#people wouldn’t even realize that the 2 characters were played by the same actor

[ririsasy]

Prithviraj Sukumaran as Shiva mannar

The background story for Shiva Mannar for me is that he was actually really close with Deva’s grandfather, that’s why after he ascended the throne he wanted the successor to be from the Shouryaanga tribe so they too would have a chance to rule khansaar.

If anyone watch Avatar the last airbender it was like Roku and Shozin kind of relationship.

If Deva’s grandfather was played by Prabhas too then I will be even more wilding in my imagination going as far as thinking about Shiva and Deva’s grandfather as lovers 😂🤣 I mean they fought side by side to win the war and make Khansaar independent. It was easier in the past because the enemies was actually outsiders who want to colonize their lands and now they fought amongst themselves 🥲

It was a well known secret that they would share everything together, will protect each other so fiercely abut they still have to get married traditionally with a woman for heir and stuff. Imagine that Amma actually know this story, she heard it from her own grandpa who fought side by side with them too during war. Shiva mannar was so devastated when Deva’s grandfather died during one of their battle, actually the last battle before they officially erased their map from india.

And Amma when she realized that Deva was head over heels for Varadha who was a splitting image of his own grandfather and many people also said that Deva was actually really resembling his own grandfather and even went as far as speculating that he was his reincarnation because he inherited his strength, so Amma was like “they couldn’t be together in the past life now they want to be together in this life” and she knows that there’s nothing she could do to stop them to be together this time.

[dna-d2]

(One Piece Live Action Spoilers, Beware) (Also long post alert, Also Beware) (TL;DR at the end)

(Beware)

So I finally finished watching the Live Action One Piece and BOY LET ME TELL YOU.

(Please note that this is coming from someone who’s read the manga numerous times and is almost caught up on the anime. So this is a time for me to lovingly rant about this show/franchise in general)

I loved it. Like, to start off with, I fucking loved it. It had a couple flaws, and I certainly wouldn’t say it’s the BEST way to experience the story of One Piece, but I had so much fun with it, god.

Like, one of the biggest flaws you see with live action anime adaptations is that they make a bunch of changes, and these changes feel like they were made by a bunch of higher-up suit-wearing dickheads who think they managed to systematically dissect why people loved Dragon Ball so much and gave us the war crime that was Dragon Ball Evolution.

No, OPLA does have changes, but these changes feel like they were made to actually ADAPT the story into a new medium, since this would require a whole different type of storytelling compared to anime or manga. And (almost) all of the changes do feel like they were able to get the same point across as in the anime/manga, just in a different way.

Like pretty much everyone’s been saying, the casting choice was SPOT-FUCKING-ON. Like

HOLY SHIT

Guys, Iñaki as Luffy was absolutely brilliant and you’d have to kill me before I’d ever say anything different, I mean it. The closest I’d have to a character complaint (and it’s really not a complaint, it’s more of a nit-pick than anything) is that Zoro was just not goofy enough. OG Zoro gets caught up in the shenanigans more than he’d like to admit and gets pissed about it and many other things. OPLA Zoro was way more stoic than that. Though I did also like the stoic himbo energy he was giving off too, so like I said it’s not ENTIRELY a complaint. Just a slight nitpick. (And this is nothing against the actor, the actor did a phenomenal job and I will hear no slander against him or any of the others. Especially Usopp’s actor. Dude was perfect in pretty much every way)

And then the only REAL complaint I had. Well, two, technically. And they both center around the final two episodes.

One of the ONLY changes I didn’t like is that the people in Cocoyashi DIDN’T know that Nami was working for Arlong to buy back the village. The anime/manga had them all know about it and play along so that her efforts to help them wouldn’t be in vain, thus when she was double-crossed by Arlong, they had 7 years of resentment against just HIM to get out, and it felt so nice knowing that these guys were more than willing to fight to the death for her in her name and in the name of the years she sacrificed for them.

In this one though, the fact that they didn’t know just made it feel less impactful to me. They hated Nami for years, then just gave her an apology for not realizing what she was doing before deciding to march on Arlong Park. They didn’t even march on Arlong Park. It felt like the writers were rushing this along a little bit, which kinda leads into my other complaint.

I think there should’ve been ONE more episode. Just one. Nine overall. I think they should’ve spent 2 episodes, 7 and 8, specifically on the fight against Arlong, instead of an episode and a half with the resolution to the Garp thing stuck on at the end. THEN made episode 9 the resolution to the Garp subplot. Or hell, I think even just an extra 30 minutes would’ve helped a lot more. But it felt like they didn’t 100% get how to pace it out properly and had to change certain things that resulted in being a detriment to the overall product. I didn’t feel anywhere near as moved during Nami’s scene asking for help as I did during the anime/manga. In those, she looked absolutely broken, pushed so far past her breaking point that she just couldn’t see a way out of this darkness she’d found herself in for years and years. And in OPLA, she just…Didn’t. It’s hard to put to words, but it just wasn’t as impactful to me.

NOW WITH ALL THAT SAID!!!!

This is an incredible show in its own right. If I didn’t have the anime/manga to compare this to, I would have almost no gripes whatsoever. Maybe even none!! I enjoyed the hell out of this from start to finish, and only came out of it with like one complaint and a couple nitpicks. That’s INCREDIBLE for a live action anime adaptation. Not to mention the way that this is already proving to be a great way to get new people into One Piece. (They don’t realize. They don’t realize that this is the gateway show. That this is where it starts. They don’t realize that they’ll be hooked after this. They don’t realize. But I realize. I know. And soon, so will everyone…!!!)

So yeah, OPLA, solid 8/10. It’s not the best way to experience the story overall, but it’s great for beginners and I will watch again for Easter Eggs and further enjoyment. You should watch it.



TL;DR: One Piece Live Action is great actually, and while it’s not perfect, you should watch it and I love it.



[adamwatchesmovies]

Prophecy of Eve (2014)

You’ve never heard of Prophecy of Eve and the odds are good you will never see it either. If you do, however, you’re in for the kind of catastrophe that rarely gets released. Appallingly acted, unconvincingly choreographed, incompetently written, poorly shot, clumsily recorded and flawed from the moment it was conceived, this film would be laughed off of YouTube.

As a child, Eve (Ia Villatuya) witnessed her parents’ murder at the hands of demons living among us. Growing up on the streets alone, she has evaded everyone, even the members of the mysterious ‘Order’ - a secret organization that trained her parents to fight the forces of evil. A prophecy claims Eve will cause the world to fall to darkness if she becomes corrupted by those demonic forces. Years pass, then, Eve re-emerges as a leather-clad swordswoman and everyone scrambles to win her over.

Prophecy of Eve is a laughable attempt to create a new version of Kate Beckinsale’s Selene from the Underworld series but with a microscopic budget. Everything about the film screams "bargain bin". The fight scenes are obviously either excerpts from a karate class or students from the same dojo in costumes. Even if the moves were impressive, you wouldn’t be able to tell - the camerawork is so wobbly. To compensate, the editor repeats actions 2-3 times, often in slow-motion. At least it’s easy to tell what just happened. You’ll need every bit of clarity to untangle the mess of a story the non-actors are struggling to make their way through. You’ll be watching, trying in vain to remember all of the identical-looking characters (none of which have any personality) when director, producer, editor, production designer, art director, set decorator and costume designer Ron Santiano introduces someone new. You swear you’ve been watching the film for at least half and hour but if they’re still setting up the plot, the lack of talent must be bending time itself. It makes the movie simultaneously predictable and so novel you’ve got no idea where it’s headed.

Not one of the actors in Prophecy of Eve has a chance of ever breaking into the big league because the performances are on the same level as a kindergarten play. In their defense, there’s laughable dialogue aplenty and the special effects seem to be barely trying. Just about everything is bad, which means you’ll never run out of things to criticize or make fun of should you decide to seek out the film. A word of warning, however. Prophecy of Eve does the one thing no movie can afford to do: skip out on the audio quality. Much of the dialogue sounds like it was recorded by a mike at the end of a cardboard tube. This makes it even harder to piece together who’s who and what’s going on because you’ll only catch about half of what people are saying. You’ll be laughing or groaning so hard on top of what you can hear that subtitles are a necessity.

You can’t make a movie like Prophecy of Eve by accident. These people thought they had the hottest, sexiest thing ever on their hands. What they didn’t realize is that they had just soiled their pants out of excitement on their way to the stage. This film tries so hard to be awesome it spirals around and becomes so lame you’ll wonder if you didn’t stumble upon the wrong movie by accident. And that ending. It’ll have you screaming in frustration at the top of your lungs at the sheer audacity on display. I could never recommend it to anyone. Even as a bad movie, you could do better. I must admit that as I sat through its meagre running time, I had a lot of laughs. I almost want to see a sequel... but not really. (May 15, 2020)

[accio-victuuri]

cpn: a healthy serving of clownery. 🤡

Happy Friday! It’s time to have some good old cpn fun. well at least to most of us it’s fun. lol. so here you go. none of this is real. I hope you all have a good weekend ahead!

these are just small stuff so chill and enjoy.

1. Eggplant 🍆 - despite the suggestive emoji, it’s not what you think. It’s actually one of those fake rumors posted before that people only realized could be real. In an episode of OOL, Gu Wei was eating and the character actually eats eggplants. We know that GG absolutely hates it and Web is the one who takes it off of his plate ( cause he likes it ).

@9:26 of this video, Web says he only found out that GG hates eggplants ( which is a lie because LHK said Web eats the eggplants GG rejects on set. he knows GG will not eat it. ). GG said he can’t even stand it’s smell.

The fake rumor was specific, it was during YS ( yusheng = oath of love ) shoot. They heard GG talking to someone and he said:

"Yes I miss you, I want you to help me eat eggplant"

Who could he be talking to? Well probably the same one who ate it for him before. 🦁

I always look at these rumors as coincidence but sometimes it’s just too much. The thing with them is one portion of it could be real but the other is the ‘fanfiction part’. For example, it could be true that I worked on set of Ace Troops and saw GG play with his hoverboard on his bday and that it looks like a gift. Then in comes the ‘fiction’ part where a I will add something like : I heard a staff say it’s from yibo or something like that. we wouldn’t know. So just take it as a sweet story.

2. Fake Vinegar vs True Vinegar - I posted the comparison on this but I wanna talk more and why this is my favorite type of candy. It’s not even a candy, It’s an observation of how a person behaves. A person that i/we spent hours watching. To those who haven’t caught up with OOL, there is a scene where the female protag brings in a “friend” and Gu Wei gets jealous. That’s where the face is coming from. I believe that actors truly take real-life expressions into their work and this is an example of that. Personally, I see the same energy but how Gu Wei did it still had the “cute” factor in it. There was still the “act” , and this is not the bxg in me talking. It was a bit comical like how these kinds of scene goes in “romantic” dramas. You’re supposed to feel for the main character but still laugh at how jealous he is.

Now let’s look:

Ah the variety! but you can ignore everything and just look at that lethal look he got during Happy Camp. A famous bxg candy and this thing just proved we weren’t seeing things. Homeboy was jealous. We understand GG. but still, it’s so scary. No one would ever want to get too close to Bobo. 🙃

3. Li-ning 🤝 Anta - I literally thought this ones were from the same company but it’s not. It features the bro handshake ( lol idk what it’s called ) for their skateboard wear line. Both companies had this type of clothes even before the boys got their titles as brand ambassadors. It’s just a cute coincidence!

4. 💦 - more proof that YBO and XZS are dating! Hahahahahaha! I’m still waiting for vlogs from YBO.

5. Wooyoungmi - this one is a clothing brand from Korea that Web wore before. It’s a coincidence (?) that GG wore the same style for that SELFIE and their Thailand fanmeet. I’m not sure if I remembered correctly, but people were saying in that presscon they were both wearing their own stuff. All the 2019 stuff are coming back with a vengeance! lol.

Wooyoungmi is a South Korean menswear clothing brand launched in Paris by the designer Youngmi Woo in 2002.It is sold through own-brand stores and global retailers. Art and architecture are sources of inspiration for the brand.The brand has become known for tailoring.In 2014, The Korea Herald wrote that “Wooyoungmi has become the most successful Korean independent menswear designer brand.”In 2021, they gave an interview for Vanity Teen magazine talking about their career and their social and political influence.

6. In another episode of deleting stuff on douban - someone posted this on weibo but please don’t spread too much incase some people say we are somehow “antis”. This is not the first time one of them requested to have a topic deleted ( Web allegedly did before ) The topic this time was “Does Xiao Zhan like Yang Zi?” Lol. I mean, I wouldn’t even be surprised that’s gonna pop up since OOL is on air and their cp fans are surely gonna rise. Or people are just curious. However, it was asked to be removed. The message received by the user who created the topic is as follows:

Reason: made a real-name complaint, and the complainant claimed that the content is an example of"Breach of Reputation". If your speech has been controlled by the website many times recently it will be deleted.

Real name complaint, meaning it’s the people involved in the topic/thread. So 50% chance that it’s GG. but if you know GG well enough, it’s logical to assume that he is the one who did this. From Day 1, his team already said to focus on the character.

I’ve also noticed in some little theater videos, GG tends to put his hands in front of him like this. Not sure if this is a Gu Wei habit he developed for the role but for a body language enthusiast like me, this screams ‘i’m keeping my distance’. Lol.

The body language psychology of clasping the hands on the chest considers it to be the expression of resistance. It is also a way for the other party to protect himself. The fear of being hurt by others and adopting a kind of isolation.

Note : it’s just an observation and I don’t encourage further double standard stuff. To be honest, some are really funny but i think we can all agree that it’s unnecessary because boxiao is szd.

That’s all for now. I wanted to add more but I wanted to post this before Friday ends for the other timezones.

[captnjacksparrow]

Okay this is just for fun. I saw a NH shipper person comment on a strictly Sns platform ( don't know why they bother) say that Sasuke was jealous of Hinata. When someone else replied that he wasn't even aware of her existence and Naruto literally ignored her confession in pein arc and right away went pining for Sasuke and in the next arc, repeated the same lines to Sasuke as Hinata (guessing Hinata's lines are retconned since there's no way Kishi wrote her lines before Naruto's to Sasuke), this was their response:

no he didn’t he just forgot u can tell that he liked her because he was worried if she was injured or not and he really think Sasuke was his first ever friend that got me annoyed cause like shikamaru and choji was always there for him and he straight up and said that I love Naruto but he can be dumb sometimes and the only reason he was chasing after Sasuke was 2 things kinda 1. Was the promise that Naruto and Sakura had form the Sasuke saving arc episodes

2. So he can get there bond back together so Sasuke wouldn’t break it forever I’m clearly not dumb I actually watched the anime and fell in love with the plot and the characters instead of shipping Sasuke and Naruto for the kisses and there rivalry I ship Naruhina because hinata was always there for Naruto since they were 3? She didn’t care he had the nine tails in him she was the first to admire him and she literally confessed to him she’s a strong girl and she had a good character development Naruto will protect his friends to Sasuke he’s like a brother to him he loves Sasuke as much as he loves all his friends in the hidden leave village including gaara we all know Naruto liked Sakura and we know why but it was never confirmed that Sasuke liked Naruto but he might’ve liked Sakura in one of the Naruto movies with the actor he looked jealous Sakura was fangirling and he was like 😒 or 😐

(Anon again) So yeah.....levels of delusion are just crazy...

Gosh!!! This is not fun at all, Anon. Don't you pity me??? 😩😩😩😩

These shippers are just lunatics to the power of million.

he just forgot u can tell that he liked her because he was worried if she was injured

According to Naruto (the character's) standards, his reaction was pretty substandard as compared to how he worried for other people before. He just felt her Chakra in Sage mode and found that she was fine... Aaand that's all. He didn't even bothered to ask her 'How does she feel?'

he really think Sasuke was his first ever friend that got me annoyed cause like shikamaru and choji was always there for him and he straight up and said that I love Naruto but he can be dumb sometimes

This is what I call, 'Cockblocking'. There you go, I said it.

Before Shikamaru and Chouji gave any damn about Naruto's strength, Sasuke realized Naruto's pain when they were just 8.

By Land of the Waves arc, he already offered up his life. So, I would appreciate them if they stop spouting such bullshit.

1. Was the promise that Naruto and Sakura had form the Sasuke saving arc episodes

There you go, he said it. It's not for the promise he made with Sakura. He wants to do it for himself.

2. So he can get there bond back together so Sasuke wouldn’t break it forever

I don't even understand what this means. But do they even know anything about Sasuke???

I’m clearly not dumb I actually watched the anime and fell in love with the plot and the characters instead of shipping Sasuke and Naruto for the kisses and there rivalry I ship Naruhina because hinata was always there for Naruto since they were 3?

Well, that person is dumb actually. Why did that person bring up some filler shit?? I agree Anime added few stuffs in Pain Arc. But it was not when they were at age 3.. It was around when they were 6 or 7, where he saved Hinata from bullies and Hinata kept her eyes on him ever since.

She just stalked him creepily but never provided any emotional support. So, ignore that creepo.

She didn’t care he had the nine tails in him she was the first to admire him and she literally confessed to him she’s a strong girl and she had a good character development

None of Naruto's peers knew about Nine Tails until Part 2. How come Hinata knew this before?

Talk about Character Development... Pffft.... She Stalked, Naruto kun..... She Stalked, Naruto-kunnnn.... She Fainted, Naruto-kunnn She Clowned before pain, She Orgasmed over Neji's dead body, Naruto-kunnnn, Your hand is big and warm.....Poof..... She got Naruto-Kun's Duck.

Naruto will protect his friends to Sasuke he’s like a brother to him he loves Sasuke as much as he loves all his friends in the hidden leave village including gaara

Ahhh, This Brother bullshit. Nobody will declare to die along with their brother. Brotherly bond or any Sibling bond is all about protecting the younger one at any cost. Here, Naruto says,

So, If I ever say this to my little sister, then I am the worst sister in this world. 

If I let my little sister say this to me, I would slap her so hard. 

As for Gaara,

Yes, Naruto empathized with him and tried his best to save him. When he saw Gaara dead,

Naruto was crying. Agreed. And why is he making reference to Sasuke here??? I wonder.

When Naruto can’t stop Sasuke, 

Naruto was Sobbing. 

So, crying for someone’s death and sobbing for someone who is still alive but travelling on the path of darkness should not be measured on the same scale, Right????

Not to forget, Naruto got hyperventilated for Sasuke when he heard that the entire world turned up on him.

Naruto liked Sakura and we know why but it was never confirmed that Sasuke liked Naruto but he might’ve liked Sakura in one of the Naruto movies with the actor he looked jealous Sakura was fangirling and he was like 😒 or 😐

Movies are not canon, for shit sake. 

Even by that logic, in Bonds Movie, When Hinata was trying to flirt with Naruto, Naruto was disgusted. So, can we accept that Naruto never liked her???

Sasuke never looked jealous at Sakura in that movie at all. He was looking like his normal self.

But he made jealous remark on Naruto for admiring that princess though. LOL.

Here Sakura is also admiring about the hero of that movie but resorted back to admire Sasuke.... to show her loyal feelings. 

But Sasuke don’t care either way for her remarks. However when Naruto started to admire about the princess, Sasuke made a witty (jealous) remark. LOL

Sakura : Geez!... I want to watch that Michy Sama who played Sukeakuro a little longer. Oh, But Sasuke-kun you are the best, of course.

Sasuke : .......

Naruto : Isn’t there someone like her anywhere? If I could fight for a princess like her, being a Ninja would would be heaven.

Sasuke : Ridiculous!! It was just a movie.

So, Sasuke was jealous.... True.... but not on Sakura!!!! LOL

Again in Bonds Movie, Sasuke shutting up Hinata...... 

Apart from the Last movie, Pinata is just a wastrel who did nothing in the Manga!!! Or Even in the movies. 

NH wankers are some buffoons who don’t have enough canonical materials to participate in a discussion and yet they make loud noise by twisting facts related to other people like Sakura, Sasuke, Gaara, Shikamaru, Choji. 

DISCLAIMER : By no means, I consider the above gifs from movies are canon. It’s just that NH stans brought up a movie crap and I am responding accordingly

[charlie-minion]

Could the same SPN finale make a little more sense with some additions/changes?

I’ve had the idea for this post stuck in my head for days now, but with every new conspiracy theory and every new eventuality in the fandom, it became difficult to cool down enough to write something less ship-related and more narrative-focused.

What Supernatural and non-SPN fans have to understand is that a lot of us have expressed disappointment and frustration after 15x20, not because of Destiel (that’s just one part of the whole problem), but because the finale doesn’t make sense. Everything was leading up to something beautifully crafted until the end of 15x19. Beyond that, it’s hard to understand what happened. The story rendered all the character growth irrelevant, invalidated the themes of free will and “family don’t end in blood”, regressed to the original brother codependency they spent 15 years trying to overcome, made a queer non-binary character in a male vessel and a deaf female character basically disposable, and kept the show’s reputation of queerbaiting and misogyny until its very last breath.

That’s not going out with a bang! At least not a positive one. We all were ready to mourn Supernatural, but we wanted to feel proud of its legacy, and somehow TPTB managed to tarnish that legacy in less than 45 minutes. What a way to ruin the other more than 13,600 minutes of story!

It doesn’t matter who is to blame (The CW, Robert Singer, Andrew Dabb). It doesn’t matter why it happened (homophobia, censorship, marketing for Walker, bad writing). What matters is that at the end of the day, the finale that aired is what we got and that’s going to hurt for a long time. It hurts even more when we realize that the same finale could have easily made more sense, even without being perfect.

That’s what I want to do in this post. I want to show you how things would have been less jarring (for the fandom), while still keeping the goal to please the general audience.

Before I begin rewriting 15x20, I have to mention that I talked to my conservative boomer sister about the finale. She hasn’t watched the second half of season 15 yet (she’s waiting for Netflix to have it), but she’s been watching the show for a long time (she introduced me to it 8 years ago). She’s the perfect example of a viewer from the general audience. Loves the show but doesn’t give a second thought to it and definitely isn’t paying attention to character development or themes. Doesn’t engage with fandom, actors, or any of the show’s social media. Pure GA! When I told her the series finale had aired, she asked me about it and I refused to give her spoilers. Because of that, she told me the ending SHE wanted. She said she would be happy with either of two possibilities: the boys retiring and finally living a normal life OR they going to heaven and finding peace at last. She saw Sam and Dean as a unit, which means: both retiring or both going to heaven. AND she saw Cas as part of that, too. She wasn’t so sure about Jack. And for her, we could use the “Eileen who?” and it wouldn’t be a joke. She didn’t remember her.

NOW IT’S TIME TO WRITE A NEW VERSION OF 15X20 (KEEPING 15X18 AND 15X19 EXACTLY THE SAME AS THEY AIRED). This will be a very long post:

The opening remains almost the same. No “Carry on my wayward son” to induce feels. Too soon and too predictable! (Reasoning: Everyone was expecting it to play right there, so it would bring more tears at the end)

In the opening, after the scene where Jack says “People won’t need to pray to me or sacrifice to me”, we also see the scene from 15x19 where he says “I won’t be hands on”. Then we see the rest of the opening as it was. (Reasoning: People needed to be reminded that Jack would NOT intervene and that’s why later on, he would NOT save Dean).

We get the same montage, but when Sam takes a break from his morning run, we see him reading a message on his phone. A simple: “Hey Sam, what’s new?” from Eileen. Sam smiles fondly and begins to type a response we don’t get to see. The next scene continues the same, Sam making breakfast. (Reasoning: A text was a very simple way to show that Eileen was alive and still in communication with Sam).

The montage slowly ends as Sam enters the library (not after he sits down). He seems to be talking on the phone but we only hear an “I’ll tell him. Bye”. As he walks towards the table, he tells Dean: “Charlie says hi. Mentioned something about Stevie’s perfect scrambled eggs we have to try.” Dean’s answer is “Awesome!” (Reasoning: Just ONE line was needed to unbury Charlie and her girlfriend. ONE LINE).

Sam sits down, opens his laptop and everything continues the same. The title card shows for the last time.

YOU SEE? In the first 4 minutes they could have acknowledged that THREE WOMEN were alive and safe: Eileen, Charlie and Stevie. It wasn’t hard! Don’t blame bad writing on Covid! Now let’s continue.

Sam and Dean arrive at the Pie Fest just the same. Dean goes to get some “damn pie” and Sam takes out his phone. He dials and when someone picks up, he says “Hey, Jody, how are ya?” We don’t hear the rest of the conversation. The scene moves to Dean coming with his 6 portions of pie. Dean sits down and Sam tells him, “Talked to Jody. The other hunters haven’t had much work lately.” “That’s good, isn’t it?”, Dean says. All we get from Sam is “Yeah.” So, Dean looks at him and asks “what’s wrong?” like it happened in the episode. (Reasoning: Again, a couple of lines to make sure the people that were killed in 15x18 are safe and remembered by the boys in 15x20. Why is this important? Because they’re family!)

The conversation about Sam’s sad face happens the same. Sam is the one that mentions Cas and Jack. (Reasoning: Because this episode was so Sam-centered, it’s obvious he was the protagonist in the finale. If we see him communicating with Eileen, Charlie, and Jody, then it’s NORMAL, even expected of him to be the one to bring up Cas and Jack). Without these additions, it’s harder for people to understand that most of the finale was NOT from Dean’s POV but from Sam’s.

Dean’s “if we don’t keep living, then all that sacrifice is gonna be for nothing” stays the same. (Reasoning: I believe it’s necessary that the show sticks to the importance of “letting go” and “what is dead should stay dead” for the first time ever because the message is “even when you lose someone you love, you can still find some form of happiness and keep living, for you and for them, because that’s what they would have wanted”. Bringing someone back means “I can’t live without you”, and that’s just more codependency. It’s how the demon deals began in the Winchester family –Mary being the first one to do it. This would explain why Dean didn’t ask Jack to bring Cas back, as he asked Chuck. He understood Jack was NOT going to interfere anymore and accepted it. Besides, when Cas saved Dean from hell, Dean thought he didn’t deserve to be saved. This time that Cas saved him, Dean finally feels worthy enough to accept that YES, HE DESERVED TO BE SAVED ALL ALONG, just as much as he deserved to be loved by that angel of the Lord. In this scene, Dean also says that the pain is not gonna go away, which means that from HIS PERPECTIVE, it still hurts that Cas is not there. The problem is that the finale is not showing his POV but Sam’s.  

Sam pies Dean on the face just the same. (Reasoning: That part was just to avoid ending the scene on a sad note).

Everything related to the case happens exactly the same. (Reasoning: At this point, people don’t really care about the MoTW, they care about Sam and Dean).

NOTE 1: The case is important to show that even when the Winchesters are finally free of Chuck’s influence, they CHOOSE to keep hunting. It isn’t something they do out of revenge or because it is their destiny anymore. Maybe they were forced into the life at first, but they’ve learned to find joy in saving people. Being hunters is who they are. However, the fact that a job application was shown on Dean’s desk is also important because it means he was willing to explore what else was there for him besides hunting. Maybe he could find a balance? Maybe he was thinking it was time to quit? We will never know! The thing is that Sam only finds out about it when he goes into Dean’s room after his brother is dead, so maybe that’s when it hits him that Dean wanted to explore his options, and Sam starts to think it’s time for him to do the same.  

NOTE 2: I believe the masks the vampires are wearing is something we can blame on covid. If they had their faces covered, it was easier to use people from the SPN crew for some scenes, instead of using more actors unnecessarily.

NOTE 3: When Sam and Dean arrive at the barn, we get 3 visuals to remember Cas in the same scene (those are for the fandom, not for the general audience): a) the barn, obviously; b) the bag that resembles Cas’ trenchcoat so much that many people thought that’s what it was; and c) two feathers hanging on Dean’s right when he opens the trunk.

The scene with the throwing star happens the same. (Reasoning: The episode is still told from Sam’s point of view, so it makes sense that he fondly sees his brother as a man child).

Jenny the vampire? Uhhh… I mean, it’s not the best piece of writing I’ve ever seen, but it’s not the worst, so okay. That stays the same. (Reasoning: There is none, but she’s not what really ruined the finale, so whatever!)

Dean still dies impaled on a rebar. (Reasoning: OK. HERE ME OUT!!! I hate as much as everyone else that Dean is killed. I think it’s lazy writing, but that’s what we got and I can’t change that in this re-write, so if killing Dean is what we have to work around, then, memes aside, death by rebar is better and here’s why. There’s no one to blame for Dean’s death: no Chuck (the boys were willingly hunting even after Chuck was defeated), no vampires (they were all killed and were no real threat, so it was impossible for Sam to begin a quest for revenge against all vampires. What was Sam going to blame? A rebar? Can you kill it? Hunt it? NO. It was an ordinary death, a stupid accident. Just like any person can die at any moment by slipping on a banana peel. Is it a good death? No, but it’s good to know he doesn’t die trying to save Sam or Cas, because Dean Winchester is NOT willing to give up his life in exchange for anyone else’s anymore.

Sam takes out his phone and says he’ll call for help, but his phone is more visible to the audience. He dials and it’s almost to his ear when Dean stops him and Sam hesitantly hangs up. (Reasoning: People have complained that Sam didn’t call an ambulance, but actually he tried to. It’s just that people missed that part, maybe?)

After Sam puts his phone back in his pocket and says “OK” to Dean, he adds, “I’ll pray to Jack”. Dean’s immediate answer is: “No hands on, remember?” “But Dean”, Sam says, and Dean interrupts him with “OK listen to me” and tells Sam what to do with the kids they rescued. (Reasoning: Jack is God now and how come Sam didn’t remember? The viewers remembered, so it was necessary to include a line that ruled the option out and that showed Dean didn’t want Jack to intervene. The rest was fine).

The lines “You knew it was always gonna end like this for me. It was supposed to end like this, right?” disappear completely from Dean’s monologue. (Reasoning: This is the most problematic part of Dean’s dying speech. He fought God and earned free will, he is no longer controlled by fate or destiny. Accepting that he is supposed to die on a hunt regresses his character development and denies his desire to keep living. This was a total mistake and should be removed).

Instead, if going to heaven is the ending TPTB wanted to give Dean, at least he should say something more empowering. Sam tells him that both of them are going to take the kids somewhere safe. Dean answers and the scene follows like this: “No. Sammy, we made our choice, didn’t we?”, he smiles with difficulty. “We were free to write our own story and we did. We decided to keep saving people, hunting things. Because it’s what we love despite the risks.” (Reasoning: If Dean’s going to die it doesn’t have to feel like it was always meant to be that way. He should die knowing that he exerted his free will until his last breath).

The rest of the dialogue between Sam and Dean happens almost the same. Except that instead of Dean saying “‘cause when it all came down to it, it was always you and me. It’s always been you and me”, he says “’cause when it all came down to it, we’ve always had each other’s backs. Always.” And instead of Sam saying “Don’t leave me”, he says “I still can try to save you.” (Reasoning: It sounds way less codependent without diminishing the importance of their love and support for each other).

Besides, let’s change Dean’s “I’m not leaving you” for “You don’t have to be alone. You’ve still got family.” The rest stays the same word by word. (Reasoning: Dean reminds Sam that “family don’t end in blood” and there are still lots of people out there who love Sam and will be with him).

“I love you so much, my baby brother” stays exactly the same. (Reasoning: Dean always had trouble to express the big L word. I always believed and said many times that before Dean could say “I love you” to Cas or any other character, he had to say it to Sam. So, this is important as part of Dean speaking his truth).

The last part when Dean insists Sam tell him that it’s okay stays the same. (Reasoning: It’s the final moment when the codependency cycle breaks. No more running in circles).

The forehead touch between them stays the same. (Reasoning: I think I would do something similar if my sister were dying. I know there are w*ncest shippers out there, but it shouldn’t matter because the moment feels appropriate for that kind of goodbye). 

See? There are changes but not too many. That’s why I’ve been saying that it was easier to get it right, yet they still managed to screw it up.

The second montage stays the same. (Reasoning: Life goes on, but of course Sam has to mourn).

The call about a case in Austin remains the same. (Reasoning: It’s the only part of the episode where someone from the found family is mentioned, so I think that Donna’s name is perfect in that moment. However, without the other additions I’ve made in this re-write, that off-hand mention feels too little. Its purpose was to tell the viewers that if Donna was alive, so were the others, but the way the episode was executed gave us an isolated Sam, incapable of having friends and a family without Dean).  

After 30 minutes of Sam’s POV, let’s finally see the last bit of Dean’s POV that we’ll ever get.

Dean arrives in Heaven and Bobby receives him. All their conversation stays almost the same, except that after mentioning Rufus and before saying “and your mom and dad…”, Bobby adds an “Ellen and Jo let me borrow their place”. (Reasoning: If you’re gonna put the man outside the Harvelle’s place, at least mention them for Jack’s sake!).

Besides, after Bobby tells Dean that Sam will be along and that time in heaven is different, Dean gives a small smile and says, “Well, there’s no rush. I want him to have a long, happy life.” Bobby answers with: “I would expect nothing less from you, boy” and tells him he got everything he could ever want, etc., just like it happened in the episode, and finishes by asking “What are you gonna do now, Dean?” (Reasoning: It’s important we know for sure that Dean is NOT codependent anymore and that he doesn’t expect to have a miserable afterlife just because his brother is not there yet).

Instead of saying “I think I’ll go for a drive” Dean says, “I think I know what I want” and walks towards baby. Bobby still tells him to have fun. (Reasoning: “Know what I want” is ambiguous enough to help us introduce the last piece of the puzzle, the one thing Dean’s wanted for many seasons and has never been able to express).

 The biggest change is coming:

Dean gets on the Impala and has a moment of silence while he contemplates the wheel. He begins to pray: “Hey, Cas, you got your ears on? I hear you’ve been busy working on this updated Heaven with Jack. You were right about him, Cas. You had faith in him and he saved us all. You could always see the best in everyone, even when they couldn’t see it themselves. Even when I couldn’t see it myself. There’s so much I want to tell you. Maybe you can visit sometime. I hope prayer’s still a thing up here.” (Reasoning: Dean’s side of the confession was unaddressed and that was terrible writing. If there was no way to get him to speak his truth textually, at least take him as close to it as possible).

We listen to a flutter of wings and a “Hello, Dean” from the back seat. We don’t see Cas, but the camera shows us Dean’s cocky smile and he says “Took you long enough.” He turns around slowly. End of scene. (Reasoning: The flutter of wings confirms that angels have their wings back and ties that loose end. The final “hello, Dean” was highly anticipated and it made sense. If Misha couldn’t be there to film, for whatever reason, or if the problem was the kind of conversation Dean and Cas would have, then don’t show it, but leave the door open. Let us know that the two characters were reunited and will talk, but whatever Dean has to say is so private that it’s not for us to hear, only for Cas.  

We finally hear “Carry on my wayward son” and get a montage that begins with Sam playing with his kid. Then we see Dean driving, super happy, and Sam living his life to the fullest. We still get Sam’s Blurry Wife, BUT… we see pictures of Eileen in the living room (not just of John, Mary, Sam, and Dean). We also see photos of Jody, Donna, Charlie, and AU!Bobby. (Reasoning: FAMILY DON’T END IN BLOOD).

The scene where Sam is wearing the party wig and looks miserable inside the Impala is cut and nobody talks about it ever again because it never existed. We get a scene of Sam teaching his son how to fix the car instead. (Reasoning: First of all, don’t give Sam a life where years later he’s still in pain. Second of all, the fucking wig was a crime).

Sam’s dying scene stays the same. The only thing is that his son signs a couple of phrases to him before actually speaking. (Reasoning: More confirmation that Dean Jr. is Eileen’s son).

We hear the final “Evanescence-like Carry on my wayward son”. Again we see the photos and there’s family other than the Winchesters there. (Reasoning: Obvious at this point).

The rest is exactly the same. The show began with two brothers and it’s okay if the last scene is with the two brothers reunited in Heaven. At this point, the other parts of the story are acceptable enough for us to feel happy that they get to see each other again after years of a happy (after)life.

Now look me in the eye and tell me this was too hard to execute. I still think that bad writing is a thing we can’t deny here, adding to the possible meddling of the Network. Maybe Dabb wanted us to hate the finale because he couldn’t get away with what he truly wanted. If that was his intention, then kudos to him. He and The CW really gave us a finale that only 30% of the fandom liked.

I hope you guys have enjoyed this and it helps to give you some peace of mind. In my heart, this was the finale we got. It wasn’t perfect, but it didn’t drop the ball either.

[linkspooky]

Touya is Dead, Dabi is Here.

Dabi is the foil to Endeavor. His villainous foil. However, not everything is about Endeavor. Let’s shove him to the side for a second. Dabi is also the villainous foil to himself, in a stranget twist and turn of events. Dabi has a villain persona that he plays up, he’s trying to show everyone that he’s the monster created by Endeavor’s monstrous actions, but I think he’s also playing himself as the opposite of Touya, the villainous foil to Touya’s once heroic ambitions. Touya was supposed to die, but Touya lived. Now, Dabi is trying to destroy everything Touya is, by embodying the opposite of everything Touya was. 

1. The Child Who Didn’t Get Saved

Touya’s remembered in a certain way by his family members. Endeavor doesn’t even seem to pity the child who died on his watch, so much as he pities himself. He pities the fact that he didn’t get to raise his son up into a successor. When he sees the scarred up Dabi still alive in front of him, he doesn’t feel happiness that his long dead son is alive, or even pity for the monster covered in burns. 

His first thought is disappointment, that Dabi didn’t grow up into what he wanted him to be. Natsu remembers the crying child that always clung to him, but he probably has the most realistic view of his brother. Someone who was suffering under his father, and someone whose pain shouldn’t be forgiven or swept under the rug. Whereas Fuyumi and Shoto who were both less close to Touya, don’t even seem to know how to talk about him, or how to feel. 

Touya is in the eyes of others around him, either a sad and tragic case. A crying child in need of saving who unfortanately did not get saved. Or he’s just not talked about at all. I’m not going to talk about Shoto and Fuyumi because of course they don’t know how to feel about the death of their own brother, and their mom who they’ve been seperated from for a decorated they’re coming to terms with all that slowly but... not only did society as a whole forget about Touya but, Endeavor too. He doesn’t really see Touya. He just sees an unfortanate lost child. He sees a son who he wants to come home. Touya died so young, and so suddenly that his feelings aren’t really recognized. Nobody really knows Touya, and the Touya they all understand is the sad child he used to be. The sad, pitiful, tragic, child. 

And is it any wonder that Touya doesn’t want to be this person anymore? That Dabi denies being this person? If all Touya used to be was a sad child, constantly crying, who was never good enough no matter how hard he tried. Then wouldn’t it make sense that Dabi wouldn’t want to be this person anymore? 

It’s painful being Touya. Touya is vulnerable, a child who couldn’t do anything about his situation. A child who tried so hard he ended up burning himself. Not only is Touya vulnerable, he’s frail, weak, all the things Dabi doesn’t want to be and all the things his father found worthless. Touya has flames stronger than anyone, but a weak constitution to go along with it, so much so he always ends up hurting himself with his own fire. It’s pretty obvious to see that Dabi is in pain, everyone else around him except for Dabi himself seems to notice it. He’s covered in burn wounds at all times, he’s literally constantly smoking, and just barely stitched together. Yet, Dabi denies being in pain, and through doing that, he denies himself. 

2. That Child Grew Up Into An Asshole

Denial is a coping mecahnism.  Refusing to acknowledge that something is wrong is a way of coping with emotional conflict, stress, painful thoughts, threatening information and anxiety. Rather than simply being vulnerable, it’s sometimes easier to deny that you are ever vulnerable atall. Especially for people like Dabi who spent long periods in their childhood feeling helpless and week. 

From the moment a baby comes into the world, forming attachments to parents or other caregivers is critical to a child’s emotional, physical and psychological development. For an infant, having a gentle and responsive caregiver provides the nurturing a child needs to grow into a healthy adult. A cared for child develops self-esteem, feels secure in exploring the world around him or her and has a strong foundation for understanding how to build healthy relationships later in life.

But if those earliest relationships break down, the child may experience what is known as abandonment or neglect trauma.

One way of coping with this trauma is to be entirely self sufficient. To basically close up, never need to rely on other people ever, and therefore never open up. Basically, what Dabi denies more than anything else is his vulnerability, even though it’s obvious he’s in pain. 

Vulnerability, after all is the reason he got abandoned. Touya was tossed to the side because he was too weak. Therefore, in an effort to be strong Dabi denies feeling any pain at all, and in the process shuts out his other feelings. He also denies anything, his connection to his family, any feelings of guilt or remorse he might have.

Self-denail, and self-abuse, it’s the same reason kids from bad homes end up acting irresponsibly and abusing drugs, it’s all a fancy way to hurt yourself. 

If overthinking about things causes him pain, causes him to break Dabi’s solution is to simply not think about things. If being Touya is too painful for him, then Dabi chooses not to be a person and plays up the monster. 

It’s almost like Dabi and Touya are two separate people stitched sloppily together, but they’re coming apart slowly at the seams. Dabi pretends to be a remorseless villain when facing off with Endeavor, but then in front of the crowds when he’s begging for sympathy he shows off all of his burns, sits politely, and presents a character that is much more human making his case that he killed innocent people but he did so with reason, for a good cause. While, the same Dabi instead of Endaevor seems to just want to burn everything for the fun of it. The point being that, Dabi contradicts himself a lot. He argues with himself. 

It’s because Dabi is putting on deliberate acts. He’s changing himself based on the audience. It’s just that he’s also not as good of an actor as he thinks he is. However the performance seems to be pretty consistent at least for the most part, he wants everyone to regret what Touya became because of Endeavor’s abuse so he purposefully makes himself into the opposite of everything Touya was. Touya wanted to be a hero to carry on his father’s legacy, Dabi is a villain dedicated to completely destroying his father’s reputation and leading him to ruin. 

Touya was known for being particularly close to Natsuo, not only playing with him all the time, but confiding in him. Touya must have been a good big brother to Natsuo if Natsuo misses him so much. Yet, Dabi acts like Natsuo is nothing special, just another casualty in his revenge on Endeavor. 

Touya was someone always working hard to earn Endeavor’s attention and please him. Dabi seems to only want to bring about Endeavor’s ruin and think of ways of hurting him. There’s a certain irony in Dabi being so laser focused on Endeavor, because once again you reap what you sow. Endeavor wanted to raise his child to exist solely for his purpose, to carry on his legacy, to center everything around Endeavor’s needs rather than to care for another living human being with needs of his own and that’s what he got - someone who is singularly laser focused and obsessed with bringing him down. Even if Touya is still obsessed with only Endeavor to the point of forgetting the rest of his family, that’s literally just a symptom, a side effect of child abuse, of Endeavor raising Touya with the expectation that he had to please him.

Touya was a kid who is always crying, and Dabi seems to have no feelings at all. Once again, always, always he presents himself as the opposite of everything that Touya was and wanted to be. 

Dabi denies that he is Touya, and therefore denies that he is in pain. 

He pulls his brother close, and hugs him, and then does the opposite of what a big brother is supposed and hurts his younger brother instead of protecting him.

It’s not just Dabi being the opposite of Touya, it’s almost like he’s doing everything he can, to  burn up and riun Touya’s memory. To deny that any part of him ever was Touya. 

Dabi is in denial, but also I think some part of Dabi is aware of his denial. Like I said, he contradicts himself. He says that these are Endeavros’ flames, then just as easily he says “no duh, it’s obvious I’m not Endeavor.” 

I think Dabi realizes what he is doing, it’s just at the moment he believes he has to do this. It’s the only way. Whatever, Dabi is hoping to achieve, the radical reform of society, the destruciton of the hero system, it’s more important the feelings of his family, and more important than his own feelings. 

However, if those feelings are there it means Dabi isn’t without hope. There’s still a human side to Dabi. Dabi is still Touya, the same way Shigaraki is same Tenko. Their child selves died, but they never did die. Dabi is trying to be pure evil, but parts of him are still good he’s just suppressing himself. 

I think what Dabi needs to realize is that his hurt feelings, his feelings of vulnerability, are just as important as the strength he fights with. He needs both parts of himself in order to live on, weak little Touya and villainous Dabi. I don’t think Dabi will turn into a 100% good person, but as for character development the same way that Shoto is learning to reconcile his two disparagent sides, his ice and his flames. I hope that Dabi learns that he’s still Touya, while being Dabi at the same time. He’s not a villain, he’s someone capable of being both good and bad. It’s only that way he can learn to live on as Touya, rather than hoping to die and drag his father to hell with him as Dabi. 

[cyndavilachase]

I’m Looking Forward Now 💖Thank you and good bye

So, it’s been a little over a week since Steven Universe Future ended… 

I’ve been hesitant to write this, honestly, but I’m tired of holding myself back from properly expressing myself in fear of appearing overly invested in the media I consume, even in private. Writing helps me organize my thoughts and feelings, and I feel like these thoughts in particular may resonate with many, so I want to share them. I want to talk about what Steven Universe has done for me personally, both as an artist, and as a person.

I’ve been around since the day the first episode of the original series aired. I actually remember when Steven Universe was just a logo on Wikipedia’s “List of Upcoming Cartoon Network Shows” list, back when I was a freshman in high school. It piqued my interest, but when commercials finally dropped for it, I thought it was going to be bad because of the way marketing handled introducing Steven as a likeable character. There was still something about it that made me want to give it a chance though, so I went online and watched the pilot before the first episode's release. I was hooked immediately. I knew I was going to love it, and I did. I fell so absolutely in love with Steven as a character, and the world that he and the gems lived in. I became obsessed. I was always so excited for new episodes to come out. Little did I know what else it would do for me as I went through my adolescence alongside it.

As the show progressed, it was evident that what I wanted out of a western animated childrens’ cartoon was finally coming into fruition: this show was becoming serialized. There was continuity, there was plot, there was character development-- it was getting deep. It was pushing the groundwork that Adventure Time laid out even further (thank you, Adventure Time).  

I will give credit where credit is due: earlier western childrens’ cartoons I grew up with like Hey Arnold, and Rugrats, among others, also touched on heavy topics, but Steven Universe was able to take similar ideas (and even more complex ones, concerning mental health and relationships) and expand on them outside of contained episodes and/or short arcs. These themes, which were a part of the show’s overarching story, spanned across its entirety. Continuity was rampant. 

What did this mean? It meant kids cartoons didn’t have to be silly and fun all the time and characters weren’t just actors playing a part in 11-minute skits. Steven and the gems would remember things that happened to them, and it affected them and how they would function and play a part in their story. This was a huge deal to me as a teenager. I always wanted the cartoons I grew up with featuring kid characters to feel more. In my own work, I often felt discouraged when combining a fun, cutesy western art style with themes as dark or layered as anime would cover. I always thought it had to be one or the other because an audience wouldn’t take a combination of the two seriously enough, based on discussions I had with classmates, friends, and online analysis I read at the time. Steven Universe proved to me otherwise. This show was opening the door for future cartoons exploring in-depth, adult concepts. I felt so seen as a kid, and was inspired to stick with what I love doing.

I was actually very worried about the show’s survival. It was in fact immensely underrated and the fandom was miniscule. Then in 2014, JailBreak dropped, and it’s popularity exploded. Part of it was because of the complex plot and the themes it was covering like I mentioned, but also because of its representation. 

I remember when fandom theorized that Garnet was a fusion due to grand, tragic reasons. Turns out, she’s simply a metaphor for a very loving w|w relationship. This was huge. I cannot stress how important it is that we continue to normalize healthy canon queer relationships in childens’ media, and Steven Universe finally was the first to do that proper. Introducing these themes offers the chance for a kid to sit there and ask themselves, “Why is this demonized by so many people?” I asked myself exactly that. Ruby and Sapphire were my cartoon LGBT rep. They were the first LGBT couple I ever ecstatically drew fanart of. I was dealing with a lot of internalized homophobia at the time, and they showed me that I was allowed to love women and feel normal about it. The process of overcoming this was a long one, but they played a part in my very first steps into becoming comfortable with my sexuality. I could go on and on about it’s representation in general-- how it breaks the mold when it comes to showcasing a diverse set of characters in design, in casting, and in breaking gender roles. It’s focus on love and empathy. Steven himself is a big boy, but he's the protagonist, and the show never once makes fun of his weight, or any other bigger characters for that matter. It wasn’t hard to see why the fandom had grown so large.

Fandom was always a joy for me. It was a hobby I picked up when I was in middle school, like many of us here did. I would always cater my experience to fun, and fun only. I only started getting more deeply involved in SU’s fandom when I had just turned into an adult. During the summer of 2016, between my first and second year of college, I drew for the show almost every day non-stop when the Summer of Steven event was going on and posted them online. This was a form of practice for me in order to become not just more comfortable with experimenting with my art, but also to meet new artists, make new friends, and learn to interact with strangers without fear. I dealt with a ton of anxiety when I was in high school. When I was a senior applying to art school for animation, I decided I was going to overcome that anxiety. I made plans to take baby steps to improve myself over the course of my 4 years of college. Joining the fandom, while unforeseen, was definitely a part of that process. I started feeling more confident in sharing my ideas, even if they were fan-made. I fell in love with storyboarding after that summer, when I took my first storyboarding class, and genuinely felt like I was actually getting somewhere with all of this. I remember finally coming to a point in my classes where I could pitch and not feel hopelessly insecure about it. I was opening up more to my friends and peers. 

But this process, unfortunately, came to a screeching halt. 

My life completely, utterly crumbled under me in the Fall of 2017 due to a series of blows in my personal life that happened in the span of just a couple weeks. My mental health and sense of identity were completely destroyed. All of that confidence I had worked for-- completely ruined. I was alone. I nearly died. My stay at college was extended to 4 and half years, instead of the 4 I had intended. I lost my love for animation-- making it, and watching it. I could no longer watch Steven Universe with the same love I had for it beforehand. It’s a terrible thing, trying to give your attention to something you don’t love anymore, and wanting so desperately to love again. I dropped so many things I loved in my life, including the fandom.

Healing was a long and complicated road. I continued to watch the show all the way up until Change Your Mind aired in the beginning of 2019, and while I still felt empty, that was definitely a turning point for me with it’s encapsulation of self-love. I was hoping James Baxter would get to work on Steven Universe since he guest-animated on Adventure Time, and it was incredible seeing that wish actually come true. The movie came out and while I enjoyed it and thought highly of it, I was still having issues letting myself genuinely love things again, old and new. It was especially difficult because cartoons were my solace as a kid, when things got rough at home. I remember feeling sad because the show ended, and not getting the chance to love it again like I used to while it was still going.

By the time Steven Universe Future was announced, I was finally coming around. I was genuinely starting to feel excitement for art and animation again. I wasn’t expecting there to be a whole new epilogue series, but happily ever after, there we were! Prickly Pear aired, and the implications it left in terms of where the story was going did it. I was finally ready to let myself take the dive back into fandom in January of this year. My art blew up, something I wasn’t expecting considering my 2-year hiatus. Following this, I was invited into a discord server containing some of the biggest writers, artists, editors, and analysts in the fandom. I had no idea there were so many talented people in the fandom, some already with degrees, some getting their degrees-- creating stuff for it on the side just for fun. The amount of passion and productivity level here is insane, and so is the amount of discussion that has come out of it.

I didn’t realize it at first, but it was actually helping me gain back the courage to share ideas. I lost my confidence in pitching while I was taking the time to heal, and graduating meant there would no longer be a classroom setting I could practice in. This group helped immensely. 

I have made so many friends through this wonderful series, and I have so many fond memories talking to like-minded creatives, getting feedback and a myriad of sources for inspiration, as well as all of the memes and jokes and weekly theorizations that came about as we all waited on the edges of our seats for episodes to air. I needed this so badly, I needed to get back in touch with my roots, when I would go absolutely hog-wild over a cartoon I loved with people who loved it as much I did. Future has been a blessing for me in this way. I graduated feeling like I was back at square-one, but now I feel like I’m on my way again.

It’s 2020 and while I’m doing great right now, I am honestly still recovering from the total exhaustion that followed after graduating a few months ago, and finally leaving the campus where my life fell apart behind. Needless to say, watching Future was like looking into a mirror. Watching one of my favorite characters of all time-- one that grew up with me-- go through so many of the same things I went through not too long ago was absolutely insane to watch unfold. It’s such an important thing too, to show a character go through the process of breaking down over trauma and all the nasty things that come with it, and to have them go on the road to healing. Steven got that therapy. He wasn’t blamed. The gems were called out. The finale was everything I could have ever hoped for. The catharsis I experienced watching it was out of this world.

As I continue my own healing journey, I will always look up to the storyboard artists, revisionists, and designers that I have been following over these past 7 years, as well as the new ones introduced in Future. It's been such a joy watching these artists release their promo art for episodes, talk about their experiences working on the show, and post the work they've done for it alongside episodes airing.

Thank you Rebecca Sugar, the Crewniverse, and the fans, for making this such a truly wonderful and unique experience. Thank you for reminding me that I am, and always will be, an artist, a cartoonist, and a fan. Thank you, my followers, for the overwhelmingly positive response to my artwork. I have had so much fun interacting and discussing the show with you all again over these past few months. Steven Universe and it’s fandom will always have a special place in my heart, and it will always be a classic that I will return to for comfort and inspiration for decades to come. I am sad that the cartoon renaissance is over, but so many doors have been opened thanks to this show. I am so, so excited to see what this show will inspire in the future, and I hope one day I get the opportunity to be a part of that. 

Goodbye Steven, thank you for everything. I wish you healing, and I wish Rebecca and the team a well-deserved rest. ♥️

-Cynthia D.

[nellynee]

The makings of greatness, or why, as a ride or die Treasure Planet stan, I’m glad there’s no Treasure Plant 2

You ever see somethings that makes you unreasonably angry? Yes I understand exactly what I’m saying, and how that indicates that my emotions and opinions on this are exactly that. Opinions. There’s a good chance I have some objective truths mixed in, but that does not make my opinions based on those truths truth. If you disagree or have different tastes or opinions or interpretations, cool, let me know! maybe you’ll change my mind. That being said.

The plot synopsis for the Treasure Planet sequel makes me angry. Not like, actively so, just annoyed enough to be in a bad mood. And now you guys all have to be in one as well. Why?

Reason 1, and probably least important: Disney sequel syndrome.

Ok so Disney sequels aren’t inherently bad. I’ll stan the Aladdin sequels to my grave, who knew Cinderella could world build, obligatory Rescuers Down Under (the first one was better) blah blah blah.

But there is an inherit problem with sequels in general, and that usually has to do with cast and crew. An original piece of fiction has to grab the audience yes, but there’s also freedom in that. Media touches people in different way. The worldbuilding can mean more to some than others. Some are in it for the animation, or the character developments, or relationships. What connects with one person won’t connect with another. The problem with sequels is that different people who worked out the original material might and usually do not work on the new. And those new people are already working on that new material with their own personal lenses and experiences and interpretations coloring the old. The reason sequels (and remakes, and big budget presentations of other materials like books into movies) tend to bomb hard is because you are essentially being forced to accept someone’s fanfiction into the canon material. Usually, there’s a pretty strong correlation between more successful franchises/extension material, works staying true to the core material, original crew working on the material, and the enjoyment of the audience.

And sources say very few of the original crew remained. Some yes, but mostly voice cast. Even worse, TP2 was a DisneyToon production, not even a mainline feature. Now I’m not saying the new people weren’t talented, or passionate about the project, or were lacking in experience. It doesn’t really matter if any of those things are true or not. It’s the warping of their personal lenses I don’t trust. Fanfic I can disregard, meta I can disregard. This would have been canon.

And reading the Artbook makes is abundantly clear that the parts that touched me personally would have been missing. The very core of Treasure Planet for me was the relationship between Jim and Silver (and their exquisite animation budget). However you choose to interpret that relationship, you can not deny that Treasure Planet is a powerfully emotionally romantic movie. It’s quiet moments and emotional resonance shaped my views of intimacy with a sharp and fine touch. Silver and Jim’s bond is as undeniable and powerful as it is compelling and awe inspiring to witness unfold.

And a lot of that is owed not only to  the voice acting of Joseph Gorden-Levitt (Jim) and Brian Murray (Silver), But to animators Glen Keane and John Ripa, who were the head animators of Silver and Jim respectively. Not only did Gorden-Levitt and Brian Murray deliver stunning performances, but made sure to work together and jointly play off each other in ways most voice actors don’t have the opportunity to do. And the Masters Keane and Ripa took an already stellar and carefully crafted vocal rapport and took it one step further. I highly recommend the Artbook as a good read, both Keane and Ripa talk about the journey of discovering who Jim and Silver were with delight, acting out entire scenes together using their own body language to build the characters together, using the same animation reals to animate, tag teaming in and out of the program rather than do it separately, becoming so attuned with their characters attitudes and mannerisms that you can tell they poured entire pieces of themselves into Jim and Silver.

I’m not saying the Sequel would have been inherently bad because it’s a sequel, or because a new crew worked on it, but I am saying I wouldn’t trust it with a ten foot pole.

Reason 2: Thanks I hate it (I’m saying it’s inherently bad because the plot is bad and I hate it)

I’m sorry for the length, but for you to really understand just how bad this is, I actually have to pick through every single line and tell you why it fails critically at some junctures and where it would be so simple to fix. For those of you who were unaware that there was a sequel in the works at some point, I’m pulling these quotes pretty much wholesale from the AnimateVeiws article Buried Treasure: The ill-fated voyage to Treasure Planet 2, specifically the interview with Jun Falkenstein who was set to direct the now canceled sequel. Spoiler warning, I guess?

So, from the begining

“The sequel was to pick up where the first film left off, with Jim Hawkins going to the Royal Interstellar Academy. At the Academy, he is a hotshot “natural,” but he doesn’t follow the rules very well.” - Strong start but then dropped the finish. I think the interstellar academy would be a very compelling starting point. I see no fault in it at least, it’s a good opportunity to world build. Clemence and Musket like to make a point that Jim was crafted to connect with the emotionally wounded and distant youth in a age of divorce, so showing what happens when that youth hikes up their britches and gets to work can extend on that theme aaaaaaand you dropped it. Dropped that strong start. Yes, Jim was more than a bit of a bite back rebel in the film, but that was a reactionary response to the bad place he started in. Jim was abandoned, and tied his self worth into that abandonment. His kickback against society was a reaction stemming from an inability to see his personal worth and any sort of future he could craft from it. He outgrew this, his very character development was about this in the film. His character arc was about realizing his inherent worth, embracing a sense of confidence and learning what he could do. Even disregarding that, bonus material outside of the film shows that Jim has a very strong sense of respect for Captain Amelia, her military career, and the hard work she put into it, and he’s there on her recommendation. Why would he act out in this? He is a natural yes, but the film shows he’s incredibly sharp and intelligent, if unlearned, and more than ready to learn given opportunity.

“Hence, he gets off to a shaky start – especially with his classmate Kate, who is very smart and has a type A personality. Kate’s father is Admiral Blake, the Commander of the Navy. Jim and Kate vie for top of the class but have very different skills.” - So building off this to fix the problem before. I guess the dynamic they are going for is something like “the kind of a jerk hotshit hotshot who’s got it all figured out and the straight laced rule fallowing stick in the ass rival”? I’m not apposed to to a rivalry, but lets tweak this, given how “hot shot natural jerk” isn’t really where Jim settles at the end of the film. Jim is a natural talent, who excels under tutelage, but more importantly, he has practical experience. While the time period spent on the RLS Legacy is not defined, they do sail to a deep and unexplored part of the galaxy, probably well outside of regular settlements, so no small distance, though Jim is young enough that a very long period of time would be noted in physical growth. Given comparisons to classic nautical sailing of the source time, months, perhaps up to a year? That’s a long time to spend, learning the rough and tumble basics, tying knots, experiencing food and water rations, extreme temperatures, playing with the rigging and mechanical aspects of the boat. Jim knows what it’s like to actually sail. Meanwhile, this is the Royal Academy, who probably takes in upper class second born children and pumps out military accolades for well learned mathematicians and strategists. Jim doesn’t fit in because he can visualize, he can think outside of the box, he can weld a damn engine to a hunk of shrapnel and ignite it freefalling against a metal hellscape and outrace a boat in a high adrenaline situation. He adapts where the other’s frantically look through their notes for the answer. Worse yet, he’s poor and not classically educated. Make it a class issue. In this aspect I do like Kate. Being the Daughter of the Commander of the Navy, she probably has a very technical and far more expansive understanding of navel ships, particularly the running of them. In this way Jim and Kate are perfect foils. Jim representing the poor, instinctually and practically knowledgeable crew, and Kate the upper-class, technically knowledgeable command, a dichotomy representing the haves and have nots in their skills, experiences, an class.

I don’t want to post a picture and break the post, but I do love Kate’s design. I do recommend looking up the article and checking it out. that being said, being a feline species, they messed up not spelling it Cate.

“Captain Amelia is dean of the Academy, which has a brand-new vessel: the Centurion.” - I… why, why is Amelia the dean? Additional material shows that Amelia broke ties with the military because she didn’t like their rule stickling ways and red tape. Why would she want a red tape position? She helped with a war and then bailed first opportunity to become a freelance captain so she could fallow her own rules. Even if you don’t know any of that additional material, you do know that she is a freelance captain. Why is she dean? what happened to the old one? Are they dead? Did DisneyToon kill them? Did Disneytoon kill the old dean?

“Designed by Doctor Doppler, the Centurion is the fastest ship in the galaxy.” - HE’S NOT THAT KIND OF DOCTOR!

“B.E.N. is its pilot”. - NO

In all seriousness all three of those statements show a serious problem, in that none of those characters are in fact those things. Amelia I’ve already explained. But Doppler was a debatably youngish bachelor with too much money who was fascinated by astronomy specifically and who suffered from ennui. And BEN was a navigational unit, so maybe it makes sense for him to be a pilot, but why is a robot who was functioning under a galaxy feared pirate for who knows how long given any kind of agency over a brand new incredibly important ship? These decisions were probably made to incorporate as much of the old cast as possible, to not exclude fan faves. But any decision that makes BEN a prominent part of the plot and thus gets more screen time is a BAD one.

“The pirate Ironbeard desires to commandeer the Centurion. This ruthless villain is relatively all iron – almost nothing of whom he originally was, inside and out, is left.” - On the one hand, I have a weird feeling that this would somehow violate the 30-70 rule. Buuuuut on the other hand, the Artbook does describe the decision making process of what and how was mechanical on Silver (my favorite tidbit was the wheel on his head representing his constant thinking and assessing) and states that that they in a way represent the pieces of humanity he gave up looking for Flint’s Trove. Extending that to a pirate who has given up everything could be a powerful thematic tool if used right (or intentionally)

“He leads a group of pirates to hijack the Centurion while Jim and Kate are aboard.” - ok, yeah, I’ll buy that. If they are butting heads constantly, I could see them sneaking off to the new piece of hardware to one up each other on who knows their stuff, or maybe bond over wanting to learn about the said new tech and being frustrated with restrictions.

“The Navy can’t catch the Centurion, due to the vessel’s speed and armor.”- sure

“Jim and Kate escape the Centurion. Jim decides he needs a pirate to help catch pirates. They find his old buddy Long John Silver in the Lagoon Nebula, where he is running a smuggling ring. “ - So what Jim just goes “I know just the pirate to help us” and then finds him? That journey of itself deserves it’s own movie, anything less is a disappointment. Alternative. Jim and Kate escape onto a particularly lawless planet. Jim has some tricks to keep them safe and fed, maybe he even excels in ways he’s been straight up stop gapped at the academy. Maybe his knowhow is appreciated by others who society also rejects. But Kate is a frustrating fish out of water, getting offended and worked up over things that are big deals to an average citizen but not criminals and pirates. But such reactions are putting them in danger and she needs to get perspective fast. It’s plausible maybe that Silver tracks them down through interesting rumors, but more than that, let it be fate. Neither having any idea the other is there till the second they see each other. Bonus points if Jim and Kate get in a bind and Silver is the leader of the harassers. Better yet lets add some thematic mirroring not only to the scene where Silver saved Jim from Scroop, but directly contrast it to the scene where Silver doubled back and down against the notion of caring for Jim when called out before the mutiny. *kisses finger* Touching and hilarious.

“ Silver agrees to help when he hears about the Centurion. “ -  Silver agrees to help when he hears about the Centurion without Jim even having to ask. Storywise, lets make some kind of deal over how Jim, an upstanding enrollee of the academy, apparently is chummy with a pirate. Tension doesn’t just have to be external, and Kate is the daughter of the Commander of the Army. Maybe she’s recognized and this gets them in trouble. Maybe Kate has issues with her identity outside of her father’s career and need to learn a lesson about being outside of a rigid social structure?

“Jim and Kate receive a tracking signal from B.E.N. – who is currently hostage aboard the Centurion – and follow via Silver’s creaky vessel. They discover the Centurion docked near the Botany Bay Prison Asteroid. “ - While being the fastest ship yet is a good excuse for wanting it to get stolen, my suspension of disbelief breaks a little at any ship, let alone a creaky little pirate vessel, catching up to the fastest ship yet, or the tracking signal being the only way to track it to a guarded prison. Seeing as how I’ve written BEN out of this scenario lets fix it. After the events of the movie, the Royal Military swoops in after to confiscate the debris of Treasure Planet. For those in the know, canon lore states that the Planet was a giant computer, and it and the map were the byproducts of an ancient and advanced civilization. Studying the debris led to the Centurion, notable not for it’s speed, but for it’s stealth. It can cloak itself. Which is why no-one can find it. Meanwhile Silver lets it slip that he snagged the map from it’s pedestal as they escaped the planet as a souvenir. (handwave why the portal was still open with a “the whole thing was exploding, the computer froze). The map is able to track the remnants of said planet, aka the Centurion, meaning Silver has the only means of tracking the cloaked ship

“Ironbeard is using the Centurion to disable Botany Bay’s security systems. Jim, Kate and Silver sneak aboard the Centurion, where Silver reveals to Jim that he wants to take the Centurion for himself. He asks Jim to join him.“ YES. YES YES YES YES YES YES! Understanding that  Jim’s decision to not go with Silver in the first movie is key here. He rejected Silver’s offer the first time because Silver had shown him he had intrinsic value, and Jim finally felt that the natural gifts he had were worth cultivating, that he did have the chance to explore who he could be on his own terms. Jim was comfortable being on his own, because he felt capable. Now, Jim and Silver bring out the best in each other, and the time apart has done them harm. Jim’s strings of social rejections are starting to fell like a glass ceiling he can’t overcome, and is finding more and more comfort in being a big fish in a pirates small pond, and the emotions of of being wanted that come with Silver is a powerful drug. But it’s a one way ticket away from any opportunities he could work towards, not to mention his barely repaired relationship with his mother. Meanwhile Silver has been slowly slipping back into the colder, more selfish self he was, a necessity for his lifestyle, and doesn’t want to loose his connection to Jim and what Jim brings out in him, but is still far enough gone to make the offer and try for the boat anyways, even if he knows it’s not what’s best. It’s an emotionally compelling decision. You want them to say yes, you know they shouldn’t

“Kate overhears this and is horrified, especially since the two have, of course, started falling for each other during the adventure.” - Hate. this I hate. Leaving shipping to they way side, what’s that “of course”? why do they have to fall for each other? Why the Disneytoon sequel love interest? I have a feeling her characterization would come at the cost of it. Why can’t they be rivals? why can’t they develop a mutual respect outside of attraction? Why can’t they both learn an individualized lesson about finding their own place in the world outside of social constraints as foils without macking? I hate this concept. Kate overhears, and is horrified, because Silver is a Pirate which is actually in universe get yourself hanged offense, and Jim is considering this, and they are going to steal a VERY IMPORTANT BOAT and and leave her stranded in a dagerous prison, and are making an objectively morally bad decision.

“Ironbeard discovers the intruders, charging into a fight in which Silver is injured. Meanwhile, the other pirates throw down ladders to the prison below, allowing swarms of elated prisoners to climb up into the ship. Silver, Jim, and Kate exit the Centurion amidst all the confusion. However, Ironbeard shoots down Silver’s ship. They plummet to the prison asteroid below, crash-landing” - cool. Drama. But for my purposes, lets tweak it so Silver isn’t injured yet. But I really want to emphasize that this attack does not interrupt before Jim can react to Silver’s offer. Even something as tentative as “I’m not sure” has consequences. None of this “misunderstanding” BS.

“ Kate is angry at Jim and storms off. “- again, make it clear that Jim showed a real chance of agreeing to steal the ship. if she’s angry before he had a chance to answer that’s contrivance for drama’s sake. Give her a reason to be mad

“ Jim is about to blow her off as well when Silver tells him to give her a chance. He reveals a part of his past through a flashback, when a young (non-cyborg) Silver screwed up a relationship with the love of his life – a decision which directly led to his life of piracy. “ - nope. nope nope nope . I’m gonna put a big old * here because this is reason number 3 why I hate this potential movie, and I will get to that believe me, but here’s me, putting a pin in it. That being said, have Silver selfishly try to double down on getting Jim to join him in a three way argument instead. This is the conflict of the film. Kate, who was learning to grow outside of the strict restrictions of her life and do her own work, make her own way, is being rejected. She is as morally repulsed as she is hurt that she wasn’t included, and hates herself for that hurt as well. Jim is torn between the freedom of what he could be after the academy paired with the strict social constructs around it, and the freedom of a life “full of himself and no ties to anyone” but running from the law and the two friends they represent. Silver is the aggressor here. He likes Kate, he does, but he loves Jim and only has one place in his heart, and has spent his life being selfish. There’s already a crew on board, and Iron beard is hooked into the Centurion. With having the only other means to navigate, they take down ironbeard, the rest will surely fall in line. This is paydirt. A fantastic ship, a bloodthirsty crew, and Jim.

“Silver has a very dangerous cargo with him that he had been trying to smuggle and sell for a fortune, which has the power of a neutron bomb. Jim, Kate and Silver reconcile and work together to fix Silver’s ship and prevent the Centurion, filled with the most evil pirates in the galaxy, from going on an insane robbing-and-killing spree. At the last second, Silver reluctantly gives up his “retirement fund” in order to destroy the Centurion, with Ironbeard and all the pirates on board.” - this entire section needs rewritten. That’s a mcguffin Silver put it away. I have retconned the mcguffin to be the old map, so that is now moot. Now to not blow up the ship. Afterall, Silver and Jim have both already overcome what Treasure Planet represented with it’s destruction. Rather, B plot

If we are that desperate to have past characters in, let’s have Amelia and Delbert back home. When the Centurion is captured, Amelia immediately volunteers to fallow, feeling responsible for Jim and secretly pining for some adventure. Delbert feels the same, and he to a bit of an adrenaline junkie after the events of the first movie, but they have the children to think about and only one can leave. Delbert is the one chosen to help by the navy officials searching for the Centurion. While Amelia bickers with the Admiral Blake over his pragmatic but emotionally distant decisions over the situation of his missing daughter, Delbert is an astronomer, and is blah blah blah science meta, fallow the flashing  and bending lights around the cloaked ship to find it. As in Delbert is helpful. Amelia in a reflation to Admiral Blake, is torn between her family and commandeering her own ship to help. Blake is frustratingly headstrong in his decisions, and the script makes it seem like that emotional distance is disinterests, but reveals to the audience that it incorporates a great deal of suppression of his anxieties and worries over his daughter, and trust in her abilities, though he has issues expressing this pride to Kate herself. Amelia, Delbert and fam make what is probably a poor decision in commandeering a ship and leaving on their own to track the Centurion, the navy hot on their heels.

Back to A plot, the navy is approaching. Jim has to make a decision. He is the only one who knows how to unmask the ship using the old ones tech without training, as it’s based off the map. While Kate and Silver are distracting iron beard, he has to either steal the ship and sail off, or uncloak it for the navy. Iron beard is taken down, but not without Silver getting injured. Jim decides that Silver’s life is worth more than anything, and after agreeing with Kate that she’ll commandeer a doctor and wont let Silver die, uncloaks the ship. The Centurion is retaken in a blaze of naval glory that is the action climax. The pirates fight back up are over run. Maybe Kate gets taken hostage as the Admirals daughter, as an opportunity for a resolution with her arc as Blake’s distant daughter, though obviously said resolution comes at her showing her abilities in taking care of herself and the practical skills she has learned.

“Silver again parts from Jim and Kate, telling them to take care of each other. A few years later, Jim and Kate graduate with honors, while a proud Silver secretly watches from the shadows, smiling” - Boooooo. Kate and her dad make up, and she challenges him that she’s going to one day Captain the Centurion, with him understanding that she needs less a mentor and more an emotional support while she works her way up the ranks. She invites Jim to be her first mate, to which Jim accepts as a navigator, (a thing I’ve pointed out to be his real strength in another post). But to Silver, who has been “pardoned” for his part in retaking the Centurion, the movie hinting that he to would be on the eventual crew there I fixed it fic to come I s2g.

yeah there’s a lot of good there, but it’s so easy to fix the bad it’s frustrating. which brings me to

Reason 3: that little pin

“ Jim is about to blow her off as well when Silver tells him to give her a chance. He reveals a part of his past through a flashback, when a young (non-cyborg) Silver screwed up a relationship with the love of his life – a decision which directly led to his life of piracy. “

Nope nope nope I’ll tell you why.

First of all, sources like the artbook say that Jim is so Important to Silver because he’s the first person Silver has ever let become important. he’s specifically stated to have no family, never married, no children. And that’s something he cultivated actively. His life of piracy, his metal limbs, his loneliness and moral failings were all gleefully accumulated for one reason and one reason only

Treasure Planet.

Treasure Planet was the great love of Silver’s life. It was a lifelong obsession. It destroyed his body, took his youth, his opportunities and nearly his life. He broke Jim’s heart over it.

And he let it go. For Jim.

And Jim understood this

This is the crux of treasure planet’s very themes. This is where Jim found self worth. Another person finally looked at him and said “you matter, you matter more than anything. I like being around you and I choose you first.” and it made Jim realize he’s someone worth choosing.

The treasure was EVERYTHING to Silver, and Silver let it go, for Jim.

That one line there, attributing the start of Silver’s fall to a girl? that actively retcons the entire theme of the previous movie. IT rewrite the emotional linchpin of Silver’s sacrifice of the gold. And actually fuck that. right into the ground. I do not accept. I do not pass go. I refuse. Fuck you non existent movie. That makes me mad. every single time. Hate I shall never let go.

No

[dream-a-little-bigger-x]

Don’t Go Breaking My Heart | Charlie Gillespie

Requested by anonymous: Hi! Could you possibly do a Charlie x reader fic where they are filming season 2 & there is a new character (fashion expert/can see ghost/a little bit of enemies with Luke at first) but off screen they are very close (always hanging out/on ig posts & stories/dance partners/they sing karaoke/adventure) & the whole cast likes to tease them about it but they deny any feelings however they are about to film a very important scene that involves their characters & might change everything between them.

Pairing: Charlie Gillespie x reader

Warnings: fluff

Words: 2,789

Season 2. Finally Season 2. Everyone had been hoping, wishing, praying for a season 2 of Julie and The Phantoms, and after months of waiting, Netflix finally picked it up for a second season. After those months, the actors had just to wait a little while longer while the crew wrote up the first drafts of scripts and made it perfectly save for the actors to do their work. Once all of that’s ready and they’re good to go, the cast finally reunite again in Vancouver. They even meet some new cast members. Like you. You had auditioned for the role of Daniela Ramos, Julie’s cousin and Victoria’s daughter, and got it pretty much straight away. Daniela is a fashion student at a High School in Melrose Hill and Julie asks her for some help with costumes for her next gig with her band. To Julie’s surprise, Daniela can actually see the boys, even when they’re not playing, which causes for a lot of trouble in the band and family, especially between Julie and Luke. This is your first big role on the small screen and you’re the most excited you’ve ever been. You met the other cast members at the summer bootcamp before the filming process would start, and though almost everything had to be done with a face mask covering half of everyone’s face, it still was a lot of fun getting to meet everyone and spend the most fun summer ever. Every day, you grew closer and closer to everyone on set, and soon became best friends with Madi, Jadah, Savannah and Tori, doing plenty of sleepovers. Besides the girls, you also grew closer to Charlie, Owen and Jeremy, but mostly Charlie. For some reason, the two of you just clicked instantly. You have the same humor, the same taste of adventure, the same passions and dreams. You, Charlie and Owen even rented a place together to live in for the time being in Vancouver. You got even closer during filming, especially since you and Charlie have a lot of scenes together. “Oh my God, Luke, you’re so annoying!” you yell at him when the two of you are in the garage, taping a scene. It had taken you about ten takes and you still couldn’t help but giggle at the shocked face he pulled every time. “If I’m so annoying, Dani, why do you keep coming back?!” The angry face he pulls resembles that of an angry kitten, which just makes you crack up again. “God dammit, Y/N!” Charlie laughs now too as Kenny yells “Cut!” “Sorry! Sorry, guys! I promise I’m a real actor!” You hold your hands up in defense, then cough to get ready for another take. This time around, you could finally manage to get through it without laughing. “Yes!” Charlie exclaims when Kenny yells “Cut!” again. He holds his hand up for a high five, which you giddily give him. “Do you need any more takes, Kenny?” he asks the man himself. “Nope, you’re good! You can go on your break now!” he pats Charlie’s shoulder. “Nice job, guys!” “Thanks, Kenny,” you say, the smile growing on your face. “I need food, Gillespie,” you tell your best friend, linking your arm with his. “Let’s go get food!” The two of you head down to catering and sit down at a table with a plate full of food. “What are we doing tonight?” he then asks before taking a bite of food. You swallow your bite of food and take a sip from your drink. “Don’t you have a night shoot tonight?” you ask, remembering him saying something about a late call. “No, that’s tomorrow, after our dance rehearsal,” he replies after swallowing the food. “Oh! Okay!” You start thinking of things to do, “We could go to karaoke? Bring the others maybe?” He raises his eyebrows, looking at you questionably. “I’ve always loved karaoke,” you shrug with a giggle. “Yeah, okay!” Charlie nods his head agreeingly. “Karaoke it is!” The two of you smile up at each other, teeth showing, both of you glowing. “What are you love birds discussing?” Owen asks when he joins them, his voice muffled from the mask covering his face. He pulls it down to under his chin as he and Jeremy join the two at the table. “We’re thinking about going to karaoke tonight with the whole team!” you tell them, completely ignoring the ‘love birds’. “Ooh, fun!” Owen exclaims with a smile that nearly reaches his ears. “Yeah, we’ll leave after shooting the last scene tonight,” Charlie suggests, looking at you for confirmation. You nod your head agreeingly. That night, you and the rest of the cast head to the nearest karaoke place you know. You’ve linked arms with Savannah and Tori, giggling through the night, trying to keep your balance on your heeled boots. Meanwhile, without you realizing, Charlie has been keeping his eyes on you the whole way there. He finds it adorable how your giggle floats through the night air and your hips bump against the other girls’. He couldn’t lie, you had easily become the light in his life. “So, what song shall we begin with?” you ask the gang as you settle into the booth. “Pick the first one on the list,” Jeremy replies when no one else does. You nod your head curtly and press play on the first song, which is Living on a Prayer by Bon Jovi. You can already tell after that first song; tonight is going to be a fun night. You sing a couple of songs with the girls, there are many group numbers, and you even sing one with your roommates. After singing with Owen and Charlie, the latter points at you. “We’re going to sing together now!” he exclaims excitedly before turning around and picking a song for you to sing. When he’s picked one, he grabs your hand to pull you closer towards him. You blink a couple of times, unable to process what’s happening right now. The opening notes to Don’t Go Breaking My Heart by Elton John and Kiki Dee chime through the booth. You glance over at Savannah and Tori, who offer you an encouraging smile. Then you look at Jadah and Madison, but they’re too busy giggling and whispering, and it makes you wonder if that’s about you and Charlie. Your eyes dart over to the boys – Jeremy, Owen and Sacha – who just offer you suggestive smiles and eyebrow-wiggles. Charlie’s voice captures your attention again, and you turn to him. “I couldn’t if I tried,” you sing back to him. The encouraging smile on Charlie’s face calms you down a little up to the point where it almost seems like the two of you are the only people in the room. You have no clue what is happening or why it’s happening. All you know is that you’ve wanted it to happen sooner. Though you wouldn’t ever admit that to anyone. It’s the way he looks at you and the way he makes you feel like you’re the only person on this planet that matters. It’s been the way he’d looked at you since that first day of meeting him. “I won't go breaking your heart,” you sing the very last line to him ever so softly, not even looking at the screen anymore, but instead, looking into his eyes. “Don't go breaking my heart,” he sings back. The song ends and you both lower your microphones, staring into each other’s eyes. If it wasn’t for the rest of the cast breaking out into cheers and applause, you would’ve kissed him then and there. But it startles you, and you step away from him upon realizing how close you are and how that must look to the others. “So, when’s the wedding?” Madison asks teasingly, which makes the others laugh, and you blush. After that night at karaoke, the two of you had silently agreed to forget anything ever happened. Savannah said you were in denial, but you believed you weren’t. You told her it was just the atmosphere in the air that night, the both of you had consumed a little bit of alcohol and it might’ve just been that. No one stopped teasing you though. On every possible occasion, they’d ask you if you’d kissed him yet, or when your next date it, or started singing Don’t Go Breaking My Heart randomly. You just shook it off every time, finding it amusing how consumed the cast was with this ‘relationship’ you had with Charlie. There was nothing more going on than just a really, really tight friendship. Until the dance scene happened. Your character, Dani, was supposed to go to a school dance with her crush, but she was nervous because she had never slow danced with anyone before. When she tells Luke, he insisted on teaching her, saying he’d gone to plenty of school dances back in ’94 and ’95 before he died. You and Charlie know this choreography by heart, you’ve been doing it for weeks on end at bootcamp and during rehearsals. It had always just been fun and games, the two of you being immaculate dancers and bouncing off of each other so well because of your tight friendship. “I could teach you?” Charlie says as Luke, stepping closer to you. You raise your eyebrows at him. “I’ve gone to numerous dances in my days, Dani…” One corner of his mouth curls up into a teasing smirk. “Unless you want to embarrass yourself in front of… Jake.” He emphasizes the name of your fictional crush, to which you react with wide eyes and a blush spreading on your cheeks. “Come on, Dani!” He reaches out for your hand, which you place hesitantly in his. Dani being able to see ghosts, is also able to make them corporeal. The lights on set dim a little, except for one spot on the pair in the middle of the studio, and then the music starts playing through the speakers. Charlie starts singing the song they’d learned at bootcamp, one the cast wrote together during the quarantine. The atmosphere in the studio has suddenly become really intense. You can feel the butterflies erupting in your stomach as the man in front of you sings to you, mere inches away from each other as he leads you in this beautiful dance Paul Becker and Tori Caro choreographed for you. Just like at the karaoke booth, it feels like the two of you are the only people on set. Just you and him. You and Charlie. You and your best friend. There’s no denying you have feeling for him anymore. You knew you did, you just told yourself it wasn’t a good idea and suppressed those feelings, pushing them down. It worked for a while. Until now. “Cut!” Kenny yells after your scene. You step away from Charlie, glancing down at the floor as you try your hardest to hide your flustered face. “That was perfect, guys! It really looks like the two of you were in love!” he claps his hands in excitement, then tells them to do it again. After four takes of the dance, Kenny tells you to go and take a break. Without saying another word to Charlie, you rush off set and towards your trailer where you sit down on a chair, trying to calm your breathing. Charlie might not like you the way you like him. Admitting to these feelings might just ruin everything the two of you have. With this in mind, you grab your phone and text Savannah, asking her to come over to your trailer. Maybe she could help you. “Are you okay?” she asks when she enters and finds you staring at the ceiling. “No…” you reply and take a deep breath, “I think I’m in love with my best friend?” “Oh, sweetie…” Savannah sighs, and pulls you up to take you in a hug, “I know…” You pull her away again to face her properly. “What do you mean ‘you know’?” “Everybody knows,” she starts, “The two of you have been inseparable since the day you met, and everyone can see the way you look at each other. Plus, your duet the other night was a little intense for it to be a platonic one.” She chuckles, and you can’t help but chuckle too. She then grabs her phone from her back pocket, opening Instagram. “You know fans have caught on too, right?” She shows you the comments on some of Charlie’s pictures on his account. One picture is of the two of you, napping in Julie’s bed on set, cuddled up. He even posted pictures from your hikes on your days off. All of them are bombarded with comments from fans saying, ‘I ship it!’ or ‘Y/S/N’. Sav then opens her dm’s which are flooded with fans asking if you and Charlie are dating yet, and how the two of them are so in love with each other. “Charlie isn’t in love with me?” you deny, not believing one bit about it. “He is, though…” This does not come from Savannah’s mouth. Your eyes widen when you recognize the voice, and peek behind Savannah to find your best friend standing at your open trailer door. “Sav, can you give us a minute?” he asks the younger girl. “More than a minute,” she chirps, offering you a wink before leaving the trailer. Charlie steps in completely and moves until he’s in front of you. He takes your hands in his, and chuckles at your overwhelmed and confused expression. “Are you okay?” he asks, that beautiful smile of his persistent on his face. “Y—yeah? No? I’m not sure?” you sigh, trying to get your thoughts in order. “Charlie, wha—?” “Can I talk? I’ve been going over this conversation in my mind a billion times, and if I don’t say it now, I think I’m going to forget what I’m supposed to say…” You nod your head in response. “Y/N, I’ve been in love with you since the very first time I saw you walking in at bootcamp. You looked adorable with your little nervous smile and your polite hellos to everybody. I knew from that moment on that I wanted to get to know you better, and that I wanted to become more than just friends…I didn’t think you’d feel the same way, so I told myself that it was okay if we’d just stay friends. Especially since your character kind of hates mine and you bring Dani to life so convincingly, that I was almost sure you hated me too,” you chuckle at that, “But I can’t hide it anymore, Y/N. I am so embarrassingly in love with you that I could’ve kissed you after that scene we just did and that I could kiss you right now even though I’m—” before he can finish his sentence, you lean up and crash your lips onto his, your hands flying into his hair. He’s a little startled at first, but quickly melts into the kiss and presses you closer to him. “I am so embarrassingly in love with you too, Charlie,” you whisper when you pull away, pressing your forehead against his. “They’re going to be so relieved,” you tell him with a chuckle. He frowns his eyebrows at you. “Who?” he asks. You take his hand in yours and lead him towards the door of your trailer, pushing it open and making it bump against whoever was closest to the door. All of your cast mates scramble, trying to act natural while Owen rubs his forehead since he was the one that got a door in his face. “Ah, them!” Charlie chuckles. “Thanks for the door in my face, guys,” Owen says disgruntled. “That’s on you, buddy,” you tell him with a grin. “Don’t you guys have a scene to shoot or something?” Their eyes widen at the realization and, after yelling at the two how happy they are for them, rush to set in a hurry. “So, where were we?” Charlie turns back to you when everyone’s gone. “Don’t you have a scene with them?” “Shit!” he grumbles and jumps off the small steps in front of the trailer. He starts running towards set but turns around almost immediately to you and kisses your lips quickly, but sweetly, and then runs off. You watch him with an amused smile on your face. There was nothing to be afraid about after all and nothing changed between you two. You were still the best of friends, just friends that kiss and are in love with each other. But both of you happy.

Taglist: @hannahhistorian92​ @marinettepotterandplagg​ @thequirkybookaholic​ @parkeret​​ @lukeys-giggle​ @gingerxarmy​ @lovesanimals​

[thevalleyisjolly]

Ok, I’ve rewritten this post several times because I really want this to be a productive and respectful discussion, but this is a conversation that does need to be started.  I’ve been thinking about the whole cultural appropriation story line in this season of The Unsleeping City so far, and of course I think it’s great that Cody is starting to realize why that’s wrong and that Murph is making it explicitly clear that it is wrong, but I want to reorient the conversation away from Cody now and talk about Ricky as a Japanese-American character.

Because when Zac went “Just to paint a picture for you...” during the museum fight episode, there was quite a bit of surprise from non-Asian people in the fandom that this was really a serious issue, and one that Ricky would be bothered by or speak up about.  But why wouldn’t he?  I mean, the character is Japanese-American, and so is the player.  Doesn’t it make perfect sense that he would at least be a little bothered by a white person appropriating Japanese culture?  Asian fans certainly noticed and pointed it out before that episode aired.  Ricky/Zac certainly noticed - go back through the episodes and observe how every time Cody pulled out a kunai or threw a shuriken, Ricky was cringing or facepalming with an uncomfortable laugh.  Even with seven different camera perspectives to watch at the same time, it should have been pretty clear in the fandom that this was an ongoing issue that would bother and was bothering Ricky.

And I think there are several different facets to this, but the one I want to address is how there’s a tendency in fandom to ignore or erase Ricky’s Japanese heritage.  Not literally (although there is a particular sting every time I see another Ricky fancast where the actor is of another Asian heritage than Japanese - Asian people are not interchangeable).  But especially prior to Season 2, there was a general trend in the fandom that liked to simplify Ricky’s character and overlook him as a complex player character because of traits that are very common in East Asian immigrant cultures.

Perhaps it’s because my heritage is East Asian and I’ve had more exposure to general cultural customs and behaviours among East Asian immigrants, but Zac’s portrayal of Ricky has always read as a very obvious Asian-American child of immigrants to me (and, y’know, Zac and Ricky are actually Asian-American children of immigrants).  Not expressing negative emotions out loud, not verbally articulating thoughts and feelings but expressing them through actions, deferring to other peoples’ needs first instead of expressing his own wants because it’s not about him.  With the caveat that I’m Chinese and not Japanese, these are common practices that I’ve observed in my own family, among friends and acquaintances (of various Asian heritages including but not limited to Chinese), in broader experiences with other East Asian immigrants.

(Asia is not a monolith and I’m not familiar with the immigrant cultures and experiences of people from other Asian heritages.  I specify East Asian here because that is broadly what I can speak on and because Ricky is Japanese, but other Asian people please feel free to discuss your experiences as well)

And obviously, these are not monolith traits observed at all times, I’ve definitely met plenty of East Asian immigrants who did express their emotions loudly, who used their words, who were assertive about their own needs and wants (this is not the post to be getting into different generations of immigration and the culture differences between those generations).  And it also depends on the context - from my own experience, in private within families, both emotions and words can get extremely loud (if you dare to risk the wrath of your elders by arguing with them!)  But my point is that the habits I pointed out above are still relatively common in East Asian immigrant cultures, even if not all individuals follow them at all times.

Particularly prior to Season 2, there was a common perspective in the fandom, usually couched in “uwu, I love that Zac is playing a hot dummy!!” that would go along the lines of “Ricky doesn’t have a character arc, he doesn’t get into conflicts with other people, he doesn’t say anything and is just happy to be there, he’s a shallow character who’s just a himbo.”  All of which I’d dispute, (*insert post here about Ricky as a character reclaiming Asian masculinity*), but I want to focus on how the main traits -refraining from overt emotions, remaining reserved in speech, not bringing up his own needs and wants- that were brought up and used to simplify and dismiss Ricky’s character were traits which are commonly found in East Asian immigrant communities.  The whole “remaining reserved/trying to avoid conflict” is something a lot of East Asian-American kids pick up at home because what you say or don’t say isn’t as important as what you do or don’t do.

And I mean, so much of Ricky is about doing things for people, showing his feelings through his actions, not his words.  Just because he wasn’t getting into PC conflict in Season 1, or expressing his emotions in the same ways as other PCs, doesn’t mean he was just a silent, cheerful himbo.  Which there’s nothing wrong with being a himbo, and it can be particularly empowering in Ricky’s case as an Asian man (see above linked post about Asian masculinity), but that’s not all there is to Ricky’s character!  And don’t get me wrong, I personally love that part of his ongoing character arc in Season 2 is speaking up about his feelings and expressing to other people what he wants (because there’s the “American” part of the Asian-American experience that’s not just about having Asian heritage but is also about negotiating that relationship in a place with different norms and customs).  But it doesn’t negate the “Asian” part of “Asian-American” either, which does impact and shape the way Ricky interacts with people and the world.

In hindsight, I don’t think it’s a coincidence that interest and meta in Ricky skyrocketed once he did start being more vocal and assertive in Season 2, which are common traits in many Western cultures.  And it’s not the only reason that there’s a deeper interest in Ricky now (shout out to all the Asian fans and allies who’ve been really diving into Ricky’s character this season!) and I choose to believe in good faith that it isn’t intentional or malicious (audiences do tend to gravitate more towards tangible moments of conversation and conflict rather than background acting).  But I think we as fans need to start questioning why as a whole, we really didn’t start giving deeper thought to Ricky until he began displaying more typically Western traits, because I think it’s emblematic of how, very subtly and unconsciously, we are used to privileging white “American” behaviour and ignoring or glossing over Asian (immigrant) traits.

In many ways, Ricky prior to Season 2 (and very arguably up until the museum fight), has been perceived in the general fandom as a sort of post-racial American-melting-pot character.  Fans don’t wholly ignore that he’s Japanese-American, you can’t really do that when his family name is “Matsui” and when the Season 1 finale showed that his interactions with the American Dream pretty strongly involved his parents’ immigrant experience.  But knowing intellectually that Ricky is Asian doesn’t always translate to actually perceiving him as an Asian person with all the implications and racial dynamics that entails.

An example of how this manifests: Ricky and Esther become a canon couple.  Numerous posts begin to appear (and periodically still do) that express opinions along the lines of Ricky/Esther being the only tolerable “het” couple.  Ignoring the fact that we don’t know Esther’s sexuality and we only have an offhand Ztream comment for Ricky, Ricky/Esther is a canonical interracial relationship between two non-white people, a Japanese man and a black woman.  Interracial relationships are already extremely poorly represented in media, to say nothing of interracial relationships between non-white people.   Yet we overlook the racial dynamics and only focus on the perceived queerness (or not) of the ship.

Or, for another example, taking the discussion on cultural appropriation and making it all about Cody’s flaws and character development, rather than considering how it affects Ricky as a Japanese man to see a white man disrespecting a part of his cultural heritage.

Anyways, I really urge D20 fans, especially if you’re not Asian, to start questioning and challenging how you really perceive characters, what kind of characteristics you tend to privilege and be drawn to and why, and what kind of fandom environment you shape in your interactions with the show and with other fans.  This is not to say that Ricky should be everyone’s favourite character or that you can’t dislike him, but it is important to think about why we have the preferences that we do.  I especially urge you to remember that Ricky Matsui is a Japanese-American character, that this was a deliberate choice which has been repeatedly brought up by Zac (who is a Japanese-American actor), and that you cannot and should not ignore Ricky’s heritage when you think and talk about him. 

(And if you think Ricky is being an “asshole” to Cody just for being, frankly, mildly perturbed in his direction because Cody spent most of the season so far being very offensive to Ricky’s cultural heritage, I really encourage you to think critically about your opinions and why you hold them.  And if, after thinking critically, you still don’t see why they’re wrong, please don’t let the door hit you on the way out.  Your conscious racism is not something that is welcome in this fandom, and Asian fans are not here to teach you better)

((White and non-Asian people can and should reblog this, but don’t clown around.  Productive, respectful discussion is welcome.  Asian fans are more than welcome to add their perspectives/agree/disagree, especially people with Japanese heritage))

[adorethedistance]

A Pretty Good Bad Idea - Owen Joyner x Reader

JATP masterlist

Warnings: swearing, peer pressure kinda, very mild n fluffy

Words: 1865

Summary: Touring with the Julie and The Phantoms cast as a dancer has been the best time of your life, and the only thing that could make it better is the reciprocated affections of a cute, blond drummer.

A/N: So this piece is 1) inspired by this interview and 2) entirely self indulgent. It’s something I haven’t been able to get out of my mind every time I’m doing warm ups, and putting it down on ,, digital paper is my only way to get rid of it lmao. I hope y’all enjoy bc I know this scenario makes me really happy and I love sharing my joy with y’all.

I let out an involuntary whine when I roll forward into my almost-center splits. My hips are so sore from yesterday’s performance I had to force myself to start stretching in the first place. Getting a head start, I arrived at the concert venue an hour earlier than call time to get my lengthy stretching routine out of the way before the other girls show up. Slowly but surely, the rest of the dancers arrived and we began getting ready together.

“I have a speaker!” Tori announces to the room upon entering which makes me jump up from my seat.

“Yes! May I do the honors and bless y’all with my musical theatre playlist?” The rest of the group cheers, exposing themselves for the theatre kids that we are. After hearing the chime that signifies the speaker-phone pairing, a few seconds pass before “Cell Block Tango” begins to play. The entire group feigns outrage but we know all the words and soon indulge in such shameful pandering. A good pre-show playlist is what really gets me amped up for performing and after yesterday’s queue of ‘today’s hits’ pop, the musical theatre is a nice change of pace.

Since I’d gotten here so early, I decided to do my makeup before stretching and I still had time to spare. The only thing left for me to do was to get in costume but I’d wait until a little closer to showtime so that I could still eat and drink for the time being. This also meant I was free to roam and bother other people as they got ready, doing what I’d done almost an hour ago.

“So, Y/n?”

“Hm?”

“What’s going on with you and Owen?” I feel my breathing halt for a microsecond before looking up at, one of the other dancers and also my friend, Ella. My eyebrows are cinched in confusion as I try my best to figure out what it is she’s getting at.

“I don’t know, Ella. What is going on with me and Owen?”

“Oh come on. Your Instagram story from yesterday?” Oh. That.

“We just went to lunch?” I seemingly ask more than state.

“Yeah. Just the two of you. Don’t hold out on us, we wanna know what’s going on!”

“Really, Ella, there’s nothing going on. We’re just getting to know each other better.”

“Just getting to know each other better? Or getting to know each other better?” Tori butts in, dusting her cheeks with a subtle highlight.

“The first one?”

“How many times have you hung out?”

“Just the once.”

“Are you planning another date?”

“It wasn’t a date-”

“Do you want us to help wingman you?”

“I really don’t-”

“Hey.” The rapid-fire of questions cease when the gang of us look up to see Owen himself standing in the doorway.

“Speak of the devil,” Tori snickers as the rest of the girls slowly disperse and smugly resume doing their makeup. Owen makes a face in reaction to her comment but chooses not to pry.

“Could I borrow some hairspray? This one piece of hair won’t stay.” Despite each of the girls having a full can of hairspray on hand, nobody makes a move to give him the product, indicating that I should be the one to help him out. Rolling my eyes at the look Ella is giving me through the mirror, I stand from my chair and hand Owen the can of hairspray. He then looks straight ahead and moves to use the product but I stop him before he can.

“What’s your plan?”

“What?”

“Are you just gonna spray the piece?”

“...yeah?”

“That’s not gonna work since the rest of your hair already has product in it. Can I help you?” Owen nods amiably and takes a seat after I gesture for him to sit in my chair. I then realize my mistake as I need the comb on the grey countertop, and have to consequently reach past Owen in a way that wouldn’t be so compromising had I not worn such a low-cut top. Thankfully it’s over as fast as it began, and walking to the sink in the corner of the dressing room, I run the cool water over the bristles. It isn’t until I turn off the tap that I notice how eerily quiet the room had gotten. None of the girls are talking, attentively studying my every move as I cross back to Owen.

“Is this Chicago?”

“Uh, yeah, We’re listening to my musical theatre playlist though, not the whole soundtrack,” I respond in spite of the nervous laugh that falls from my lips. The slight slouch in Owen’s posture doesn’t help me to see what I’m doing clearly enough. Using my index finger and an upturned palm, I tilt his chin up to get a better look at his hair, willfully ignoring the fact that he’s staring at me right now.

Still, silence fills the room as I take the wet comb through the front section of his hair where the stubborn strand won’t stay put. Once the water binds the pieces together, I grab my can of hairspray and struggle to uncap it. The outside is slick from god knows what, but thankfully Owen doesn’t let me struggle anymore and holds up his hands to wordlessly offer his help. I hand him the can, and he pops the top off after barely struggling. Handing the can back to me, he holds onto the lid, and the entire exchange remains completely silent.

I have to work quickly in my next step, but it’s not enough to distract from the fact that everyone in the room is watching me intently. Holding the aerosol can away from the crowd of people, I put some of the product on the comb and quickly work it into Owen’s hair while it’s still wet. Once the comb has formed his hair to my liking, I stop brushing it through in fear of the now dry hairspray ruining the shape. Then, I use my left hand to shield Owen’s eyes from getting any product in them before spraying the offending area to seal in my hard work.

The sound of a cell door sliding closed signifies the end of the song, and I wait for a second, eagerly anticipating the next song to play. Upon hearing the staccato piano notes of “Bad Idea” from Waitress, a smile appears on my face.

“I love this song.” Lunging back on my right leg, I create a little distance between us to make sure I didn’t completely butcher the rest of his hair, singing as I do.

“It’s a bad idea, me and you.”

“I know, I totally agree.” Pleasantly surprised by his joining in, my smile grows bigger.

“It’s a bad idea, me and you.”

“I’ve never known anything so true-”

“It’s a terrible idea, me and you.” The effortlessness that the two of us find in harmonizing is a genuine shock and an absolute thrill all at once. Once Owen sees how excited I am by his joining in me, it’s like a switch had been flipped; the two of us immediately slip into Actor Mode and begin to sing the song as if we were performing it on a Broadway stage.

“You have a wife.” I take a small step back out of the character’s hesitation.

“You have a husband.” Owen mirrors my action.

“You’re my doctor-” I cross my arms across my chest, but release my right hand to gesture to Owen standing in front of me.

“You’ve got a baby coming-” He uses both hands to gesture back to me in my ‘pregnant’ state.

“It’s a bad idea, me and you,” the two of us turn slightly away from facing one another in false bashfulness. When the music picks up, the two of us avidly step toward one another to come together. In perfect synchronization, I grab Owen’s forearms and his hands face upwards to hold onto my elbows.

“Let’s just keep kissing ‘til we come to.”

“Heart, stop racing, let’s face it-” Owen pivots his step out to the side to face forward, extending his right arm which cues me to turn into him and take his other hand to spin out.

“Making mistakes like this will make worse what is already pretty bad.” Then he extends his right arm forward, and I turn into him once again.

“Mind, stop running. It’s time we just let this thing go.” Instead of spinning out again, I stop in front of him where he wraps both of his arms around me.

“It was a pretty good bad idea,” in our harmony I cast my gaze upward to see Owen staring right back down at me, and I feel like I’m seeing stars, “Wasn’t it though?”

The two of us continue dancing and singing with one another as if the rest of the world doesn’t exist. It’s only the two of us, here and now. The other girls in the room don’t miss the way I seem to smile like never before, and I sure as hell don’t miss the way my stomach fills with butterflies. When he holds me so close and dear for each intimate moment of the song, I’m seeing stars. A bold happiness consumes me, the same happiness I felt when Owen and I laughed over lunch in that small pizzeria.

The final harmony draws the song to a close and when it finishes, the two of us fall into a breathless kind of laughter.

“I didn’t take a big enough breath for that last part.”

“Me neither.”

“Your hair stayed intact.”

“I must have a pretty good stylist.”

After recovering from our laughter the two of us wind up in a palpable stupor as we stare into one another’s eyes. A few blinks and my trance is broken, I become aware of our surroundings.

“I should get dressed soon, and you definitely need to get dressed.” Owen nods still somewhat breathless.

“Yeah. See you later for pulse?”

“Save me a spot,” I joke as he backs out of the threshold of our dressing room. Leaning against the doorframe I watch him disappear into his assigned dressing room with a small smile still lingering on my features.

“Just getting to know each other my ass!”

“What the heck was that?”

“Are you sure you don’t want us to wingman you?”

“Do you even need a wingman after something like that?”

Turning on my heel, I face the bunch of insatiable dancers and shake my head in disbelief.

“We were just acting, you guys.”

“Liar.”

“Excuse me?”

“Maybe you were acting, but he sure as hell wasn’t. Did you see the way he was looking at you? He is totally in love with you.” Ella shakes me by my shoulders.

“He’s just a really good performer is all.”

“When is your next date?” she completely ignores me.

“Okay-”

“Oh, and I want to be the maid of honor at your wedding-”

“It was just a song, Ella.”

“-Oh my god you guys are gonna have the cutest kids! I mean, your hair with his eyes and cheekbones? Ahh! The cutest.”

***

A/n: the way that being on tour isn’t the most unrealistic part of this fic, but instead Owen actually knowing the lyrics is? Work diva.

Taglist: @caitsymichelle13​ @kaitlyn2907​ @itz-jas​ @crybabyddl​ @kcd15​ @kinda-really-lost​ @calamitykaty​ @morganayenneferburnham​ @n0wornever​ @dream-a-little-bigger-x​ @mrstodorooki @vicesvsvirturesfanfic @curlybrownhairedboys​ @amazinggracy​ @kaitieskidmore1​ @asdfghjkl-fanfics​ @ghostlygreenbean​ @juliefromaustralia @merceret​ @jemimah-b99​ @ifilwtmfc​ @thesweetestsinner​ @imsydneywalker​ @lovesanimals​ @thebloodthirstyvampress​ @bumbleberry-pie​ @losers-club6​ @tefilovesreading​ @dmcfarland1​@joynerxmercer @kexrtiz​ @talk-on-the-street​ @phantompogues​ @konciousdreamer​ @sunsetcurvej​ @warmnesss0ul​ @celestialmolina​ @lilyjoyner​ 

[alby-rei]

[Arthur Week, Day 3] Midnight Snacks

a/n: in which MC (ft. accomplice Dazai) wants to make the resident flirt, Arthur Conan Doyle, jealous. Why? Who knows! But what I do know is that it ends up working in his favor rather than MC’s... wait, what?

a/n 2: changed the title cuz it was bothering me xD nothing else changed.

My entry for @scummy-writes​‘s Arthur Week! 

Day 3: Coffee and Fudge || Writer’s Block

[Pairing]: Arthur x You/gn!MC, (pre-relationship)

[Characters]: You, Arthur, Dazai, Sebastian

[Word count]: ~2300 words

[Rating]: T

[POV]: 2nd Person 

“...and all of a sudden, I hear Mozart yell ‘stop releasing chickens in my music room!’ but Dazai didn’t even flinch!” You brought a foam-covered hand up to your mouth to cover your laughter.

You and Sebastian were cleaning the dishes together after lunch time. You’ve made it a habit to catch up on your day and share observations with Sebas, as pretty much no one steps into the kitchen around this time.

Well, that is except—

“_____~!”

Except Sir Arthur Conan Doyle, naturally. He must’ve finished his writing session and been wandering around the mansion, as is his trademark since your arrival.

You closed your eyes, hoping the man would walk past the kitchen without checking. You weren’t exactly in the mood for flirty games with the mystery writer, especially not after dealing with a haughty music teacher in Mozart. Sadly, luck was not on your side, today.

“I’ll tell you the rest later,” you wipe your hands with a towel. Picking up the tray of plates and cups to put them in their rightful places, you didn’t pay the writer any mind.

“After this I gotta find Dazai,” you said as you opened a cupboard. Your turned around to find Arthur leaning on the door frame, and your tone shifted dramatically, “Oh! Arthur, funny to see you here.”

Sebastian knew that tone very well. It was your sickeningly sweet voice that you dedicated to either (a) dodging conversation, or (b) planning something against that person.

“I’d say the same to you, ___, but you’re always in the kitchen. I couldn’t help dropping in to check on my favorite bird,” Arthur leaned against the door frame, flashing you a grin and a wink.

“Oh please, don’t talk about birds after what happened this morning,”  You caught sight of your target at the end of the hallway, “aaaand I have to go, see ya!” 

You duck under Arthur’s arm while his guard was down. He twirled around to follow you, but you evaded him, calling out to Dazai. Arthur stood in his tracks, as he watched the japanese author stop for you, and you beamed up at him.

“Dazai-san, I’ve been wanting to ask you for something, if you’re… free,” you noticed mid-sentence that the chicken that was still nestled in his arms.

“Hm?” His piercing yellow eyes brightened, “I’ll always have time for you, Toshiko-san.”

“Bawk!” The chicken… agreed, supposedly.

You laughed sheepishly, “That’s very sweet of you, I was actually interested in learning about your writing style and get some advice. I’ve been going through some terrible writer’s block.”

“I was working on a short story earlier, it’s in my room. Want to come with me?” He began to lead her towards his room.      

“I’m honored! I’d love to, Dazai-san.”

Oh yes, you were definitely planning something, Sebastian noted.

As the two of them walked away, Arthur stood glued watching the scene. Sebastian had been poking his arm the whole time, but he didn’t budge. Even shaking his entire arm didn’t spur any sudden movement from him.

“Sir Arthur. Earth to Sir Arthur,” Sebas continued tapping his shoulder and pinching his arm.

“Huh? Oh…” His gaze held an odd expression, one that Sebastian hadn’t seen from him before—a hint of sadness, maybe even frustration. But it was quickly replaced by his signature grin as he finally took notice of me, “Sorry, Sebas, I must’ve been blocking your path, got to go!”

And just like that, he scurried off.

After a moment’s pause, and after making sure the hallway was clear of esteemed residents, Sebastian did much the same, but in the opposite direction. He has notes to take, pronto. 

~*~

You and Dazai sat in the lounge room, having passed by his room, and Dazai collected his writing material.

“You have really pretty hands, Toshiko-san. I’ve heard you playing in Mo-kun’s piano room, you’re a wonderful pianist,” Dazai held your hand delicately in his, as he ran his thumb over your knuckles.

“Thank you, it’s something I take a lot of pride in,” your heart swelled from the warmth of his compliment, “but I’ve been much more interested with writing as of late. Actually, I’ve always wanted to write a novel.”

“Oh? I admire your ambition. How can I help?”      

“Well well well, what do we have here?” A third voice chimed in.

Right on time, as you expected.

“Have I interrupted your little rendezvous?” Arthur walked slowly and purposefully, as if he had caught them red-handed doing something they shouldn’t.

Internally, he was trying his best not to jump to conclusions. That would be uncharacteristic of him, after all. You weren’t tied to him in anyway, so there was no reason to feel so jealous that you went to Dazai for writing help instead of him. He didn’t even know about it!

So why was his heart pounding so loudly in his head while his eyes were fixated on their linked hands?

Dazai withdrew his hand, occupying it with his writing pen instead. He shot Arthur a smile with closed eyes.

“Of course not, we were just talking, Arty.”

“…Don’t call me that,” Arthur narrowed his eyes, “and second, I’d like to steal ____ now.”

“I’m sorry, Arthur, but I want to talk with Dazai a bit to improve my writing.”

Being shot down so directly caught Arthur off-guard; his insecurities getting a hold of him. For the first time, he found himself at a loss for ways to turn the conversation in his favor. At the moment, if he persisted, and you kept turning him down, he wouldn’t be able to let it down for the rest of the day.

Instead, Arthur straightened himself, fixing his tie, “Well then, I’m heading to the pub soon enough to find me a pretty skirt for the evening. Have fun, you two, I know I will.”

He huffed childishly, going out with a wave. Dazai turned to you with a polite smile.

“Do you think it worked?”

“Oh, he is definitely salty, thanks for agreeing to this, Dazai-san.”

“Any time, Yoshie-san, what are housemates for?” He smiled fondly at you.

“You’re a great actor, didn’t even flinch!”

“Ah, but who said I was acting?”

He got up with his writing tools and stepped out of the lounge before you registered what he said.

“Wait… what?!”

~*~

Later that evening…

…Well, more like around midnight, you just happened to catch the insomnia bug and were heading to the kitchen, as all people naturally do when they’re insomniac. You switched on the lights, thankful for the dimness of the lanterns in the kitchen. Scanning your options, your eyes settled on the coffee pot that sat quietly in the corner. Thoughts of a certain mystery writer gnawed at you, but you darted them away and walked past the coffee pot to get a glass of water instead. You leaned forward, filling her glass with bleary eyes that refused to slumber but also refused to open properly.  

Suddenly, you felt a touch to your backside. Eyes cracking wide open, you spun around and swung your makeshift weapon of glass at your offender. The offending mop of ash blue hair felt the full force of the blow, and the glass shattered across the floor.

Well crap.

“Ow… If I’m not mistaken, I’d say you were trying to kill me there, ____.”

For the love—.

“Arthur what the hell were you trying to pull?! Bloody hell! You made my heart drop.”

In a flash, his body was pressed against yours, caging you between his arms and the kitchen counter. The crunch of the glass under his shoes was the only sound in the room. You saw a small stream of blood start to fall by his ear.

“I was going to prepare myself a midnight snack with my coffee, but it seems I already found one ready for a taste test,” he licked the back of his fangs.

“At this hour??” It was well past midnight by now, and caffeine was the last thing you’d recommend anyone at this time. 

You felt his breath on your ear before he inhaled your scent. It was comforting to him as much as it was intoxicating to his senses.

He sighed, “____… I can’t get you out of my mind, no matter what I do.”

His arms circled around your waist, pulling you away from the countertop and flush against him, instead. All sorts of alarms were going off in your mind despite the drowsiness, with your instincts telling you to push him off.

“But then, you started avoiding me. And then… Sebastian and Mozart and even Dazai took you away from me,” he sniffled.

You pushed him off gently but still within his arms, as you stared at his face. There was a pink dust across his cheeks and a redness in the corners of his eyes.

“Arthur, are you… drunk?”

His frown flipped into a grin as he nuzzled his nose into your disheveled hair.

“Oh, don’t be silly, dear. I may have been out drinking, but I can bloody well hold my liquor. Theo can vouch for me on that.”

(a/n: no, he can’t lmao)

The sight of him in a somewhat vulnerable state, as well as the smell of his cologne, made it hard for you to properly fight him. Plus, you felt bad for crushing a glass cup on his head. Speaking of which…

“Is your head okay?”

“Hm…” He brought a gloved hand to his forehead, feeling a dull pounding in its wake, “I must say, you got me good, even the most daring fools never landed a hit on me yet.”

Just how thick is his skull to endure that?! You were both dazzled and frightened by their realization. 

With one of his arms off of you, you took this chance to escape, but you slid on a shard of glass and would have fallen face first onto the floor had Arthur not pulled you against him and taken the impact of the floor to his own shoulder. He laid on his back, clutching you protectively against his chest. He groaned with pain, but he pushed it aside to check on you first.

“Clumsy tonight, are we, or are you seriously trying to kill me?” He chuckled wryly.

Before you could even blink, you felt your vision do a 180-flip, and you were suddenly beneath him, away from the glass shards that littered the floor. The scent of his cologne flooded your senses again, as he smirked down on you with a drunken lopsided grin.

“I was absolutely livid when I saw Dazai hold your hand. Was that part of your plan, darling? Well, I’ve taken the bait.”

You flinched, your body wide awake to every touch and caress of this man. You bit your lip to avoid playing into his hands. You were still in control of the situation, you thought. His lips descended to your jaw, barely brushing your skin, like he’s testing your limits. Instinctively, you sighed, unaware of the breath you’d been holding.

Ok, maybe you weren’t entirely in control, either.

“Arthur…” You commanded, trying to regain some semblance of control back.

This was not part of your plan, however, and you were quickly losing grip of all reason and logic. You needed to get him off and away from you before you acquiesced to his ministrations.

“But don’t worry, ____. I won’t do anything you don’t want me to.”

He drew back from you, staring down at you with an uncharacteristic tender look. He continued.

“The effect you have on me is not one I’ve felt with any woman I’ve ever encountered before. It’s confusing—maddening, even— and I can’t escape it… because I don’t want to,” he sighed in surrender, “I want you, ___.” 

It was a look of pure love and affection that shone in his eyes. His half-opened shirt invited your gaze to roam his body, and his thick-rimmed glasses framed his features in such an alluring glow that outshone the dimness of the kitchen. His hair looked softer than usual, too. Your hand twitched at the thought of running your fingers through those ash blue locks. Your mind was thrown into a whirlwind with the influx of new information, one that dented your rationality. Your desire to get closer to him wrestled against your impartial stoicism, threatening to crack the armor around the stone gates to your heart.

“Hey Arthur,” you started, twirling a lock of his hair with your hand. It was ever-so-slightly damp; he must’ve bathed in le thermae earlier.

“Yes, ____?”

Damn that seductive voice of his, you shooed away that thought as soon as it entered. You chose to focus on something much more pressing at the moment. 

“We need to get you bandaged up. You’re bleeding terribly from your head.”

~*~

It took a lot of convincing, but Arthur finally acquiesced to your persistent request.

“There, all done,” you stepped back from Arthur, who was sitting hunched over on his bed.

You were both settled in his room with his medical bag open on the desk and his equipment strewn all around. You didn’t exactly know what to do to treat Arthur’s wound, but you insisted on doing it for him… with copious amounts of instructions from him.

“I brought you some fresh coffee and fudge, as an apology.”

“At this hour?” He mimicked your tone from earlier. You rolled your eyes at his childishness.

“And here I am trying to make it up to you, and this is how you show gratitude?”

You huffed indignantly, ready to head out and leave the unappreciative writer to his own devices.

“Hold on, now,” he gripped your wrist before you could fully turn away, “you’re the one who smashed glass on my head, so you owe me a favor.”

“…a favor on top of tending to your wounds and bringing you coffee?”

“Oh, indulge me, won’t you? You did those of your own volition.”

You sigh, “Depends on the request, then.”

“Feed me,” he perked up with no hesitation or embarrassment in his tone.

You wanted to turn him down, to tease him about his child-like excitement, but you couldn’t resist his puppy dog eyes. Those eyes held a very powerful hold over you though you blame it on your own tiredness outweighing your better judgment.

“Alright…” You moved aside his things to sit next to him, leaning towards the table to drag the tray closer to yourself.

“Open wide, you incorrigible baby.”

[canceltheact]

Cancel The Act: The Definitive Theory of Lunky, Lixian, and Actor Mark

Hello there theorists! This is the big one - the (hopefully) final draft of CancelTheAct. 

For those of you that have been following this tale of truth, perserverance, and chromatic aberration,you may find that a few section of this are exactly the same. It basically is the same theory, but with a few things tightened up (see post from two days ago) and some updated information. This is the big one we’re hoping on spreading, so be sure to reblog this one like you’ve done before. We really appreciate all the support you’ve given this assertion.

 And for those who are seeing this for the first time...welcome! This is a theory exploring what's been going on the past few months on Markiplier's channel, and the side story that connects the odd goings-on. If you support this theory, spread the word on Twitter and reblog, not just like, on Tumblr with the hashtags and this very site.

 Thank you for all the support, folks! Now...let's talk about the truth. We'll see you on the other side.

So, if you are a Markiplier fan on the interwebs, you have no doubt seen the newest Cloak ad that was in the Cooking Simulator video from about a month ago and noticed something...off. Something... suspicious. And if you follow Mark lore, you know that this was NOT ordinary Mark. This was Actor. The robe underneath the Cloak merchandise he was wearing, the spotlights and cracking of his body reminiscent of the Darkiplier ending from AHWM, and of course, what he says in a haughty tone of voice, seeming to be the opposite of his opening stair spiel in WKM: "It's not about you...it's about me." Heading over to instagram, we get more interesting stuff, with a description of the ad clearly reflecting the events of WKM from Actor's skewed and self-righteous perspective.

Was this just a ploy for marketing purposes, you ask? How could it be important to something? Well, Cloak's response to said post says it all: "oh". Meaning they had NO CLUE this was coming.

Even in that Cooking Simulator video, there were signs that this wasn't just pertaining to an ad. In the kitchen of the game, he comments "Modern is stupid; I’ve always said this; I want the classics," quite a different opinion from the man we knew that owned FIVE OVENS, but would seem quite on brand for someone who lived in a old-style manor - even the Youtube description seems a bit suspicious saying that "this time, I'm gonna show everyone what I'm all about." No doubt, Actor Mark has made quite a return, for seemingly NO REASON, right? Right? Well....not exactly. We’re here to tell you that Actor's been here for quite a longer time than you might expect.

For those who have been paying attention to Markiplier for the past couple months, you may have noticed some strange, yet fleeting events.

The stick figure monstrosity known as Lunky invading Mark’s channel for one day. The strange revelation that Markiplier isn’t real, yet 6 days later denied by the very man who confirmed it. The erratic behavior of the editor known as Lixian.

Such strange goings on, isn’t it? But I have reason to believe that these incidents are part of a greater step in the lore of Markiplier. That these very events are tied to each other, and something much bigger than the sum of their parts. Many people have had their thoughts on what this all means. It’s time we threw our hat full of overthinking and crazed observation into the ring. Hopefully, this theory will help uncover a bigger story. A story of control, reality… and CHROMATIC ABERRATION.

First of all, let’s answer the question: is Markiplier real? Answer: No, he’s not. Even with the “Markiplier isn’t Real” videos not being canon, it doesn’t mean that Markiplier is “real” after all. Because he is, and always has been in terms of CANON, Actor. (Now this doesn’t mean that every video Mark has done has been in character, just the ones that have correlation with the Lunky arc, Lunxian affair, and the Mark isn’t real stuff, as this relates to bigger story beats that are happening.) Think about it. After the events of WKM, Actor (who already was a Youtuber as seen as one of the points on the Detective’s theory board reads “What is a Let’s Play?” implying to Mark’s original ticket to Youtube) used Damien’s body as a replacement for his own and going on with his life, rising to even more Youtube fame. This makes him not who he seems, and definitely not real as the person his fans and editors in canon thought him to be. But what does this have to do with Lixian? With Lunky? What about those confessions? Well, for that, we have to start at the beginning.

Lixian and the Lunxian Affair

Though the MarkiplierIsntReal videos aren’t meant to be canon, as told to the member mixers by Mark himself, we have seen behavior from Lixian that is still similar to the entire week-long event - that Lixian has found something out about Mark. We can gauge this through not only the behavior of Mark, but of Lixian as well. Most notably, in 3 Scary Games #46, we see the description of the video of what reads like Mark’s pleas to us, calling Lixian “a monster” and that “the old methods aren't working anymore.” Actor is trying to control Lixian, and even sow the seeds of fear into his audience. Lixian, in that same video, pulls a knife on Mark and, in general, acts more antagonistic towards him. From 3 Scary Games #46, we can gather that Actor isn't happy about any information Lixian may have leaked or let loose at this point.

There are 2 big points that support this:

1. Lixian's animation sprite during the episode mainly shows up as a shadow, otherwise known as "Shadow Lixian". Lixian's animation sprite typically assumes this shadow form as a visual way to let the viewers know that he's sneaking around and doing something that Actor wouldn't approve of.

2. Actor develops the idea of a "controlled Lixian" (which is later to become known as "Lunxian") to where Actor can use his arcane powers to have Lixian do/say whatever he wishes.

But of course Actor can only come up with the idea of a perfect editor at the time, and has no real way to actually manipulate Lixian at this point. It's not until Lixian leaves for vacation that Actor puts a plan into motion.

In an attempt to try and get rid of Lixian, Actor created Lunky to try and make a replacement Lixian. This obviously didn't work, as Lunky is barely like Lixian and was seen for a time by Actor as a poor carbon copy. And as we can see in the Minecraft video where Lunky is introduced, Mark dislikes Lunky immensely, pushing him off to the side and not wanting to even edit him in. Mark doesn’t even say that he made Lunky - he just says that he’s here so that he’s not talking to himself.

Despite this separation, though, there are clues right off the bat here that Lunky and Mark are connected. Where, may you ask? Well, in the outro of this very video (Lixian Is gone, Lunky Is Here), there were some awfully interesting shrieking sounds. Almost sounded….backwards. And wouldn’t you know it, after we reversed the audio, we could hear a voice. And with a few more tweaks to the speed and to isolate all of the echoing sounds that were added to the audio (which is actually a tad important), we made out “Thanks for watching - don’t forget to like” before it dribbles off. (Hear audio here: https://canceltheact.tumblr.com/post/645011603474038784/backwards-lunky-audio-for-reference-in-todays Also, if there are any audio expert theorists out there who are more skilled than us that can get a better result, write us and tell us what you find!) However...this echoing that comes off the audio seems familiar. What other type of person has a voice that echoes? Oh right! ACTOR when using arcane powers!

This CONFIRMS, through the echos and that would be what Mark would say, that Lunky was created by Actor through the arcane power stuff and Lunky, at the moment, though trying to be a poor carbon copy of Lixian, is at most being a channel for Actor's things he would typically do on the channel, as that encapsulates the story dimension and his power as a whole. And not only does the presence of this backwards audio reveal more about this seemingly joke character, it also reveals that this is something that Mark has put time into and planned for this to be something bigger than a one-off.

But then Actor realized that he could use Lunky to do the next best thing - be an extension of his own power and subdue Lixian enough so that he would be kept quiet. So Actor bided his time with Lunky and ‘allowed’ Lixian to trap Lunky in a cage. 

This backfires on Actor though, as Lunky manages to harness some of that Actor power and attempts to complete his original intent...to destroy Lixian. Lunky goes on a rampage, overtaking both Lixian’s channel and Markiplier’s channel until Lixian kills him - Or so it seems.

Actor realizes what has happened and decides to do a combination of his two previous plans: have Lunky possess Lixian, making Lunxian (a name we have come up with for this phenomena), in order to keep Lixian completely under control. We see this through two things:

1. Lunky's rainbow glitch, or chromatic aberration, around him is transferred to Lixian AFTER Lunky gets killed - and we see Lixian acting VERY differently towards the editors, saying that he’s watching them, being present in several videos outside of 3 Scary Games and being generally creepier than usual when judging from the scope in general.

2. Lixian screams "I'm the Editor" after ‘defeating’ Lunky. Interesting, isn't it? Lixian has said a few times before that he doesn’t like being called editor. But Lunky, in control of Lixian now, has a different want. Lunky was meant to be the editor for Actor, hence why Lunky would want to be called editor.

#CancelTheAct Reasoning

But now, to let you know exactly WHY we're pushing "CancelTheAct". So, Actor has used the story dimension in order to keep those he has trapped in the manor in playing out his stories, such as Dark as the villain and Abe as the detective archetypes, right? I realized: the story dimension IS the channel. And what does the channel drive on? Fans. So, Actor derives his power from being able to be the hero, the lead of the stories, and his channel in canon gauges his influence and power right? Well... Lixian is trying to EXPOSE ACTOR from what he’s found and we see that as not just exposing... but “cancel” him in the eyes of the people who GIVE HIM POWER... his fans in canon. Thereby making Actor powerless. The fans in canon will see him as a fraud, not support him, and take away his strength of his ego. Jabbing a slight bit at the now-popular cancel culture, we are siding with that fight with a clever little hashtag that can be made alongside #MarkiplierIsntReal. Though MIR was never actually a canon intention by Mark, it’s still a hashtag that people are familiar with - and as it relates to the fact that Actor has been putting on a facade, we can use it in order to rally our cause.

Rainbow Chromatic Aberration Breakdown

Why would this rainbow aberration be cause for identification of something being off? Of Actor?

Well... back in the WMW breakdown video, Mark talks about this one point in the mini movie where there’s this aberration, when Wilford and Abe go from the detective’s office to back at the dance club. Paraphrasing here, he says that this is not Darkiplier and that he just wanted to replicate the effect of a VCR rewinding to establish to take things “from the top” with Wilf and Abe’s meeting. Remember the VCR thing though, that’ll be important later. (Time stamp: 2:07:50 https://m.youtube.com/watch?v=rsi_L1b1RwE&lc=Ugwo26EalTI5QP15ooF4AaABAg) This thereby establishing Warfstache’s use of gelling and framing this weird reality by manipulating time and space. We see this AGAIN in AHWM, as when the box is used in the Bob/Wade endings and we go through time, we see the SAME COLORS OF ABERRATION. Warfstache does the same VCR type thing in the interview as well. Ok, so we’ve established that the rainbow aberration implies when one (besides Dark) manipulates their time and space.

Now, these colors look familiar... where have I seen them before OH RIGHT. LUNKY. Lunky has appeared with this aberration through that video with his song (you know the one) and in the 3 scary games videos. Since we’ve seen that Lunky is connected as an extension of and creation from Actor’s power, it makes sense that Lunky would have a similar chromatic aberration. We see this fabrication from time and space (Lunky) use this manipulation power, and then, as Lixian is possessed and subdued by Lunky to become Lunxian, this aberration is also adopted. (for image examples, see Lunxian picture in the first part of this theory)

However, we have seen some slight resistance throughout these Lunxian appearances, showing signs of Lixian trying to break free, as we see in the Forest video “Escaping the Sinkhole” where he says “You think you can replace me?” But instead of the typical rainbow aberration, the colors are inverted to a purple and bluish green.

An aberration we’ve seen a couple times before: in the “DEAD” post that Lixian posted on his Twitter when he was thought to be killed, and in the flashback sequences in Lixian’s Confession which, while doesn’t give us any information for the story, still gives us context for what colors show Lixian in control.

However, despite the control of Lunky over Lixian, the past few weeks has shown the emergence of Actor, despite how he tries to keep it under wraps.

Events Post First Lunxian Emergence - Post MarkiplierIsntReal

In the past few weeks, we have seen through the types of video uploads that Mark has put out, along with Lixian’s behavior, that despite Actor’s attempts to keep his identity under wraps, there have been increasing signs in the in-canon Actor channel and Mark’s real life channel stuff that tips us off otherwise.

First off, in the first week after Markiplier Isn’t Real, there were only compilations and old footage from streams, which wasn’t exactly too important, except for a few hints through the editing that Lixian gave us - first, the fact that a lot of the text and effects were surrounded in that Lunky/Actor rainbow aberration - implying that Lixian isn’t really acting of his own free will...not controlled, per say, but not allowed to talk about the secrets of Actor.

In this same compilation, we even get a hint that something is amiss from Lixian - in a moment from the end of 3 Scary Games #38 where Mark is wholesomely preeshing Lixian, suddenly, the moment glitches in a similar fashion to how it was done at the end of Lixian’s Confession - then cuts to the scene where Lixian “kills” Lunky. This type of unusual transition into such an event lets the audience know that this event is important and something to pay attention to.

Secondly, in the 3 scary games compilation, we have an interesting change in edit that Lixian made - instead of the normal jumpscare from 3 scary games #57 with Mark with no eyes, Lunky is plastered over Mark’s face, implying Actor and Lunky’s connection.

The interesting thing that has popped up from these videos isn’t just the type of game that has been done, but, specifically, the behavior of Lixian. And it mainly started with the editor collabs that Lixian has been doing with Marcus (aka Nerd Fiction) and Rachel, the two new editors for Markiplier’s channel- not only a tool to help them learn the ropes to the type of editing Lixian does, but also leaving room for an interesting plot device.

In the first simulator collab episode, “Cooking Simulator”, Lixian seemed to be able to be in control by Actor, doing his VCR chromatically aberrated bidding, but being a bit more acting of his own free will, being a bit more resentful of the job instead of compliant.

However, in the second simulator collab video, “Car Accident Simulator”, Lixian seems a LOT LESS compliant and even rebellious. Yet Mark seems to be ok with joshing Lixian’s chain around, even mockingly calling him editor. Even more interesting…the fact that Lixian says “I’ve got all your dirt!”, implying his knowledge and slight ability to share the truth.

So, why is this? Well we think that Mark still thinks Lixian can’t escape, but Lixian is simply biding his time to get free from Lunky and Actor’s grasp... still playing along with Actor’s game, but planning to get stronger and plan an attack.

Unfortunately, this state of the upper hand does not last long. In the Forest 3 Peens stream before this, we get another Lunky appearance, with Mark seeing. Combined with the rebellious behavior he sees Lixian have and Lunky now being separate from Lixian, Actor sees that Lixian is not under control again, and realizes he has to take further action.

Breaking the Facade

This leads us to the latest 3 Scary Games: #64 and #65. In these two, some of the last regular appearances of Lixian, we see jumpscares like usual, but these monsters are...different. The spider monster in #64 is much more detailed than any monster we’ve seen before, and in #65, the fake Mark stand-in speaks in a newer type of audio voice effect. And in both of these video outros, Lixian is shown defeating them both with an axe, fighting them off. (not showing images due to arachnophobia that spider is dang scary) This tips us off that these monsters are different than just the typical jumpscares we see in 3 Scary Games - Lixian is deliberately against these monsters. And in BOTH VIDEOS, Lixian is in the same position, asking where Mark is.

This is why we haven’t seen Lixian in videos since this - because he is trapped in an area either by Lunky or Actor, fighting off these monsters and unable to escape while Actor keeps up his facade.

However, despite this, through real life and in canon, Actor’s facade has been breaking to us little by little.

The Reddit banner changing from a Heist promo to a picture of Date Mark a week after MIR.

In the “Teardown” video, Mark is shown with some interesting edits when he goes to shoot a tree - seems normal, but with that font being Lunky’s font and his background being red, this definitely seems like Actor - even the things he says,” You wronged me and it’s only right for me to come to pay back what is due” - seems like he’s projecting anger from the people in his past onto this tree.

Then, even the day after the infamous Cloak promo, we see even MORE allusion through referencing Actor scenarios THREE TIMES in the “Stormwatch” video: once referring to WKM, once referring to the END music and filter from WKM, and a reference to the Warfstache Markiplier interview, which points to Actor from THIS CONVERSATION: “You heard it here first ladies and gentlemen Markiplier has admitted to NEVER KILLING ANYBODY.” “Well I never said that”.

Looking back at the cloak promo for the self love story line, Mark himself has said that the promo featuring him wearing Actor’s robe was a last-minute choice by him, as he was largely involved with the release of this line. Even so, there are certain details that simply can't be ignored. Enter: At Dead of Night Part 1. During the video, Mark just decides that he has to leave the room, glitches out of the room, and after an uncomfortable amount of silence, he jumpscares us after some spooky red light engulfs the room. In this period of time, there are TWO things that separate it from the normal type of jumpscare that would be found when Mark plays a scary game (despite it NOT being 3 scary games video)

1. We see a quick flash of what appears to be Shadow Lix...until we look at the eyes.

This aberration definitely shows signs of Lunky - looking like Lunxian has returned.

2. Mark returns...with the same Cloak shirt that Actor was wearing in the promo over his robe. Probably just promoting the brand, right? Well this video was five days after the promo was released, quite an arbitrary number for just doing an empty reference to the promo, especially since the day of its premiere, February 16, was around the day the Self Love Story line was dying down and not needed to be promoted. And all the while Mark plays, the Actor robe is on the dresser in the background - the first time we've seen it since the promo in the first place.

Even considering the fact that the promo was a last minute choice, WHY would Mark bring it back up again? WHY would he nudge us with the hints to connect the promo to something bigger - unless he WAS planning something a bit bigger.

Other strange occurrences have been happening in bits and pieces throughout other videos. A Lunxian appearance in the Barn Finders episode.

And curiously enough, a jumpscare in a Forest video from a previously used 3 Scary Games video - #62, to be exact, and the only one who has eyes that are similar to Lunky’s.

Combine that with the fact that despite Lixian editing a lot of this video, he doesn’t show up at ALL to being called editor - this is showing that Lixian isn’t in charge of editing the videos - Lunky is in control. And the monsters coming out of the closet is a clear sign of another one of Lunky’s monsters that might have bled through the area between where Lixian is trapped and where Mark is - the 3 Scary Games dimension, if you will.

The Next Plot Step

The next 3 Scary Games videos since this time have clearly been very, very telling of this banishment and kidnapping of Lixian. Let’s go over some of the most important details, namely from #66, #67, and #69.

In #66, we see the latest monster in the line of the three we’ve seen before, such as the spider and the fake Mark; the squid monster fake Mark. This monster says the same things as the last monster: “Your end is near. Your end is here”, with the same font we’ve come to know of Lunky and Lunxian. (first pic #65, second #66)

But this time…Lixian’s axe doesn’t work. Why? Well, as we can see, there’s some kind of…force field.

Of…dark red. HMM…. looks awfully familiar. Even though we’ve never seen it before. Like RED, ARCANE ENERGY. There’s no doubt about it. Lunky, and by proxy Actor, are making the monsters stronger. So Lixian can’t escape.

And as we see in #67...this has seemed to work. As towards the end of that episode…

Lixian is…not doing good. At all. As we see him in an area, a rock or something, coated in red. Lixian is in trouble. It seems the monsters have finally banished him to a place where he cannot fight back, where he cannot tell the truth he knows. The red lighting looks similar to the prison in where Lunky was kept, possibly entrapping him in a prison of his own making.

Interestingly enough, before this, we see Mark’s “monster” thing: his eyes, moving aLLLL around. And the aberration on him is a tad rainbow-y. Could this be an allusion to Lunky, whose power is all about his eyes?

But...the most INTERESTING video was of course, #69...where quite a few things were confirmed. Let’s tackle them in this breakdown linked here, shall we? https://canceltheact.tumblr.com/post/649094311147978752/3-scary-games-69-the-eldritch-resurgence 

We should have you caught up with all of our important findings for now. As you can see, Actor has been playing his games for quite some time. But he’s gotten bold - far too bold, to reveal himself to us like this. And this is where you, dear reader, come into play. It’s not too late to end this game Actor has us in. We, the viewers, give these alternative egos power, and if we refuse to play Actor’s games any further and cancel his acts, we can begin to weaken  and perhaps even eliminate Actor’s grip on the channel. We believe that the time is now. Spread this post if you support it - reblog it, hashtag it on Twitter or Tumblr, use the hashtags #CancelTheAct and #MarkiplierIsntReal. This may be our only avenue to have our voices heard, and to truly unearth what the Actor has been threading together all along.

Chromatic Aberration Appendix (Yay!)

Hey there folks! I’ve decided to do a companion writing on my theory, that explains exactly WHAT chromatic aberration is and why it’s important to the current Mark lore.

Chromatic aberration is the glitchy effect of various colors surrounding words, objects, or people. There are quite a few different types of this aberration, and as they are an important part of this theory, this section is to denote the different types of aberration and what they mean.

“Rainbow” Aberration - This aberration has been used multiple times as a representation for the manipulation of time and reality in order to control someone - we see this used in AHWM as we surge through time using the artifact, and as Warfstache brings us to our proper interview location in time/space. This effect has also been associated with the effects or rewinding of a VCR, as Mark says in his WMW breakdown video when discussing said effect when Warfstache takes Abe back to the disco club to “have a little fun”. And as we have seen in this part of the lore, Actor has used this type of power as well in order to control people’s reality. This aberration, therefore, denotes for those OUTSIDE Actor’s planned story - which is why Warfstache has it (since he has no role), why Lunky has it (because he was created as something to exist outside the story dimension and to fill a role that wasn’t a set role in Actor’s story in the first place) and was used initially, yet unsuccessfully by Actor to control Lixian (because he was working outside his story onto someone who didn’t necessarily have a role)

Heavy Presence of Red Aberration - this aberration, though more of an aura than anything else, indicates the control and presence of Actor, as seen in “Damien” - though this isn’t used too often, it is often used with Lunky’s rise of power, such as in “He escaped...” and at the end of various 3SGs.

Lixian’s Aberration - this combination of dark purple, teal, and greenish blue aberration is present in Lixian’s confession and is a marker of when Lixian is in control - as seen in Lixian’s confession and the “DEAD” picture post on his Twitter.

[erosia-rhodes]

As much as I love binge-watching television, it's kinda fun speculating each week about what the hell is happening on WandaVision, a show that's made the brave choice to keep so much unexplained for so long. So, let me speculate:

Evan Peters is playing Peter Maximoff from the X-Men universe and not someone else in disguise.

Here's why:

Wanda has to use real people to populate her daydream If Wanda could make everything up from scratch, she wouldn't have to take a whole town hostage. She needs real people and real matter to fuel her daydream. Sparky's death showed that Wanda can't bring organic beings back from the dead, so that makes it impossible to resurrect Aaron Tayler-Johnson as Pietro. Instead, the next best thing is another speedster that could pass for Pietro, which is how Peter got plucked out of the X-Men universe. By whom? Either unconsciously by Wanda or on purpose by whoever is the secret villain of the show. Peter's real memories were blocked and new ones were implanted. I'd bet he only remembers events where Wanda was present because her magic is powering everything even if she's not totally in control. Some of her other memories might have bled through during the process, which would explain why this Pietro is somewhat aware of what's actually going on. Or X-Men Peter might be having fun with the whole thing and doesn't need as much of a shove as everyone else! He seems like a guy who would try anything once.

Out of character for the MCU, but in character for the X-Men universe Some people think Pietro is sus because he's acting out of character, but that's only true if you're comparing him to the MCU's Quicksilver. He's acting perfectly in character for Peter from the X-Men films, a twenty-something "man child" still living in his mom's basement who enjoys playing video games when he's not stealing things and pranking people like Wanda's Pietro does with his Halloween antics. X-Men Peter is also morally flexible, filling his basement with stolen TV's and Twinkies and breaking Magneto out of prison just for kicks. That's why he's not overly perturbed that Wanda is mind controlling a bunch of people. Peter's done crimes himself, and his dad is a super villain who tried to kill the president, so if he has a sister who's mind controlling a town, it just makes her fit into the family.

This place is insane, of course he has questions! Some people think Pietro was asking way too many questions, but anyone dropped into this weirdo town would have questions. The people in S.W.O.R.D. have nothing but questions! If he were the main villain in disguise, he wouldn't need to ask any questions because he'd already know how Wanda was doing things. People also thought it was suspect that Peter responded to most of Wanda's questions with questions of his own, but that was probably the writers' way of including exposition about the missing kids and what was up with Wanda's accent. We don't know if the villain can disguise themselves as someone else anyway, and if he could, wouldn't he just use the Aaron Taylor-Johnson version as his illusion? Why choose some guy no one in town recognizes?

This casting choice feels like more than just fan service I don't think Marvel would go to the trouble of casting Evan Peters in this role unless he really is the Quicksilver from the X-Men universe. Marvel has served up some good fan service over the years, but typically only when it makes sense for the story or it's been earned. I don't see any reason to use Evan Peters unless it's really X-Men Peter. If it's not him, it would be simpler to use a random person in town to play Pietro and pay the actor less. If it really is X-Men Peter, this development cracks open the multi-verse which we known is going to be explored in the next Dr. Strange movie and the next Spider-man film.

Ok, but who sent him? Probably the secret villain who is behind all this. (My money's on Nightmare.) Peter first appears when Vision is questioning Wanda about the nature of their reality. Quite a convenient way of derailing that conversation! Another theory is that Dr. Strange sent him as some sort of mole, but I don't think Pietro would have appeared when he did if that were the case. His distraction was too well timed to shut down Vision's line of questioning.

But isn't he too old to be X-Men Quicksilver? Ok, I admit, this is sort of a problem. The X-Men version of Peter was born in the 50's and the MCU is taking place slightly in the future because of the Blip. That means Peter would be well into his 60's. Does he not age at a normal rate? Are the universes slightly out of sync so the 80's are taking place in the X-Men universe at the same time the 20's are taking place in the MCU? Or did he get snatched out of time as well as location?

What's with the necklace? Pietro has been wearing the same necklace whenever he's on screen, even when it didn't match his Halloween outfit. It's like Agnes's brooch—something almost always worn, no matter the era. It might be a transformed version of his goggles or the headphones he always carries. Or perhaps it gives some sort of magical protection which allows him to realize this world is being run by Wanda? Not sure. If this ends up not being Peter, it could be something associated with whoever he really is.

If it is Peter, how will this end? It seems certain the hex has to end at some point. If Peter is still around at that time, he will be restored to his normal self, probably wearing a silver leather jacket over a t-shirt featuring a band's logo. (Twenty-One Pilots? Fall Out Boy? What modern band do you think Peter would dig?)

Most importantly, he will have created a true emotional bond with Wanda. Their relationship started out as fake, but they've spent real time together and she's opened up to him about how alone and empty she's felt, allowing herself to be vulnerable in a way she rarely has with anyone else. He also clearly loved being Uncle P, goofing around with her kids. (Please let the kids live! If they vanish with the hex, it will be heartbreaking.) Peter could be a true connection that helps bring her back to the world, particularly if he ends up retaining all the memories of Pietro and Wanda’s childhood. I don't think this is the end of their relationship. Honestly, Peter might end up thanking Wanda for all the fun he's had and ask if they can do Knight Rider or The A-Team next time. So, I see three options here:

Option 1) Peter hangs around for a bit because he's stranded in this universe and needs Wanda's help to send him back. Maybe Dr. Strange helps them with that in the next movie.

Option 2) He is able to return to his universe and invites Wanda back with him so she can avoid prison and start a new life. I mean, this woman is definitely facing charges, right? She may not have started this insanity, but she went along with it when she could have stopped it. At this point, she's the Patty Hearst of mind rape. She's either going on the run or spending a lot of time in prison or in a mental hospital.

Option 3) Peter gets expelled from this universe either by Wanda or the secret villain or someone else and never gets a chance to explain anything. This would be the least satisfying conclusion, but it's possible.

I guess we'll see what happens! I will be utterly devastated if this isn't Peter from the X-Men universe because I love all the implications of that. I'd also love to see more of Evan Peters in the MCU.

[milenadaniels]

Hi! I saw your tag on your informal buddie lap makeout poll (Which, exceptional scientific inquiry. Cannot wait to see the results. Especially if it leads you to write something...)

Anyway, what is your thinking on lonestar and a potential buck +e ddie sex scene? (FWIW, I don't watch LS. I tried, but just could not. Not yucking anyone's yum, just didn't work for me.)

Curious what you think?

Thank you! The study is going well, I look forward to analyzing the results in depth!

(Please note: after three hours of writing out this response, I realize I may have misunderstood your question 😂 If you meant "what do you think a buddie sex scene would look like given tarlos", please let me know and it would be my genuine pleasure to describe that in great detail. What follows is not that.....)

I have been thinking about the potential of a buddie sex scene more than I ought to, I'm sure. You could say I've been a smidge preoccupied since realizing all the legit sex scenes in the show happened in season 1/early season 2. In seasons 3/4, the closest I think we've gotten to textual sex is Madney having sex to induce labour and that consisted of Maddie throwing her shirt at Chimney from off-screen.

Someone on that post (can't find it now of course) said that 911 Lone Star took over the original 911 later time slot and thus took over the ability to have sexier content.

As someone who hasn't watched a television show live in like 5 years, your ask has prompted me to do actual research to confirm this 🤓 According to pogdesign, 911 currently plays Mondays at 8pm and 911LS plays at 9pm which supports the theory.

That said, it kind of strikes me as weird that 8pm is considered too early for sexy content? But maybe I'm just out of touch with cable television??

So I did more research! So much research omfg this took 3 hours of my life. 😅

First we define the issue at hand

I'm defining a "sex scene" as a scene that involves two or more people mackin' on each other with any of the following:

the beginning of clothing removal onscreen

the movement towards a bedroom or bed

getting into someone's lap as a sign of escalation

post-coital pillow talk or cuddling

actual shots of naked skin and writhing (softcore porn essentially)

So 911 got moved to 8pm. Do any other 8pm shows have sex scenes?

CW - The 100 🔥 (I know there was a minimum of 2 wlw sex scenes, though they may have been post-coital)

CW - Riverdale 🔥🔥 is another teen show that I don't watch so I youtubed "Riverdale sex scenes" and I'm led to believe at least one couple is banging semi-onscreen well into season 4 (it has 4 seasons???)

NBC - Chicago Med 🔥, a procedural show not about teenagers and seems to have a least 1 couple with sexy scenes (the other Chicagos air at 9pm and 10pm) and I saw lap sitting for a hardcore makeout for the other couple!!!!! TIM TAKE NOTES!

NBC - Superstore 🔥, a half-hour comedy that played at 8pm on NBC, did have at least this one cut-away sex scene

So 2 teen shows, 1 procedural and 1 comedy all had something in the way of "sex scenes" while airing at 8pm.

But what if Fox the network is the sex-scene-killers??

Apparently Fox literally has only 5 scripted dramas of which the 911 is one and the others are:

The Resident 🔥🔥, a medical drama that plays at 8pm as of season 2 (9pm for season 1) and the main couple seem to have several sex scenes, but interestingly from what I can glean from YT, they may have stopped after s2 (though the couple stays together until at least s4 from what I can tell)

LA's Finest 🚫, a rebroadcast through Fox, it airs at 9pm and YT didn't show me any sexy scenes

Fantasy Island 🔥🔥 which plays at 9pm and looks to have sexier content based on the trailer

911: Lone Star 🔥🔥🔥 which plays at 9pm. Tarlos have had like 2 heavy makeouts/implied sex scenes plus a pretty hardcore-for-tv sex scene in the s2 finale

So it seems like even for Fox, the 8pm timeslot isn't necessarily what's vetoing the sex scenes in 911. But just to hammer that home, I did even more researching into the watershed hours, which is apparently the designated time broadcasters can show sexiness, but in the US that's 10pm to 6am so if the restrictions were such that they couldn't show any sex scenes before 10pm, Tarlos wouldn't have gotten that finale action (thank you, IRL bff who watched 911LS so I didn't have to!)

TL;DR - a summation of our findings

The 8pm timeslot is not the sex-scene-killer I once thought it was (see: all them filthy shows)

911 being a cop show is not a sex-scene-killer (see: dramas, procedurals and comedies all had sex scenes)

Fox is not anti-sex in their 8pm scripted dramas in general (see: The Resident)

Fox is not anti-sex homophobically (see: Tarlos, Hen/Eva)

However!! There seems to be a somewhat weird, somewhat isolated trend of Fox shows either cutting off or tapering off sex scenes (see: 911, The Resident) after 2 seasons or specifically after 2019.

So what are the theories (from least to most favourite)?

Theory #1 (Buddie loses 🚫): "Something" happened at Fox in 2019. The Resident is the only true analogue to 911 as it's also on Fox, also premiered in January 2018, also started at 9pm but was moved to 8pm (in season 2, not season 3 like 911). If my very brief googling can be trusted, The Resident saw a lot of sex scenes in season 2 (at 8pm) but after 2019 there isn't much to write home about. That lines up with what we've seen in 911. If something happened internally at Fox that changed broadcasting guidelines for 8pm, then canon Buddie will not get sex scenes unless the timeslot changes back.

Pros: It would be a hell of a coincidence wouldn't it?? Both shows airing around the same time, both stop showing sex scenes around the same time???

Cons: It's pretty weak, I can't find anything that supports "something" happening in 2019 that would affect an 8pm timeslot but not the 9pm one.

Theory #2 (Buddie loses 🚫): Sex as a short-term sales tactic. Fox uses sex in the first two seasons of shows to boost ratings and get people hooked because sex sells. But then, for whatever reason, they taper it off. If so, Buddie being canonized would not produce any sex scenes as we're far removed from season 2.

Pros: The Resident and 911 both stopped showing sex scenes after season 2 from what I can gather

Cons: If sex sells, why wouldn't it keep selling all the way to the bank?? There's no reason to stop something that's working.

Theory #3 (Buddie wins 🔥): Actors are the roadblock. Fox is fine with sex scenes at 8pm but the actors aren't comfortable! If so, Buddie sex scenes could be in the cards as both actors have had on-screen sex scenes previously.

Pros: Angela Bassett, Peter Krause and JLH are bigger names and they presumably get to not get naked on screen or simulate sex scenes if they don't want to. Aisha Hinds as a (criminally) smaller name wouldn't have had that kind of leverage in season 1, nor would Ryan Guzman in season 2? And Oliver Stark knew what he was signing up to to play a self-diagnosed "sex addict" so.

Cons: This is absolute, complete conjecture. I have zero idea what each of their comfort levels with sex scenes are or how that might relate to the writing/direction of their characters.

Theory #4 (Buddie wins 🔥): Stable canon relationships kill sex. Fox dramas use sex only pre-maritally to build relationships and the network or the showrunners/writers decide it's not as important once characters are in stable relationships/married. If so, we will get Buddie sex scenes as their canon relationship develops.

Pros: The Resident couple did get married post-season 2 I think? Athena stopped having onscreen sex after she married Bobby. Hen had sex but out of her marriage.

Cons: That's dumb, let married people bone. And we technically do have a Madney sex scene, tame as it was (but maybe they straddle of the line of stable but pre-marital???). Also if sex = building relationship, EddieAna have been excluded from that formula oops 😌

Theory #5 (Buddie wins 🔥): We're overthinking all of this. There hasn't been sex scenes past season 2 because the stories haven't called for it but when it does, such as the start of a new relationship, then we'll get some!

Pros: We haven't had any "new" relationships other than EddieAna since season 2 and their lack of intimacy is a glaring reminder they aren't well suited - they're not boning for plot reasons. While not strictly meeting the aforementioned definition of a "sex scene", we could use Albert coming out of Veronica's shower as a use of sex-as-relationship-building.

Cons: That's dumb, let married people bone, the sequel. Especially since HenRen is criminally neglected in terms of development and could use a fun playful sex scene.

So what have we learned?

Should Buddie go canon, 3 theories indicate we'd get some sex scenes for them, and only 2 say we wouldn't. The odds are in our favour. 🤡

I will do literally anything to procrastinate writing this damn fic that's been tormenting me for weeks. Please someone, anybody...send help...