#piano again

[jellyskink]

You CANNOT tell me Bill Cipher had enough patience to actually learn an instrument

[casekt]

Not me making plans n doing research for a solo black metal project stopppppp why am I like this I'm not even a man

[tinnedmarlin]

trying out new hobbies

[socallmedaisy]

absolutely obsessed with the implications of the different versions of the ballad now we have the full picture. it really is a masterclass in songwriting.

we start with nicky's version. the road is a metaphor for death, but it's about acceptance ("tame your fears, a door appears, the time has come to go"). it resolves musically, we end on the note we began on. it's in a major key, it sounds happy. it's a fun little tune.

agatha takes this and twists it in the version that plays over the montage of her killing covens. some of the chords are the same (A and D in the chorus) but they're minor versions now. it sounds dark and sad. agatha is grieving. when the other witches join in the harmonies are sinister, adding notes from the minor key. this becomes canonised in the sacred chant version: for 260 years agatha has been stuck grieving nicky.

enter lorna wu. her version is in a different key (p sure it's E flat major at the start). there are still some minor chords but the overall effect isn't the same, it's a major key. partly this is a trick of the instruments and the rock/pop vibe but we know there's a still a mother's grief about not being able to save her child (and herself?) in there, but she's more positive about this than agatha was: she accepts her own death, and she will protect alice if she can, but ultimately the road is still a metaphor about death and everyone walks it, but this time lorna changes the lyrics (the door doesn't appear to death in this version, it appears "to love that never dies" the people we love stay with us after death). and then the bridge. now a bridge musically takes us somewhere new, quite often it signals a key change, a turning point in the lyrics, something shifting. here I think the function is to show us that lorna is not accepting of agatha's static version of the ballad that has stayed the same (unable to move past her grief). the key modulates to a minor one (I think it's A minor), it's sad as lorna tells alice that though lorna will die, she'll always be with her: "if I can't reach you... if I can't hold you, remember what I told you". I think it's significant the last chorus is "we" go down, down, down the road. everyone walks the road to death. it's part of life. agatha can't accept this, but lorna does. she'll see alice at the end.

[ryllen]

when everything is confusing, and then u see a familiar face

[kingofthewilderwest]

Viola is the most gorgeous-sounding instrument on the planet, but how I became a violist in music school is one of the dumber sets of circumstances I’ve had in music life. You’ve heard of the violinist to violist pipeline? Get ready for… another level beyond THAT.

Guys, I’m a flautist.

And I’m not, like, a slouch on flute? I’m no queen toot toot but I know which end you blow out of. In high school, I was competitive. Nothing extraordinary, but I did all the honor ensembles and made first chair flute All State Orchestra. Ahhh, the memories! XD

I came into my freshman year of college as a philosophy and linguistics double-major, then quickly realized I NEEEEDED formal music again. I was crawling up the walls. I was writhing on the floors. I was ready to eat wallpaper. I was prepared to do anything to get back into the music world.

So in my sophomore year I added music composition as a degree.

I auditioned in with piano and flute as my mains. In addition to the private composition lessons, I was signed up for private piano lessons (flute slots were limited to people getting a degree in flute - understandable enough).

But then came ensemble requirements. Something you’d think would be the easiest and most flexible thing to take care of. This was a good school. Please, not Curtis or Julliard or a conservatory or something, but a good school. We had LOTS of ensembles. Easy peasy lemon squeezy, grab an ensemble and go, right?

Naw.

To graduate, we had to enroll in one ensemble every semester. You couldn’t double up to complete the requirement faster and it had to be on your primary instrument. I was already at a disadvantage because I was doing the degree in three years. Thankfulllly, thankfully, the administration gave me an exception and allowed me to double up for credits.

Didn’t solve all my issues, though. Because here’s the thing: everyone in the flute studio could play circles around me. A composition major without flute instruction is not going to be able to compete with a performance major learning from some of the best people in the country.

So. By their own rules. I could neither get lessons on my primary nor would I have the chance of auditioning into a single ensemble on my primary.

This meant the only ensemble I could get into was the non-audition, lowest tier band. And because there was marching band during fall semesters, that meant the lowest tier band only met in the spring. So that gave me… 3 out of the 8 ensemble credits I needed on my primary.

And I’m looking at the administration, like, “Dudes, you have to work with me. Not getting my degree because I can’t get a few 1 credit ensemble courses is bat guano.” But my other primary, piano, was even more limited for ensemble credit options. What to do? What to do?

Well. In high school. I had a viola teacher. Sort of. I mean, I dated her. She offered to teach me viola during the summers, I paid her a little cash, and we more often than not paid attention to the viola before paying attention to other matters.

Humorous description aside, we were classmates in the same grade. We just happened to make a viola lesson arrangement within our broader relationship. This wasn't the only time we made such arrangements; I later taught her younger sister flute. And like, lessons were a convenient way to meet regularly without our families cuing in on our non-viola relationship.

We had a nasty falling out. So nasty. We were dumb. I was dumb. Don’t need to get into details. But I got two summers’ worth of viola lessons out of this and I owned a cheap@$$ viola I bought secondhand for $100 USD.

So. With my grand total of less than a year of “formal” [cough] viola instruction, where I could barely aim my bow at the correct string, I suggested This Great Music College should accept viola for my ensemble credits. Then I could enroll in the non-audition orchestra. Which, unlike its band counterpart, DID meet every semester. So, between the 3 ensemble credits for band and the 6 ensemble credits of orchestra, I COULD get my required 8+ credits acquired.

This plan was agreed upon.

So now I’m a flautist officially turned violist. A viola-approximate pestilence they can’t get rid of. Every semester they have to hear my yowling and know this is the grave of their own making. We must lie in it. I am second desk viola, not because of merit, but because I’m a music major, and I guess that meant I got preference. I did their optional chair auditions, they accepted that as "good enough," now here I am near the front. I am not where I should be. At all. Last year I was playing the flute solo of Dvorak's Eighth. Now I'm on Dvorak's Eighth near the front of the violas. What.

My problems were ended, though, right? I got what I wanted, right?

Well. There’s one final stupidity in this venture.

You see..... my “viola teacher.” My ex-partner. My now-turned-enemy. Had also enrolled in this college.

And was our section leader.

[squuote]

ive done a piano drop joke before and by god ill do it again. piano crashers

[elderwisp]

𝒮𝑜𝓂𝑒𝓌𝒽𝑒𝓇𝑒 𝒷𝑒𝓎𝑜𝓃𝒹 𝓉𝒽𝑒 𝓈𝑒𝒶…

huge thanks to @surely-sims @lumenniveus and @doctorsimcraft for allowing me to test the Bioshock deco yesterday! it was amazing being able to bring Rapture into my game and you guys truly did a fantastic job ⋆˙⟡♡ here's the link

[pondanimal]

the fabled pink nightie

this is the particular post im referencing, no clue how accurate it is but the imagery was so vivid i was instantly obsessed

@m1ssunderstanding

[staticair]

[piano time]

This piece was done for the amazing @calvinahobbes for the @phandomgives creator raffle!

[souenkun]

I need the pokemas anniversary to come soon so we can hopefully see volo go batshit crazy again for the second time!!!

[hyakunana]

The Black Rabbit Brotherhood

[starryluminary]

I really can’t overstate how damn funny this game is

[azuries]

close call!

[bajablastflavoredsaxreed]

i hate him so much<333

[spacesheeeeeep]

Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.

What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?