesn't want the woman to go away, where she doesn't feel lonely while alone -- it makes sense that that is what heals the riff. i can write all that out in a way that makes sense to me. ruby makes a mistake (or witnesses a mistake) that makes the doctor disappear. she rejects herself, and in this liminal space, the part that she rejects manifests into reality. it haunts her for the rest of her life, even as she begins to wield what she thinks it says about her (that she's unloveable) to her advantage. when she accepts it, and integrates it back into herself, she is able to speak clearly to herself -- what she is thinking makes it across to young!ruby. when ruby thinks about the situation without the influence of self hate, she realises that the problem was the doctor's actions, not her own. she gets the message across, the doctor doesn't disappear, and the cycle never starts. the loop closes.

but. she wasn't one with the woman the whole time! if she was, the doctor would have never stepped on the circle -- the loop couldn't start, and so it wouldn't need to be closed. like, i know that we do a lot of paradoxes in this show and sometimes things are just gonna be Weird. but to me it's like if, in turn left, donna died in an unrelated car crash, then ended up back in time anyway. so why, if ruby has apparently accepted the woman by the time she visits the tardis for the last time, does the show bother with taking us back to the hospital and seeing old!ruby flatline? why doesn't the old woman come to her there, in that moment, so old!ruby is reaching across time but not space? if i squint, i could make an argument for the death. ruby's understanding of herself dies so a new, more accepting one can be born -- and obviously the timeline would fade away in the moment the loop is closed. but that's not what happens. old!ruby chooses hope and accepts herself, THEN goes back to the hospital, dies, then travels back to the past through time AND space (somehow, sure, i'll just accept the woman can do that), then communicates the message, then fades away. what changed between the visit to the tardis and her death? what do those few minutes possibly add other than the 'ive never been alone' line, which could've easily been written into the talk on the cliff? hell, she could've passed away right there on the cliff, if that needed to happen! but no matter how i twist it i can't understand why the old woman looked the same as it did before old!ruby merged with her, behaved + moved the same, and physically manifested when none of the criteria for its appearance had yet been met. im almost certainly overthinking it -- i can map everything else from this episode onto a psychological exploration of ruby and her fear. maybe the episode is saying that the woman was always there (at least to ruby), and old!ruby's self acceptance is what let the message get through??? but fuck i hate that she looks the same!!!! aghghhhghg! what changed! what changed! it looks like nothing changeddddd!!!!! <- deranged. they merged, there should be a sign of that beyond her hands being mirrored with ruby's.

tldr. if i could change anything about the ending of the episode, i'd take it in one of two ways. either have ruby merge with the woman while on the cliff and have ruby say something like 'now, what were you (or i) trying to tell me?' before cutting to the new timeline, or have the woman post merge look like old (or young!) ruby. she couldn't be seen because she was unknowable and (bc of ruby's schema) unloveable, so ruby conjured a generic older woman (possibly drawing from mother issues -- had to be someone at minimum old enough to be her bio mum). if she now looked like something specific, wouldn't that show old!ruby knew that what she feared was all bc she rejected herself? young!ruby could even have a line to go along with 'she looked like she was looking for someone', maybe 'i wanted to talk to her' -- just something small indicating that old!ruby's acceptance of herself was passed down in some small way, even if it certainly hasn't cured ruby of anything.

now for other theme/focus mutterings. i could spin something here about the fact that the doctor says the fairy circle 'is' charms and spells and hopes and dreams. ruby hopes and dreams that she can be accepted, and later, that she can bring the doctor back/undo the moment where it all went wrong. but the doctor also says that they should 'rest in piece'. so they're dead hopes and dreams, aka fears + regrets? so breaking it unleashed both the doctor and her greatest fears - the doctor of complete helplessness + impotence, and ruby of abandonment + rejection. because those fears stay buried in this timeline, ruby + the doctor's hopes (which in many ways are embodied in each other) can continue to live and be 'here', not drowned in the past.

also, the doctor implies the woman is 'resting in piece', out of nowhere, which i think is another indication of both ruby AND the doctor having knowledge from the split timeline. after all, old!ruby did die. so did the timeline where all that happened, i suppose. maybe that's the other angle for the fairy circle - it represents the fragility of a load bearing timeline. the hundreds of dead paradoxes and dead universes that spin off from time being written and unwritten as the doctor (and his companions) fixes whatever he can. let them rest in piece. forget what could've happened. forget what just did happen.

now for my other critique. i think the sexual harassment sub plot was cheap and shitty, and only served to be an incredibly lazy 'kick the puppy' moment to show that the prime minister was Evil™ levels of bad. in the process it showed no respect or care to victims of abuse, and pretty heavily implied that ruby had done nothing in the face of her peer being abused, because 'she had to make sure'. of what? that mad jack was a bad guy? watching him heavily imply he wanted to fire nukes wasn't enough to confirm anything? 'he's a monster' wasn't enough? why? what metric was she using, then? if she was waiting for him to be prime minister, why did she wait an unspecified amount of time AFTER he was elected, where he's clearly still abusing marti, to act? presumably the audience was already on team 'oh this guy sucks' by the nuke interview at the VERY latest, where it was also made clear that the guy was fearmongering about borders and all sorts of right wing bullshit. like, those are just the problems with it off the top of my head -- it fucking sucks, basically.

that all being said, i think ruby convincing herself that she only has 'one chance' works super well into the overall theme of ruby's understanding of the monster + her situation being tied to arbitrary rules she's decided help make the woman make sense. since this terrible thing happened when life was previously going fine, there must be a way to undo it and go back to the love and acceptance she had before. but there is no monster to slay that will trigger the end credits. there's just ordinary, shitty humans, and ruby herself. she can't uncross the boundary of pre-and-post trauma. and as long as she thinks there is something she has to make up for, the world where she is being punished will keep ticking along. i just wish it had been communicated in a different context!!!

side note. does anyone else want to come live with me in a world where 'it never snowed again' means that snow never occured again anywhere in the world. yes its way more likely to think that ruby's referring to instances of spontaneous snow linked to her emotions. but can you IMAGINE hardening your heart so entirely after being rejected by your mother that you change the climate of planet earth?? holy shit!

[elitehoe]

Haven't we suffered enough

[melissa-titanium]

GOD therseomuch shit to do i thought id have time today to DO stuff. its the fucking weekend why do ihave to do 2 classes and go outside and literally do something for school . the weekDAYS are always busy i havent had a free moment since i fucking joined

[toshidou]

LET ME OUT

LET ME OOOOUUUUTTTT

[save-mohamed-family]

My campaign is verified and added to the Gaza Donations page with number 192.

Thank you for documenting my campaign from the following accounts:

@sar-soor @heba-20 @el-shab-hussein @90-ghost @soon-palestine@ibtisams @marnota @riding-with-the-wild-hunt @i-am-aprl @northgazaupdates @fallahifag @fairuzfan

I love you all 🙏🙏♥️🌹

I am Mohammed Almanasra, 32 years old, married, and a father of three children: Abdulrahman, 6 years old, Sarah, 4 years old, and Lina, 3 years old.

My story began with the loss of my parents and four of my sisters, who were bombed and lost their lives along with their children after the events of October 7 and the severe war on Gaza. Now, I am facing a severe injury to my leg, which is at risk of amputation if I do not receive the necessary treatment. My wife, children, and I are displaced, without parents or siblings, and my wife is also suffering from uterine cancer.

Recently, I moved to the south of the Gaza Strip, fearing for the lives of my children. We left behind our memories and our new home, for which we had not finished paying the installments, in addition to losing my job. Currently, I live in a tent that does not protect me from the heat of summer or the cold of winter, and without the minimum necessary livinng basics including water, food medical care, clothe and even bedding .

I suffer from a chronic asthma and severe attacks from tightness and an extreme allergy in the ear and I need medicine that are not available, or very expensive .

Under these difficult circumstances, after five attempts at displacement and narrowly escaping death from the bombing, I am trying with all my might to protect my family, the most precious thing I have.

My dreams were shattered, and my house was destroyed, and I found myself living in a tent no larger than 4 square metres. My work turned from a tailor to a street vendor in order to barely buy a few crumbs of bread to feed my children.

Look at what happened to my children because of the intense heat and the insects that thrive in the summer season. Every day, I take them to the hospital to treat them due to poisonous insect bites. I implore every kind-hearted soul to help me protect my children.

My son, Abdul Rahman, has a deep passion for playing football and is a devoted fan of Real Madrid. He always dreamed of playing football at his school, but the war prevented this dream from coming true.

Where are you, Real Madrid fans ?

Help Abdul Rahman achieve his dream.

Every donation will make an enormous difference in helping me save my family.

I feel very sad and embarrassed to ask for help, but I have no other options left. I know that this request is difficult, but I also know that there is still humanity and living consciences and I believe in miracles.

Your support during this extremely difficult time will give us hope in the midst of devastation and despair.

If you have any inquiries or questions, feel free to ask me, please!

To everyone with a compassionate heart,

To all who understand the essence of humanity,

This is a message from my innocent children, who trust that their words will reach everyone who truly understands the meaning of childhood.

We cry out to you, asking you to feel our sorrow and pain, and to extend a helping hand to us in this time when we are in desperate need of your mercy and compassion.

My name is being repeatedly added to many public and private donation campaigns. Please, be a support for me in this difficult situation.

https://docs.google.com/spreadsheets/u/0/d/1yYkNp5U3ANwILl2MknJi9G7ArY4uVTEEQ1CVfzR8Ioo/htmlview

Sincere greetings & thanks

Mohammed & the family

[reem-alajrami]

🚨Please don't ignore🚨

I am Reem, a Palestinian from Gaza ،I am 50 years old, my husband passed away since I was not 23 years old at that time, leaving me with three children, the oldest of whom is Diana 5 years old, Issam 4 years old, and my youngest son Abdullah 10 months old, so I decided not to marry again and to devote my life to them, so I completed my education and worked as a teacher in a government school.

and raised my children until they grew up and got married and we remained until this moment in one house, supporting each other through the days in a family atmosphere and a house full of warmth and reassurance.

Until the war came and made us lose our home and the security we lived in,

as we were deported from the north of the Gaza Strip to the south, where there was no shelter except a dilapidated tent,

This is my daily struggle to light a fire and use it to prepare bread and cook food with the firewood and paper available to us in the absence of electricity and cooking gas

and I remained playing the role of father and mother until this moment and supporting my children and their children, as I also have three grandchildren.

But I regret to say that after more than a year of the ongoing war, I lost all the money I had saved and now we are in dire need of help in order to complete and provide the necessities of life, which have become competitive with the prices of gold here in the south of Gaza. We are suffering from a shortage of all the necessary necessities as there is no access to healthy food, clean water, shelter and medicine.

Every penny counts. Your support will make a huge difference in saving lives. I believe in the free world and your kind hearts.🌹♥️🌹

💖💖You can do so much for so little💖💖

Please donate and share this campaign🙏♥️🙏

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