#philip seymore hoffman

[forthegothicheroine]

I remember when I heard a false rumor that Philip Seymore Hoffman was going to play the Penguin in The Dark Knight, and I think that’s still my ideal cast.

[ulrichgebert]

Mittels geballter Schauspielkunst vermitteln uns Meryl Streep, Philip Seymor Hoffman, Amy Adams und Viola Davis, dass in Glaubensfragen gewisse Zweifel angebracht sind. Insofern ist es nur folgerichtig, dass wir auch nicht herausbekommen, ob stimmt, was die anstrengende, gestrenge Nonne dem fortschrittlichen Priester vorwirft. Oscarnominierungen für alle!

[distinktionsfetzen]

Check out Herb Ritts, Philip Seymor Hoffman 1 (1999), From CAMERA WORK

[lukeevansgirl22]

Mission: Impossible 3 is three times as action-packed!

Hey guys! I’m here to do a review on the movie “Mission: Impossible 3.” I love this movie because there’s a lot of action and thrills! The movie is about Ethan Hunt conflicting with a dangerous and sadistic gun dealer who threatens Ethan’s life and his fiancée in response. With the cast of Tom Cruise, Michelle Monaghan, Ving Rhames, Philip Seymore Hoffman, Billy Crudup, Jonathan Rhys Meyers,���

[destinyc1020]

I’m whatever about the Saltburn trailer, his accent didn’t sound neither here or there and his height is always distracting no matter what cause he’s just not the average height of normal actors or actresses. Whatever anyone feels about him, let’s keep it real, he just towers over people and that’s always distracting. I’ll probably wait till Saltburn is on streaming 😂

Lol😆

Yea, so far the trailer isn't really interesting me. The premise sounded better than the trailer imo lol. Def NOT on the same level of Ripley at all imo.... just from the trailer alone rofl 🤣

I mean....Ripley had the late great Philip Seymore Hoffman AND THEE Cate Blanchett lol. That alone should tell you smthg. 😄 Plus, the plot was pretty complex.

I'll wait for another trailer for Saltburn to see if I like it better, but this first one wasn't really intriguing to me for some reason. But maybe it was just a teaser. 🤷🏾‍♀️

[airlocksandaviaries]

Shoutout to Philip Seymor Hoffman for capturing that signature Ethan Hunt Sweetiepie Smile. Ethsn is unable to resist doing that even when masked up it’s so endearing

I got my Mac n Chees it’s time for mission impossible threeeeeee!!

[s-k-y-w-a-l-k-e-r]

As long as you hold these bodies, in this life, you will be husband and wife.

[thechosenpessimist05]

Me after seeing a chance of severe weather in Iowa while there is a blizzard happening Minnesota

[zenosanalytic]

Just watched The Master and I need to talk to someone about whatever the hell was going on in The Master >:| 

Spoilers:

Obvsl it's based on Hubbard and Scientology, but WHAT was the DEAL btwn Freddie and Lancaster? Were they lovers?? Is Freddie getting away from The Cause a parallel/metaphor for his recovering from his trauma??? Is Lancaster the addict who CANT quit & Freddie the one who did???? Or is Lancaster and The Cause(ideology) just another drug?x5

Freddie and Lancaster parallel & express each other in allot of ways, obvsl, but how far does that go? Are they LITERALLY the same person, or does it just SEEM that way sometimes to get across how supremely codependent their relationship is?? It’s got to be intentional that they’re rarely both active in a scene, right???

Anyway: a very compelling movie.

[gledam-film]

Patch Adams (1998)

[nopeferatu]

making my first forays into celebrity stan tumblr culture after existing solely in anime fandom culture for so long is so jarring like. i just came across a philip seymore hoffman stan acc 😭

[cultofthepigeon]

Guy who looked like a mix between jared harris and philip seymor hoffman at the laundromat. irish dude too. he seemed nice!

[dogfartfilmreview]

Good Time (2017)

Starring: Robert Pattinson, Benny Safdie, Jennifer Jason Leigh

Directed by: Benny Safdie, Josh Safdie

Rated R

Free Streaming Included with Amazon Prime.

Personal Opinions  and my Thoughts (Spoilers ahead):

Good Time is one of those Indie movies that had the potential to be a huge hollywood success if marketed that way and kept the same way artistically. Still the movie did very well winning tonnes of awards and positive reviews. This movie put the Safdie brothers on my radar and was one of the reasons I forced my family to go to a early morning screaning of Uncut Gems on Christmans Morning at a theatre 20 minutes away from home. Directed by the Safdie Brothers and written by Josh Safdie the movie is much more than a foray into the adventures of a bumbling minor-league criminal. Robert Pattinson brilliently plays main character Constantine “Connie” Nikas a small time criminal. Initially the movie attempts to portray a Of Mice and Men feeling between Connie and his younger brother Nick, played by Benny Safdie. Fortunately the movie plays with several boring movie tropes and cliches in some clever and fun ways. As we follow through the movie Connie’s true nature is revealed. He is not the “thug with a heart of gold”, or a “protective big brother who sacrifices morals for family”. He is not even the “competant criminal”. The vibes are sick in this movie. The movie does the new age New York gritty tone with their depiction of RIkers as well as the seddier parts of Queens and the other bouroughs. They got some 90-2000s and early10s behaviors and manurisms of New York background characters that give the movie personality. Also not to give too much away there I’ve never seen a dye pack explosion in a taxi like this before. Mad retro vibes which are courtesy of the Safdie brothers. Expect a lot of synthizers in the background. Camera cutting between characters throughout dialogues keep the anxious tone of the movie palpable. Neon lighting gives in a very vice feel. Physical acting is very good in this movie. You purposefully see twitches, mannurisms, ticks, shows of affection and longing for affection through their body language. The music helps capture tense and stressful situations throughout the movie in different situations. As Connie attempts to free his mentally handicapped brother Nicky from Rikers after a robbery gone wrong. As Connie bumbles himself from one situation to the next his character is revealed to the audience through Robert Pattinson’s brillient acting. This movie put him on the shortlist for my new favorite actors before The Lighthouse, and The King came out. His ability to portray damaged, complicated, broken people reminds me of Philip Seymor Hoffman (rip :/). He brings nuance and intricacies in the subtle features of the character that contribute to the viewers understanding of the character’s personality and contradicts the meaning of Connie’s actions. Connie is a scumbag, but you root for him to succeed. Connie is a pure misanthrope. He gaslights his girlfriend, is leachourous, a liar everything you would dispise in someone else. Yet throughout the movie you are rooting for him as face first dives out of the frying pan straight into the fire place. So why is Connie doing this. They say the road to hell is paved with good intentions. And truely you could say that about Connie. The way he f--ks up throughout is almost comedic, if the stakes were not tragic. And as Uncut Gems showed addiction, Good Time shows toxic love. Connie is not good for his mentally handicapped brother Nicky. You can tell in the first scene as Connie interrupts his brother Nicky’s therapy session out of jealousy and angrily intimidates the therapist who really is helping his brother out. His brother ends up in prison cause of Connie and really Connie finds his redemption by taking the bid for Nicky #SPOILER! There is some umentioned #generic family abuse in their backstory. Their grandma abused Nicky and Connie abused the grandmother. Connie is a real scum bag. The actions taken by Connie, in reference to the title, are a simply just a good time for him. Interestingly enough most of the members of the cast are amateurs actors. The Safdie brothers have a record using obscure cast members who are often memorable characters. Buddy Duress who plays the doormat like bipolar bumbling criminal Ray in the movie has good chemistry with Pattinson yet is able to be a quirky character on his own. Taliah Webster is another character who you can just sympathize for deeply yet also deeply respect and feel bad for. Dysfunctional characters all around yet do not make the story seem unrealistic to the point of disbelief and also keep the intense tone. The movie is a realistic reminder that crime while not clean is a good devient time, and it is refreshing to see a criminal who is not cool or professional or classy. Worth a watch if you have the time, a smart movie to watch on a date, by yourself (with or without a joint).

7.5 money dye packs out of 10.

This movie is rated for 90s kids

[dclblog]

Licorice Pizza (O-Ton)...

...könnte auf den ersten Blick nicht weiter von Paul Thomas Andersons sonstigem Weltgrimm-Katalog entfernt sein: herrschten in seinen Filmen bislang überwiegend die Themen Neid, Gier und die vielen Varianten vor, in denen der Mensch des Menschen Wolf sein kann - selbst die Liebeserklärungen in seiner ersten Romanze "Punch Drunk Love" waren schlecht kaschierte Gewaltphantasien - erzählt er hier eine behutsame, nostalgische kleine Geschichte von Freundschaft, Liebe und dem wunderbaren Schwebezustand dazwischen, getragen von zwei bezaubernden Newcomern: Musikerin Alana Haim besitzt eine spektakulär unspektakuläre Natürlichkeit und Strahlkraft, Cooper Hoffman einen mühelosen Charme, beides war für mich auf Dauer unwiderstehlich. Zur entspannt familiären Atmosphäre des Ganzen tragen freilich auch die Umstände bei, dass Hoffmans Vater, der viel zu früh verstorbene Philip Seymore Freund und Stammspieler von Anderson war und Haim ihre echten Eltern und Geschwister vor die Kamera holte.

Die Putzigkeit und Glaubwürdigkeit der beiden Hauptfiguren und ihre überbordende Chemie miteinander, die jegliche Sorgen, ob sich die Geschichte aufgrund des Altersunterschieds nicht ein bisschen seltsam anfühlen könne, sehr schnell in Wohlgefallen auflösen, können freilich nicht dauerhaft darüber hinwegtäuschen, dass die Welt, in der ebendiese Geschichte stattfindet, immer noch eine klare Anderson-Welt ist, voller Egoismus, Größenwahn sowie einem beiläufigen Sexismus und Rassismus, deren Darstellung Anderson oftmals bravourös gelingt und einmal komplett entgleitet - so sehr ich sein Anliegen in der Szene, in welcher ein ignoranter weißer US-Amerikaner in Gegenwart seiner japanischen Frau so tut, als spräche er ihre Sprache verstehe und so ausreichend unangenehm mir ebendiese Szene war, so sehr verstehe ich auch die Stimmen, die sich dazu kritisch äußerten. Es ist auch deshalb so merkwürdig, weil sämtliche anderen Figuren hier so punktgenau getroffen werden, gerade auch in ihren problematischen Aspekten - eine flirrende Galerie herrlich schrulliger Typen, aus denen für mich die sagenhaft witzige Harriet Sansom Harris, die für alle, die schon mal mit Castingleuten zu tun hatten, ein ungemein zutreffendes Erlebnis ist sowie ein Sean Penn, dessen immer noch fantastisches Spiel so viel mehr zu genießen wäre, würde er privat mehr die Klappe halten, herausstechen.

Und inmitten dieser skurrilen, beschädigten Figuren und deren skurriler, beschädigter Welt stellt Anderson Haim und Cooper, die ihr bestes tun, sich darin zurechtzufinden und dabei immer wieder zum Scheitern verurteilt sind, weil das Gift ihres Umfeldes noch keinen nennenswerten Einzug ihn ihre Seelen hielt. So finden sie immer nur wieder einander und rennen dann gemeinsam davon und zum nächsten aussichtslosen Abenteuer.

Anderson borgt sich dabei die gemächliche, ziellose Lakonie und den Tom Waits von Jim Jarmusch, wobei er meilenweit davon entfernt ist, sich dem Zynismus und Nihilismus von dessem Spätwerk "The Dead Don't Die" zu ergeben. Beide Regisseure sehen die Aussichtlosigkeit und Beschissenheit der Dinge, aber Anderson hat es noch nicht aufgegeben, sich trotzdem oder gerade deswegen auch auf das Gute Schöne, Wahre zu konzentrieren - und seien es nur zwei junge Leute auf einem Wasserbett, deren Hände sich nähern.

Für manche mag das zu wenig Handlung, zu wenig Drama, zu wenig "There Will Be Blood" sein, ich für meinen Teil war ab dem ersten gemeinsamen Sprint von Haim und Cooper verliebt in dieses Ding und froh, endlich mal wieder einen Film sehen zu dürfen, der ungemein virtuos ist, diese Virtuosität aber nutzt, um zum gepflegten Treiben lassen einzuladen.

D.C.L.

[ricardonapoleao]

#tbt de um ator inesquecível. A lembrança de ver Philip Seymor Hoffman em cena, na peça de Arthur Miller na Broadway é um divisor de águas, uma compreensão profunda do que pode ser o teatro. Willy Loman, personagem brilhantemente interpretado por Seymor Hoffman deixou marcas, luzes e sombras , eternas lembranças. Em homenagem à esse grande ator, fiz um vídeo que sai em breve no nosso canal do Youtube 👆🏽link na bio #capote #phillipseymourhoffman #incoldblood #napotv https://www.instagram.com/p/CTU56AMD7c7/?utm_medium=tumblr

[stevienick]

In honor of Philip Seymor Hoffman's birthday, here's a throwback to when Cate Blanchett won a bafta in 2014 and dedicated the award to him.