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#plagg needs love
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You know this image? Yeah, it's literally them
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And their kwamis are the exact opposite
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Just started rewatching futari wa precure (I had a huuuuuge precure phase when I was a kid and I watched like all the seasons available then) and I was reminded of just how similar miraculous ladybug is to precure. Like legit it is just a magical girl anime but with normal superhero outfits pasted over the top and it got me thinking about how we were fucking robbed of magical girl Adrien.
Like they should have based the outfits on what the user deemed a superhero outfit cus Adrien would be rocking up in frills and thigh high heels while Marinette would rock up in gotham hero grunge.
Like you cannot tell me that lonely baby adrien wasn't an avid consumer of precure and sailor moon but in the same vain, Marinette would have definitely been a western superhero fan with emphasis on the batfam.
Like just imagine:
Adrien: "I run off the power of love and will protect the people of paris with the help of my fairy plagg!"
Marinette, who's favourite show is batman and the only magical girl show she's seen is magi madoka: "w h a t???"
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Adrien, going through cutesy choreography that is 100% unessesary for his attack: "with the power of light I dispell you!"
Adrien: ✨️disintegrates a man✨️
Marinette: "..."
Marinette: "I am both terrified and amazed..."
(Adrien is upset he doesn't get a beam attack but he will make do by just making his cataclysm as extra as humanly possible)
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Marinette summons her lucky charm by rummaging through her utility belt, also she also has a gun because she was having a red hood phase when she got the miraculous. It shoots whatever bullets she's feeling like because creation magic bullshit.
They're mostly rubber but whenever hawkmoth shows up they become metal and also explode... Gabriel Agreste is terrified of the both of them and refuses to attend fights in person ever again, after the time that Ladybug almost blew off his leg because he was temporarily blinded by cat noir's petticoat.
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carpetbug · 11 months
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ml sketch dump ft my poor attempt to draw plagg and another au i may have in the works
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wolflover2426 · 1 year
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Crack Prompt: Alya and Adrien were assigned to do a project and Adrien suggested that they work in his house.
It also leads to Alya snooping around and Adrien having to reel her in and then they discovered that Adrien’s father is Hawk Moth.
Adrien instantly gets into a spiral and Alya is there to reassure him during this. They came up with a plan to steal the brooch but also to mess with Gabriel for being a shitty father and villain.
Or in layman’s terms, Adrien goes through a teenage rebellion phase with Alya encouraging this while making sure to support Adrien and threatening to expose Gabriel being a terrible father thanks to Alya’s influence as the Ladyblogger and being best friends with the babysitter of Nadja’s daughter.
(Marinette is blissfully unaware of this because she’s too busy having her brain melt into mush at seeing Adrien in leather outfits and looking absolutely fine)
Bonus if it ends with Rena and Chat just telling off Gabriel after he reveals his plans with the wish and Rena giving Gabriel her absolute terrifying speech of how he should allow his son more freedom or else she will make his life a living hell.
(Let’s say, if he doesn’t comply. She’ll make him her big sister’s new punching bag)
Also, it would be funny if Alya figured out Adrien’s identity during this or Plagg simply said “Screw secret identities” when the duo found out who Hawk Moth is and exposed himself to comfort his holder
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iwasbored777 · 2 years
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My favourite thing about Plagg is that he clearly really loves Adrien a lot but he just can't stop roasting this kid, whatever he says Plagg has to roast him and Adrien got used to people rarely taking his emotions seriously so he just goes with it but Plagg does take him seriously and when he has to he is there for him like in Kuro Neko but his "meh" attitude is stronger than that and he can't resist making sarcastic comments
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neoncherryblossom · 3 days
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“You need to do something about your holder! He’s out of control!” Plagg hadn’t meant to snap at Tikki for that. Of course he feels bad for Marinette. Of course he understands that she wanted-needed Cat Noir’s shoulder after the whole thing was said and done. They were two halves of the same soul-two halves of a single Kwami that was and wasn’t them but was- two halves of the same heart. They were partners, together until the end, Marinette and Adrien and Cat Noir and Ladybug. That’s how it was supposed to be. Except it’s not like that anymore. Except it hasn't been like that for a long time now, and the guilt made Plagg feel like cheese that had aged too long, poisoning the scent with the tell-tale signs of mold because what was he doing anymore?
Or: Plagg doesn't tell Adrien what happened at the final battle with Monarch.
He suffers.
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fandoms-my-fandoms · 2 years
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Miraculous Season 5
istg if Disney Channel doesn’t release any of the new episodes in the next WEEK, i’m gonna be so done. I can’t wait any longer. I can’t keep watching butchered clips of the english dubs all the time, I NEED FULL ADRIENETTE AT MY DISPOSAL. i am literally dying. i’ve been so patient, but i just can’t wait any longer. I NEED TO KNOW HOW THE TEA. also, wtf is going on with Lila??? anywayyyy...yeah. just a quick lil rant. i’m good. hehe
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As a follow up to you post about mentors, just to make things fair, what are examples of Tikki being a bad mentor to Marinette?
Post in question for context.
Tikki often acts as the voice of the author. She's there to explain why Marinette is in the wrong. Since Miraculous has some wacky morals, that means we get a mix of good advice and wacky nonsense advice.
Two examples of bad advice that come to mind are Gamer and Strikeback. Gamer is the episode where Marinette stumbles upon an Ultimate Mecha Strike tournament, realizes that Adrien is taking part, and decides to compete so they can be on a team together. Marinette wins a spot through her own hard won skills and then this happens:
Tikki: All you wanted to do is spend time with Adrien, there are other ways to do that! Marinette: What are you getting at? Tikki: You know how much Max wanted to be in that tournament. Kim said he'd been training for it all year. Marinette: You're right. All I could think about was Adrien. 
This is how tournaments work, right? They're not tests of skill, but tests of who put in the most work or who wants to compete the most! That's why we had that scene with Marinette writing out her training schedule and motivations for evaluation, but she lied and that was wrong and...
Okay, I was the one lying here. There was no written evaluation because that's not how tournaments work. All anyone cares about is your skills. They don't care if you're doing this for personal glory or to get closer to a boy or whatever Adrien's motivation was because - notably - his motivation didn't matter in this episode about needing pure motives to be allowed to do things.
What if he didn't care about the competition and only did it to get closer to his classmates? That's not even a random guess. It's a valid read because Adrien ultimately gives his spot to Max while claiming that Max is the better player even though Adrien very clearly beat Max at the start of the episode. Ignoring that weird nonsense dialogue, why was it fine for Adrien to compete when he didn't care but wrong for Marinette to do the same? And Max wanting to compete to show off his skills is also a totally selfish motivation, so why does it matter that he wanted it more? Everything about this episode was nonsense and uncomfortably sexist. If Max wants to compete, then he needs to get better at the game. That's how competitions work.
Strikeback is the second part of the season four final and it starts with Marinette mourning the fact that "Adrien" has left Paris, leading to this:
Marinette: (crestfallen) It's all over, Tikki. Tikki: He'll be back, Marinette. He's just going on a voyage!
Which would be lovely advice if Adrien was a normal boy, but he's Chat Noir and Tikki knows that. She should be freaking out and trying to find a way to get him back to Paris, but then Tikki would have to support Marinette's actions and we can't have that, so instead Tikki gives this nonsense advice because she has to be against whatever "wrong" thing Marinette is doing today.
I could come up with a few more examples, but I think those two paint a pretty good picture of issue one re Tikki. However, when it comes to Tikki, my main issue with her is less a wealth of bad advice - unlike Plagg*, I think she's right more often than not - and more a lack of support. It feels like she's just here to judge Marinette and point out when she's doing something wrong, but a good mentor should be so much more than that.
Kuro Neko is a great example of this. When Chat Noir quits, Tikki just sits back and does nothing while her young charge is freaking out. She doesn't even try to defend Marinette when Plagg is going off about Chat Noir's "ill treatment". For all Plagg's faults in that episode, at least he's doing something about the situation. Meanwhile Tikki literally has two lines in the entire episode! A similar thing happens in Kwami's Choice where Plagg is the one driving them to act while Tikki just wrings her hands in despair.
Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.
These are not the actions of a mentor. Mentors aren't supposed to just offer judgement about things that their mentee has already done or is considering doing. They're supposed to be a source of support and guidance in hard times, but we never really see Tikki stepping in to give Marinette that kind of advice. If memory serves, she never offers solutions or acts as a sounding board. That role is mainly filled by Alya and I love Alya! It's good for Marinette to have support from a friend, but Alya is also a teenager while Tikki is an ancient being who has seen many Ladybugs go through the kind of struggles that Marinette is going through. I expect her to use that knowledge to help her charge, but she never does. This exchange from Passion perfectly highlights this problem:
Tikki: Don't worry, Plagg... my holder has decided to run away from her real feelings to pursue an impossible love with Cat Noir instead. Plagg: Uh, just to be sure, sugarcube, you do know that Cat Noir and my holder are one and the same person, right? Tikki: I do, but my holder doesn't. Plagg: If she declares her love to Cat Noir, something tells me she'll find out soon enough. Tikki: You have nothing to fear. When my holder is in love, she never gets anywhere. She'll just knit hats and make very complicated plans that will never come to fruition. Plagg: Hmm... ah, then everything's fine.
Tikki, I love you, but by the gods! With a mentor like you, Marinette doesn't need enemies to be miserable! Do you care about her at all??? What kind of mentor delights at their mentee's suffering? Not a good one, that's for sure.
*Quick note: I think that Plagg and Tikki are probably neck and neck for who has given the most bad advice, Plagg just feels like the bigger problem because we don't see him as much as we see Tikki. Since she's tied to the main character, Tikki gives advice in almost every episode and most episodes have decent morals.
Adrien's need for good advice can also feel more glaring because he's so isolated and passive. That makes Plagg's lack of good advice feel more harmful, but Marinette is just as isolated from real advice. Her mentor figures - Su Han, Fu, and Tikki - mostly give orders and judgement instead of support and guidance. It's just harder to spot that fact because Marinette is actively trying to do the right thing, meaning that she's more likely to make mistakes, and it's easy to see why she comes across as a lot less pathetic and a lot easier to judge.
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miraclechatbug · 6 months
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Adrien: I wish I was an actual cat, then I can maybe sleep all day and the people I love would cuddle me and make me feel safe and warm, and maybe I can get adopted into a home I always wanted
Plagg: That's why you have that ridiculous bell, it represents your subconsciousness desires
Adrien: What- really!?
Plagg: Also, you need a therapist
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trashart00 · 5 months
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Less than 12 hours until the release of “The Tortured Poets Department”!
Hence, I present to you, “The Tortured Catboy Department”
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Track List:
SIDE A: Deux Semaines (feat Ladybug) / The Tortured Catboy Department / My Lady Abandons Only Her Favourite Partners / Down Bad
SIDE B: So Long, London / But Daddy I Love Her / Fresh Out the Slammer / Akuma !!! (feat Monarch)
SIDE C: Guilty As Sin? / Who’s Afraid of Little Old Me / Even Ladybug Can’t Fix This / loml
SIDE D: I Can Do It With a Broken Heart / The Smallest Man Who Ever Lived / The Cataclysm / Adrien Agreste
Bonus Tracks: The Black Cat / Solitude / Doppelgänger / Tell-Tail Heart
(Love how so many of the original track names still work)
My takes of what each song is about/inspired by under cut (but, if you feel like it, tell me yours :D)
I’m picturing all of these to be from Adrien’s perspective so they reflect mostly his version of the situations rather than the objective reality (especially the Laybug centered ones)
Deux Semaines (feat Ladybug): This one would focus on the sequence in Multiplication where Monarch doesn’t attack and how LadyNoir’s relationship recovers from the events of Season 4.
TTCD: Kept the “Catboy” singular because while there are multiple Catboy identities, there is only one boy underneath them all. Hence while I think it would be about him just stating his issues with everything, it would also focus on loneliness and how his department is understaffed :(
MLAOHFP: All of the Season 4 LadyNoir separation arc angst, with the “Favourite” being a callback to Risk (and kinda a jab at Rena because he thinks that she’s really her favourite, but y’ know, she didn’t abandon her so Rena can’t be her actual favourite)
Down Bad: Mainly about how Chat’s love for LB makes him excuse her behaviors, but also makes him act out (maybe a reference to Elation).
SL,L: About the whole arc of Gabriel sending Adrien to London and all of the memories he would have surrounding this ordeal - key point, not “So Long, Paris” because he didn’t want to leave, and in the end he comes back to a changed world.
BDILH: This one’s either about the Chat Blanc breakup or Gabriel’s dislike of Marinette in Season 5 (or both, with maybe a line about how he feels like this has happened before)
FOTS: Adrien realizing his father is a Bad Person.
Akuma !!! (feat Monarch): This one would be like a song about his daily life and then the chorus would start with a shout of “Akuma!!!” and it would switch to him as Chat Noir. I feel like it would start out with normal life being boring/hero life being fun but as it goes on he grows exhausted. Monarch has a rap verse.
Guilty As Sin?: Chat Blanc centeric - would ask who is to blame for the destruction of the world, like is it Chat because he lost control or Hawkmoth because he took advantage of his son’s emotion?
WAoLOM: Chat Blanc centric at first (like a villain song) but ends with Adrien reflecting on the events of Evolution-Destruction-Multiplication-PS night
ELCFT: I think it would be about his relaction ship with his father and how he wishes there was something he could do to go back to how they were when Emilie was alive but there’s no easy fix and his father keeps on getting worse and worse after any attempt.
loml: A song for Marinette with a bittersweet air - she’s the love of his life but he can’t tell her everything, and she can’t tell him everything either
ICDIWaBH: CatWalker centric - him going back to Ladybug in Kuroneko.
TSMWEL: I actually have three for this one - 1. About Gabriel and his need to domineer because he feels small and powerless. 2. About Adrien feeling small and insignificant. 3.About Plagg because he’s a smol boi (it would be like a lighthearted, cheeky song, like when you sing to your pet about how adorable they are)
The Cataclysm: Literally about how he cataclysmed Monarch, but also about how the event impacted his perception of self.
Adrien Agreste: Ending the album with a song that’s his own name :o.
Now for the variants:
The Black Cat: This one has Chat on the cover and the song is mostly about his bad luck. ‘I Love You It’s Ruining My Life” works both directed at Ladybug and his father.
Solitude: With Chat Blanc on the cover, this one’s about his mother. I think the “You Don’t Get To Tell Me About Sad” is pretty self-explanatory.
Doppelgänger: CatWalker is on this one, his song would be about how he may literally be the same person but he doesn’t fully feel like himself. He had to repress a lot of himself to be CatWalker hence I thought “Am I Allowed To Cry?” fit him really well (especially with Plagg not giving him the time to fully recover before he had to jump back in). Please note the crossed out name (unlike Chat Blanc) because he’s reinventing himself.
Tell-Tail Heart: This one has Ladybug on the cover - wait she’s not a Catboy?? The song is titled “Tell-Tail Heart” as a reference to Edgar Allan Poe’s “Tell Tale Heart” and would explore Chat’s perspective of Ladybug’s guilt for keeping secrets, how any excuse she makes is ultimately unimportant because she would do it either way. The fact that this is the only song title with a pun references how Chat tries to lighten the mood and avoid serious conversations, and the “Tail” is supposed to refer to Rena Rouge. The flowers she’s holding are meant to be foxgloves which symbolise secrets and insincerity (they’re also poisonous and damage the heart :)). I also really liked the “Old Habits Die Screaming” for her as it could mean both Chat Noir’s love for her being an old habit that he cannot get rid of, but also her habit of keeping things from him (especially with how she does it again at the end of season 5) being something she can’t stop. It is also him being able to see that, despite what she tells him, her “Heart” is tells him otherwise.
(also would like to point out that he wouldn’t mention Rena by name, he’s upset, not evil)
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maddascanbe-blog · 3 months
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I can't believe they cheated us so hard on Sabrina here (and Rooster Bold, and Caprikid, and Minot-). They didn't give her a transformation sequence, and they even gave her miraculous to 2 other people! It's one thing if it was Ladybug and Chat Noir using them, but no. Both Alix and "Adrien" got to use Barkk's miraculous!
I don't think anything about any of the designs really scream Dog to me, but I think Sabrina's was the best in concept out of all of them. I think part of it is the colors, Plagg has the distinction of being specifically a Black Cat which combined with the green eyes makes it hard to mistake what animal the miraculous is based on. But Barkk has very similar colors to the Fox miraculous, and that definitely makes it harder to tell.
Personally I think basing the dog miraculous on a Dalmation, Cocker Spaniel, or Basset Hound.
But anyway onto the dog miraculous, I think I will also be changing the power. Instead my idea was that once the ball connects to something it can lead the dog user to the object via a trail only the user can sense. But the condition is, they have to know what object they hit. If they intend to track a person, they need to know that person's identity. So if Hawkmoth appears they would need to hit his cane or his miraculous in order to track them. But the trace on the cane would wear off as soon as he de-transforms. The one on the butterfly miraculous would last longer, but would wear off over time meaning he would just have to keep moving until then.
Gabriel is aware of this power, and knows it would be very useful if he could get his hands on it. But the risk is pretty high for him as well, since if they manage to trace his miraculous he'd be in trouble. So Hawkmoth is hesitant to appear in person.
As for Vanisher, I based on design on the Invisible Man. Specifically the 2005 french cartoon of the same name. I recommend it, I love Alan so much. She can appear as just the hat, glasses, gloves, and coat. Or she can turn completely invisible The akuma is hidden in the pin on her hat.
I like Sabrina's preppy style, so when I saw a pinafore dress in this dark orange shade I knew I wanted to use it for her Miss Hound design. I also love the beret, I wish they didn't steal it for Cani-girl. I did tie her hair back and altered the shade of orange to a more auburn shade. Her ball is attached to her bow, and I decided to keep the thigh high socks since they were cute.
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xhanisai · 6 months
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Ladybug has a sketchbook full of Chat Noir drawings and studies. She often brings it with her during patrol and says "Oh, I just need to do some anatomy studies and experiment with my pens" but in actuality, she just wants to draw her Chaton <333
And Chat Noir absolutely LOVES it. It's not like when he's modelling where the final photographs are airbrushed and edited to 'perfection'. It's how Ladybug visualises him; he looks stunning in every drawing. It makes him feel pretty and like she can truly see him.
Sometimes, Ladybug does give in to Chat Noir's pleading eyes and allows him to keep a few drawings. He has them framed on Plagg's mini cheese fridge.
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theerurishipper · 1 year
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Something I've noticed is that the show goes out of its way to portray Adrien's trauma as romantic.
In Kuro Neko, Adrien is exhibiting a trauma response wherein he invalidates his own feelings and tries to be whoever the other person wants him to be, and Catwalker is explicitly based on the mask Adrien puts on to please his abuser, which is also the persona Ladybug develops an instant crush on. What the show tells us, however, is that Adrien as Catwalker telling Ladybug that it's his own fault for being sensitive because he was hurt by her actions and following that up by promising to take care of her is romantic and wonderful.
In Strikeback, Adrien is once again downplaying his feelings and hurt in order to come to Ladybug's support because she needs him. He is once again invalidating his own hurt and absolving her of all blame. What the show tells us is that it's so romantic that Adrien was willing to push away his hurt feelings and come to her aid like a loyal partner even though she never apologized to him or promised to change her behavior.
In Protection, Adrien's tendency to want to be perfect for everybody and cater to their needs is depicted on screen, with him assuming the full blame for Marinette's confidence issues. He has a whole conversation with Kagami about how he needs to change himself for her. What the show tells us is that Adrien is so romantic and so sweet for essentially assuming blame for Marinette's inability to tell him her feelings and saying that he has to be the one to change and cater to her needs.
In Collusion, Adrien's reacting to his father sending him to London by saying "Marinette and I will last forever," is him clinging to the very little good that is going on in his life. It is him once again centering his identity around this girl and his relationship with her because he has never been allowed to be his own person. What the show tells us is that "Adrien loves Marinette so much uwu."
In Confrontation, Adrien writing "All I know is that I love Marinette Dupain Cheng," is him once more centering his whole life around his girlfriend because he has been conditioned into defining himself around other people because he has never been allowed to an individual in his own right. What the show tells us again is that Adrien loves Marinette so, so much, you guyz.
In Conformation (credit to this post by @youremarvelous), Adrien telling Plagg he's angry at himself for falling short of Marinette's love is also him downplaying his own feelings and placing more importance on her, and him believing that he has fallen short of her love stems from him belief that he has to earn love. He's just shifted from defining himself based on Gabriel's wishes to defining himself based on Marinette's wishes. What the show tells us is that Adrien is such a good boyfriend for wanting to be perfect for Marinette.
The discrepancy between what has been portrayed and what the show wants us to think is concerning, to say the least.
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Every Episode of Miraculous Ladybug Season 5 Ranked (Part 2)
Part 1
(This site's stupid 30 images per post forced me to do this, so thanks for nothing, Tumblr)
#14: Transmission
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I swear, I'm not doing these on purpose. This is just how I've been ranking the episodes.
Like I said in the last part, this episode just did not need to happen. The first half is cheap melodrama between Marinette and Adrien and the second half is a run of the mill Akuma fight with two different heroes. This is the story that seriously warranted two parts this season?
I just can't stand the fact that Marinette and Adrien gave up their Miraculous so easily here. Maybe if it was Season 2, Season 3 at the latest, I'd buy it, but near the middle of Season 5? They honestly view their love lives as more important than the battle with Monarch. If it was anything else like the stress or physical danger, I'd also be understanding, but Tikki and Plagg decide that Marinette and Adrien are so miserable that they need to be happy by losing their Miraculous without a fight. Remember, this was just two episodes after “Reunion”, which showed Joan of Arc was a Miraculous holder. So fighting in the Hundred Years' War didn't get so much as an ounce of concern from Tikki, but teenage angst is too much for her little heart to bear?
Maybe it's the benefit of knowing this won't be permanent, but the issue I have is how much the show draws this out for so long, as if the audience is supposed to buy it. “It's really happening, guys! Ladybug and Cat Noir won't be the stars anymore, we swear!” This kind of plot can work under the right circumstances. All you needed to do is at the very least, make it something they choose to do instead of their Kwamis taking their Miraculous away so we can see them weigh the benefits of giving up life as a superhero in ways that aren't exclusively about their love lives. I'd even buy it if it's something Ladybug and Cat Noir actually agreed on before quitting.
While I can sort of get Alya becoming Scarabella due to her experience with the Ladybug (even if she chose to give up using any Miraculous at the end of Season 4), Zoe getting the Cat just feels like the writers put a bunch of names in a hat and picked hers. The two just don't have as compelling a dynamic as Ladybug and Cat Noir do, because they don't get a lot of time to know each other. Alya and Zoe have almost never interact with each other, so the masks don't really shake up their relationship, because there's no relationship to speak of.
Also, the Akuma here was really forced. We know nothing about this new character while the show acts like we're supposed to know who he is based on some minor hints with Nora calling earlier. While I will give the show credit for arguably giving us the most powerful Akuma of all time due to being both a man and a bear, he's as forgettable as a villain as Kitty Noire is as a hero.
Just about nobody here comes out smelling like roses in this episode. The Kwamis are morons for caring about one ship becoming canon, Marinette and Adrien are selfish cowards for giving up their Miraculous with little hesitation, their friends are ignorant buffoons for thinking some random attempt to get Marinette and Adrien to talk will somehow seal the deal, and Alya and Zoe are idiots for not thinking that they should take off the shiny ring that tracks their every movement. It's a terrible episode, and the only reason why “Deflagration” is ranked higher is because it didn't irritate me as much as this one did.
#15: Determination
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And now we're onto the really bad episodes this season.
This episode is pretty much what you've come to expect by Season 5. People keep forcing Marinette into situations she's clearly uncomfortable, and we're supposed to just laugh at her anxiety, because we still have eight episodes to go before the show decides to take her mental health seriously.
What makes this episode really sting for me is that it's Luka and Kagami that are forcing Marinette into these unfunny antics this time. For the most part, they never really stooped to this level and didn't try to force anything with their respective love interests until they had trouble in their relationships that required them to communicate. But now, even though one knows Marinette and Adrien are superheroes while the other is usually very blunt with her feelings (at least, before she became this season's next victim), they're going to try forcing Marinette and Adrien to spend time together even they both know they have feelings for each other and MY GOD, THIS IS SO STUPID! It's just a cheap excuse for more pointless shenanigans that stopped being funny years ago.
Yet somehow, that's not the worst of the Love Square drama this episode. It's here where we learn that Adrien fell in love with Marinette over a season ago, during a scene where she violated his personal space. In addition, Adrien somehow showed no signs of attraction to Marinette until the plot demanded it, and came right after another episode showing him falling for her. Why not make it the fake confession Marinette practiced with Cat Noir in “Glaciator 2”? The kiss Marinette gave Adrien at the end of “Heroes' Day”? I'd even take another umbrella scene callback like in “Mr. Pigeon 72”. But no, it's the statue scene that the writers decided on. It's like they noticed all the criticism Marinette got in that episode and were like “Joke's on you! Adrien actually liked being lusted over like an object!”.
And then the masks come on and make things even more convoluted. Adrien at least got to reflect on the events of a previous episode to explain his new feelings for Marinette, but what caused Ladybug to suddenly fall for Cat Noir after four seasons?
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The writers don't even bother with an explanation for this. Ladybug spontaneously becomes attracted to Cat Noir with absolutely no foreshadowing, buildup, or even callbacks to earlier episodes. The writers either wanted to complicate things one last time before Adrienette became canon, they wanted to bury the Ladynoir conflict arc from last season in the sand, or the most likely option, a combination of both.
The idea of the public turning on Ladybug was an interesting one to take, seeing how she's been universally beloved for the past four seasons. But despite hinting at it in “Multiplication”, this is the farthest is goes, and even then, guess who's behind it? You can't keep raising points against the main characters if it's only Chloe who does it. It doesn't open debate on the story and essentially tells the audience that they're wrong to agree with her, no matter what kind of point she makes.
As dumb as the way it happened was, Ladybug still screwed up and endangered the city by losing the other Miraculous, but we can't actually challenge children by acknowledging that the hero actually did something wrong and needs to grow as a person. We need to use a recurring character as a strawman to tell the audience that only bad people think this way! Way to remove any interesting internal conflict, writers.
The Akuma was pretty weak, just being an older Puppeteer, down to using wax statues like what happened in “Puppeteer 2”. The army of wax heroes could have been interesting, but there wasn't enough time to do much with the idea. The one thing I liked was how the Ox Miraculous' Resistance was used. It felt like an upgrade instead of a core power Manipula got.
This episode pretty much set the stage for a new level of frustrating Love Square drama this season, and it was one of the season's first outright awful episodes.
#16: Conformation
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The only reason this episode isn't at the bottom is because the rest of the ones on this list are far worse by comparison. Make of that what you will.
Like most season finales, this one continues the tradition of being better at buildup than actual execution. Gabriel's plan is pretty decent, even if it's just Heroes Day on a global scale. He utilizes his public influence and business skills to plan out a plan to get almost all of humanity working for him. While I don't like the Miraculized, I still think Gabriel being on top works here, especially since he's not going out into the field like the last three finales.
But other than an okay evil plan, this episode is still pretty bad. Marinette being infected with nightmare dust only happens to get her to the Agreste manor because the writers forgot that Marinette learned Gabriel was Monarch last episode. It could have been a decent way to up the stakes by showing Ladybug not being at 100%, but like everyone else, she just fights off the nightmare dust and doesn't have a single problem during her fight with Monarch. In general, the nightmare dust isn't really utilized well, only being an excuse to bring out the Miraculized. It doesn't impact everyone fighting off the Miraculized, and there's no lesson or theme about fear that's conveyed here.
Speaking of nightmare dust, I'm pretty sure the only reason why it was introduced in the first place was to bench Adrien, which is still easily one of the dumbest decisions the show has ever made. While everyone else had no problem resisting the nightmare dust, Adrien is just physically incapable of doing so because of some half-assed character arc the show pretended happened. So either Adrien got a more potent dosage of the nightmare dust, or Adrien's just too weak to actually overcome his fears. “Sandboy”? Never heard of it! The fact that the writers also tried to claim they were being subversive with fairy tale tropes and cliches didn't help, since it devalues Adrien as a character even further. He's not a superhero and Ladybug's closest ally. He's just some damsel in distress who needs to be saved. Let me just remind you, if the genders were reversed, this would not be seen as some bold move, but the same overused cliche trying to be something new.
I already talked about my problems with Nathalie in “Passion”, and the stuff she does here isn't really different. Despite enabling Gabriel for five seasons, the episode has the balls to act like Nathalie always had morals and is appalled by Gabriel planning to sacrifice someone to save his wife. Just remember, “Passion” established that Nathalie had a history as a treasure hunter, so this is like Indiana Jones not knowing what the Holy Grail does. Nathalie only got dumber than in “Passion” because she somehow thought she could take on a supervillain with nothing but a crossbow and a body that already has one foot in the grave. And just like Felix, Nathalie can't even apologize to Ladybug for the aiding and abetting a terrorist thing. Between Nathalie, Felix, and Gabriel, does using the Peacock Miraculous just make you an idiot?
While the buildup is decent, it's just not enough to really get audiences excited for the second part.
#17: Representation
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This episode is yet another example of the show's double standards.
Without going into detail too much, this episode came right after “Revolution”, the one that essentially portrayed Audrey taking control of Chloe's life as a karmic punishment. What happens in this episode? We learn Felix's father literally took control of his life and it's portrayed as wrong as child abuse should be. That's why this episode is still better than “Revolution”. It at the very least understands how serious child abuse is, and tries to tell Felix's story with as much dignity as two teenagers in white onesies can have.
With that being said, there's a reason why this episode is as low as it is. The Sentimonster play used to tell Marinette about Felix is just so stupid. The sets and costumes look ridiculous, it's hard to take the story seriously with Felix and Kagami doing all the voices, and most of it is unnecessary since the whole point is to tell Marinette that Gabriel is Monarch... something that the writers decided she needed to find out on her own in the next episode. It comes across less like Felix trying to alert Ladybug to who Monarch really is and more like he's just trying to justify his own actions. Hell, the actual reason he decided to tell Marinette about Gabriel was because he and Kagami were worried about their own relationship being ruined by him. And yet somehow, Ladybug lets him on the team at the end of the season.
The stuff with Adrien was also pretty dumb. It's cheap fanservice that reminds the audience of Cat Blanc when none of the characters should know who Cat Blanc is. You can call him Anticat all you want, but everyone can see that he's just Cat Blanc with blue hair. It's bad enough that this was what all the times Cat Noir almost Cataclysming people this season was meant to lead up to, but this is pretty much the reason why Adrien is benched during the finale.
This episode really shows how desperate the writers are to make people take this show seriously by showing serious topics like genocide and child abuse, as if the show didn't already ignore the horrible implications previous episodes (like the very last one before this) raised and will continue to raise during the season finale. So much of the episode is just dark for the sake of being dark. It's nothing too horrifying for children, of course, but the issue is how obvious it is that the writers are trying to raise the stakes right before the season finale and show how mature the show's writing is. For lack of a better term, it's this show's equivalent to “Ow The Edge”.
#18: Revelation
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Get ready for the episode where the writers abandon all attempts to be subtle and create an episode specifically to attack people who think Chloe isn't the most evil character on the show. Because how dare they be optimistic and try to see the good in people! What do they think this is, a kids' show?
While a big problem with the Lila episodes was how stupid the class is, this episode made it so Marinette got to join in on losing brain cells too. Despite outright admitting to neglecting her duties as class representative (as absurd as it is to be in charge of notifying teachers about student progress they should be aware of), we're supposed to agree with her for not telling her teacher about Chloe cheating. Not only does this make no sense since you'd think Marinette would want to see Chloe get punished, but her claiming that all Chloe does is abuse her privileges loses any point to it because Marinette admitted to not doing her job as class representative, making her just as lazy as Chloe and unintentionally helping her through not telling the teachers. And that's not even getting into how many times Marinette has broken the secret identity rule despite also being the one to enforce it the most as the Guardian.
If the episode at least admitted to Marinette having personal issues that prevented her from displaying any form of professionalism towards Chloe (especially since this episode takes place after “Derision”), that'd be fine. Sometimes, people just can't let bygones be bygones and let their emotions dictate how they handle things. If she willingly resigned from her position by admitting she was just as at fault for Chloe getting as far as she did with her cheating, that would have worked. Instead, the episode does the same things it did with Adrien for the last few seasons: Go out of its way to vindicate Marinette's complaining and never even consider the idea of her being wrong in the slightest.
It's also hilarious to see Ms. Bustier act like an actual teacher for once and plan to work with Chloe to help make up her missed work, but portray it as a bad thing because in Marinette's eyes, that's not a punishment. Since the school year is almost over, Chloe will have to attend summer school at best and be held back or even expelled at worst. How the hell does that not count as a punishment, Marinette?
And don't forget how she gets not one, but two separate scenes insulting people for being idealistic and not wanting to write off people as beyond saving, the second one being copied from Astruc's Twittter.
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And remember, this was right before a string of episodes where characters were able to change their ways, including Sabrina (Chloe's accomplice), Andre (Chloe's enabler), and Gabriel (Chloe's supervillain contact). How the hell is Chloe the only one being written off as irredeemable when she didn't pull off any of her evil plans without help? You can still punish Chloe. All I want is for the other characters to be punished as well.
But let's talk about the main event for this episode: Lila. In one of the most confusing “twists” in the show's history, she's now an identity thief who lives with three different mothers. Why? Because the writers have no idea how to hype people up for her being the main villain for Season 6, so they think just making her mysterious for the sake of making her mysterious is enough to build her up as a villain. It's like the writers realized Lila had absolutely zero resources of her own, so they felt like they needed to establish her as an evil genius to compensate. “Who cares if there's no logical explanation for how she's gotten as far as she has despite constantly boasting about her celebrity connections in public? We have to make her vague and mysterious, damn it! It worked for Judas Traveller and Kaine, didn't it?”
This episode takes multiple shots at fans and tries to make Lila seem more compelling than she actually is. It feels more like damage control than an actual plot-relevant episode.
#19: Illusion
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Want to see the main characters acting like idiots for almost a half-hour? No? Too bad!
So much of this episode's conflict, the characters trying to investigate a possible lead related to Monarch, comes from everyone making stupid decisions. Nino tries to get one of the most influencial men in Paris akumatized, talks about it in public, falls for his trick, and lets him into his secret alliance. This season really cemented his role as the Zapp Brannigan of Miraculous Ladybug with how incompetent he is. If you really want to start portraying Nino as a tactical genius, maybe you should actually show him doing something smart instead of getting outsmarted by obvious tricks.
Of course, the other characters aren't immune to Nino's stupidity either. Marinette, Adrien, and Alya just go along with his asinine plan to get Gabriel akumatized, never question his logic, and ultimately still go along with the Resistance despite how obnoxious their leader is. The worst part is Ladybug not recognizing her own partner being stung by Venom... when they're fighting someone with access to over a dozen Miraculous. I know Cat Noir was born with glass bones and paper skin, but I don't think he literally freezes in terror when he's scared. And of course, Ladybug never questions the tiny invisible men who stunned Cat Noir after this scene.
The cafeteria scene is something that should really be cited as an example of how terrible this show is with acknowledging continuity. You thought there would be some compelling drama discussing the secret identity rule and all the double standards it has? NOPE! It's a funny joke about how confusing the identity stuff is at this point. The fact that Nino somehow doesn't understand the concept of secret identities in this scene is yet another reason as to why he isn't even qualified to lead an anime club, much less a resistance against Monarch.
The idea of Monarch using an illusion to fight Ladybug and Cat Noir was an interesting one, but it still had some holes. For one thing, what if the two heroes can't dodge one of the illusion Collector's attacks? What if they're fast enough to try tying him up, only to dispel the illusion? The entire plan pretty much relies on the fact that Ladybug and Cat Noir are too slow to catch the Collector.
But one scene that has only become more questionable after the finale is Ladybug trying to reach through to the illusion Collector. Like several episodes this season, it comes across like the show is spitting on idealism and wanting to solve problems peacefully because Monarch tricked Ladybug into believing he willingly rejected an Akuma. Remember kids, if someone says they want to change, it's really a trick as part of an evil supervillain's plan to maintain his secret identity.
This episode is like a microcosm of everything wrong with Season 5. Poor morals, characters acting like idiots, shooting down any potential for plot development, and being told characters are right when their actions say otherwise.
#20: Confrontation
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Ladies and gentlemen, I give you the episode where the writers just gave up.
There is just so much that happens in this episode that the writers cram in. There's Marinette's “final” confrontation with Lila, the battle with Reflekta, Sabrina's redemption, Juleka's character development, Ms. Bustier's character development, Mr. Damocles' character development, and the reveal of Lila's true nature. I don't think I need to tell you that the writers struggle to make all of these plot threads work in less than a half-hour.
First off, Marinette and Lila. The previous episode implied that Marinette let Lila have this short-term victory because she had her own plan to expose her. This episode puts that plan into action. See, she has the genius idea of going along with submitting school application forms to Lila and Chloe with no actual countermeasure in place, waiting for Sabrina to have a sudden change of heart so they can work together to expose Lila and Chloe through a bathroom peephole. This is the kind of tactical intelligence that will be studied in the history books, let me tell you. There's just no weight to Marinette and Lila's final battle of wits because there isn't any. There's no series of gambits or scenarios that actually pit their minds against each other, so you don't get a lot of satisfaction from Marinette's triumph over Lila. It doesn't help that there's more focus on Sabrina than on Marinette, but I'll get to that later. Even the actual payoff is anti-climactic. Most of the class' apology to Marinette was deleted because Mr. Damocles using a Magical Charm shield was just too important to leave on the cutting room floor according to the writers.
This episode really shows just how Marinette's classmates are like NPCs in the Lila-centric stories. They don't second guess Lila's accusations due to their past experiences with Marinette, and as soon as Marinette's name is cleared, they instantly apologize to her and don't even think about how easily they were fooled by Lila and Chloe. The worst example is Alya, Marinette's confidant and someone who was trusted to temporarily use the Ladybug Miraculous last episode, falling for this and not trusting Marinette. My sister in Christ, your friend goes out and saves lives on a weekly basis at least. How can you fall for Lila's story? This is why I think the Lila episodes should have all been set pre-Season 4, so Alya falling for Lila's lies is a little more believable since she isn't already in on Marinette's biggest secret.
I also have to roll my eyes at how melodramatic the talk about everyone's “futures” is. Yes, I don't know a lot about the French education system (If there's anything I'm getting wrong here, don't hesitate to let me know), but I don't get why they're treating their high school choices like such a big deal. Maybe if it was college, I'd get it, but high school? Why can't you just transfer if it doesn't work out? But then again, this is the same show created by a man who thinks school uniforms are a sign of fascism.
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THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.
Speaking of futures, this episode also showed just how little the writers cared about Adrien at this point, with how a supposedly heartwaming moment is him having no plan in life other than Marinette. I know this might seem weird given my problem with him last season was his refusal to think about anyone but himself, but there's a difference between wanting someone to follow orders without complaining and giving them absolutely no motivation outside of their significant other. And once again, if you swap the genders, this becomes sexist as hell.
But the big problem comes in the form of how the side characters are utilized. I don't know why the writers decided to focus on developing characters like Sabrina, Juleka, Ms. Bustier, and Mr. Damocles with five episodes left in the season. This should have been done in earlier episodes, not in the middle of a major story arc. I'm just left not caring about the development because it takes away from the conflict between Marinette and Lila, to say nothing about how little Adrien and Alya contribute to the story.
To me, this episode feels like the writers had no idea how to make Marinette outsmarting Lila into an episode, so they crammed in all these half-assed character arcs to pad out the runtime. While “Revelation” personally upset me more, I personally think this is the worse episode of the two from a writing standpoint.
#21: Revolution
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Given how often I've criticized the way Chloe has been handled over the years, I bet you're surprised that this one isn't at the bottom of the list. You'll be even more surprised to learn that I think Chloe is one of this episode's saving graces.
This episode (along with “Derision”) provide an example of the Chloe we should have gotten ever since Season 3 ended: A villain who's allowed to be a threat while still being funny. So much of the past two seasons have done nothing but portray Chloe as nothing but an incompetent joke, but here, near the end of the season, she's in a position of power and is taken seriously. The episode does a good job showing how tyrannical Chloe's rule as Mayor is while still making it funny and in-character for her. She uses her power on frivolous things because she's a teenage girl who doesn't understand the complicated issues that come with politics. It's also why her idea of punishment involves detention, because it's something she's more familiar with as someone in middle school. Of course, even the episode all about Chloe ruling Paris with an iron fist isn't stupid enough to actually let Chloe be a compelling antagonist. No, we need to constantly remind the audience that Chloe is being played, as if we're supposed to see her as nothing more than a pawn even though the show still wants us to see her as an irredeemable monster.
Putting aside that one speck of something interesting, this episode is still incredibly bad. So much of the story is dependent not on how smart the villains' plan is, but rather, how lazy the heroes are. Not only is there not a single moment where Ladybug and Cat Noir acknowledge that the whole reason why Chloe was able to take over as Mayor was their fault, they act as if Chloe abusing her power to make everyone's life a living hell isn't enough of a reason to stop her. What kind of Prime Directive bullshit is this? YOU JUST HELPED SOMEONE LEAD AN INSURRECTION AGAINST A POWERLESS CIVILIAN! HOW IS THIS ANY DIFFERENT?! If there was at least something involving Ladybug and Cat Noir taking responsibility for what happened or at least showing that they played a part in this (especially since they “grow up” in this episode), I'd get it. Instead, because this is Season 5, our heroes are perfection incarnate, and can't ever be wrong. Even when they finally decide to get off their asses and stop Chloe, they didn't know she was akumatized, and nobody seemed to care before Chloe blurted it out, so Ladybug and Cat Noir have no excuses for slacking off.
The final battle is just a joke. Not only is it another excuse to force the Resistance into the plot, it shows Ladybug and Cat Noir unlocking the full power of their Miraculous in the most anti-climactic way possible. Even though they spent most of the episode caring more about their personal lives than actually stopping the obvious threat, somehow, this means they “grew up”. There's no buildup, no explanation, and no catharsis gained from this achievement. All of a sudden, Ladybug and Cat Noir are adults now. There's one decent scene with Adrien, but that's far from an actual explanation. What, did you actually expect an explanation for something this huge? Too bad! We need to have Marinette tell Chloe she's not afraid of her anymore even though she was never afraid of her prior to this season. Of all the things that happened this season, this is the one that makes it clear that Season 5 was supposed to be the end. There is no way Season 6 can happen unless the writers come up with some crap that undoes this, because Ladybug and Cat Noir have essentially unlocked god mode.
But I saved the worst for last, and you all know what it is: Chloe's punishment. I still can't get over the fact that there's actually a scene heavily implying we're supposed to be happy Chloe is going to live with her emotionally abusive mother in the same season that's trying to tell a serious story about child abuse. There's already been so much said about all the horrible things this implies, so I'm going to try and bring up something else. Specifically, how everyone is just okay with this. I can buy Ladybug given all the things Chloe has done to her, but it's pretty odd that Cat Noir, Andre, and Zoe all decide to wash their hands of their association with Chloe as if they never knew her. They don't even feel bad that it had to come to this, and feel absolutely no sympathy for her. Remember in episodes like “Malediktator” and “Queen Banana” that showed Adrien and Zoe still cared for Chloe despite all the terrible things she's done, teaching kids a lesson about trying to show compassion to your enemies? The writers sure didn't, because Adrien and Zoe don't get to say a thing about Chloe after she's defeated. Way to establish connections between characters and do nothing with them, writers!
This episode had so many things wrong with it, and it only got worse the longer it went on, to the point where the ending is essentially condoning child abuse. It's disgusting, but at the very least, it means we're not going to have to deal with Chloe in Season 6.
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#22: Adoration
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This is one of those episodes I honestly didn't think would hate as much as I did.
I think of all the episodes this season, this is the one that shows how frustratingly inconsistent the characterization is. Characters will either announce how much someone has changed or will take a complete 180 while the show makes it clear this is how things have always been. Not only does the show say Zoe has somehow changed and suddenly developed feelings for Marinette, but Chloe's view of Sabrina has gotten even lower, to the point where she calls her an underling to her face. Because actually showing character development and changing interpersonal relationships is too hard for these writers. It's like that rule everyone knows: Tell, don't show. That's how it goes, right?
Before anyone gets on my case about this, I'm not trying to say that Zoe having a crush on Marinette was a bad idea. The issue is more how it comes across like the show is trying to earn brownie points with LGBT+ audiences with the reveal. The issue is that this major revelation isn't about Zoe, but rather, Marinette. It's from a Marinette-focused episode all about her heterosexual feelings for Adrien while Zoe's coming out story is nothing more than a cautionary tale to get Marinette to finally try kissing Adrien. I'm not saying Marinette should have dumped Adrien to be with Zoe. The point I'm trying to make is if you want to show something as huge as a character coming out as sapphic, maybe put more focus on that character's struggles than the struggles the straight main character goes through. Maybe instead of being an afterthought in the story, make the episode about Marinette helping Zoe confess her feelings to a girl she likes.
This was also the episode that laid the groundwork for Andre and Sabrina's “redemption arcs”. Normally, I wouldn't mind something like them changing, but it's less to show a character becoming a better person and more to vilify a different character. Andre went from a corrupt politician who abuses his power to please his daughter to an honest politician who is forced to abuse his power to please his daughter. Sabrina went from Chloe's loyal friend who chooses to help her make people miserable to Chloe's underling who is being forced to help make people miserable. Both of them were perfectly willing to go along with Chloe's acts in the past, and as we saw in “Revolution”, being a pawn didn't excuse her from being punished, so by that logic, they shouldn't get a free pass either. It's also strange how this wasn't the episode where Andre and Sabrina officially cut ties with Chloe, considering they already had issues with them. There wasn't really a reason to wait if they already made their issues clear, especially Sabrina. Somehow framing Marinette here is okay but doing it a few episodes later is too much for her?
Also, Lila served no purpose in the episode. Just like in “Collusion” and “Revolution”, all she does is tell Chloe to do things she was perfectly capable of doing in earlier episodes. We're supposed to see her as a mastermind, but I don't get why she has to hold Chloe's hand here. Why can't Lila come up with her own plan or manipulate different people from behind the scenes? It only further highlights the double standards because while Sabrina being a lackey to Chloe earns her sympathy, Chloe being a lackey to Lila doesn't for some reason.
I am getting really tired of the whole “Nobody believes Marinette” formula that every Lila episode relies on (Chameleon, Ladybug, Risk, Revelation, Confrontation). It's the exact same story. Everyone who has known Marinette for the past four seasons suddenly loses all trust in her, only instead of instantly believing Lila, it's Chloe. CHLOE. This is worse than Lila, because she's at least in good graces with other people, but this is the same season that solidified the idea of nobody liking her at all. They seriously take her words at face value over Marinette, someone whose friends know has tormented her for a year at least (Derision)? Put aside how I feel about Chloe, this is a story that depends on trusting someone nobody has any reason to trust, and it makes no sense.
There are just so many minor issues in this episode that pile up enough to really piss me off. It's like a death by a thousand cuts.
#23: Collusion
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I normally don't try to get political on this blog unless I absolutely have to, and talking about this episode is one of those occasions.
If you've been around since the early days of this blog, you'll remember that Astruc once compared Chloe to Donald Trump, and not too long after the January 6th attack on the Capitol Building at that.
Even before that thread, Astruc made a joke comparing Trump to Chloe less than a week after the attack.
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Whether you agree with Astruc's views on Trump or not, the point is that he kept up with American politics and strongly opposes him. So anyway, let's get to the episode where the heroes let someone lead a small army to storm the mayor's office and force him to resign, which is totally different from what Trump did.
I cannot get over just how confusing this episode is. For a show created by someone who usually keeps up with American politics, this is such a tone-deaf episode. I get that the story is trying to lean into French history, and I'm not sure how far into production the crew was when the attack on the Capitol happened, but given how Astruc was aware of the drama, he and his team should have at least considered the implications this episode could raise. The problem with the discussion around January 6th is that the supporters see it in as righteous a light as Miss Sans-Culotte is. As far as they know, what happened wasn't a violent invasion of government property, but a peaceful demonstration. Sure, none of the talking balloons said “Hang Andre Bourgeois!”, but it still brings similar imagery to mind.
Something that also harms the French Revolution narrative is the fact that all of Miss Sans-Culotte's supporters are helping her against her will. Much like countless Akumas throughout the show's history (Darkblade, Kung Food, The Puppeteer, Princess Fragrance, Despair Bear, Befana, Zombizou, Malediktator, Gamer 2.0, Mr. Pigeon 72, Hack-San, Revelation, Confrontation), Miss Sans-Culotte brainwashes innocent civilians so they can help her cause. This goes against the idea that she's speaking for the people, because her victims don't have a say in this. She's not reenacting the French Revolution, she's reenacting Order 66!
Also, this is something I've neglected to discuss. Why make Miss Bustier pregnant at all, much less akumatize her while pregnant? Outside of her students telling Chloe not to make a scene because the stress caused from dealing that is bad for the baby, Ms. Bustier's pregnancy adds nothing to the story. Seriously, the story thinks Chloe annoying the class is more dangerous for Ms. Bustier's baby than Ms. Bustier herself running around and getting into fights with her baby inside. It could have made for some interesting drama where Ladybug and Cat Noir are hesitant to hurt a pregnant woman, even if she's been akumatized. While the writers do try to work around it by giving her minions to do the fighting (as much as it mucks up the themes of this episode), it still doesn't explain why she needed to be pregnant during this episode in the first place.
Putting aside how unlikable Miss Sans-Culotte is in this episode, you can't even enjoy seeing Andre getting kicked out of office because this is the same episode where the writers really want us to feel bad for him. Look at how sad the rich white politician is. Let's ignore the fact that he's a big part of the reason why Chloe is as bad as she is, has abused his power multiple times, and is all around the cause of his own problems. But even though this is a show that tries to take an anti-capitalist stance (which I'll get to more in “Emotion”), we're supposed to side with one of the biggest symbols of everything wrong with capitalism and political corruption. Even then, Andre is framed for corruption instead of the several instances he actually abused his power, as if they're trying to say he was never a corrupt man. He just loves his daughter. Is that too much to ask for? His daughter herself? Eh, who cares? You really need to support the rich white man. Are we sure this show was created by a liberal?
But the biggest issue is the moral. It's impossible to frame Miss Sans-Culotte storming the mayor's office as a peaceful protest because she's clearly inspired by one of the bloodiest and most violent revolutions in history. If she was supposed to be a violent warrior who needed to learn there was a better way, that would work, but instead, the show downplays how dangerous she is... when she has a guillotine blade for a weapon. You can't claim Miss Sans-Culotte is non-violently protesting Andre's administration when she brainwashes innocent civilians, storms into the building, and demands he resign without any question. Even taking all that into consideration, the moral ends up backfiring because forcing Andre out of office caused an even bigger problem with Chloe taking over, and the very next episode threw the non-violence message out the window.
Whether or not you want to consider the political implications here, this is still a terrible episode with a terrible moral.
#24: Pretension
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I've always had issues with Felix, and after the trainwreck that was “Emotion”, let's just say this didn't exactly do anything to raise my opinion of him. Just like his other appearances for the last few seasons, he did absolutely nothing to help Ladybug, focused on only doing things that benefited him, and making everyone's lives worse due to his incompetence. And somehow, this idiot is the one who moves the plot along the most.
The entire conflict happened because Felix kidnapped Kagami without even coming up with a plan. Even when he believes that Kagami is a Sentimonster (I apologize for saying that word Felix hates, but once again, the show provides no alternative to it), he doesn't think of Tomoe being able to track her or command her to leave even at a far distance. He doesn't even try to explain himself to Ladybug and Cat Noir and spends more time running away from everyone who wants to kick his ass. But by the show's logic, he just needs friends, even though his entire deal is that he works alone to get what he wants.
It's bad enough that Felix has to screw up everything he touches, but now he's dragging Kagami to his level. Kagami has cemented her role as Felix's lackey/girlfriend and nothing more. People give Marinette crap for the way the behaves around Adrien in and out of universe, but Kagami knows nothing about Felix, yet a single conversation about his past is enough for her to fall head over heels in love with him. She went from someone not willing to take any bullcrap from Marinette and Adrien to believing Felix's story in a fraction of a heartbeat. This season really likes ruining the few likable characters the show has left.
I also have to roll my eyes at the conversation Marinette and Gabriel have about fashion. For one thing, it's one of the few times the entire season remembers that Marinette wants to be a fashion designer and doesn't really factor into her rivalry with Gabriel. This season made their conflict revolve around how to treat Adrien, not their views on fashion. It feels like they only brought it up to remind viewers that Marinette is still into fashion. Well, that, and also to take a stance on artistic integrity... supposedly.
And on that note, it's amazing how the writers display little to no self-awareness during this scene. The show that embraces sticking to the status quo and rejecting almost any attempt at keeping consistent continuity is now trying to teach children about the importance of being willing to take risks when creating something. This is like Hannibal Lecter trying to promote veganism. I get the message, but the messenger's history is keeping me from buying it. It doesn't help that for a scene trying to point out how outdated certain views are, the show ultimately chooses to take the side of the man with the “wrong” mindset by the end of the season.
The pancake metaphor really confuses me too. It's meant to be a running gag that the only thing Gabriel knows how to cook is pancakes, but A) Nothing is really indicated to show how terrible they are as a metaphor for how bad his outdated views are other than Marinette's verbal assessment of them, and B) We later learn Gabriel used to be poor, so either he never knew how to cook prior to earning his fortune or being rich somehow made him forget basic living skills. I'm just saying, when an episode of Sid the Science Kid manages to better convey someone doing a terrible job making pancakes, you might need to put in a little more effort to show how bad Gabriel's pancakes supposedly are.
Finally, Tomoe. This episode didn't really do much to show her as a compelling threat, given all she did was nag Gabriel and try to shoot her daughter when she didn't even try commanding her to fight back when she was kidnapped. She's nothing more than a female Gabriel and is another example of how overstuffed this show's cast is,
This episode is awful, plain and simple. It took aspects from previous episodes that were already questionable, and doubled down on them while acting like there weren't any problems at all.
#25: Derision
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And now we're onto the really, REALLY bad episodes this season. One of the reasons why this post took so long to make was that I wasn't sure how to rank these last three episodes. Thankfully, I managed to find a way to rank them based on the morals are executed. With that being said, let's start scraping the bottom of the barrel.
Ah, “Derision”. You're the only episode that makes the backlash caused by “Chameleon” seem like a pleasant breeze. It's incredible to see just how much negative a reputation this episode has in the fandom. Virtually nobody likes it because it manages to upset everyone with its poor characterization. I'm talking Marinette fans, Adrien fans, Chloe fans, Kim fans, and pretty much every other character's fans. I've only seen a few die hard fans defend this episode, and they're the people on Tumblr who defend pretty much everything done this season.
I have just one question to ask about this episode: Why did it need to happen? We didn't learn anything new that we didn't know already. We know Chloe is mean, and we know Marinette used to be more timid and had no friends. We didn't even need that much of an explanation for why Marinette acts the way she does around Adrien, seeing how it was usually played for laughs
Speaking of which, let's talk about the fact that the episode tries to shame the audience for laughing at the jokes about Marinette's reactions to Adrien. You know, something that was the show's primary running gag ever since Season 1? A running gag the writers ran into the ground by the end of Season 3 but still chose to go with it? Now we're not supposed to have laughed at it, assuming we laughed at it all. Way to insult even the small portion of viewers who didn't get on your case about this, writers.
I only have about two positive things to say about this episode. For one thing, Chloe actually served as a pretty decent antagonist in the flashbacks. Much like in “Revolution”, when the writers actually let her be a villain on her own without being made a pawn, she can be somewhat entertaining. If this was the Chloe we got after Season 3, I don't I would have been as upset at the direction Astruc's team took with the character.
In addition, the thing that saves this episode from being at the bottom is that unlike the next two, it actually understands that what the antagonist did was wrong. They don't make up excuses for what Chloe did and she actually gets called out as a result. It doesn't lead to anything major, but it's something.
Like with “Queen Banana”, there's not much else I can say that hasn't already been said. There's plenty of retcons, the characterization for everyone is off, it attacks the audience, and the message about trauma got fumbled by the show's usual double standards. It's been said over and over again, and it's become a symbol of how much the show's quality has degraded.
#26: Emotion
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I think if you've kept up with my reviews of this season, you should know by now that I don't exactly like Felix, and most of the problems I have with him can be attributed to this episode. In fact, for a while, this was going to be my choice for the bottom slot.
It's clear that the writers want to make Felix this wild card who's only in it for himself, but like most of the show's antagonists, they want to show Felix as this devious mastermind... but he's also not really evil, and you should feel bad for him. For most of the episode, Felix does nothing but make everyone's lives worse during his first outing as Argos. He smears his cousin's reputation yet again, tricks his girlfriend into dancing with him, condemns some rich kids for the crime of being rich when he's just as rich, and eventually wipes out all life on the face of the earth. But he's just doing it for his cousin, we swear!
While Felix has understandable motivations for what he does, wanting to free Adrien and Kagami, the way he tries to achieve his goal makes it hard to sympathize with him. If the whole point was that what he did was wrong and that he needs to find a different way, that could work. Instead, we're supposed to see him as this tragic figure who was forced to do terrible things when the episode shows him happily singing while causing chaos. It's the same problem with Gabriel, wanting a sympathetic character to do unapologetically evil things. The fact that he has to be told that genocide is bad doesn't make us want to sympathize with him when he breaks down crying. It paints a picture that he's crazy but the show wants to act like he isn't.
Even putting all the crap with Felix aside, the episode is still unbearable. The stuff with Marinette was poorly executed and was just done to get her involved in the plot, and later become the first one to excuse Felix for betraying her. Other than the dance scene, you could easily just have Marinette swing in as Ladybug when Argos starts his rampage and nothing would really change. The episode tries to make jokes about how unnecessary this is, but as usual, its attempts to be self-aware come across like its saying “What we're doing it wrong, we know it's wrong, but we're gonna do it anyway!”
Speaking of the dance scene, I can't stop rolling my eyes whenever Felix tries to be all “We live in a society” to Marinette. Forget the corrupt politicians, corporate moguls, human traffickers, and despotic rulers of foreign nations. The absolute worst section of humanity is composed of the teenage children of the 1%. Sure, you'd have to break my legs before I'd agree to supervise them at this party, but I don't get why these are the people we're supposed to see as irredeemable monsters. Do the writers think because these kids associate themselves with Chloe, we'll automatically hate them? Newsflash, but if I had to choose between hanging out with some annoying kids and a mass murderer, I'd stick with the annoying kids.
Rewatching this episode was what helped me finally realize just what my problem with the show's anti-capitalist message is. How the hell am I supposed to hate the villains on this show for being rich when several characters are rich or at the very least, are successful thanks to their connections to the rich? Think about it for a second. Putting aside Adrien and Kagami, you have Marinette, the daughter of two of the most popular bakers in Paris and earned the respect of multiple celebrities, Alya, the daughter of a chef who works at a five-star hotel, Nino, someone who got to DJ at a major fashion show, Rose, who is friends with a literal prince, Luka and Juleka, the children of a popular rock star, and Max, the son of an astronaut with access to cutting-edge technology. Somehow, these people are supposed to be poor? They make Monica from Friends look like Oscar the Grouch. It's why I can't take the message seriously. You can't write a story about a class struggle when both classes are shown to be pretty well-off.
The only thing that saves this episode from being at the bottom of the list is the fact that despite committing genocide while singing, Felix at least gets what he did was wrong and makes up for it. It doesn't fix everything else he did in this episode, but that's better than nothing. As for the villain featured in the episode that's at the bottom of this list? If you've been keeping track, I think you know who I mean.
#27: Re-Creation
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I'll admit, I'm sort of cheating here. I'm judging this episode more as a finale than an individual episode, but I'm making an exception because the plot is tied to wrapping up all the loose ends this season.
I'm mentioning this because for a season finale, the stakes just feel so low. The fight between Bug Noire and Monarch doesn't have any weight to it because they've barely interacted at all for the last five seasons. These are supposed to be two mortal enemies, but you can't really buy the enmity between them. It ultimately cheapens the moment of Bug Noire triumphing over Monarch in the end... before Monarch triumphs over her not long afterwards, but we'll get to that.
The stuff with the Miraculized doesn't help either. We already know that the Ladybug and Cat Miraculous are in the Agreste manor, so the Miraculized's goal is impossible to achieve. It's never even explained why the Miraculized don't go back to the manor to help Monarch beat Bug Noire, since they should still be able to track the Miraculous. All of the fights with them just come across like filler, and there's no real sense of danger or hopelessness to be found. Whether the Miraculized win or lose is irrelevant. Nothing will happen either way because the important stuff is happening in the Agreste manor.
This extends to the part where all the heroes appear to help. It doesn't come across as an Avengers-esque moment for the climax, because it doesn't change anything. The episode never explains what any of these characters were doing prior to the events of this episode and why only now they're helping out. The United Heroes are the most egregious example because unlike Fei or Su-Han, they're a major organization whose members include the president, and they didn't do a damn thing when Monarch stole all of the other Miraculous. Speaking of, there is no way in hell that Su-Han taught Mirakung-Fu to three random people over Ladybug and Cat Noir, much less that those three people are actual masters after about two months at best. Maybe they got to train in Bunnix's Burrow? After all, she's not doing anything else to stop the end of the world other than sending four people over to Paris. This whole sequence really highlights how bland the other heroes of this universe are. If they're not slacking off when they're needed, they're criminally underdeveloped because there's a slim chance they'll get spin-offs to flesh them out.
But I think the biggest issue me and other people have with this finale is the resolution. In what is easily one of the most baffling decisions the show has made, Bug Noire doesn't defeat Monarch, and Monarch gets to make his wish. I don't care how many times the writers technically say she won because she beat him in a fight. Gabriel backstabbed her at the last minute and got her Miraculous to make his wish. Yeah, he died, but he succeed in achieving his goal, never faced any real consequences, didn't get any closure with his son (much less apologize for abusing him), told Marinette to lie about the monster he was to him, and was turned into a martyr with a statue made of the same things he used to control the world.
This ending infuriates me because it not only makes Marinette out to be a terrible hero for failing to do the one thing she was chosen to do (get the Butterfly Miraculous back), but it also ultimately makes Gabriel out to be a decent person even though he destroyed and recreated the world. All Marinette did was take credit for saving the world, and even then, Gabriel got more celebration in the end. Our hero, ladies and gentlemen! She got outsmarted by an abusive parent and didn't even get a new statue in her honor!
But the most damning thing of all this is the fact that this finale retroactively makes everything that's happened over the last five seasons completely pointless. If Gabriel making a wish wasn't as bad as it was supposed to be, why didn't Ladybug and Cat Noir let him borrow their Miraculous? Why make the stakes this high if you're going to downplay the impact of a madman recreating the world in his own image? Follow-up question: why make the stakes this high if the wish being made is ultimately shown to have huge benefits for society? In an attempt to wrap things up with a happy ending, the writers accidentally made the conflict completely meaningless.
That's why this resolution is the ultimate example of the writers refusing to allow any major changes to happen. If they're willing to treat the end of the universe as less important than Ms. Bustier becoming mayor, why should we assume they'll ever take their story seriously? For God's sake, every character you know and love is essentially dead, and we're supposed to act like that isn't a big deal? That's how you wanted to end the show originally? Then again, at least they tried to resolve something, unlike the Love Square. We still haven't gotten a reveal, and I don't think we ever will at this point. These writers will drag out the story until the show stops becoming profitable, which won't be for a long time.
And with that, I am officially done with Season 5. Honestly, after having to rewatch this season again, I'm not sure if it's even worth giving Season 6 a shot. There's nothing to look forward to, and Lila becoming the main villain isn't really appealing to me. At the very least, I have the movie review to look forward to, meaning I can watch something good for a change.
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maxinexstars · 1 year
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Midnight
Fem reader
A/N: Sorry I haven’t posted in a long time,but now I’m back so feel free to request.
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“Adrien Agreste,you’ve been an exemplary holder of the miraculous of the black cat. You’ve always used the power of destruction for the greater good,your mission is now over.”
“But Monarch-”
“Someone will succed you,this means you don’t need to hide  anything from the people you love,you can finally be yourself.” He handed over his ring to Plagg. “You’ll never forget me Adrien.”
***
“Y/N!”
“Plagg,what’s going on?”
“Y/N I need your help,I reclaimed the miraculous from Chat Noir and now I need to find a holder,”
“Did something happen to him?”
“Not really I reclaimed it from him so he can live his love story with his crush You once were a successful holder of the miraculous. So would you?”
“I accept.”
***
“Midnight? did something happen to Chat Noir?”
“He gave up his miraculous so I’ll be your new black cat.”
“Did something happen to him?”
“He’s fine there’s nothing to worry about.”
***
“I really think Chat Noir should rethink his decision about giving up his miraculous, Ladybug seemed really sad about it.” You handed Plagg the miraculous.
“I’ll let him know,but on one condition.”
“And that is?”
“If you have any camembert.”
“Luckliy I came prepared.” You handed him a piece of camembert.”
“It was an honor to be your kwami Y/N.”
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rosie-b · 2 months
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it’s them (again)
Written for @ladynoirjuly days 15 and 16!
Summary: Tikki and Plagg work at the cafe at the end of the world, where mortal souls rest and recharge for their next life with a magical drink made by the baristas. Here, souls can meet and decide to be soulmates, ordering their lives together at the counter, and one day, Plagg and Tikki's favorite mortal couple walks in. As cute as they are, their soulmate status is no guarantee since mortals never remember their past lives, but Ladybug and Chat Noir may have a bond like no other…
You can read the fic on AO3 (as a registered user) or below!
It was a quiet day at the cafe. The scent of fresh-baked brioches and cookies filled the air as a few patrons chatted in soft voices while sitting at the aquamarine booths filling the large expanses of the store.
Tikki was rinsing out one of the metal pitchers, humming a song to herself as she worked, when Plagg's urgent whisper reached her ear.
"It's those two again," he hissed, and Tikki looked up.
"Do you mean those two soulmates you're obsessed with are here?"
Plagg spluttered at Tikki's comment, and his face was completely red by the time Tikki nonchalantly turned around.
"I'm not obsessed with them," he insisted. "You're pretty interested in them, yourself, if I remember. You couldn't keep from cooing over them last time."
"Well, you can hardly blame me," Tikki responded, walking over to the shelf to replace the cup she'd washed. "They don't even know how adorable they are! It's so rewarding to watch them fall in love with each other again and again. They choose each other every time."
Plagg's expression softened, though it was only obvious to Tikki, who knew him well enough to read his every expression, no matter how inexpressive. She smiled in turn, wiping her damp hands off on her apron before asking, "Now, where are our favorite soulmates?"
"They're not soulmates yet," Plagg automatically responded. "They just got here, you know. They'll need some time to process before they decide."
"Of course," Tikki responded smoothly. "But we both know — or we hope we do — who they will decide on."
Plagg grunted. "Every time a human dies, their memory gets wiped, Tikki. You know that. Their souls arrive here, not their old body or their brains. We let them take on the appearance they had in their first life, just so there's something familiar, but they don't remember anything from Earth. All they know is what the soul guides told them when they were summoned — when they died. The usual spiel, you know; reincarnation is real, but you stay at this cafe and relax for a while before getting tossed into your next body. While you're here, you can pick a soulmate for your upcoming life. Meet as many people as you can, figure out who you want or if you'd rather go without a soulmate at all. When you're ready, tell the baristas" —Here Plagg motioned back and forth between himself and Tikki, an unneeded gesture that Tikki had to smile at— "Tell 'em who you choose, and get sent back to Earth for round the umpteenth or whatever."
"I know how the human life cycle works, Plagg," Tikki said, hiding a laugh in her voice.
Plagg rolled his eyes and huffed. "Yeah, yeah. My point is, they don't know they know each other, Tikki. I know we love it when they pick each other, but there's never any guarantee."
"Hmm. That's true enough, but over the history of humanity, they're the only two who've chosen each other every time, in each new life. When they die at different ages, one waits here for the other's soul to arrive, as if they're still connected by the same bond after they pass."
"That's impossible," Plagg countered. "Here, everyone is free of the ties they had on Earth."
"But once those two meet each other at our cafe, they always choose one another. Romantically or platonically, they always choose to be bonded in life. So, we send their souls to be born at the same time—"
"Roughly the same time," Plagg corrected. "Imperfect world, imperfect timing. Once they were a whole decade apart, age-wise."
"True," Tikki admitted with a wince. "But they've never lived a single life without each other. They complement each other perfectly, and make sure their time on Earth is fuller than it would have been, if it was spent with someone else."
Plagg nodded, looking away, past Tikki. She followed his gaze until she found the two lovers they'd been talking about. They were standing in the courtyard, blushing and smiling as they talked about something she couldn't hear from behind the main counter. The boy said something to the girl, and she paused in shock for a moment before giggling helplessly and playfully pushing him back a step.
"They are a perfect match for each other," Plagg said at last. "I'll admit I even try to make sure they don't have to wait long until they meet, back on Earth."
"You put a little extra whipped topping on their drinks," Tikki nodded. "I pretend that I don't see it." After a moment, she added, "I add a little extra sugar to their orders. I just want them to be happy, that's all! I— I'd do it for everyone if we had enough sugar!"
Plagg's lips stretched in a lazy smirk, and he looked back at Tikki. "You love them as much as I do."
Tikki smiled back at him. "We see too much of ourselves in them not to."
For a while, they stood there in amiable silence, watching their favorite soulmates stumble through the first meeting they could recall.
Already, the girl was blushing and the boy was looking at her with stars in his eyes. Whatever drew them to choose each other, it had worked like a charm, as it did every time. Plagg and Tikki could tell that they were already close to making their decision, just like they had the last time, and the time before that, and the time before that, stretching back for millennia.
Sure enough, before much more time could pass, the newly formed couple headed inside the cafe at the end of the world, hand in hand.
Tikki’s heart melted at the sight of the shy, but confident smiles on the pair’s faces, and Plagg let out an approving hum.
“It’s just as cute as it was the first time,” Tikki commented, and Plagg didn’t need to respond for her to know he agreed. Instead, he quickly manned the counter, ready to talk to the cafe’s newest customers and take their order.
“H-hello,” the girl stuttered out once she and her partner reached the counter. “Is this where we order? Um, soulmates, that is, not just coffee?”
“Unless there’s another cafe you’ve seen around here,” Plagg said snarkily. Tikki rolled her eyes and lightly slapped his arm as she stepped forward.
“What my partner meant to say is yes,” she said firmly. “You’re at the right place. What can we do for you?”
“We’re here to pick our soulmate in the next life,” the boy said, looking at the girl beside him for confirmation. She smiled and squeezed his hand in hers reassuringly. He visibly relaxed and beamed as he smiled back at her.
“Awwww,” Tikki cooed, dropping her head into her hands as practically melted onto the counter. A happy grin glued itself to her face, and the couple in front of her blushed at the attention.
“Let me guess, you’re picking each other,” Plagg said in a bored voice. Tikki knew the excitement it was hiding, or she’d have swatted him again for his attitude.
“Yeck,” the girl squeaked, and blushed harder. “Wait, no, I meant yes! We are, and so we’re ready for the next step to rebirth.”
“Mm-hm,” the boy agreed, leaning his head on top of hers. “And for some reason, that’s getting a coffee, right?”
“Caffeine is the best way to prepare your soul for an unforgiving round of mortal life,” Plagg said plainly as he prepared two large takeaway cups for the couple. “What names should I put on these for you?”
The pair of soulmates jumped, evidently having not prepared for this. 
“Uh,” the girl said, and the boy similarly muttered, “Um.”
Plagg and Tikki exchanged mirthful glances. This was another one of their favorite parts at their job. Human souls never remembered their names, from the first or most recent life. However, some souls, these two in particular, gravitated towards the same names, over and over.
“I’ll be— Ladybug, I guess,” the girl stammered.
“Call me Chat Noir,” the boy said with a grin. “Pleased to make your acquaintance, my lady!” 
With a flourish, he bent and raised Ladybug’s hand to his lips. She blushed helplessly and grinned at her new soulmate.
“You too,” she managed to squeak out.
“All right, then, two large passion-strawberry frappes with whipped cream and white chocolate shaving. Try not to get cavities,” Plagg said as he slid their order across the counter.
“That would be hard since we don’t have actual bodies yet,” Chat Noir commented as he handed Ladybug her drink and took a sip of his. On tasting it, he did a double take, staring at the drink with huge eyes. “Woah! Will all mortal drinks taste this good, or is it just at this cafe?”
“A bit of both, I think,” Tikki said, still resting her head on one hand as she happily stared at her favorite soulmates. 
“Come on, Tiks, you know my drinks are the best in the universe,” Plagg complained. “Mortal drinks might taste almost as good if you’re the ones to make them for each other, though,” he added.
“What he means is, the secret ingredient is love,” Tikki whispered conspiratorially. “Especially once you get to Earth.” 
“I’ll remember that,” Chat Noir said, smiling at her. “Or I’ll try, anyway. Hey, Ladybug, what do you think of the drink? Do you like it?” he asked, sounding a little anxious.
The soul guide who’d led him must have let it slip that the drinks were only as good as the relationship and life they heralded. Now Chat Noir must be worried that his partner wouldn’t like being with him as much as he’d like being with her, Tikki realized.
Ladybug, who’d been sipping her drink, paused to give Chat Noir a smile. “It’s really good,” she said happily. “If it’s really like the soul guides said, then I’m excited to find out what makes my next life as good as this drink. Though I might already have a guess,” she tacked on shyly. 
Chat Noir blushed as he smiled at Ladybug. “I have a similar feeling,” he sighed. “I can’t wait to start my new life with you.”
“That’s exactly what you said last time,” Plagg remarked, half conscious of what he was saying.
Ladybug squinted. “What did you say?”
Plagg straightened. “Oh! Well, it’s just, last time, you guys chose each other, too, and he said the same thing. That’s all,” he said with a shrug.
Tikki resisted the urge to facepalm.
“We chose each other last time, too?” Chat Noir asked curiously. “Wait, do you know if our lives were good together? Are there any tips we should know for this life, to make it even better?”
Plagg faltered, so Tikki spoke up. “We don’t know most of what happens on Earth,” she explained gently. “We can only spare so much time to peek down at the mortal world. It’s a busy job here, you know?” At Ladybug and Chat’s falling faces, she quickly added, “But from what I know, you were very happy together. You know, you choose each other every time you can,” she blurted out.
“What? You mean we’ve, wait, how many times have we picked each other?” Ladybug asked.
Tikki crossed her arms. “I’m not allowed to say, technically. But it happens often enough that we started recognizing you. You’re my favorite soulmate pair!” she squealed. “You’re always so cute together! Plagg agrees, don’t you, Plagg?”
Plagg took off his glove and scratched his head. “It does make me happy to see you’re still happy with each other,” he admitted. “I’m not really one for all that mushy stuff, though. That’s more Tikki’s thing.”
“But you do think we’re good for each other?” Chat Noir pressed. “It’s not a mistake to keep choosing each other, is it? Not that I think it is!” he quickly added as his face twisted up. “But is it common to pick the same soulmate repeatedly? Are we supposed to branch out, work with new people? Are we doing this wrong, or right?”
“There’s nothing wrong with picking the same partner,” Plagg said emphatically. “It’s not your fault it’s so rare. Most mortals are just less well suited to each other, or get separated on the way here, or something. The universe just seems to like you.”
“Almost as much as you must like each other,” Tikki added with a wink. “Nothing this cute could ever be against the rules. I wouldn’t mind seeing it happen more often!”
Ladybug, blushing furiously, took another sip of her coffee. Tikki noticed she was still holding Chat Noir’s hand, like she’d been doing ever since they both got their frappes. It was really like they were always being pulled together, she noted. Or choosing to be. Maybe both.
“So, when do our next lives start, then?” Chat Noir asked after a while. “As soon as we finish drinking, or a little after?”
“It all depends,” Plagg said. “Keep an eye out for soul guides. They’re the ones that give the signal. The coffee’s just the fuel, not the thing that kickstarts your next life.”
“In the meantime, you can take your drinks anywhere to enjoy them,” Tikki said. “Inside at a table, or outside, by the beach or at the soul station. It’s fun to watch the newest souls arrive, if you ask me.”
Chat Noir and Ladybug exchanged glances and whispered to each other for a moment.
“Okay, we’ll head outside then!” Chat Noir said cheerily. “Thanks for all your help! See you next time around.”
“Enjoy your evening,” Ladybug said with a wave, and even Plagg couldn’t find the heart to tell her evening wasn’t really a thing at the end of the world. The sky was just like that.
“Have fun, kids,” he said, and watched as they exited the cafe.
“They’ll be back soon,” Tikki said, and Plagg realized he was frowning. She rubbed his back and gave him a smile.
“Yeah, you’re right,” he said, dusting off his spotless apron. “With how helpless mortals are, they’ll probably be back before we make another billion lattes. Ridiculous.”
“I bet it’s two billion,” Tikki said as she started restocking the straws. “And you’ll be the one looking for them when they show up. Since you always miss them so much,” she teased.
Plagg rolled his eyes half-heartedly. “Ah, you miss them too,” he huffed. “At least I’m willing to admit they might not always pick each other.”
“But they will,” Tikki insisted. “Ladybug and Chat Noir always choose each other. They’re the perfect soulmates.”
Plagg looked off in the distance as a smile curved his lips upwards. “Yeah,” he agreed contently. “They really are.”
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