Revue Starlight: El Dorado launches August 8
Gematsu Source
(Possible spoilers for Revue Starlight below)
Visual novel Revue Starlight: El Dorado will launch for Switch and PC via Steam on August 8, publisher Bushiroad Games and developer Frontwing announced. It will support English, Japanese, Simplified Chinese, and Traditional Chinese language options.
In Japan, it will be priced at 3,980 yen for the physical standard edition, 14,980 yen for the Starlight Edition, and 39,800 yen for the Super Starlight Edition. The digital standard edition will cost 3,300 yen on Switch, with the PC price still to be determined.
The contents of each edition are as follows:
Standard Edition
A copy of the game
Weiβ Schwarz PR card
Raffle ticket for the stage to be performed in November 2024
Starlight Edition
A copy of the game
Blu-ray disc of Revue Starlight Re LIVE Reading Theatre Part 4 El Dorado – Includes performances of the reading stage performed on December 16 and 17
Weiβ Schwarz PR card
Raffle ticket for the stage to be performed in November 2024
Super Starlight Edition (limited to 999 copies, sold via Bushiroad Online Store raffles)
A copy of the game
Copy of original drawings with serial numbers
Blu-ray disc of Revue Starlight Re LIVE Reading Theatre Part 4 El Dorado – Includes performances of the reading stage performed on December 16 and 17
Weiβ Schwarz PR card
Raffle ticket for the stage to be performed in November 2024
And here is an overview of the game, via its official website:
About
The vast ocean sings to me. I must go and conquer it!
Our last summer at Seisho Music Academy…
With the 101st Seisho Festival “Starlight” coming up, we the students of the 99th class take up the challenge to perform “El Dorado,” an oceanic epic that Japan is proud of, for our summer performance.
The exiled admiral, Salvatore Guglie. The heir to a royal Spanish family, Alejandro Javier Cavallero Cruz. Who will “we” choose… between the “two protagonists” of this story?
Characters
Karen Aijo – “No matter what waters I have to cross, I will… definitely reach you!” A Stage Girl who traded fates with her childhood friend Hikari to “stand on that stage together someday,” after being entranced by the stage play “Starlight” she watched as a child. She gave her all in performing “Starlight” with Hikari, and now begins to walk towards the “next stage” by herself.
Hikari Kagura – “I don’t need destiny or oaths anymore!” A Stage Girl who has loved stage plays since she was a child, and was led into the world of stage plays after watching “Starlight” with Karen. After performing the “fated stage play” with Karen, she has currently returned to studying at London’s Royal Institute of Dramatic Arts. She is striving towards becoming a stage actress while dreaming of the day she reunites with Karen on the stage.
Maya Tendo – “May my revenge shine beautifully as my fuel.” She is the top student at Seisho Music Academy. A thoroughbred, with both parents being prominent figures in the world of theater. Despite overflowing talent in acting, singing, and dancing, she is a proudly independent Stage Girl who has never become conceited and continues to aim to be the best. Aiming to join the New National First Theater Troupe, she imposes strict lessons on herself even today. Maya-sama continues to be Maya-sama even in her third year.
Junna Hoshimi – “I myself emit glimmering lights… A lighthouse star on the Evening Star!” A Stage Girl who keeps taking on stage plays with her vast amount of reading and solid knowledge, she is the most talented girl since the inception of Seisho Music Academy. She was once desperate to catch up with the frontrunners of the scene, but now aims to be a “dazzling protagonist” and sets her eyes far ahead in her own future. She is the former 99th Student Council President of Seisho Music Academy.
Mahiru Tsuyuzaki – “I will decide my own drama… burning myself like the Sun!” Karen and Hikari’s roommate. She is a cheerful Stage Girl with a vast range of expressiveness, and is looked up to by her juniors, but can get extraordinarily scary when angered. She gave Hikari a push of motivation and sent her on her way to share the fated stage play with Karen. She aims to join the New National First Theater Troupe, in order to become a Star who brings smiles to everyone.
Nana Daiba – “I’ll… go slicing for a bit.” She is Junna’s roommate, and at the same time, a Stage Girl with extraordinary talent in both performing and stage creation. She often has the chance to bake together with Mahiru, and she is affectionately nicknamed “Banana.” She loves everyone who helps to create the stage together, and that is the reason why she sometimes shows a ruthless side.
Claudine Saijo – “Thanks to you and my unjustified resentment!” She is a former child actress who has starred in numerous stage plays and movies from a young age. A pure-hearted and highly experienced Stage Girl who knows the ropes of a stage play. Although she honed her skills against Maya as her greatest rival, she returned to her roots in France after graduation and is slated to join a revue in Paris.
Futaba Isurugi – “I don’t want to see a version of you who’s good-mannered and runs neatly!” Unmatched when it comes to sword fights and action. She is a Stage Girl with great expressive power hidden in her small frame. She and Kaoruko have been stuck together since young. They both enrolled in the same school, and she drives them both to and from school on her motorbike. However, she has decided to walk her own path by accepting the challenge of the New National First Theater Troupe, and has entrusted her beloved bike to Kaoruko.
Kaoruko Hanayagi – “A competitive performance between the top stars of the Senka-ryu School and New National… I’d like such a stage play, someday.” The granddaughter of the head of the family that runs the Senka-ryu School of Japanese Dance. After graduation, she returned to Kyoto. She is a Stage Girl who lives a life of history and traditions, and will succeed the name of the 12th Head of Family, “Suisen Hanayagi.” After a huge quarrel, she accepts Futaba’s chosen path and sends her on her way. She is currently considering what to do with the motorbike that Futaba left behind with her, while grumbling that it is “a bother.”
Kiriko Masai and Shion Amemiya – “We are from the Stage Play Creation Program, in 99th Class Group B!” “In order to create an even stronger, even better Position Zero, become even greedier!” From the 99th Class Group B Stage Play Creation Program. Amemiya writes scripts with all her body and soul, while Masai flutters around controlling the stage. The two are also roommates. They stand at the forefront of Group B, having worked on many of the 99th Class’s stage plays, taking on hardships even while clashing and arguing. Before their final summer in the exchange program, they challenge making a stage play with a certain resolve in their hearts.
Judy Knightley – “If you seek a new universe… tear apart your wailing, and overcome the sea of blood!” A Stage Girl who boasts having top grades at London’s Royal Institute of Dramatic Arts, a school that is renowned for being the hardest in the world to get into. With outstanding acting skills and expressiveness that has been lauded even in the British theater world, she is a professional stage actress with a promising future. She has arrived at Seisho Music Academy for an exchange program, and stands in the way of the students in the 99th Class with her overwhelming brilliance.
[Update: Added the opening movie.]
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About this whole situation
i feel like the least you can do
is to just... not say you're going to keep enjoying the game.
Enjoy the game, no one can hold you accountable for that, but the moment you're posting on social media about the fact you're going to just ignore everything and support or say that project moon did their best you're just harming the artist they unfairly fired. I know it's hard. I know how devastating it is but at least,
the best thing you can do if you cannot bring yourself to stop playing- is to stay silent.
Also just for some context: (it gets kind of long but long story short. PJ Moon did not make this choice to protect the artist, but they did it because it is the easiest thing.)
Korean women that are angry are angry because this has happened before- in 2016, a VA that wore a t-shirt that was associated with feminism went under attack to the same group of DC incels claiming she's a feminist and should be fired for that.
What the company did- was to fire her, creating a whole whirlpool of situation that got other women targeted and fired. I'm pretty sure the VA here in question got blacklisted from the gaming company.
There are sources revealing that from 2016 to 2020, over 14 women got fired because of similar accusation, and I'm not even sure it counts freelancers that were just silently put off to work.
The National Human Rights Commission of Korea, for fucks sake, has made a testament on 2020 in how the censorship on feminism happening in the gaming industry is a hate crime.
So what Project Moon did here was, it was to do the easiest and most inhumane choice possible, which was to fire a female artist over a similar controversy, bringing the nightmare-ish situation that happened in 2016 back all over again. In 2023. That's why people are disappointed. That's why Korean women feel threatened by this situation. Saying that this was all to protect Vellmori is an insult to her, and to the other female workers who wrongly loose their jobs over situations like these.
The hilarious thing over this whole situation? Every single company that has fired their workers like that has fumbled over themselves! The company and the game that fired the VA got ultimately labeled as a feminist game and lost its male customers too- because they had to keep firing people the moment incels didn't like them, until they couldn't. So incels are saying the game went down because of feminism. Another game? The representative is on fire because to no one's (except for the incels) surprise they fired all of the workers in the project because the game wasn't making any money anymore- making these fired workers reveal the fact that they've been mistreated, overworked, and abused over years. That is two example of many! But what about the games that did the extremely brave and difficult decision to just ignore the incels and go on with their game?
They're fine. They're okay. They had their lows just when the incels attacked, but Korean chauvinist pigs are just so childish that either they decide that it isn't fun to dox people anymore, or comfort themselves saying that oh well, they aren't that feminist after all or, well it's too fun so I don't care it's feminist! This are the pigs PJ Moon cave in. There are games that are boring as hell from smaller companies that survived and are still surviving because their customers are loyal, because the customers know that at least they won't fire their workers over stupid reasonings, the bare minimum!
So just- stop saying you're going to support the game- at least please don't for a while. I can't stop you from playing, but this is something PJ Moon has to take on themselves or this will create the same nightmare-ish situation that happened in 2016 all over again. Don't enable them. Stop giving them the message this is okay. Stop saying it was to support Vellmori, because ruining a young artist's career by telling her she's fired in a phone call after 11pm is not protection. It will never be.
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A thought:
I've heard speculations about, since it didn't look like Anzu and Grandpa Muto were familiar with each other in recent years (Anzu being surprised he's alive, Sugoroku commenting on how much she's grown), that Anzu moved away and only recently-ish returned to the area and reconnected with Yugi.
But. Consider.
Yugi is, honestly, one lonely kid at the start of the series. Anzu is stated to be his only friend, more or less. He gets bullied A Lot, especially in the pre-Cardgamepocalypse era. Plus, y'know, you gotta test into Japanese high schools.
So maybe Yugi originally got into a different school, had the same being bullied issues there, and transferred to Domino High later on in hopes that'd resolve the problem (ahahahahaha.... ha... :c), and then he and Anzu reconnected from there.
If nothing else, this theory would make it look like his parent(s)* actually did something to help the kid and that would ease my heart a little more. :c
(* - Yes, I know Sugoroku did his best to help but he's not the legal guardian here OK)
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I can't believe sick time isn't a legally required benefit, or at least protected unpaid sick leave. Like, it should be illegal to force ppl to work when they're sick whether you're guilt tripping them or threatening their job.
Because who's most likely to work when sick? Ppl who need the job. Who need it? The underpaid. What do the underpaid usually lack? Good or any health insurance. Health insurance which is for profit! So companies benefit from the labor of the unwell, insurance benefits from scamming the unwell who get worse, and the unwell are likely spreading it to other disadvantaged folks in the process. Meanwhile I'm sure if Jeff Bezos so much as sneezes he calls his personal healthcare provider for a fucking house call. I'm really angry that my coworker gave me COVID and my boss wanted me to also work with it, can you tell?
The rich get richer.
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