#perhaps i’ll do it anyway. i’ve never been good at being subtle

[rockandromancee]

ah. i’d love to post something but i’ve shown all my poetry to people and i want this blog to stay anonymous.. hmmm….

[rypnami]

summoning you

characters: leander prewett x house neutral gn!mc word count: 1991 warnings: none! summary: after losing one too many rounds of summoner's court to them, leander becomes suspicious of MC's alleged skill at the game. a/n: for @selenedarling, i LOVED your prompt! i hope you like! this wasn't beta-read but its fine we ball!! ao3 link

“Oh, not again.” MC stomps their foot in frustration as their blue ball slowly rolls off the Summoner’s Court board and thuds into the grass below. Only one of theirs remains on the board, directly in the centre of the 20 point mark. On the other hand, the three red balls are scattered across the board- two on 20, one on 30.

“Aha! I win! I win! Take that!” Leander bounces up and down, throwing his hands in the air. He grins over at MC. “Er, sorry. You, uh, played well, too.” He rubs the back of his neck sheepishly, cheeks going a bit pink. 

If it were anyone else, MC might have cursed them into next week, but they can’t bring themself to be very annoyed at Leander. To be quite honest, he’s cute when he’s excited, and he doesn’t get much more excited than when he wins at Summoner’s Court. “Ah, don’t worry. I’ll beat your ass next time, just you wait.”

Leander snickers. “You always say that, and you always lose. Er. Sorry. Again.”

“We’ll just have to see about that, won’t we?” MC flicks their wand, resetting the board. “Ready for another round?”

“Um, can’t. Have Herbology soon. It’s really good weather today, would be a shame not to take advantage of it for the plants.” He runs his fingers through his hair, mussing it a bit. 

The sun is shining, and there’s hardly a cloud in the sky. Leander is right, it’s perfect weather for tending outdoors, especially with winter only a couple months away. Now is as good a time as any to give the plants some last days of sunshine. Suddenly, MC finds themself regretting having opted out of Herbology this year- it seems like Summoner’s Court is the only time they get to be around Leander anymore, and it’s quite frankly not enough. Letting him win over and over is all well and good, but they’d like to do something with him that doesn’t involve being dishonest, even if it’s only a white lie.

“Sounds like someone is afraid of a challenge,” they tease. 

“Wh-what? No. Well.” He blushes again, looking away. Merlin, where does he get off being so adorable? MC will never understand it. “Perhaps, but I really do have class.”

“Which you’re going to be late for if you don’t hurry up.” Samantha Dale says loudly from beside the game board.

The pair of them jump. “Bloody hell, where did you come from?” Leander gasps, clutching at his chest.

Samantha rolls her eyes. “I’ve been trying to get your attention for the past several minutes, actually. Nice to know you were paying attention.” 

“Ah, who can blame us? We were in the midst of a gripping competition.” 

“I'm sure. You.” Samantha points at Leander. “Come. I will not be late because of you!”

MC frowns. Hmph. What’s she so eager about anyway? “Why don’t you just go ahead?” 

Samantha stares at them. “Because whenever I go it alone, Violet McDowel ends up sitting next to me, and I would rather limit how long I’m around her, frankly. Prewett is a step up, I suppose.”

“Gee, thanks,” Leander mutters, hopping down from the wooden platform. “I feel so loved." He spares MC a last glance, a subtle flush creeping up his neck. “Er. See you later?”

“Yeah, yeah.”

They are not jealous as they watch Leander walk back to the castle with Samantha. It’s perfectly normal and platonic to feel itchy and mildly ill watching your good friend spend time with someone else. Not at all indicative at all of any underlying feelings that MC has definitely not been suppressing since the better half of last year. Nope, just normal everyday things to feel. Definitely. Not like they have a claim on him anyway. He’s perfectly free to hang around whoever he wants, even if it makes MC want to blow up a goblin encampment, just to feel something else. 

⋅⋆⋄✧⋄⋆⋅

“MC really is something,” Leander says conversationally. “Great at everything. Except for Summoner’s Court.”

Samantha gives him a strange look. “Yeah… funny, isn’t it?”

“Is it?”

“Well, yes.” They both take their seats next to each other at their potting stations. “You really don’t find it strange that they practically excel in all their classes, they won every Crossed Wands duel for the second year in a row, and also was champion of Summoner’s Court last year? They beat Professor Ronen at his own game, literally.” 

Leander has gone a deep shade of red, so he busies himself poking at the leaves of his Mallowsweet plant in a pitiful attempt to distract himself. “That doesn’t-”

“They stopped a rebellion, destroyed a criminal empire in Hogsmeade, and saved the whole school from a goblin invasion, but they can’t beat you, of all people, at Summoner’s Court?”

“Hey!”

“Just saying,” Samantha shrugs. “It’s all a bit odd.”

As much as he’d like to argue, he knows Samantha has a point. It is odd. MC has never lost at anything else, ever, to the point it’s almost supernatural. From the day they first came to Hogwarts, surviving a dragon attack and then defeating a troll in the village circle, they’ve never been anything but extraordinary. How would they keep losing to him? He’s never been very good at anything at all, especially compared to MC. There’s a voice in the back of his head, almost always whispering that he’s not good enough.

“Oh, Merlin,” He groans, putting his face in his hands as the pieces fall together. “It’s pity. They’re letting me win out of pity because I’m terrible. For the love of-” Leander has never been so embarrassed in his life. It all adds up though, doesn’t it? How could MC ever fail, if not on purpose? Is he really so pathetic? How in the world hadn’t he noticed before someone else pointed it out? His older sister always does tease him for not being the most observant, and he always thought it was just that- teasing. Unfortunately for him, it seems like she couldn’t have been more correct. 

“That might not be it,” Samantha says, gently patting his shoulder and looking mildly distressed. “I- perhaps they really aren’t very good! Probably, er, got rusty over the summer holiday, right?”

It’s appreciated, but her words do little to help. They both know damn well MC is throwing the games on purpose, but the question for him now is why? Why in Merlin’s name would they want to lose to him? 

He’s determined to find out. Grabbing his Mallowsweet in its hand-painted terracotta pot,he gets out of his seat with it. “I’m going to take Mortimer outside for some proper sun.”

“I believe you,” she says flatly.

Leander sticks his tongue out at her as he struts out of the Greenhouses with the plant. He might not be good at Summoner’s Court, but he does know plants, and he knows how much Mortimer likes to feel real sun on his leaves. Would MC think it’s weird that he gives his plants names and personalities? Is it weird? Why does he even care? 

“I’ll get to the bottom of it,” he mutters to the plant. “One way or another.”

He shoves open the castle doors, and spots MC still loitering by the Summoner’s Court board. There’s no other challengers, yet there they are, sat on the edge of the platform and kicking their feet. The way the sun shines down on them, making their eyes sparkle just so… it feels like a whole swarm of lacewing flies have taken flight in his belly. Glad he’s got Mortimer for emotional support (although taking a moment to cringe that he thinks of a plant as support), he walks over to them quickly, before he loses his nerve. 

“Well, look who it is,” MC says with an easy smile, which does not help the flip-flopping of his stomach. “I thought you had Herbology.”

“I did. Er, I do.” Leander clears his throat. “Plants prefer, erm, real sunlight though, and Mortimer here really likes when the weather is so nice, so…” 

MC tilts their head. “You name your plants? That’s sweet.”

“Y-yes. Er, that’s not, erm, the only reason I came back out, though. Um.” Just spit it out, you idiot! “Are you- have you…” He squeezes the pot to his chest, suddenly feeling foolish. Merlin, but he must look like an idiot, holding a plant and hardly able to get a real word out. “Have you been letting me win? At Summoner’s Court, I mean?”

“Uh.” MC’s face seems to go a bit pale. “Um. Would you be particularly upset if I have been?”

“I…” Leander sits next to them, shifting the pot so it rests in his lap. “Not especially. I’d just like to know… why?”

They shrug. “You always seem so happy when you win, you know? Thought I might let you have a few victories.”

“But so many times in a row? You haven’t won a single round in weeks!” 

A silence stretches between them, slightly awkward. “I…” They chew their lip and don’t meet his eyes, which is wholly unlike them. “I dunno, I thought if you kept losing, you wouldn’t want to play anymore.” To avoid looking at Leander, they stare at his plant instead, picking off some of the withered leaves. “I miss spending time with you, is all. We hardly have any classes together anymore, and with Crossed Wands already over for the year, it feels like this is the only place we can really be around each other.”

What what what what what what what WHAT.

“W-we do have some classes together…”

“It’s not the same, though.” They stop fiddling with Mortimer and glance up at him. 

Leander forgets how to form words for a moment. “I- I suppose not.” 

“I…” MC takes a deep, steadying breath. “I really like you, and being around you, and you’re not like anyone else I know, and I just… wasn’t sure how to ask you to… spend time together. More time together.”

“Could’ve just said that,” Leander says with a light chuckle, although it feels like his chest is constricting. They like him? And being near him? How on earth is that possible? “But I do appreciate winning.”

“Oh, believe me, I know.” They elbow him, and he almost drops his plant. “Take that, I win every time, you lose!” They attempt to mimic his voice. Actually, it’s not a bad impression. 

“I really like being around you, too.” 

Now MC is blushing as well, something Leander never expected to see in all his life. Honestly, it suits them. “So, then… would you maybe want to go to the Three Broomsticks tonight? Like… as a date?”

He wants to jump up and down and say yes yes yes a million times yes absolutely as if you even have to ask, but…

“I would really love to, but I can’t tonight, I have to take care of Percy. But you’re welcome to join me in the Greenhouses… as a date. It could be fun!” A first date involving plants sounds like a grand time to Leander.

“Percy?”

“He’s a moonflower. They only bloom at night, but they’re good for potions and such, so… only if you want!” The burst of confidence has already faded, and the tiny voice is back, telling him that it’s just more pity, that MC doesn’t really want to be with him, of all people, and that his idea for a date is stupid. He tells it to shut up.

“I’d be more than happy to. A greenhouse date sounds lovely.” MC gives him that easy smile again, making his knees a bit weak. How are they so amazing? “You know, I always thought of the moon as a woman. Not a man called Percy.”

“Well, yeah, but Percy isn’t the moon, he’s a moonflower, there’s a difference.” 

“Oh, shush, you.”

[freelanceexorcist]

Spoilers and more pedantry that I would ever ask you to live though if I was in my right mind right now:

So I’m pretty firmly in the camp of Watashi Sephiroth and Ore Sephiroth being two different people, or more accurately, two versions of the same person from different timelines. I’ll find out soon enough if I’m wrong about this or not, but there have been clues dropped that this could be the case.

So let me put my speculatin’ hat on one last time.

I know I told you the last time was the last time, but things change.

The pronoun switch from Watashi to Ore in Japanese is just the first clue, and I can’t blame anyone who misses that one because they don’t speak Japanese and/or don’t have access to good faith translations of Japanese materials. I was lucky enough to stumble upon the Twitter account of @aitaikimochi, who is an absolute treasure in this department as she’s fluent in both English and Japanese (don’t know which one is her first language).

Then there’s the bit in the Ultimania (or maybe an interview? I don’t remember) where they pretty much come right out and say Ore is a version we’ve never seen before. But that’s also in Japanese so again, no one can blame anyone for missing that one either.

Another subtle clue is the other characters’ reactions when Sephiroth is onscreen. When Cloud has one of his glitches in the presence of others and Sephiroth appears, the others don’t react the same way he does. This is because Cloud is the only one who can see him and the creators have said as much. There are multiple versions of Sephiroth, according to official sources. One version is a memory and the other is described as an illusion. It’s not clarified if by illusion they mean a vision with an external source or a hallucination. That one will probably remain a Maybe Magic, Maybe Mundane (warning: TV Tropes) situation.

He has a third form in which he manifests using Marco and the other black-cloaked men as a meat suit. But still…other characters’ reactions make it seem like Cloud is still the only one who can see him. In Marco’s apartment, Cloud is attacked by Sephiroth using Marco. Tifa rushes in just in time to see Cloud about to cut him in two with the Buster Sword.

So how does she react? Is it shock at seeing Sephiroth after all this time? Is it fear? Is it happiness that Sephiroth is about to get got? Nope. It’s concern. For Sephiroth.

But why though? She of all people should be thrilled that the man who ruined her life is about to get what’s coming to him.

Yet she stops Cloud and goes to help. Why? Because all she sees is Marco, perhaps. She doesn’t see Sephiroth.

Another instance is in The Drum. Cloud glitches and then all of a sudden Sephiroth appears. Cloud is scared and angry, but the rest don’t react in a way you’d expect. That is to say they don’t really react at all. When Cloud charges at Sephiroth, Tifa cries out to him. But is it because her friend is going full Leeroy Jenkins on someone who can squash him like a grape? Or is it because she sees him charging at Marco?

My point, and I do have one, is that Watashi is the one that likely only Cloud can see. Meanwhile, Ore can be seen by and can interact with everyone. Hell, they all fight him.

Then there’s the issue of behavior. I’ve talked about these differences before, but here’s a summary. Ore Sephiroth is helpful to Cloud. He asks for his help. He seems dejected when Cloud refuses. When they fight, he merely disarms him, drops a cryptic line and peaces out after deciding Cloud isn’t strong enough to help yet (that’s how I’m interpreting his “not yet” line, anyway). There are other differences though, that I’m just now realizing.

The way he walks. Watashi’s gait is slightly feminine, with softly swaying hips. It’s subtle, but he got dat lady swagger. In the Rebirth demo, his gait is more masculine. You can’t tell much from Crisis Core, because the mechanics are just as clunky as the original even though the graphics have a new coat of paint.

His facial expressions. That is to say, Ore actually has more than one. Watashi’s facial expression is rarely anything but smugness or malice. Ore’s face expresses gentleness, openness, disappointment and determination or, when he’s fighting the party, anger and intensity. He gets a smug look before he fights Cloud, but even then it looks more like he knows he’s about to have some fun. This same expressiveness can be seen in the Ever Crisis trailer, Crisis Core and the Rebirth demo.

His body language. Watashi faces a target or opponent head on and looks them dead in the eye nearly the whole time. The latter can be a sign of attentiveness but also a display of dominance. He never allows himself to appear vulnerable. He never turns his back on his opponent. We don’t see him sitting in any scenes, so there’s not data there yet. He gives no clue to what he’s thinking or feeling using his body movements.

Ore, in Crisis Core, Ever Crisis and the Rebirth demo, often turns his body away from someone he’s speaking to if he doesn’t fully turn his back to them. He bows his head or looks at the ground when he speaks so his hair hides his expression. This can be interpreted as shyness or discomfort. He crosses his arms over his torso. This can be interpreted as a self-protective gesture or one of defensiveness. It’s the same with the crossed legs when he’s sitting in the truck in the Rebirth demo. Like Watashi, we don’t see Ore sitting, so nothing to analyze there.

Finally, and this one is a little tricky, is his fighting style. There are indications that the remaining Whispers have at least some degree of control over him and are trying force him into his one-winged angel role during his fight with the party. For example, his wing dissolves into a cloud of them.

But that’s neither here nor there. When he’s fighting the party (presumably) under the influence, he fights like hell. In some shots you can see the effort he’s putting out there. He takes it very seriously, as well he should.

Ore in the Edge of Creation looks like he’s having fun. He’s just playing with Cloud, likely testing him out. He’s just styling on him, barely putting any effort into the fight and he doesn’t really need to, using over the top, dancer-like moves and blocking strikes without even looking. At the end, he merely disarms Cloud. To him, the fight was just a friendly sparring session.

If at any point Ore covers his face with one hand or places a hand over his heart, I think that will clinch it that he’s not the same as Watashi, who is highly unlikely to display such vulnerability.

So where does Ore come from? Well, I’ve speculated in the past that Ever Crisis takes place in a different timeline than main Remake story, quite possibly in the one where Zack survives. If this doesn’t turn out be the case, everything I’m about to say is rendered invalid.

But if it does…

In the Ever Crisis timeline, he knows what his mother looks like even though he was given a false name. He even has a picture of her until he loses it. This picture means so much to him that he’s willing to search corpses in hopes of finding it again. In the original, he didn’t even have that much, as Genesis knows he doesn’t even know what she looks like, because he taunts him with it.

In this timeline, he makes friends early on, and he grows close enough to them that he’s willing to rebel against Shinra alongside them. He cared enough about them to risk his own hide. The First Soldier trio will probably end up getting fired. But Sephiroth? Based on what we know of Hojo’s treatment of him, he should be so lucky. He seems to know that firing him is not an option because he’s so valuable to Shinra. Assuming “I’m one of Professor Hojo’s soldiers” is just a whiffed localization, he’s the only one of his kind. But based on what we know of how Hojo treated him, he would be punished. Painfully. He would need to be reminded of his place and who he belongs to. He was willing to risk that to be with his friends and help someone he’s never met.

His friends, specifically his big bro Glenn, teach him compassion. Companionship and camaraderie. They teach him how to loosen up and have fun. They teach him empathy. They treat him the same way they would treat any other kid. He gets to see how a normal group of friends interacts and tries to be a part of that group.

And if it wasn’t just a whiffed translation? That would mean there were at least a few others like him, at least for a while. He would be less alone. He would still know he was different and special, but he’d at least have others in the same boat to relate to.

That little bit of kindness, camaraderie and having others like him in his life who were like him, even if only briefly, while we must assume that Watashi didn’t have these things, could very well have set Ore on a different path. And the people who want him to suffer endlessly and become irredeemably evil in every universe will just have to be happy with the one version.

But what about that line about him acknowledging that he killed Tifa, you ask. Good question.

This seems to suggest that Ore accepts responsibility for the Nibelheim incident, but without context, it’s hard to say.

Trailers and promos are notorious for deceptive editing that misdirects the audience, especially if the editors are trying to keep a lid on a big twist. Naoki Hamaguchi has been notoriously enthusiastic about the huge twists he promises are coming yet he’s still doing a great job of preventing us from figuring out what they are.

So that bit from the trailer might be misdirection. How many times have we seen bits of dialogue in trailers and promos that are spoken while scenes the conversation doesn’t take place in appear onscreen? It’s also not unheard of for lines of dialogue being spoken in two or more scenes to be edited together to seem like they all took place at the same time. Hell, I wouldn���t be surprised if that line doesn’t even appear in the final product, although that’s unlikely. Without context, we just don’t know what’s going on.

Ore may be responsible for Nibelheim and Tifa’s injury and the trailer truly is being plainspoken about that. This is the simplest explanation.

Or maybe it’s a wee bit more complicated. Here are some possibilities ranging from zero to Epileptic Trees (again, TV Tropes).

Ore Sephiroth killed his own version of Tifa and the Nibelheim incident went down as usual. Zack and Cloud ending up in the same place at the same time and under the same circumstances in the timeline where he survives as they were in the one where he was set up to die strongly indicate that. At some point, Ore shook off Jenova’s influence and has his own agenda now, though that agenda is unknown at this point.

Ore, for some reason, believes himself to be responsible but for reasons unknown may not actually be.

As they merge the multiple timelines to bring about Rebirth, Mommy & Me may be performing a Fusion Dance (you know the drill) and absorbing all the variants of Sephiroth in the other timelines/universes to gain their power, and Ore is no exception. He “remembers” killing Tifa for the same reason Cloud “remembers” being a SOLDIER 1st Class: because he’s receiving bits and pieces of Watashi’s memories and confusing them for his own. I kind of like this one because damn, what potential for drama. Ore would feel all of the guilt and shame of an act he didn’t even commit. He would be desperately trying to atone for something he wasn’t even responsible for. He would be slowly losing himself and becoming a part of some twisted hive mind without knowing it. Hmm, maybe one of the promised twists is that it will be a race against the clock to stop Mommy & Me from becoming too powerful and keeping Ore from getting assimilated.

Ore says “I killed her” because saying “he, that guy that looks like me and is probably what I would have become if I’d gotten even fewer hugs growing up” just seemed to awkward to him. Yeah, even adjusting my tinfoil hat doesn’t make that one sound less stupid.

But I digress.

In conclusion (“oh, thank GOD” – everybody), Ore may not be who we think he is because he is from a different timeline and while the same person as Watashi in a sense, he is a version of him whose life took a slight detour.

[hekate1308]

I’m not saying I didn’t like it.

Prompt: I’m not saying I didn’t like it

Fandom: Supernatural

Pairing: Drowley

Normally, Crowley’s affairs, for lack of a better word, didn’t last long – if they ever got past the first night. After one or two weeks, it was usually over.

Which was why it was so bloody confusing that he had been seeing Dean, the local librarian, Lawrence’s helpful darling and everyone’s best friend, for six months now, especially because, as everyone who knew about him had let him know, they had absolutely nothing in common.

As if Crowley didn’t know that.

But he didn’t have the time to focus on Dean and whatever they were to one another at the moment, because… well…

He had other things to deal with.

Simmons should really have known better than to let herself get taken so easily, but then, he had all the experience in the world. And now that he thought about it her real mistake had been to try and oust him in the first place.

At least she seemed to have worked alone. That was something – it meant the other members of his organization had at least the good sense to try and not die by his hand.

Which, of course, Simmons did even as she begged for her life. Pathetic, he thought as he let the gun sink. She had to have known that her actions would have consequences, and exactly the one she had just experienced.

Alright. Now to dealing with the body –

“Clean shot.”

He turned around to find Dean studying the scene in front of him.

He didn’t know what to say or do. Normally, he would have shot immediately… but… well…

This was Dean. And he happened to… happened to…

And then, for the first time in his life, his world was turned upside down.

“Oh relax, Peaches. I’m not saying I didn’t like it.“

He turned his head to stare at him. Had Dean – the kindest, gentlest soul he had ever met, the librarian who regularly arranged readings to children, the man who at least half a dozen people would call first if they needed help just said –

“It lacked a certain… finesse, I’ll give you that” he then continued simply. “Normally you’re more subtle.”

A pause. He hated to ask – he always hated to ask, no matter the topic or the person – but he had to know. “So you were aware…”

“Oh, what you do? Of course. Recognized you immediately when you came into the library. It was a lucky coincidence – I’d been wondering how to meet you properly for some time now.”

“Had you?” The thought that Dean might be an undercover police officer entered his mind, but he dismissed it immediately. No – that glitter in his eyes, the excitement in his voice – he knew those very well.

That was why Dean had never bored him.

He had found a kindred spirit without being aware of it.

He was walking towards him now – no, rather stalking, the glitter in his eyes becoming more prominent. “You see, ever since I was a kid I’ve had these… urges. To do… certain things. Only they don’t align with my values, and anyway, there was Sammy… could hardly do something that would risk leaving him alone with Dad. At least until I was old enough to solve that problem.”

So the car accident he had told him about right at the beginning of their… affair had not been an accident after all.

“He was the first, but needless to say, not the last. Always make sure they deserve it, though. And I’m not talking about the poor or the homeless or something like that –“

“So Ketch – that was you?”

He nodded. “Was fun.” He grinned. “I realized soon enough that it just wouldn’t be fair to drag someone – how should I say – normal into all of this. So since my early twenties, I’ve been looking for someone who could be… quite literally… my partner in crime. And when I figured out what you are…” he trailed off.

Crowley should perhaps have been shocked, or angry, but in fact he was impressed by the thought he had put into all of this. “And you think I could be?”

“I think you might be… intrigued by everything you just heard. And I already know you’re good in bed, and it’s not like you would go to the police to rat me out.”

His hands found Dean’s hips to draw him closer. “Intrigued is not exactly the word I would use… captivated, I would rather say.”

“Well, then… what do you propose we do, then?” Dean grinned again that boyish grin of his that would have convinced everyone of his innocence immediately, even if suspicion had ever fallen on him, which it most likely would not.

“Well, darling” he drawled. “You wouldn’t be interested in learning about the inner workings of my firm, for a start, wouldn’t you?”

[unwrittenlibrary]

golden (you’re so golden)

summary // bucky is in louisiana with sam when he meets you, one of sam’s close friends, and immediately gets along with you. (bucky x fem!reader)

words // 3.5k

warnings // it’s fluff! some tiny insecure bucky but that’s about it. sam calls reader bubbles a couple times. use of y/n.

notes // 💞

》* 。 • ˚ ˚ ˛ ˚ ˛ • 。* 。° 。* 。 • ˚《

Bucky enjoyed Louisiana.

He enjoys being with Sam and his family in Louisiana. It’s slow and relaxed and everybody in town is so charming that he finds himself settling in easily.

There’s a level of trust Sam shows Bucky allowing him to help with the family boat and while he hadn’t said it, he did appreciate Sam’s unending kindness.

Perhaps Bucky has found the beginnings of a new home in Sam Wilson. A friendship based on respect and love helped Bucky. He was slowly but surely rebuilding himself into a better man.

“Word on the street is Sam Wilson was back in town.” A voice calls out from above the two men. Bucky looks at Sam and finds him smiling and shaking his head. There’s footsteps and then you’re standing in the doorway with a smirk. “I just had to see for myself.”

Sam lets go of the wrench in his hand and moves to meet you at the top of the stairs. Bucky watches curiously as Sam hugs you tightly. He had never mentioned a girlfriend, although Bucky wasn't particularly forthcoming about his personal life either.

“Hey, Bubbles.” Bucky scrunches his nose at the nickname and you roll your eyes and shove Sam off of you.

He laughs heartily clutching his stomach. “The nickname wasn’t funny in the seventh grade and it’s not funny now.”

Sam presses a kiss to your head and Bucky clears his throat. He feels like he’s interrupting a personal moment, but your smile is turned on him and then Bucky freezes because that’s a beautiful smile.

“Who’s your friend?” You nudge Sam with your elbow but your stare doesn’t waver. Bucky smiles nervously before lifting his hand up in an awkward wave.

“Bucky.” He introduces. You nod slowly. “Barnes.” He adds on and you laugh at him making Bucky deflate a little.

“Y/N.” You respond easily. “And don’t call me Bubbles, I hate it.” Your glare and he nods. “I just came to see if the rumors were true.” You shift your focus back to Sam. “I just couldn’t believe Sam Wilson was here, working on the boat, without telling me.”

Sam scratches the back of his neck awkwardly. “Wasn’t sure how long I was gonna be here.”

You purse your lips and Bucky thinks that wasn’t the right thing to say. He’s so curious about what your relationship is because he can’t tell if it’s just friends or dating or maybe even exes. You’re affectionate and comfortable with one another, that much is obvious in the few seconds Bucky has been able to observe.

“Even if you were here for a day, I would like to see you.” You punch his shoulder. “But whatever, I’m not gonna hold a grudge.”

There’s a moment of silence between the three of you before you shrug. “I’ve gotta go. I’ll see you tonight, Sarah invited me for dinner.”

You give a quick hug to Sam before waving goodbye Bucky. He waves back with a smile and watches as you walk away.

He doesn’t even realize Sam’s staring at him until the man clears his throat. Bucky shuffles and adamantly ignores the fire he feels burning at his cheeks. “Who’s that?” He asks in a faux nonchalant tone.

Sam shakes his head and laughs. “We grew up together. Went to prom and all that.” Bucky nods and tries to think of how to ask his next question, but Sam beats him to it. “Not as my girlfriend or anything. She’s like a bonus sister.”

Bucky nods and looks back down at the pipe they had been working on. “Cool… We gonna finish this?”

Sam snorts, but Bucky can hear his footsteps come back down the stairs. “Let’s get it done. I just know Sarah’s gonna make something great for dinner if Y/N’s coming and I’m starving.”

Bucky nods, excited for some home cooked food. And maybe seeing more of your smile.

》

Bucky sits next to you at dinner. The kids across from the two of you with Sam and Sarah at the ends of the table.

He notices your eyes trail over the black and gold of his arm and tries to not to blush. “How’d this happen?” You nod to it after a moment of silence.

Bucky turns to you at the same moment Sam’s head shoots up to look at you. “Bubbles.” He hisses your nickname like you’re a child with their hand in the cookie jar.

“Sam.” You hiss back, eyes narrowed at the nickname. Bucky wonders if Sam would ever call you by your first name. “It’s okay.” He nods to Sam.

Bucky is sure that the kids sitting across from him had been wondering too, if Sam hadn’t already told them. He takes a sip of his beer before deciding on sharing a condensed version

“Lost it when I fell off a train in 1945.” He shrugs. You look him up and down. “Got this arm a few years ago.”

It’s silent as you process his words and your eyes move back to stare at the arm. His fingers twitch and your eyes snap to them.

“You don’t look like you fell off a train in 1945. You don’t even look forty.” You say skeptically. Sam runs a hand over his face while the kids laugh.

“Just eat.” Sam orders. “You don’t need to ask him all these questions. It’s rude.”

You turn to your food and roll your eyes at Sam. “I asked one question.” Then your eyes move to Bucky again and you smile apologetically. “I wasn’t trying to make you uncomfortable though. I’m sorry.”

He shakes his head. “It’s cool. You can just google me for all the answers anyways. I’m pretty sure the Smithsonian has a webpage on me.”

You snort. “That’s a subtle brag.”

Bucky feels his cheeks flush and shakes his head. “No. I just meant… like, Howling Commandos and Steve-“

“She’s just messing with you, man.” Sam laughs as he reaches across the table for a biscuit. “She knows who you are.”

Bucky looks back at you and finds the teasing smile on your face. He flushes red and that only makes you laugh too. Bucky presses his lips together and nods slowly. “Nice.”

“Hey.” You nudge him with your elbow. “If it helps, I think you look pretty good for someone who fell off of a train, lost an arm, was brainwashed for decades and then fought an army of Titans.”

Sam’s shaking his head and Sarah is just staring at you with wide eyes, but Bucky’s lips quark up as he tries not to laugh. “Thanks.” His eyes move over you. “You look pretty good for someone who’s friends with Sam.”

“Hey!” Sam cuts in defensively. “You know, most people think I’m cool.” You and Bucky smirk at each other before both turning to Sam with open mouths, ready to tease him. “Nevermind.”

Bucky can’t help but watch as you throw your head back and let out one of the most beautiful laughs he’s ever heard.

》

“Boys!” You call from the dock with a bright smile. Bucky spins so fast he thinks he’s got whiplash until he sees your happy face. You’ve got your sunglasses hooked in the collar of your t-shirt and a tray of iced coffees in your hands. “I know I’m late, but I come with some refreshments.”

Sam scoffs from next to Bucky. “Coffee isn’t really all that good for rehydration.”

Your smile drops for a millisecond before you turn your attention to Bucky. He gestures awkwardly for a moment before his right hand lands on his hip and his left hand waves. “I like coffee.” He blurts.

You bite down a smile as Bucky ignores the blush he knows is on his cheeks. Maybe it’ll just pass off as a sunburn, or heat exhaustion.

“See, Sam.” You smile victoriously. “Bucky appreciates my gifts.”

Sam scoffs and Bucky just stares at you avoiding Sam’s glare. “He won’t when he tastes the sugar monstrosity you’ve probably brought him.”

You pout and step closer to the boat. You shakily try to step onto deck, but stumble at the last minute. Bucky’s hands shoot out to steady your waist and you look at him with a shy smile and grateful eyes.

“Thank you, Bucky.” You say softly as he helps you step onto the boat deck steadily. “I didn’t know what you liked, so I got you what I drink.”

You lift one of the iced drinks out of the carrier. Sam was right, it looks like a sugared disaster, more cream than coffee; Bucky has to force himself not to scrunch his nose up at the drink.

“Thank you.” Bucky takes the coffee from you and stares down at it. You hand one over to Sam and then finally pull your own out.

“If...If you don’t like it, don’t even worry.” You say as the three of you move back to the part of the deck the boys had been working on all morning.

Bucky takes a sip and well, it’s not awful. Nor is it even that bad. Definitely more sugar than he was used to, but he needed to get out of his comfort zone anyways.

“I like it.” He states. “I’d like anything you give me.” He smirks as you look down at your feet nervously. “You’ll have to tell me what you order so I know.”

Your smile brightens and you nod excitedly, pulling your phone out. “Give me your number, I’ll text it to you.”

“You can just write it down.” Sam says with a teasing smirk when Bucky looks up and glares over your shoulder. “I mean-“

“Ignore him.” You roll your eyes and hold the phone out, the contact page already cued up. As Bucky takes the phone and begins to type his number in, you spin around to face Sam. “I’m trying to make friends here, Wilson. Stop trying to discourage it because you’re afraid he and I could lead to world destruction together.”

Sam laughs loudly and Bucky hands the phone back to you. “I’m not worried about the world as much, I'm worried about me. I can already tell you two will be a pain in my ass together.”

You glance at Bucky and wink before slipping the phone back into your pocket. “Stop stalling Sam, we’ve got work to do.” You scoff as you begin to pull out tools.

Bucky looks at Sam with a smirk. “Yeah, Sam. We’re trying to get some work done while you’re just standing there.” Bucky sturdies the piece you had begun screwing in with his left hand.

Sam sighs and returns to his earlier position. “I’m so glad you two have met.” He mutters sarcastically.

》

The shield slips onto Bucky’s arm easily. “Looking good!” You wolf whistle as you make your way towards the boys in Sarah’s yard.

Sam rolls his eyes, but Bucky puffs his chest out a little and smiles. “Hey!” He says as you come to a stop in front of them.

Bucky’s eyes trail over your figure. “Hey. I heard you were leaving today.” Your attention is solely on Bucky as Sam stands beside him with a knowing smile.

He nods apologetically. “I’ve got some stuff to do back home in Brooklyn. I uh-“ He looks down at his boots. “You have my number. I would love to keep in touch.”

You bite down on your lip as you nod. “Of course! Anybody who can handle Sam is someone I want in my life.”

“Are you two just gonna make fun of me everytime you’re together? Because I’ll cut this off right now.” He says jokingly.

You rock back and forth on your feet nervously before finally talking. “I’ll let you two get back to it. I just wanted to say bye!” You pull Sam into a tight hug before turning to Bucky. “Um, I’ll see you later. I hope?”

He nods enthusiastically. “Yeah! Yeah, I mean. I hope so too.” He stands awkwardly in front of you, unsure of if he should hug you or just settle for a handshake.

Your hands land on his shoulders as you lift yourself onto your tippy toes and press a kiss to his cheek. His cheeks are burning red by the time you pull away and wonders if you’re as nervous as he is. “I’ll see you around, Bucky.” You say sweetly before spinning on your heel and walking off.

Bucky watches you go with soft eyes as Sam just stares at him incredulously.

》

Bucky doesn’t get to see much of you the next couple weeks, but he hears from you all the time. Text messages telling him to have a good day. Photos of animals you see around your hometown. Photos of you and your family or friends.

It always makes his day and you never seem to mind if it takes him a long time to reply.

“You gonna come down?” Sam asks as he and Bucky walk through the empty streets of Brooklyn. “Y/N has been asking about you. When you’ll be in Louisiana again.”

Bucky shrugs. “I don’t know. I... I might stay up here.” Bucky answers quietly. He wanted to see you. You had easily become one of his favorite people to talk to, even if you had barely seen each other in person.

Sam snorts. “Come on. The boys want to see you. Sarah. We all loved having you around.” He bumps his shoulder into Bucky’s.

“I won’t be intruding?” Bucky asks softly.

Sam shakes his head. “You know that you won’t, Bucky. I’m not gonna force your hand, but I know she would like to see you as much as you would her.”

“Really?” Bucky tries not to sound too excited by the idea of you asking Sam about Bucky and when he’d be back in Louisiana.

Sam rolls his eyes. “Yeah. She asks about you. Just… Come down for a few days?”

Bucky nods slowly. “Yeah… Okay. I will.”

》

The dock is packed with people. Bucky smiles at the laughter and cheerful screams of the people around him. Crowds weren’t normally his thing, but this town of people loved each other so much he couldn't help but relish in the warmth.

“Bucky! Bucky!” He slips his sunglasses off as Sam’s nephews come rushing towards him excitedly. They throw fake punches and kicks that Bucky dodges before they lead him to the food table.

He places his cake on the edge and stops to look around. He knows he’s searching for you, but he can at least try to be as nonchalant as possible about it.

“You went all out for your dish, huh?” Your voice makes him spin around. You’re behind him with crossed arms and an amused smile on your face. The sun is casting such a beautiful light over you that Bucky is speechless for a moment.

Bucky shrugs. “I didn’t… I’m not much of a chef and I didn’t want to come empty handed.” He explains sheepishly.

You shake your head before moving forward and wrapping your arms around his neck. Bucky immediately responds and wraps his arms around you tightly.

“I’m so happy you came down again.” You whisper to him and pull back to look at him. He smiles sweetly at you. “Me too. It’s nice to see you again.”

You pull completely away, but slide your arm through his and begin to walk with him. “Come meet everyone. I’ve been talking about you non-stop, everyone is so excited to meet you.”

You pull him around and introduce him to friends and family. Your arm never leaves his and that makes Bucky feel extremely warm on the inside. He’s positive he’s going to melt by the time you’re pulling him towards the food.

“Hey!” Sam is the last person you and Bucky find. He’s sitting with Sarah and his nephews as they all eat. “Sit! I’m sure you’re tired of introducing your boyfriend to everyone.”

You and Bucky look away from each other nervously as you take your seats. “Shut up, Sam.” You hiss as you take your seat next to him.

Sam rolls his eyes as he hands over food to you and Bucky. It’s not awkward, but everytime you and Bucky make eye contact he feels his cheeks get warm and you look away with a nervous smile.

“I should head out.” You finally say, picking up the plate in front of you to throw it away on your way out. “Thanks for all this, Sam. Sarah. It was so great to see everyone again.” They nod with bright smiles and your attention focuses on Bucky. “Will you be staying for a while?”

He shrugs, unsure of what to say. “I…I think so. Yeah.” You nod slowly and stand in front of him for a moment like you’re waiting for something before sighing. “Well, I’ll see you later.” You wave before turning and beginning to walk away.

Bucky watches you for a few seconds before turning back to look at the table. Everybody is staring at him with poorly concealed smirks.

“What?” He asks defensively. He takes a sip of his water and they continue to just stare. “Stop staring at me. It’s weird.”

“You better go after her!” Sam shoves his shoulder which makes Bucky choke a little on the water. “She just waited for you to walk her home!”

Bucky begins shaking his head vehemently. “No. No way! She was saying goodbye. To all of us.”

“Don’t be an idiot, Bucky!” Sarah chimes in. “She likes you! She literally introduced you to everyone she cares about today!” There’s a chorus of yeahs from Sam and the boys that has Bucky glaring playfully at them.

“Really? She wanted me to walk her home?” He asks Sam quietly. Sam scoffs. “Yeah, man. So you better start hustling to catch up with her!”

“Shit!” He pushes himself off of the bench. “Okay! I’ll see you guys later!” He calls out with a hasty wave before jogging away from the table.

You can’t have made it far, but if you’ve already left the dock entirely there’s no way he’ll find you. He had no clue where you live or even what direction he would have to go in to find you.

He stops at the entrance of the dock and looks around while huffing out breaths. His eyes catch on your sundress and he smiles. “Y/N!” He calls out, jogging to catch up with you.

“Hey! Wait up!” You pause and turn around to face him. Your eyes light up but you don’t say anything to him as he comes to a stop beside you. “Let me walk you home?” He asks nervously.

Surprise crosses your features before an excited smile takes place. “Okay.” You say softly. “I would love that.” You wrap your hand around his bicep and step closer as the two of you begin to walk.

Bucky appreciates that you seem to be comfortable with talking because the entire twenty minute walk passes quickly with your stories and jokes. By the time the two of you have reached your front door Bucky is trying to come up with a reason to go around the block one more time.

“Thank you for walking me home, Buck.” You say quietly. You cross your arms over your stomach and run one hand up and down the opposite arm. Bucky smiles at you as you speak. “I had a nice time talking to you.”

Bucky stuffs his hands into his pockets and nods. “Me too. I enjoy talking to you. You’re a breath of fresh air.” He admits. It was nice to talk to somebody who wasn’t a part of his old life, who was completely new and who only knew this him, not Bucky from the forties or the winter soldier. Maybe his therapist had been right about needing to talk to more people.

You bite your lip and look off to the side before your eyes find his again. “Thank you. You’re really sweet.”

“Well, I’ll let you go.” Bucky takes a step back from you and your house. The two of you watch one another and Bucky knows he should say something. Ask you on a date. Tell you you’re pretty. He just can’t get the words out.

“Oh, Bucky.” You sigh as your hand wraps around his wrist and pulls him back into you. His left hand immediately lands on your waist in order to steady himself. Before he can apologize or pull it away, you’re leaning in and pressing a soft kiss to his lips.

He doesn’t respond, unable to with how quickly you lean in and pull away, but you’re smiling sweetly at him. “Ask me out.” You demand softly.

Bucky chuckles. “Do you… Would you want to go on a date with me?” He asks, still a little nervous.

“I would love to.” You wrap your arms around his neck and Bucky lifts his other hand to rest on your waist too. “I can take you to some of my favorite places around town.” You offer and Bucky nods quickly.

Bucky enjoyed Louisiana.

He thinks he may have finally found a home outside of Brooklyn, which was a once upon a memory. Somewhere clean of Steve and a life Bucky would never get back. Somewhere with Sam forging a bond of brotherhood and you building something new with him too.

》* 。 • ˚ ˚ ˛ ˚ ˛ • 。* 。° 。* 。 • ˚《

notes // i don’t know how some of you write only on your phones it stresses me out so much kudos to you lol hope you liked this short piece, keep an eye out for my other two requests this week!

reblogs and replies are always appreciated if you enjoyed this!

[ialwaysknewyouwerepunk]

perfect now - a close reading

only pure and true love for this one. it’s soft and sweet because the one he wrote it for is and needs cheesy uncool romcom soundtrack-worthy affirmations and it’s the most wonderful thing oh my the flurries 

some album booklet art for your viewing pleasure

((just a warning for below: while the lyric analysis was kept fairly neutral and close to the words and their meaning, more and more parallels did ensure me larrying out by the time the analysis kicked off so if you’re not into that, you can skip this one!))

⟼ check out @bluewinnerangel​ ‘s magnificent post with all the parallels to 1d/h&l bc it’s exhaustive and was a source for mine <3 thank you again for your service <3 bc this song really is a fanpiece of every song that has been important to them throughout their career so far, whether they wrote it or not, and it’s honestly kinda impressive

SUMMARY

you’re sad and i love you so much i will do anything to make that undone but while you’re sad know that i sill very much love you and you’re also strong enough to conquer all of this on your own but i’ll be by your side anyway

lyric breakdown ft. the many parallels, incl. little things, through the dark and wmyb

what this says about louis, his partner and the relationship he is in

never gonna dance again frenzy

identity 

louis is a marvellous majestic sonofabitch basically <3

walls, track 10

～ little things “you still have to squeeze into your jeans, but you’re perfect to me”

You don’t feel pretty and it’s hard to miss

You don’t feel pretty and it’s hard to miss

later lyric: “like a neon sign” - i see through you trying to hide away your insecurities

I wish that you could see my point of view As someone staring back at you

“you” is also staring at him, but perhaps is too insecure to realise how mutual the adoration is

i wish i could get you out of your own negative spiral and give you a look at yourself from my perspective

～ wmyb “everyone else in the room can see it, everyone else but you” 

～ wmyb “right now i’m looking at you and i can’t believe you don’t know you’re beautiful”

～ little things “you never love yourself half as much as I love you, and you’ll never treat yourself right darling but I want you to. If I let you know, I’m here for you, maybe you’ll love yourself like I love you”

On Friday night when we’re all out I turn to you and you’re looking down And you don’t wanna dance I know you love to dance You never stop given half the chance

heavy echoes of kmm again, but the opposite: the “nightmare on the dance floor” doesn’t want to dance

when “you” is confident rlly not being subtle with who i think that is, they love to dance <-> tpwk “feeling good in my skin, i just keep on dancing”

“i know you love to dance” = i know what you love bc i love you

“given half the chance” 

～ tpwk “giving/given second chances”

given a chance tattoo, making another appearance (see below for more tattoo meltdowns)

Just keep your head up, love, keep your head up

term of endearment <3 

～ dlibyh

this album is full of encouragement to keep going and as much as it gives me life it ruins me 

Don’t hide away, don’t ever change

“be happy, proud”

～ “just hold on”

“pick someone who’s supportive”

Keep your head up, love, keep your head up Don’t look away, don’t look away

don’t look away from me

～ through the dark “and I can see your head is held in shame”

Cause everybody’s looking at you now, my, oh my

they have the stage to themselves / new career paths they’re doing on their own

could also mean ppl they’re going out with are looking at them, which “you” interprets as sth negative, which makes them self-conscious, while they’re actually admiring them bc they steal the scene

～ wmyb “you’re turning heads when you walk through the door”

I guess some queens don’t need a crown And I know why Even when your tears are falling down Still, somehow, you’re perfect now

“you” is royalty to louis, to put it simply 

they don’t need something on their head to make it known to everyone else - they’re a queen and everyone knows it

gendered: female - also used in drag contexts - the only time L has used any gendered word to identify his partner on the entire album (more on this below)

～ steal my girl "she's been my queen since we were sixteen" can't believe i forgot this one thank you @mortalenemiestolovers for reminding me!!!

～ falling

～ through the dark “you tell me that your tears are here to stay”

You never do, but if you asked me to I’ll tell the truth lying next to you

“you” never asks for affirmations directly, but by saying shit like their pants are too tight make it clear enough to L that they do need to hear once in a while that it’s not true

Cause you’re the only one when it’s said and done You make me feel like being someone 

Good to you even at your worst

～ always you

i love you so much you are a force of life to me, and even when you hate me i want more

～ drag me down “If I didn’t have you there would be nothing left, the shell of a man who could never be his best. If I didn’t have you, I’d never see the sun. You taught me how to be someone” (sung by louis first, harry second) 

～ through the dark “even if you scream and shout, it’ll come back to you and I’ll be here for you

You steal the scene and it’s unrehearsed

reference to working on a stage - their natural presence wins everyone over - that charisma is never manufactured

Don’t you wanna dance? Just a little dance I’ll never stop given half the chance

L keeps encouraging them, will also not pass by any chance to dance with them

Every insecurity, like a neon sign, as bright as day If you knew what you were to me You would never try to hide away

“it’s hard to miss”

L sees through them trying to hide their insecurities, pretend to be strong

～ through the dark “but I know you were only hiding”

SYNTHESIS

Perfect Now is not a fan favorite and I am so not here for that discourse, so please do not pester me with negativity about this chocolate drop of a song. 

As others have pointed out, the parallels with other songs written by Louis, Harry or for One Direction are extremely present. Especially Little Things is echoed loudly, but there’s so much more to be read, as you’ve seen. These are songs that are clearly near and dear to Louis, bc he wrote them or bc performing them was special, like with Little Things and What Makes You Beautiful. A lot of the same emotions come back in Louis’s writing, so much so that you can’t help but see the larger story behind it all. Throughout Walls you can hear him singing about not giving up and holding your head high despite hardships, and if you look back at his earlier writing, it’s always been there. Through the Dark is an early and striking example of this style of Louis song: you’re sad and i love you so much i will do anything to make that undone but while you’re sad know that i sill very much love you and you’re also strong enough to conquer all of this on your own but i’ll be by your side anyway 

basically through the dark’s chorus:

Oh, I will carry you over Fire and water for your love And I will hold you closer Hope your heart is strong enough When the night is coming down on you We will find a way Through the dark

It is very clear that Louis is faced with a partner - I can freely say it’s Harry now right? are the antis gone by now? i think so - that struggles with his body, with his identity, with how he wants to present himself vs how opinions on that might push him down and dampen his spirit. Louis, always the supportive boyfriend, then tries his best to make him see the light, while keeping that space for his sadness, his struggles, or their joint struggles. Accept the sadness but don’t lose your heart to it.

I’ve linked @bluewinnerangel​ ‘s post at the start of this post, but I need to stress how good it is once more as I also shamelessly insert a screenshot from it here bc it makes me feel a lot and summarizes perfectly just how deeply Perfect Now is woven into the history of their lives, relationship and especially “you”s/Harry’s personal struggle with their identity/body/confidence...

Because yes, i absolutely think these tattoos are being echoed in the song. “Never gonna dance again” as a lyric and then as a tattoo on Harry’s legs like shackles around his ankles represents the sensation of shame, of being stuck, bc of your desires, bc of your sexuality. Obviously we can never know why Harry got the tattoo, as in what experience pushed him to choose those lyrics or what exactly he recognizes in himself, but it’s safe to say it’s about the struggles of being queer and navigating relationships with that identity and with others.

Most importantly, the sense of shamelessly dancing, dancing like no one’s watching, dancing together with your lover, as a celebration of self, life, love, is the key here. Harry got that tattoo ages ago, at a time when he undoubtedly felt way more stuck. When he couldn’t dance freely the way he wanted to and with whom he wanted to. Perfect Now is a reminder to him, an encouragement to still dance if he wants to, no matter what people say or think. Significantly, then, Harry’s own Treat People With Kindness heavily features that same sentiment, but in an extremely positive light: i have found a place (in life and in myself) where i feel like i have given and was given second chances and now i dance bc i finally feel good in my skin.

Louis has obviously been there from the start, or at least from when or before Harry properly started experimenting with/questioning how he likes to present and how he identifies as. Before he ever dared to consider pulling on a pair of women’s skinny jeans, never mind a ball gown. Louis has seen him limit himself as well as being limited by others ofc and has always seemed to have been there, with a secure hand on Harry’s back, to encourage him. Even at a time when boys wearing nail polish or skirts was unthinkable. Just remember how much encouragement Harry needed when growing out his hair; Louis literally joined him. yes this might make me cry okay i need to stop bc i’m going off track and this is just becoming a larry breakdown while i was trying to hype up this beautiful song. 

What I’m trying to say is: Louis has always seen all of Harry. He’s always had his back, no matter what. He’s loved every part of him. And now, on a completely gender neutral album, in the sweetest, softest song off of the entire thing, Louis puts in the word “queen”, and that is so very deliberate it makes me want to scream. It’s Louis confirming his love again and again while affirming the multitudes contained by Harry, including everything involving his gender journey. brb crying

It’s a raw Louis, an honest, sweet, kind, loving partner, and both of them are fucking lucky to have each other, and I also wish that all of us end up in a caring and wholesome relationship like that. I truly do.

[merakiui]

hii could we get an angsty scenario/hcs of xiao and scaramouche/any characters you prefer! who are basically head over heels for someone but that person keeps getting with the wrong people and constantly getting their heart broken? Preferably with a good/fluffy ending but it’s up to you!

cw: angst + heartbreak  note - decided to go for scenarios! (❁´▽`❁)*✲ﾟ*

[Xiao] 

One Call Away—

The sudden shout of his name had brought him out into the open, where he finds you sitting in a field of wildflowers, your head hung and quiet sobs racking your hunched form.

“You called?” The gruffness in his voice startles you and your head snaps up. He notices your pained expression and the tears that refuse to cease, and it gives birth to a strange feeling within his chest. “What happened? Surely I am not too late.” And then he shakes his head. “No, I’m never late.”

“Ah... I’m sorry.” You sniffle, pitifully rubbing at your eyes. “I guess your name slipped out. I didn’t mean to bother you. I just didn’t mean to call for you either.”

Xiao raises a brow and then surveys the surrounding area. “Well, it doesn’t look like you’re in any mortal peril. In that case, I’ll leave you to—”

“No!”

Your sudden shout startles the both of you, with you drawing back and Xiao’s eyes widening ever so slightly. He wonders why you’re crying when beautiful scenery surrounds you. Are you truly that pathetic? Are mortals usually this weak-hearted? Xiao can’t wrap his head around the idea of grief; he’s an immortal who has seen plenty of hazardous scenarios worth grieving over. Yet with the passage of time he has learned to let such emotions drift away on a wind current. Emotions are useless to an adeptus.

But now he’s stuck with them.

“No?”

“D-Don’t go...” Your voice wobbles and you wipe at your reddened eyes. “I don’t want to bother you, but could you stay here with me? For a little while, at least. It’s all I’ll ask...”

He feels like he should decline your desperate plea before it spreads its perplexing roots throughout his system. The words are practically on the tip of his tongue and he struggles to verbalize them. If he could, he’d shake his head and vanish from your sight. There’s something about your expression that forces him to stay, and he truly detests the way his emotions run wild at the prospect of something he can’t quite comprehend.

“Fine.”

And so Xiao listens to you. It’s something he does best; his eyes and ears are open as he gives you his full, undivided attention. Half of him observes your reactions as you explain what happened and the other half zeros in on the way your subtle hand motions. While he might not be anywhere near a cupid—and he would never be caught giving out relationship advice to mortals, which is something he couldn’t do even if he tried—he is still a being of immense power. From what he’s able to understand from your explanation, your loved one decided to part from you because they believed it just wasn’t working. And you, having been struck with an immense sadness, failed to call out to them to clear up any misunderstandings.

Eventually, after internally wrestling with his own thoughts and feelings, he asks, “Do you want me to teach them a lesson? Should you need them to feel the same amount of despair you’re feeling—”

“Oh, no! No. No. They don’t deserve to be punished for that. I understand now that our feelings weren’t the same. We really weren’t working and that’s okay. It just...hurts.”

Xiao tilts his head, an innocently childish show of confusion. “Where?”

“It’s not a physical pain, Xiao. I mean, it could be. But...this is more emotional.” Your hand reaches out, fingers wrapping around his wrist. He stares down at your hand and he almost pulls away. Before he can even consider what’s happening, you’re guiding his hand to where your heart is. “In here. It hurts now, but I’ll overcome it eventually. I’m used to it anyways...”

The straight-faced adeptus remains still as he feels the fast-paced beat of your heart. Mortals have always been weak in his eyes: feeble beings who break at the slightest inconvenience. Although you don’t seem close to shattering and that confuses him more than he’d like to admit. Perhaps you are one of the more resilient humans he’s come across in recent years. It’s strange when he feels your heartbeat, so very certain and alive with the sour feelings a heartbreak brings. He’s never understood that either. Heartbreaks and relationships. The differences between friendship and romance. Both can be seen through to the very end, if fostered healthily.

So then why are you so sad?

Truthfully, you’ve always seemed sad to Xiao. As an adeptus, he’s never been able to fully grasp the meaning behind human emotions. They’re insignificant in his eyes, mere flashes of feeling that can hurt and blind. They’re troublesome and useless—certainly not something he would ever want to experience. But those emotions can heal and bring cheer. They’re not all entirely bad, nor are they as evil as he seems to think they are.

Xiao realizes his hand has been on your chest for a while now and he’s been staring at you so much that you’ve begun to shrink away, partially embarrassed to have him analyze you with so much scrutiny.

“Is...something wrong?”

He shakes his head slowly at first before retracting his arm. And then he notices you’ve stopped crying. He’s not sure when this happened, but he’s oddly relieved to see your neutral expression. Somehow your crying face is painful and it wounds him in a way he never would have imagined.

“Thank you for listening to my rant. I know this is probably meaningless to you, since you’re an adeptus and all, but it really means a lot. So I’m glad I was able to get these things off my chest. I feel a lot lighter now.”

“You’re not sad?”

“Ah. Well...” Your gaze flickers, eyes darting to and fro while you struggle to look at him. “I’m still sad, but I’ll get over it! Don’t worry! I’m resilient!”

Xiao’s brow furrows in confusion. As he has thought plenty of times before, mortals are far too complex. Eventually he sighs and says, “It’s okay to cry. Don’t keep that inside, okay? You’ll just hurt yourself even more.” Now he’s avoiding your gaze and there’s a barely noticeable tinge of pink dusting his pale cheeks. He’s really not good at consoling humans.

“Oh, Xiao.” You pull him in for a hug and he stiffens, trying to squeeze out of your arms like a cat near water. But then he feels your fingers digging into his arm and he realizes that you might actually need this hug. Despite the fact that he’s not used to freely giving out hugs—or even cheering up mortals, for that matter—he is definitely out of his element. “Really, thank you. I promise to make you an Almond Tofu as thanks.”

“There’s no need for that.” Hesitantly, as if he’s worried he’ll break you, he wraps his arms around your form. “I’m just helping you because you called my name. That’s all.”

But that’s not the full truth. Hidden in those words is the real reason why he even bothered to stay despite the false alarm. And it worries Xiao when he thinks about the implications. He really does like you and this admiration has surpassed platonic love. As long as you’re okay, though, he’ll swallow his feelings in favor of making sure you’re always happy. It’s one of his duties as your friend.

Friend. A word Xiao never thought he’d ever use, but it feels nice. He likes it.

Yet The Distance Remains Harrowing.

[Scaramouche] 

To Mend a Broken Heart—

You’re spilling your emotional guts in front of the Sixth of the Fatui Harbingers, tears freely running down your cheeks like two faulty water faucets. It’s a pathetic sight, really. Scaramouche witnessed this exact show just a few weeks ago when you were so certain that that fisher was the one. Now, after meeting and getting together with someone else for a short time, you’ve come out of yet another relationship, unhappy and unsatisfied.

He’s jealous. There’s no denying the envy he feels when you talk so highly of these people and then wail about them a few days later. It’s a vicious cycle of mending a fragile heart and then breaking it into pieces all over again. With no end in sight, you fall victim to your own demise in the pursuit of love. He wonders if you’ll ever learn to choose your next partner carefully rather than settling for anything with a pulse.

“This is exactly what I said would happen, was it not?” he says with a sigh. “Oh, woe is you. If you were smarter, this last relationship might have lasted longer.”

“That’s rich coming from you. I’ve never seen you in a relationship before,” you mutter, wiping angrily at your eyes. His eyelid twitches at the not-so-subtle jab. “Ugh!I hate being so unlucky! This is the worst.”

“Rather than your foul luck, I think the problem lies within you and your taste in partners.”

Sniffling, you lower your head onto the table, hoping to just melt into the crafted wood before you end up making even more of a fool out of yourself. It’s rare to be in the company of Scaramouche, considering how often he’s assigned missions that require swift travel and a covert profile. But whenever you do find yourself sitting across from him, indulging in light snacks and tea, it’s always because you’ve lost your latest lover; and your own sadness requires the nullifying effects of Scaramouche’s cynicism.

“They’re good people! I just don’t know why it never works out. We’re happy and we both like each other—it doesn’t make any sense. Am I missing something? Is it my fault? They probably got tired of me because I’m not a good person.“

“Perhaps.” He takes a moment to sip his tea and you muster a weak glare. Only Scaramouche can delight in his beverage while you’re holding back another onslaught of tears. “Your crocodile tears are hardly flattering and your apparent need for consistent affection might come off as clingy. And you have a tendency to find flaws within yourself whenever something doesn’t go your way. Adding onto that, you doubt yourself a lot and you’re always quick to take the blame for things that are out of your control. In a way you are partially—”

“I get it. I’m not a good person.”

“I never said anything of that sort. Now you’re just asking for pity.”

Oh, how close you are to punching that smirk off of his face.

“Then since you seem to know everything, my oh so helpful friend, why don’t you tell me what I’m missing?”

“With pleasure.” His cup finds the surface of the table as he ponders your demand for a moment. “You’re missing someone who meshes well with your personality.”

“That’s not true. Everyone I’ve been with so far—“ His skeptical look makes you stop short. “Okay. Maybe we forced it because we thought it was love. But that’s besides the point! There was still an attraction! I think...” You huff and bury your face in your arms, nearly almost sprawling on the table. You’re too depressed to even consider how impolite your actions look, and Scaramouche scoffs at your poor display of manners. “Where am I even going to find someone who ‘meshes well with my personality,’ hm?”

“I’m sure you’ve already found them.” He clears his throat, tracing a finger along a sanded knot in the wooden table. “You’re sitting across from him.”

Whether he intended for you to hear that whispered part, you can’t say for sure. But your head perks up and you fix him with a lopsided grin. “You’re kidding.”

“Hm?”

“Me and you, a couple?” A small giggle escapes your lips and you swipe the remaining tears out of your eyes. “Don’t joke about that. I’m trying to be sad here!”

It wasn’t a joke, he almost says and he catches himself, suddenly self-conscious.

“I don’t think we’d work out,” you continue, motioning between you and him. “We’d hardly see each other and you don’t seem like the type for romance. Besides, I’m not attracted to you in that way. You feel the same, right?”

Scaramouche stares into his cup before he meets your gaze, a tight smile gracing his expression. “Of course. Your inability to settle isn’t all that attractive.”

Your eyes roll and you finally pick up your own cup to take a large gulp of lukewarm tea. The bitter Harbinger observes your actions with narrowed eyes. There’s a distinct pain that taps at his hardened soul, splitting it apart as your words echo within his spinning head. I don’t think we’d work out. I’m not attracted to you in that way. Why is he suddenly feeling...upset? He’s not one for pitiful emotions; he’s a Harbinger, not a lovesick fool! He ought to glare at you and storm off, demanding the two of you never speak again. But he won’t say that because he doesn’t want to hurt you. Because he cares for you. Because he loves you.

You feel the same, right?

No, that’s not right. This is the love he’s been wallowing in since he first got acquainted with you. It’s strange when he remembers every event that has led up to the blossoming feelings that reside deep in the epicenter of his heart, but it’s even more strange that he can’t find the courage to voice his own opinion.

“We wouldn’t mix,” he reaffirms your statement with a cold tone. There is no warmth in his eyes. “After all, your taste in tea is as bad as your taste in partners.”

And even though he wishes you could see through his walls—just this once he’ll allow you to tear them down for the sake of a half-baked confession—you just sit there and grin, no longer teary-eyed and forlorn. How odd. His heart feels far heavier than it’s ever been before. And you’re already scanning your surroundings, hungry for a love that will never keep you sated. Perhaps you weren’t even sad in the first place.

Upon realizing this, Scaramouche wants nothing more than to disappear into the wood like a feeble worm and never come back out.

You Must Break Another.

[kohanayaki]

.:Time and Time Again:. (Marauders Era x Reader) Ch 6

You continue the tale of how you, James, Sirius, Remus, and Peter became known as The Marauders.

LINKS:   CH 1   CH 2    CH 3   CH 4   CH 5   CH 6   CH 7   CH 8

___________________________________________________________

Ch 6 .:The Making of the Marauders:.

~Previously~

“That was when they were first starting to put the map together,” you continued, “but that wasn't even the biggest secret they had. Of course, I wouldn't find out about that for another year. . .”

“So at this point I knew that they were hiding something else, but not what it was,” you told Harry, continuing on with your story, “But one night we had planned to meet up and use the invisibility cloak to map out the underground tunnels that ran through the storage cellars, and they never showed up. So I snuck into the Gryffindor common room through the secret passage and found their dorm completely empty. But what was there was our work in progress map. . .”

~~~~~~~~~~~~~~~~~~~~~~~~~   1975  ~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“This isn't going to work,” Peter said flatly, watching James and Sirius draw a large circle in chalk on the floor of the Shrieking Shack.

“Not with that attitude it's not,” James said, “if there's a way we can speed up this process I'm willing to give it a go. I don't know how long I can go on with this bloody leaf in my mouth.”

“Is this even real?” Peter sighed, “it looks like what muggles think magic is.”

“It's real all right,” Sirius said, “old, but real. I mean, Transfiguration was founded on the principles of magic circles! I'm not really sure what these runes on the side mean, but it's probably not important.”

“I seriously doubt that,” Peter retorted, “Remus, back me up here.”

He turned towards Lupin, but he had long since dozed off, arms crossed as he leaned against one of the nearly decaying walls in the corner. Peter sighed, taking a piece of paper from the ground and crumpling it into a ball before promptly throwing it in the sleeping boy's face. Lupin jolted awake, realizing what had happened and chucking the paper back at Peter in annoyance.

“Not a moment of peace,” he huffed under his breath.

“Sounds awfully boring,” James said over his shoulder.

“Blimey, what time is it?” Remus said, panicked as he noticed the light had completely gone from the sky, “It's long past sundown.”

“So?” Sirius shrugged.

“So, we told (Y/n) we'd meet them to work on the map at dusk,” Remus said, “They're probably looking for us right now!”

“Oh, they are,” you announced your presence, an unimpressed look on your face as they jumped, whipping around to look at you.

“(Y-Y/n)!” Sirius stuttered, “how did you—”

You held up the map, raising a brow at the four guilty looking boys.

“Right. . .”

“You snuck into our rooms?!” James said incredulously as he saw the map, which he was sure he had left on his bedside table, in your hands.

“You've snuck into my shower before, Potter,” you glared lightly at him.

“Point taken.”

“Okay, look, I'm sorry we didn't show tonight, and I know we've been acting weird,” Sirius sighed, “the truth is—”

“Lupin's a werewolf.” 

The color drained from Remus' face, slightly mortified that you already knew.

“Come on, guys,” you said, “the claw marks and you lot disappearing whenever there's a full moon kind of gave it away. You aren't exactly subtle about it.”

You could sense the intense nervousness in the room, especially from Remus. Ok, so maybe coming right out with it wasn't the best course of action.

“Look,” you said, “if you're worried about anyone else finding out, they won't. I mean, the only reason I even knew you were here is because I'm literally helping you make a magical map that details all the secret passages and shows where everyone is. I won't tell anyone, I swear.”

They still seemed a little unsure, and you bit the inside of your lip slightly.

“If it'll make us even, I'll let you know a secret of my own,” you said, “it can even be future blackmail me if you really don't trust me.”

“No, it's not that, (Y/n),” Remus said as he stepped forward, his throat feeling dry, “it's just, well, I've never really told anyone except the people in this room. Having someone else know. . . it's just a lot to process, but if had to be anyone I'm glad it's you.” He paused for a moment, feeling oddly self-conscious as he regarded you. “When I turn into a werewolf I can't recognize any human as someone I know. I have no control over myself in that state. In the worst case scenario, I could injure or even kill someone I didn't mean to. We originally started taking note of the secret passages and rooms to find a place where I could turn safely and not hurt anyone, and we settled on here. I don't remember much when I come out of it, but. . . I do feel this painful sense of separation each time. Werewolves are pack creatures by nature, so being isolated in that state is. . . agony, if I must be honest. They all figured, I can't recognize humans, but perhaps I could recognize other animals, so. . .”

“They're trying to become animagi,” you finished, “so you won't have to be alone. That's. . . that's actually really sweet,” you said, a breathy laugh escaping you.

Remus thanked Merlin the Shrieking Shack was as dimly lit as it was so his beet red face was at least somewhat less noticeable.

“I agree,” Remus said, turning to his friends and sharing a rare, genuine moment with them. “And, you don't have to tell us your secret,” he said, turning back to you, “it's okay.”

“Hey, I wanted to know,” Sirius said, Peter swiftly elbowing him in the ribs.

“I was actually planning on telling you anyways,” you said, “If you guys are trying to become animagi, I can help you.”

You took a few steps back, bracing yourself against the wall.

“Promise me you won't freak out.”

After receiving a few quick nods, you kicked off the wall. Your body seemed to morph in mid-air, shrinking and re-configuring so fast that by the time you landed on the floor you had been entirely replaced by a large, (e/c)-eyed wolf with fur reminiscent of your hair.

Peter yelped, instinctively putting Sirius in front of him who was gawking at the sight. Remus was in complete shock and you could have sworn you saw James' glasses slip down his face.

In your animal form your heightened senses could sense their fear, and you tried your best to assuage it. You padded around in a circle, sitting down and blinking up at them to try and show them you were in control of your actions. After you figured they'd seen enough, you crawled back into your robes, which had pooled on the floor when you'd transfigured, and willed your body to turn back.

James, Sirius, and Peter looked somewhere in the intersection of shocked and terrified, but Remus looked nothing less than impressed.

“That's amazing, (Y/n),” he said breathlessly, “your transformation was seamless, how long have you had this ability?”

“My aunt had me go through the process when I was nine,” you said, a bitter edge to your voice as you fastened your clothes back around you, “it's not fun, but obviously useful. And thank you, but trust me, it didn't come at all naturally to me. I spent a good part of my winter break stuck with a wolf's hind legs, which is just as inconvenient as it sounds.”

“But this proves that it's possible!” James said, a new rush of energy invigorating him, “we can actually pull this off.”

“If I can manage to keep this sodding leaf from choking me every ten minutes,” Peter grumbled.

“Here, this should help with that,” you said, drawing your wand and pointing it at Peter's mouth. With a simple sticking charm, he suddenly felt the odd sensation of the leaf in his mouth disappearing, only to find it had melded with the flesh on the underside of his tongue.

“It's a long process, but yes, it's possible,” you said to James. Your eyes drifted to the floor where the magic circle and pages of runes were still scattered about, “if you were thinking of taking shortcuts, you might have wanted to read the warning about this spell requiring a blood sacrifice.”

The quartet paled and you laughed at their dumbstruck expressions.

“Kidding,” you grinned, “but seriously, there's no shortcuts. Now look alive, boys. We have a lot of work to do.”

_________________________________________________________

From then on, you helped the four wizards along on their quest to become fully fledged shifters.

“In order to become an animagus, a wizard must keep a Mandrake leaf in their mouth for an entire month, even when eating and sleeping,” Peter read aloud from the book they'd snatched from the restricted section, “Next, under a full moon, the wizard must place the leaf in a vial full of dew that has neither been stepped on nor exposed to the sun. The resulting potion must be stored in a dark place, and the following incantation: Amato Animo Animato Animagus, must be recited every morning until an electrical storm arrives, at which point the potion can be taken.”

“Blimey, all that to turn into a bloody cat?” Sirius said, exasperated.

“Well we have the first part almost done,” James said, feeling the faintest outline of the leaf still under his tongue, “Next full moon we'll have to go dew-hunting, I suppose. Looks like you'll have to stick it out for a few more cycles, Moony,” he said to Remus.

“That's alright,” he said, “I've made it this far.”

“He won't be alone for those,” you said, “I'll spend the full moons with him until you guys are ready.”

“What?” James said, looking at you like you'd just told him you were off to join Voldemort, “not a chance, that's way too dangerous.”

“Aw, don't act like you're all concerned about me all of a sudden, Potter,” you smirked. When his expression didn't change it took you aback slightly. He was actually worried about you. “Look, I'm probably the best suited for it anyways,” you said, coughing a bit to coast through the awkward tension, “Remus and I are both wolves, or at least partly. If one of you end up turning into a sheep or something you might be dead meat, not to freak you out or anything.”

“That's reassuring,” Sirius said under his breath.

____________________________________________________________

“You really don't have to do this,” Lupin insisted as you sat on the floor together in the Shrieking Shack later that month.

“I want to,” you assured him, “take it as a thanks for helping me pass Arithmancy. Besides, it's a perfectly fine excuse for me to practice interacting with other animals in my animagus form.”

The boy beside you was quiet for a moment, shoulders tense and jaw set tight. It wasn't that he wasn't happy you were here, he was more grateful than you could know, but he was terrified that he was going to end up hurting you. On top of that was the fact that he didn't want you to see him as he transformed. It wasn't pretty, and it was visibly painful. He didn't want you to think any lower of him, though he knew that fear was irrational.

The calming jazz record that spun on the other side of the room was the only noise between you two for quite some time, but you understood that he needed time to gather his thoughts. This was something so deeply personal you were surprised and a bit honored he allowed you to be here at all. You noticed the photograph that he held in his hands; it was of Hogwarts, taken from the very edge of the forest. The sun was peeking over the horizon, spilling out between the complexly constructed towers that made up the castle's exterior, and casting a warm, golden hue over the landscape.

“It's beautiful,” you said, “the picture.”

“It is,” Remus smiled to himself and nodded, “James gave it to me, as a reminder. He said that matter what happens during the full moon, the sun will always rise on us again.”

“Huh,” you mused softly, “perhaps he isn't such an insufferable jerk after all.”

“Oh, no, he is,” Lupin chuckled, “but he is also a very good friend, and endlessly thoughtful even if he denies it.”

You let that sink in for a moment. You supposed he was.

“Well,” you said, laughing a bit as you shifted in your seat, “this isn't as deep and meaningful as the photo, but I brought something for you.” You reached into your bag, retrieving something that made Remus' eyes widen.

“Where did you get that?” he said, elated as you held out his favorite chocolate bar which had been out of stock at Hogsmeade for weeks now.

“You guys have a secret tunnel that goes right to the Honeydukes cellar and you've never taken advantage of their storage?” you grinned.

Lupin hesitated as he held the bar in his hands.

“So you stole it?”

“I left five dracma in the tip jar,” you rolled your eyes, “I'm not a death eater.”

His smiled returned at that, and he ripped open the familiar foil gratefully.

“Thank you,” he said quietly.

“It's the least I could do,” you said.

“It's really not,” he said, turning to face you fully. You were left a bit breathless as the unexpected intensity of his eyes. “None of this is the least you could do, because the least you could do is nothing,” he continued, rambling, “we were so horrible to someone you consider a dear friend, and you were willing to look past that. You're risking your life by even being with me right now, (Y/n).”

“You don't—”

“I do know that,” Remus said sharply, “I've never been in contact with anyone as a werewolf. The one time I was, I. . .” he trailed off, and it hurt you to see his pained expression, “I just don't know how I'll react.”

“You're saying that as if something bad's already happened,” you said gently, “it'll be okay.”

“How can you be so sure?” he asked quietly, equally full of frustration and admiration.

“I'm willing to put my trust in you, Remus. I think it's time you put some trust in yourself.”

Lupin's heart pounded a little harder in his chest. Had you ever called him by his first name before? You looked at him so reassuringly, so confidently. He couldn't understand it, but your words reached him to his core.

“(Y/n). . .” he trailed off, blinking rapidly. A shaky breath escaped him, and your stomach dropped.

“Remus?”

Suddenly you saw something shift in him. His breathing became heavy and his pupils dilated, completely filling his irises in a matter of seconds. He braced himself against the wall as he stumbled to his feet, his skin slowly taking on a gray hue.

“It's happening,” he said, voice deeper and strained, his neck convulsing, “you have to transform, now!”

You didn't waste any time, taking the shape of your wolf form and padding away a cautionary distance. Your stomach churned as you watched Remus yell out, his expression full of pain as his body grew in size, his cries slowly becoming reminiscent of howls. His face contorted in agony as his head morphed into a more animalistic shape, ears growing from his scalp and fur appearing as if his werewolf was fully formed inside him, physically escaping through his skin. You've seen werewolves before, but seeing someone you know actually turn into one, it was completely different. Nothing could have prepared you for this. Seeing anyone in this much pain made your chest tighten harshly.

At last it seemed the transformation was complete. Remus Lupin was gone, and in front of you stood a creature of at least eight feet, perched on his hind legs and towering over you especially in your animal form. You could hear how ragged his breathing had become, his body convulsing with the motion; growing and retracting like a beating heart. You heard a whimper escape his throat, and you could tell he was still recovering from the pain.

You steeled yourself, making the decision to alert him to your presence subtly. You tilted your head upwards, releasing a similar sounding whimper to his. Immediately the werewolf across from you was on high alert, his head snapping towards you and his lips pulling back into a snarl as his ears lowered. You took an instinctive step back, lowering your head slowly. He seemed puzzled by your behavior, which made sense seeing as Lupin told you he never interacted with any other animals during the full moon. His head tilted inquisitively and he took a heavy step forward. You forced yourself to not back away, testing the waters. His eyes narrowed again as he saw you standing your ground, but you quickly sat down, your head tilting to expose your neck slightly. You made doubly sure not to show any signs of aggression; you knew you had no chance against a werewolf at full strength.

However, he seemed to take your queues well. His tail seemed to relax a bit, his eyes returning to their full, round shape as he looked at you with curiosity. You sniffed up at him and he hesitated, but eventually circled around you and did the same. You could almost see the turmoil in him, as a werewolf you doubted anyone he came across treated him with anything less than terror in their eyes, but you were completely relaxed.

He whimpered again, and you were shocked at the sign of submission. You rose to your feet, and he didn't back away. You let out a friendly yip, which he returned, and you felt the weight lift off your chest. You leaped to the side, and he followed you, running alongside you as you bounded across the room, practically leaping off the walls. You jumped at each other playfully, rolling across the floor in a mess of fur. You smiled inwardly as this continued throughout the night, no longer seeing fear or pain or aggression in his eyes when you looked into them. Even if he wouldn't remember most of this, you hoped he would at least feel better in the morning than all the times he had to go through it alone.

Exhausted from all the playing around, you padded softly back to your robes, crawling inside yours and and gesturing over to him with your head. He followed you, coming down to all fours before laying beside you. You weren't sure when sleep came over you, but it was like the world's most comfortable blanket had been thrown over your shoulders, and your eyes drifted closed of their own volition. . .

“Merlin's beard, just what were you two doing last night?!”

You and Remus both jolted awake at the sound of James Potter's aggravatingly loud voice but quickly came to your senses. Remus' arms were wrapped around you, your back facing him. You were just barely covered by your robes with nothing underneath as a result of your transformation. As you scrambled to get decent your face heated even more as you saw Remus was currently without a shirt, his pants ripped considerably. You scrambled away from each other, trying to make yourselves decent.

Peter was howling with laughter, James looking smug as ever. Sirius was oddly quiet, but you were too wrapped up in the embarrassment to notice his behavior.

“What was that about being 'endlessly thoughtful'?” you grumbled to Remus.

“Right, I completely take back what I said,” he scoffed, “ 'insufferable jerk' is much more accurate.”

“Close your eyes, you perverted git!” you yelled at James, who was blatantly staring at you, “toss me my clothes at least, would you?”

James bit back a smirk as he grabbed your bag that was sitting in the corner of the room— clothes you had brought with the intention of changing into after returning to your human form when Lupin fell asleep. He tossed it over to you and you began to change under your robes. As his back was turned to you his mind began to wander. You'd always been attractive, sure, but since you'd always been his rival he hadn't really given you a second thought, especially when he'd been trying to get Lily's attention for ages. But just now, thinking about how downright adorable you looked when you'd yelled at him, something in him shifted. He shook it off quickly, turning to Lupin with a grin he'd managed to put on concernedly fast.

“You cheeky bastard,” he said to Remus, who was furiously changing into a new shirt, “you just wanted her alone, didn't you? Do you really need us to become animagi after all?”

“You're the worst, Potter,” the werewolf glared at him.

“Don't listen to him, Remus,” you grumbled, straightening out your tie as you slipped it on over your shirt, “he's an even bigger idiot than he looks.”

“Are you implying I look stupid?”

“Implying may not be a strong enough word.”

__________________________________________________________

It had taken months of brewing the potion and getting all the necessary preparations in order, but they were finally ready. Remus sat with you in the grass, wand at the ready to undo any untoward transfiguration that happened on accident. Peter, Sirius, and James stood across from you, standing at the edge of a stone ledge about five feet off the ground. You'd said that a leap of faith is what would best trigger their first transformation. They looked nervous, but they were prepared as they'd ever be. Over the last year you had grown considerably closer to the four boys you had miraculously come to know as friends.

“Remember, focus on your emotions,” you said, “you need to pick a strong one, let it fill your body and flow through you. If you block the magic off from any part of your body, it's not going to be pretty.”

“Right, but how do I—”

“James, I swear, I'm really rooting for you to be a mute animal.”

“But how do you choose-”

“Just do it already!”

“Oh, sod it,” James squeezed his eyes shut, not giving himself time to second guess before jumping off the ledge. For a moment he was certain he was about to land face first in the dirt, but then it happened— a moment where time seemed to freeze and his body felt completely weightless. He felt this sensation where his arms and legs vibrated with an intense, foreign energy. Images flashed through his mind in that brief moment in the air; Sirius manically laughing as they ran away from Filch, Remus snapping off a piece of chocolate to offer him after he'd lost Gryffindor a Quidditch match, and, unexpectedly, you. A feeling of warmth spread through his chest, and he grasped onto it, letting it flow through his body like you said. In an instant he felt torso shift, his shoulders narrow, his neck elongate; and when he landed on the ground he still landed face-first as he predicted, but in a completely different form.

He could see you and Lupin in front of him, mouths agape. He was about to say something when he found his vocal chords only allowed him a gruff whine. Shocked, he lifted his head, which felt much heavier than he'd last recalled, and as he looked down at himself he was taken aback to be met with a pair of hooves right beneath him. He staggered to his feet on wobbly legs, of which he now had four. As he tilted his head he could see the shadow of a pair of antlers twisting into brilliant shadows on the grass.

“Potter, you did it!” you exclaimed, “you actually did it!”

“Well how about that,” Remus chuckled, “a stag.”

“It fits him, I think,” you grinned, looking over at Sirius and Peter who looked determined and terrified respectively. “Well go on, it's your turn now!”

Sirius braced himself for the jump, but somehow he found no fear in his system. After seeing James shift in the air right before his eyes, he knew he could do it. He looked over at Peter who was nearly shaking.

“Come on, Peter,” he said, “we'll go together.”

“I-I don't know about this, Sirius,” Peter said, “I'm not ready, I don't think I can do this.”

“It's just a little jump,” Sirius said encouragingly, “you can do this.”

After a few nerve wracking deep breaths Peter gave him the smallest nod one could manage.

“We'll go on three,” Sirius said, “Ready? One—”

“AaHH!”

Sirius shoved Peter off the ledge, knowing he wouldn't jump on his own, before taking the plunge himself. Peter's screams became higher and higher pitched as he shrank at an alarming speed, almost an undetectable size by the time he hit the grass. A small brown rat scurried across the field towards you and Lupin.

The stag in front of you made a sound, dragging his hooves across the grass in what you could imagine as James' unadulterated laughter at his friend.

Sirius began to morph almost as soon as he left the ground, something you were surprised by. He landed on his hind legs, landing gracefully as his front two followed, and a shaggy black dog looked back at you with mischief in its eyes.

You couldn't help but go over and pet him. You laughed as he nudged you with his nose, a resistance that was quickly halted as soon as you started scratching him behind the ears.

“I have to say, I didn't think you would actually manage that on your first try,” you said, secretly prouder than they could have known, “but if anyone could have done it, it's you three stubborn goons.”

James huffed as he saw you continue to pet Sirius, using his antlers to prod the dog out of the way. Sirius barked, lunging at him playfully. It was quite a scene to see the two interact.

“Honestly, this is a pretty solid group,” you said, “you've got James who blends perfectly with the surrounding wildlife so he wouldn't be suspicions, Sirius who could probably do a fair bit of damage as a dog if he needed, and Peter who can fit through small spaces and snoop around the castle virtually undetected.”

“Quite an odd pack,” Remus chuckled.

“Definitely,” you agreed, “but a pack nonetheless.”

And that very week, Remus Lupin was able to spend his first night as a werewolf with his four friends by his side.

__________________________________________________________

“So, how did we choose which animals we turn into?” James had asked you the next day at breakfast, “I specifically tried for a dragon.”

“You don't get to choose,” you rolled your eyes, “You're a stag, that's the end of it. It's pretty much up to chance.”

“I'm sorry, you're telling me I could have turned into a fish and died right there on the ground?!”

“If only,” you sighed dreamily, earning you a playful shove from James. “Alright, it's not completely random, but you're definitely in the unknown the first time you turn,” you went on to explain, “and once you turn for the first time, that's it. That's your animal. A wizard takes on the animagus form of whatever animal most closely resembles their personality. So, a horny bastard for James, a loyal little puppy for Sirius—”

“A bitch for you,” Sirius quipped.

“Never heard that one before,” you scoffed, purposefully messing up his hair.

“Hey, watch it!” he shoved you off him, twisting each of his curls back into form.

“Well, look who's a high maintenance pup,” you chuckled.

Around the same time that year, you finally completed the map. It came together beautifully, each different way of folding the paper revealing a different level of the castle for easy navigation. You'd included the surrounding forests as well as the parts of Hogsmeade that applied for the secret passageways, all of which were marked with symbols and the unique names you'd all come up with. Every student and staff member at Hogwarts had a tiny scroll with their name that appeared in their location. Remus had added the nice detail of including footprints at the last second, so you could see which way they were facing and walking as well. It was fireproof, rip proof, and prone to insulting anyone else who tried to read it. It was the pinnacle of your magical (and slightly illegal) achievement.

“We should write our names on it,” James said, looking down proudly at the finished map, “it belongs to us, after all. We don't want anyone else taking the credit.”

“Yeah, fantastic way to get caught,” Sirius rolled his eyes, “what if Filch comes across it? That's like leaving your signature at a murder scene.”

“You should use code names, then,” you suggested, “I know you guys call Remus 'Moony' as a joke, but I kind of like it.”

The scarred boy blushed lightly at the compliment, a brow raised to his other three friends.

“Alright then, I guess you should all say hi to Rudolph over here,” Sirius said, jutting his thumb in James' direction. The bespectacled boy narrowed his eyes before shooting back.

“Right! And this is my good friend, Snuffles.”

Sirius lunged at him and James swatted him away in laughter.

“Come on, you two,” Remus said, “or we won't put anything down for you at all.”

“I've got an idea for Peter,” you piped in, “When my mom used to garden she said she didn't mind having rats there because their tails resembled worms, which were an old a sign of healthy soil, I know it's odd, but I think Wormtail sounds pretty cool.”

Peter seemed to perk up at your acknowledgment and nodded. It suited him somehow.

“Should we pick animal features too, then?” James mused, “I guess Antlers doesn't really sound that cool. What's another word? Horns? Give me some analogies, guys. What else do they look like?”

“Yours honestly kind of look like a couple of bent forks,” you snickered.

“Prongs?” Sirius snorted, the laughter that followed nearly splitting his sides.

“Oh, go on, what have you got then?” James scoffed.

“I was thinking Padfoot,” Sirius said, “like a dog's paw prints.”

“You know, for someone who was just making fun of code names a second ago you sure have given a lot of thought to yours,” you teased.

“Shove it,” he smirked, “What about you? Can't very well have a second Moony.”

You stared at him in momentary disbelief.

“Me?”

“Well, yeah,” Sirius chuckled.

“We couldn't have done any of this without you,” Remus reminded you with a smile.

“I think you've more than earned an honorary title as one of us,” James said.

“That is, if you want to,” Peter said timidly.

You looked at the four of them, genuinely touched.

“I. . . I don't know what to say,” you smiled.

“You could say 'yes',” James piped up.

“Alright, you loons,” you laughed, “if you leave Severus alone for good, then yes.”

“Hey, I think we've been pretty good about that lately,” James pouted.

“Yes you have,” you admitted, “It's the only reason I bothered to give you the time of day, but this time it's a promise.”

James rolled his eyes, but the smile on his face was undeniable. He'd never admit it out loud, but being friends with you was more fun than messing with Snape ever was.

“Alright, fine. (Y/n) (L/n), I solemnly swear that I will leave tormenting our dear old friend Snivelus behind us forever,” he said dramatically, putting a hand up at his pledge.

“Oh, bother,” you laughed, “the only thing you'll 'solemnly swear' to is that you're up to no good.”

“I'll take that as a compliment.”

“Then that's settled,” Remus smiled, “you'll need a code name too.”

“Let's see,” Sirius hummed in thought, “What other defining features do wolves have besides. . . well, their. . . fangs?”

“They're canines, you numbnut,” you huffed.

“Close enough, I'm writing Fangs.”

“Oi, I didn't agree to that!”

“Too bad, I'm already writing it~”

“Okay, well if that's the stupid name I'm getting saddled with them I'm going to write it myself,” you said stubbornly. You actually didn't mind the name at all.

“Well that's it, then,” James said, “Moony, Wormtail, Padfoot, Prongs, and Fangs. We could join the bloody circus.”

“All we need is a group name,” you said, half joking.

“We've already got one,” James said proudly.

“Oh? Let's hear it, then.”

“The Marauders.”

“. . .”

You kept your face straight for exactly three seconds before you burst out laughing. The four boys flushed with embarrassment.

“The Marauders?” you chortled, “what are you, pirates?”

“It's what McGonnagall called us the first time we got ourselves into proper trouble,” James defended himself, his cheeks reddening, “You rowdy mob of marauders, she'd said.”

“Huh,” you chuckled, coming down from your laughing fit, “Well, then I suppose that would make this The Marauders Map. I'll admit, it actually kinda has a ring to it.”

And despite your group's joking quips and bickering, they couldn't agree more.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“Wait,” Harry said, eyes wide at your story, “So, my dad was an animagus too?”

“Sure was,” you smiled warmly.

“This whole time I thought 'Prongs' was just because his patronus was a stag.”

“Your animagus form is usually the same animal as your patronus,” you explained, “In some very rare cases they can be different, but they work in the same emotionally driven vein of magical ability, so it would make sense that they'd be linked. Your father was extraordinary at both, because as much as he would deny it, he felt everything very deeply.”

Your eyes drifted to the wall opposite you in the living room, and a small but sad smile graced your features.

“Love is often the most powerful emotion a witch or wizard can draw from,” you said softly, “but you already know that.”

Harry followed your gaze over his shoulder. There, posted on the wall among a collage of photographs from the Order was a picture of his mother and father. It was one he'd seen a hundred times, and one he had his own copy of: them in each others' arms in a London park, autumn leaves swirling around them as they danced without any music. Even from this distance he could see the emotion in their eyes as they looked at one another— like they were the only two people in the world.

“Yeah,” Harry said, wiping a stray tear from his eyes, “I do.”

Read chapter 7 here!

Taglist:  @sleep-i-ness, @blackpinkdolan, @parker-natasha, @ornella0910 @undertaker1827 @thatwierdo-koemi @nxstalgicnxbxdy @calaryssia @aleksanderwh0r3 @juggysgirlfriend @beautifulsweetschaos @kattirin @mialupin1

[yinses]

B R A N D E D

| he would make sure that everyone knew who you belonged to |

tattoo artist! sukuna ryomen

rating: t

a/n: this is going to be a three part series. it got too long because i couldn’t shut up. thank you to @teoran for beta reading !! 

you should have never informed yuuji that you were thinking about getting a tattoo, because of course his first response would be hey, sukuna owns a shop. why don’t you stop there. as if you didn’t already known that. your other friend, unfortunately had not known how to be subtle about it.

its when you go to hand off your card that they gasp audibly, drawing the attention of both yourself and the woman behind the counter.

“you’re not going to ask for a discount? i mean you know the owner, right?”

she jumps back quick enough to dodge the errant elbow you throw her way.

you knew you would regret telling her.

the woman is undeterred as she take your card, looking bored with the news. “so you know sukuna, huh?” the way she said it implied that it wasn’t the first time it had been made known to her.

you had known the man long enough to know where her thoughts were going with that assumption. sukuna wasn’t only popular for his art. a shudder rolled through your body at the idea of being categorized as one of his flings.

it wasn’t as though you were intentionally shaming the women. but it was sukuna. the same guy who locked you and his younger brother out on the patio whenever he was meant to keep an eye on you. and then blamed you for hiding from him when the responsible adults got home.

in hindsight, maybe you should have chosen another location. but now your card has been charged.

you scribbled your signature on the receipt, “uh yeah, awhile now. im not requesting him or anything.”

“his appointment book is full anyway. he doesn’t take walk ins.” its not said snidely, just matter of fact. as if she was seasoned with dealing with these kind of customers.

the man of topic strides in then, carrying a few bags of take-out that he drops carelessly onto the counter. he doesn’t m look unlike any other day, a loose white sleeveless shirt with a low hanging v-neck that just invited attention to his skin. the swirls of black ink made permanent by his hand only. though that was the advantage of this field and owning your own business on top of it.

sukuna was prepared to ignore the clientele planted at front desk, until he did a double take. those vermilion eyes took you in, morphing from speculation, to shock, a pinch of awe, then back to postulation.

“what are you doing here?”

a small frown mars you face. you didn’t actually consider that perhaps sukuna wouldn’t want you here. it was one thing to know the guy, but whether you wanted to accept it or not, you weren’t just another customer. so you unsurely respond with, “getting a tattoo?”

the snort he gives isn't one of annoyance. in fact its almost comforting to see the minuscule curl of his lips until they start to part, “yeah, missing something aren’t you?”

you realize with a frown that he’s referring to his brother.

“i have other friends.”

that slow smile wides as he gives your friend a brief look of appreciation. suddenly all those years of witnessing him cart his flings around rise to the forefront of your mind.  really nothing rarely changed. “ i can see that.”

his gaze cuts back to you, “what are you getting? your boyfriends name?”

you cant tell if he’s teasing, fishing or a combination of them both.

he turns to lean over the counter, arms flexing at the action and pinches the fresh design still hot from the printer. you resist the urge to shuffle in place as he inspects the image with more interest than there were lines. it was hardly all that complex, just as you intended.

sukuna finally voices his opinion, to no surprise of your own. “yeah? kind of small isn’t it?”

“its my first sukuna,” you drawl.

you realize too late that the wording isnt best around him.

“no kidding.”

he tugs a styrofoam box free from the plastic bag before gesturing to you with a tilt of his head.

“alright, lets knock it out.”

you look to the woman expecting her to complain about his pending appointments but she only returns it with a pointed look. when it came down to it, what the boss wanted goes.

right then.

turning, you address your friend who seemed more invested in watching sukuna’s departure. “are you coming?”

her gaze snaps to you and she doesn’t even bother to pretend. she shrugs, “you may not be squeamish about needles but i am.” her hand waves vaguely towards the lounge area near the coffee station and stack of assorted snacks. “i’ll come running if you scream though,” she teases as you turn down the hall.

sukuna’s voice carries from the right in guidance where you find him setting his food off to the side. the room is neat. though you don’t know what you were expecting given the health expectations lining his work. then again, you’d spent the better part of the decade watching him cart week old pizza boxes out of his room so it was hardly a baseless assumption.

aside from the desk of tools and variety of inks the only other defining feature was the wall at the back. there was no rhyme or direction to the madness. the once white wall was littered with varying penmanships and messages. almost like an autograph book. some derogatory, others genuinely thankful for his work - you think you see a few numbers too.

the cushion of the seat protests under his weight as he rolls to the center of the room. he has the stencil of your chosen art held up in expectation.

“where is this pretty little thing going?”

“oh my rib- here on the right.” you think nothing of bringing up the hem of your shirt to expose the skin just under the curve of your breast.

he almost looks impressed, though there is some doubt. he wheels closer and gives no warning as his hand palpates the area. “over the bone? that’s daring for your first tattoo, princess.”

the name was nothing new, an accompaniment to yuuji’s ‘brat’.

part of you actually grateful that its sukuna. the entire shop had good reviews but it was best known for his talent. besides, the charge was already sitting on your card.

“i can handle it.”

he’s still squinting at your side, fingers tickling at your skin.

“yeah?” he answers absently. nimble digits you didn't think had any taste for delicacy carefully peel the plastic from the stencil. he doesn’t second guess himself in the slightest before pressing it to your skin.

when he pulls away, the chair follows him as he collects a hand mirror from his desk to reflect the design back to you.

“double sure?” he’s still rallying your resolve, but there is a hint of warning to his voice as professionalism seeps in.

with a firm nod you seal the deal,” yeah.”

“aright, pin up your shirt out of the way. tuck it into your bra if you want.”

you were expecting this already, given the location you’d decided on. with sukuna that action comes effortlessly without thought. it was no different than the times he’d seen you in your bathing suit, your brain reasoned. at least you still had your pants this time.

sukuna rests back into a lean against his small desk. absently you note that his eyes haven't left you once since you’d entered the room.

“eager little thing aren't you?”

but its sukuna.

you shrug.“ i guess. kind of been saving up for this one.”

the noise he makes is non-committal as he nods to the angled chair.

without your shirt there was no barrier between yourself and the leather. you expected the cold chill but the lack of stickiness kind of surprised you. once again you were reminded of the indisputable list of reviews at your fingertips.

sukuna goes about collecting the materials to disinfect your skin, angling the bottle and cotton over the trash can to catch the excess drops. satisfied with the saturation, he slides back.

you try to absorb the brief shock you feel when he applies the alcohol to your skin. it was hardly a substitute for actual bracing to come but it was good practice. when you look up, you catch his gaze again.

he’d been more observant in these last few minutes than you could ever recall sukuna caring before. maybe it was the job. though the thought of him excelling at customer service has you fighting a snort.

“cold,” you supply and he gives another grunt.

he chucks the cotton ball into the trash with all the efficiency of a man who has made a sport out of it and probably keeps score.

deciding on a solid color eliminated the need for him to break away to change shades, eliminating any surplus time keeping you in this chair.

a gloved hand braces your side, pinching the skin, while the other holding the gun rests against your sternum. when the motor starts you take a careful breath in. sukuna’s eyes raise at the sound.

“not nervous?”

you blink, expecting him to just get to it.

“uh, not really? i’ve never really been afraid of needles.”

he pauses. just when you part your lips to ask what wrong the buzzing starts.

its impossible not to tense at the first bite of the needle. but you fight the urge to jerk. it stings. the vibration of the motor is uncomfortable against your ribcage but it's not unbearable. you certainly wouldn't cry.

sukuna seems to notice it as well.

“not going to lie thought you’d be more of a cry baby? weren't you the one sobbing after you stubbed your toe.”

you latch onto the idle chatter even if it's a jibe.

“i was eleven and i sprained that toe.”

he gives you a quick glance. “sure, princess. completely called for the waterworks.”

you snort. “yeah well it made me stronger. im barely affected today.”

your words are followed by a shift of his hand as it turns to follow a line, the movement pressing firmly against the underside of your breast. you're too attentive to the needle pinching at your skin to take notice.

but sukuna does, eyes narrowing without your awareness.

“yeah, i can see that.”

rather than closing your eyes to block out the pain, you find a more comforting distraction in tracing the lines of his tattoos with your gaze. you can hardly make out the first tattoo he’d gotten at the age of seventeen after forging his parents signature. 

the abstract design had now branched out, interlocking with new styles to map out the formation of a sleeve. it was almost like his own branded language. a dialect of bold shapes and bands. you’d never thought to actually ask what his tattoos meant. nor did you expect an honest answer.  

sukuna works rather quickly and efficiently while your mind wandered. even if he hadn’t squeezed you in during his lunch break this felt like the usual pace for him. he looked so in the zone as he followed the pre-made lines to perfection.

you weren’t the model customer, still having your brief moments of weakness but he rolled with the interruptions better than you expected. sukuna was brash growing up and didn’t tolerate nonsensical people. you’d had your fair share of opportunities to be chewed out by him.

and earned a reasonable amount of them, though your returning attitude said otherwise.

but this sukuna was softer, if you could put it like that. he knew the right time to give you breaks but didn’t let your nerves settle too much. when he wasn’t adding a layer to permanency to your skin, an errant finger would smooth over the swelling flesh.

more than once you heard him throw out a quiet good girl. that you knew was meant to be encouraging but it came with additional implications that tickled your skin.

he tells you that you should be grateful that the artwork doesn’t need any shading. that it was never a good fit for beginners.

your chest expands the furthest it had in the last half hour when he finally rolls back.

“alright, princess, go ahead and take a look.”

you take the offered mirror again and angle it to take in the fresh piece. the reflection you get back is- amazing. you’d been so concentrated?? on micromanaging the pain that you failed to take in the little details he’d added along with the original design.

as if reading your thoughts, he snorts. “it's not my art if i don't leave my mark. you can tell me it looks good you know.”

if you didn't know any better, you’d say he was authentic in his attempt to bait your approval.

and you had no reason not to provide.

your legs are a little shaky but you manage to balance yourself before brining the eldest itadori into a hug. sukuna goes stiff for a moment before returning the embrace and doesn’t resist when you press your face into his shoulder. there’s an awkward pat before they release each other from the hold.

sukuna .. before he’s shrugging you off.

“god, what a noob. at least let me cover it up. you’re going to irritate the skin.”

when he turns back to rummage through his desk you note the hint of a flush creeping up his nape. you know better than to mention it, instead just smiling at his back.

there is a scowl on his face as he applies the cotton square to your skin and tapes it in place.

“please do not itch this shit. i don’t care if you feel like your skin is going to fall off.”

he presses a small tube of antibiotic into your hand.

“and apply this daily. you don't need it drying out. “

you’re grateful for the little slip of printed instructions that follow. you were able to remember the sensible directions but it couldn't hurt to have additional guidance when you started to question the progress.

“oh and no sex.”

that was definitely not on the list.

sukuna raises a brow in all seriousness. “what? if you get your blood pumping too much.”

you call him on his bullshit,” this small? hardly. “

he raises his hands in mock surrender. “alright, try it yourself if you want. i charge for touch ups though.”

the two of you size each other up. just like old times.

with a sigh you relent, “fine, no sex.”

“good, see me in two weeks.”

his words stop you short. it wasn’t as if you needed anything added and he wasn’t a physician checking on your progress. if anything, you would only revisit your artist if there was a problem.

“what for?”

the dawning grin would follow you for the next fourteen days.

“to make sure you didn’t have sex.”

[dameronology]

to all the pilots i've loved before {poe dameron} - 3/4

part three: better half of a whole

summary: you’re in love with poe dameron. it’s both the most complicated and most simple thing in the galaxy - and it’s all shoved into a shoe-box under your bed, in the form of a thousand love letters. here’s to hoping he never finds them. (series masterlist)

warnings: language, mentions of injury

i'm so sorry this took me so long to write!! i got writer's block and then i was horribly busy with a thousand others things and sadly, i cannot prioritise fan fiction over real life duties. and i would know, because i've tried

enjoy!!

- jazz

Poe didn't sleep for...well, it was probably days. Felt like years.

Dear trouble,

Every time he closed his eyes, your face would flash into his mind. The sound of your laugh echoing amongst the cries of war; the feel of your soft hands tracing the remains of battle scars and wounds. What if the hug you gave him before you left was the last? What if your slightly pained laughter at the shitty joke he'd made in the jungle the night before was all he had left? He cherished every memory he had of you but he loved you more.

I know you hate when I call you that, but it feels pretty accurate - because you do cause trouble, normally with me but more recently FOR me. Anyways, I never considered myself to be much of a letter writer, but then I saw yours and...fuck.

Love. What a funny fucking word, right? Said so easily, but meant so much. Something that felt so hard to find, but even more difficult to hold onto. His parents had found it and they'd kept it for so long, and he'd always wanted the same - nothing less, nothing more. Just the kind of unwavering, undying love that can survive a war and be happy with the domesticity that followed. The only difference between Poe and his parents was that they'd been fearless with every aspect of their lives, not withholding their ability to express feelings. Perhaps that's where he fell short. Shara had taught him a lot of things but she'd been lost before he taught her how to pull his head out his ass and just...say things how they were.

What am I even supposed to say? I love you too would be a start, because I obviously I do. I've always wanted to say it but I never wanted to risk what we had in case you secretly hated me, and now I'm going to live out the rest of my days regretting it.

The first that Poe managed to finally get some rest was four days after Leia had broken the news of your disappearance. He'd fallen asleep in his quarters, curled up into Finn's side and clutching a t-shirt of his that he'd left in your room - you'd borrowed it a few months ago, and it still smelt of you. It was a mixture of your everyday body fragrance and a little of engine oil. BB-8 was snoozing quietly in the corner and for the first time in days, Poe's jaw and shoulders weren't tense and clenched.

The little robot did stir, however, when he got a comms system message from Leia. He was awake immediately, cruising across the room and crashing straight into the nearest human he could find - and it was at that point that Finn regretted leaving his leg dangling off the side of the bed. He jumped awake, brown eyes finding the droid peering up at him.

You're not just my best friend. You're my partner in crime, my soulmate and you know that twin flame bullshit that Rey always go on about? You're probably that too because we're both flaming hot. You're the better half of this whole. You and me.

"Poe is sleeping, buddy," he quietly said.

"There's a message from the general," BB-8 beeped back.

Poe suddenly woke up at that - it could have been any message, and certainly not one about you, but something in his gut told him otherwise. If it hadn't have been, Leia would have left it til morning, or not even bothered him at all in his current state.

"What?" the pilot asked. "What is it?"

"They're back, in the med-"

Poe didn't give him a chance to say anything else, because he was already up and out the door - jacket unzipped, boots half unlaced, hair sticking up in a thousand different directions.

And even though he hadn't slept for days, he was running for his dear fucking life. The medical bay was right on the other side of the base and he didn't care. You were there - in what state, he didn't know - and that was all that mattered. He was just wanted to be with you, beside you, and he never planned on leaving.

If I see you again, I'm not gonna hide it anymore. I love you and you deserve to know that. I'm gonna give you the fucking world, I promise.

Poe skidded around the corner, stopping his tracks when he saw you across the room. You looked tired - far past it, in fact - and his entire body tensed when he saw the bruises on your arm and up your neck. Still, he took comfort in the fact that he knew you put up a good fight. You'd sparred together enough times and given him enough bruises to last a life time.

There was a slight oof as someone crashed into the back of Poe (Finn's subtle way of announcing his arrival). He placed a hand on his shoulder, shoving him forward slightly. It was clear that Poe was in a state of shock - at your loss, at your declaration, and even more at your return - because the last few days had changed everything.

Everything he'd ever wanted was about to come to fruition. No pressure.

"Go to them," Finn murmured.

With that, Poe took a few steps forward - you met him half away across the room, chests colliding with enough force to knock down an ATAT. He wound his arms you, pulling you towards him with one hand tangled in your hair and the other holding your back. He clung to you, tears in his eyes and entire body shaking, almost as though he was using the feeling of you to act as a reminder that this wasn't a dream. You were here. You were back. Perhaps a little worst for wear, but alive and standing all the same.

I don't know how I'll say it. Am I meant to just blurt it out? I've never said it to anyone before, so...what the fuck am I meant to do? Normally, I'd come to you for advice on this sort of this but that feels a bit counter intuitive.

"Hey, Poe," you gently murmured.

"Hey, trouble," he let out a shaky laugh, pulling back from the hug to clutch your face in his hands. "You're alive. You're here-"

"- yeah, I'm here," you grinned.

"What happened?" he pushed. "If I ever find those First Order bastards, I swear it's on site."

"They were trying to shoot us out the sky, so we had to lay low on a random moon for a few days, but the residents of said moon were not very friendly and - you know what? It doesn't matter," you leant into his touch, relishing the feeling of his hands against your skin. "I'm here and that's what's important."

"I was so scared," Poe admitted. "And they had me search your room for back up plans and-"

You froze.

"You...you searched my room?" you stuttered. "What did you find?"

The main thing is, I AM gonna tell you. I promise. Just...please come back.

Love, Poe

Poe's eyes widened - maybe now wasn't the best time to break the news. You were bleeding from your head and hadn't slept for days. To spring it on you before you were even cleaned up felt a bit unfair. His worst fears had been avoided, so he didn't mind waiting just a little longer.

"Nothing," he forced a smile. "C'mon, I'll clean you up."

Taking your hand in his, Poe lead you towards one of the beds. He was hardly a medical expert, but he'd been through enough cuts and scrapes to have a basic understanding of stitches. And luckily, your injuries didn't look too bad. It was more just the fact you had them in the first place that hurt him.

What if he'd gone on the mission with you? Or convinced you to stay? Fuck, he would have gone in your place if he knew what was going to happen. The last few days had been the worst of his life and he almost felt responsible for what had happened to you. Your pain was his pain, and he felt it in every fibre of his being.

But, of all things, at least he knew what love was now - and if you had never have gone MIA, he never would have gone looking in your room, and he never would have found those letters. It felt like a bit of a dick move to call them a blessing in disguise but his mother had always taught him the value of looking for silver linings. The last week had been one giant thunderstorm. There had been no breaks in the rain, or sun peaking through the clouds. It had just been darkness and thunder, but it was all beginning to clear now.

What was it that Shara had said when Poe was a kid? Things have a funny way of working out. This was all a testament to that, and also to the fact that she always seemed to be right.

Poe's hands moved gently as he stitched up the cut on your forehead. They were still steady as they moved, brown eyes occasionally moving down to meet yours. He always smiled when they did.

"There we go," he said. "That shouldn't scar, but if it does, it would make you look like a bad-ass, so..."

You chuckled slightly. "Thanks, Dameron."

"You don't have to thank me," he quietly murmured, running a thumb over your cheek. "I'm just glad you're back."

"Right," you grinned. "What did you do whilst I was gone?"

Cried. Read those letters. Cried some more. Wrote a letter myself, then cried on that too.

"I just...I caught up some on some reading," he forced a smile. "C'mon, let's go to my quarters. I have some bactaspray there for those bruises."

Poe took your hand in his again and helped you up off of the bed - you seemed okay to walk, but he didn't let go. He needed to feel you, to know that you were there. He was worried you might float away into the galaxy and disappear all over again if he didn't cling onto you.

And for you, the feeling of his warm hands against yours was a welcome relief after a long few days. You were trying to push the pain and the incoming nightmares to the back of your head, and it was much easier when Poe was beside you. You already knew that he was going to make you sleep beside him that night. Being on the same wavelength so often was a great feeling.

Poe hadn't thought about tidying his room - why would he? He'd been so preoccupied with you, and finding you, that he'd barely considered the idea. Besides, it wasn't like you were going to care about the shoes by his door, or the letters on his desk, or the unfolded laund-

- fuck.

The letters.

Your box of letters, which was sat on his desk, which was right by the door.

By the time he'd even registered that they were there, you were already half way into the room. In a somewhat half-arsed attempt to shove them back in the box and toss them to the side, Poe dove forward and knocked them into an open draw, slamming it shut.

When he turned around and saw your wide eyes, it was clear he was a little too late. You'd already seen them.

taglist: tags: @neverlandlibrarian @asphyzzz @dream-alittlebiggerdarling @ubri812 @taina-eny @dessinemoiunehistoire @fangirl-316 @princessxkenobi @brandyllyn

[smellsfaintlyofvanilla]

hiii!!! can i request a hange x reader fic where they are having a being intimate or having a moment and Levi walks in. and is like wtf. but praises hange on their choice of women? ( could you use a mix of they and she for hange please!)

Absolutely!

I just know Levi would be the type to act disgusted, but internally he's actually really happy for Hange that they finally found somebody :')

Quickly

(Zoe Hange x Reader)

AU: Canon

Warnings: None

Category: Fluff, a little smut but they get caught lmao

Summary: Hange is busy doing work when their S/O comes to visit them, so they let them stay for a bit. But, as soon as they get to fooling around, Hange realizes they forgot to lock the door.

Words: 1.9K

"Knock knock."

You push the door to Hange's office open casually, not even waiting for any sort of confirmation from them that you were allowed in—after all, Hange never said 'no' to any of your visits. It was essentially your office too now, since she had given you a spare key to "come over whenever you'd like and for whatever reason you'd like". You understood the implications of what she was saying, but pushed the thought to the back of your mind, accepting the key graciously.

"Ah, hello Y/n." Their voice echoed through the room, their back turned as she fiddled with some equipment and papers on her desk, working vigorously as usual. You shut the door behind you, stretching your arms above your head as you strolled over to your lover.

Your arms wrapped around her waist from behind the second you got close enough, burying your head in their neck—a cheeky way of getting their attention that never once failed.

"Baby, I'm working." She chuckled in mock protest, but based off of how quickly they dropped their tools and looked up from their papers, you doubted she was planning on stopping you.

"I know," You breathe against her neck, slowly and meticulously luring them further and further from her work. "But I missed you~."

"What do you want?" Hange suddenly asked. It wasn't in annoyance, but a genuine question. "Do you want something in particular?"

You sat there silently against her shoulder for a moment, pondering. What did you come here for? Mostly, you were just bored and lonely—stable duty wasn't the most appealing job—but you didn't have anything planned when you came over.

"I dunno..." You mumble. "Just wanted to see you..."

Hange chuckled, freeing herself from your grasp and turning to face you. "That's fine." They say, hooking their arms around your lower back to pull you up, and you wrap your legs around her waist as she starts walking.

After a few seconds, she'd sat down, and you heard the distinct scratching of the chair against the floor as she scooted forward. You were in their lap now, body pressed up against hers so closely that you could feel the rise and fall of their chest with each steady breath. They'd already scooted the chair up as close to their work desk as they could, and even your lower back was pressed semi-uncomfortably against her wooden desk, you didn't mind at all. Your legs were to either side of her, and you faced the back wall blankly.

"We can stay like this for a while." She muttered, her left hand slowly rubbing up and down your back while her right picked up the pen and started to fill out the stack of paperwork on her desk. You chuckled—Hange's inability to pry themselves from their work was evident as always.

You settled down, your breaths leveling to slow, easy pace as you buried your head in the crook of her neck, finding deep solace and tranquility in her embrace. Your eyes shut against her, and you slowly breathed in their scent. It was very distinct—somewhat musky, yet also smelling of ink and fresh paper. The tension evaporated from your muscles as you sunk further into them, the warmth of their body and the gentle rhythm of their heartbeat lulling you to sleep in her arms.

After a certain amount of time—you weren't quite sure how long—something stirred you awake, and a groan involuntarily left your lips as your eyes peeled open.

You were still in the chair, and in Hange's embrace, but the sound of pen on paper had ceased, and you could only assume that they had finished their a while back.

Her face was now pressed into your shoulder, and both of her hands had snaked under your shirt and onto the bare skin of your back. If you didn't know better, you'd assume she was asleep, but you heard a soft chuckle pass your lover's lips, the exhalation brushing warm air against the nape of your neck.

"Sorry, I didn't mean to wake you. Are my hands too cold?" She spoke gently and quietly, a stark contrast to her usually loud tone. She didn't want to bother you with her usual loudness immediately after you had woken up.

"Now that you mention it, a little." You mumble, closing your eyes in a vain attempt at getting more rest.

"Sorry. Here, I'll move them." They make good on their words, removing their hands from yours and moving them up to your head, pulling it up from her shoulder. She cups your face in her hands, one side in each palm, and pulls you towards her face for a chaste kiss on the lips.

Finally starting to wake up, you move your lips back to hers after a moments hesitation. They return the kiss eagerly, hands moving to your shoulders, squeezing them lightly. Their lips are warm and soft against yours. Perhaps a little chapped, but you had long gotten used to the feeling.

Teasingly, Hange moves her hands down, letting them slink to your waist, purposefully dragging of the sides of your breasts on the way down. Their tongue left their mouth, dragging up your bottom lip teasingly.

You pull away in shock, wiping the small trail of saliva connecting the two. "H-Hange—!"

They lean their head back, letting out a hearty laugh. "Sorry, I just wanted to see what you would do!"

Despite playing it off as a joke, her hands never left your hips. In fact, their grip only tightened.

"Unless..." She teased, hands slowly riding up, causing your shirt to rise and expose your stomach. "You want to keep going?"

A pink tint rises to your cheeks as your shirt continued to rise up your stomach, Hange's eyes shamelessly staring down at your exposed skin, thoroughly enjoying the view.

"Hange~," You whined, squirming under their grasp and trying in vain to fight off the tingle in the pit of your stomach. "We're on duty, stop being horny!" You laughed, causing Hange to giggle as well.

"What's the harm in it? I've down my work, and so have you... You locked the door on the way in, you nobody'll catch us anyway. I'll be quick about it~..."

You sighed, debating on whether it's really worth it. After all, captain Levi would surely chew you out for it if he caught you and Hange getting frisky. But the door was locked, so you decided it would be alright. Just this once.

"Fine..." You sigh, "Just be quick about it."

Hange's eyes lit up with excitement at your permission, immediately pulling your shirt up, not taking it off completely, but pulling it up enough to expose your breasts, still hidden by your bra.

Hange's lips went to your chest almost instantly, peppering the area with brief kisses. Her hand slunk lower, cupping your crotch in her hand, causing you to hiss in a breath of air.

Her lips detach from your chest with a pop, smirking at you before moving up to gaze at your face—flushed and slight sweating from arousal.

She swooped in to kiss you, lips connecting with yours and moving against each other passionately. Slowly, but deliberately, her hand moved up and down, grinding against your clit through your clothing, making you squirm with impatience.

You whimpered quietly, the sound being muffled by Hange's mouth against yours. The two of you separated for a very brief moment, breathing heavily as saliva connected your lips, before you dove right back in, kissing more fervently than before.

Finally, you two pulled away, catching your breaths amongst the grips of passion. Panting, you put your forehead to theirs, smiling against her.

"I love you Hange." You exhaled, your warm breath teasing Hange's wet and parted lips.

"I love you too." She panted, emphasizing her point by grinding her hand against you a bit more forcefully this time, the pleasure causing you to moan quietly, spurring Hange on. "So hurry up and take your pants off."

You obey immediately, almost as if your body was moving on its own, unzipping your pants, preparing to slide out of them until a subtle noise behind you caught your attention. You turned your head in confusion, and your eyes widened at the sight of captain Levi, clearly unamused, in the doorway.

"L-Levi... Hi!" You sputter, fumbling desperately with the zipper of your pants in a desperate attempt to play off the situation. But it was too late, the damage had already been done.

Levi stared for a moment, his usual dead, unamused face ever so prominent. Finally, after a silence that felt like eternity, he sighed, stepping towards the desk.

He plopped down a stack on papers on Hange's desk, causing a few loose papers to blow from her desktop and onto the floor.

"You're on duty, Hange. You too, Y/n." He deadpans. "Now is not the time nor the place to be doing... this."

You look to the side out of embarrassment, pulling your shirt back down as you refused to meet his eye.

"Hange, Erwin needs these filled out by next week. Stop fooling around with Y/n and get it done."

"I-I apologize Levi, I'll get it done as soon as possible." Hange cleared her throat, trying her best not to sound affected, but her wavering voice betrayed her, clearly slightly embarrassed.

He scoffed as he turned his back, walking out as if this were a normal occurrence. "Yeah, yeah. I don't really care anyway, just make sure this gets done. And don't make a mess, either." He says, eyeing the clear disarray of the room.

He turns to leave, but stops in the frame of the door, turning to give Hange a side-eyed glance. "But, you know, for everyone in the Survey Corps, you chose a pretty good woman." He states, shutting the door immediately after his statement, preferring not to witness the calamity.

Hange breaks out into a fit of giggles while your entire face heats up into a red blush of embarrassment.

"Of all that," Hange sputters in between giggles. "Of all that, he chooses to focus on 'my choice of women'?!"

Meanwhile, you bury your face in your hands, wishing you could just sink into the floor and never be seen again. "I thought I locked the door..."

"I guess not, darling." They tease, planting a purposefully short kiss to the edge of your jawline. This time, you're more firm in your stance, taking a hand and putting it on her forehead, gently pushing them away from your neck.

"Nuh-uh! Not this time, Levi said you have work to do." You manage to regain your confidence enough to push Hange away.

"Ughhhh, fine." They groan dramatically, gently pushing you off their lap as they scoot their chair to their desk.

"You act as if it's your life support. You can go an hour without sex, Hange."

"Impossible." Hange retorts back immediately, a joking tone to her voice.

"Right," You sigh, stretching your arms above your head, "Anyway, I'm gonna take a nap on the couch." You plop down on the cushiony fabric, making yourself comfortable before pulling a blanket up to your shoulders.

"Okay," Hange's voice echoes from across the room. "Just don't be upset if I wake you up later."

You scoff quietly at the remark, rolling onto your side and closing your tired eyes. "You dork. I'm going to sleep. Love you."

"Love you, too." They reply immediately, ignoring the papers on her desk, staring at you instead.

You'd already fallen asleep—your exhaustion from the day catching up to you—and Hange took the moment to admire your beauty as you slept peacefully.

"I'll be waiting right here when you wake up, okay?"

This also isn't proofread, I have an appointment early tomorrow morning and I don't wanna fall asleep halfway through :'D

Hope you enjoyed anyway!

[theusurpersdog]

A Bird in a Cage

Sansa’s arc in A Clash of Kings is all about boxing her in. Not only is she a hostage in King’s Landing, she’s also expected to pretend she’s not; she has to attend Court with a smile on her face, playing the role of Joffrey’s betrothed every day. Showing any honest emotion is punished by verbal and physical beatings. Her entire life becomes a performance she must put on to keep the monsters at bay. Everything about her world is meant to be stifling; from the physical restrictions to the emotional ones, it all makes her retreat deeper and deeper within herself.

But the real magic of this book is the moments where she finds a way to push back or escape her bounds . . . 

Captive

In more ways than one, Sansa is a captive in King’s Landing.

The first kind of abuse she’s subjected to is physical. Beatings are a part of her everyday life. Because Robb was crowned king, or because she was happy Janos Slynt was sent to the Wall, or because Joffrey decided to be especially cruel one day. Sometimes for no reason at all.

She has to take care to dress carefully to hide the bruises:

The gown had long sleeves to hide the bruises on her arms. Those were Joffrey’s gifts as well.

This should go without saying, but domestic abuse is not rational; nothing Sansa does could stop Joffrey from abusing her – no clever words or tricks she could do to keep him happy. Half the time he has her beaten, it’s because of something Robb did.

Because she could be beaten at any moment, Sansa always keeps one eye on Joffrey, terrified that his mood could turn:

So the king had decided to play the gallant today. Sansa was relieved.

. . .

The king was growing bored. It made Sansa anxious. She lowered her eyes and resolved to keep quiet, no matter what. When Joffrey Baratheon’s mood darkened, any chance word might set off one of his rages.

Not only is she afraid of being hit, she’s genuinely afraid he could kill her:

When she doubled over, the knight grabbed her hair and drew his sword, and for one hideous instant she was certain he meant to open her throat.

Sansa knows her life balances on an incredibly delicate string. Jaime being Robb’s prisoner gives the Lannisters a reason to keep her alive, but Joffrey had reasons to keep Ned alive, too. If anything were to set him off, he would kill Sansa without hesitation. That’s why Sansa feels safer with Cersei around to watch her son, because she’s the only thing that remains to keep Joffrey in check. And Sansa knows that if Robb were to do anything to Jaime, her life would be over:

Gods be good, don’t let it be the Kingslayer. If Robb had harmed Jaime Lannister, it would mean her life. She thought of Ser Ilyn, and how those terrible pale eyes staring pitilessly out of that gaunt pockmarked face.

The beating she endures after Robb wins the battle at Oxcross is so bad that she can barely walk afterward; and as I already mention above, she has to be careful to wear dresses to hide her bruises.

And not only does she have to endure the abuse, she also has to carry on the farce for the rest of the court. Everyone knows she’s a prisoner, and everyone knows that Joffrey is having the Kingsguard beat her, but she’s not allowed to show it; all of her pain has to be kept hidden, pushed deep down inside herself.

Which leads me to the other kind of abuse Sansa experiences in King’s Landing. Everything about her time there is meant to emotionally destroy her. Joffrey intentionally tries to taunt her with threats to murder her family:

“It’s almost as good as if some wolf killed your traitor brother. Maybe I’ll feed him to wolves after I’ve caught him.

. . .

“I’d sooner have Robb Stark’s head,” Joff said with a sly glance toward Sansa.

. . .

“I’ll deal with your brother after I’m done with my traitor uncle. I’ll gut him with Hearteater, you’ll see.”

He loves to play mind games with her, like when he promised to show Ned mercy and then cut off his head and said that was mercy. The constant way that he twists reality around messes with her head and leaves her understandably paranoid:

What if it was some cruel jape of Joffrey’s, like the day he had taken her up to the battlements to show her Father’s head? Or perhaps it was some subtle snare to prove she was not loyal. If she went to the godswood, would she find Ser Ilyn Payne waiting for her, sitting silent under the heart tree with Ice in his hand, his pale eyes watching to see if she’d come?

The constant cruelty she suffers, and Joffrey and Cersei’s profound betrayal at the end of A Game of Thrones, make it hard for her to trust anyone, even when they show kindness:

He speaks more gently than Joffrey, she thought, but the queen spoke to me gently too. He’s still a Lannister, her brother and Joff’s uncle, and no friend. Once she had loved Prince Joffrey with all her heart, and admired and trusted his mother, the queen. They had repaid that love and trust with her father’s head. Sansa would never make that mistake again.

How is she supposed to trust anyone, when everything around her is false? When everything is a carefully constructed jape at her expense? Especially because she’s surrounded by enemies; anyone making their home in Joffrey’s court is sworn to kill Sansa’s family.

And Cersei intentionally makes her isolation worse, rotating her bedmaids:

Sansa did not know her. The queen had her servants changed every fortnight, to make certain none of them befriended her.

Sansa truly has no one to talk to, not even friendly servants to keep her company. Her loneliness is so profound that she enjoys being watched over by Arys Oakheart because he’s the only person who will actually talk to her.

She realizes that no one in King’s Landing cares if she lives or dies:

She [Cersei] spared Sansa not so much as a glance. She’s forgotten me. Ser Ilyn will kill me and she won’t even think about it.

And before the Battle of the Blackwater started, Tyrion told her this:

“I ought to have sent you off with Tommen now that I think on it.”

Unlike Joffrey and Cersei, Tyrion doesn’t wish Sansa any harm; he orders Joffrey’s men to stop hitting her, tries to comfort her afterward, and doesn’t want her to be married to Joffrey. But she is not one of his priorities. It didn’t even occur to him to try and get her safely out of the city.

This is dehumanizing. Sansa has no friends or even anyone to talk to, and the people around her treat her life as an afterthought.

Sansa also suffers from the emotional fallout of Joffrey’s abuse. She blames herself when he has men hit her:

She must learn to hide her feelings better, so as not to anger Joffrey.

The fear of being hit by Joffrey is nearly all-consuming for Sansa. It affects everything down to the smallest details of her life, like how she dresses and does her hair:

I have to look pretty, Joff likes me to look pretty, he’s always liked me in this gown, this color.

Instead of getting to live as her own person, doing things to make herself happy, Sansa has to live for Joffrey’s satisfaction. Even when she’s being physically beaten, she thinks of him instead of herself:

Laugh, Joffrey, she prayed as the juice ran down her face and the front of her blue silk gown. Laugh and be satisfied.

Everything about her life is a performance for other people. She wears the gowns and jewels Joffrey likes, dressing to hide the bruises his men leave all over, and says the words they tell her to say:

“My father was a traitor,” Sansa said at once. “And my brother and lady mother are traitors as well.” That reflex she had learned quickly. “I am loyal to my beloved Joffrey.”

Sansa repeats that phrase over and over throughout the book, always at once. Almost like a reflex. An actor on stage repeating their lines, rehearsed and performed a thousand times.

The worst part of the act is that everyone knows it’s exactly that: an act. Sansa is required, every day, to declare that her family are traitors who deserve to die, and for no reason at all. The way Joffrey abuses her is an open secret:

“He’s never been able to forget that day on the Trident when you saw her shame him, so he shames you in turn. You’re stronger than you seem, though. I expect you’ll survive a bit of humiliation.”

There is no way anyone could ever believe Sansa actually loves the boy who killed her father and intentionally humiliates her in front of his court. No matter how well Sansa tells the lie, it will always be see-through; especially because everyone knows that she’s a prisoner, being held until Jaime is freed. Sansa has to repeat the lie of believing her family to be traitors to try and please the Lannisters – if she said anything different she would be beaten or killed – but there’s no way they will ever be happy, because even when Sansa says the lies as convincingly as humanly possible, they know they’re lies because there’s no way they could be anything else. Sansa cannot win.

That’s never clearer than during her conversation with Cersei inside Maegar’s Holdfast, while the Battle of the Blackwater rages on:

“I pray for Joffrey,” she insisted nervously.

“Why, because he treats you so sweetly?” The queen took a flagon of sweet plum wine from a passing serving girl and filled Sansa’s cup. “Drink,” she commanded coldly. “Perhaps it will give you the courage to deal with truth for a change.”

If Sansa told Cersei the truth in this moment, she would be severely punished. And Cersei knows that, because she would be the one doing the punishing. Yet she verbally berates Sansa anyway.

The same dynamic plays out between Sansa and the Hound. At the end of A Game of Thrones, he gives her this bit of advice:

“Save yourself some pain, girl, and give him what he wants.”

And as one of Joffrey’s Kingsguard, he knows first hand of the abuse Sansa suffers if she says anything that could even be construed as out of line. Yet when Sansa tries to follow the advice he gave her, he throws it back in her face:

“ah, you're still a stupid little bird, aren't you? Singing all the songs they taught you”

Everyone in King’s Landing is always threatening to kill Sansa if she tells them the truth, and then calling her stupid when she repeats back the lies they want to hear. They’re forcefully dehumanizing her, demanding she remove all of her own thoughts and emotions and replace them with hollow lines they’ve given her, and then getting mad when her words are empty.

This plays on one of Sansa’s greatest insecurities about herself, which is her intelligence. Because of her low self-esteem, she already thinks of herself as being less-than. That’s very clear whenever she does an act of kindness – she steadfastly refuses to give herself credit for anything:

Sansa could not believe she had spoken. Was she mad? To tell him no in front of half the court?

. . .

Lancel was one of them, yet somehow she still could not bring herself to wish him dead. I am soft and weak and stupid, just as Joffrey says. I should be killing him, not helping him.

She never thinks to herself You are doing this because you are a good person. She always punishes herself internally, calling herself stupid and childish for believing in good things. Joffrey and Cersei have destroyed her so much that she can only see herself through their eyes, cruel and mocking.

The fear that she’s stupid is one of her greatest anxieties:

“My Jonquil’s a clever girl, isn’t she?”

“Joffrey and his mother say I’m stupid.”

And she doesn’t like to be watched by Ser Preston Greenfield because he treated her like a lackwit child.

Everyone around her is comfortable calling her stupid and emotionally abusing her, and it’s easy for Sansa to start internalizing those messages. Joffrey and Cersei’s betrayal at the end of A Game of Thrones forever changed Sansa; the fear that she could ever be so wrong again, and the fear that she was stupid to believe in them, haunts her. Throughout her time in King’s Landing, her self-worth plummets, and she really starts to believe all the things that Joffrey, Cersei, and everyone is always telling her about herself.

Because she has to endure so much abuse and cruelty every day, it starts to become normal to Sansa. Compared to the way Joffrey treats her, anything would be an improvement; she has a soft spot for Arys Oakheart because he hesitated to hit her once:

Arys Oakheart was courteous, and would talk to her cordially. Once he even objected when Joffrey commanded him to hit her. He did hit her in the end, but not hard as Ser Meryn or Ser Boros might have, and at least he had argued.

At least he had argued is one of the saddest lines in a series of books that has a lot of sad lines. Sansa expects so little of the people around her, and is subjected to so much cruelty, that the mere act of hesitating before hitting a defenseless child is enough to stand out in her memory as an act of kindness.

And Sansa thinks this when Tyrion asks her if she’s flowered yet:

Sansa blushed. It was a rude question, but the shame of being stripped before half the castle made it seem like nothing.

This is a perfect moment to show the small ways in which Joffrey is breaking her down emotionally. Tyrion’s question is embarrassing and impolite, but Sansa doesn’t even care because it is so much less embarrassing than the humiliations Joffrey makes her suffer. Joffrey has set the bar for cruelty so high that Sansa is willing to ignore others mistreating her because it isn’t as bad as Joffrey.

The secret friendship she has with Dontos makes this even worse:

“And if I should seem cruel or mocking or indifferent when men are watching, forgive me, child. I have a role to play, and you must do the same. One misstep and our heads will adorn the walls as did your father’s.”

Dontos is not wrong, but it doesn’t make it any less toxic a message for Sansa to hear: I’m cruel and hit you for your own protection. That’s on display when Joffrey is beating Sansa for Robb’s victory at Oxcross:

“Let me beat her!” Ser Dontos shoved forward, tin armor clattering. He was armed with a “Morningstar” whose head was a melon. My Florian. She could have kissed him, blotchy skin and broken veins and all.

Sansa is happy that Dontos is the one hitting her, because at least it’s better than Meryn Trant and Boros Blount. Dontos volunteering to hit her is an act of kindness for Sansa; which further reinforces the idea that someone hitting her is okay.

All of this works to lower Sansa’s standards and warp her perception of what is and isn’t okay; and in the case of Dontos, it is outright grooming on the part of Littlefinger. He intentionally paid an older man to win Sansa’s trust and get her used to the dynamic of secrecy and pushing boundaries, all so he can swoop in during A Storm of Swords. Sansa’s stuck in an endless cycle of her abuse conditioning her to accept more abuse.

All of the abuse and isolation Sansa suffers also leaves her incredibly depressed throughout A Clash of Kings. When she gets the note telling her to go to the Godswood, she thinks she will kill herself before she’s caught:

If it is some trap, better that I die than let them hurt me more, she told herself.

After the bread riot, Sansa has panic attacks; so much so that she feels suffocated in small rooms:

Sansa could go where she would so long as she did not try to leave the castle, but there was nowhere she wanted to go. She crossed over the dry moat with its cruel iron spikes and made her way up the narrow turnpike stair, but when she reached the door of her bedchamber she could not bear to enter. The very walls of the room made her feel trapped; even with the window opened wide it felt as though there was no air to breathe.

She likes to go up to the roof of the tower so she can see the entire city laid before her; it’s the only place where she doesn’t feel so claustrophobic and trapped.

That passage is also so fantastically written to show just how depressed Sansa is. Sansa could go where she would so long as she did not try to leave the castle, but there was nowhere she wanted to go. She's too depressed to go riding around the courtyard; she doesn’t see the point in going around in circles. We know from A Game of Thrones that Sansa has plenty of hobbies: playing the high harp, needlepoint, reading, and sharing gossip with her best friend. In A Clash of Kings, she’s too isolated to have anyone to talk to, but we never see her doing any of her other hobbies either. Nothing brings Sansa happiness in this book.

Especially because she’s constantly surrounded by reminders of her trauma. The way Sansa copes with her grief is by pushing it out of her mind and pretending like it doesn’t exist:

Sansa did not know what had happened to Jeyne, who had disappeared from her rooms afterward, never to be mentioned again. She tried not to think of them too often, yet sometimes the memories came unbidden, and then it was hard to hold back the tears.

Sansa actively tries to forget about the people who mean the most to her because it hurts too much to think of them.

But she can’t forget about Ned when she’s surrounded by reminders of his death. Joffrey and Cersei intentionally throw it in her face, and she has to walk through the same halls his men died in:

Sansa moved as if in a dream. She thought the Imp’s men would take her back to her bedchamber in Maegor’s Holdfast, but instead they conducted her to the Tower of the Hand. She had not set foot inside that place since the day her father fell from grace, and it made her feel faint to climb those steps again.

The reminder that hurts the most is the presence of Ilyn Payne, a recurring figure in all of Sansa’s nightmares. Just his presence makes Sansa’s skin crawl:

She was climbing the dais when she saw the man standing in the shadows by the back wall. He wore a long hauberk of oiled black mail, and held his sword before him: her father's greatsword, Ice, near as tall as he was. Its point rested on the floor, and his hard bony fingers curled around the crossguard on either side of the grip. Sansa's breath caught in her throat.

. . .

She looked for Ser Ilyn, but the King's Justice was not to be seen. I can feel him, though. He's close

When Sansa’s afraid she’s going to die, it’s always his blade she fears:

I'll not escape him, he'll have my head.

. . .

Ser Ilyn will kill me and she won't even think about it.

. . .

If she went to the godswood, would she find Ser Ilyn Payne waiting for her, sitting silent under the heart tree with Ice in his hand, his pale eyes watching to see if she'd come?

. . .

If Robb had harmed Jaime Lannister, it would mean her life. She thought of Ser Ilyn, and how those terrible pale eyes staring pitilessly out of that gaunt pockmarked face.

Watching Ilyn Payne kill her father is the worst thing that ever happened to Sansa, and she lives in constant fear that the same thing could happen to her.

The only thing that keeps her going is the thought of her family. Sansa is insecure in herself enough to start believing the abuse that Joffrey and Cersei inflict on her; but she loves her family too much to ever believe the lies about them. Even though she’s forced to declare them traitors every single day, her internal monologue is always fighting against it:

Rob will kill you all, she thought, exulting

. . .

I pray for Robb’s victory and Joffrey’s death . . . and for home. For Winterfell.

She even finds a way to make Joffrey’s words work in her favor:

“Did I tell you, I intend to challenge him to single combat?"

"I should like to see that, Your Grace." More than you know. Sansa kept her tone cool and polite, yet even so Joffrey's eyes narrowed as he tried to decide whether she was mocking him.

One of the only moments where Sansa is even remotely happy in this book comes when she’s talking to Tommen, because he reminds her of Bran:

Princess Myrcella nodded a shy greeting at the sound of Sansa’s name, but plump little Prince Tommen jumped up eagerly. “Sansa, did you hear? I’m to ride in the tourney today. Mother said I could.” Tommen was all of eight. He reminded her of her own little brother, Bran. They were of an age. Bran was back at Winterfell, a cripple, yet safe.

Sansa would have given anything to be with him. “I fear for the life of your foeman,” she told Tommen solemnly.

That’s a short passage, but it so beautifully captures a small piece of what Sansa is truly like, outside of the abuse and the fearing for her life and the never being able to express her emotions. She loves her family so much and wants nothing more than to be with Bran again. And while Joffrey mocks Tommen for his knightly dreams, Sansa is so nice to him, building up his confidence before he competes. She’s old enough to have grown passed the childishness of Tommen facing the quintain, but because she knows how important it is to Tommen, she gladly plays along with him. We never got to see any scenes in A Game of Thrones of Sansa interacting with Bran and getting to act like a big sister, but this scene does such a good job of showing us that Sansa was a great sister to him.

Sansa also feels a much stronger connection to the Godswood, the ancestral home of her father’s gods:

The air was rich with the smells of earth and leaf. Lady would have liked this place, she thought. There was something wild about a godswood, even here, in the heart of the castle at the heart of the city, you could feel the old gods watching with a thousand unseen eyes.

And even though Lady’s long dead, Sansa still has a strong connection to her wolf. When she believes she’s going to die during the Blackwater, Lady is the first thing she thinks of:

“Lady,” she whimpered softly, wondering if she would meet her wolf again when she was dead.

The more abuse Sansa suffers and the more pressure is put on her to denounce her family as traitors and give up on ever going home, the more Sansa falls back on her family. That’s the only form of comfort she has in King’s Landing; the memory of Winterfell, and the belief that Robb is coming to save her.

The Lannisters have Sansa held captive physically and emotionally in King’s Landing; she has to suffer through beatings and repeat their words to stay alive. But as long as Sansa has her family - has Winterfell - to hold onto, there is a part of her that the Lannisters can never have. Even if it’s only within the walls of her own mind, Sansa has fought herself a small piece of freedom.

Courtesy is a Lady’s Armor

Trapped within the political machinations of King’s Landing, Sansa starts to learn how to play the game in earnest.

Even before she consciously starts to do it, though, Sansa is already in many ways an adept political actor. There’s a reason that all highborn children are taught from a young age how to conduct themselves; Westeros is a society built on the cornerstone of tradition, and knowing how to perform courtly behavior is important. Because Sansa took all of Septa Mordane’s training seriously, she already knows how to walk the dangerous tightrope of courtly speak:

Sansa felt that she ought to say something. What was it that Septa Mordane used to tell her? A lady’s armor is courtesy, that was it. She donned her armor and said, “I’m sorry my lady mother took you captive, my lord.”

This is the same skill we saw in her second chapter of A Game of Thrones, when she was proud of herself for telling the Hound that no one could withstand Gregor during the tourney – she managed to say something courteous without telling a lie. Just as she did then, Sansa manages to say an apology to Tyrion that’s true.

It also shows just how good Sansa is at keeping a level head, because just moments before she was thinking this:

Tyrion turned to Sansa. "My lady, I am sorry for your losses. Truly, the gods are cruel."

Sansa could not think of a word to say to him. How could he be sorry for her losses? Was he mocking her? It wasn’t the gods who’d been cruel, it was Joffrey.

Faced with the men responsible for killing her father, she manages to think on her feet and fulfill the role of a Lady.

She also learns how to use that same skill to benefit herself. Whereas at first she was just trying to perform the functions of a Lady, she starts to use her courtesy to talk the people around her into helping her in such a way that they don’t even realize it’s happening:

“I would sooner return to my own bed.” A lie came to her suddenly, but it seemed so right that she blurted it out at once. “This tower was where my father’s men were slain Their ghosts would give me terrible dreams, and I would see their blood wherever I looked.”

Tyrion Lannister studied her face. “I am no stranger to nightmares, Sansa. Perhaps you are wiser than I knew. Permit me at least to escort you safely back to your own chambers.”

Part of why Sansa’s so naturally gifted at this kind of political double speak is because she understands people so well; she’s an empathetic and emotional character, and is extremely aware of the emotions of everyone around her. To affectively influence others, you need to understand what they want and be able to give it to them. Because Sansa is so aware of the people around her, she intuitively knows what they want; and all she wants to do is give it to them, because she doesn’t want to be hurt again.

The whole conversation she has with Tyrion in the Tower of the Hand does an excellent job showing how intelligent she is:

“I . . .” Sansa did not know what to say. Is it a trick? Will he punish me if I tell the truth? She stared at the dwarf’s brutal bulging brow, the hard black eye and the shrewd green one, the crooked teeth and wiry beard. “I only want to be loyal.”

“Loyal,” the dwarf mused, “and far from any Lannisters. I can scarce blame you for that. When I was your age, I wanted the same thing.” He smiled. “They tell me you visit the godswood every day. What do you pray for, Sansa?”

I pray for Robb’s victory and Joffrey’s death . . . and for home. For Winterfell. “I pray for an end to the fighting.”

Again, she shows an unparalleled ability to lie without actually lying. And she’s clever enough to tell Tyrion what he wants to hear without saying anything that’s actually false, that way it can’t come back to bite her later. She learned her lesson in A Game of Thrones not to trust someone just because they’re kind, and is careful not to show her cards to Tyrion. But in case he’s being honest in trying to help her, Sansa does not reaffirm her love for Joffrey. That’s why her answer of I only want to be loyal is so smart; whether Tyrion is playing her false or no, Sansa has given him the answer he wants to hear. She’s kept all of her doors open without creating additional risk for herself.

Having to survive Joffrey every day also teaches Sansa how to get what she wants without actually having to say it. When she saves Dontos’ life, she plays to Joffrey’s ego:

Unhappy, Joffrey shifted in his seat and flicked his fingers at Ser Dontos. "Take him away. I'll have him killed on the morrow, the fool."

"He is," Sansa said. "A fool. You're so clever, to see it. He's better fitted to be a fool than a knight, isn't he? You ought to dress him in motley and make him clown for you. He doesn't deserve the mercy of a quick death."

All Sansa wants is to save Dontos’ life, and in the moment she comes up with a spectacular lie. Of course Joffrey would think it humiliating to make Dontos into a fool, so Sansa convinces him that would be an even greater punishment than death. She manipulates Joffrey into doing what she wants him to, and he doesn’t even know it’s happened.

Learning how to slyly insult Joffrey is one of the few ways Sansa can actually express herself as a prisoner, and she gets incredibly good at it. She starts by passive-aggressively getting one over on him:

“Did I tell you, I intend to challenge him to single combat?"

"I should like to see that, Your Grace." More than you know. Sansa kept her tone cool and polite, yet even so Joffrey's eyes narrowed as he tried to decide whether she was mocking him.

But as she gets better at politics she goes even further, actively tempting Joffrey into getting himself killed:

“They say my brother Robb always goes where the fighting is thickest,” she said recklessly. “Though he’s older than Your Grace, to be sure. A man grown.”

Joffrey’s biggest insecurity is that he can’t rule in his own right; Cersei won’t let him do certain things, and Tyrion is in charge of him as the Hand of the King because he hasn’t come of age yet. While Joffrey’s anger is normally aimed destructively at Sansa, here she figures out a way to make it work for her; using his own emotions against him to do something reckless.

As well as learning the art of political double-speak, Sansa starts to understand the broader political machinations at work. Because she was a diligent student of Catelyn and Septa Mordane, she has almost every sigil in Westeros memorized; at Joffrey’s name-day tourney, she recognizes every competitor by their House. This may seem unimportant at first glance, but it’s actually very important; twice in Arya’s chapters in A Clash of Kings she wishes she knew Houses and Sigils as well as Sansa, because than she would know who she was dealing with.

Since Sansa knows who everyone is, she has head start in understanding where everyone’s loyalties lie. On top of that, she’s also incredibly observant; she’s constantly taking in everything around her, stopping to pay attention to every little detail and interaction between people. Even though Cersei and Joffrey are trying to keep it hidden, Sansa notices that Joffrey’s tourney is held inside the Keep because he would be mobbed if they went out into the city. And she knows the Redwyne twins are hostages just as much as she is:

The Redwyne twins were the queen’s unwilling guests, even as Sansa was. She wondered whose notion it had been for them to ride in Joffrey’s tourney. Not their own, she thought.

That’s not something anyone would have told Sansa. For one, no one is even allowed to talk to her per Cersei’s orders. For two, Cersei doesn’t let anyone acknowledge that she has hostages – in the same way Sansa has to pretend she is a guest of Joffrey’s court, the Redwynes have to pretend they’re willing guests. That means that Sansa, with no help from anyone, has of her own accord put all the pieces together and realized the Redwynes are political pawns just like her. Very impressive for a twelve-year-old.

Sansa’s attention to detail is clear when she meets Shae, and immediately notices something is not right with her:

Lollys clutched at her maid, a slender, pretty girl with short dark hair who looked as though she wanted nothing so much as to show her mistress into the dry moat, onto those iron spikes.

And when she’s entering Maegar’s Holdfast at the start of the Blackwater, and notices the guards:

The two guards at the door wore the lin-crested helms and crimson cloaks of House Lannister, but Sansa knew they were only dressed-up sellswords. Another sat at the foot of the stair – a real guard would have been standing, not sitting on a step with his halberd across his knees – but he rose when he saw them and opened the door to usher them inside.

Her encyclopedic knowledge of Westerosi Houses and her attention to detail combine to give her a really good head for political machinations. She sees how the Lannisters use empty titles to flatter their lesser servants while saving the best prizes for their family:

Hallyne the Pyromancer and the masters of the Alchemists’ was raised to the style of lord, though Sansa noted that neither lands nor castle accompanied the title, which made the alchemist no more a true lord than Varys was. A more significant lordship by far was granted to Ser Lancel Lannister.

She manages to keep pace with Littlefinger and Tywin’s games:

She did not understand why that should make him so happy; the honors were as empty as the title granted to Hallyne the Pyromancer. Harrenhal was cursed, everyone knew that, and the Lannisters did not even hold it at present. Besides, the lords of the Trident were sworn to Riverrun and House Tully, and to the King in the North; they would never accept Littlefinger as their liege. Unless they are made to. Unless my brother and my uncle and my grandfather are all cast down and killed. The thought made Sansa anxious, but she told herself she was being silly. Robb has beaten them every time. He’ll beat Lord Baelish too, if he must.

I cannot emphasize enough that Sansa, following the tiny thread of Littlefinger looks happy to be Lord of Harrenhal, manages to predict the Red Wedding a whole book before it happens. That’s pretty incredible. Right now, Sansa has no power to start pulling meaningful strings of her own, but it’s clear that she fundamentally understands the complexity of geopolitics and would be well-prepared to make decisions of her own when the time comes.

Another way Sansa continues to learn about the realities of ruling is through people around her trying to teach her lessons. Because Sansa’s a hostage and isn’t allowed to say anything she feels, she basically becomes a blank slate for people to project whatever they want onto. Cersei, Dontos, and the Hound all try to “teach” her something as they project all of their own fears, insecurities, and trauma onto her.

Dontos tells her to play the fool:

“Joffrey and his mother say I’m stupid.”

“Let them. You’re safer that way, sweetling. Queen Cersei and the Imp and Lord Varys and their like, they all watch each other keen as hawks, and pay this one and that one to spy out what the others are doing, but no one ever troubles themselves about Lady Tanda’s daughter, do they?”

Of course, Sansa already knows this. All the way back in her second chapter of A Game of Thrones, Sansa thinks to herself that Moon Boy is smarter than he looks and is only pretending to be a fool so he can go wherever he likes; and Dontos confirms her suspicions when he reveals Moon Boy is a spy for Lord Varys.

It’s a consistent pattern that everyone around Sansa is constantly underestimating her; partly because of their own biases, and partly because Sansa is an almost entirely internal character, rarely letting people hear her honest thoughts. People assume she’s as hollow as the words they force her to say, but in reality she’s an introvert and a hostage.

The Hound also feels the need to impart some “lessons” onto Sansa:

Sandor Clegane snorted. “Pretty thing, and such a bad liar. A dog can smell a lie, you know. Look around you, and take a good whiff. They’re all liars here . . . and every one better than you.”

Again, he’s assuming Sansa’s much dumber than she actually is. Sansa already knows that everyone in King’s Landing is a liar, and has sworn to herself never to trust them again.

The most valuable lessons Sansa gets are from Cersei during the Battle of the Blackwater:

“Certain things are expected of a queen. They will be expected of you should you ever wed Joffrey. Best learn.” The queen studied the wives, daughters, and mothers who filled the benches. “Of themselves the hens are nothing, but their cocks are important for one reason or another, and some may survive this battle. So it behooves me to give their women my protection. If my wretched dwarf of a brother should somehow manage to prevail, they will return to their husbands and fathers full of tales about how brave I was, how my courage inspired them and lifted their spirits, how I never doubted our victory even for a moment.”

In this moment, even though she’s not doing a particularly good job actually doing it, Cersei articulates what’s really important about politics: optics. Her true motives for protecting the Ladies don’t matter as long as the Ladies believe that Cersei is doing it for the right reasons. That’s what monarchies are built upon. They’re a fragile house of cards constructed out of people’s belief.

That’s a lesson Sansa learns again when Joffrey sets her aside and takes Margaery as his bride. Sansa knows it’s going to happen, and is coached by Cersei how to react:

I must not smile, she reminded herself. The queen had warned her, no matter what she felt inside, the face she showed the world must look distraught. “I will not have my son humiliated,” Cersei said. “Do you hear me?”

But in front of the court, Joffrey carries on the charade, pretending Garlan’s offer of his sister’s hand is brand new information. Sansa watches from the sidelines and sees how people react; chanting and cheering to the theatre of it all. She gets to learn in real time how important it is to be performing your duties for the people. Other characters – most notably Jon Snow and Daenerys – can never quite figure that part of ruling out, and it has grave consequences.

I don’t mean performing in the negative sense. Of course, it can be used like that, like when the Tyrell’s intentionally starve King’s Landing so they can swoop in and make a big show of providing food. But it can also be used for good; it is an absolutely necessary aspect of ruling to let your people know what you’re doing for them. Jon in particular gets in trouble at the Wall because he doesn’t explain why he does things; he just does them and hopes people will trust him. Part of the courtly aspect of ruling is doing the work of showing your people how you’re helping them. That way you build trust with them, and they know you care for them. That’s what Sansa’s learning how to do.

Sansa’s also very good at the literal courtly aspect of politics; the time actually spent in court, sitting for hours and hours as the tedious day-to-day of ruling takes place. After the Battle of the Blackwater is over, Sansa has to sit in court for an entire day as soldiers are given their reward. She manages to stay focused the whole time, giving incredibly detailed accounts of each prize that’s awarded and each act of valor that caused it. She handles herself better than the grown men in the hall:

By the time all the new knights had been given their sers the hall was growing restive, and none more so than Joffrey. Some of those in the gallery had begun to slip quietly away, but the notables on the floor were trapped, unable to depart without the king’s leave.

Actual adults can’t even tolerate it, but Sansa manages just fine. This talent of hers is taken for granted by readers, but really stands out when you compare it to other characters. Sansa has the benefit of being raised to be a Lady, unlike a character like Daenerys who never had to sit through the training. Dany can’t make it through one day holding court in Meereen, and calls a lid early because she’s so bored – then stops holding court all together. Actually being a Queen is horribly bureaucratic, and that’s a skill that takes some practice to be able to perform.

Sansa’s ability to hold her own as a leader also really shines during the Battle of the Blackwater, when all hope seems lost and Cersei abandons the women in Maegar’s Holdfast:

“Oh, gods,” an old woman wailed. “We’re lost, the battle’s lost, she’s running.” Several children were crying. They can smell the fear. Sansa found herself alone on the dais. Should she stay here, or run after the queen and plead for her life?

She never knew why she got to her feet, but she did. “Don’t be afraid,” she told them loudly. “The queen has raised the drawbridge. This is the safest place in the city. There’s thick walls, the moat, the spikes . . .”

“What’s happened?” demanded a woman she knew slightly, the wife of a lesser lordling. “What did Osney tell her? Is the king hurt, has the city fallen?”

“Tell us,” someone else shouted. One woman asked about her father, another her son.

Sansa raised her hands for quiet. “Joffrey’s come back to the castle. He’s not hurt. They’re still fighting, that’s all I know, they’re fighting bravely. The queen will be back soon.” The last was a lie, but she had to soothe them. She noticed the fools standing under the galley. “Moon Boy, make us laugh.”

Sansa has no reason to do this. Cersei has given Ser Ilyn orders to kill her if the castle falls, and all the women in the holdfast are older than she is. She’s the last person who should be capable of standing up to take charge, considering her age and her impending death by execution.

She knows she’s faced with a choice: try and save her own life, or stay and comfort the women in the holdfast. And she decides to stay.

True Knights

This book sees Sansa’s worldview start to deepen. She’s only a child when the series starts, and like most kids has a very simple understanding of the world; there’s good and bad people, and good and bad things that happen. Songs were the way Sansa gave that worldview structure. They taught her that the good things happened to the good people, and the bad things happened to the bad people. Westeros is fair, and only the good people could be put in charge to do good things. Kings, queens, and knights were all avatars of the inherent goodness of the world; people put in place specifically to protect others.

This worldview became unsustainable for Sansa after Ned’s death. Every single rule the songs taught her was violated by her father’s execution. In her last chapter of A Game of Thrones, we see Sansa turn to nihilism as a result; her father is dead, her prince is a monster, and the knights sworn to protect her are the ones beating her. She doesn’t believe in anything anymore, so much so that she just wants to die.

In A Clash of Kings, Sansa starts to grapple with the overwhelming cognitive dissonance. Ned’s death and Joffrey’s cruelty taught her how evil people can be; but she also knows how good they can be, because she grew up in Winterfell. For all of their shortcomings, Ned and Catelyn were loving parents who tried their best to do good, and raised their kids the same.

Sansa still believes in goodness, but sees that everyone around her fails to live up to it:

Knights are sworn to defend the weak, protect women, and fight for the right, but none of them did a thing. Only Ser Dontos had tried to help, and he was no longer a knight, no more than the Imp was, nor the Hound . . . the Hound hated knights . . . I hate them too, Sansa thought. They are no true knights, not one of them.

Notice how she thinks They are no true knights. Sansa is surrounded by unimaginable cruelty, but she holds on to an undying sense of optimism. She knows that real knights don’t fight for the right, but that doesn’t stop her from continuing to believe in those ideals. Unlike in A Game of Thrones, when her belief in good was attached to specific people like Joffrey and Cersei, Sansa’s new worldview isn’t dependent on people to live up to. She believes in doing the right thing no matter what, even if the people around her let her down.

Sansa’s conception of beauty is the same way; in the first book, she assumed that beautiful people must also be good. But in A Clash of Kings, she reverses that order; people become either beautiful or ugly to her based on how good or bad they are. We view Joffrey through many POVs, and it is clear that by any standard that he is objectively attractive; yet Sansa now finds him ugly:

His plump pink lips always made him look pouty. Sansa had liked that once, but now it made her sick.

And she thinks this of the Hound:

The scars are not the worst part, not even the way his mouth twitches. It’s his eyes. She had never seen eyes so full of anger.

It’s not his physical appearance that scares her, it’s the anger in his eyes. That’s the part of him that’s ugly to her.

This evolution in Sansa’s understanding is never clearer than in her interactions with Dontos. The parts of his appearance that Sansa finds unattractive are his blotchy skin and broken veins, which are both symptoms of his constant drinking. It’s his drinking that bothers her:

“I prayed and prayed. Why would they send me a drunken old fool?”

. . .

This is madness, to trust myself to this drunkard

But Sansa manages to look beyond that as soon as Dontos invokes Florian the Fool. As much as Sansa understands that the songs aren’t true, the idea still appeal to her. When Dontos says he wants to make amends and become a true knight, in spirit if not name, Sansa treats him as if he actually were a knight:

“Rise, ser.”

. . .

Sansa took a step . . . then spun back, nervous, and softly laid a kiss on his cheek, her eyes closed. “My Florian,” she whispered. “The gods heard my prayer.”

Sansa’s growing understanding of the world around her also changes the way she thinks of class. To some extent in A Song of Ice and Fire, every single character is classist because they’re all rich people in an extremely hierarchical society. The entire structure of kings, lord paramounts, lords, knights, and peasants requires you to be classist; if you believe everyone in Westeros is equal, the entire structure of the society crumbles. While some of the POV characters like Jon and Davos make great strides in understanding how bankrupt the Westerosi class structure is, they’re still generally classist; it’s almost impossible not to be when you grow up in the culture they did. Davos grew up poor, but the indoctrination of classism has given him an almost religious fervor to follow Stannis as the “true” king.

Sansa especially had a very rigid understanding of class in A Game of Thrones; Arya making friends with the butcher’s boy was anathema to her. But the more that Sansa sees the people in power as the monsters they really are, the more sympathy she has for the people below her. In the sept praying before the Battle of the Blackwater, she holds hands with a washerwoman:

The old woman’s hand was bony and hard with callus, the boy’s small and soft, but it was good to have someone to hold on to

The more Cersei and Joffrey try to isolate Sansa, the more they try to snuff out any feeling of goodness or loyalty she had, the more Sansa reaches out to connect with people. Everything bad that happens to her makes her feel more connected to the people of King’s Landing. She’s too young and privileged (class-wise) to have a fully functioning understanding of the true evils of hierarchy, but she fundamentally understands something most of the aristocracy do not: that the common people are people and should be treated with respect.

She knows the common people will suffer the most if Stannis breaches the city walls, and prays for theme:

She sang along with grizzled old serving men and anxious young wives, with serving girls and soldiers, cooks and falconers, knights and knaves, squires and spit boys and nursing mothers. She sang with those inside the castle walls and those without, sang with all the city. She sang for mercy, for the living and the dead alike

Sansa gladly positions herself alongside the working people, not offended to be among them the way the Lannisters certainly are.

Sansa’s deepening worldview also gives her an incredibly complex relationship to the songs and stories she used to love. As I’ve already mentioned, she doesn’t disown them entirely; the high ideals of the songs are still very important to Sansa. The concept of a true knight, who would actually defend the defenseless, is the cornerstone of Sansa’s belief system, and she doesn’t need that person to actually be a knight – as long as they fulfill the moral obligation of being good. (Little does she know that very person is later tasked to find her.)

But now she knows that the stories lie. She understands their role as propaganda; when Arys Oakheart tries to say the peasants believe the comet heralds Joffrey’s reign, she doesn’t believe him:

“Glory to your betrothed,” Ser Arys answered at once. “See how it flames across the sky today on His Grace’s name day, as if the gods themselves had raised a banner in his honor. The smallfolk have named it King Joffrey’s Comet.”

Doubtless that was what they told Joffrey; Sansa was not so sure.

And she can’t even finish a sentence defending knights without realizing it isn’t true:

“Do you have any notion what happens when a city is sacked, Sansa? No, you wouldn’t, would you? All you know of life you learned from singers, and there’s such a dearth of good sacking songs.”

“True knights would never harm women and children.” The words rang hollow in her ears even as she said them.

The words ring hollow in her ears because Sansa does know what happens when a city is sacked; earlier in a previous chapter, she thinks this:

The whole city was afraid. Sansa could see it from the castle walls. The smallfolk were hiding themselves behind closed shutters and barred doors as if that would keep them safe. The last time King’s Landing had fallen, the Lannisters looted and raped as they pleased and put hundreds to the sword, even though the city had opened its gates. This time the Imp meant to fight, and a city that fought could expect no mercy at all.

Cersei underestimates Sansa, assuming everything she knows is from a song, but here we see that Sansa knows that the songs don’t tell the whole story. Unlike in A Game of Thrones, she no longer holds them in complete reverence. The Sept used to represent everything beautiful about the songs to her:

Sansa had favored her mother’s gods over her father’s. She loved the statues, the pictures in leaded glass, the fragrance of burning incense, the septons with their robes and crystals, the magical play of the rainbows over altars inlaid with mother-of-pearl and onyx and lapis lazuli.

It was the song’s come to life. But after Ned’s death, she hates it:

When Sansa had first beheld the Great Sept with its marble walls and seven crystal towers, she’d thought it was the most beautiful building in the world, but that had been before Joffrey beheaded her father on its steps. “I want it burned.”

She literally wants to set fire to the things that used to represent the songs.

But songs and stories are the foundation of Sansa’s world; even though she doesn’t believe in them the way she used to, they still shape her perception. She doesn’t want to let them go:

There are gods, she told herself, and there are true knights too. All the stories can’t be lies.

She still uses the template of songs and stories to interact with the world, but now with the understanding that the world is so much more complicated. Whereas before, the songs represented a sanitized version of war, Sansa begins to understand it in its entirety:

Away off, she could hear the sounds of battle. The singing almost drowned them out, but the sounds were there if you had the ears to hear: the deep moan of warhorns, the creak and thud of catapults flinging stones, the splashes and splinterings, the crackle of burning pitch and thrum of scorpions loosing their yard-long iron-headed shafts . . . and beneath it all, the cries of dying men.

It was another sort of song, a terrible song.

Thinking about something through the lens of a song no longer represents a childish fantasy for Sansa. Her conception of them is no longer permanent; her view of the songs has changed to fit with her new reality, but it’s still a comforting way for her to make sense of the world around her.

She even incorporates her love of the songs into her political manipulations:

"You're lying," Joffrey said. "I ought to drown you with him, if you care for him so much."

"I don't care for him, Your Grace." The words tumbled out desperately. "Drown him or have his head off, only . . . kill him on the morrow, if you like, but please . . . not today, not on your name day. I couldn't bear for you to have ill luck . . . terrible luck, even for kings, the singers all say so . . ."

Her use of the songs nearly saves her life here. Joffrey doesn’t know enough to be sure that she’s lying, so once the Hound corroborates her story, he has to believe it’s true.

Sansa’s attachment to the stories is integral to her character, and GRRM does a tremendous job of making it important to the arc she starts in this book, which is her continued journey from pawn to player in the Game of Thrones. Sansa’s perspective as a political actor is entirely unique from anyone else for many reasons, and one of those is her connection to the ideal version of Westeros that lives in the songs. Even as Sansa realizes the songs are lies and that the world is so much darker than she thought, she never gives up on the hope that it could be good. Her unwavering optimism for the world, in the face of so much trauma, means that she will never stop trying to make the world better.

Flowering

Throughout her time in King’s Landing, Sansa’s experiences with sexuality are inextricably linked to violence. The way Joffrey physically abuses her comes with a nasty undercurrent of sexual violence. The total control he exerts over her means she has to let him do what he wants:

The king settled back in his seat and took Sansa's hand. His touch filled her with revulsion now, but she knew better than to show it. She made herself sit very still.

The subtext of that scene is drawn to the forefront when Joffrey has Sansa beaten after Robb’s victory at Oxcross:

“Leave her face,” Joffrey commanded. “I like her pretty.”

. . .

“Boros, make her naked.”

Boros shoved a meaty hand down the front of Sansa’s bodice and gave a hard yank. The silk came tearing away, baring her to the waist. Sansa covered her breasts with her hands. She could hear sniggers, far off and cruel.

This is one of Sansa’s first experiences with sexuality, and it is nonconsensual and done specifically to humiliate her.

The relationship between sex and violence is never clearer than at the start of the Blackwater:

"Bless my steel with a kiss." He extended the blade down to her. "Go on, kiss it."

He had never sounded more like a stupid little boy. Sansa touched her lips to the metal, thinking that she would kiss any number of swords sooner than Joffrey

Joffrey is asking Sansa to kiss his sword; the metaphor here is not exactly subtle. To Joffrey, sex and violence are one in the same; having power over someone, hurting someone, turns him on as much as physical attraction. And as his betrothed, Sansa is on the receiving end of his sexually charged violence.

Unlike Joffrey, Sansa’s not turned on by violence, seeing it and sexuality as two separates things. And she would rather suffer through the violence, thinking to herself she would rather kiss the sword than kiss Joffrey. Her experiences with being found attractive to someone have all been so traumatic that actual violence scares her less.

Arguably the most traumatic experience she has is during the bread riot:

Sansa dug her nails into her hand. She could feel the fear in her tummy, twisting and pinching, worse every day. Nightmares of the day Princess Myrcella had sailed still troubled her sleep; dark suffocating dreams that woke her in the black of night, struggling for breath. She could hear the people screaming at her, screaming without words, like animals. They had hemmed her in and thrown filth at her and tried to pull her off her horse, and would have done worse if the Hound had not cut his way to her side. They had torn the High Septon to pieces and smashed in Ser Aron's head with a rock. Try not to be afraid! he said.

In the nightmares she has of that day, she dreams of being murdered; a knife cutting through her stomach until she’s left in bloody ribbons. It’s not hard to see the violent sexual imagery in that description. Sansa knows what those men planned on doing to her, and the memory haunts her. It’s no coincidence that she wakes from those nightmares to her first period:

“No, please,” Sansa whimpered, “please, no.” She didn’t want this happening to her, not now, not here, not now, not now, not now, not now.

The way GRRM writes her reaction is so visceral. As tears streams down her cheeks, she tries to wash herself, cuts apart her sheets, burns them, and tries to drag her entire bed into the flames as well. And the whole time she does this, she keeps thinking They’ll know or What will I tell them? or I have to burn them. She’s so completely and utterly terrified that anyone could ever know, she’s hardly even thinking. It’s just sheer, overwhelming panic.

This line in particular stands out:

The bedclothes were burnt, but by the time they carried her off her thighs were bloody again. It was as if her own body had betrayed her to Joffrey, unfurling a banner of Lannister crimson for all the world to see.

Down to jewelry she wears and the way she styles her hair, Sansa’s body belongs to Joffrey. Her job in King’s Landing is to look pretty for him in the hopes that it will save her from his wrath. Her body exists solely to please him. She’s literally stripped of her own agency and control.

Flowering is the last straw for Sansa because it means she can be tied forever to Joffrey through marriage, and he’ll be free to rape her and force her to have his children. And there’s nothing Sansa can do to stop it. Her own body has betrayed her by merely existing.

Sansa’s period is again equated to physical violence during the Battle of the Blackwater:

“You look pale, Sansa,” Cersei observed. “Is your red flower still blooming?”

“Yes.”

“How apt. The men will bleed out there, and you in here.”

Then a second time, Cersei compares sex to violence:

“You little fool. Tears are not a woman’s only weapon. You’ve got another one between your legs, and you’d best learn to use it.”

Through Cersei’s eyes, we get the clearest summary of the point GRRM is trying to make. Existing as a woman in Westeros is inherently oppressive to the point of smothering the life out of her. Where the men are given swords, women are given marriage and childbirth; but the latter is no less violent than the former. In Cersei’s words:

“We were so much alike, I could never understand why they treated us so differently. Jaime learned to fight with sword and lance and mace, while I was taught to smile and sing and please. He was heir to Casterly Rock, while I was to be sold to some stranger like a horse, to be ridden whenever my new owner liked, beaten whenever he liked, and cast aside in time for a younger filly. Jaime’s lot was to be glory and power, while mine was birth and moonblood.”

“But you were queen of all the Seven Kingdoms,” Sansa said.

“When it comes to swords, a queen is only a woman after all.”

In many ways, Sansa’s arc in A Clash of Kings is centered around this idea; the violence of femininity in Westeros. Being a child isn’t enough to spare Sansa the horrors. The whole reason she’s trapped in King’s Landing to begin with is because of her body; the Lannisters want to use her like property – a broodmare to sire them sons to inherit Winterfell.

It’s no surprise the climax of Sansa’s chapters in A Clash of Kings pushes this concept to its furthest bounds . . .

Ser Dontos and The Hound

Throughout Sansa’s chapters in King’s Landing, GRRM is deconstructing the trope of the Princess in the Tower. Sansa more than any other character is aware that her life takes place within a story, and she prays to the gods to send her a hero to save from the Red Keep. GRRM had already subverted the idea of a charming Prince with Joffrey in the first book, so A Clash of Kings subverts the trope of a knight coming to save her. That’s why her two protectors in King’s Landing are Dontos and Sandor Clegane – two men who aren’t quite knights.

For most of the book, the narrative treats Dontos and Sandor as foils. The story of why either one is not a knight puts them on two opposite ends of a spectrum. Dontos has his knighthood taken away from him because he’s too soft. He would rather drink and let people laugh at him than fight with a sword, which is why Joffrey makes him a fool. On the other hand, the Hound likes killing too much to be a knight:

“Let them have their lands and their gods and their gold. Let them have their sers.” Sandor Clegane spat at her feet to show what he thought of that. “So long as I have this,” he said, lifting the sword from her throat, “there’s no man on earth I need fear.”

This dichotomy between them is made clearer in the way Sansa has to escape their advances. Around Dontos, she’s dodging kisses:

"Give your Florian a little kiss now. A kiss for luck." He swayed toward her.

Sansa dodged the wet groping lips, kissed him lightly on an unshaven cheek, and bid him good night. It took all her strength not to weep.

But it’s a steel kiss she has to dodge from the Hound:

He laid the edge of his longsword against her neck, just under her ear. Sansa could feel the sharpness of the steel.

The idea of Dontos and Sandor as opposites is driven home further by their different approaches to Sansa’s love of stories; Dontos uses it to win Sansa’s trust:

“I think I may find it in me to be a knight again, sweet lady. And all because of you . . . your grace, your courage. You saved me, not only from Joffrey, but from myself." His voice dropped. "The singers say there was another fool once who was the greatest knight of all . . ."

"Florian," Sansa whispered. A shiver went through her.

"Sweet lady, I would be your Florian," Dontos said humbly, falling to his knees before her.

The Hound uses it to berate and belittle her:

“There are no true knights, no more than there are gods. If you can’t protect yourself, die and get out of the way of those who can. Sharp steel and strong arms rule this world, don’t ever believe any different.”

Sansa backed away from him. “You’re awful.”

“I’m honest. It’s the world that’s awful. Now fly away, little bird, I’m sick of you peeping at me.”

But underneath the superficial differences, Dontos and the Hound have the exact same relationship to Sansa. When Joffrey is having her beat after Robb’s victory at Oxcross, both make efforts to help her – Dontos volunteering to hit her with a melon instead of a sword, and the Hound telling Joffrey “enough” – but stop short of doing anything that would put themselves in danger. They both make advances on Sansa against her will – Dontos with kisses and the Hound with knives, but the overt sexual nature of both cannot be denied. They both position themselves to Sansa as a sort of mentor figure, telling her how to act and what to believe, with the implicit (and often explicit) message that she’s not smart enough to think for herself and it would really be in her best interest if she just trusted them instead. Both men position themselves as Sansa’s “protector”, but they never protect her from much of anything; in the few moments they’re actually given the opportunity, like during the Battle of the Blackwater, they both panic and leave her to fend for herself.

What really connects the two men is how they use Sansa. To them, she’s the paragon of youth and innocence; the way she believes in the stories reminds them both of what they used to be like before the world beat them down. Sandor was a boy who played with toy knights before Gregor burned his face, and Dontos was saved as a child by the knight of knights Barristan Selmy.  While they’ve both grown jaded, Sansa brings out the parts of them that still believe in the stories. That’s clear from the way Dontos reacts to the Lannisters winning the Battle of the Blackwater:

“Oh! the banners, darling Sansa! Oh! to be a knight!”

And even though the Hound claims to hate the stories, it’s a song he wants from Sansa:

“Go on. Sing to me. Some song about knights and fair maids.”

Sansa as the princess in a tower appeals to the fantasy of both men to be her hero.

But this is a subversion of that trope, not a straight retelling. Particularly in regards to Sandor, GRRM really deconstructs the destructive nature of this male fantasy. Before Sandor asks Sansa to sing him a song, he comments on her body:

“You look almost a woman . . . face, teats, and you’re taller too, almost . . .”

Sandor wanting to play the knight with Sansa is always tied to his sexual attraction to her; in every single instance, GRRM always ties them together. There is never one without the other. It should go without saying that this is not good; Sansa is barely twelve, and hasn’t even had her first period when Sandor’s sexual advances start. She is a child. In Maegar’s Holdfast, she’s shocked that men would view her sexually:

“Enough drink will make blind washerwomen and reeking pig girls seem as comely as you, sweetling.”

“Me?”

“Try not to sound so like a mouse, Sansa. You’re a woman now, remember?”

This passage also very clearly draws the connection between Sandor’s relationship to Sansa and violence. Cersei explains to Sansa the way battle makes men into monsters around women, and then the next chapter Sandor appears in Sansa’s bedroom with a knife. This is not meant to be a romantic scene, or else GRRM would not have framed it with threats of rape and violence.

This is further re-enforced by the song Sansa sings to Sandor. When he holds the knife to her neck, he demands she sing the song of Florian and Jonquil:

He gave her arm a hard wrench, pulling her around and shoving her down onto the bed. “I’ll have that song, Florian and Jonquil, you said.” His dagger was poised at her throat. “Sing, little bird. Sing for your little life.”

But Sansa can’t remember the words, and instead sings the Mother’s Mercy hymn:

Gentle Mother, font of mercy, save our sons from war, we pray, stay the swords and stay the arrows, let them know a better day.

Gentle Mother, strength of women, help our daughters through this fray, sooth the wrath and tame the fury, teach us all a kinder way.

It is incredibly symbolic that the Hound demands Sansa sing him a song of romance, but she physically can’t; the only song she can remember the words to is one of forgiveness.

So much of Sansa’s narrative in A Clash of Kings is people demanding things that she can’t give them. Joffrey wants her loyalty, Cersei wants her words, Tyrion wants her trust, and Dontos and Sandor want her love. Everyone is pulling her in different directions, and her entire personality starts to crumble under the pressure; there’s no way she can give all of these people everything they want. Something has to give.

And when Sansa can no longer play her role, when the fear of dying is too visceral for her to wear her courtesy like an armor, the one thing Sansa can still give Sandor is her mercy. . .

Radical Empathy

The running thread that connects all of the themes in Sansa’s chapters is her being trapped. Physically through Joffrey’s abuse, emotionally through Joffrey, Cersei, Dontos, and Sandor, and even by herself mentally as she begins to internalize the abuse. Everything about the Red Keep is meant to turn Sansa cruel and self-interested, just like everybody else; even if they aren’t intentionally cruel like Joffrey, they’re okay with Sansa being hurt because that’s just how life is, like Cersei. Or Dontos and the Hound, who don’t intend to hurt Sansa but do because they’re too caught up in their own narrative to acknowledge her humanity. Even Arys Oakheart, who really doesn’t want to hurt her, but is too afraid to say no and defy the class structure of Westeros.

That makes Sansa’s defiance through empathy stand out in such radical contrast. The kindness Sansa shows everyone, even those who hurt her, is how GRRM brings the songs to life. Sansa doesn’t love those stories because she’s silly and naïve; she loves them because they justify her belief in the inherent goodness of being kind.

Empathy and kindness are Sansa’s defining character traits, and that’s why her arc in A Clash of Kings opens with her saving Dontos’ life:

Sansa heard herself gasp. “No, you can’t.”

Joffrey turned his head. “What did you say?”

Sansa could not believe she had spoken. Was she mad? To tell him no in front of half the court? She hadn’t meant to say anything, only . . . Ser Dontos was drunk and silly and useless, but he meant no harm.

Even though just moments earlier she had noted Joffrey’s mood was turning dark:

The king was growing bored. It made Sansa anxious. She lowered her eyes and resolved to keep quiet, no matter what. When Joffrey Baratheon’s mood darkened, any chance word might set off one of his rages.

The way Sansa stands up for Dontos is particularly notable because he had the chance to do the same for her in A Game of Thrones, but chose not to:

Sickly Lord Gyles covered his face at her approach and feigned a fit of coughing, and when funny drunken Ser Dontos started to hail her, Ser Balon Swann whispered in his ear and he turned away.

- Sansa V

Dontos wouldn’t even risk treating Sansa with basic courtesy, yet she risked her live to save his.

And that’s not the only time Sansa stands up to Joffrey to save someone:

Halfway along the route, a wailing woman forced her way between two watchmen and ran out into the street in front of the king and his companions, holding the corpse of her dead baby above her head. It was blue and swollen, grotesque, but the real horror was the mother's eyes. Joffrey looked for a moment as if he meant to ride her down, but Sansa Stark leaned over and said something to him. The king fumbled in his purse, and flung the woman a silver stag.

- Tyrion IX

The only other character we ever see move to actually stand up to Joffrey is Tyrion, who is also the only person in court who doesn’t have to be afraid of Joffrey’s retaliation. Everyone else sits by day after day and watches as Joffrey abuses Sansa and says nothing; or worse, they actively participate. But whenever Sansa sees Joffrey hurting someone, she risks herself to make him stop.

Sansa also uses her kindness to give herself courage:

Sansa found herself possessed of a queer giddy courage. “You should go with her,” she told the king. “Your brother might be hurt.”

Joffrey shrugged. “What if he is?”

“You should help him up and tell him how well he rode.” Sansa could not seem to stop herself.

She’s too afraid to speak back at Joffrey when he’s abusing her, but as soon as she sees him mistreat Tommen, she finds the courage to stand up for others.

Kindness is almost an involuntary reflex for Sansa:

Lancel was one of them, yet somehow she still could not bring herself to wish him dead. I am soft and weak and stupid, just as Joffrey says. I should be killing him, not helping him.

Lancel Lannister, who stood by and egged the crowd on as Sansa was stripped and beaten after the Battle at Oxcross. She has every reason not to help him; she knows if she stays in that room, with the battle all but lost, Ser Ilyn is going to kill her solely because of the Lannisters’ spite. She has no reason to stay and help Lancel. But she can’t stop herself.

The moment where Sansa’s kindness stands out the most, though, is when the Hound comes to her room during Blackwater:

Some instinct made her lift her hand and cup his cheek with her fingers. The room was too dark for her to see him, but she could feel the stickiness of the blood, and a wetness that was not blood. “Little bird,” he said once more, his voice raw and harsh as steel on stone. Then he rose from the bed. Sansa heard cloth ripping, followed by the softer sound of retreating footsteps.

I think reading this passage out of context is what allows certain fans to paint this scene in a romantic light. The softness of Sansa reaching out to touch Sandor is an indelible moment. But it does the moment a disservice to read it that way. This scene is so well written because of what comes before it:

“I could keep you safe,” he rasped. “They’re all afraid of me. No one would hurt you again, or I’d kill them.” He yanked her closer, and for a moment she thought he meant to kiss her. He was too strong to fight. She closed her eyes, wanting it to be over, but nothing happened. “Still can’t bear to look, can you?” he heard him say. He gave her arm a hard wrench, pulling her around and shoving her down onto the bed. “I’ll have that song, Florian and Jonquil, you said.” His dagger was poised at her throat. “Sing, little bird. Sing for your little life.”

Afraid for her life, Sansa closes her eyes. But Sandor is too bitter, jaded, and wrapped up in his own self to realize that’s why she closes her eyes; he thinks it’s because she still can’t look at the burned ruin of his face. He came to her room with kindness the furthest thing from his mind; the flames dancing on the Blackwater Rush made him scared like a wild animal, and he’s come here to get something from Sansa – whether she wants to give it or no.

(And while certain people are interested in carrying a lot of water to redeem this character, GRRM has really left no ambiguity in Sandor’s intentions. The passage He gave her arm a hard wrench, pulling her around and shoving her down onto the bed, taken in tandem with his confession to Arya, I took the bloody song, she never gave it. I meant to take her too. I should have. I should have fucked her bloody and ripped her heart out before leaving her for that dwarf, make it very clear that Sandor intended to rape Sansa. That is not up for debate.)

Sansa singing the Mother’s Mercy hymn is the last thing Sandor expected. The idea that in this moment, as Sandor becomes all of the worst things he’s ever believed about himself, about to do one of the most monstrous acts a person can do – that in that moment, Sansa could still show him mercy, is enough to stop him. He can no longer pretend that all the songs are lies and that everyone is only pretending to be good, because in this moment Sansa is still somehow capable of showing him kindness. 

Sansa’s ability to have empathy for seemingly irredeemable characters is not limited to Sandor (though certain shippers would like to pretend that’s some unique characteristic of their relationship, it most certainly is not). The dynamic between Sansa and Cersei is so rich because of Sansa’s inability to hate her, even though Cersei is responsible for pretty much every bad thing in Sansa’s life.

The Sansa and Cersei dynamic is one of the narrative’s most dynamic and complex, as Cersei represents a dark mirror of Sansa. Both were in love with the idea of becoming Queen as children, but arrived in King’s Landing to find their Prince is not who they thought he would be – Cersei both literally and figuratively, as she realizes she’s not to marry Rhaegar Targaryen but instead Robert Baratheon. They’re both subjected to emotional and physical abuse by the King for things that aren’t their fault – Robert hates Cersei because she isn’t Lyanna, and Joffrey hates Sansa because of his fight with Arya on the Trident.

But Cersei’s Lannister upbringing and life have made her cruel in all the ways Sansa is kind. She can see the parallels between herself and Sansa, but instead of reacting with empathy, she uses it to justify her cruelty:

“You’re stronger than you seem, though. I expect you’ll survive a bit of humiliation. I did.”

Being afraid of the men in her life has taught Cersei that’s the correct way to wield power:

“Another lesson you should learn, if you hope to sit beside my son. Be gentle on a night like this and you’ll have treasons popping up all about you like mushrooms after a hard rain. The only way to keep your people loyal is to make certain they fear you more than they do the enemy.”

But Sansa reacts the opposite way:

“I will remember, Your Grace,” said Sansa, though she had always heard that love was a surer route to the people’s loyalty than fear. If I am ever a queen, I’ll make them love me.

This line has become the definitive statement of Sansa’s character because it so wholly embodies her ethos. Cruelty is not in her nature, and her instinct is always to show kindness. It also ties a direct connection to her own personal experiences shaping how she wants to be as Queen:

“Fear is better than love, Mother says.” Joffrey pointed at Sansa. “She fears me.”

Sansa knows what it feels like to be afraid, and she never wants anyone else to ever feel like that. Where the cruelty Cersei suffered taught her it was normal and good to rule that way, Sansa learns what it feels like to be at someone else’s mercy. If she ever has control over someone, which she will in books to come, she’s learned to always be kind because she knows what it feels like when someone isn’t.

All of her chapters in A Clash of Kings are full of moments that show how much Sansa values kindness. While I’ve already highlighted the life or death examples, she also shines in the small moments, like when she encourages Tommen before he faces the quintain at Joffrey’s name day tourney. And she comforts him when Myrcella leaves for Dorne:

Prince Tommen sobbed. "You mew like a suckling babe," his brother hissed at him. "Princes aren't supposed to cry."

"Prince Aemon the Dragonknight cried the day Princess Naerys wed his brother Aegon," Sansa Stark said, "and the twins Ser Arryk and Ser Erryk died with tears on their cheeks after each had given the other a mortal wound."

- Tyrion IX

She tries to comfort Lollys Stokeworth across the bridge to Maegar’s Holdfast:

She greeted them courteously. “May I be of help?”

Lady Tanda flushed with shame. “No, my lady, but we thank you kindly. You must forgive my daughter, she has not been well.”

“I don’t want to.” Lollys clutched at her maid, a slender, pretty girl with short dark hair who looked as though she wanted nothing so much as to shove her mistress into the dry moat, onto those iron spikes. “Please, please, I don’t want to.”

Sansa spoke to her gently. “We’ll all be thrice protected inside, and there’s to be food and drink and song as well.”

Her prayer in the Sept before the battle starts shows just how much she cares for everyone:

She sang for mercy, for the living and the dead alike, for Bran and Rickon and Robb, for her sister Arya and her bastard brother Jon Snow, away off on the Wall. She sang for her mother and her father, for her grandfather Lord Hoster and her uncle Edmure Tully, for her friend Jeyne Poole, for old drunken King Robert, for Septa Mordane and Ser Dontos and Jory Cassel and Maester Luwin, for all the brave knights and soldiers who would die today, and for the children and the wives who would mourn them, and finally, toward the end, she even sang for Tyrion the Imp and for the Hound. He is no true knight but he saved me all the same, she told the Mother. Save him if you can, and gentle the rage inside him.

There’s only one person in the whole of Westeros Sansa won’t extend her empathy to:

But when the septon climbed on high and called upon the gods to protect and defend their true and noble king, Sansa got to her feet. The aisles were jammed with people. She had to shoulder through while the septon called upon the Smith to lend strength to Joffrey’s sword and shield, the Warrior to give him courage, the Father to defend him in his need. Let his sword break and his shield shatter, Sansa thought coldly as she shoved out through the doors, let his courage fail him and every man desert him.

This line feels especially important. A lesson that’s drilled into Sansa time and time again by Cersei and Sandor is that her kindness makes her weak. It was used against her in A Game of Thrones, where her trust in Cersei and Joffrey left her completely vulnerable to Ned’s death. But this passage shows that it is not weakness that makes Sansa kind - it’s strength. For a character as kind as she is, and subjected to so much abuse, it would be easy to see her narrative as someone repeatedly letting herself be run over. By including this line, showing that Sansa’s empathy is a choice she makes – and making it clear that she chooses not to have it for Joffrey – it shows that Sansa still has control over herself, and will set boundaries. 

Instead of using her experiences in a negative way like Cersei, Sansa learns to carefully apply the lessons of her life; she won’t let abuse stop her from being kind, but she knows when to stop herself from trusting someone again.

Because Sansa’s kindness and optimism are the most important aspects of her character, her arc in A Clash of Kings ends there. Joffrey setting her aside in favor of Margaery is an emotional rollercoaster for Sansa:

Dontos waited in the leafy moonlight. “Why so sadface?” Sansa asked him gaily. “You were there, you heard. Joff put me aside, he’s done with me, he’s . . .”

He took her hand. “Oh, Jonquil, my poor Jonquil, you do not understand. Done with you? They’ve scarcely begun.”

Her heart sank. “What do you mean?”

“The queen will never let you go, never. You are too valuable a hostage. And Joffrey . . . sweetling, he is still king. If he wants you in his bed, he will have you, only now it will be bastards he plants in your womb instead of trueborn sons.”

Throughout A Song of Ice and Fire, the narrative is constantly testing Sansa’s commitment to her ideals. Everything she knows is constantly turned on its head, going from a dream to a nightmare. The momentary joy she feels knowing she doesn’t have to marry Joffrey is only allowed for a second, until it collides with Dontos’ harsh reality.

But instead of ending there, the narrative takes a page out of Sansa’s book and leaves on a vision of hope for the future:

It was a hair net of fine spun silver, the strands so thin and delicate the net seemed to weigh no more than a breath of air when Sansa took it in her fingers. Small gems were set wherever two strands crossed, so dark they drank the moonlight. “What stones are these?”

“Black amethysts from Asshai. The rarest kind, a deep true purple by daylight.”

“It’s very lovely,” Sansa said, thinking, It is a ship I need, not a net for my hair.

“Lovelier than you know, sweet child. It’s magic, you see. It’s justice you hold. It’s vengeance for your father.” Dontos leaned close and kissed her again. “It’s home.”

[runtedfiction]

nicer

day 1: facade @zelinkweek2021

ao3

* * *

Years later, when Link faces the castle’s crumbling walls, he thinks about the Princess.

* * *

The day King Rhoam announces this year’s Harvest Festival is also the day his subjects know they're doomed. Officially, it’s supposed to be a normal holiday. Unofficially, the language in the announcement—“the last celebration before the fight against Calamity Ganon”, “the last time the palace will be open to Castletown until the fight is over”—convinces everyone that they’re partying in the face of the apocalypse.

“They have no faith in me,” Zelda says, putting down her pen. “Ganon is brewing deep beneath the castle. Everyone knows it. Everyone knows I can’t stop it. This is their last chance to let loose before all hell breaks loose.”

Impa frowns and hands her the final page of raw Guardian data to clean. “You're too hard on yourself. You still have time.”

“I just have Mount Lanayru next week.” She focuses on the Silent Princess above her desk. It's wilting. “Do you think I’ll be wise enough? Maybe Hylia will smite me right then and there for being an idiot.”

“Princess!”

“I know, I know.”

* * *

They wrap up that afternoon’s study, an incredibly useful session in quantifying the powers of the Guardians, to get ready for the ball.

Zelda’s dress is her signature blue, but a bit more fluid and feminine than the one she normally wears. Made for dancing and a summer night.

“Collarbones,” Impa notes, and Zelda laughs. “A little off the shoulder as well! And the subtle constellation pattern in the tulle--how stunning!”

“Don’t act as if you didn’t design it.”

“Guilty.”

Impa’s dress, an even deeper blue, is similarly gorgeous. It’s long sleeved, form fitting, and silky.

“Impa, I just want to say—” Zelda pauses, looking at their reflections in the mirror. When will they ever look this nice again? “Thank you for being my friend.”

Impa' smiles. “Of course. And Princess—if I may.”

“Yes?”

“With all your talk of the world ending, of doom coming.” Her voice gets small. “Do you think it would be worth telling him?”

Zelda stiffens. She thinks of him somewhere in the castle, dressed in his best uniform, walking to find her.

She lies. “No.”

Three quiet, efficient raps sound against her door. Zelda’s heart lurches.

* * *

In the hot, overcrowded ballroom, she can’t stop wondering if he thinks she looks pretty.

There are important people here she needs to talk to: researchers from the Royal Ancient Tech Lab, religious leaders, captains of industry, and so on. She finds her father and tries to reach some common ground on the one night they aren’t preparing for Evil Incarnate. (She fails.) She should find the court poet and give him the dance he’s been writing about for the past month.

But all she wants is for Link to look at her.

He’s indeed in his best uniform. His gloves and boots are blindingly white; his collar sits high and stiff against his neck. He’s uncommonly handsome, and the uniform emphasizes it. When someone pulls him in to dance (technically he should be keeping watch, but that someone really insists), she hates the jealousy that blooms in her chest and takes the hand of the poet. When she twirls, when she makes conversation, when she curtsies--she tries to see it all from Link’s perspective, if he can even find her in the crowd.

“Princess, are you feeling alright?”

“Oh.”

The poet looks at her in the way that a puppy looks at its master. The neediness satisfies and repulses her.

“Yes,” she says, smiling quickly. “Thank you for asking. How are you?”

“Wonderful. I was sitting in the courtyard the other day and...”

It’s easy to tune him out and appear to be interested with the right amount of “mhmm” and “oh?” and eye contact. But every time he twirls her around, she tries to spot the top of a Royal Guard cap in the crowd.

She knows she’s being stupid. Even in the incredibly unlikely scenario where Link’s interested, what could they do? Given that her powers aren’t working, there’s only a sixty percent chance they’ll get through the Calamity. She thinks back to what Impa said earlier. Something about letting him know in the face of impending doom.

(Maybe it doesn’t make sense to do something that would possibly be useless, a tiny voice in the back of her head says. But on the flip side, it’s also possible that nothing will matter soon, so why not tell him?)

She scowls and lets the poet dip her far too low for common courtesy.

* * *

Link is definitely lost in the crowd now. The next song requires that they rotate between multiple partners, and she can’t spot him anywhere. There’s no way that he’d be looking at her anyway, because why would he? He’s the chosen one, kind and strong and handsome and blessed. She’s the failed reincarnation, mean and headstrong and cursed.

If (when) the world ends, it’ll be on her.

Zelda admits to herself, swaying in the arms of someone else who doesn’t matter, that because the world has an uncomfortably high probability of ending, it follows that maybe, possibly, probably it makes sense for her to say something.

A sense of urgency unfurls in the pit of her stomach. Where is he?

* * *

She tries to find him. She doesn’t know what she’d do--ask for a dance? Strike up a conversation? Maybe it's the heat getting to her, but it worries her that she's lost him. She walks the length of the ballroom and comes up with nothing.

There’s no way she could summon him, but…

She grabs a glass of water and walks out the ballroom to the nearest balcony.

Except in this very specific circumstance, it’s infuriating how easy it is for him to find her. Even when she doesn't want to be found, even when she’s actively running away (and nearly dying in the process), there he is. The knowledge that he’s almost always aware of her presence burns.

“Hello,” she says after a respectable amount of time.

He steps out behind her. Unfortunately, the moonlight’s softness makes him look angelic. “Hi.”

Zelda very rarely has no plan. She’s the one always bossing him around, deciding where they’ll go next and how they’ll get there and what they’ll do. She’s at a loss for words right now.

“Ah--hm.” A cooling night breeze passes by. “Are you--are you enjoying the festival?”

“Yes?” He looks confused. And hot, her unhelpful brain adds. Very hot. “Are you?”

“Yes. It’s quite warm inside, but I enjoy the music and the dancing.”

“The band is nice.”

She agrees and scrambles to find another conversation topic. Damn it. Still no plan. Think, think.

“Uh--” he starts the same time she asks, “Are you ready for Mount Lanayru next week?”

He nods, and she hates how she made the conversation about work. But he looks more confident now--talking about work is easier than trying to have whatever kind of conversation she had in mind. “Yeah. I read about the region and it seems relatively safe. We might see Naydra too.”

“That would be incredible,” she says. “I’d love to capture it on the Slate.”

He nods again. A silence passes (a horribly awkward one that eats at her) before she asks: “What were you going to say before I interrupted you?”

“Oh yes.” Link clears his throat, and the fact that he looks a bit nervous sends her heart pounding. Can he tell what her subconscious is trying to do? “I’ve been meaning to ask (oh God, oh God, what has he been meaning to ask)--are you avoiding me?”

She blinks. “What?”

He won’t make eye contact with her. Triforce of courage, my ass. “Are you avoiding me?”

“No?” She’s stunned. Avoiding? All she’s been doing for the past week is pining!

“But, I feel like.” He pauses to look at her briefly. Again, his nerves kick off her own. “Ever since we got back from the desert, you haven’t really talked to me.”

She needs to think. A week ago, what happened?

They were at the Kara Kara Bazaar, and she nearly died because she intentionally (stupidly) lost him. She relives the feeling of it now--the panic that came with facing certain death when she realized it wasn’t Link following her, but the Yiga, then the shock when he appeared out of thin air wielding the sword. His back, so strong and sure. His concern as he helped her get up afterwards.

How once she could process what happened, something kicked in her chest, and everything was so obvious so suddenly.

Then getting back from the desert, what did she do? She wrote a diary entry, spent a sleepless night deciding she had feelings for him that she didn’t want to name, and tried as hard as possible to conceal them. The pining was unbearable, and--oh. Looking at him made her face burn, so she turned away. She never knew what to say around him, so she chose to say nothing at all.

Perhaps she approached her yearning by offsetting it with its opposite.

They really haven’t spoken. Zelda shakes her head, and mentally kicks herself. How can someone like you back if you don’t even talk to them? “I promise, I’m not trying to avoid you.”

He furrows his brow a little. Cute. Unfair. “Really?”

“Really.”

“Ok. If you do--if you ever need more space, let me know.” He smiles a little. “I do have to follow you, but I can do it farther away or something.”

She smiles back. Please always follow me. “Thanks. No need.”

“Alright,” he says. He glances at her arms.“Do you want to go back inside? It’s a bit cold. You’re getting goosebumps.”

She didn’t even notice. An idea is forming in her mind, bright and hot and something that needs to rush out right now or she’s going to overthink it to death.

“Going back inside sounds good. When we do, would you--would you like to dance with me?”

The question leaves so quickly that she’s not too sure if he understood it. She holds her breath; she might throw up.

“Sure,” he says, and the disappointment that she expected to punch her gut doesn’t come; a flood of something wonderful washes over her instead. Sure is yes, her mind sings. “How about I find you before the last song? I’ve been doing a bad job of keeping watch.”

“Sure,” she echoes. Hopefully her excitement isn’t too obvious when she turns back and nearly runs into the ballroom.

* * *

When the band announces the last song of the night, Zelda lets go of the poet and steps back immediately.

“My Princess,” he says, and the normal repulsion she would feel turns into joy when she spots a navy blue cap making its way through the crowd. “I would be honored to have your final dance, if you would have me.”

“Another time,” she says, already turning to pick up her skirt and mosey her way through the last group of people separating her from a flash of sandy blonde hair. “Thank you though!”

She doesn’t wait for the poet’s response because the crowd is gone and Link is right in front of her, handsome and smiling slightly. Her heart is at a million miles a minute when she drops her skirt and steps forward to place her hand in his.

This isn’t like her. He must think she’s acting so strange. Either that, or it’s obvious just from looking at her what she’s thinking. It’s a frenzied array of thoughts, ranging from the obvious (handsome, handsome, smells so good?, handsome, kind eyes) and the embarrassing (The smallest, least repressed part of me has dreamed about this all week.)

The music starts and swells and she’s still dreaming. His hand on her back is firm. Thanks to the design of the dress, she can feel his glove pressing into her. She wonders if he can feel the heat of her skin.

“How are you doing?” he asks when they fall into a rhythm, and she smiles too fast, idiot, calm down.

“Great, how are you?”

“Good,” he says, and they spin. He smiles back. “Good to know you’re not avoiding me.”

“Of course not.” Stupid, you avoided him!

He dips her a perfectly appropriate amount.

She feels brave. It’s the adrenaline getting to her, because the rational part of her can’t stop (giddily) telling her that she’s dumb when she asks, “Why would you think that I'd avoid you?”

“Hm.” He looks away to consider the question. The tips of his eyelashes catch the chandelier light. “I thought that maybe last week was a bit too much.”

She thinks about how warm his hand was when he helped her get up after saving her life. “It wasn’t.”

“It’s ok if it was.”

“No, no, you’re too kind.”

Link clears his throat. “So you’re not avoiding me because I kept trying to follow you through the bazaar when you clearly didn’t want me to?”

She laughs. “No, it’s also incredibly stupid that I tried to lose you. Besides, what would’ve happened if you hadn’t?”

Link clears his throat.

She chooses to change the subject by asking an easy “What did you make for dinner tonight?” in an attempt to soak up the final minutes she has in his arms. He starts talking about mushroom risotto, and she can’t stop smiling.

* * *

At the end of the night, when he escorts her to her room, it’s late enough that silence is acceptable.

She’s decided that she needs to do something, but she doesn’t know what. A hug would be different, but too strange. I like you is simple, but too plain. Thinking about you makes my heart soft is embarrassing. I know I’ve been an incorrigible bitch but now my walls are down and I like you is too honest.

She turns around when they reach her doors.

“Tonight was fun,” she says.

He smiles. Zelda knows romance books don’t lie when her heart jumps at the sight of it. “It was.”

This is the moment. She takes a deep breath as quietly as she can. She has that nauseous feeling again. If nothing matters, tell him. Everyone knows the apocalypse is coming.

“Hey, listen,” he says right when she opens her mouth. He pauses to look at her. If she thought he looked nervous earlier when he asked her if she was avoiding him, it’s nothing compared to now. He does a visible gulp, and—

“I think I have feelings for you.”

She blinks. What?

“And I understand if you don’t feel the same way,” he continues, tense and fast, looking right at her, “especially in light of everything going on right now. But I just had to put that out there.”

What?!

She closes her eyes--what is happening right now--and when she opens them he’s still there. This isn’t a dream.

Holy fuck. “Really?”

He nods. “Really.”

“Huh,” she says. He beat her to it. “Huh.”

“Huh?”

She laughs. He beat her to it, and now all she has to do is the easiest thing in the world.

“I think I have feelings for you too,” she says. It’s so dark now she can’t see the blue of his eyes, but she can imagine it easily.

He’s surprised. “Really?”

“Really. In fact, I was meaning to tell you just now.”

“Really?”

She laughs. “Really.”

She smiles and takes his hand. He stiffens at first, then relaxes as she threads her fingers through his.

“Oh, actually, here, let me—” He lets go. Disappointment hits her briefly before she sees that he’s taking off his glove. Some of his scars are alabaster in the moonlight. He has so many.

(She wants to kiss all of them.)

His hand is warm and rough and lovely when he slips it back into hers.

“This feels nicer,” he says, and his voice is almost shy.

There are a million things she wants to say--what are we going to do if I end the world, what are we going to do if you save the world, how long have you known for, Hylia is going to smite both of us for being fools--but she settles on squeezing his hand instead. He squeezes back.

“Yes,” she agrees. Very gently, she cups his cheek with her other hand and leans in. He’s closed his eyes already. “Much nicer.”

[my-emotional-self]

Toxic Love Chapter 3

Pairings: Steve Rogers x Reader, Bucky Barnes x Reader, Steve Rogers x Reader x Bucky Barnes

Summary: Finding out your soulmates were Steve Rogers and Bucky Barnes was one thing.  But when someone from your past comes back to haunt you, you have to figure out if a relationship with two super soldiers is something you really want to pursue or if you’d rather go back to your comfortable single life.

Series Warnings:  18+, Swearing, Angst, Fluff, past mentions of rape, self-harm, attempted rape, domestic violence, stalking, death threats, possible Dark!Steve?, Steve will be an asshole a LOT in this series but I don’t know how dark it will get, explicit sexual content, mental health issues, kind of A/B/O dynamics but not really (no they are not actual wolves, more like the hierarchy)

A/N: There will be no taglist for this story!  I apologize in advance!

Two days later you found yourself back in the same elevator at the Avengers Tower, only this time with Bucky.  It was a surprise when you opened up your apartment door to see Bucky standing there, ready to escort you to the tower as you planned on walking there yourself. But you didn’t mind one bit.  In fact, you found Bucky Barnes to be rather charming and quite adorable with half of his hair in a little bun in the back of his head.  

The elevator doors opened on the same floor as last time.  Bucky walked in front of you as you followed closely behind him and that was when you spotted Steve.  He was dressed much more casually this time in a pair of black sweats and a gray t-shirt that looked about two sizes too small.  His arm muscles practically ripping the seams of his shirt.  It was definitely a sight to see.  

Steve was leaned over the island counter looking at some paperwork and turned when he heard the two of you enter.  This time, a small smile graced his lips.  He walked right up to you and quickly apologized.  “I’m sorry for the way I acted the other day.  I’ve been under a lot of stress and while I couldn’t be more happy to have finally met you, the timing is just not that great.  I truly am sorry and I hope you can forgive me.”

Looking up into those baby blue eyes of his, your body melts.  You hadn’t noticed the first time you saw him just how bright his eyes were. Could you forgive him?  Sure, you could only imaging how stressful of a job this must be for him and the rest of the Avengers.  

“Yeah, I forgive you Steve,” you replied with a close lipped smile.  

“Great, why don’t we head into the living room and we can talk,” he said as he held his arm out towards the living room.  

You sat on the large couch, right in the middle while both Steve and Bucky sat on the chairs on either side of the couch.  Both men had their hands clasped together with their elbows on their knees, leaning forward.  They were watching you intently, waiting for your decision.  

“Umm, alright I can start,” you began to say, giving your lips a lick as your mouth felt parched.  “After two days of thinking it over, I have decided to move in here…if that’s ok with you both.”  Why were you so nervous this time around?  Was it because Steve was actually being nicer and taking his time to talk to you rather than talk down to you?  Was it because both men were intently staring at you?  Whatever it was, you hadn’t felt quite this nervous in some time.  

“Of course it would be alright with us if you moved in.  Isn’t that right Buck?”

“Absolutely,” Bucky replied, a bright smile on his face.  

Giving both men a shaky nod, you chewed on  your lower lip nervously, knowing what was coming next and you just hoped they weren’t going to be too terrible.  And if they were, hopefully they would be willing to compromise on a few.  

Steve cleared his throat as he stood up from his chair; Bucky following his lead as they both stood in front of you.  “Should we go over the rules then?” Steve asked with authority in his tone, but you knew that was just part of him being the ‘alpha’ of this relationship.  Giving him a subtle nod, Steve began with the rules.

“Rule number one.  You are not to leave the tower by yourself.  You either have one of us go with you or at least get someone else living in the tower to go with you.  We would prefer one of us, but if we are on a mission, then that’s understandable.  We don’t want you getting hurt and we only want to protect you,” he stated.  

Ok, this wasn’t as bad as you thought it would be.  While you were more of a hermit anyways, not really going out much even during the day, this rule seemed pretty easy to follow.  “I can agree to that rule,” came your reply.  

“Good, rule number two. No lying.  We want an open and honest relationship and if you lie to us, we can’t help you and it will certainly not help with trusting you. Same goes for us.  We won’t lie to you either.  Deal?”

“Deal.”  Wow, this was much easier than you thought.  

“Rule number three. No touching yourself without one of us.” And there it goes, all out the window. You could feel the embarrassment creep up on your neck and cheeks.  “I know this rule can be a little out there.  But Bucky and I want to be the ones that give you pleasure.”

You weren’t innocent, of course you got yourself off.  Hell, you had a whole drawer full of toys.  But this seemed a little excessive.  You didn’t plan on jumping into the sack with either of them for a while, not until you got to know them and bringing pleasure to yourself was one of your biggest stress relievers.  

“Ok, but what if you two are on a mission for weeks, if not months?”

Bucky and Steve gave each other a look.  It seemed as if they were speaking to each other telepathically, knowing what the other was thinking just by that one look.  

“How about this,” Bucky began to say, his shoulders relaxing.  “If we are gone on a mission that is more than two weeks, we can try phone sex perhaps.  That way one of us is still technically bringing you pleasure with at least our voice.”

Letting out a breath, you thought about it for a minute.  It’s not like you were a sex crazed maniac; you didn’t need to get off five times a day.  It would be difficult though, especially in the beginning of the relationship, but it was possible.  “Ok.  I’ll agree to that.”

“Good,” Steve stated, giving you little smile.  “Rule four. You don’t need any money or income. Bucky and I have more than enough for us to live very comfortably and we can provide for you.  We would like you to not work if you do have a job right now.”

“Nope.  Hard no,” you exclaimed.  You loved your job, it was your passion, your hobby.  When you were dating John, he made you give it up. When you told him no, well, that was the first time he hit you.  He had backhanded you across your face, leaving you bruised for weeks.  When you finally got out of that relationship and he was thrown in jail, your job was the only thing to keep you from falling over the edge.  “Look, I don’t need my job either.  It pays well and I’m good at saving.  I have plenty of money in the bank for a rainy day.  But I can’t not do my job.  It is my passion and my one true hobby.  I am begging you, please don’t make me quit,” you spoke with a trembling lip and damp eyes.  

In the blink of an eye, Steve was sitting down to your right, Bucky to your left.  They each placed a hand on your knee in comfort.  “Maybe we can compromise on this then.  What is it that you do for a living?” Bucky questioned.

Taking a deep breath, you closed your eyes and willed the tears away.  “I’m a gamer.”

“I’m sorry, I don’t really know what that means,” Steve said.  

“A gamer.  I go online and play games on a site called Twitch. I live stream as I play games and people watch me.”

“People watch you to play games online and you get paid to do that?” Bucky asked with confusion.  

A chuckle left your lips. “I know. It sounds silly.  But I love it.  I really do.  I work from home.  I make my own hours.  I can work ten days in a row if I want and I can take a month off if I want.”

“So how often do you work?” came Steve’s question.  

You shrugged your shoulders. “It depends.  Lately I’ve been working about four to five nights a week on average.  But if we compromise, I can easily go down to two nights a week and I’d still be ok with that.”

There it was again, Steve and Bucky looking at each other.  You swore they were talking with their minds, but then again, they have known each other for what, over 100 years now?

“Alright.  Two nights a week we will start out with.”  You squealed in excitement as your arms wrapped around Steve’s neck in a tight hug before doing the same to Bucky.  

“Thank you for compromising with me,” you sputtered in excitement.  “Are there any other rules?”

“Just one more for the time being.  If we need to come up with more rules along the way we will.  But for the last rule, we want you to be healthy.  That means eating three meals a day and getting a good night’s rest.  We don’t want you up at all hours of the night and sleeping during the day.  We try to eat as many meals as possible together. Mainly breakfast and lunch during the weekends and dinner every night if possible.”

Well, that one will be really difficult for you to deal with.  You never ate breakfast.  Hell, you barely ate lunch.  You really only ate on average one meal a day and then snacks here and there.  “I can definitely try with the eating three meals a day.  I normally only eat one meal a day and then have snacks but I promise to try.  But when I do my job, it is done at night and sometimes I am up a little later than normal.”

Steve nodded and you watched as his jaw clenched.  “Just try to get to bed at a reasonable hour on those few nights a week that you work alright?”

There was this deep feeling inside of you that made you not want to upset your soulmate so you quickly nodded your head in agreement.  

“I do have one question,” you asked quietly.

“Go ahead,” Steve responded, eyes on you.

“What if I do break a rule? What happens then?”

Steve cocked his head to the side, thinking about it.  “Well, I guess it depends on what rule you break and how severely you break it.  It could be something as simple as not being able to go to your hobby room on the communal floor, or having you spend time in your room alone.  This is new territory for us to so we might have to make the punishments up as we go.”

“Ok, that sounds doable,” you agreed.  

Bucky touched the small of your back and you turned to face him.  “Is there anything in particular on your end you wanted to say?  Any kind of rules for us  you wanted to discuss?”  

You thought about it for a minute, but only one came to mind.  “Yeah,” you began to speak quietly as you looked down at your hands in your lap. “You can call me doll and sweetheart and any other terms of endearment like that.  But please don’t call me ‘babe’.”  Memories of John growling out that word to you as he punched and kicked you until your ribs broke came flooding back to you.  You never wanted to be called that word again.  

“I think we can manage that,” Bucky agreed.

“That won’t be a problem on our end at all,” Steve quipped.  “Now how about we order some pizza and we can get to know you a little better?”

Just then, your stomach grumbled at the thought of pizza.  You were starving.  “Pizza sounds amazing right now.”

[pinkmirth]

—𝐌𝗼𝐯𝐢𝐧𝐠 𝐢𝐧 𝐰𝐢𝐭𝐡 𝐁𝐚𝐤𝐮𝐠𝗼𝐮 𝐊𝐚𝐭𝐬𝐮𝐤𝐢 [𝐬𝐥𝐢𝐠𝐡𝐭 𝐧𝐬𝐟𝐰 𝐝𝐫𝐚𝐛𝐛𝐥𝐞]

《𝐞𝐬𝐭𝐚𝐛𝐥𝐢𝐬𝐡𝐞𝐝 𝐝𝗼𝗺𝐞𝐬𝐭𝐢𝐜 𝐫𝐞𝐥𝐚𝐭𝐢𝗼𝐧𝐬𝐡𝐢𝐩 + 𝐬𝐥𝐢𝐠𝐡𝐭 𝐍𝐒𝐅𝐖 𝐧𝐞𝐚𝐫 𝐭𝐡𝐞 𝐞𝐧𝐝》

Boxes splayed across the bare, sheen hardwood of your newly owned apartment, some contents of them being haphazardly tossed out onto the floor, courtesy of Katsuki. Speaking of, the eager ash blonde had been taking this whole unpacking thing with a ravaging approach, a little more aggression than enthusiasm being displayed. This disregarding husband of yours had already broken two vases since the moving van hauled in your belongings..

You caught wind of his incoherent murmurs throughout the day, which were practically countless by now. You’d been racking your brain since, attempting to discover what had gotten your poor Katsuki so upset. Despite the marriage that bonded you and him, Katsuki’s profession usually got in the way of many personal things. For a while, it’d been a danger just for the pair of you to live together, so you haven’t been. Until now. It had been three days since you and him moved from the comfort of your hometown, Musutafu, to the renowned capital, Tokyo, and you wished you could say it had been smooth sailing. Unfortunately, a certain Bakugou wasn’t having the best time, always sputtering a profanity or a groan left and right. His case of the grumps was probably a trip of his complex emotions, either caused by a sense of neediness, deprivation of some sort, or bottled rage. You were betting, practically hoping on the first two instead. Knowing your husband, it meant well that he’d get his hands on miscellaneous household items to crush, smash and break, as some way of channeling his anger episodes. Three days down the line, and you already needed to replace a handful.. Though, it was currently dinner time, and you were sure that was a good thing. Katsuki’s little funk would wash away come 6pm. Cooking had a way of melting away the male’s heaps of stress, especially when you offered to join in. Throughout that hour of making food and serving you his prideful dishes, he always carried a subtle smile. Dinner wasn’t something to worry about. “Fuckin’ hell!” Scratch that. Telling by the pestering clatter of the cabinets he was yanking open, to the dastardly echo of his stomps, it seemed that you couldn’t rely on the succor of food for any longer. “I oughta’ set this lousy kitchen on fucking fire!” You let out a hefty sigh, picking yourself up from the spacious beanbag, since you were yet to assemble any couches, before strolling over to the kitchen, awaiting to see the reason behind your husband’s exaggerated shrieking. “Katsu-Chan, what's the issue..?” Your husband immediately bombarded you with a growled rant, “I can’t find my shitty apron!” You eyed Katsuki through furrowed brows. Is all this attitude really about one measly apron? Nah, I doubt it, your inner voice chimed. “And there ain’t any more pepper seasoning, so I haven’t got a clue what I’ll cook now..” he spewed through gritted teeth, recklessly tossing away the poor frying pan that he’d been holding onto all the while, impressive dents imprinted onto the handle, curved into the shape of his fingers. In that case, you had one more household item to replace. Noted.. “I can’t find that damned thing,” he spoke with an exasperated huff, his hands flying up to the cupboards, motioning them open and closed with the slightest violent tendency. “Hate to break it to you, sweet cheeks, but we ain’t eating dinner tonight,” you scoffed over Katsuki’s recurring dramatics, “These past few days have been shitty anyway..” He’d said it throughout a lowly mutter, but it was enough to cause a nervous stream to rush through you. Did he not like it here? Perhaps the city was too busy for Dynamight, maybe he wasn’t immune to getting homesickness as he liked to brag about, or it couldve been that he just wasn’t ready to get used to such a foreign occurrence in your relationship— living together. But, of course, considering your nature to bat things off with a joke of some sort, you contorted your worries into a comical stick to jab at your husband with.

“Darling, if you’re on your man-period, you should’ve just said so..” you’d said it with fabricated pity, all the while holding back your chuckles as his brows began to furrow, upper lip curving vexingly.

“You think you’re so damn funny, dontcha’, woman..?”

“Yeah, just a little bit.”

Another rasped groan left the lips of the ever-impatient Bakugou Katsuki, “Oi. Are ya’ just gonna keep giggling on about my little anger episode forever?”

Hm. For once, he actually acknowledged it for what it is, you thought briefly, before making your way around the glossy, marble-design kitchen island, your hands finding solace on his defined, muscular triceps. 

The thick straps of his black, square neck tank top gradually began to slide past his shoulders, shadowing over his collarbone before you inched it back up.

“Do you.. like it here, Katsuki?” By the moment he answered your answer with an aggressive snort, you realized you had nothing to worry about.

 “Why the hell wouldn't I? We didn’t pay for this house just to hate the place,” he scoffed, his large palms skimming over the small of your back before thick fingers of his wrapped around your waist.

“That’s a relief, but you’ve been acting a little grumpy— Like something’s bothering you. Could you just tell me how you’re feeling?” You finally admitted your questioning thoughts with an expectant look, watching Katsuki return your curiosity with a subtle smirk. “You wanna know what’s bothering me..?” 

“Y’know what, never mind. Don’t wanna hear it, Katsu-Chan.”

Your abrupt response had him knitting his brows and emitting confused huffs. “So you’re just gonna change your mind on me like that?!” You jabbed at his chest with your pointer finger to punctuate your reply, “because you made it sound creepy, that’s why!”

Katsuki then tightened his grip around your waist, earning a breathy gasp out of you. Before you could question the blonde, he already had you hauled up into the kitchen island, standing between your dangling legs with the tip of his nose grazing yours. You couldn’t help but let out a sigh at the comforting warmth of his sizey hands, your arms instinctively flinging around the back of his neck.

“Alright, I’ll tell you the truth, hon,” confessed Katsuki, “The move has been great, but horrible. It all went good, I guess. No missing items, moving trucks arriving in record time, everything we wanted. But there’s one more thing that we wanted that you seemed to forget about, you lil’ idiot..”

Despite the use of an insult, his cheeks and ears began the bloom a subtle but pretty pink, his sharp red eyes averting from your own blinking ones.

“Care to inform me on whatever I forgot..?” You skimmed through my your memory frantically in those few seconds that he’d paused, trying to dig up a pleasing answer before he told you himself.

“Privacy, [Y/N].. We’d have so much, too much once we moved to our own place. And we loved the sound of that. Y‘know why, right..?”

Your heart suddenly leapt within your chest at his indication, his left brow rising suggestively as he briefly cocked his head. You definitely knew why.

“So we could have times like this. Without any damned interruptions. I can suck your face off without one of my shitty friends popping up unexpectedly, ain’t that swell?” His voice held the slightest bit of laughter in it, his tone comical and yearning.

“So.. if I said that I wanna feel you close to me..” you murmured, your breath fanning over his proximate lips, “Like, really really close, it wouldn’t be a problem, yes?” A teasing, lingering peck was what you placed across his cheek, earning a genuine grin from Katsuki as a response.

“Who the hell’s gonna stop you? In fact, I’ve got my own idea,” his lowly voice came out booming nonetheless, but of course, the benefit of privacy made sure that his volume wasn’t a problem.

“I wanna watch you. While you watch me.” He didn’t have to be lewdly exact with his words, the lust-blown gaze in your husband’s vermillion eyes was enough to tell what he wanted. It was simple enough as he’d said; Mutual masturbation, just a few minutes before dinner time would commence.

Albeit the serene atmosphere, you couldn’t hold back your snicker over your realization. Bakugou Katsuki, your impatient lover. The poor guy had been in such a distasteful mood, only because of his unnerving libido..

“You wanna watch me take off my panties, huh?” Your teasing statement came out as a suggestive giggle, your hand placed sturdily at the nape of his neck while the unoccupied one got to work on making his fantasies a reality, tugging at the hem of your leggings hastily.

“You’ve gotta watch me too, y’know,” Katsuki reminded you with a gravelly chuckle, shimmying and pulling his bottoms off as though there were no time to spare.

His half naked form had attracted you in an instant, eyes drawing to his thick cock, semi-hard and already being encased into his moving palm.

“Don't just stare. It works both ways, sweet cheeks. I wanna see some fingers moving’ already,” Puffs of breath were taken between his words, ruby red eyes already lidded with an agape mouth that poured out the most arousing groans.

“Nah, I think I’ll just enjoy the show for now,” you decided matter-of-factly, pressing a sloppy kiss along his defined jawline, causing him to emit another grunt, lowly slapping sounds being heard from his vulgar ministrations.

“You think you’re cute, huh..” hissed Bakugou, trudging his clothes back on with a grunt, to your dismay. “Forget it. Instead of putting on a show for a brat like you, I’m gonna go straight to dinner.”

You accepted the fate that your actions resulted in, ready to slide off the island, just before his stern hands stopped you. He gave you this glance, one that made you eye him in suspicion as he kept his hands on each of your thighs, spreading them apart with a lax grin.

“Katsu— Ah!” By now, the blonde had already dropped to his knees, now face level with your clothed heat. “W-what about dinner..?!”

“Whaddya’ mean?” His tone came out rasped and attractive, a growing smirk reaching his lips as his fingers prodded at the band of your bottoms, “This is my dinner, babe..”

[arvandus]

Hi☺️ congratulations on the 500 followers! Please could I have number 27 with Shouto Todoroki and Fluffy ending?

Hope you have an amazing day!

Okay, so I SO APOLOGIZE for how late this is. Also, I've never written Shouto before and I was ✨nervous.✨ For some reason he's a hard one for me to pin down, but hopefully I'll get better with practice!

Anyway I hope you like this! It's got a little angst, but nothing heavy and definitely gets that fluffy ending. 🥰

Word Count: 2052

Pairing: Shouto Todoroki x GN!Reader

27. “I can’t think straight when I’m around you.”

You had thought that you’d enjoy working with Shouto Todoroki. Everything you’d ever heard about him was that he was calm, intelligent, and kind. And when you’d first started working at his father’s agency, those things were all true. He was always helpful, giving tips, answering questions, and offering to help with the paperwork that had quickly piled up. In fact, your first couple of months were made significantly easier by Shouto’s constant support and helped offset the sternness of his father who still ran the agency.

Everything had been going fine. More than fine, even. Shouto and you had become increasingly friendly, meeting up for your lunch breaks and pairing up for the patrol routes together. But something started to change. It was like a subtle shift in the air, a stillness between the two of you that wasn’t there before. You weren’t sure what started it.

Was it the time your fingers had brushed his when you’d handed him some paperwork? He’d frozen like a deer in headlights...

Or was it that one time during lunch where you offered part of your food and he’d turned it down with averted eyes and flushed cheeks? Maybe you’d offended him...

Or was it that time you’d just captured a particularly difficult villain and flashed him a glowing, excited smile as the public swarmed you for photos? Perhaps he thought you were gloating...

Whatever it was, you desperately wanted to undo it. Shouto began to pull away from you, a little bit at a time. His eye seemed to avoid yours more and his small, familiar smiles vanished. Gradually, he became less and less available. Wanted to meet up for lunch? Oh, he had a stack of paperwork to take care of. Offer to help him with said paperwork? Can’t do that, it’s “classified.” Meet up for drinks afterward? Couldn’t do that either; he had to get his rest for the next day. His answers and explanations were never mean; his still handled you with kindness. But there was a wall there suddenly that you couldn’t see past. He only let you see as much as he wanted you to see.

But the worst part was when he changed his daily patrol routes. Once again, he was kind about it, flushing slightly and avoiding your eyes as he explained that he had to pair up with a less experienced newbie who needed help in the field. It made sense, of course it did. Still, his response had left you unsatisfied. It felt incomplete, a half-truth meant to divert your attention from the real reason, whatever that was. You wanted to prod for more, to silently showcase the skepticism that you felt with a hard look. But you couldn’t bring yourself to. His reason was sound enough, and to accuse him of otherwise might make things worse. So, you bit your tongue and tried to let it go.

Tried, but failed. You missed him. You missed his smiles, your conversations... your days felt a little bit greyer, and a lot lonelier. You’d chalked it up to missing your friend – after all, you were still friends... right?

But one day you saw him on patrol with another hero, a smile on his face as he talked to them. They stood a little too close to him for your liking, the light in their eyes as they looked at him a little too bright. That part wasn’t surprising. It was pretty unanimous in the popularity polls that Shouto was a beautiful man. What did surprise was the sharp sting of jealousy that shot through you.

That was when you realized. You liked him.

The feelings had crept up on quiet feet, through a forest of gentle of smiles and the low rumble of laughter. Through shared lunches and bad jokes (some of which went over his head). In such a short time, he’d helped you grow as a hero and celebrated in your successes from the sidelines. He’d been there for you so much and so perfectly that no longer having him with you left you feeling empty.

You felt like such a fool.

Was that why he’d started to distance himself? Did he see it before you did and immediately make his decision before you were even aware of it? It was like you’d received the rejection before you’d ever even thought of the question. The entire situation felt backwards and upside down, leaving you feeling confused and embarrassed.

You wanted to run away from the entire situation, to transfer to another agency without a single word shared. But your heart wouldn’t let you. Not without answers. You deserved answers. There were still too many questions.

It was late in the evening, with most of they daytime staff gone and the nightshift heroes out on patrol. Shouto had just finished his shift and changed back into his civilian clothes when he came out into the hall from the locker rooms. You were there, leaning quietly against the wall as if you were waiting for someone, your presence taking him by surprise.

“Y/N!” he exclaimed as his eyes locked with yours. His unruly heart skipped at the sight of you.

Your eyes met his, a silent hurt swimming in their depths. That’s when he realized... the person you were waiting for was him.

“Hi...” you mumbled quietly. You broke eye contact and stared at the floor. “Um... could I talk to you for a minute?”

Shouto stared at you for a moment, taking in your averted eyes and hunched shoulders, and his chest tightened. You looked... sad. Upset, even. Your smile that had given him butterflies before was gone now, and your body language screamed of hurt even as you tried to hide it from him with arms crossed over your chest. There was no doubt that he was the cause of it, that he was seeing this part of you because you were in his presence. He knew he’d grown distant from you, a panicked decision that he’d committed himself to because he didn’t know what else to do.

But looking at you now, he hated it and he hated himself. He did this; he made you feel this way. Shouto inwardly cursed his own cowardice. You had every right to be hurt, and you had every right to be mad at him.

He had to make this right.

“Yeah.” He finally replied with a sigh.

Shouto joined you against the wall with his hands shoved into his pockets, his arm a few inches from yours. He joined you in staring at the floor, his eyes focusing on a piece of dried gum stuck to the tile.

“Did I do something wrong?” you asked finally, your voice tight.

Shouto’s eyes snapped up to look at you in shock. That wasn’t the question he’d thought you were going to ask. Why would you assume that you’re the one who did something wrong??

“What?” he asked, stunned.

“I just... we used to work together a lot, and talk, and go on lunches... and I thought we were becoming really good friends, you know? But then it just... stopped. You got busy, and then you stopped working with me, and... I can’t help but feel like there’s a reason for it all.” Your eyes finally met his just and he could see the tears being held back by the curve of your lashes. “Did I... do something to make you uncomfortable?”

You words were like a punch to the gut. Make him uncomfortable? If anything, he made himself uncomfortable when he began to realize what the pounding in his heart meant every time he was with you. Every time you smiled, or touched him...

“No.” he replied emphatically. The emotion in his tone took you by surprise and he softened his voice as he returned his eyes to the floor. “No. You didn’t do anything wrong.”

Your face scrunched up in confusion. “Then why-”

“I can’t think straight when I’m around you.” He blurted out.

The two of you froze, him staring at the floor as his face turned bright red and you staring at him, watching it happen.

“...what?” you finally whispered, your pulse racing.

Shouto averted his face from your wide eyes in shame. “I... I can’t think straight when I’m around you.” He repeated.

Your mind felt numb as the words tried to sink in. But it was a struggle; Shouto’s words didn’t fit at all what you’d concocted in your head. It was like trying to fit a round block into a square hole.

You cleared your throat. “What do you mean?”

“I mean...” Shouto took a shaky breath before returning his gaze to the floor in front of him, still unable to look at you, “something happened, and I just... whenever I was around you, I couldn’t focus. On anything. Not on my job. Not on my paperwork. Not on my food...”

“Wha... why not?” you asked, your mind still reeling as hurt slowly gave way to the weightless sensation of hope.

Shouto finally looked at you through his soft bangs, his bicolored eyes locking with yours for the first time in weeks. “Because...” he replied. “All I could think about was you.”

It was as if someone had pulled you out of freezing, murky water. You gasped for air, the weight of your worries evaporating off of your skin under the sunshine of his confession.

“Me??” you breathed.

Shouto looked back at the floor again, the shame still in his eyes. “Silly, huh? So unprofessional of me. I figured... I didn’t...” he took a breath and tried again. “I didn’t want to make you uncomfortable.” A slight grin tugged at the corner of his mouth. “And I needed to be able to focus on my job. But...” – he looked back at you – “really... more than anything, I didn’t want to make you uncomfortable.”

“I’m not...”

Shouto’s eyes finally met yours, wide with surprise. “What?”

A small smile blossomed on your lips. “I’m not uncomfortable.” You replied softly.

A warmth spread through his veins. “You’re not?”

You shook your head as you bit your lower lip with barely contained happiness. Shouto’s eyes glanced down at the action as his arm gently found its way around your waist of its own volition. Your body felt warm beneath his touch, and it sent goosebumps across his skin in excitement.

“You sure?” he whispered, as he stared into your eyes. His other hand came up to gently brush the old tears from your lashes with his thumb.

You began to lean into him and nodded. “I’m sure. Really sure.”

“Well, that’s a relief.” He whispered with a small smile. His hold guided you closer, closing the small distance left between you.

Your lips finally met, warm and gentle as Shouto pulled you flush against him. You could feel it – that painful knot that you’d been caring in your chest began to unfurl with the gentleness of rose petals. It softened everything – your mind, your heart, your kiss, your touch. It made a bed of warmth to nestle into, a special, secret place that was only big enough for two. Your arms wound their way around Shouto’s neck as a happy hum found its way to the back of your throat.

Your kiss was cut short by the sound a familiar, angry voice.

“GET A FUCKIN’ ROOM, YOU TWO!! DON’T DO THAT SHIT IN THE HALLWAY!!”

You quickly pulled away from Shouto, your body hot with embarrassment to see Bakugou standing there, his face red with anger. Deku was with him of course, his face red as well, but more for embarrassment.

You self-consciously rubbed your lips together bashfully. “Um... sorry.” You mumbled.

“Y/N! Uhh...” Midoriya scratched the back of his head awkwardly. “Congrats?”

You stifled a chuckled. “Thanks, Midoriya.”

Bakugou huffed in disgust and went into the locker rooms, dragging a blushing Midoriya after him. “Don’t stare, ya fuckin’ weirdo...”

After they were gone, you turned and looked back at Shouto with a chuckle. “Well, we’re never gonna hear the end of that, are we?”

He gave a small smile. “Probably not.” His thumb traced along your cheekbone, gentle and cool as he admired you, and you shivered beneath his gaze. “Worth it though...” he smirked.