#personal catharsis
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bluegiragi · 21 days ago
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left on read.
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last year i finally read "all that's said in the low light" by headlocket which i feel like has developed its own reputation by now, but just in case you don't know - it's kind of known in the fandom as a massive tearjerker. As promised, I cried buckets over it and it left an enormous impact on me.
I drew this comic (after getting permission from headlocket) as a what if on a situation in chapter 12, where Simon goes through a period of radio silence from Johnny after essentially giving him his blessing to date other people, the utter clown. We only see it from Johnny's side, who is really going through it, but the mental image of Simon staring at a slew of his own unread messages really stuck with me...did he think this was it? That that shitshow of a conversation he had with Johnny might've been the last they ever had? What if Johnny just never responded to him again? Did he regret giving him permission?
bonus - simon's forlorn and temporarily one-sided conversation:
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poorly-drawn-mdzs · 2 months ago
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Look what we've become.
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#poorly drawn mdzs#mdzs#wei wuxian#jiang cheng#Initially I wanted to do a 'Mutiny' quote to follow the 'Luck runs out' quote.#But the musical earworms demanded a different blood to be drawn. And I think it works just as well.#Alright. It's time to confess something. I really struggled with this comic. I didn't want to draw it. Then I didn't want to upload it.#Because I knew I would be here in the tags writing and backspacing for hours trying to articulate my thoughts.#I'm going to talk about death and grief in the tags today so this is your WARNING to look away if you aren't in a headspace for it.#Sometimes in media there are scenes and characters which land on topics so specific to your wounds that it reopens them all over again.#Because here's the truth. When you've known someone like this for nearly your whole life...it doesn't matter how bad the fight is.#You always think 'We'll always have time. One day this dust will settle and we'll rebuild the bridge.'#And then the fucker dies!!! He dies and suddenly there will never ever be time to repair the rift.#Someone you loved died thinking you hated them. And part of you did just a bit. But love and hate aren't mutually exclusive.#He's fucking dead and you are left with so many broken and unfinished pieces between the two of you.#Jiang Cheng loses Wei Wuxian thinking that WWX thought they hated each other.#He's a younger brother who will one day be older than the person he lost.#Who has no one else in the world who understands those feelings of love and hate and grief.#I can't be normal about this character. I don't think he even heals me. Zero catharsis to be gained here.#I just look at his sour grape ass and think 'shit that's a little too close to home.' JC is my discomfort character.#I'm probably going to regret being this vulnerable in the tags in like. An hour. So. sorry if you see this once and never again.#EDIT: Yeah sorry this took 4 hours to muster the courage to post. Surprise update!#EDIT 2: You guys were being too nice to me on my sad comic to point out the spelling error. I have fixed it now B'*)
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garliicgun · 4 months ago
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this game breaks my heart…..! 💔
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galkyrie · 2 months ago
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Jason knows he doesn't have a right to be mad at Tim for forgiving him, of all things.
He knows he's reaping the rewards from that. But-
Something about it pissed him the hell off. Maybe it was the way Tim had looked at him, head tilted in the way that made it feel like you were being seen down to the subatomic level-
Or maybe it was the way Tim forgave him, with barely a shrug.
"I don't see how staying angry would've helped the situation," was all he'd said, and then he'd gotten back to the task at hand. Like it was an- afterthought maybe, to consider that Jason could be sorry.
Tim didn't see the utility in holding a grudge. And it was already decided that he had to work with Jason, so forgiveness was just a box he had to check off in order to make that go as smoothly as possible-
Jason's actions and remorse or potential lack thereof were irrelevant. Tim's feelings about it seemed equally as unimportant, if there were any to know of at all.
It was worse than if Tim had refused to forgive him, he decided, to have been long ago and had such a thing just...not matter to the person he'd wronged.
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rorykillmore · 7 months ago
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we could have a whole conversation about gender-nonconformity being coded as villainous in much of cinematic history of course - things don't exist in a vacuum - but i think the read that longlegs is supposed to represent some subconscious unease about gender-nonconforming people is a little removed from the context of the film itself. the character is deliberately emblematic of a movement and style when gender nonconformity was standard. that is the entire point of the musical choices this movie makes. he's a failed glam rocker that stumbled into satanism instead.
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deadpoetsandlivinglegends · 19 days ago
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Feel like Neil couldn’t have been any other kind of actor than one in theatre. If he was a movie actor or on social media or whatnot, it would not be the same. Theatre by nature is fleeting. Recorded mediums can be rewatched over and over, creating a time loop of sorts. We the audience can keep going back to a time when Neil is still alive. Theatre however is live and once the play is over, there is no going back except in our memories. It is much like life. We are forced to live in the moment in a theater lest we miss it altogether. It’s not that the poets choose to live in a world where Neil is dead, it’s that they must because the only other option is to die themselves. I feel like Keatings teachings could only be reflected in stage theatre because that’s the only way there can be no time loop of grief. I think dead poets society itself isn’t about overcoming the authority in your life to do what you want but rather about grief, about allowing oneself to feel grief and all one’s emotions without letting it consume you and to keep living after, to live every day in the moment lest you fall into grief and regret that will destroy you or force you into a miserable life
#just silly ramblings don’t mind me just ignore me 🫣#keating was teaching the boys catharsis as a means of survival and how to process their emotions so they don’t overcome them in a world#that convinces them to pretend they don’t feel at all; that’s why he focuses on the romantics rather than the realists because the romantic#is there to help you process your emotions of sorrow and joy; and that’s why he told Charlie he was misunderstanding the teachings when he#was acting out but not Neil when Neil was trying to get out of the grief over the person he wishes he could be; keating taught him that his#father was standing over an empty grave grieving the son he wanted and that Neil doesn’t have to lie in that grave just to satisfy his#fathers grief but can go to his father as he is and ask him to accept this version of himself and the son he is and his father rejected and#that is why Neil thought the only way to truly overcome his father was by allowing his father to grieve him over grieving the son he wanted#and Mr. Keating was crying over Neil but we don’t see him rage out like the school; Mr. Keating grieved Neil and moved forward with life#whereas all the other administration and Neil’s father will not be able to because they refuse to recognize any emotion but rage so they#feel they must go on a wrathful journey to try to process their grief; idk I think the whole story was about teaching the boys not to be#afraid of their emotions and that they must feel their emotions to process them and get through and I think this message just happens to be#counter to the norm we were told our whole lives but also necessary to be full people and I think that is why this movie sticks with so#many and why so many hold it so dear to them; it’s a story about grief and emotions and moving forward with life after the fact#it’s about feeling in a world that tries to convince you that there are ‘bad’ emotions and that you must not feel certain things and that’s#where overcoming authority comes in and the anti authority message of the franchise stems from#neil perry#dead poets society#dps#dead poets fandom#dps fandom#mr keating#john keating#dps symposium
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stellaluna33 · 5 months ago
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The Jess episodes in Season 6 are SO gratifying (for those of us who, like Rory, would say, "I KNEW you could do something like this! I KNEW it, I knew it!") but at the same time SO FRUSTRATING, because everything about the way they were written suggests that they were making deliberate comparisons between Jess and Logan- comparisons in which Logan doesn't come off particularly well. Like they went to great pains to imply that: Jess knew Rory better than Logan (the birthday subplot), was better FOR her, was more mature, loyal, freaking noble, etc. etc... And then they just... never went anywhere with it! Logan jumps off a cliff and Rory feels guilty, and... The whole plotline gets dropped and they never talk about it again! It really freaking seemed like they were making a point, but WHAT WAS THE FREAKING POINT??? *flips a table!*
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fucking-relax · 2 years ago
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anger is a pain. treat it like the injury it is:
you feel angry (you feel pain)
stop, take a moment to gather yourself and breathe deeply (stop, take a moment to apply first aid to your wound)
find the root cause of your anger; what brought your anger about and how come? (find what caused your injury; what hurt you, what type of wound?)
what can you do to regain control? try not to fuel the anger with violence; mitigate by being gentle to yourself and others (what can you do to keep you safe from further and future injury? what further treatment do you need? try not to aggravate your wound; be gentle and cautious)
accept you've done all you can, continue to breathe deeply, and find comfort away from anger and violence (accept you have done all you can and continue to take care of yourself)
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majorasnightmare · 1 month ago
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okay so like. mizora
im pretty sure we're in agreement that the conditions for wylls pact were sus as fuck right? like there just happened to be a fully formed cult to tiamat rarin to go right outside baldurs gate mid ritual, and the home of high harper and nosy grandma JAHEIRA didnt notice shit?? nobody saw anything and no one could confirm wylls story despite baldurs gate having an active enough night life to sustain 7 actively hunting vampire spawn for at LEAST 200 years AND a sewer murder cult committing covert assassinations and murder sprees??? with a cult of bane conducting weapons trade deals and the knights of the shield operating a smuggling ring??? the flaming fist didnt even see anything to pointedly ignore??? not a single chickenshit recruit filed a report about observing a dragons head in the night sky with a filed dismissal by a senior officer claiming they probably drank too much. Saitama_Okay.jpg
im personally of the opinion that zariel didnt stage that particular incident but DID utilize agents to provoke tiamats cult into action while also stifling potential witnesses. we know raphael does similar because of his stupid chess themed letters to his own agents, so its not unreasonable to suspect zariel is doing the same. but i think the REAL prize of that particular operation was not the destruction of an active tiamat cult, but instead something more subtle and with a potentially higher payoff: the ear of duke ravengards son. a dragon cult getting annhilated was a bonus, and a convenient call to action besides
mizora, by karlachs admission, was part of zariels personal inner circle (by choice, as devils are ambitious creatures with a drive to climb the ladder). this means that, through mizora, zariel herself took direct personal interest in wyll ravenguard. wyll himself was only 17 years old by this point: he had yet to achieve anything of note and was drifting through noble highborn society as the odd man out, son to a lowborn duke who rised through meritocracy and raised to appreciate the down-to-earth rural pasttimes his father grew up with, like fishing. wyll himself had nothing to offer to a devil besides his heritage; baldurs gate is full enough of self sacrificing do-gooders to keep the harpers regularly staffed, and The Urge regularly sated. for mizora to target wyll specifically makes the most sense if the real target was his connection to the current grand duke of baldur's gate, a city home to a practicing diabolist, several evil cults, and itself has been a hotbed of planar activity thanks to the dead threes meddling for YEARS. that ulder also commands the flaming fist, the gates de facto policing force, is also a point to consider.
this is also reflected in wylls pact, and the terms we experience of it. wyll specifically states that the terms of his pact primarily target the evil, the monstrous, and the heartless. remember, this is BEFORE he was the blade of frontiers. he became a warlock 7 years before the game, but only became the Blade five years prior to the plot. thats a two year gap of being a warlock but not the blade, where his pact STILL primarily targeted monsters. this is. a REALLY weird pact for a devil to offer! like firstly, its overwhelmingly in wylls favor. there is very little wyll does FOR mizora, and the targets she assigns to wyll near exclusively align with his moral code. he sees no reason to doubt mizoras portrayal of karlach, and has to be prompted into sparing her even as he hesitates, because past experience has told him that mizoras targets DO deserve to be slain as judged by HIS beliefs, as indicated by his line of participating in a mummers farce, and him playing his part all too poorly. wylls upset at himself for not thinking to question mizoras target and considering his hunt of karlach to be just. clearly thats because, in every other instance, wyll believed that to be the case!
thats REALLY FUCKIN WEIRD for a devil! like yes mizora gets to take down political rivals using wyll, because wyll knows devils are evil, but. thats a really weird pact to sign in return for destroying a cult mid god summon? like you could extort a LOT more for that and be assured youd get it, cuz its ALL OF BALDURS GATE and the RETURN OF TIAMAT on the line. and it doesnt seem to be a case of poor dealmaking, unlike raphael, whos every deal overwhelmingly reeks of desperation. he'll translate astarions back if you kill yurgir, because he really really really needs you to kill yurgir before he figures out raphael played him and he gets out because of it, and the clock is rapidly ticking down on that because balthazar is already in the temple, interacting with the dark justiciar skeletons, and actively looking for yurgir because the orthons annoying him. we are literally a single step removed from balthazar casually dropping the fact theres a dark justiciar hivemind in the bodies of 100 rats and raphael getting his ass beat for setting yurgir up. raphael really really wants you to hate the emperor and free orpheus because the only bargaining chip he has is the hammer, and in the midst of THAT deal literally spells out its location for you and why youd want it, for free. raphael the crown of karsus is almost in reach but to defeat the absolute ill need the plastic card you dad keeps in his wallet, make sure you send me the 16 numbers on the front, the 3 on the back, and the expiration date! hurry raphael we dont have much time!
comparitively mizora only ever bargains from a perceived position of strength. she can afford to make demands of wyll because he has no way to stop tiamats summoning without her. then, later, she has the easiest and most accessible source of information for wylls father knowing his life is in danger as a political prisoner. these are very strong bargaining positions! shes only ever undercut by the players presence bargaining on wylls behalf. its a quick and easy way to show that her inflated opinion of herself isnt entirely without merit, although her second pact is framed as choosing between two potential agreements, save wyll and kill ulder, or save ulder and damn wyll, when in reality shes proposing a new pact that has no authority over wyll OR ulder until signed (which is why you can save ulder because she doesnt actually have the pact given authority to insta kill him the way she implies, she can only throw thwartable assassins at him like anyone else with a grudge). shes a manipulator with plenty of skin in the game and a good amount of success behind her that justifies her position within zariels court. the point of this is make a point of highlighting how *little* mizora actually fucks with wyll *as enabled by the terms of the pact*. mizora is cruel, she is manipulative, she is condescending and rude, and she makes wylls life awful with her presence, but takes very few ACTIONS towards those ends, and relies primarily on verbally demeaning him. when he violates a clause in their pact, mizora utilizes a loophole to make karlach qualify by its terms and then punishes wyll by infusing his soul with infernal essence. thats... really it. you can watch wyll backtalk her, but she doesnt even do that leash yank she does in act 1. if you blenderize her, wyll dies by the pacts terms, but like. mizora literally also dies, and is REALLY upset by it to boot. you break wylls pact, tell mizora to fuck off with her second one, and she just kinda stomps her foot and fucks off for a bit before loitering in your camp still. as a warlock you can even mention to wyll that she very easily could have snatched his soul about the karlach thing but she doesnt.
in terms of "classic warlock struggles" we barely see mizora do anything beyond being an Unpleasant Person wyll is forced to interact with. theres none of the classic "being compelled to do something evil for self serving ends at risk of suffering The Horrors", mizora barely even tries to corrupt him. wyll is never forced by mizora into circumstances where he has to evaluate his code of ethics against an action he needs to take and decide what parts of his moral code he needs to capitulate on and what to keep, wyll keeps almost every single line in the sand he ever draws! his biggest character conflicts are actually between his OWN ideals, whether to live within the heroic persona of the Blade of Frontiers, or to accept his own capability of failings and live as Wyll Ravengard. like. being a warlock barely factors at all into those decisions and the closest it comes to mattering is choosing whether or not wyll breaks his pact or saves his father, which you can expose as a false choice by just rescuing his dad anyways. mizora exerts that little influence over wylls interior world. for a literal devil on his shoulder, bargaining from the greatest position of strength a negotiator could ask for, that is so fucking WEIRD.
okay thats a whole lotta post pointing out that mizoras motivations for even makin the damn pact in the first place needs examining, so now several paragraphs in let me actually get to what i MEANT to talk about. so firstly weve established that 17 yr old wyll doesnt have anything unique to entice a devil beyond his connection to the grand duke. weve established that the pact is weirdly in wylls favor, and that its pointedly not a Skill Issue but seems to be intentional, and furthermore that the POINT of the pact doesnt seem to be corrupting a good soul into the embrace of the Hells to make a new devil, because the pact seems to be made to allow wyll to just Be Himself comfortably without much internal conflict or moral sacrifice. we know that wyll made the pact before he became the blade of frontiers, and thus the pact was not made with the Blade of Frontiers persona in mind, which removes another layer of potential justification for the extremely loose terms of the pact. we know zariel is interested in wyll through the usage of mizora as his patron, and we know that stopping the summoning of tiamat without any external aid from the myriad conflicting interests within baldurs gate almost definitely necessitated a good amount of smokescreen work behind the scenes, but also that it most likely wasnt staged in its entirely because it benefits zariel to thwart tiamats ambitions. so. why is wyll ravengard a warlock pacted to mizora? i suggest the following hypothetical: that mizoras goal, and by extension zariels, was to have a morally agreeable framework within which to make a pact with duke ravengards son, such that hed be guaranteed to agree to it, and then to hide the evidence of the pacts circumstances to allow themselves greater reign to act within baldurs gate. that the goal was to have a devil on the shoulder of the dukes son, to push their relationship into strain so as to make ulder ravengards behavior more predictable and thus vulnerable to manipulation, and that through mizora (through wyll), zariel would have a first hand source to the inner political workings of baldurs gate, and the movements of the flaming fist and the goals they were pursuing. through the fist, zariel could keep track of the cult elements they were investigating (and thus what rivals need deposing), and through wyll and his father, zariel could monitor the movements of the gates upper class and utilize mizoras skillset to ingratiate wyll further into high society and put him in close proximity to those capable of mustering meaningful resistance to an influx of infernal influence. wylls relationship to his father prior to his pact was good, we know ulder was a firm but loving father and that wyll was generally well liked in baldurs gate in general, and that wyll openly admired his father and sought to follow in his footsteps. it is in fact extremely reasonable to suspect that such a good relationship was more than a single incident away from breaking. its in fact more reasonable to presume that a major political figure would be aware of the adage of keeping ones friends close, and enemies closer, such that you could monitor their movements. its reasonable to believe that one would assume good intentions on the part of ones son, who himself has made it known that he desires to be like you. to assume, in good faith, that even with all signs of dragoncult activity removed, that ones son clearly lost his eye and gained new scars *somehow*, through *some* kind of incident related to his new fiend pact. all of these are logical and reasonable things to assume and plan for, when you have made a point of manipulating people, of reading their intentions and catering to them like a monkeys paw.
that ulder ravengard would not just chastise wyll, but banish him from baldur's gate entirely, must have been a horrible shock, not just for wyll, but for mizora. i doubt the uneventful two year gap between taking the pact and becoming the blade was purposeful. it makes more sense to interpet that as mizora simply having no fucking idea what to do with her warlock now, as the pact she dictated (designed so that wyll never felt it was unjust enough to make a point of breaking it, no matter how often he thought of doing so, because it was so in favor of him and aligned with his moral code), simply had no vehicles for any of the usual courses of action. cant force wyll into tricky moral quandries, because she can only ask him to kill evil, infernal, monstrous, or heartless beasts. cant ostracize him through the pact to isolate and grind him down, wyll cant talk about it. what do you even do? now your both stranded in the middle of nowhere with nothing but the pact to show for it
and heres where i veer into hot take interpretation country. i think mizora genuinely likes wyll. when you blenderize her in moonrise towers (before reloading a previous save ofc), her screams are oddly... genuine? confused, frightened, upset. its odd than an otherwise vindictive and catty individual isnt angry upon being killed, but confused and hurt sounding. i think in a lot of ways mizora both relies on the consistency of wylls moral code, while also considering it a hinderance, not to her plans (thoroughly derailed thanks to one ulder ravengard) but to wylls own personal development as a person. shes a devil, she doesnt have the kind of personality where she can be genuine and vulnerable and kind. but she was stuck as the only authority figure wyll had to rely on, for seven whole years, after being kicked out of the only life he ever knew and the only home he ever had. i think in a weird fucked up way, she really does want whats best for him, its just that her opinion of that is filtered through the lens of Literally Being A Devil. none of this is to say she was *good* to wyll. how wyll feels about mizora is pretty blatantly stated, and would be a much shorter post, and im not here to interrogate that or question it, because being stuck with a devil who can use your eye to spy on you is just an awful experience even without regular verbal degradation on top of it. im mostly just intrigued by the other end of that relationship. mizora clearly cares enough about keeping wyll as a warlock to go as far as trying to make a second pact with him if you succeed in negotiating the first one to be broken. which, as weve established above, is really weird because Wyll himself brings next to nothing a devil would value to the table. Mizora isnt trying to corrupt him into breaking his ethics, really the only thing she pushes is sacrificing his father instead, a decision a recruited minthara finds value in as "patricide is often the first step to greatness". i think mizora might have ulterior motives for wanting ulder ravengard dead, and i think its because she believes that wylls love for his father is holding him back. any time wyll is selfish in pushing back on her, mizora indicates some measure of being impressed on wylls behalf. if you encourage wyll to not sign the second pact, mizora taunts him with his fathers death but still says shes genuinely impressed that hes choosing himself over his father
genuinely i think what mizora wants is for wyll to become a more assertive person. a more selfish, self interested, less heroic, less self sacrificing individual. i think mizora considers wylls tendency to bend over backwards to help people to be actively detrimental to him, and i think shes invested in his growth as a person by virtue of being a guide and companion for seven of the loneliest years of wylls life, and in a fucked up devil kind of way i think she invests her pride into it. that, with her plans so thoroughly mangled, the LEAST she can do is forge wyll into a warlock worth the cost. wyll has so much potential he refuses to take, as minthara (another ambitious prideful character) will note, and its explicitly because he would rather give something up than take for himself. i think thats part of why mizora is so cruel and demeaning towards him, to try and push wyll to be pettier or more spiteful, instead of endlessly self sacrificing for the benefit of others, and this is even consistent with her punishment of wyll! she turns him into a devil and specifically notes that he wont be able to be the heroic persona The Blade of Frontiers anymore! ie the facade thats swallowed up wyll ravengard completely at the beginning of the story! i think her investment in wyll as a person is why shes so upset if you kill her at moonrise, because i think she genuinely thought that wyll would always save her and turning him into a lemure was a kind of bluff she didnt expect to cash in.
this would also explain why the terms of her second pact are so comically extreme. eternal damnation and serving zariel forever in return for maybe possibly getting to save ulder from a dangerous situation where he might die anyways from the absolute crisis and WILL die in a few decades from old age even if all goes well? its almost like shes taunting wyll. give it up, give up everything youve ever worked for and sacrifice everything you want to achieve to lock yourself into the worst evil you can think of for someone who banished you who might not even survive anyways. make this overwhelmingly stupid self sacrifice because thats just what you do wyll, never think of yourself or whats best for you, only other people, trade away all of eternity for the CHANCE of someone else getting another day, if THAT. this contract is so blatantly overwhelmingly unfair i DARE you to think so little of yourself youd agree to it. of course she wont congratulate him for choosing himself over his father, shes a devil and she has to rub salt in the wound, but that doesnt mean she disapproves of the choice. the only way wyll ever gets away from her is by thinking of himself and mizora takes every chance she gets to punish him for sacrificing himself and i think its because she knows he can do more if he just takes it for himself instead of passing it up. its the only kind of affection a devil can have. and every time i sit there and talk wyll through breaking his pact at moonrise and bully mizora into giving him a rapier (one of the best in the game, made specifically for wyll, made specifically out of his pact, when she doesnt have to give him anything and least of all something good, how its a reward specifically for wanting more from her and demanding it and not letting a circumstance where you have power over her go), i keep seeing hints of it underneath the surface.
a genuine devilish compassion for a warlock who rightfully loathes her, a loathing she encourages whenever she can. does wyll need an enemy to keep him from getting complacent? something to strive for thats just for his own benefit? it doesnt benefit anyone else for wyll to break his pact. most people benefit from him keeping it. its why he HAS kept it, all these years, despite hating mizora. i think mizoras taken it upon herself to do what the duke refuses to, and thats making sure Wyll becomes someone who can thrive in the world as she understands it. someone who has the ambition to reach higher, someone selfish enough to step on somebody else to get what they need, someone who refuses to get themselves killed just for somebody elses sake, somebody who doesnt give unless they receive in equal or greater value. someone who sees a situation where they have power, where someone needs them, and gets all they can out of it. and if not for people they want to protect, then at LEAST exploiting the people they HATE. does mizora demean him so much so that wyll is more comfortable firing back? so that wyll doesnt have to feel like hes becoming a worse person if he treats her as bad as he gets? if he treats his help as conditional, for her and only her, does he get to walk away feeling like he hasnt done anything wrong because he knows mizora does worse, and more often, and at least wyll will eventually help?
when he breaks his pact, and tells her no, he wont sign another, when he saves his father anyways, when he tells her off and gets everything he wants without sacrificing a damn thing, underneath the bluster and rage, is mizora proud of him?
things to consider sometime.
#bg3#wyll ravengard#bg3 wyll#mizora#bg3 mizora#a LOT fewer tags than my usual spread!!#anyways. i like mizora a lot more than raphael. if you can tell.#i think her relationship with wyll has a lot more going on under the surface that whats initially shown#and thatd contribute to why shes constantly in his character art despite not really doing a lot TO him#like. idk. something something the way a dragon is possessive over even the smallest part of their hoard#like thats HER warlock. he has to be Something. she wont let him be nothing#i think if wyll hunted her down in the hells and killed her. i think shed congratulate the vengeful spirit he had. and be genuine#and i think itd be a deeply confusing experience for wyll. and hed hate her even more for robbing him of the catharsis of her death#weird confusing toxic relationships everyone!!!!#anyways. i think mizora is riding the ''fuck ulder ravenguard'' train harder than anyone and thats why she summons exploding spiders#i think he just pisses her the fuck off for being everything wrong not just in HER plans but in wylls life#and i think she takes PERSONAL insult in ulder banishing HER warlock for not being trustworthy#when wylls pact literally has a hero clause BUILT IN#LIKE GODDD YOUUUUU D E N S E MOTHERFUCKER. YOUR SON IS THE GOODIEST TWO SHOES BOY SCOUT IN THE GATE#THE PRIORY OF ILMATER SHOULD FUCKING SAINT HIM. AND YOU THINK HES EITHER LYING OR *STUPID*???#GET FUCKED. TEN MILLION SPIDER BARRAGE.#if your all the way at the bottom of these tags and your still thinking wyll ravenguard is boring. you can try: AGAIN.
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angelsanddirtyrain · 7 months ago
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actually on my knees begging for more reaper & cassidy interactions like i want to see them rip open old wounds with a vengeance. i want to see them at each others throats. i want to see cole bring up gabriels estranged son and i want to see reaper berate cole for being a fucking loner on base who got shit on for being a traitor to his gang. i want to see NO forgiveness from cole and NO remorse from reaper for anything hes ever done. i want to see these mythologized beings rekindle old fires and cast light on history long forgotten and lose themselves in the flames. i want to see masks torn off and weapons disregarded. i want to see the shadows of the men they once were drag and claw each other down into the abyss. i want to see who wins
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Not me genuinely in a dilemma of whether or not I should block someone just for one absolutely ASS take even though it literally won't make a difference from their POV
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carnation-damnation · 10 months ago
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Without you
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revvethasmythh · 2 months ago
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So I went and watched all the possible endings, and it confirmed something I had been thinking, which is that the redemption ending choice is, perhaps, the most immediately regretful one--but that they all come with some form of regret. In the redemption ending, Rook has to knowingly deny themselves the catharsis of retribution (should they desire it, which, at least for me it felt difficult not to) in order to offer Solas one last, painful chance to do the right thing. That willful denial of your own catharsis feels like an immediate regret. Giving Solas the opportunity to pursue atonement might very well be the best choice all around, but it is also incredibly painful to offer that to someone who has done so many terrible things (not a small amount to you personally). Why does he deserve another chance? Especially when so many dead (including a beloved mentor) lie in his wake? Which, I suppose, is the point: he doesn't. But you offer it anyway and it SUCKS ASS, because how could it not?
I don't know how this plays with other story choices (a sacrificed Davrin or a Harding who embraced her anger, for example), but within the context of my own choices, I can imagine an immediate satisfaction to either tricking or fighting him--especially the trick ending, where you can actively name drop Varric--but it feels like the sort of thing that would feel worse as more time passes. Once you've calmed down and are able to ask yourself if that's what the people you've lost really wanted. Varric, in Regret Superhell, didn't want vengeance. He just wanted his friend to walk a better path. And Harding always believed there was another chance for anyone, so long as you kept reaching a hand out for them--even when it sucked ass. So the redemption ending feels like a sort of indignance, an instant regret for not doing worse, for not getting comeuppance, for being forced to eschew satisfaction (related: I wonder if the Inquisitor feels those things as well coming out of this ending, considering how long they've lived under the shadow of Solas' actions). Conversely, the other two endings feel like an immediate satisfaction, because you got to trick the trickster with all the wits Varric taught you, or because you finally got to punch him in the face and it felt really good. But I feel like those endings would come with a creeping regret, something that sneaks up on you later, especially when remembering the fallen and what they would have wanted you to do. Ultimately, because of that, it feels like no ending is devoid of regret. Which I suppose, is rather thematic.
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sufferu · 22 hours ago
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I have a confession.
I finally read the Lone Star fic for myself.
…It was genuinely really good.
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fairytypingg · 9 months ago
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the day ppl stop using "narcissist" as a synonym for "bad person" is the day i can rest in peace
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ruthlesslistener · 1 month ago
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Ngl something that really pisses me off about the way that Tumblr deals with mental health is the fact that there's this seeming disconnect between trying to be inclusive of mental/personality disorders without acknowledging the grotesque, uncomfortable nature of some of them (OCD intrusive thoughts, for example, esp. if they're POCD) and the fact that others are, in fact, the root cause for a lot of actual abuse
Like, I've been hearing a lot from my mom about how my dad is a narcissist and an abuser bc of it (she's only just now realizing how awful he is after starting therapy, and her therapist is who told her what I've been trying for years), but I'm uncomfortable talking about that because as soon as I rant on it on my own damn blog, people will jump at my throat to snarl at me about how narissistic abuse isn't real or w/ever. Hell, even hearing my mom TALK about her experiences in that light makes me feel nervous/uncomfortable bc I knew if she said that shit on here she'd get piled with hate asks for her not using the 'correct' language, even though she basically flat-out admitted that the only reason me or my siblings existed was through coercion/marital rape when she was drinking. That shit's been haunting me ever since she said it bc I genuinely did not know that it was that bad (though I should have, bc he used to be very phsyically abusive to us before my brother was born), but I knew if I said anything about my discomfort for it til now that people would get mad at me for calling my dad a narcissist, even though that is the root of his behavior and this is my own damn blog for posting these sorts of thoughts/musings. Like, cool! Here's my mom gushing to me about how grateful she is that I'm the reason she figured out she needed help, and I'm sitting here feeling some kind of fucked-up queasy fear-guilt bc she's using wording that would get her cancelled on tumblr even as it contextualizes 30+ years of abuse in a manner that is accurate, easily digestible, and assisting her in getting aid. That's not helpful. But the obsession with 'proper inclusive language' over 'respectful conduct' takes priority over actual help
I don't think all people with NPD are automatically abusers, because I know myself just how easy it is to be an abusive, manipulative asshole. It's really only bc I grew up detesting my father so much that I'm not a piece of shit, honestly. People should be judged based on how they treat the people around them, not how they actually feel or think about it. But at the same time, saying narcissistic abuse doesn't exist is just plain falsehood. No personality disorder is automatically abusive, but many of them are the source of very particular abuses, and claiming otherwise is not helpful to the people trying to be better than their brain, nor to the people who got harmed by those who never bothered to try
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