#pjsk hc

[pjsk-headcanons]

Seeing the God Apperinteces AU٫ I've tried drawing what Miku's mother/ The goddess of music looks like. She looks more like a queen than a music goddess but I tried my best

SHEBS SO CUTE

[shark-making-soup]

haruka hc:

she keeps her room rlly cold. like 60F. this girl lives like a penguin in many ways and that includes her temp. she also is the type to just wear like. a cardigan or a blouse in below freezing weather.

[mollyjimbly]

I have made some funny? hcs about sekai's and whatnot! ♡

The school sekai is basically a school campus, mind you a quite expansive one, it's got dorms and a science lab and a sports hall/gym, but the thing is is that it's on a island floating in in an sky like and endless sky and that's all there is, but their is enough room.

Like it's quite a small sekai compared to wonderland.

Same for street sekai, it has the cafe, the vocaloids share a cozy apartment in the upper layer of the cafe, it has a general store too.

Wonderland, stage and empty are all infinite expanses.

Although Wonderland has a magical forest surrounding the Amusment park part, it's a large Amusment park, no one dares to go into the forest!! There is also a plushie town, lots of fun!

I guess the not the fairground part off wondersekai, but the infinite thick forest it is surrounded by.

Empty sekai is basically empty, I would imagine it is very cold too, the center is where n25 generally hangs out and that place is quite warm bc it's the most places where mafuyus feelings are.

Stage sekai is very bright and noisy, it's a gigantic stadium, and if you peer over the top of the stadium, it's like a massive purpley cyberpunk city!! Perhaps that city leads into another sekai?

[aroace-poly-show]

rui and nene are the type of friends with shit sleep schedules that will see each other online and tell each other to go to bed while also being up at ungodly hours

[angyllxblues]

You are incredibly based for this OP. 🙏🙏🙏🙏

Finally it is finished…. Prsk lineup with all my hcs for their appearances 💪

ID under read more (it got really long)

ID: [five digital drawings, each of the five units from project sekai. All the characters stand in a line in each one. The first image is of Leo/need, left to right being ichika, saki, honami, and shiho. Ichika is tall and thin and has glasses, saki dresses in a slightly more gyaru style, and uses crutches, as well as being black with blond braids worn in her signature style, and pink beads. Honami has tanner skin and is fat, and shiho is significantly shorter, and is also black and curly hair with brown roots. Next image is more more jump, left to right being minori, haruka, airi, and shizuku. Minori has a gap in her front teeth, darker skin, and freckles. Haruka is drawn very similar to canon, but a little bit taller. Airi is drawn with tanner skin, and shizuku is much taller and black, also with her brown roots grown out. The third image is vivid bad squad, in order kohane, an, akito, and toya. Kohane is a bit chubbier and has glasses, and an is drawn with darker skin. Akito is fat and has tan skin, and also has freckles and grown out brown roots, and much shorter than canon. Toya looks similar to canon but with light tan skin. Fourth image is wonderlands x showtime, left to right being tsukasa, emu, rui, and nene. Tsukasa is black and has blond braids with reddish-orange beads. Emu is slightly chubbier and has darker skin, and a tooth gap. Rui is taller and has dark skin and moles across his face, as well as glasses. Nene is drawn much like canon, but with braids in her hair and much thinner. Fifth image is of nightcord @ 25:00, left to right being kanade, mafuyu, ena, and Mizuki. Kanade is drawn with grey tinted skin and eye bags, her hair is slightly wavier and worn in low pigtails. Mafuyu is taller and fat, with short hair and eye bags as well as slight tanned skin. Ena is shorter, and thinner as well, with light brown skin and darker hair. Mizuki is much taller and thinner as well. The backgrounds for each is their respective unit color, and each character has a displaced outline of the character color.] /End ID

[the-overanalyst]

can we talk about how rui is the most girl's guy ever. he's so ride or die for nene that he wanted to leave wxs because tsukasa upset her. he's one of few who understands emu's language and he always tries to turn her outlandish ideas into reality. and with mizuki, where do i even begin. we all know how much they mean to each other. even smaller interactions in mixed events, like with shizuku, mafuyu, or an, tend to reveal a sweet and thoughtful side to him. rui kamishiro, everyone, the best guy friend any girl could ask for

[daffodilcamps]

repost, so the hcs are one in place :D

[rockdrop]

Another one

So I'm sure I'm not the only one who thought of this, but it's pretty safe to assume Kanade's mood can be influenced by sounds (hc: that she hears musical hearing and all, which means even pretty quiet sounds can count)

Let's say: Kanade hears a music box - she immediately becomes soothed, or a fork accidentally brushing against the plate and making a screech - it makes her brain hurt, and so on.

Now imagine, this rare occasion, where it's just her and Mafuyu. Kanade has just been rambling overall but is immediately abrupted by...

A giggle, a very soft but genuine laughter coming from her friend. That right there? Made Kanade want to hear it more, not only did it show Mafuyu healing but as a whole it felt like music to Kanade's ears. She needed more.

Ever since she'd always have this "Get Mafuyu to laugh" mission at the back of her mind, pretty certain it would escalate it into heartwarming situations :3

- Xenon

knmf stop being so cute challenge impossible/!?!?

I couldn't help but remember that TikTok thing where an influencer asks random people what they're listening to

[ascorian]

a little thought i had about rui and tsukasa swapping clothes.. again........ yeah..

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[pjsk-headcanons]

All of the adults in Pjsk know each other and maybe they're friends at some point and I will take no objections

Also can I be ☕🌊 anon if it's not taken? :3

.

[mr-avocado-man7]

uhhhhhhhhhhhhhhhh monitoring but make it mzen

[mollyjimbly]

emu really misses her grandpa...

i hc that she cries lots and lots about it in her room all alone...

[cyberpunk-deadboy]

salvation

[splootdoolies]

Wonderlands × Showtime headcanons!!

[j11nko]

happy akitoya