#physical evidence

[80smovies]

[blogparanormalexpresso2stuff]

Vickie Landrum’s original phone report & hypnosis session of the terrifying Piney Woods UFO incident

[konni39-nhuong-quyen]

Nghệ thuật trưng bày cửa hàng "trong bán ngoài mời"

Không gian trưng bày sản phẩm độc đáo và sáng tạo, tạo nên một trải nghiệm mua sắm đặc biệt cho khách hàng. Đồng thời việc sắp xếp bố trí sản phẩm cũng góp cũng đóng vai trò quan trọng trong việc ra quyết định mua hàng của người tiêu dùng.

Khách hàng sẽ được chào đón bằng một không gian mở và thân thiện. Mỗi mặt hàng được sắp xếp và trưng bày một cách cẩn thận để tạo nên một cảm giác thứ thiệt, đ��ng thời giúp khách hàng dễ dàng tìm kiếm và khám phá các sản phẩm.

Chú ý sử dụng ánh sáng và màu sắc một cách khéo léo để tạo ra một không gian trưng bày sống động và hấp dẫn. Ánh sáng được điều chỉnh một cách kỹ lưỡng để làm nổi bật các chi tiết và đặc điểm độc đáo của từng sản phẩm. Màu sắc được lựa chọn cẩn thận để tạo ra một sự hài hòa và thu hút mắt.

#Konni39 #nhuong_quyen

[cleoenfaserum]

PHYSICAL EVIDENCE (1989) (1170)

The series I had been posting of Michael Crichton's film based on his books following IMdB list by ratings has finally come to an end. However, there is one film I have not been able to find, Extreme Close-up (1973) Wikipedia and which has the lowest rating of all IMdB list with a rating of 4'6. Nothing more need be said and I hope you enjoy this penultimate movie on IMdB list.

Physical Evidence is a 1989 American crime thriller film directed by��Michael Crichton (in his final film as a director). Wikipedia

IMdB 5´'2

LINK https://ok.ru/video/4073378810418

[forensicfield]

The Importance Of Hair As Biological Evidence In Forensic Science

In a criminal investigation, the finding of biological evidence such as hair is useful to establish the crime scene's significance, to link a suspect to a weapon or the crime scene itself, to support witness statements, or even... #forensicscience #hair

Continue reading The Importance Of Hair As Biological Evidence In Forensic Science

[thehumanarkle]

Whoops, forgot to do this when the video went public two days ago. Ahem.

Shameless Cashgrab Season 11 Episode 2: Physical Evidence (1989)

-

I considered using the "It just raises too many questions" clip from Batman Forever here several times, but it just felt too on the nose. It may be rare that that ever stops me, but it happens.

I apologize for only referencing North Carolina during the coda. I know other states were hit by Hurricane Helene, it's just that in the moment I was thinking about Asheville. :(

Who did Theresa Russel play in Spider-Man 3? I could look it up, but I just don't feel like it.

It took me 5 tries to get the line "Paris takes the box with the remaining tapes and leaves" without messing it up. Yikes.

Season 11 title card by Magdalen Rose (https://linktr.ee/themagdalenrose)

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[sehaniine]

post calamity and zelda’s dragonification, healing both internal and external wounds together

[shortbreadly]

every time some cool aspect of hoffman’s character was removed from saw 3D an angel lost its wings

i sit and think about how we could’ve had shirtless, injured, psychotic hoffman and feel my blood pressure skyrocket

[iwritenarrativesandstuff]

On Kurapika's Self-Imposed Isolation

While I recognize that probably everything I'm about to say is going to be super obvious, I just wanted to briefly touch on Kurapika's self-isolation, and the reason behind his not picking up his phone or exchanging anything more than clipped words and business after Yorknew.

I think the obvious answer is that Kurapika doesn't want his friends in harms way, or to be used as a bargaining tool against him. This is an understandable and probably accurate conclusion. After all, Gon and Killua did get taken hostage, and Kurapika was forced to negotiate an exchange. Chrollo picked up on Kurapika's "weakness" right away - that he values his friends' safety before his revenge. Fortunately for Kurapika in this situation, Pakunoda was a whole lot more similar to him than he would've cared to admit, as she placed a value on Chrollo's life even though everyone in the Spider was intended to be replaceable. So, now that he's been through Gon and Killua having potentially gotten killed or seriously hurt, and Chrollo knows that he has a soft spot for them, it does make sense that he would try to push them away for their safety and for the sake of not having an exploitable "weakness" in future. He may also not want to burden them more when they have their own lives to live - he does slip off without telling Gon and Killua for the sake of not distracting them from Nen training, after all.

Except that he already tried all this earlier in Yorknew arc. He tried to tell them they shouldn't get involved, and they all agreed that the risks were massive - but his friends agreed to undergo the risks anyways to help him. Kurapika was even grateful for it - "I have been blessed with good friends."

So, for him to push them away solely for this reason after the fact, knowing that this was very much a likely situation to happen, is a little odd to me. Kurapika knows full well that Leorio would be frustrated, Killua would be offended and Gon would worry. So, I think there's a little more to it than that, and I actually would venture to say that "keeping his friends out of danger" is more a secondary reason for his actions - one that would come across as more of a reasonable excuse to others.

The primary reason is likely a lot more selfish than that. Kurapika has to ensure his mission comes first. And unfortunately, he is fully aware that his path and choice in abilities is deeply self-destructive.

Kurapika needs to make sure that he doesn't have exploitable weaknesses, sure, but he also just as much needs to purposefully worsen his headspace - and he can't do that with those three around.

Think back, what are the happiest moments we see from Kurapika in the series? The one that comes to mind first, and the one I'm sure most of us will think of immediately, is this:

[ID: A screenshot from the 2011 anime adaptation. Kurapika smiles - he looks at ease. End ID.]

It's one of the sweetest scenes of the series imo, right before the whole group is reunited for the first time since the Zoldyck Family arc, and it's even more notable because it comes immediately on the tail end of this...

[ID: Three panels from HxH Chapter 101. Kurapika removes his contacts over the sink. His expression is distant. End ID.]

...and this...

[ID: A panel from HxH Chapter 101. A close up of Kurapika's vacant and furious expression, his eyes wide and dangerous as he says "It might as well be you." Though the art is in black and white, it's apparent his eyes have gone scarlet. End ID.]

...and this.

[ID: A panel from HxH Chapter 101. A distant Kurapika speaks on the phone on a rooftop at night, the cityscape of Yorknew around him dark, but speckled with lights and stars. He says "The Spiders are dead." His face is not visible to the reader. End ID.]

This is, up to this point in the series, Kurapika at his lowest. In contrast to Gon, who is happy to hear that the Spiders are dead already because now Kurapika can focus solely on finding his peoples' eyes, Kurapika... is clearly not happy - and that's because killing the Spiders himself isn't just revenge. It's penance. It's survivor's guilt. Kurapika's powers, which Izunavi even comments sound much like he is chaining himself in the process of chaining his enemies, are oh-so-beautifully prophecied to destroy him - and Kurapika was aware of this from the moment he set off down this path of revenge.

(As a side note, this is why I'm really hoping we see Gon and Kurapika interact again after the Chimera Ant arc - while Gon has always been pretty attentive to Kurapika's emotional state, in Yorknew, he lacks a true understanding of why Kurapika would go so far... but as of now, he understands rage fueled by guilt and grief all too well. I know we're all rooting for Leorio to reach Kurapika, but barring that, I really think Gon could get through to him - after all, they are similar in several ways, and I find it fairly apparent that Gon reminds Kurapika of Pairo.)

But back to the main point here - I do suspect Kurapika expects (if not wants) his revenge mission to destroy him. I think a lot of times, we forget just how young Kurapika is, and how much his character is dictated by honour, and the abandonment of it.

Certainly, he can and will go against his principles for the sake of his mission... yet, almost paradoxically, he's bound to his promise to his fallen clan; a promise to avenge them made in anger.

But Kurapika... doesn't come across as a naturally angry person to me at all.

He seems like the stoic, vengeful type on his initial introduction... and then we get his panic at Gon's recklessness

[ID: A panel from HxH Chapter 2. Kurapika and Leorio wear matching expressions of panic in front of Gon, calling him out for his recklessness. End ID.]

...and his near-immediate forgiveness of Leorio after getting the first inkling of his character - of someone who cares just as fiercely as he does.

And after that point? Almost all through the Hunter Exam? Kurapika smiles so readily at them. He's sharp and funny. He mediates at times, but is stubbornly prideful in others. He's very amused by his friends' antics, and it really does seem like he starts to enjoy himself, with them. And, more than that, he counters Leorio's initial impression of him as an independent loner - on several occasions. He decides to follow Gon because Gon intrigues him. Asides from Gon, it is Kurapika who is the most unwilling to fight each other at the bottom of Trick Tower. Kurapika who makes the first move to team up with Leorio, even though that arrangement benefits Leorio much more than it does him. Kurapika who refuses to abandon Leorio to his fate in the cave, and who checks on Gon after noticing his bad mood. Who was furious enough watching him get beat down by Hanzo that his eyes went scarlet for the first and only instance outside of Spider mentions and Emperor Time. Who quite readily detoured to help rescue Killua.

[ID: Three screenshots from the 2011 adaptation Hunter Exam arc. In the first, Kurapika smiles at a sleeping Leorio. In the second, Kurapika stifles laughter as he pretends he's asleep. In the third, Kurapika has an open-mouthed smile as he acquires the airship tickets for them, Leorio and Gon standing behind him. End ID.]

Look at him! He's so bright! So happy!

...too happy. Too happy to do what he promised himself he would do. And that's his biggest fear, isn't it. Without his rage... what is he left with?

[ID: A panel from HxH chapter 2. A close up of Kurapika's eye as he says "I do not fear death. What I fear is that my rage will one day fade away." End ID.]

Kurapika is far, far less mired in anger when he's with his friends. I actually dare to say that at certain points, he was able to go for lengths of time without thinking much about it - alternating between almost forgetting in one instance and being hit like a sledgehammer on exposure to a reminder in the next. This violent swing is... actually the beginnings of the natural process of healing from loss and trauma. But to Kurapika, who's made a promise to his people's memories, this is not a relief. This is betrayal.

I think that actually scares him, that he can almost picture it. A life beyond his guilt. That he, too, could learn to be happy, even after unimaginable loss.

And so, as Kurapika continues his mission offscreen, finding more and more gruesome reminders of the cruelty inflicted on his people and losing more and more pieces of himself in the process (in his own words, no less), he prioritizes his responsibility to them, and pushes away his distractions. He cannot be a soul at peace until his work is done; he must be in turmoil. He pushes people away who he cares for, and binds himself, and keeps his people's eyes on him, quite literally, because respite, for him, is unacceptable. Perhaps that guilty part of him even hopes, by the end of this, that his soul will be so unrecognizable as to be fundamentally unsalvageable. But the truth of the matter is, or at least what comes across to me, is that Kurapika cares much more fiercely than he hates. He knows what matters most. And for as long as he does, he still hasn't truly lost himself.

[ID: A panel from HxH chapter 350. Kurapika looks down at baby Woble with a gentle, yet complicated expression. The inking is somewhat softer. End ID.]

Kurapika's soul is kind, really. And it wants to heal - but for the sake of his mission, he needs it damaged and bleeding. And so, he forces himself to exist in that pain. All alone.

[ID: A panel from HxH Chapter 344. Kurapika, dressed in a black suit, sits with his back to the reader, looking down at a photo in his hand. He is slumped a little before the church vigil he has prepared, all his clan's eyes lined up in their jars and honoured with flowers and candles. He thinks to himself "There is no home for me to return to... and nobody to welcome me back. I have nothing left." End ID.]

[lildoodlecat]

it's here!!!!!! hua cheng comic by one of my fav tgcf artists ✨

i actually already read the whole thing before i remembered to yell abt it bc i was too excited and it's soso good i'm so glad i bought it :D maybe went a little insane abt it also. lots of cool art and interesting takes on hua cheng's backstory :3

tysm @malinanan for drawing this awesome comic!!!!! i love it a lot 💕💕

[blogparanormalexpresso2stuff]

A Close Encounter Witness with Documented Injuries

Paul Vidal is not only a close encounter witness, he has sustained and documents some leg injuries similar to those Whitley has had, and has also documented.

[tempestmothstorm]

crazy how the sanshee plush is one of the few actual direct confirmations on what a non-act 2 Natsuki’s home life is like because of how cagey she is on literally everything. Like this isn’t anything surprising or something you wouldn’t be able to extrapolate from the games but unlike everything else we know about her the implications are right there on the tin.

They literally did the character bio trope where where all the likes are normal but the dislikes are about their very specific trauma it’s just so funny they did that on the plushie card

[inkskinned]

am i gonna put you in the book acknowledgements am i gonna be able to say your name without flinching am i ever gonna get a word in edgewise am i ever gonna recover the time i spent with you. computer virus kid; i arrived in your life already begging to be let in. somehow insecure i could even be your friend. like you had a line outside the door and we were all shifting our weight, begging.

you're so fucking good at that - at making people feel like they need to earn you, like you're a commodity none of us can afford. no kindness or careful communication could work on you - you were so good at just going-ghost, about deciding someone just wasn't cool-enough. something about that is super ironic. even the parts of it that weren't romantic felt like a romance book. i wanted you to like me so badly i scrubbed myself clean just so you'd spare me - what. your favor? a look?

okay okay okay. it's just a friendship - if it was even true that we were friends, if you even saw me as someone you trusted. on reddit someone would tell me girl literally just cut her out of your life, it's not that difficult. even i was aware of how fucked up the whole situation was. like, why the fuck do i even care about your approval? you're like, not even that fun to be around. you are often a little bit cruel.

but for almost four years of my life, i thought i had found someone like me. somebody who liked the same things i do. someone who liked to read and who liked making jokes with esoteric references and who spent maybe too much time on the internet and who was absolutely a little bit pretentious. i don't know, something about that was powerful and addictive.

i keep thinking about our last conversation. about how i said - okay, enough is enough. you pushed me too far, you really hurt my feelings.

and how you laughed and said - you think you're the victim?

[fallen-flier]

absolute favorite thing about phasmo vods is the fact that impulse cannot stay inside the van at all costs. he has to get out there and go inside the house even to the detriment of himself. scar accidentally turns off the breaker and then dies. they can't figure out if it's a jinn or a mimic as a result. impulse has no sanity but he just keeps going back in there and walks around the house so the ghost hunts like five times.

they make scar go in alone and he walks around looking at the ceiling lost for two minutes trying to find the breaker over grian and skizz yelling and impulse is just there mumbling "i have to go in there and save him."

[milflaszlo]

But she means everything to him. 📹: @medium-observation