#p: reality
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bejinyoung · 2 years ago
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reality.
@bexcam
“i’m a little starstruck, to be honest,” jinyoung can’t help but laugh, exhilarated. cosmo? infiltrating their practice room and not just making a short appearance, but also staying and giving all of the contestants advice on performing frost? jinyoung was there to witness it, he was part of the team to interact with the idol group, and yet he’s still not sure that he really believes it. he’s never met a celebrity before. and just a few hours ago he was learning from m.y and jaeyoung themselves. if this has all been a dream, he thinks he would be fine sleeping for the rest of his life.
it only occurs to him much later that cosmo probably isn’t the first group of idols that cam has met, though. cam was an idol himself, albeit not one that jinyoung had ever heard of or cared much about. still, they all promote at the same music shows and stuff. and since there’s a moment of downtime, jinyoung takes the opportunity to ask about it.
“so compared to all the celebrities you’ve probably met,” he asks cam, taking a sip of his water between breaths, “how did cosmo compare? are they nice? handsome? or have you met someone better?” his voice lilts playfully, like he’s teasing, though he wants answers from cam all the same. “i wanna know if you’re getting any flashbacks to your post-debut days,” he’s always been rather curious but he doesn’t hold back his interest in the subject now.
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caffichai · 1 year ago
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Hoshiguma offers a snack for these trying times
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tobyisave · 7 months ago
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just a coupla lonesome cowgems roaming free without their sally mays
(aka they both canonically use country music to cope with their aloof blue life partners leaving them and i think thats beautiful) (alt under cut)
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theysangastheyslew · 1 year ago
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Today on I Accidentally Proposed Again XD
Tfw when you've been married for years and everyone knew but you
Bonus:
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Get him Hange XD
Idk if they’d officially get married, but even if they didn’t they would still BE married regardless :) Also pls don’t come @ me for the Jeankasa I’m v neutral on them but I needed someone to be getting hitched 😣🤷‍♀️
Credit goes to this tweet here:
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pinkchrissysposts · 7 months ago
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°•*TIPS AND ADVICE FOR LOA AND VOID*•°
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Guys i have come to decide that my time have come to an end in this amazing app tumblr I feel honoured to be a part of this beautiful community but before I go I would like to give some tips to everyone who.are still in their void/manifestation/shifting journey.
So as we know this is your journey to seize your power no one is gonna be there to help you except yourself. If you have been in this journey for a long time the only thing you are lacking is trust with yourself. Start building trust with yourself,it will become easier to persist. Consistency and persistence is needed of course but also trust within yourself.
I was also someone who struggled alot as a beginner for years but I slowly learned different things that are key to manifest/enter void/shift. Now don't ask what is the key because it has been mentioned in almost every loa post you read.
Follow your own style of manifesting,if you feel frustrated over methods then choose one which resonates with you,what matters is you feeling satisfied at the end.
Now this is for my a+ p girlies, I know I said it multiple times but don't affirm to get in 3D,affirm to make it your dominant thought,your goal should be making the affirmation your dominant thought that's it. It becomes thousand times easier because you also start to detach from the old story,your attention will be more on believing in that affirmation rather then seeing it in the 3D. Like this😤🤌
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When we hear about horror stories,we don't see the ghost but we still believe it exist right? We start reaffirming unconscious like there is ghost in the kitchen stuff like that. (That was one shitty example ☠️💀)
I get a LOTS of ask about robotic affirming and saturation,guys it's simple they both quite similar. Well in robotic affirming you just have to chant it without really focusing on it as it saturate you and it's mostly helps with mental diet.
But during saturation try to be more focus on the affirmation,it like focus affirming.
Moving on to void,I will really recommend using the distraction method or zone out method they both are same nothing different. Also just read the masterlist from my old account @graychrissy it had mostly void post with my documented void journey. Also read rotten's shifting guide then use the gateway tape it is available in spotify too,it can be instant to reach the focus 10,but some may need practice but it's easy nothing overcomplicated just a hemi sync (Turing off left side of the brain).
Top method I recommend is affirming,SATS,FOCUS 10,DISTRACTION METHOD, LUCID DREAMING and THE BASIC WAY
NEVER BE AFRAID OF YOUR EMOTIONS,seriously it's something everyone dm me about it's really not important,your emotions are also 3D,it won't mess up your manifestation so just calm down.
Also since the link in master list aren't working I will make a new one,I will be changing the whole lay out of my blog then you guys can use it. Goodbye~~~~~~~;)
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jeremy-heere · 3 months ago
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squandering astronomic probabilities / i just want to have a silly, aimless chat
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guardianlioness · 5 months ago
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For all I’ve said that Kn8 is a standard Shonen with a handful of inversions, this week’s chapter has made me realize another place where it differs.
Most Shonen series include an ever-lengthening list of rivals to surpass. The characters in the main party are frequently implied or outright stated to be competing at all times. Everything is undercut with the underlying idea that only one of them can be the best, and even moments of camaraderie feel a little bit anxious when you remember that ultimately, they all want something only one of them can have.
Kaiju No. 8 only has one true rival: Hoshina.
Kafka’s goal is to ultimately become Mina’s vice captain. He needs to be skilled enough for that—but any other competition in the division is only for the purpose of doing well. To push forward.
The narrative does not hang on competition. Losing doesn’t mean the end of the dream, which makes the collaboration and encouragement less chancy and more believable.
The alternate framework also affects the true rivalry with Hoshina.
Because Kafka and Hoshina are on the same side of a global war against the kaiju, their improvement is only ever a net benefit. Hoshina wants to keep his role. We see why he holds his role and Mina in such high regard in the B-side Manga (and I won’t spoil the details for anime fans!), but if Kafka truly becomes more than his equal, it’s a gain for Mina and a gain for humanity.
This immediately puts that one-sided rivalry in a different light. Hoshina actively helps Kafka improve. He gives encouragement and advice even though it could potentially derail his role one day.
Because their division comes first. Humanity comes first. Rivalry is a tool, not a barrier.
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echosong971 · 1 year ago
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“The Mechanical Puppet with the Borrowed Soul”
No spoilers for the endings in the tags, please <3
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mardyart · 2 years ago
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some more 90’s stuff (steve is trying to grow a full moustache)
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cocojamspread · 7 months ago
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yuseirra · 8 months ago
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I was pretty sure yukari's shirt that she wears while she's cooking had a small opening in it.. I had to check if I wasn't imagining it
her clothes are so pretty and hey! You can cook with her on Christmas day!! Awesome!!
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angelsdean · 1 year ago
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I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.
So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?
Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.
Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.
Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.
So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)
And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."
So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)
And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."
But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.
Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)
So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.
Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.
Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.
Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.
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pnfc · 3 months ago
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to me chibis is just another universe (i mean that is Textual but it bears out) where behavioral differences are accounted by how Stupid everything is hence perry dgaf about maintaining a pristine secret identity since there are no real consequences to being reckless. im not even sure weve seen monogram there lol (maybe we did i forget dont at me) thats why perrys flirting so hard hes fully unhinged
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completeoveranalysis · 2 months ago
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[13]
HELP
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H E L P
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AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
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OH NO THANK YOU NO THANK YOU WE DON’T NEED THE CRACKS IN REALITY TO SHOW THE TSUBASA TIE IN WE DON’T NEED IT WE’RE FINE I’M FINE IT’S FINE
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DONT
DO NOT
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I WILL NEVER RECOVER FROM THIS
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00fairylights00 · 10 months ago
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I Guess You Just Don’t Love Me Anymore
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GIF from @glowing-starlight on Tumblr
I was so taken by @ash-arts-but-sinful's post which mentions P being jealous of the cat and @oldworldghost’s post which contains the idea of him becoming more mischievous and sassy as he becomes human that I just had to write a little something, I hope it’s alright that I drew on your thoughts for some inspiration!
As a disclaimer, I haven’t finished my first play-through yet so this is more of a character study based off of what I’ve experienced in-game and what I’ve been seeing on Tumblr instead of delving heavily into the world-building and established story that exists within the game. So hopefully no spoilers and it’s very likely that this won’t at all line up with the in-game timeline.
Big thanks to @cupidsredcollar beloved for proofreading <3 
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For as long you had known Pinocchio you had never known him to be a jealous individual, in fact, when you’d first met that bleak, overcast morning in Hotel Krat you had been almost unsettled by his uncanny nature. 
His features were perfectly human, aside from the metal prosthetic he’d been fitted with. He had freckles and soft hair, a face that looked fashioned from a real person instead of the smiling caricatures Krat’s puppets were usually fitted with. 
But despite his boyish features, his face barely moved, he nodded along to Sophia as she gave him the task of locating his father, Mr. Geppetto, and tilted his head in question as Lady Antonia explained the concept of lying but his brows didn’t so much as pinch, his lips didn’t quirk and his eyes looked straight through you as you had wished him safety on his travels.
So watching in real time as he came into his own was something you cherished greatly, you continued to watch him grow and change, become something new. Pinocchio chose to spend a lot of his down time with you, he said he found you interesting, that you had a way of explaining humanity that made sense to him and over the last couple of weeks something had started to shift in him.
No, Pinocchio had never been a jealous individual, for as long as you’d known him.
Until today.
Your morning had started normally, woken up by the cool feeling of P’s lips against your forehead, human hand smoothing back your hair. He mumbled something about needing to go out, you tried to convince him to come back to bed, he tried to convince you to get up (he always wins).
P drags you down to the kitchen, you eat and he watches, something that was initially a little awkward but you’ve come to really look forward to, then you farewell each other at the rear entrance of the hotel. 
He holds you close to his chest, resting his lips to your hairline and making you promise to look after yourself and your companions while he’s away, you make him promise to be careful though you know he’s not always able to, often catching glimpses of Sophia muttering blessings and incantations under her breath in the foyer.
“It’s just Ergo hunting today, I’ll be more than careful.” He whispers, human arm winding around your shoulder. You breathe him in, hands to his chest feeling the odd sensation of his heart, not quite a tick but not quite a beat. 
You lean up to kiss against the slant of his jaw, his mechanical pulse jumping in response. He looks down at you, you catch the fondness in his blue eyes without mistake, he captures your lips in his, holding on for a second longer than he knows is necessary (it’s not like you mind though).
Lounging against the doorway, watching him walk towards the entrance of Elysion Boulevard, he turns and gives a last longing look over his shoulder before stepping through the wrought iron gates and disappearing from view.
You sigh, making your way back inside to start on your usual round of chores, helping where you could to take the load off of Polendina who needed more time to focus on Lady Antonia and her illness. You had just returned to the puppet butler for more tasks when you noticed movement on the top of the shelf behind the front desk. 
Sitting tall and proud was Hotel Krat’s resident sweetheart, Spring, tail swishing steadily as she kept watch of the foyer from her perch. The white and orange cat jumped down to the desk as she noticed you, laying down across the dark wood and turning over in gesture for belly rubs; which you gave happily. 
“She’s been very noisy today,” Polendina explained, stroking the cat, “I wonder what she’s trying to tell us?”
“Probably trying to manipulate us into giving her more treats, isn’t that right?” You accused lightly, you were sure that if he could, Polendina would be smiling. 
“There is another load of laundry that needs folding, could I have a hand?” He asked politely.
“Of course Polendina.”
And it seemed you had found yourself a shadow, Spring making an unreasonable amount of noise as she followed you and Polendina around the hotel. She wound between your legs, chirruped in response to your voices and bumped her head against whatever part of your bodies were within her reach. 
It was no surprise that Spring was loved by the inhabitants of the hotel, and it was very apparent that she loved them back, well everyone except for P. Not for lack of trying of course, he followed your advice of trying to build trust between him and the animal but she wouldn’t so much as let P touch her, hissing her disapproval for all to hear.
You’d often watch as P would recoil from Spring, the feline swiping and spitting at the puppet. You couldn’t tell from his expressions if the cat’s dislike for him bummed him out but sometimes as he lay next to you in bed he would lament quietly that Spring hated him, which would award him a sound of humoured pity and a kiss for the cheek.
It wasn’t clear what it was about P that set Spring off so aggressively. In all the time you had spent at Hotel Krat she’d never behaved in such an unfriendly way, even complete strangers who would seek refuge for short periods of time were welcome to interact with Spring freely. 
She would bask in the attention. You hoped that she would eventually come around to the puppet, given it looked like he would be around for the long haul and you just knew the two would be the best of friends if she would stop being so nasty.
But P was patient, far more patient than you were and it showed as you folded and unfolded the same piece of linen for the third time without realising, Polendina placed a gloved hand over your own, silently relieving you of duty.
“Apologies, my mind seems to be elsewhere Polendina.”
“You worry for the boy, it’s only natural that your mind wanders.” You sometimes forget how long Polendina has been around, having been a close companion of Lady Antonia’s for decades. You had a feeling he knew more about human emotions than he let on, somehow he always knew what to say when it came to your thoughts surrounding Geppetto’s Puppet. 
“I just can’t help it, and with him figuring out who he is, I fear he’ll get himself hurt by being too kind.” You wring your hands in your lap, focusing hard on the lines in your skin as you try to keep yourself from thinking of anything too awful.
“He has met humans who have given him trouble before and he has a good head on his shoulders. I would wager that you have nothing to worry about, but I understand that may not put your mind at ease.” 
“It doesn’t but thank you.” Your hand went to Polendina’s shoulder with a smile. “I think I’m going to find something else to do, try and get my mind off of things.”
Polendina nodded once, going back to folding the linens, “I’ll send the boy your way when he returns.”
You smiled in earnest, appreciative of Polendina’s knowing kindness. 
Spring, who had been lounging between you and Polendina, got up, stretching herself out and scampering over to your side. She meowed frantically to grasp your attention. 
Her interruptions continued as you made your way around the kitchen. It wasn’t particularly dirty given how little it was being used now, however, the repetitive action of wiping down the countertops and sweeping the floor were just the distraction you were looking for. 
Your ears perked up at the heavy steps of boots on marble floors, the jingle of P’s belt was something you could identify in your sleep. He stood tall in the doorway, all sweet smiles and fidgeting hands. Happy to see you, always happy to see you.
He was shockingly clean as he approached, resting his forehead to yours as his hands found their place on your waist, all the scolding about tracking oil and muck through the hotel was finally paying off.
You ran your hands over the intricate designs embossed onto the lapel of his coat, smoothing the fabric down before hooking your hands behind his neck.
“Welcome home, pretty boy.” You cooed, brushing your nose against his. 
He liked the small intimacies you shared, bunny kisses you’d come to find were a favourite of his.
“You can go and relax if you want, I’m just cleaning.” You offered, but he shook his head. 
Spring had also gotten bored of waiting on you, brushing up against your legs. So there you stood, sandwiched between your two favourite beings. 
And two shadows wouldn’t be so bad if they would stop getting under foot, you laughed as Spring and P fought for your attention while you made your way around the kitchen.
P hovered close, slinging his arm around your waist as you tried to pass him. You stopped short as he pressed his face into your neck, leaning back against his chest and resting your hands over his wrist. You could feel him smile against your skin, a careful, small smile that only he could manage.
At that moment Spring took it upon herself to jump up onto the counter in front of you, hissing and swiping at P, he scowled and pulled you closer.
“Beast,” he scowled, you gaped at P, smacking the back of your hand at his chest.
“Don’t be horrible, she’s just protecting her territory,” you chided, 
“I haven’t done anything to her, yet she spits at me.” He complained, you thought your ears might be playing tricks on you at the distinct sound of a whine in his tone.
“You love her.” You reminded smugly, a truth he was unable to escape.
“Yeah, unfortunately,” he mumbled, you pushed against his hold, trying to signal your want to move and he hesitantly loosened his grip. Hand ghosting over your waist as he watched you go, you threw a smile over your shoulder which he returned in kind.
You gave Spring a kiss on the head, letting her nuzzle her face against yours before scooping her up and putting her down on the floor where she went back to curling around your legs.
“Ah, so the cat gets a kiss but I don’t?” P asked. You snorted, flinging the rag you’d been using to polish the countertops over your shoulder.
You lent your hip against the counter and crossed your arms over your chest, “you never asked for a kiss, how was I supposed to know that’s what you wanted?”
“I feel like it was obvious.” He placed both of his hands on the counter, stretching his arms out straight as he pushed against the granite. 
You rolled your eyes in jest, unable to keep the fond smile from creeping onto your face, playfully exasperated you closed the short distance between the two of you. Lifting up on your tip-toes to press a kiss to the corner of his mouth, he was quick to move his head once you’d pulled back. Hands to your waist and pulling you against him, sealing his lips to yours so quickly it pulled a sound of shock from your throat.
“What’s up with you today, you’ve been awfully touchy.” You teased, twisting the ends of his hair between your fingers. “Not that I’m complaining of course.”
“Missed you,” he murmured, pressing his lips to your forehead tenderly. 
“I missed you too, always miss you when you’re gone.” You placed a hand on his cheek, thumb rubbing gently under his eye.
He pulled the rag from your shoulder and threw it behind you unceremoniously, taking your hand from his cheek to drag you out of the kitchen, a laugh bubbled out of your throat that P was happy to mischievously return.
He led you to the library, seating you at the piano and turning away to rifle through the sheet music stacked in a crate on the floor. He’d been getting better day by day. 
His body wasn’t exactly built to do delicate actions but that never seemed to stop him, in fact, he was inexplicably drawn to all the soft parts of being human even if initially he was afraid to get it wrong. The last thing he’d ever want to do is hurt anyone close to him and for that reason he was acutely aware of the raw strength he possessed.
Though his conscious effort to be gentle made all the difference.
Spring decided she’d had enough of being ignored, jumping up onto the piano bench and brushing up against you, pressing close and then curling down next to you. P turned around, the particular book of sheet music he was searching for held up in his hand, his expression dropped almost comically as he noticed Spring’s position next to you, taking up what was going to be his spot.
“Move her,” he says simply, you throw your head back with a hearty laugh but P’s serious expression doesn’t change.
“No,” you start with a laugh, “Spring got here first, you’ll have to pull up a chair.”
P continued to stand his ground, you wondered if he hoped his very presence would annoy Spring enough that she’d disappear of her own accord, but the cat only opened one eye. She regarded P from her curled up position before nestling her chin back down into her tail. 
It was like Spring knew she was in his spot and was smugly showing off to him, purring loudly.
“P, I’m not moving the cat. Just come and sit on the other side of me.” You insisted, watching as his unappreciated love for the animal won out and he stalked off to get a chair. You chuckled under your breath and passed your fingers through Spring’s soft fur.
“You are so mean to him, you know? He’s quite fond of you and I think you two would be very good friends if you gave him the chance.” You whispered to the cat who ignored you, continuing to purr unabashedly.
Unbeknownst to you, P watched your interaction with the feline from the doorway, his chest feeling warm in a way he wasn’t quite used to yet. Touched by your words that you thought were falling on deaf ears.
He gave in to your fondness for the cat, pulling his chair up next to you, fingers gently flitting across the keys as you hummed softly, head resting comfortably on his shoulder. He decided he didn’t mind this so much.
Late in the evening, however, he decided he did mind. 
You were curled up in your bed a book in hand and Spring dozing lazily in your lap, he entered the room and his shoulders physically dropped.
“What’s the matter?” You asked, thumb placed between the pages of your book as a makeshift bookmark. 
“Nothing,” he mumbled, sitting down unceremoniously on the edge of your bed to take off his shoes.
You placed the now forgotten book on your bedside cabinet, the act of sitting up a little difficult with the cat in your lap. You reached for his shoulder but he shrugged off your hand, trying to hide the action by stripping off his coat.
He stood and draped the coat over the back of your desk chair and moved to unbutton his waistcoat, all while staring down Spring with a scowl.
It clicked.
“Are you jealous of the cat?” You wanted deeply to believe that your Pinocchio was not jealous of a cat, but you couldn’t come up with a more sound explanation.
“I don’t know what that word means.” He lied, avoiding your gaze entirely, unbuckling his belt and dumping it on the desk, Gemini didn’t say anything so you assumed he mustn��t be awake.
“Yes you do,” you rolled your eyes, “I remember very clearly the conversation we had about it.” 
He didn’t respond, turning his back to you and focusing his attention on rifling through the dresser drawer full of his clothes. The sleep clothes he was looking for were folded at the end of the bed.
“It’s okay that you’re jealous of-”
“I am not jealous.” Quick, concise and with no room for argument, he spun back on you. His snapping didn’t phase you.
“Uh huh,” you teased with a smirk, turning all your attention back to Spring who’d been ignoring your exchange.
Perhaps what you were doing was a little mean, given that before you hadn’t been ignoring him on purpose, but it was too fun an opportunity to pass up. P let out a disgruntled huff, shuffling around in your peripheral.
“I guess you just don’t love me anymore.” He offered with his arms crossed over his chest, your jaw dropped and a shocked laugh fell out of your open mouth.
“You take that back, immediately!” You snapped playfully, sitting up fully and annoying the cat enough for her to get up and move.
“Make me.” The challenge he’d levied would mean conceding to his childish behaviour but after all he’d been through, you thought it only fair. 
You pulled the sheets back and stood from the bed, crossing the room to him. He tried to act as though he was uninterested, tried to pretend that your hands on his chest didn’t affect him, tried to ignore the speed of his heart as it hammered under your palm.
Your hands travelled the beaten path they always did, from his chest to his collarbone, then hooking behind his neck. Trying to pull him down was useless, like trying to topple a brick wall with bare hands, but you caught him staring out of the corner of his eye.
“Look at me.” Your whisper was a command, and he had always been faithful to a fault. “I love you.”
He tried to hide the oncoming smile, dropping his chin to his chest, but you were quick to guide his gaze back to yours. There was no way you’d be missing that careful grin. His eyes were soft and gentle when they met your own, there was hesitance in them that you didn’t want to see, so you kissed him.
He melted against you, arms winding around your back and pulling you against his chest, you hummed and he couldn’t stop the full blown grin from forming on his lips; breaking away to look at you like a giddy school boy.
“Are you going to take it back?” You asked, brushing your nose against his in a bunny kiss. 
“Will I still get to kiss you if I do?” He joked, you rolled your eyes albeit in good nature, hands cradling his cheeks as he continued to smile.
“I think that can be arranged,” you mused, leaning in to kiss him again, the two of you falling into familiar rhythm with one another.
Spring slinked out of the partially open door, tail held high, she had seen more than enough.
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pebiejeebies · 11 months ago
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Say hello to my objectsona that was worth my time, AND I’m very proud of (wow I’m actually proud of this art guyz this is so rare)
(Time taken: 3hrs, 9mins)
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Uhh hello bookmark in my new artstyle!!
+ with a small color redesign
+ with different povs
+ with more info about her design, lore, and just character study overall:
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(I recommend to click on the img to read the text better ^^)
And uhh
Old vs New design comparison (+ artstyle)
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Purple -> Pastel Blue
Sky Blue -> Off-White
Yeah idk I lost my excitement after stimming for a good 10 minutes!1!
Enjoy!! (I hope this doesn’t flop 😭‼️)
(Tagging some moots cause it flopped I’m sorry uhhwhgfdffadd omfg how much times will i jinx myself???— I’d love it if you rb btw/nf/nf/nf/nf)
@akalikestodraw @infinite-ticking-clock37 @galaxy-brushs-asks-blogs @knightobreath @solgavee @woodrocko @facelessthefreak @homobrainjuice @applesaucify @maxphilippa @chocolatespyro
SORRRYYYY :((
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