#painting (we were doing a painting activity) and he was just like so? mean and hostile

[jaaklops]

so. the s2 intro sure is something huh

i was rewatching it and i found a LOT of symbolism in just the shots alone and im not good at analyzing so be warned

spoilers for s2 act 1 ahead! now you’ve been warned for that too

so first we start off with vi and jinx. vi rubs off the tattoo on her cheek or smudges something on it; she’s losing herself/her real self is buried in the grief and anger she feels after losing jinx during the battle, and now losing caitlyn. vi remains sitting, lingering in her emotions, while jinx stands up, and i read this as her standing up to be the new symbol zaun needs like sevika told her. vi, with her head down, is left behind while it focuses on jinx

new shot to ekko. he’s still. not moving. he’s off in the distance, not really involved at the time. he is standing in the other side of where jinx was,, maybe this signifies how far apart they are now??

second picture, he’s more active, he’s up front. it doesn’t seem like hes a major part right now but when things start to pick up he’s going to be involved

i honestly don’t know about this one but if you have any clue than do assist

cut to viktor. he’s in a cloak, picking up and holding a plain white mask. he’s becoming this god like figure who can heal the suffering (those who don’t show their true faces..the mask?) and he believes this is his new destiny. there’s light from above

later in the intro he is about to put on the mask/looking more closely at it. by now the light is gone, and it’s only coming from the mask. maybe he puts all his motivation into taking the suffering away from these people and that’s all he can see..and then jayce steps in.

(jayce/viktor’s arcs are still gonna be close together even though viktor leaves)

cut to ambessa. her face is covered by darkness and its overall just a bit dim. she’s holding a black rose and black petals are behind her. she makes no move to pick them up, instead leaving the mess for someone else. she planned the attack at the memorial in secret, and she gives power to caitlyn when in reality she’s the one pulling the strings.

in this she’s relaxed, and it looks suspiciously similar to a painting i’ve seen before but i DON’T KNOW WHICH ONE omg

cut to caitlyn. she’s almost entirely shrouded in darkness, with the exception of a bit of light in front of her face. she looks down, away from it, and she looks almost annoyed by it—her spiral into madness(i think we can call it that?)

her back is facing what looks like a curtain, and then she looks up, as if facing an unseen crowd, much more pulled together than what she was just a second ago. signifies her pulling herself together to lead piltover.

assuming it’s a stage though, shouldn’t she be at the front?

it’s very…very. that the shot of ambessa and this shot of caitlyn were put right next to each other ykyk

gonna be so honest i have no idea what this one could mean…very vague

intimidating shot of ambessa holding a black rose—the rose is the focus, while ambessa’s face is blurred. perhaps symbolizes piltover and how they’re in ambessa’s hands, not whoever the piltovians think is leading them. of course they don’t really know that, and they probably won’t until later in the season

MELLL ok for a while i too wondered what some of that even meant but then i was like WAIT.

in the first picture mel is surrounded by hands we only see in shadows. this is maybe to communicate the pressure mel feels from her mother and how it’s closing in on her all at once/she’s struggling to come to terms with everything thats happened, and now she has to deal with ambessa scheming and she wants to dismantle it, since she knows first hand just how ambessa is and she doesn’t want piltover to face the same fate

in the second picture, she’s breaking free from the hands around her and standing up for herself/fighting back

in the third picture she finds herself where ambessa once was. there’s much more light here, and the black rose (maybe still symbolizing piltover?) lays beside her. the black petals ambessa left behind are going away with the wind..l ambessa is defeated

cut to jinx again. she’s becoming fully realized as the new symbol of zaun, one that neither vander nor silco could be. waving the flag even though it looks just a tad too big for her

pretty self explanatory. caitvi’s arc

unless?

in the first picture it almost looks like vi’s staring into a mirror but no, they’re standing right in don’t of each other. neither vi nor caitlyn can see each other eye to eye, with both of each other’s emotions flying

they come to embrace but they almost seem to be thrown apart by an invisible force or pulled away from each other. so close to understanding each other but so far at the same time

ok now this i LOVE this one. see on another post that the second picture is a reference to macbeth and i just MWAH.

also pretty self explanatory..caitlyn’s arc

first picture, she’s spiraling absolutely losing her shit. pretty close to what we saw in act 1 except we were never showed it to this degree. a mental picture. she’s trying to pull everything together so she can be the leader she’s been appointed to be but she just can’t

second picture is said macbeth reference. also symbolic to her being blinded by her tunnel vision of revenge. she’s grieving you guys :(

third picture, her eyes are open and she’s looking at us like she knows something she didn’t before. it’s a realization and it’s definitely gonna be something surprising

—

hoo boy that was a doozy

honestly guys i do not know how to analyze well so i will say now that this sucked☠️but its been bouncing around in my head for a little so maybe someone can see this and make something wayyyy better with it

and besides its early in the season so this is probably all wrong😭

[f1-stuff]

You mentioned omegaverse in the surreal DC reblog where he’s commenting far too much on Charles’s smell lol and it made me wonder if you’ve ever considered writing omegaverse Charlos? Do you have any interest or not so much your thing?

Love your work <33333

Hello! ❤️ I didn't used to be into omegaverse very much tbh, but something clicked in the last couple years and I started to vibe with it a lot more. I actually did start to write an abo charlos fic, that's also a Victorian-era royalty arranged marriage situation (woo that's a mouthful 😂), but I haven't added much to it in a while...

The funny thing is that I find myself forgetting it's abo while writing bc there's so much else going on, and then I have to throw in a line about someone's scent asghfjlslsdk. But anyway, I'm gonna share a little more of it now just because I feel like it's been a while since I posted a fic or a snippet...

“Charles.”

Impatience has crept into his mother’s voice by the second utterance of his name, and yet Charles still takes the time to finish the page he’s reading before clapping the (dreadfully boring) book shut and looking up at her expectantly. As usual, she doesn’t look particularly amused by his stubbornness.

“Charles, I was thinking that perhaps you and I should stay away from the palace for an additional month or so.”

“What?” he frowns. “Why?”

“To rest,” she suggests. “It’s been a very tough week, and you still don’t look well-”

“Maman,” he sighs, rubbing his temple where a headache is starting to form. Of course, he won’t tell her that. “I feel fine. And I’m ready to go home. We already missed Uncle’s birthday. We are not missing Papa’s.”

His mother doesn’t reply. It’s not the first time she’s brought it up, and it won’t be the last, but Charles isn’t losing this particular argument. Not even if he has to escape back to the palace himself. A week away from his father in his poor condition is already too much to bear, let alone the prospect of more time apart.

Charles and his mother’s retreat to their country residence had been unavoidable. The ‘very tough week’ in question is Charles’ heat, which had been brought on early due to the stress he's been under, caused by his numerous advisors' renewed efforts as of late to convince him to sign the regency order. No doubt they’ll be hoping that now, weakened by five days of fever and delirium, he’ll feel further compelled to relinquish his power to a regent in the event of his father’s death before he’s come of age.

It’s never going to happen, and his mother doesn’t need to try to protect him by hiding him away for a month either. She, along with everyone in that damned palace, treats him delicately enough as it is. Ever since he’d presented around eleven years old, he’s been wrapped in cotton wool. But just because he’s an omega doesn’t mean he isn’t perfectly capable of standing up for himself. In fact, he can’t wait to be free of the silly protective measures that were put in place almost seven years ago. The moment he’s crowned, he’s doing away with all of it.

“Really, Charles. I hope you’re not upset we had to come here. You know that it’s for your own safety-”

“Yes, maman, I know,” he interrupts, then sighs and aims a small smile her way to soften his exasperated tone. “I’m not arguing that. But I don’t need any more time to recover. It isn’t as though I do much more than this in the palace, anyway.”

Reading books, painting, playing piano and chess - there isn’t much more that he’s allowed to do. The other activities that his brothers partake in, like horse riding and archery, aren’t permitted for him, nevermind that he performed them just fine before he’d presented. That argument has never worked to convince anyone to grant him allowances because it’s not really about whether he’s capable.

“Well...if you’re certain.”

“I am,” he says, firmly. His mother nods.

Good. That’s settled, then. She speaks again before he has a chance to reopen his book.

“The other thing I’ve been meaning to discuss with you - your uncle has invited the Sainz siblings to come and stay at the palace. You met their two eldest when you were very young, but I’m sure you don’t remember.”

“No,” Charles confirms, intrigued. “Who are they?”

“Their father is a Spanish duke, and his son, Prince Carlos, is just a few years older than you. Unlikely that he will ever inherit the throne, but it is a distant possibility.”

Ah. So a marriage prospect, then. Charles bites back a sigh. From one prison to another.

“You should get to know him better,” his mother says, reading his expression.

“Why?” he asks, just to be difficult. He knows very well why.

“Because. Your Uncle Thierry thinks it’s a good idea.”

Well, if his uncle thinks it, then so it shall be.

Charles sinks further into his chair, grabbing the book he’d set aside and reopening it pointedly. His mother takes the hint. (The book may be a dull one, but at least it serves its purpose as a conversation ender superbly.)

****

“Monaco could be a very important chess piece in future conflicts,” Caco explains, leaning against the table to address his young cousin. “It is under the military protection of France, and having the force of France at our disposal could be instrumental in quelling potential unrest.”

Carlos Junior looks up at him from his seat at the desk, notes of skepticism in his expression. He doesn’t make an objection just yet - his cousin would not be telling him this unless it had come from his father directly.

Caco sets down a piece of paper in front of him. It’s a drawing of a young man who can’t be more than eighteen, his boyish features evident even in sketch form. The other thing that is undeniable is his beauty, a sense of mischief and innocence dancing in his eyes that has Carlos wondering if it’s a faithful representation.

“Is he this pretty in person?”

Caco simply gives him a look, not dignifying that with a response. “That is Prince Charles, heir apparent to the Monegasco throne, seventeen years old. In the next few weeks, you will study everything there is to know about him - his favorite novels, plays, composers. You will brush up on your French-”

“Wait, wait, cousin,” Carlos interjects, blinking in confusion. “What does a prince have to do with me?”

“That omega...” Carlos’ gaze shoots up to his cousin, brows raising. “...has everything to do with you.”

Ah. That changes things, indeed.

“As I was saying,” Caco continues, sighing. “In order to keep the prince safe, he’s been kept sheltered from his father’s court for years, ever since he was a boy. Thus, when he does make a rare public appearance, such as at the opera or ballet, his mere presence causes quite a stir.”

Carlos’ eyes return to the paper in front of him, his gaze tracing a path over the prince’s nose and settling at the elegant curve of his lips.

“You must win his favor before anyone else has the chance,” his cousin says. “The first visit in a few weeks’ time will be vital. We can afford no mistakes. But always remember, you are first and foremost a Sainz. Do not forget the reason behind all of this, no matter how ‘pretty’ his face.”

Carlos tries to bite back his smirk, but likely fails from the look his cousin sends him.

“Charm him, Carlos. Make him smile. God knows you are good at that. The rest will be up to fate.”

[pathologising]

what do u do for work?

im an activities coordinator for a resort (but that might be changing soon) so i do all the very fun activities for kids and adults! its a blast, and the regulars are like family (if i get this new job im gonan miss them !!!!!!!!!!!!!!) and usually our activities have a small fee (max of 15$ for a more complex activity like tie dye shirt making) to keep us going.

it says it on the activity schedule they give out when you check in, but of course some people are just a bit self-centered and assume its free + they dont have to even acknowledge us.....it doesnt happen too often most people loveee making conversation and hanging with us but it pisses me off because like im standing right here dude at least say hi

[niqhtlord01]

Humans are weird: Never prank a Human

Alien: So were you able to get back at the captain?

Alien 2: I don’t want to talk about it…..

Alien: What do you mean?

Alien: Last time you were here you told me that you found out that the human was afraid of “clowns” and had just ordered an outfit to wear and scare him with.

Alien 2: It did not go as planned.

Alien: What; did you not scare them?

Alien 2: Oh I did.

Alien 2: Waited in his quarters and then when he was just about to lay down in bed I jumped out and scared him before running out of the room.

Alien: Alright, mission complete.

Alien 2: I had just made it back to my quarters when the intercom activated and the captain spoke.

Alien 2: *Imitating human captain “All crew, all crew; we have a code clown, repeat, we have a code clown; this is not a drill.”

Alien: Wait, humans have a code for that?

Alien 2: Apparently.

Alien: But aren’t they silly humans wearing makeup and silly clothes.

Alien 2: Nope.

Alien 2: Turns out “Clowns” are intergalactic beings that feed on humans and try to lure them away from their packs with their bright outfits and silly faces.

Alien: Oh gods.

Alien 2: Next thing I knew bulkheads were sealing left and right and armed patrols were conducting a room by room search.

Alien: Shut the florp up.

Alien 2: I watched through my doors peephole as they dragged my next cabin neighbor out kicking and screaming as they found white face paint amongst their belongings.

Alien 2: After that everyone onboard was removed from their cabins and placed in the main hall before it was sealed off.

Alien 2: The captain came out with a row of armed guards on either side and demanded whoever was harboring the clown step forward at once.

Alien 2: When no one did the captain became angry and said he would begin interrogating people until he found the culprit. Any who were found guilty would be sent out the airlock.

Alien: This all seems rather unlike humans.

Alien 2: I thought so to.

Alien 2: Yet it seems to stem from their great fear of these clown like beings.

Alien: What happened next?

Alien 2: The captain led people one by one into another room before coming back for another person.

Alien: What happened to the first person they took?

Alien 2: They never came back….

Alien: Dear gods….

Alien 2: One by one the entire crew was hauled away until it was just me and the captain.

Alien 2: He asked me, *Imitating captain “Are you a clown?”

Alien 2: I said “No sir.”

Alien 2: They said “Have you helped a clown board my vessel an place us all in jeopardy?”  

Alien 2: I said “No sir, I would never.”

Alien 2: He said “I know you’re a lying sack of froth shite and you’ve just dug your own grave. We searched your room and found the clown suit!”

Alien 2: I said “There must be some mistake!”

Alien 2: He replied “I don’t make mistakes boy; and now your time has come to pay for your crimes.”

Alien 2: A pair of guards came over and began dragging me to doorway I assumed was the airlock intent to shoot me out of it.

Alien 2: I kicked and screamed and begged but they threw me in and locked the door behind me.

Alien 2: I heard the countdown timer begin as the captain leaned in and laughed at me as I started banging away at the door.

Alien 2: The timer reached 0 and the opposite door flung open as I prepared myself to die.

Alien: Well I take it you didn’t die since you’re right here telling me this story.

Alien 2: I was greeted by a laughing throng of guests standing around on our destination planet.

Alien 2: It seemed we had landed the night before and the captain had failed to inform the rest of the guests.

Alien 2: He had known it was me in the clown suit and had pulled each guest aside to get them onboard with his revenge prank while making me believe they had been flung out an airlock.

Alien: Wow. That’s fucked up even by our standards.

[anadiasmount]

night in - jb blurb.

warm bubble feeling burns your chest as you feel jude place a kiss on your temple, sitting right next to you on the floor, placing your hot drink next to his. “you’re having way to much fun on this,” he teased, resting his chin on your shoulder, while looking at you intently as you finished the second bag of the moana’s flowerpot legos.

“i fear i’m having way too much fun,” you joke back, clicking and connecting the small lego. “you realize these are made for nine year olds right?” he pushed further, helping you separate the legos in piles so you could find the legos easier. “so? i don’t complain when you play fifa at your grown age? screaming like a little girl when you unpack a player?” you defend watching jude open his mouth in shock, a glimmer of surprise in his eyes.

“i’m glad we stayed in. i haven’t seen you much lately and i didn’t want to have just dinner and the call if a night. i love these little moments with you, d’you know? our playlist playing in the back, some baking, maybe cooking? but definitely how i have you all to myself…” jude says, his hand running up and down your spine, making you spin and face him directly where you brush a tamed curl back to already done hair.

“sounds like you just want to keep me for yourself?” you say watching how jude is ready to explain and yap but you cut him off quickly. “i’m kidding. i love staying in dates. especially around this time of your when your season is beginning to get hectic. believe it or not these dates have so much more meanings to when we’re out. i get to see a side of you only i can experience and see, and im so incredibly grateful for that. for you,” you smile leaning into his side where jude shyly looks down.

“don’t get shy with me mister.”

“oh like how you get shy after we-”

“okay so that’s like completely different?” you laugh dismissing the idea that was brewing in his head. “also i get to play house when i’m here. look at this place! the kitchen? the pool? the garden? the garden is my favorite we’ve grown so much in just under a year!” you say excitedly, giving up on the lego set, as now all you wanted was to be next with jude. to feel his safe embrace, his scent, to feel the comfort only he can give.

“those damn bunnies ruined it at first, i swear i was going to insane. i just know they were doing it on purpose after one stared me down as it ate the cherry tomatoes!” jude reclaimed, leaning back against the couch, bringing you to his lap where he traced your bracelet and the tiny tattoo on your thigh. the one of many you had, but this one was jude’s favorite. you didn’t have to tell him, but he could tell it was meant for him.

“to be fair you tormented that poor thing,” you recalled, thinking of the endless possibilities jude did so he could get rid of the bunnies in a happy manner. “it got what it deserved,” jude shrugged, taking a sip of mug, offering one of the infamous pumpkin pilsbury cookies to you.

“what else is on your fall bucket list?”

“we’ve done mostly all besides watching scary movies, visit a pumpkin patch and get a couples costume for trent’s party soon. besides that we’ve knocked everything else out,” you say cheery, the sense of joy never leaving you, knowing you were able to cross off and completely those wishes. “what has been your favorite activity yet?” he asked, tugging on a tiny string from your knitted sweater.

“probably decorating your house for the fall, since it was way to white… that or when we painted the pumpkins with the little kids,” you spoke softy and gently. watching jude’s eyes crinkle from paying attention to remembering the beautiful memory. “i really enjoyed that too, but nothing could beat fright fest,” jude laugh making you shake your head rapidly. t

“jude! i still haven’t forgave you for that! you take us to apparently a theme park and then walking in, there’s horror everywhere. especially those damn clowns…” you say, a tint of nervousness as you spoke out loud. “but i made it up to you,” he pouts, leaning up and pulling your face closer to his. “i won you a plenty stuffed animals and went downstairs for a week to get a glass of water. i was your protector.”

“you always are,” you hug him, your fingers grazing and tracing his ears down to his. “the beard has grown on me. you look very manly,” you say, his hairs tickling your palm. “i was thinking about shaving it soon,” he says, feeling completely relaxed as you touched him. it was that effect you had on him and he loved that so much. no feeling or person could make him feel the way you felt.

“nope. it will take too long for me to get used to,” you deny shaking your head as jude chuckles, grabbing your thighs and placing you on your back, jude not holding back from his physical touch. peppering kisses on your forehead, nose, cheeks, your lips then down to your neck where you had another tattoo. your weak spot. “stop it, i know what you’re trying to do and it won’t work,” you warn.

“i’m just trying to show you my love and affection,” he said sarcastically, playing with the fabric on your chest, as he had layed his head gently on you. “yes but you have two meanings towards that… your mom is also right upstairs…” you whisper the last part, afraid of speaking to loudly. this was her house as much as it was his as well. he sighs, accepting defeat and pulling you closer to him. not before pulling you into a kiss that made you want to say fuck it. that damn kiss that forever leaves you breathless and wanting more.

“we should watch a horror movie,” you try to say between his kiss but jude was to focused on you. how you kissed him. how you tasted. feeling weaker but also stronger than ever. “no,” he stoped, this time flipping you over so you could lay on his chest.

“right i forgot. you’re a scaredy cat when it comes-”

“no i’m not! i just don’t want to bring any bad energy in my house,” he cheesed hardly, looking up knowing you were giving him a “are you serious look”.

“the best i can do is watch the nightmare before christmas. take it or leave it,” he shrugged hearing you laugh. “works for me, i’ll hold you tight so you don’t run off,” you teased, jude gasping. “listen the movie is already creepy as it is… especially that little scientist,” he shuddered.

after cleaning up and putting away any mess and cleaning the dishes, instead of traumatizing your tall boyfriend, you settled with his choice of movie. happy either way since you knew jude loved showing you his collection of favorite old films. another part of his love language towards you. you couldn’t count how many times, not just with movies, but items, people even, that meant so much to him.

“are you sleepy?” you whisper, jude nodding. “i am but i want to stay up because i want to spend all the time i can with you,” he yawned, kissing your head. “i can stay the night if that’s okay with you and your mom,” you suggested knowing jude would be immediately agreeing. “my mom adores you and you know she would rather have you stay than leave so late, especially me,” jude said, his thumb drawing circles on your hip.

“i’ll stay,” you smile, cuddling closer to jude as he looked down and smiled. not holding back from taking a picture and posting it, with an old school r&b song. soft launching you once again to the world. which you didn’t mind. “hey, why aren’t we shark boy and lava girl for trent’s party? or-” jude said abruptly.

“i’m leaving.”

“wait no!”

[birdiewriteslit]

omg omg i would LOVVVEEE if like [reader] and luke were dating behind percy’s back cuz of how sassy he would be n stuff but after like a date or kiss from luke the reader would gush about it to either annabeth, grover, or clarisse and one of them tells percy by accident during a convo and then percy like goes up to reader and confronts the reader about it and like scolds the reader and give them a whole lecture about how luke isn’t the right guy then luke overhears and like joins in <333

i love this idea!!

luke castellan x daughter of poseidon!reader

warnings: persassy (once again), fluff, mention of kissing, ignorance of the plot of the show for the sake of my happiness

nobody: me gaslighting myself into thinking i could fix luke:

You and your boyfriend had an agreement. Your relationship was private. It wasn’t necessarily a secret, but it was private.

This was a conclusion you came to before Percy arrived at camp, before you knew you had a brother. At first, you didn’t care much if he figured it out.

That was until you realized what a sassafras he was.

Percy was always sassing you about chores, about activities, and especially about camp boys.

You thought it was cute in the beginning, your little brother being protective over you, but then it became a real nuisance.

“Y/n, stay away from the Ares boys, I don’t like them.”

“Y/n, don’t date an Apollo guy, he’d write you some crappy poetry.”

“Y/n, for the love of gods, stay away from the Dionysus twins, I never want to have Mr. D as a relative.”

These were the types of things you would hear throughout the day as Percy got to know the other campers better.

You thought it better if you kept a low profile when you were around Luke, at least until Percy calmed down a little.

Most of the older campers knew about your relationship, but they were used to it and rarely talked about it.

“Having marriage problems?” Annabeth asked you one day during arts and crafts, where you were both about to give up on your ugly collaborative birdhouse.

“What? I’m not married,” you said, trying to fix a particularly garish looking bird.

She set her paintbrush down, officially proving she was over it. “Obviously. I mean Luke. I noticed you haven’t been around each other as much.”

You could tell she was a little worried. She wouldn’t be asking if she wasn’t. Annabeth had known you and Luke longer than any other campers, and she looked up to both of you. Plus, she always wanted to know about your experience with romance.

“It’s not what you think, Annabeth. We’re really fine,” you said. “In fact, just last night, he took me out on the dock.”

Your nightly meetups with Luke had always been a thing, but had become more frequent as of late.

“And?” Annabeth prompted.

“And, we hung out.” You were now furiously painting over the entire bird you failed to fix.

“You mean you made out,” she said, giving you a knowing look.

“Well, yeah, but I didn’t think you were interested in that part,” you said. “Now pick up that paintbrush, missy. I’m not doing this whole thing myself.”

Annabeth reluctantly dipped the brush in some blue paint, looking like she wanted more details about your date.

Private means private, you thought dismissively.

At campfire, you discovered that private didn’t mean private. You were sitting alone when Percy plopped down next to you. You frowned because you were saving that spot for Luke.

“Annabeth has just told me something very interesting,” he said, glaring at the spot where Luke stood, talking to one of his brothers.

“What would that be, Perce?” you said absentmindedly.

“Apparently Luke was macking on you last night.” He made a sound to imitate vomiting.

You grimaced. “Please never say that word again.”

“So? Is it true or not true?”

You sighed. No point in denying it now. “It’s true.”

Percy somehow managed to look even more disgusted. “Ew, why him?”

You rolled your eyes. “Oh, gee, I don’t know, maybe because I’ve known him for years, he’s kind, strong, and handsome. Wouldn’t you think that had something to do with it?”

“Oh, gods, forget I even asked,” Percy said, retching. “I just think you could do better. Look at all of these lovely candidates. Apollo guys are poets.”

“I thought that was too cringe for you.”

He ignored you and went on, “A Hephaestus guy could forge you some nice jewelry, and Athena guys are smart. You deserve a smart guy. Not Luke, no, he doesn’t have any good qualities like that.”

You noticed a figure approaching you over Percy’s shoulder, and you tried your best to hide the amused smile threatening to break across your face as Luke came to a stop behind him, waiting for the right moment to interrupt.

“All in all, Y/n, I think Luke’s a pretty bad guy for you. You should really reconsider.”

“Oh, I’m a bad guy, am I?” Luke finally spoke up, smirking as Percy slowly turned around to see him peering down at him.

“Not like a bad guy- just, you know, not right for my sister,” Percy said, his confidence leaving him.

“What makes me not right for her?” Luke asked, clearly loving the reaction he was getting.

“I- uh- you know,” Percy stammered.

“Oh, knock it off, Luke. Leave the poor kid alone,” you said, failing to hide your laughter.

“That sound is music to my ears,” Luke said seriously. Jeez, he was really laying it on thick.

Percy’s face returned to the look of disgust. “I’ll be leaving now,” he excused himself, hurrying off to where Grover and Annabeth were sitting on the other side of the fire. You could still see him glaring at Luke as he sat down next to you, wrapping his arm around your shoulders.

You leaned into him, relishing in the combined warmth of the fire and his body heat. “What do you think? Am I getting sassed out tomorrow?” Luke asked, looking down at you.

“No, he looked pretty grossed out. I’m hoping he just avoids the topic altogether,” you said, trailing your fingers over the fabric of his shirt.

“We both know that’s not going to happen,” he concluded, smiling as he pressed a soft kiss to your temple.

[bomber-grl]

Hiro x Drop dead gorgeous!reader

Pairing(s): Hiro Hamada x Gn!Reader

To say you’re good looking would be a severe understatement and everyone knew it

Even hiro had to admit that when he first saw you he had to take a moment to collect himself

Which only got worse when you got introduced to him and became part of the group

And of course, you eventually started dating

Hiro never said it out loud but DAMN

Seriously, you’re really good looking and even if he tries to act non chalant it was getting more and more difficult to ignore

He was always reminded of it too

You’d be walking to the bus station or maybe just walking back to the lucky cat cafe

But either way people would always be staring and those who were bold enough actually approached you to compliment you

Hiro was used to it, I mean he knew and everyone knew so it wasn’t some elaborate secret

But he did get jealous occasionally

Even if he tries shrugging it off more for your convenience

You’re obviously with hiro because you absolutely adore him and unfortunately you’ve been oblivious to his jealousy

That is, until you both are standing by waiting for honey lemon and the rest of the group while at SFAI

You’d just been chilling and goofing off like usual when a presumably student approaches you two

They completely ignore hiros presence and aim for you

They immediately ask for you to be their muse for their paintings and the other asks if you’d do the same but for their photographs

Eventually the group arrives and they (especially gogo) shoos them away and the rest of the evening continues

But it isn’t until you’re walking back to the lucky cat cafe after getting off a bus that some rando was near by and approached

Same old same old

But it was different, the person asked if you’d like to join their company and who knows what really

In the end they handed you a card for a modeling company and when you turned to a very confused hiro and explained how this was one of many cards you have in your drawer back home he was flabbergasted

I mean not only did you catch everyone’s attention and made hiro feel excluded by that but also making him feel insecure

Yea, actually shocking

You could tell hiro wasn’t in the best mood once you got back to his room and when you ask he just explodes

Not at you- just in general

He goes off on how he feels and his cheeks flush and angry red when he begins to explain his jealousy in a non direct way

He knew you’d tease him but when you hugged and reassured him instead he already felt better

Enough of the more angst hcs let’s move into the sweet ones

Best believe hiro was TEASED when you two first got together by the group

I mean it was so obvious how he couldn’t even look you in the eye at first because of how good looking you were

It was all just so funny and knowing you like him back made it even more so

Hiro is a menace and we all know how he often is sassy and just participates in gremlin activities

Butttt luckily for you you can use your looks and hiros weak spot for them to your advantage

He loves to tease you

All.the.time.

So when you’re finally able to you do it to the best of your abilities and go all out

He gets absolutely k.o’d

Which he 100% deserves

Honestly most times he’s just unapologetically down bad while simultaneously trying to avoid having you see his red ass face

He’s such a cutie patootie

He’d seriously be upset when some other guy approaches you with the idea of dating you

Doesn’t blame you for it tho

[starcurtain]

Hello! I just saw your latest post and you might have been referring to my ask if it was the one about Ratiorine's differing philosophies or of what philosophies they abide by (existentialism, absurdism, etc) then that's me! If you weren't referring to that I apologize for the confusion. Sending it off anon this time so maybe it doesn't disappear 🥲

Sorry for the ask disappearing the first time; I'm not sure what happened, and I was so sad because I had been carefully holding on to it to answer it! I'm glad you were able to resend.

I do have to say first that philosophy is not my area of expertise, so there may be much more qualified philosophy buffs out there who can answer this more accurately than me, but I'll give it a go with my personal understandings of the characters:

First, Ratio is the easier of the two I think. As many people have said, he's a good fit for existentialism. His entire shtick is basically believing in the power of the individual to improve and enrich their own life, to fight valiantly regardless of the hardships imposed by their life's circumstances, and to make themself into a better person by their own choices.

It's important to underscore that this means Ratio believes in self-determination, in the idea that people's lives are not foreordained but are actually actively shaped each day by personal decisions. Therefore, people have inherent freedom to decide the course of their own lives by accepting what they approve of, refusing to accept what they disapprove of, and harnessing their own individual power to ultimately achieve self-actualization.

Essentially, Ratio works under the impression that life is not guided by something as intangible as destiny, and no matter where you start off in life, what ultimately happens to you is within your control (or at least within the control of whoever controls you). This is likely a small part of why it grates on him so badly that he wasn't recognized by Nous, because the fact that one can dedicate everything to a goal and still not achieve that goal runs contrary to his central philosophy.

If he believes that people have the power to determine the course of their own lives, then what does it say about him, who fought so hard to do exactly as he claims even idiots can do--seize control his own fate--and yet didn't succeed? Are there some things outside of man's power? It's enough to make even a renowned doctor question himself, and Ratio decided to come out on the side of "It's a personal failing, not a flaw in my philosophy." He literally said "Skill issue" to himself.

Changing tack a tiny bit here, I think it's also important to emphasize that there is a difference between existentialism and nihilism even though these philosophies dovetail. Again, I'm not an expert in philosophy, so my understanding is very limited, but the basic idea of existentialism is that "existence comes before essence"--that is, things start as a blank slate and gain nature and meaning after the fact. We are not created by some grand design, nor is there any inherent "purpose for living." Things just exist because they exist.

This is where existentialism intersects with nihilism, at the starting point that existence is inherently meaningless. But, in my personal opinion, nihilism as a philosophy fails to move beyond that. Pure nihilism is ultimately self-defeating because it leaves us with no motivation to commit to growth. It's a philosophy antithetical to the continuation of life as we know it. Existence is meaningless and any meaning you personally derive from existence is also meaningless, so why bother attempting to derive any meaning at all? This complete apathy is the Device IX that Star Rail paints as so dangerous.

And Ratio is not this way at all. His philosophy absolutely reaffirms that life can have meaning, so long as people create that meaning for themselves. He simultaneously asserts that anything that people create is not meaningless ...which basically means that meaning itself cannot be meaningless. (If that makes any sense to anyone.)

Frankly, I would argue that this philosophy may be a core part of why Ratio has not been recognized by Nous so far, rather than simply his "being a good person." (Nous is a robotic AI super-computer, why would THEY care about the presence or lack of human empathy?) Ultimately, Ratio's central philosophy about people being capable of determining their own fates and purposes also applies to his understanding of knowledge--knowledge is not something which is inherent in certain beings from birth or limited to the purview of the "special" (geniuses), but is attainable by all people. People are not "born talented" or "born untalented," they are simply "educated" or "uneducated," with the only barrier between these categories being one's own personal willingness to change. The mundane can become the divine--if they work hard enough at it.

Thus, knowledge is not wealth to be hoarded, but a currency to be spent to enrich other members of humanity.

(By the way, completely random aside--it also surprises me that everyone relates Ratio to Alhaitham from Genshin when they literally have such a glaring fundamental discrepancy in their understanding of the concept of wisdom... But anyway, back on topic!)

Ratio may (sort of) respect the members of the Genius Society, may recognize their incredible knowledge and abilities, but at the heart of the matter lies a single all-important question: Does Ratio even really believe in "genius" as a distinction (other than as a concept to insult himself)? Does he truly believe there is barrier between brilliance and idiocy that "ordinary people" can never cross?

He speaks convincingly about geniuses being different from "the ordinary," but if his core belief is that people have the power to pull themselves up out of despair and achieve greatness through effort and self-development, rather than some form of luck or god-given talent at birth, then... do born "geniuses" even really exist? Is there really an insurmountable difference between brilliant and mundane?

If knowledge is the equalizer of all sentient beings, do we not all have at least the initial capacity to become geniuses?

I personally think this central distinction about the capacity for knowledge among all humanity is the actual deciding factor in Ratio's rejection from the Genius Society, because, at the end of the day... how do you become a member of the "Genius Society" when you fundamentally reject the distinction of "genius" as an exclusive category from the start?

Ratio wants to share knowledge and uplift everyone (even if he thinks most people are starting off at the rock bottom known as idiocy).

His mission is diametrically opposed to the concept of a "Genius Society" in the first place.

He wanted in to the cool kids club because he desperately craves validation and acceptance, but the philosophical values of the Genius Society are ultimately incompatible with his own. In short, he would have to cease to be "Veritas Ratio" to succeed in joining the geniuses.

Okay, okay, back to the original point again, and just one more note about Ratio: Even though existentialism also goes hand-in-hand with absurdism, I don't think Ratio is far enough down the philosophical rabbit hole to believe in the wider definition of absurdism. Although I think he does agree with the inherent meaninglessness of existence, I don't think he views existence itself as truly irrational and the universe as as manifestation of unknowable chaos. I think he'd at least like to imagine that there are some ontological principles and inherent laws governing the operations of reality, and I think he does believe that certain things can be predicted with the application of enough thought... He certainly seems to believe in some form of "objective truth," at the very least.

I think he'd at least like to believe the universe is semi-orderly, even if he might deep down admit this is also wishful thinking.

So, to me he reads as a strong metaphor for pure existentialism, with deliberate rejections to both nihilism's apathy and absurdism's lean toward solely subjective reality.

PHEW, this is already long and I still have a whole other character to talk about... I had more to say about this topic than I thought. Sorry for the long read!

Anyway... Aventurine.

I've seen all sorts of things thrown around for Aventurine's philosophy, and while I think he does inherit a bit of Acheron's absurdism by the end of 2.1, I actually don't think Aventurine is an absurdist, an existentialist, or a nihilist.

I think Aventurine is a struggling fatalist.

He doesn't like it. We see him actively question it, but ultimately, he does come back to the concept of destiny over and over.

First, I think it's important to draw a clear distinction between Ratio and Aventurine: Ratio's existentialism is a philosophy that technically works even in a theological vacuum. Nous doesn't have to exist for Ratio's philosophy to function. Ratio's belief in the self-determination of humanity is, in fact, somewhat opposed to belief in aeons in the first place, and only works because technically the aeons of Star Rail used to be human (or were originally human creations). It's essentially an atheist viewpoint.

But Aventurine is a religious character. Like, he's just... religious. That's a fact about him. Even though we do hear his doubts, at the end of the day, he actually believes in Gaiathra, and believing in a omniscient supernatural being that is not human in origin (is from outside the aeon system) comes with a whole set of philosophical foundations that most aeon-worshipping characters just don't have in Star Rail. (Sunday is the obvious exception here, by the way.)

Kakavasha's like the one practicing pagan in the middle of an atheist convention. Awkward.

Being more serious: Religion requires faith. Faith requires the ability to believe in things you cannot verify with empirical facts. To believe in things you can only feel, never see. The belief that a goddess is watching over you, blessing you, and guiding you requires you to also accept the idea that events in your life are not always in your own control--that some of what occurs to you is decided by powers beyond your comprehension.

In essence, faith requires belief in fate. And that leads to fatalism.

No matter how much he doesn't like it, no matter how much we see him struggle with it, Aventurine does actually seem to believe in the concept of fate. He believes that some events in life are destined to occur, that some things are outside of individuals' control, and that ultimately not everything can be changed.

This is the dead opposite of Ratio's mindset: No matter how hard we fight, how far we push ourselves... in the end, sometimes people fail. Sometimes the only answer to our endless struggles is that we die, as we were destined to, before ever achieving the greatness we sought or the futures we were promised.

As an aside, I don't think faith or religion are necessarily the only factors connecting Aventurine to this particular philosophy either. Even removing theological aspects from the conversation, his extreme focus on the gambling aesthetic suggests a strong connection to fatalism too--if not a goddess, then one's fate may as well be in the hands of luck itself, of the whims of the rolling dice--or the push and pull of "powers that be," those figures of authority in the room where it happens, who make their shady deals according to preset rules and expectations, every bet resulting in an ultimately predictable outcome.

(He keeps gambling and gambling, hoping that he'll get a different result than the one he knows is inevitable...)

This is, of course, an inherently pessimistic mindset, a perfect dark-mirror to Ratio's deep-down optimism. Fatalism puts humanity into a position of powerlessness. All hopes and dreams are given over to the goddess, by whose judgment and whims the actual events of one's life are decided. Pain and poverty are inevitable trials. Suffering and death are foreordained.

And yet Aventurine has to cling to this, as much as he doubts it, as much as he hates the idea that things in his life are beyond his power to control.

Because if fate doesn't exist... If it wasn't destiny, if the tragedies of his life weren't trials from the goddess, if things weren't supposed to go this way... Then every single thing in his life really is meaningless. Everything he suffered, everyone he loved and loss, his mother's and sister's sacrifices, the torment he went through--just sheer bad luck. All of it, completely and utterly meaningless.

How can you convince yourself to keep living, in the face of such supreme and all-encompassing Nihility?

This is the central struggle of Aventurine's character, the actual mental and emotional journey we see him undertaking from 2.0 to 2.1. He is literally on the precipice, swinging between a viewpoint that he hates--his fatalistic belief in destiny--and an entirely self-defeating philosophy--nihilism--whose only possible final outcome is suicide.

This is what his talk with Acheron at the end of 2.1 is all about. This is how she saves him. In that final cutscene, we witness Aventurine reach a mental compromise, managing to finally reconcile his necessary faith in the concept of destiny with the reality that life may truly begin meaningless--but beginning meaningless does not mean staying meaningless, and believing in destiny does not bar you from making your own choices or finding your own purpose in life.

Later on in Penacony's story, we literally see Acheron use Ratio's philosophy to reject the same nihility that crept into Aventurine's:

Acheron wards off nihility's apathy through an absurdism all her own, but one which manages to enclose both Ratio's and Aventurine's otherwise incompatible mindsets: We have no way of ever knowing for certain whether the events of our lives are fated or mere nonsense. We have no way of knowing if our choices are our own or foreordained. But we don't need to know this to find meaning and value in them. Whether life is nothing more than unpredictable chaos or a predetermined pattern of cause and effect, what matters is what you make of it.

Ultimately, I think that this post has really helped me recognize just how well Aventurine and Ratio work as philosophical foils.

They really are perfect opposites.

Aventurine's fatalism is deterministic, while Ratio's existentialism is self-deterministic. Aventurine's philosophy is inherently pessimistic; Ratio's is inherently optimistic. Ratio's philosophy operates on a core belief in the freedom of humanity to decide their own paths in life, while Aventurine hates but does ultimately believe that people aren't really in control, that even if no gods are guiding us, we can't rise above our own natures. Ratio's philosophy makes meaning from growth; Aventurine's makes meaning from loss...

And they both struggle with fundamental doubts in their own philosophies, core questions that are directly tied to their own lives. Aventurine worries that his faith might be misplaced, that destiny might not exist, and that everything he suffered might have been in pointless, empty vain. Ratio faces the crisis of recognizing that his core belief in the power of humankind to determine their own paths and make their own meaning might not actually apply to everyone--because it doesn't seem to apply to himself.

It's literally only by bridging this philosophical binary with Acheron's anti-Nihility absurdist rhetoric that we can reach some sort of healthy outcome. That's why it takes both Ratio's note and Acheron's comments to finally lead Aventurine to acceptance. Ratio probably needs a little bit of Aventurine's "If you didn't make it into the Genius Society, there's got to be a reason" mindset to finally reach some peace with his situation too.

I'm not even a philosophy expert and even I can see that there's really only one takeaway here: These two characters were totally written with each other in mind.

Aventurine and Ratio need each other on core metaphysical levels! 😂

It's so good guys. You can't see it, but I'm making chef's kisses, I promise.

[rhys-writes-some-shit]

"Sing to Me?"

Alastor x Reader (QP)

Yawning, you trudged out of the bathroom, drying your hair loosely with a towel. You were warm from your shower and the filling meal you'd had a little while earlier. Alastor was probably the best chef you knew, a fact you were extremely proud of. Even if your preferred form of protein was banned from the hotel premises, Alastor was always able to make do with what he had.

Despite it being late at night, you grabbed your laptop (a very rare, not VoxTech one) to work on some paperwork. You'd promised your boss to get these spreadsheets done, and you weren't one to shirk on your promises. Yawning again, you tuned your old-fashioned radio before settling down with your laptop. The radio had been a gift from Alastor. Many late nights had been spent listening to his broadcasts. They'd always been a comfort, even before you'd signed a contract with him.

Some light jazz filtered through the static, one of your favorite songs. Alastor knew you were listening. Smiling lightly, you started typing away.

The music was occasionally interrupted by a bloodcurdling scream or a sharp whimper. Your smile never left, humming along while Alastor had his fun. Part of you was vaguely aware that the radio show was now being broadcast all throughout Hell, that you didn't even need the radio, but you liked it, so it stayed on.

The spreadsheets were simple enough. With the radio in the background, you were able to focus just enough that the job came naturally. In the back of your mind, you started going over the next day’s schedule.

You'd ended up zoning out while you typed, not even noticing how the radio switched to static and then turned off by itself.

A single knock preceded Alastor's entrance, enough to break you from your thoughts. You were quick to notice the faint blood splatter on the sole of Alastor’s shoes, the only evidence of his previous activities.

“My dear, you know how I abhor those vile machines,” Alastor reprimanded, walking and starting to subconsciously organize your room. A chair was pushed in, a painting adjusted so it was even, the bottom drawer of your dresser lightly closed.

“Yeah, yeah.” You grinned to yourself. “I need it to do my job, Al. Besides, do you have any idea how hard it is to find a piece of electronic equipment that's not created by VoxTech?”

“All the more reason to get rid of it.” Alastor walked over to the window and stared out at it. He was a little lost in thought himself, it would seem.

Typing a line, you said, “I liked your broadcast.”

“I'm glad.”

He was quiet. Something was wrong. Your grin died down, pushing your laptop to the side. Alastor’s smile was still there, but dimmer. Sadder.

“Al? You okay?”

“Nothing to concern yourself with, dearest,” Alastor replied, a slight edge in his voice.

You wanted to push. To get him to talk to you. But you knew it wouldn't be worth it. If anything, he'd just get upset or shut down more.

“You know, sometimes I wonder what would've happened if we'd met while we were alive,” You said nonchalantly. “I mean, obviously that would've been impossible in the first place, considering I wasn't even born when you died, but I just wonder about it.”

“What a ridiculous thing to wonder about!” Alastor laughed a little. “As you said, it would have been impossible. And why think about being alive when we have all of death to enjoy?” His tone lightened a bit. “There is so much entertainment to be had! Life was quite dull, comparably.”

You wondered for a moment, trying to figure out where to lead the conversation. “Where did you live, when you were alive? You already know where I lived when I was alive, it's only fair I know where you lived.”

Alastor’s grin softened a bit, still sad, but with a hint of happiness in there. Nostalgia, if you had to guess. “New Orleans, Louisiana. I lived there with my mother. I had a delightful job as a radio host.”

“You're still a radio host,” you teased playfully. “What was it like, back then?”

“Ah, it was… entertaining.” He didn't say anything more, lost in thought as he leaned on his cane. You were vaguely aware that you were the only person who ever saw him like this. Alastor wore his smile like armor, guarding himself with a nonchalant facade, but very rarely, behind closed doors, the guard would fall, just for a little while.

Just as you were about to open your mouth to ask another question, Alastor spoke, “You seem quite tired, my dear. Maybe it is time we part ways for the evening.”

Pressing your lips together, you knew he was right. You really should be getting to bed, but you were worried about Alastor. You hadn't seen him like this before, so it was impossible to guess what he'd do once he was alone.

“You really should learn to hide your emotions better.” Alastor turned suddenly, chucking to himself. “There is nothing to worry about, darling. I am perfectly fine.”

“Yeah, you say that, but for some reason I don't believe you.” Stifling a yawn, you gave Alastor a look.

“Now, now, don't be like that.” Alastor came and sat on the edge of the bed, using his magic to set the laptop on top of the dresser. “What can I do to convince you to sleep?”

Leaning back, you thought for a moment. When the idea hit you, your face flushed with embarrassment for a moment, but you swallowed the anxiety. He did ask, after all.

“Sing to me?”

Alastor laughed, causing you to glare. “Again with the ridiculous ideas!” When your face fell subconsciously, Alastor hesitated.

When he didn't say anything, you accepted the fact that it was a ridiculous request. Assuming he'd leave the room on his own accord, you used your magic to turn out the lights as you slid under the covers of your bed. You never did get all those spreadsheets done like you'd wanted.

“Parlez-moi d’amour.”

Alastor’s slightly-static-filled voice was quiet. His eyes faintly glowed in the dark and you watched him with wide eyes.

“Redites-moi des choses tendres.”

Smiling softly, you sank into the bed, closing your eyes and allowing Alastor’s comforting voice to wash over you.

“Votre beau discours /

“Mon cœur n'est pas las de l'entendre /

“Pourvu que toujours /

“Vous répétiez ces mots suprêmes /

“Je vous aime.”

((The song))

[mostlysignssomeportents]

Doublethink sump linkdump

On OCTOBER 23 at 7PM, I'll be in DECATUR, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

Trigger warning for #eikositriophobia: this is my 23d linkdump (Hail Discordia!), an erratic Saturday purge of the open tabs I haven't managed to blog this week; here's the previous 22:

https://pluralistic.net/tag/linkdump/

When I was a kid, I idolized Harlan Ellison. I loved his prose styling, his stage presence, the way he blended activism and fiction, and the way he mixed critical nonfiction with fiction. As a 17 year old, I attended a writing workshop that Ann Crispin was giving at a local science fiction convention and she told me that I had the makings of a great writer, just as soon as I stopped trying to be Harlan Ellison.

But Harlan was a complicated figure. I attended the Clarion Workshop in 1992 specifically because he was our instructor, and came away bitterly disillusioned after he targeted one of my fellow students for relentless, cruel bullying, a performance that was so ugly that the board fired the director and permanently barred him from teaching the workshop.

Later on, Harlan became the kind of copyright maximalist who called for arbitrary internet surveillance and censorship in the name of shutting down ebook piracy. During a panel about this at a sf convention, he called one of the other panelists a "motherfucker" and threatened to punch him in the face. He took to badmouthing me in interviews, painting my position – whose nuances he certainly understood – in crude caricature.

But Harlan and I had many friends in common, people I really liked, and they were adamant that Harlan's flaws were not the whole story: if Harlan liked you, he would do anything to stand up for you, no matter the cost to himself. Famously, when Harlan taught Octavia Butler's Clarion, he demanded to know why she wasn't writing full time, and she replied that there was the inconvenient matter of making rent and groceries. He replied, "If that's all that's stopping you, come live in my guest house for as long as it takes, eat my groceries, and write." Which she did.

Which is great, but also: one of my own Clarion students told me about when his then-teenaged mother met Harlan at a sf convention and told him that she dreamed of becoming a writer, and he propositioned her. She was so turned off that she stopped writing forever (her son, my student, is now an accomplished writer).

So Harlan was a mixed bag. He did very, very good things. He did very, very bad things. When Harlan died, in 2018, I wrote an obit where I grappled with these two facts:

https://memex.craphound.com/2018/06/28/rip-harlan-ellison/

In it, I proposed a way of thinking about people that tried to make sense of both Harlans – and of all the people in our lives. There's an unfortunate tendency to think of the people that matter to us as having their deeds recorded in a ledger, with good deeds in one column and wicked deeds down the other.

In this formulation, we add up the good deeds and the bad deeds and subtract the bad from the good. If the result is a positive number, we say the good outweighs the bad, and therefore the person is, on balance, good. On the other hand, if the bad outweighs the good, then the person is bad, and the good deeds are irrelevant.

This gets us into no end of trouble. It means that when someone we admire slips up, we give them a pass, because "they've earned it." And when someone who's hurt us does something selfless and kind and brave, we treat that as though it doesn't matter, because they're an asshole.

But the truth is, no amount of good deeds can wipe away the bad. If you hurt someone, the fact that you've helped someone else doesn't make that hurt any easier to bear. And the kindnesses you do for other people make their lives better, no matter what bad things you've done to others.

Rather than calculating the balance of our goodness or badness, I think we should just, you know, sit with our sins and virtues. Let all the harm and joy exist in a state of superposition. Don't cancel out the harm. Don't wave away the good. They both exist, neither cancels the other, and we should strive to help more, and to do less harm. We should do everything we can to help those we harm. No one owes us a pass because of the good we've done.

That's the lesson Harlan taught me, and he taught it to me by absolutely failing to live his life this way – a fact that exists alongside all of the good he did, including the great art he made, which I love, and which inspired me.

Not long after Harlan's death, I got a phone call from J Michael Straczynski, Harlan's literary executor. As part of his care for Harlan's literary legacy, Joe was editing a new anthology of short stories, The Last Dangerous Visions, and did I want to contribute a story?

https://www.rollingstone.com/culture/culture-features/harlan-ellison-last-dangerous-vision-1235117069/

Of course I did. Harlan edited Dangerous Visions in 1967: a groundbreaking anthology of uncomfortable science fiction that featured everyone from Philip K Dick to Samuel Delany. The followup, 1972's Again, Dangerous Visions, was, if anything, even more influential, including Le Guin's The Word For World IS Forest, as well as work by Joanna Russ, Kurt Vonnegut, David Gerrold, and James Tiptree, Jr.

Though some of the stories in these books haven't aged well, together, they completely changed my view of what science fiction was and what it could be. But The Last Dangerous Visions was a different (ahem) story. For complicated reasons (which all cashed out to "Harlan being very difficult to work with, sometimes for damned good reasons, other times for completely petty ones), TLDV was, at the time of Harlan's death, fifty years behind schedule. It was "science fiction's most famous unpublished book." Harlan had bought early work from writers who had gone on to have major careers – like Bruce Sterling – and had sat on them for half a century.

Then Joe called me to tell me that he was starting over with TLDV and did I want to contribute a story – and of course I did. I wrote a story for him with the title "Jeffty Is Five," part of my series of stories with the same titles as famous works of sf:

https://locusmag.com/2012/05/cory-doctorow-a-prose-by-any-other-name/

Joe liked the story, but not the title. He thought Harlan wouldn't have approved of this kind of appropriation, and he wanted to do right by the memory of his old friend. My first reaction was very Harlan-like: this is supposed to make you mad, it's my art, and if it offends you, that's your problem.

But I remembered the most important lesson I learned from Harlan, about good deeds and bad ones, and I thought about Joe, a writer I admired and liked, who was grappling with his grief and his commitment to Harlan's legacy, and I changed my mind and told him of course I'd change the title. I changed the title because Harlan would never have done so, and that's rather the point of the story.The story is (now)) called "The Weight of a Heart, the Weight of a Feather" (a very Harlanish title), and it's about the legacy of complicated people, whose lives are full of noble selflessness *and careless or deliberate cruelty. It's about throwing away the ledger and just letting all those facts sit together, about lives that are neither washed of sin by virtue, nor washed of virtue by sin.

It's a good story, I think, and I'm proud of it, and I'm interested in what the rest of you think now that the book is out:

https://www.blackstonepublishing.com/products/book-fyhm

Harlan was the writer who made me want to get good at reading my stories aloud. I was a charter member of the Harlan Ellison Record Club, as you can see for yourself from the time Harlan (accidentally) doxed me:

http://harlanellison.com/text/paladin.txt

After nearly 20 years of podcasting, I'm actually pretty good at this stuff. I'm going to be podcasting a reading of this story – eventually. I am nearly done "de-googling" my podcast feed, ripping it out of Feedburner, a service that I started using nearly two decades ago to convert a WordPress RSS feed to a podcast feed. In the intervening years, WordPress has come to support this natively and Feedburner has become a division of Google, so I've been methodically removing Feedburner's hooks from my feed, which is now proudly available here, without any surveillance or analytics:

https://craphound.com/feeds/doctorow_podcast

I'll be writing up the process eventually. In the meantime, I'm about to embark on another podcast fiction project, serializing my novella Spill, a "Little Brother" story that Tor's Reactor just published:

https://reactormag.com/spill-cory-doctorow/

The first part of "Spill" will go out tomorrow or Monday. Reactor also just published another "Little Brother" story, "Vigilant," which I read in last week's podcast:

https://craphound.com/littlebrother/2024/09/29/vigilant-a-little-brother-story/

One of my long-running beefs with Harlan was his insistence that the answer of copyright infringement online was to create an obligation on intermediaries – like ISPs – to censor their users' communications on demand from anyone claiming to have been wronged by a post or upload.

This would be bad for free expression under any circumstances, but it's an especially dangerous vision for ISPs, who are among the worst-run, most venal businesses in modern society ("We don't care, we don't have to, we're the phone company" -L Tomlin).

It's hard to overstate just how terrible ISPs are, but even in a field that includes Charter and Comcast, there's one company that rises above the pack when it comes to being grotesquely, imaginatively awful: Cox Communications.

Here's the latest from Cox: they sell "unlimited" gigabit data plans that cost $100 for the base plan and $50 to add the "unlimited" data. But – as Jon Brodkin writes for Ars Technica – Cox uniquely defines "unlimited" as severely limited:

https://arstechnica.com/tech-policy/2020/06/cox-slows-internet-speeds-in-entire-neighborhoods-to-punish-any-heavy-users/

Now, you're probably thinking, ho-hum, another company that offered unlimited service and then acted like dicks when a customer treated it as unlimited, ::laughs in American Airlines::

https://www.forbes.com/sites/jamesasquith/2019/11/13/unlimited-first-class-flights-for-lifehow-american-airlines-made-the-most-expensive-mistake-in-aviation-history/

But that's not the Cox story! Cox doesn't just throttle "unlimited" customers' internet to 2006-vintage DSL speeds – they slow down the entire neighborhood around the unlimited customer to those speeds.

As Brodkin writes, every Cox customer in the same neighborhood as an "unlimited" customer named "Mike" had their upload speeds reduced by more than two thirds, from 35mbps to 10mbps, to punish Mike. And they're not the only ones!

https://www.reddit.com/r/GNV/comments/gkicjg/comment/fr670cx/

Cox confirmed they were doing this, saying "performance can be improved for all customers in the neighborhood by temporarily increasing or maintaining download speeds and changing upload speeds for some of our service tiers."

Cox has been on a roll lately, really going for the shitty-telecoms-company gold. Back in August, 404 Media published a leaked pitch deck in which Cox promised advertisers that they were secretly listening to their customers' smart devices, transcribing their private conversations, and using them to target ads:

https://www.404media.co/heres-the-pitch-deck-for-active-listening-ad-targeting/

This isn't just appalling, it's also almost certainly fraudulent. As terrible as "smart" devices are (and oh God are they terrible), the vast majority of them don't do this. That's something a lot of security researchers have investigated, doing things like hooking up a protocol analyzer to a LAN with a smart device on it and looking for data transmissions that correspond to ambient speech in earshot of the gadget's mic.

My guess is that Cox has done a deal with a couple of the bottom-feedingest "smart TV" companies (as a cable operator, Cox will have relationships with a lot of these companies) to engage in this conduct. Smart TVs have emerged as one of the worst categories of consumer technology, on every axis: performance, privacy, repairability. The field has raced to the bottom, hit it, and then started digging to find new lows to sink to. This is just my hunch here, but I think it's highly likely that if there's a class of devices that are bugging your living room and selling the data to Cox, it's gonna be a smart TV (top tip: buy a computer monitor instead, and use your phone or laptop to stream to it).

Ask a certain kind of very smooth-brained, Samuelson-pilled economist about the enshittification of smart TVs and they'll tell you that this is a "revealed preference":

https://en.wikipedia.org/wiki/Revealed_preference

As in, sure, you may say that you don't want your TV to secretly record your private conversations and sell them to Cox, but actually you quite like it, because you have a TV.

While this is a facially very stupid argument, it's routinely made by people who think they're very smart, a point famously made by Matt Bors's "Mr Gotcha":

https://thenib.com/mister-gotcha/

Comics turn out to be a very good medium for stringing up the revealed preferences crowd on their own petards. This week, Juan Santapau's "The Secret Knots" added to the Mr Gotcha canon with an equally brilliant webcomic, albeit one with a very different vibe, entitled "Remind Me Later":

https://thesecretknots.com/comic/remind-me-later/

Santapau really catches the zeitgeist with this one, which is more of a slow burn than a zinger, and which shows how online "revealed preferences" nonsense grooms us for the same bullshit in every corner of our lives, even our psychotherapist's office. Highly recommended – an instant classic.

"Revealed preferences" comes from the Chicago School of Economics, a field that decided that a) economics should be a discipline grounded in mathematical models; and b) it was impossible to factor power relationships into these models; so c) power doesn't matter.

Once you understand this fact, everything else snaps into focus – like, why the Chicago School loves monopolies. If you model an economy dominated by monopolists without factoring the power that monopolists wield, then you can very easily assume that any monopoly you discover is the result of a lot of people voluntarily choosing to spend all their money with the company they love best.

The fact that we all hate the monopolists we have to deal with is dismissed by these economists as a mirage: "sure, you say you hate them, but you do business with them, therefore, your 'revealed preference' shows that you actually love them."

Which is how we end up with absolutely outrageous rackets like the scholarly publishing cartel. Scholarly journals acquire academics' work for free; get other academics to edit the work for free; acquire lifetime copyright to those finished works; and charge the institutions that paid those "volunteer" academics salaries millions of dollars to access their publications:

https://pluralistic.net/2024/08/16/the-public-sphere/#not-the-elsevier

These companies don't just lock up knowledge and tie an anchor around the scientists' and scholars' ankles, dragging them down. Their market power means that they can hurt their customers and users in every way, including through rampant privacy violations.

A new study from SPARC investigates the privacy practices of Springerlink, and finds them to be a cesspit of invasive, abusive conduct that would make even a Cox executive blush:

https://zenodo.org/records/13886473

Yes, on the one hand, this isn't surprising. If a company can screw you on pricing, why wouldn't they scruple to give you the shaft on privacy as well? But The fact that a company as terrible as Springer can be the dominant firm in the sector is still shocking, somehow.

But that's terminal-stage capitalism for you. It's not just that bad companies companies thrive – it's that being a bad company is a predictor of sky-high valuations and fawning coverage from the finance press.

Take Openai, a company that the press treats as a heptillion-dollar money-printer whose valuation will eventually exceed the rest of the known universe. Openai has a lot of problems – a mass exodus of key personnel, a product that doesn't work for nearly all the things it's claimed as a solution to – but the biggest one is that it's a bad business.

That's the theme of a fantastic, characteristically scathing-but-deep Ed Zitron article called (what else?) "Openai is a bad business":

https://www.wheresyoured.at/oai-business/

Zitron does something that no one else in the business press does: takes Openai's claims about its business fundamentals – its costs, its prices, its competitors, and even its capabilities – at face value, and then asks, "Even if this is all true, will Openai ever turn a profit?"

The answer is a pretty convincing "no." Zitron calls it a "subprime AI crisis" in a nod to Tim Hwang's must-read 2020 book about the ad-tech bezzle, Subprime Attention Crisis:

https://pluralistic.net/2020/12/06/surveillance-tulip-bulbs/#adtech-bubble

The fascinating thing about both Zitron and Hwang's analysis isn't that there are big companies that suck – it's that they are able to suck up so much money and credulous excitement, despite how badly they suck.

That's where power – the thing that neoliberal economists say doesn't matter – comes in. Monopoly power is a self-accelerating flywheel, as Amazon's famous investor pitch explains:

https://vimeo.com/739486256/00a0a7379a

Once a monopolist or a cartel wields market power, they can continue to dominate a sector, even though they're very bad – and even if they use their power to rip off both their customers and very powerful suppliers.

That's the lesson of Michael Jordan's lawsuit against NASCAR, as Matt Stoller explains in his latest BIG newsletter:

https://www.thebignewsletter.com/p/michael-jordan-anti-monopolist

Jordan is one of the most famous basketball players, but after retiring from the game, he became a NASCAR owner, and as such, has been embroiled in a monopoly whose abuses are both eerily familiar to anyone who pays attention to, say the pharmacy benefit manager racket:

https://pluralistic.net/2024/09/23/shield-of-boringness/#some-men-rob-you-with-a-fountain-pen

But on the other hand, the fact this is all happening to race-cars and not pharmacies makes it very weird indeed. As with, say, PBMs, NASCAR's monopoly isn't just victimizing the individuals who watch racing, but also the racecar teams. These teams are owned by rich, powerful people (like Jordan), but are "almost always on the verge of bankruptcy."

Why is that? NASCAR rips them off. For example, teams have to buy all their parts from NASCAR, at huge markups, and the purchase contract prohibits them from racing at any rival event. There are a million petty schemes like this, and NASCAR carefully titrates its bleed-off to leave its victims almost at death's door, but still (barely) solvent enough to keep racing.

NASCAR also bought out all the rival leagues, and most of the tracks, and then locked the remaining tracks to exclusivity deals. Then the teams all had to sign noncompetes as a condition of competing in NASCAR, the only game in town – forever.

Hence Michael Jordan, a person who steadfastly refused to involve himself in politics during his basketball career, becoming a firebreathing trustbuster. Stoller cites Jordan's transformation as reason to believe that the anti-monopoly agenda will survive even in the event that Harris wins but bows to corporate donors who insist on purging the Biden administration's trustbusters.

That's a hopeful note, and I'd add my own to it: the fact that the NASCAR scam is so similar to the pharma swindles, academic publishing swindles, and all the other monopoly rip-offs means that there is a potential class alliance between university professors, NASCAR owners, and people with chronic health conditions and big pharmaceutical bills.

That high note brings me to the end of this week's linkdump! And here's a little dessert in case you've got room for one more little link: Kitowares "Medieval Mules", a forthcoming clog styled as trompe l'oeil plate armor:

https://www.kitowares.la/

Pair with old favorites like lycra armor leggings:

https://loricaclothing.com/collections/leggings-1/products/the-augsburg-legging

And a DIY crotcheted knight's helmet:

https://www.etsy.com/listing/590854477/knights-helmet-w-detachable-visor

Tor Books as just published two new, free LITTLE BROTHER s tories: VIGILANT, about creepy surveillance in distance education; a nd SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/05/farrago/#jeffty-is-five

[lovelyyandereaddictionpoint]

Zombie Apocalypse: Yandere Jujutsu Kaisen (2)

Part 1

In an alarming blur of white and black, Gojo introduces himself by jumping in front of you from above

“Hi there (Y/n)! It’s a pleasure to meet you! Chu! You’re as gorgeous as your blood tests suggest.”

“Oh, my Plasma. Please stop embarrassing yourself.”

“Yeah, even I thought that sounded freaky.”

“Well (Y/n) something you’ll find about me is that I’m a freaky guy~”

“Please stop.”

Meeting the eccentric head of the fortress puts you in a spin

Dragging you to dinner and then to some of the activities the fortress has

With a blindfold that occasionally lifts to show striking blue eyes 

You nearly forget to ask the question that introduced him in the first place

“Hey Gojo?”

“Yes, Cutie-pie?”

“Uh…can I get clearance to see the other survivors.”

He gets real quiet 

his smile fades a little but not enough to mean anything

“Why Star-face? I thought you liked all of us over here?”

“I do. I just want to see my group. It’s only been a day but–”

He puts a finger on your mouth not exactly in a shushing motion

But he ushers you away from Yuuji and Megumi who were fighting over a painting

Taking you farther away from all the other members of the fortress he leads you up some stairs

Finally reaching the roof of one of the buildings you can see the other half 

A less developed place

The homes are close, filled with people, and it’s a lot less lit than the areas you’ve been

“That’s where the other survivors go…you want to go down there?”

You hesitate but not for long

“Yeah if my group is there I think we should be together.”

He sighs running a hand through his white hair before taking off his blindfold

Now you can see the way his light eyes dart over the people below 

He laughs 

“That man…with the purple vest pushed a pregnant woman into the horde when they were cornered.”

He doesn’t look at your horrified expression 

Only pointing out a few others who’ve committed something awful

“Why do you let them stay here then? If they did these horrible things?”

“Because they came with those who need us. But too many of them practically kill themselves if they get too far away. It’s like the way parasites shape the brains of their hosts.”

You didn’t like the implication

“Gojo…why do I have the yellow wristband? And why was I separated from my group?”

He pulled you into his chest rubbing his fingers into your side

“Bug, think of it as us intervening before the Parasite gets their final claws in you. Your special and perfect for saving.”

“Wait but my group isn’t–”

“Hush, love. I’m sure you're tired. Today has been a long day for you.”

He ignores any protests from you and only gushes about what you’ll do tomorrow

You stop trying because you are tired 

Letting him lead you back to your room in the tower above the fortress

“Have a fun time, you two?”

“We had a great time!”

He kisses the black-haired scientist before helping himself into your room

He goes through your closets, the bathroom, and your bag still ranting about nonsense you don’t understand

Suguru gives a comforting pat on the back

he gives you a clean version of your pajamas before bidding you goodnight

“C’mon Satoru you’ll get to bother (Y/n) tomorrow.”

“That’s right and I don’t even have work tomorrow so I’ll be with you allll day!”

“Alright, out mister. Goodnight (Y/n) we’ll tell the kids you said so too.”

“Uh, goodnight.”

When the door finally closes you’re able to think about what he said

And then you fall asleep 

Maybe he’s got a point

“So how’d it go?”

“They were asking about the wristband.”

“The whole time?”

“Only at the end, made up somethin’ about parasites.”

“Oh, their friends? I hope you didn’t suggest they were in that town.”

“Eh-I dunno! Can’t you make up something about them being immune?”

“Maybe but it’s going to be hard convincing them.”

“Who cares? We got ‘em now, right? I’d say we try whatever we want.”

“You’re right we do got ‘em.”

They’ll just have to accept whatever we say

[urfavleo777]

Warnings: SMUT18+, strong language, oral (f receiving), enemies to lovers.

pairing colby brock x fem¡reader

HALLOWEEN prompt: The new tenants of the house you’re haunting are being haunted by another ghost. War ensues.

As a ghost, you liked to make your presence felt.

It was fun to torment the living by slamming cabinets and putting on your favourite songs when you were still human. Terrified owners, convinced that they were dealing with a demon, started hanging crosses and pictures in huge numbers. In every corridor of this Victorian house there was at least one painting with the image of Mary. Within 24 hours they all landed on the floor with an incredible bang.

So you weren't surprised when they brought in a priest one day. As if that would help. The priest blessed the house in vain and when he left, the owners tried to communicate with you using the Ouija board. They asked a lot of questions and didn't get a single answer from you.

You thought they were fools. You've given them so many signs that you don't want them here. All you wanted was to get them all off your property. Why couldn't they just pack up their things and find another house? Maybe because not every house looked like a  fortress frozen in time.

The most active place was your room upstairs, which now, slightly renovated, belonged to their son. You particularly liked the youngest boy in the family, he seemed to be the most terrified and often you'd do things specifically targeting him, including whispering creepy sounds in his ear at night to keep him on edge.

You didn't remember when nor how you died. The only thing you remembered about your previous life was music. You loved music, sometimes you even replayed a Michael Jackson concert in your head that you, as a human, had managed to attend. So you must have been stuck here since the late 1980s, haunting this place for years, quietly watching over it.

Everything was fine until the other ghost showed up.

“Show yourself!” You gasped, trying to keep your voice steady.

A figure began to take shape out of the air, the image fuzzy but slowly growing clearer. As you stared at the spectre, it was clear that the presence before you had once been a man. You could see the sharp features and strong jawline from decades gone by.

A chill went up your spine as you realized the clothing of the ghost was very different from a modern outfit. It was older, but well-made and expensive-looking, like something an 1800s aristocrat might wear.

“You're new,” he said, his voice low and smooth, yet there was something cold in his tone. “This isn't your home.”

He stepped forward, and you could see the details of his face, a face that was sharp and handsome. He seemed to be in his mid-20s, with dark, intense eyes. He was wearing a long coat, perfectly tailored and a stark black and white color. A dark hat was in his hand, as if he'd just taken it off.

“I...” You swallowed hard, feeling overwhelmed by fear, but also this strange pull of curiosity. The ghost looked at you, his expression almost disdainful.

“You're the one who's been haunting this house,” he stated. It was clearly not a question. “You've been making yourself quite the nuisance, haven't you?”

“Before I died in this house, it was mine. I can scare anyone I want here and no one, especially no one who looks like... someone straight out of the Middle Ages, will stop me.”

"Oh, do I look out-of-date to you? I suppose fashion has changed since my time. But let me tell you something that has not: this house is mine. We built it. The Brock family.”

Your eyebrows furrowed in confusion. “Wait... Brock family?” You felt a sudden jolt of realization. “Brock... you mean the family that built the original part of this house?”

His expression hardened. “Yes. The Brock family. Every stone, every brick, belonged to my ancestors.”

The ghost smiled, though his smile was more of a sneer. He began to pace, the sound of his steps echoing throughout the chamber.

“Anyway, you think that dying in the house gives you the right to terrify its owners?” A small smile curled on his lips.

“I am the owner. And they deserved it,” You retorted, though you voice lacked the conviction you wished it to have.

The ghost cocked his head to the side. "Oh? And why is that?" he asked, his tone dripping with condescension.

“They don't... value the history of this place. They are turning this house into some kind of religious cult. Have you seen these crosses? The only thing missing from perfection here is the Pope.”

He arched an eyebrow, a small smile playing at the corner of his mouth. “A sentimental ghost. How... touching.”

“Better than a fallen aristocrat.” You retorted, though the ghost's smile was sending chills up your spine.

He leaned in close. His voice dropped to a murmur. “You think scaring them is enough?” He stepped closer, his hand reaching out to brush a finger gently against your cheek. You felt a chill go through you, but not of coldness. “Why not do something... more entertaining, Y/N?” As your name left his lips, you almost died a second time. How did he know? You tried to hide your shock, “How- how do you know my name?”

The ghost had a small, smug smirk on his face. "I know a great many things, sweetheart,” he replied, his tone almost mocking. “Oh, and where are my manners? Colby Brock, son of the home's original owner.”

You hesitated for a moment, wary of him. But, almost against your will, you reached out to take his hand. It was strangely warm and as you felt the solidity of his hand in yours, you stared at him. He was a ghost like you, yet he seemed different. More... real, more present.

“How can I... feel you?” You whispered, your voice shaking a bit.

Colby's smirk widened. “I've been watching you... Y/N,” he said. You didn't like the way he said your name, almost as if it was an endearment.

“You've been watching me?” Your voice came out in a whisper.

“As much as a ghost can,” he replied, running a thumb over the back of your hand. “I have to admit, you're fascinating. A mischievous spirit with a penchant for causing chaos.”

His words made you feel uneasy, but you didn't pull your hand away. The feeling of his skin on yours was so... foreign. It had been decades since you felt a physical touch.

He shrugged, his other hand tracing a path around your wrist. It was strangely intimate.

“A little amusement,” he said, his voice low. “Your antics were a pleasant distraction from this eternal haunting of my former home.”

You tried to pull your hand away, but his grip was firm. “Let me go,” You murmured, though there was no force in your voice.

Colby chuckled, his eyes locked with yours. “Or what?” he asked, his grip tightening just slightly. “What are you going to do? Cause a few bumps in the night? Knock some glasses off the kitchen counter?”

A small smirk played on his lips. “You can't do anything to me, sweetheart. Besides, this is my house.”

“It's my house too,” You retorted.

“Oh, no, my dear,” he said, his voice almost a purr. “This house has always been and always will be mine.”

“Whatever helps you sleep at night. You better tell me how we can scare them that they shit in their pants.”

Colby's expression turned smug. “Oh, a variety of things. A voice in the middle of the night, an unseen force knocking around the trinkets they'd placed. What fun would it be to tell you, sweetheart?”

His condescending tone irritated you, but even more concerning was how you were letting him hold your hand and the way your heart skipped a beat as he leaned in.

“Perhaps we could have a different kind of… fun.”

You felt your cheeks warm despite yourself. You wanted to argue with him, but something in his gaze kept you pinned in place.

Colby tilted your chin up gently, making you meet his eyes. “Oh?” he murmured, his tone lowering, “Is that what you want, honey?”

Your breath hitched at his words and the soft touch. He was right, you missed the physicality of life, the sensation of being touched and held. His thumb gently traced the curve of your cheek. “I can give you what you want, Y/N,” he murmured, leaning in close enough that his lips were practically brushing yours.

Colby moved closer, his thumb tracing a slow path down your neck. You felt your breath hitch as a shiver ran down your spine at his touch.

He whispered, his voice low, “I know exactly how you feel. How your body aches for a touch that it will probably never feel again. I understand that, honey. Better than you know.”

He paused, so close you could almost taste his breath.

“But it comes with a price, you know,” he murmured. “You'll be mine. My haunting. My sweetheart.”

“Take me.” Was all you could manage to say.

Colby's smirk turned into a satisfied smile. "Gladly, sweetheart," he murmured. His lips met yours in a kiss that was both gentle and hungry, a century's worth of longing and loneliness poured into the contact, like he was trying to memorize every detail.

With a low growl, he pulled you fully into his lap, pressing you against him. His kisses grew more urgent, his hands gripping your waist, pulling your body against his.

“You have no idea how badly I've waited for this,” he murmured, kissing down your neck.

You threw your arms around his neck, feeling his breath, his skin, his solidness beneath you. It felt like a dream you’d spent decades having, and now it was here, real and solid.

Colby continued to kiss along your neck, his lips moving down to the hollow of your throat. When he reached the base of your neck, he paused, then gently bit down, sending a jolt of pleasure through your body.

You let out a gasp, your nails digging into his back as he found a sensitive spot. Colby let out a dark chuckle, kissing and biting lightly as if to draw out more reactions from you.

“I need you, Colby,” you whispered between kisses. “Colby,” you whined, burying your hands in his hair.

“Fuck, you’re so hot,” Colby whined, looking up at you pathetically, pupils blown and lips swollen from yours. “Let me make you feel good, okay?” You nodded, settling down on the sofa where he knelt in front of you, taking you in. He cursed under his breath, looking you up and down.

“Colby,” you whined, arching your back. You needed his hands on you again, his lips. Something. Anything.

“I know, pretty,” he soothed, threading his fingers into the waistband of your shorts. “I will take care of you.” He slid them down your legs, leaving you in just your bra and panties.

He took off his own shirt, threw it carelessly and let it get lost on the floor. He slid down to the bottom of your bra, teasingly touching the fabric before he put his hand behind your back and skillfully undid your bra in one easy movement. You arched your back again, the straps of your bra slipping off your shoulders.

“Fuck,” he mumbled, his hand tracing the curves of your breasts, massaging gently. “Perfect. You want me to make you feel good, pretty girl?”

“Y-yes,” you stuttered, biting your lip as his hand left your breasts and moved down your stomach, stopping just above your clit. He moved his fingers down some more, feeling where the arousal was leaking through the panties.

“Can’t wait anymore, pretty girl,” he whispered. “Wanna taste this pussy.” He kissed your belly button, leaving a trail down the rest of your stomach as his mouth travelled to where you needed him most.

There’s something depraved about the way he was crawling down your body, taking in every inch of you. He spread your legs apart with the palms of his hands—his thumbs brushing against your bare skin, licking teasingly at your inner thighs as he settled in between them.

He stopped and looked at you through closed eyes. You could see the want – no, need – in the way his muscles flexed and the way his jaw worked. But he hesitated, his breath hot against your core, sending another jolt of desire through your body. Your chest rose and fell quickly as your eyes searched for his next move.

He finally pressed a kiss to your clit. “You don’t understand how you make me feel,” he mumbled against your heat, licking a long stripe through your folds and back to your clit. “No idea how long I’ve fucking wanted you.” You threw your head back, whimpering his name like a mantra. His tongue swirled around your clit, flicking it, taking it in between his lips and sucking hard.

“F-fuck!” You cried out, your eyes rolling into the back of your head as he set a relentless pace. “Colby!”

“I know, sweetheart. You’re doing so well.” He soothed and squeezes your hip, his pace unwavering as his fingers fuck into you, scissoring inside you, drawing you closer to your climax with that come-hither motion. Your walls fluttered again. “That’s it,” he cooed. “Wanna feel you come—wanna know what it tastes like.” He started licking harder, faster.

Your body was his, completely at his mercy, and from the look in his eyes, he knew it. Your eyes fluttered shut, silently and vocally begging him to take control.

“That’s right, baby,” he growled, voice thick with lust. “Cum for me, darlin’.”

His words ignited something primal in you, your body responding to his dominance as you gasped for breath, legs shaking beneath you. You screamed in pleasure, causing Colby to groan.

“All mine,” He hissed, licking up the juices. “I’m not done with you yet.”

Fuck.

The youngest of the family, whom you loved to scare so much, spent the night away from his room. He couldn't bear to listen to the sound of furniture falling from the top floor.

[gayofthefae]

I'm sorry. I know we love him. I know he's sweet. I know he has good intentions...

This mf FUMBLED

HARRRD

He had that motherfucker in the PALM of his HAAAND

WHAT DO YOU MEAN "No, I didn't give you that painting that you're overjoyed I gave you and asked if I painted rhetorically because you were just so happy that it was real. It wasn't real actually I didn't do the thing you loved that I did"??

FUM👏BLEDDDDDDDDDD

And LOOK at this bitch

He is down BAAD. Like fumbling him is DIFFICULT. A FEAT almost.

You've gotta be doing a LOT to as Will Byers successfully fumble MIKE. WHEELER???

Will Byers.

Fumbled Mike Wheeler

Mike Wheeler who laughs at Will's jokes even when he didn't tell any?

Mike Wheeler who actively tried to not BE fumbled even while ACTIVELY being fumbled?

I do not believe you.

But goddamn it, he did. He managed the impossible. He fumbled Mike. Wheeler.

I'm sorry, but if you managed THAT?

This one's on you, man.

[lastoneout]

Ngl the concept of natural talent has done so much harm to our relationship to art and I hate it. No one is naturally talented at anything, get that idea out of your head. Artists are not like, special or gifted or blessed or whatever, we're just people who like art enough to keep making it, and thus there is nothing stopping you or anyone else from making art. You were not born without the artist gene and thus doomed to never find joy in drawing or singing or acting or sculpting, you're a person and people have ALWAYS made art.

It just like, it fucking kills me so much every single time I hear someone say that they would love to draw but they're just "naturally bad" at it and so they can't, especially when they then contrast themselves against me and imply I have some natural talent that means I can be an artist because no!! I don't!! The only reason I'm "good" at drawing is bcs I never stopped. I picked up a crayon as a baby and I never put it down and so I have like 27 years of experience drawing, that's why I'm "good" at it. So please trust me when I say anyone can draw. And cook. And paint and sing and act and dance. You were not born lacking, you're just new to it! You just have to keep going, you'll get better!

I just...it's so fucking heartbreaking to constantly hear the people around me essentually claim that they were born incomplete and thus they can never have fun drawing or singing or just making art. That's a horrible thing to believe, and I know our society does nothing but reinforce it by punishing us for not being perfect and making a mockery of amatures and pushing the talent myth, but trust me, you were not born wrong. There is no "make art gene" that you're missing. As cheesy as it sounds, you actually can learn to do almost anything if you put your mind to it. It might not be easy, but you are not broken. You're just learning.

I've posted this before but I'll post it again bcs he's right:

Making art is human. You can make art. Hell, you can make bad art! You don't have to improve! Art isn't about good or bad, it's about partaking in a human activity because it makes us happy. I really think society would be a better place if everyone was allowed to make as much art as they want, good or bad, bcs this weird dual reverence for talent and disregard for the actual work that goes into art just serves to bolster the capitalist, AI ridden hellscape that we live in today.

Anyway, if you are one of those people who is holding back from trying some kind of art bcs you're not talented, do me the favor of trying again. I want to see all of the beautiful, earnest, imperfect art my fellow humans make. We need that now, honestly. So please, don't give up. Make art. And if you can't, well, at least try to support the people around you who do, even if they aren't churning out masterpieces. Trust me, it's good for you. It's good for all of us.

[hyunnie04]

crown prince! bang chan x reader, fluff, royal au | m.list

wc: 1.1k words

a/n: dipping my toes into writing something a little out of my comfort zone! this is also lightly (heavily lmao) inspired by one of my fave games fe3h and it's support conversations.. 👉👈

you had no idea what chan might’ve wanted from you when he had invited you out for a cup of tea on the courtyard. it was unlike him to host such frivolous activities like tea parties out of the blue since he was quite busy these days, dealing with his royal duties and what not.

you haven't really crossed paths with him since your academy days and even now, you only ever caught glimpses of him here and there because of your parents' business involving relation matters, so the sudden invitation came as a surprise.

the said academy was for royals and nobles alike, shaping them up to be the future leaders for the next generation. it was how you both came to know each other. chan is the crown prince of the kingdom up in the frigid north, revered to be one of the strongest knights the kingdom has ever seen. polite, charming, not to mention extremely good looking as well.

you however, is just the eldest child of your family. house l/n had strong ties with the kingdom, your parents being close with several affluent families and being valuable members of the kingdom’s council.

"here we are." felix, his right hand man and closest friend, had stopped in front of the cobbled steps, leading down to the beautiful courtyard before sending you a grin. you thank him earnestly, giving him a smile back.

from a distance, you could see chan sitting quietly in the meadows, the lush grass and flowers crowding at his feet, cupping his chin in thought as the wind lightly blows through his hair.

he looks serene compared to the stressed look he adorns whenever you see him hunched over the castle’s conference room, going over his army’s battle tactics.

you bowed upon reaching his presence, the sunlight illuminating his handsome face. “thank you for inviting me, your highness.” chan stands right up, a slight shock on his face before swiftly recovering.

"i told you before, y/n. there's no need for formalities, just chan is fine." he sends you a warm smile and pulls out a chair for you.

the spread before you was amazing. tons of decadent pastries and cookies were laid in a dessert tier, making your mouth water in anticipation. 

“please, help yourself to some tea.” he takes the beautifully painted porcelain pot, pouring some of the aromatic tea in your cup. the steam from it flows up to the air, filling the table in it's light and refreshing scent. the atmosphere starts to dwindle into quietness, the breeze and wildlife surrounding you filling in it's silence.

"...was there something you'd like to talk about?" you cock your head to the side. he looks a little flustered, but ultimately nods. 

"-yes, actually." chan sighs out while he traces the rim of his tea cup, evading your curious eyes.

"did...your parents ever bother you about marriages?" he slowly manages to get out, stumbling through the sentence.

the tea cup you held in your hand freezes in place. now that he had mentioned it, your father and mother always brought up the idea of marrying. they were always pestering you, wondering when their only child was going to settle down. they stopped one day however, just like that. you wondered if your years of rejecting the idea itself had worked or they simply got tired. but you wondered what brought this on? were his parents arranging him with someone?   

"forgive me, i do not mean to be so straight forward." chan coughs into his hand, noticing the lack of reply and turned his head away in slight embarrassment.

"it's alright." you place your cup down on its saucer, secretly admiring how the tips of his ears redden so quickly. "but now that you've brought it up, yes i have."

"i see," the tea was abandoned now, left to cool in the summer shade. “i’ve heard my father speak about an arranged engagement for me a few years ago.”

you politely nod, urging him to continue. now you’re curiosity is piqued. although, you’re not entirely sure why he had come to talk to you about this, plenty of your shared friends and acquaintances had gotten proposals and arrangements.

“that was back then, however. my father got tired of me refusing to settle down and dropped it all together." you rest your chin on your palm, his words strikingly familiar.

“he never told me the specifics but i’m pretty sure he was talking about you.”

something between a choke and a sputter left your lips, “what?”

“it’s true.” he says it as if it wasn’t earth shattering news for you. "father wanted me to marry the heir to house l/n."

you could only gape at him akin to a fish, not knowing how to digest the information given to you. 

"truthfully, i didn't know you well back then, that's why i declined." chan shifts in his seat, unfolding his legs and turning fully to you. so that was why they had stopped. "but i would have been happy to accept it now, if i had known it was you.” 

an intense heat started to creep up your neck upon his confession, a rosy hue dusting your cheeks and tinting your ears impossibly red.

“you mean-” chan nods at your conclusion and smiles, his eyes crinkling in amusement. he would have accepted?

“i don’t think we would have been close if we were married.” you say whilst scooping up a spoonful of cake, distracting yourself from the violent wave of emotions you felt. it was contradictory, but chan seemed to hum in agreement.

“i think you’re right. i’m glad we met this way though.”he sucks in a breath- a cute habit of his that you have observed even back then. 

chan then asks you in a soft voice, staring deep into your eyes. “we can start over if you’d like.”

“i’d like to get to know you.”

you lean your elbows on the table, the wind flowing gracefully through your hair as you muster out a grin. "i would like that."

the rest of the afternoon was spent comfortably in each other’s presence, finally eating the sweets laid before you two while catching up.

“t’was such a pleasure.” chan offered his hand for you to hold when it was time to retire back inside, placing a chaste kiss on the ridge of your knuckles. 

“my, my. you flatter me.” you chuckle, covering your mouth.

from the corner of your vision, you could faintly make out felix in the grassy meadow, sitting down in what seems to be his own table and sipping his own tea. he sends a cheery thumbs up upon seeing you and chan glance at him. chan’s face reddens, hiding sheepishly in his hands as you laugh.

[natashaslesbian]

For You

Summary: You’ve been going through a rough patch with your moms for a while, after a big argument you finally tell them how you feel.

Word Count: 1.2k

Parings: (Wandanat x Daughter!Reader)

Warnings: none I believe :)

————

The walls shook as you slammed your bedroom door shut, the tell tale sign of another fight with your moms. Most teenagers have arguments with their parents, who usually have high expectations of them. But being the daughter of the Black Widow and the Scarlett Witch meant that your expectations were set much higher. Growing up your moms were your best friends, you spent every second with them, it was the three of you against the world. You had a magical childhood and all your school friends were jealous of your home life, however after your 13th birthday Natasha and Wanda decided that it was time for you to start training alongside Peter. It was nothing extreme, a few hours a week in the gym and some basic self defence. As Peter progressed you soon fell behind, not only disappointing your teammates but also your mothers.

You let out a sigh as you slumped down onto your bed, rolling over to face the wall incase of any unwelcome visitors. You replayed the row in your head, Natasha’s words loud and clear in your mind. “Why can’t you be more like Peter, he’s doing so well, he puts so much work into his training, he’s not lazy like you!” She had shouted across the room. That was your final straw. If only they knew the effort you held within you, they just didn’t care about it as it had nothing to do with being an avenger. As a kid you loved to draw and paint, and as you got older it became a favourite hobby. At first your moms would take your cute little drawings and put them around the compound to be admired but as they transitioned back into work and long missions they didn’t really have the time to appreciate your art anymore and very quickly they forgot about your favourite activity.

A knock at the door arrived as another tear slipped down your cheek. “Go away” you huffed. Shortly after came a gentle click of your door. “Who said you could come in?” You asked. Your mom didn’t say anything just yet, she simply walked over to your bed and took a seat next to you. “Y/n” Wanda said “I- I’m sorry. I hate when we fight kiddo” she said as she reached for your hair. “Mama started it” you replied as you pushed away her touch. “Baby mama didn’t mean what she said. We had words after you left and she knows she was wrong, she’s gone for a walk to calm down” your mom said as she shuffled closer. “And I know that I was wrong too” she said, causing you to look up at her. “I shouldn’t have shouted like I did” Wanda said with a hint of guilt in her eyes. Your mom never usually shouted at you, she was normally the calm one although still echoing everything your mama was saying.

Wanda’s vulnerability made you think for a moment. You had always hidden how you truly felt, putting on a tough act so you didn’t disappoint your moms even further. When Wanda had come to see you, you were prepared for round two with her. But the delicacy she had entered the room with caused something in you to shift. “Why am I not good enough for you and mama?” You cried out, the sight breaking Wanda’s heart. “Baby don’t say that!” Your mom cooed as she pulled you up into her embrace “you are good enough for us darling” she said. “You just want me to be like Peter” you sobbed “you’d rather him be your kid” you tried to push away from Wanda’s hold, but she tightened her grip around you, “we don’t think that y/n” she said. “I know I’m not as good as him at combat and weapons and stuff but I am good at other things! Why can’t you see that? I’m trying so hard to make you proud of me but nothing I ever do is good enough!” You cried.

Without realising, a second pair of arms had been wrapped around you, a steady hand was trailing through your hair. “Mama?” You mumbled as you looked up to see her green eyes. “I’m never gonna be good enough for you am I?” You said as you melted into her arms. Natasha had been stood outside your room for a few minuets listing to yours and Wanda’s conversation. She felt so guilty when she heard what you said and came running to your side, crying along with you. “Oh my little spider, look at me” Nat said as she cupped your cheeks, bringing your gaze towards her. “I promise you’re enough baby girl, I’m so sorry I made you feel like you weren’t. Your mom and I are so proud of you but we’ve been blinded by our own want for you to become an agent. But it’s not what you want is it?” She asked. You looked at her confused for a moment, finally starting to calm down again. “Your artwork” Natasha whispered.

“Mama you remembered?” You asked. “Of course we did sweetie” Natasha said “baby you’re a fantastic little artist we loved when you used to bring us all your drawings” Wanda said as she brushed your hair back from your face. “But I thought you didn’t care anymore, you just wanted me to focus on being an avenger” you cried “you never had any time for me” you mumbled as you laid in your moms arms. “You’re right baby girl and mama and I are so sorry” Wanda said as she kissed your forehead. “Y/n being an agent and an anger is all your mom and I have ever known” Natasha said “we’ve not put being mothers first and we know that now. We thought we were putting you first by pushing you into training but we weren’t and we are so sorry” she finished. You sat up so both your moms could see you, you took a deep breath as you prepared to tell them the truth “mom, mama” you whispered “I don’t wanna be an avenger” you cried out “I’m sorry” your moms both scooped you up immediately, both now crying with you.

“We know that now sweetie” Wanda calmly said “you don’t have to be sorry” she said. “I don’t wanna disappoint you” you mumbled as you wiped your nose “dekta you could never disappoint us” Natasha said “this is your life and you’re old enough now to decide how you want to live it, all we want is for you to be happy” your mama said. It was like a breath of fresh air had hit your bedroom, everything you had wanted to say was finally out in the open. “I think I know what I wanna do” you said looking up at your moms “what is it darling?” Wanda asked “after I finish school, I wanna go to college, to study art. Is that ok?” You sheepishly asked. “Oh y/n of course it is” Natasha said “it might be expensive though” you frowned “well that’s what uncle Tony is for” Your mama giggled “and besides we’ve got some money put away from you, it’s plenty enough to get you where you need to be” Wanda said “really?” You asked, trying hard to hide your excitement. “Really baby” Natasha said “whatever you need, we’ll sort, we’re your moms and that’s our job” Wanda said as she ran her hand under your chin. “I love you mom” you said to Wanda “I love you mama” you said to Natasha.

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Taglist<3

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