#our talking points are just a bit different here

[accio-victuuri]

XZ Album 《我们 WE》 early cpns.

you know we just need a few things to see and it’s a whole bunch of cpns we can produce after 😂😂😂 that’s the magic of being a turtle. lol. we may be interpreting this whole thing wrong but that’s usual when it comes to speculations we make and i think that’s the joy of it.

i’ll start of with this one that made me want to scream and cry:

i mean… shut up…. noooooo… wdym 😭😭😭

why you gotta pull the wei wuxian imagery like that. i’m very very weak for this. the writing mimics that of a red ribbon. of all things. tho the WM here as how fans interpret it and how i think xz intended it to is WM: WǒMen (我们) as in We/Us or WM: We and Me (我和“我们”) (Wǒ hé “Wǒmen”). not to mention that the color scheme of this red is 911005. his bday. everything is intentional.

but still. red ribbon. come on. who can blame us for clowning like this when he makes it so easy. it’s not a secret that the untamed and the role of wwx is important to him career wise and well *ehem* personally *ehem* because of a certain someone. if you don’t wanna look that far then just go with the W as in WANG. lol. and if it’s WM, M flipped is still W. so that’s how transfixed he is with the letter W. i wonder why. 👀

now we move on to the snippets of what the song means & how it’s making us think of wyb’s previous single everything is lovely ( which has a separate cpn too between them )

QQ music said this line connected to the album/song:

“About me, about you, about TA (him/her), or the relationship between people in this big city.”

this is pretty similar to the message of everything is lovely — it’s about appreciating everyone and looking at life and your surroundings as interconnected. they both have that sense in them. what we do and say, it has an effect and we are all related even if it’s a big city we live in. plus the use of TA which does not specify the gender. we love that! 👏🏼👏🏼👏🏼

we get more of an expanded idea too via xzs post of the activity for the release. it mentioned a description. you can substitute the we to us if that reads better to you:

“Some people say that WE are close friends, cats and dogs waiting for us to come home every night are concrete in life.

Some people say that WE make friends with all kinds of emotions... are virtualization hidden inside the heart.

These characters of “ME”, and emotions form different "WE".

We are placed in a prism named "life", where light breaks it down into multi-faceted spaces. We travel through different spaces as lights flow and capture our own colors.

Starting from "Me", feel the intersection related to "Me", and then return to understand "self". What is the "we" behind "Me"?

A trace of emotion, a thing, a friend... The bits and pieces around "Me" all make up "We".

i think if you are someone who have been watching them for a while and the messaging they are sending out then you will see the common theme/connection here. the cats and dogs waiting for us to come home every night. that reminds me of the cpn that they have a cat and dog at home, at some point. and it’s what they want too. the interconnection of you/other people and appreciating everything around you, that’s the vibe i’m getting right now. of course we will know more one we have the song/s and the full lyrics and possibly some backstory from xz.

a coincidence too that the “me and we” is giving the same energy as “ u and i” which is in wyb’s weibo bio. which i know is something UNIQ related but there you go.

what’s more chilling i guess is the “we” was emphasized and used as a caption between them by hui-ge ( cpn about this fansite here which is a primer of sorts but there are other instances aside from what’s there ) which was i have a we / i have us. i mean. come on. too bad they haven’t posted in so long especially because fans were looking too much into them ( cpn about this photo/ post here )

the use of “we” which they have mistakenly said back in 2019 when talking about themselves:

other minor similarities:

* the concept of multiple xz and wyb through something prism/mirror like.

* both xz and ybo using similar captions which is not new but most importantly, starting an activity for fans to participate in. which i’m not sure but possibly other artists do too. but whatever, let’s add that 😂

* and the PINK! because pink is the color of love! what are the chances they will use the same color?

lastly, one of the release dates is 11/19. and as cpfs we have a whole story about that and it’s nice that we get to continue that timeline. cpfs think it’s a confirmation of the importance of this date too ^^

-END.

i surely missed some things on here and that’s fine. if something important comes up i will make a separate post! i’m so excited for this month! xz really blessed us 🥹🥹🥹😅

[n0vazsq]

Way of the heart | OP81 x Reader

pairing . . . oscar piastri x racing!engineer!reader

summary . . . After a tough race, Oscar has nothing to look forward to more than spending time with (Y/n)

request . . . kind of?

word count . . . 1.1k

warnings . . . none!

alexavia yaps . . . i really hate this one for some reason like its not the best i could do but i wanted to write something so yeah!! the person who wanted this (im sorry i forgot your user), if you want another story i will totally write it!! tysm for asking <3

Oscar slumped into the chair in the back of the team garage, still in his racing suit, the helmet beside him on the floor. Today’s race had been brutal, everything going wrong until he finally crossed the finish line in a place he didn’t even want to remember. No matter how much he tried to forget it, the disappointment still clung to him.

As the crew packed up around him, you walked over, carrying a bottle of water and a quiet look of understanding. You’d worked with Oscar long enough to know when he needed a moment to think and when he needed someone to remind him he wasn’t alone. Today, he needed the latter.

“Rough day,” you said softly, offering him the bottle. He accepted it with a quick nod, cracking it open but not taking a sip.

“Understatement of the year,” he muttered, letting out a short, frustrated sigh. “Everything went wrong, didn’t it? Every call, every turn… feels like I let everyone down out there.”

You didn’t rush to disagree or to tell him it was all fine because you knew Oscar didn't want you to. Instead, you waited a bit, giving him the space to breathe.

“You know, racing’s a lot like life. Sometimes it’s out of our control, even when we do everything right. We all saw you fight today,” you said gently. “One tough race doesn’t define who you are as a driver.”

He glanced up, the frustration in his eyes softening as he met your steady gaze. “Thanks,” he said, managing a faint smile. “Not sure what I’d do without you, honestly.”

You laughed lightly, leaning against the wall beside him. “Lucky for you, I’m sticking around, win or lose.”

His smile widened a little, and after a few moments of quiet, he stood up, finally letting go of some of the weight he’d carried off the track. “Hey,” he said, glancing at his watch, “I know it’s late, but do you want to grab some food? Just… need to be somewhere that’s not here.”

The restaurant he picked was cozy, tucked away from the noise and chaos that followed you on racing weekends. He knew you’d love it, remembering how you mentioned your love for Italian food

When you walked in, his heart skipped a beat. You wore a smile that was both warm and teasing, the one that always seemed to make everything feel a little less overwhelming.

He stood, smiling sheepishly. “Hey, you look… great,” he said, his voice a little unsteady. The nerves of the race had melted away, replaced by a different kind of nervousness that he couldn’t ignore.

You grinned, taking a seat across from him. “Thanks, Piastri. It’s nice to see you in a non-race setting for once. And I have to say, you look pretty good.”

He laughed, glancing down at his simple outfit. “I tried, y’know, for you.”

The waiter took your orders, and as the evening went on, you two spoke about anything and everything but racing. The conversation drifted easily from favorite movies to random childhood memories. You two talked about wild stories and embarassing moments, laughing at every single thing.

But Oscar’s mind kept wandering back to you. How you’d been there every step of his career, how you’d seen him at his worst and still chose to believe in him. At one point, as you were laughing at a joke he’d told, he couldn’t help but stare a little, his heart pounding in a way that felt completely different from the adrenaline of racing.

The laughter quietened down, and a comfortable silence fell between you both. Oscar looked down at his hands, trying to think of what he wanted to say. “You know,” he began, a little quieter now, “you mean a lot to me. More than just… my engineer or friend.”

You looked up, your expression softening, and he felt his courage swell just a bit. “I think I realized that today, after everything went bad on the track. Just seeing you there, not judging me, not telling me what I should’ve done differently, just… being there. It made all the difference.”

You reached across the table, placing your hand over his, giving it a gentle squeeze. “I’d be there no matter what, Oscar. You’re a brilliant driver and a good person. Bad race or not, that doesn’t change.”

His cheeks flushed, a warmth spreading through him. He turned his hand to hold yours, letting the silence speak for itself. And for a moment, all the disappointment and frustration faded, replaced by a quiet joy that he hadn’t expected to feel tonight.

Later, you walked together under the night sky, the cool breeze a welcome contrast to the warm evening inside. He found himself wishing the walk could last forever, just the two of you, away from the chaos of everything.

Eventually, you both settled on a bench with a view of a beautiful fountain. The sound of the water filled the quiet spaces between you, and he reached over, slipping his hand into yours again, holding it with a confidence he hadn’t felt earlier.

“This feels perfect,” you murmured, leaning against his shoulder.

“Yeah,” he said softly, pressing a gentle kiss to the top of your head. “I wish every night could be like this.”

You let out a soft laugh, resting against him. “It’d be easier if we weren’t always at a race or in different cities every other week.”

“Maybe,” he admitted, looking out at the fountain. “But I think… I think it’s worth it.”

You turned to him, your gaze meeting his with a warmth that made his heart race. He took a deep breath, the words he’d been holding back finally finding their way out.

“Do you… maybe want to meet my family? Make it official?” he asked, his voice a little uncertain but hopeful.

You raised your eyebrows, a smirk tugging at the corners of your mouth. “Oscar, I think we’re already there. You didn’t have to ask. And of course, I'd love to meet your family.”

He chuckled, feeling a weight lift as his heart swelled with happiness. “Then consider this official.” He leaned in, taking your lips in a kiss.

The kiss made butterflies fill your stomach, it was soft, but also made you crave more. It was something magical, like straight out of a movie. Oscar had his hands on your waist, and yours tangled in his hair. It somehow made it more intimate, more personal. You didn't want it to end.

When you finally pulled back, the smile on your face was everything Oscar ever wanted to see.

Hand in hand, you walked back to the car, and for the first time that night, Oscar felt a sense of peace, knowing that no matter what happened on the track, he’d always have you there, his biggest supporter, his steady presence.

And with you by his side, he knew he could face anything that came his way.

[h50europe]

8.06 post mortem - Buck/Tommy - General - 9-1-1 Zombified

Many of us wondered why a cut emergency case from episode 7.04 was used. A novelty and if you look closely, you'll notice that the characters appeared very different from how they did in the rest of season 8, and the scenes felt erratic. This inconsistency is reminiscent of the writing from Andrew Meyers, who also wrote episode 7.04. However, in that episode, he had a co-writer who was clearly more talented. Episode 8.06 was poorly written compared to 7.04. Alone the scene in the beginning. Buck could have pointed out that this chick was interrupting the date he had with his boyfriend. Tommy then mentioned the Kinsey scale

Our walking encyclopedia had no idea what his boyfriend was talking about. Seriously? Also, Buck doesn't want to buy a present for their 6-month anniversary, and Tommy gives him 2 Lakers baseball cards and awkwardly mentions that Buck could go with Eddie? Is this dinner supposed to be romantic? Well, they could have gone to McDonalds. Meyers should have consulted his co-writer at this point; we're heading straight for disaster. Then Tim had this wonderful idea with Abby and thought it was hilarious. The guy's humour isn't just weird, it's kind of crude. Abby never mentioned that she went out with another guy from the 118. Isn't that weird? No one ever knew about it? Not Hen, not Chim? For two years? Did Tommy keep her locked in his basement? This plot is so poorly constructed that it's cringe-worthy at best. And that's when Himbo's jaw hit the floor… along with the audience.

The only good scene was Josh's GLEE speech. And I may be reading between the lines, but I felt that the way Josh talked about post and past GLEE and how Buck can't blame Tommy for his actions because times were different was a wink and a nod to the haters. I really had the impression that this was a cunning move to address why Tommy was who he was back then and why he has changed now.

But seconds later I nearly choked on my drink, and I can tell you it's orgasmic when a sip of Pepsi comes out of your nose, when Maddie said, "She wondered how many men Abby had turned gay." Because I was chatting to a friend before I watched the episode and I almost said the same thing. I live in Europe, so I watched it the next day, knowing what was coming, but nothing about that particular scene. Which, frankly, was terrible.

Forgive me for ignoring the emergencies in this episode. They were repetitive, to say the least, just with different protagonists.

So far we have a recycled episode, a recycled ex, a recycled emergency and a recycled scenario, Maddy is pregnant (hooray). It begins to reek of decay.

Brownie points to those who aren't already traumatised or bored to death. Now for the highlight: Tommy shows up at Buck's apartment in a great mood. He is looking forward to a date with his friend and hot sex as the icing on the cake (that's what I had in mind). Tommy gets suspicious when Buck asks him to sit down. It doesn't take long before he pulls out his phone and shows his friend photos of Abby and a younger Buck. This is followed by an awkward explanation of why he didn't share the news in the restaurant, and Tommy's reaction is a little awkward too. But this is only the overture to the worst retconning I have seen on television in a long time. The coincidence is swept under the carpet in the blink of an eye, and now it gets creepy.

Compare the scene in the coffee shop with this one. It has the same structure, bit by bit. Buck invites Tommy to the wedding in the coffee shop, and Tommy says, "What?" Here it is: "I want you to move in with me." We have a mashup of the first kiss and the coffee shop scene, and Oliver plays it similarly. The worst part is when Tommy turns into his zombie version. Excellently played by Lou. No doubt about it. He gave it his all. He maimed that shitty script, which felt like Meyers had raided AO3, picked the worst written fics and went for the most cringe-worthy insult he could find for a bisexual. "I was your first, but I won't be your last." Hello? This topic only comes to Tommy's mind after he is asked to move in together? I was expecting "I can't move in with you because I wouldn't know where to put my car lift and Muay Thai studio". No, it's because all the trust and love Tommy put in Buck is wiped out by the retconning of Tommy's personality. He succumbs to total chaos. This is not the Tommy we met in S7 and certainly not the one we met in 8.05. Fuck me! It didn't make sense. We would have needed a lot more background information ON SCREEN to make it believable. A scene from Tommy's past. Who hurt him so badly? It wasn't Abby. She only managed to traumatise Buck. Was it after he met Abby? Was it another guy?

Hello writers, are you still in your right mind? We have no clues. Neither the loyal fans and certainly not the new ones. You're reducing a character to a sad laughing stock. You rob him of all his merits, which you had Buck recite like a poem in school. And then you expect us to believe it? You steamroll over everything that's been painstakingly built up to this episode? It's actually convenient, I let the whole relationship run off screen. We don't see any flying lessons together, no training together, no cosy get-togethers in front of the TV, no exchange of affection, nothing. It's all headcanon. Guys, I've seen shows and movies where a sequence like this lasted five minutes and you knew where the couple stood. Maybe a flashback or two into Tommy's past would have helped. But no, instead the audience had to put up with the same old nonsense. A ridiculous story about an urn, a guy who sneezes and his intestines fall out, a kid who doesn't fall down a drain but slips down a pipe. They give us nothing, but we're supposed to believe everything, retconning is so great. If any of us wrote fanfiction like that, we'd be banned from AO3. And as if that wasn't enough, Tommy stands up and says, "Believe me, I didn't see this coming either. Tell me, were you on drugs when you were writing? There are a thousand ways to respond sensibly to "Let's move in together" without turning it into such a dumpster fire. The crowning glory of all this madness is when Tommy says "I'll see you around Buck" instead of Evan (the same words he said to Evan when he left him standing outside the restaurant on their first date). Where did that come from? It's as if Tommy had lost all respect for his lover, or as if he wanted to punch him in the face while he was already on the ground. We, the viewers, also had this feeling. And Tommy's behaviour was completely disturbed. I wonder if he checked himself into a mental facility right after that.

I won't say anything about the rest of the episode because I'm a polite person.

Conclusion: Please take the pen away from this lunatic and never let him write anything again or give him a co-writer like in 7.04. The guy is totally unhinged.

Extra brownies, you made it!

[blueishspace]

Double Life Remixed p.18

*Tango's pov*

You visit Pearl first, you don't know why Scott insisted on checking on them first but it's not like you had any better ideas and Scott won last season despite having started with two lives so he probably knows what he's doing...

... Pearl and Scar's base is... interesting. Looks like a zoo more then anything. Actually, looking at the amount of animals here it might actually be a zoo.

You don't hear Pearl approaching and Scott definitely doesn't either because you see him have a mini heart attack when Pearl appears behind them like a fucking apparition.

Pearl: Hey there!

Tango: AHHHHHH! (You know Tango's high pitched cartoony scream? That)

Scott is the one to recover first from the scare.

Scott: Hiii. So this is where you and Scar settled in?

Pearl: Sure is!

You decide to actually join in in this conversation... just observing two people talk while staying silent like some silent watcher observer is extremely akward... What was that? Your thoughts went a bit...weird for a moment... Oh well, where were you? Right, joining in.

Tango: Went for a zoo theme? Are you zookeepers then?

Pearl: Sure are mate!

Scott: ... Yeah, how did that happen by the way?

Pearl: Oh, Scar got the pandas and I got the wolves and then Scar found some cats and then we got some animals for farming and it just went from there.

Scott: Well it is very nice, I could see part of it from our base.

Pearl: Oh mate, we're neighbors? We should try to be friends then.

Tango: Yeah...sure.

Pearl: What? It's true.

Scott: Hmm, where is Scar by the way? And why would you leave him alone.

Pearl: Oh! He's still with the pandas, do you want to join in?

You look at Scott, he looks back thoughtfully before nodding.

Tango: Sure?

Pearl: Follow me!

Scar is exactly where Pearl said he was, It's not like you expected her to lie or something but still...how long has he been here?

Scar: Oh hello! What can I do for you?? Came with an offer cause I would be open to hear-

Pearl: Scar, they are visitors. Wanted to look at the pandas.

Scar: Oh yes! The Jellie Pandas! Aren't they adorable?

Tango: What are they? Some weird...cat panda hybrid???? How have you done this!?

Scar: ✨Magic.✨

Scott: How...did you do that with your mouth-

Tango: They are...completely different species??????

Pearl: Well, so are humans and blazes and yet you exist mate.

Tango: I- uh...I don't think that's how it works.

Pearl: Isn't it?

Tango: . . .no?

Scott: Is it like... ⭐? No uhhh 🌟?

Tango: Scott! Stop trying to make... sounds! Pearl is giving me an existencial crisis.

Scott: Wait I got it. ✨.

Tango: Scott!

Scott: Yes ✨dear✨?

You die immediately, thank you Scott... Well you don't actually die but your soul almost exits from your body.

You aren't going survive this series if Scott keeps this up, Scott might as well just straight up kill you at this point...

Ah, more like gay up kill you... Oh gods his sense of humor is already rubbing off on you this is both the best and worst possible timeline.

Prev Next First

[thereareeyesinsidethetrees]

ae don't see the point in engaging in a fandom if you don't even really like the characters

like, yeah, folks get ford wrong, and they get mabel wrong too. but they also get stan wrong. like. a lot? just as much as they get ford wrong, even? is. is there a chance the only reason folks talk about ford's mischaracterization more is because he's made out to seem worse than he is and stan is made out to be flawless and people like flawlessness and perfection and more attracted to characters deemed as having no negative traits because they feel better projecting themselves onto said character

anyway, ae can't say anything on dipper cause ae don't even really know his character that well (was always more interested in the others unfortunately) so ae have no clue if like. folks are mischaracterizing the main character too

but the point is: you have a main cast of like four characters. maybe five, if you count bill. and three out of those four (maybe four out of those five, considering the. what would we call that. 'wet kitten'-ifing of bill, especially recently), a large chunk of the fandom violently mischaracterizes. do you get us here? like, it's one thing to throw some headcanons into the ring, tweak some bits of a character, etc.

what the fandom does with ford and stan is not that. ford is not ford, and stan is certainly not stan. and mabel? we all know how she's treated

aey don't want to say like. all the folks here are doing it for this reason. but ae'm willing to bet this is due to 1. not interacting with the actual material for a long while and 2. not being able to let go of the series due to nostalgia

and ae get that, ae do. it's hard to let things go that are important to you. but you're not the only one. gravity falls praises weirdness, the differences in beings. lots of folks are attached to the show due to this, especially neurodivergent or just generally outcast folks. it says you will find your place, where you will find community and safety. it says that things get messy, but they can always get better

1: erasing stan's mistakes and flaws and making him a perfect can-do-no-wrong was coerced into every bad thing he's ever done character fucks that up (and the stan in our head personally likes to have his gremlin shenanigans acknowledged). it means stan didn't have to work for his happy ending, he didn't have to better himself, he just had to sit and wait for ford to drop it in his lap. this means it is not equal. it's not fair to ford, if he's the only one that had to put effort into it (especially after the thirty years of being in a completely alien place??). this also becomes an issue when you take into account that a large amount of people still give stan all his canonical trauma. you are not your trauma, you are not responsible for it, but you do need to work with it. it can't get better by itself, you need to help it get to that point. and this is speaking as someone with ptsd. it will always be there, but you can ease the pain. thus, treating stan in this way yields the opposite meaning: he doesn't struggle with it. he doesn't make mistakes. he never lashes out because of the suffering as commonly occurs. he doesn't have to try. making him messy makes him real, and making him real means he can be used as a device to help those hurting to heal. his experiences are relatable for a lot: and thus making him have to work for his good ending instead of just waiting for it to fall into his hold is important. if he can do it, you can, too! you don't get that if he doesn't have to try

2: ford is a very neurodivergent-coded character. this does not mean he is canonically neurodivergent; it does, however, mean that when you demonize him, make his character worse than it is, it is very difficult to avoid spewing out ableism. saying x trait of ford is bad for y reason means you are bound to fall into a pit trap of hurting beings who don't deserve it. most folks think of autism, of course, but this also applies to a lot of other things. personality disorders, paranoia and anxiety, ocd, and a whole host of other things folks have no control over. he has a lot of hurt he was never able to process properly, and that adds to him being a messy character. this is good! he works hard to pry his life from his abuser, and he works even harder to better himself and get his happy ending with his family! and yet. the fandom does not acknowledge any of that. he is demonized for things stan does, too, and ae have never such horrific victim blaming as in the fandom. again, this hurts people. he is not irredeemable, and he is not responsible for what his manipulative abuser did to him. implying or outright saying he is harms beings that are trying to heal from similar experiences. furthermore: the emphasis on him being arrogant, having an ego. stop that. if he has a little bit of arrogance to him, so what? that's normal, that doesn't make him a bad guy. especially when folks dig so hard to find any scraps that prove this apparent trait of his. everything is scrutinized. learning to love yourself is important, and gaining a little bit of an ego is part of that. building confidence and pride in your accomplishments is good! being able to genuinely say you're cool or amazing or smart or beautiful or strong is good! building all of this up is an important part of healing, especially from trauma, and demonizing ford for it is actively working against this

pointing these things out isn't hating on stan or defending ford, either. the characters have personalities, and it's better in the end to let them keep them, as messy as they may be. stan has flaws, ford does too. but they're good people, they have good intentions, and they work to better themselves and repair relationships. they're not all the way there, yet, but they will be. you just won't get to see it (that's what fics and fan art and headcanons and discussions are for)

this turned out so much longer than ae meant it to be, but like. idk, needed to get our thoughts out ae guess

[hydrangeapartridge]

Opinion and thoughts on Emmrich’s questline’s last choice (with spoilers of course) :

How that choice stressed me the second the Liche thing was introduced… until when truly faced with it, it didn’t XD. I regret worrying so much but that’s in my nature (PTSD from Solas Romance and other stuff...). The second Manfred came into the picture, I was sold for one of the endings. I couldn’t imagine continuing the story without our beloved skeleton child.

With that said, I still played the two choices and the little wrapping quest after the choice. In the end, to me the whole choice felt like choosing between heart and mind. Here’s why:

- Emmrich becoming a Liche (the path of reason/logic)

In this ending Emmrich follows his dream/project. Just before you make the choice he is still very eager to become a Liche and barely talks about Manfred. I felt that’s what he really wanted and had worked hard for (contrary to other companion quests where other companions seemed less comitted to one choice over the other).

It is a more « selfish » (it’s a too strong word but I haven’t got a better one) ending and feels colder too. Emmrich follows his academic goals.

Rook and Emmrich’s interaction before the ritual made me a bit sad, like a farewell. The worry for Emmrich’s life and the unknown felt real. And when Vorgoth stepped out with the bloodied dagger, I felt a pang in my heart. The cutscene was very well done, every mortalitasi stepping out and suspense as Emmrich steps out last : he succeeded but changed forever.

Emmrich won’t have to face death because he succeeds in becoming immortal (he somewhat faces it because he could have died during the ritual but you see my point). When romanced, even if you can say it changes nothing to Rook’s feelings, that is obviously a big thing. It felt a bit too big for me for a romance that just starting blooming.

- Emmrich saving Manfred (the path of sentimentality)

To save Manfred, Emmrich will have to abandon becoming a Liche. He’s sacrificing something for Manfred, just like Manfred did for him. It’s warm and cute, and Manfred comes back with new magic powers. Plus you see the spirits of the first quest again which was a nice detail.

The first thing Manfred says when he realizes he’s got magic is « Magic, like you », showing he really admires Emmrich. That line killed me honestly, so heartwarming! The hug and the following scene with Rook are adorable, absolutely wonderful, and when in a romance with Emmrich it gives the family vibe that I personally enjoy very much. Father figure/teacher Emmrich does something to me… (I promise I don’t have daddy issues, I’m just getting older XD)

Emmrich will teach Manfred, pass on his knowledge to him, and somehow he’s giving his life to him since he turned down immortality for him.

Maybe it is selfish of me but I prefer this ending because Rook gets both Manfred and the same Emmrich as before. It feels happier. As Emmrich said when asked about his regrets: “I wouldn’t have it any other way”. This moment, with that sweet expression he made while watching Manfred discover the world again brought tears to my eyes. My heart was moved by this ending. It is by far my favourite.

Final thoughts:

I’m reminded of Baldur’s Gate 3 where the endings I preferred were those where the companions didn’t go through with their initial goals. It feels more like character growth that way maybe.

I’ll have to see if the other romances are as impacted by the final decisions of companion quests but I’m not sure. I didn’t feel like the other choices were that big (except Taash and Harding maybe) but maybe I’m wrong, I’ll see when I watch the other romances.

I’ll do another post soon about my overall opinion on the companions and their quests.

I absolutely do not regret choosing Emmrich’s romance, it made me feel lots of different feelings, and that proves it had me invested! It was very good. I hope there will be a few more scenes with him (especially a sexy one XD) because I can’t get enough of this lovely man!

(Link to my opinion on his last quest if you want more of my rambling)

[big-bird-nerd]

I think when talking with Americans who are convinced the world will burn alive if you dare question voting for Biden or whatever, it's important to address the strategy of inoculation when it comes to organizing. In particular, voting for Biden in no way guarantees Trump doesn't wind up winning anyway, so inoculation is doubly important, which is to say, these people need to be asked; what happens if Trump wins? They need to say these things out loud. Why is it that such things would happen? What forces that be allow for them? And with that, the question then needs to be asked, what will be done when this worst case scenario inevitably happens? Are they prepared? Because a vote for Biden still leaves the worst case scenario as fully and completely possible, and the "vote blue no matter who" crowd needs to be made aware that they cannot in any way rely on an unreliable and corrupt voting system to hold back the worst case scenario. After all, if you actually care about trans people and immigrants, then you should be doing more than just hoping people will vote, hoping the right old fart in the White House will protect you - you should be organizing your community to fight back against these constant attacks. People fall into this "vote blue no matter who" trap because their anxieties are used to blind them to the fact that they're being played. Inoculation is necessary to calm these anxieties and make it clearer that a vote is less than the barest of bare minimums to actually protecting your loved ones from the very real problems that are making people anxious.

Vote for whoever the fuck you want, I'm Canadian and I don't really care, but stop putting the focus on the vote and the vote alone and start talking with your community members about what you'll do if (and dare I say when) the worst case scenario happens and you have four years without a vote to rely on.

Also like, people are allowed to criticize any and all leaders. That is like, supposed to be the whole freedom of speech thing. If your candidates just suck so much shit that you can't give a reason to vote for them beyond "the other choice is worse," you aren't convincing anybody. Somebody who is not voting for the other option is not going to be convinced to vote differently if said option that they aren't voting for is worse. They will simply continue to not vote. It's not a convincing talking point. It is literally untrue that voting anything non-blue is a vote for red, that's not how politics works and you are sounding increasingly out of touch with reality and increasingly more like the qanon conspiracy guys.

Not sure where this post was going. Just sick of seeing the same cyclical talking points with no progress whatsoever and am dumping my own thoughts on this.

[i-could-be-so-much-more]

It frustrates me to no end that everyone I talk to someone new my brain catastrophises to the point where even though I know logically it’s fine, and normal, and fun, I end up making it a bigger deal in my head that I know it is…I think myself into spirals that the logical part of my brain knows are ridiculous and dramatic and improbable, which stress me out more than is entirely necessary…it’s so tiring to exist and participate in the social world sometimes

[maslows-pyramid-scheme]

"This case does not show that bisexual women have structural privilege of lesbian women. It just shows that the scales are tipped in favour of the biological parents."

Right. And bisexual women have access to a biological parenting couple experience that lesbian women can never have. They have the ability to benefit from those tipped scales in a way that lesbian women can't.

When you say that bisexual women have 'access to a biological parenting couple experience,' are you talking about sexual reproduction?

Because I don't think human biological reality - our innate sexual attraction or our biological ability to reproduce - is unfair or discriminatory or anything of the sort to lesbians. It simply is.

And I don't think legislating around this biological reality necessarily indicates that bisexual women have structural privilege over lesbians, though I do think this legislative approach could use some improvements (better/cheaper access to IVF for same-sex female couples, better/cheaper access to second parent adoption) (I think I touched on the various arguments against the various family arrangements in another post here) (I am open to alternatives here, though - what do you think the best parentage arrangement is and how would you address any problems that arose?)

@female-malice

[peapod20001]

I like to think that if my tumblr pals came to my house, they’d have a good time

[mantisgodsdomain]

Winning a prize personally by being someone's "well, this trope isn't usually my style, but i know this author is Really Good at writing so i'll check it out anyways" author

[jewishvitya]

A pro-Palestine Jew on tiktok asked those of us who were raised pro-Israel, what got us to change our minds on Palestine. I made a video to answer (with my voice, not my face), and a few people watched it and found some value in it. I'm putting this here too. I communicate through text better than voice.

So I feel repetitive for saying this at this point, but I grew up in the West Bank settlements. I wrote this post to give an example of the extent to which Palestinians are dehumanized there.

Where I live now, I meet Palestinians in day to day life. Israeli Arab citizens living their lives. In the West Bank, it was nothing like that. Over there, I only saw them through the electric fence, and the hostility between us and Palestinians was tangible.

When you're a child being brought into the situation, you don't experience the context, you don't experience the history, you don't know why they're hostile to you. You just feel "these people hate me, they don't want me to exist." And that bubble was my reality. So when I was taught in school that everything we did was in self defense, that our military is special and uniquely ethical because it's the only defensive military in the world - that made sense to me. It slotted neatly into the reality I knew.

One of the first things to burst the bubble for me was when I spoke to an old Israeli man and he was talking about his trauma from battle. I don't remember what he said, but it hit me wrong. It conflicted with the history as I understood it. So I was a bit desperate to make it make sense again, and I said, "But everything we did was in self defense, right?"

He kinda looked at me, couldn't understand at all why I was upset, and he went, "We destroyed whole villages. Of course we did. It was war, that's what you do."

And that casual "of course" stuck with me. I had to look into it more.

I couldn't look at more accurate history, and not at accounts by Palestinians, I was too primed against these sources to trust them. The community I grew up in had an anti-intellectual element to it where scholars weren't trusted about things like this.

So what really solidified this for me, was seeing Palestinian culture.

Because part of the story that Israel tells us to justify everything, is that Palestinians are not a distinct group of people, they're just Arabs. They belong to the nations around us. They insist on being here because they want to deny us a homeland. The Palestinian identity exists to hurt us. This, because the idea of displacing them and taking over their lands doesn't sound like stealing, if this was never theirs and they're only pretending because they want to deprive us.

But then foods, dances, clothing, embroidery, the Palestinian dialect. These things are history. They don't pop into existence just because you hate Jews and they're trying to move here. How gorgeous is the Palestinian thobe? How stunning is tatreez in general? And when I saw specific patterns belonging to different regions of Palestine?

All of these painted for me a rich shared life of a group of people, and countered the narrative that the Palestininian identity was fabricated to hurt us. It taught me that, whatever we call them, whatever they call themselves, they have a history in this land, they have a right to it, they have a connection to it that we can't override with our own.

I started having conversations with leftist friends. Confronting the fact that the borders of the occupied territories are arbitrary and every Israeli city was taken from them. In one of those conversations, I was encouraged to rethink how I imagine peace.

This also goes back to schooling. Because they drilled into us, we're the ones who want peace, they're the ones who keep fighting, they're just so dedicated to death and killing and they won't leave us alone.

In high school, we had a stadium event with a speaker who was telling us about a person who defected from Hamas, converted to Christianity and became a Shin Bet agent. Pretty sure you can read this in the book "Son of Hamas." A lot of my friends read the book, I didn't read it, I only know what I was told in that lecture. I guess they couldn't risk us missing out on the indoctrination if we chose not to read it.

One of the things they told us was how he thought, we've been fighting with them for so long, Israelis must have a culture around the glorification of violence. And he looked for that in music. He looked for songs about war. And for a while he just couldn't find any, but when he did, he translated it more fully, and he found out the song was about an end to wars. And this, according to the story as I was told it, was one of the things that convinced him. If you know know the current trending Israeli "war anthem," you know this flimsy reasoning doesn't work.

Back then, my friend encouraged me to think more critically about how we as Israelis envision peace, as the absence of resistance. And how self-centered it is. They can be suffering under our occupation, but as long as it doesn't reach us, that's called peace. So of course we want it and they don't.

Unless we're willing to work to change the situation entirely, our calls for peace are just "please stop fighting back against the harm we cause you."

In this video, Shlomo Yitzchak shares how he changed his mind. His story is much more interesting than mine, and he's much more eloquent telling it. He mentions how he was taught to fear Palestinians. An automatic thought, "If I go with you, you'll kill me." I was taught this too. I was taught that, if I'm in a taxi, I should be looking at the driver's name. And if that name is Arab, I should watch the road and the route he's taking, to be prepared in case he wants to take me somewhere to kill me. Just a random person trying to work. For years it stayed a habit, I'd automatically look at the driver's name. Even after knowing that I want to align myself with liberation, justice, and equality. It was a process of unlearning.

On October, not long after the current escalation of violence, I had to take a taxi again. A Jewish driver stopped and told me he'll take me, "so an Arab doesn't get you." Israeli Jews are so comfortable saying things like this to each other. My neighbors discussed a Palestinian employee, with one saying "We should tell him not to come anymore, that we want to hire a Jew." The second answered, "No, he'll say it's discrimination," like it would be so ridiculous of him. And the first just shrugged, "So we don't have to tell him why." They didn't go through with it, but they were so casual about this conversation.

In the Torah, we're told to treat those who are foreign to us well, because we know what it's like to be the foreigner. Fighting back against oppression is the natural human thing to do. We know it because we lived it. And as soon as I looked at things from this angle, it wasn't really a choice of what to support.

[s-soulwriter]

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

[zickmonkey]

Gonna say some semi weird shit lmao sorry

[joycrispy]

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

[nightingale-prompts]

You are not Special- DC X DP Prompt

Interdimensional God-like beings are not known for their patience, however it looked like they had gotten lucky.

This being that had been summoned against its will to their universe was actually quite calm. They sat back on a makeshift throne made by the cultists that had brought them here. Its body was the form of a young man draped in silk. He paid little mind to the cult bowing and scraping at his feet as he absentmindedly examined his nails for anything under them. They were as pristine as his marble-like form.

"You know cults get a bad reputation in these modern times." He said not looking up at the heroes who had invaded his sanctuary intent on sealing him away. "Not without cause of course. But not every cult is evil. As oxymoronic as that sounds. But it used to mean a group of people devoted to their god of choice, no different than any other religion except they lived solely to dedicate their lives to it. No tricks or schemes, just beliefs. None of that sacrifice or blood here though. I like cleanliness and a good batch of dessert for my alters."

"We aren't here to give your offerings." Batman said simply.

The teen stretched lazily and shrugged.

"You are free to just pray, take a rest, eat, or do whatever you want."

"You don't belong here. You must return to your own realm." Superman said fimly but cordially.

The cultists panicked as they looked between their god and the heroes. Some had disdain etched on their faces others had sadness.

"Don't belong? I do what I want. Who are you people to tell ME what to do? Do you own this planet? This universe?" The god challenged.

"We are the protectors of this planet. Surely you understand that we can't let you stay here using humans like servants." Superman retorted.

Constantine had a bad feeling about what came next as he got between everyone to speak.

"Sorry, forgive him. We don't want to offend. It's just that our universe has had enough beings like you causing issues in the past. We are a bit exhausted because every major event seems to hit our planet. We are a bit defensive."

The teens's lip curled.

"Do you think you are the only planet with such woes? How conceited. What you believe that your little planet is so special that it is the only one subject to the powers of beings you can't control? As we speak there a thousands of beings influencing this world that have a bigger effect than what I'm currently doing. Are you tired of being the playthings of the universe? Bah! The universe doesn't care one bit what goes on on this little planet over the billions of planets in this universe. You are no more special than a bit of algae on a frozen world." The teen sneered.

"But that doesn't change the fact that we would like one less threat to deal with," Batman said as Constantine tried to shut him up. "Even if you do not care about humans, we care what you can do to us."

"A good point but I never said I didn't care. I'm actually fond of humans but no more fond of them than any other lifeforms. There are billions of aliens in this universe alone. But not one is special because all life is special. Not one is better. But any damage I could possibly do to you could easily be done by the many unseen gods of this realm. These beings have built this world from those that actively created it, ignore it, and those that don't even realize it exists. Could you believe that your own creator doesn't know you are there? It's actually very common."

"You're dodging the question and talking in circles. We just want you to leave." Batman sighed irritably.

"You keep telling me to leave. I have just arrived but I've also always been here. Is this how you greet me?" The teen crossed his arms.

"Are you a god of this world?" Wonder Woman stepped forward this time. "You dress like that of a Roman god."

"Do you like it? I got it from Rome a few thousand years ago."

Well, he never failed to turn something into a compliment, that's for sure.

"But that's a complicated question. If you're asking if I made your universe then, no. If your asking if it exists because of me then, yes. It exists because I do. It's my nature. So I'm not a god. I'm a law of nature." The boy leaned back and kicked his feet childishly.

"You look like a kid." Clark blurted.

"Well... you're right. But you didn't have to point it out." He pouted.

"I mean, you just look...like a person. Not a force of nature." Clark quickly corrected.

"I look like what you can perceive me as. Can't ask a two-dimensional creature to understand three dimensions. Think of me as an anthropomorphic personification of a concept." The teen stood up finally and walked around his bowing worshippers.

"And what are you?" Batman said stiffly as the boy reached him.

"I am the Void. The absence of force or untethered space and infinite possibilities. A place of raw unprocessed energy. So if I exist then a tethered space with one string of possibilities exists. Think string theory." The boy laughed.

"Wait, I know what you are. You're an Ancient, an Endless. I thought I'd get a break from your lot after Morphosis." Constantine said.

The group turned to Constantine in surprise, not surprised that he knew what the kid was but that he had done this before.

"Look, kid. Your lot don't show themselves often. Especially not in front of so many people. You'd usually lay low among mortals." Constantine said suspicious of the young Endless. "Do the others know you are playing around?"

The teen presses his lips together. He glares like someone has ruined his game.

"Should I try summoning them and ask." Constantine smirked, he knew he found his in.

"You wouldn't." He frowned.

"I would." Constantine said "Unless you want to go home on your own."

The boy tried to protest but a portal opened on its own and a hand reached out grabbing the boy by the ear.

"What are you doing in the mortal realm this time?! I told you to focus on fixing the timelines not playing god like a child!" The voice boomed.

"But Clockwork-" The teen whined as he was dragged through the portal "I was just pulling a prank. I swear!"

The boy's voice was muffled and distant as he got to the other side. Then the prtal closed and it was over.

The room went silent.

"He was right. There is nothing special about any life form over another. But that also means he is no different than a human child and held to the same standards." Constantine said lighting a cigarette before leaving the ruins. "You can handle the rest right?"