#our story never ends

[poorly-drawn-mdzs]

None of our hands are clean

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[littleblackraincloudofcourse]

My apologies to the hard working, unfairly treated, writers, directors, cast and crew but I am not exaggerating when I say I am one more cancelation from not being willing to start any more new shows. I can't keep getting attached to these characters and excited to see their stories only for them to canceled after one or two seasons and never be told. Especially when most of them only get eight episodes or less. I wouldn't mind short seasons if I got a complete story but that rarely happens anymore.

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[wanderlust-in-my-soul]

I would carry you to the end of the world.

Love In Translation

Our Skyy 2

A Shoulder To Cry On

Why R U

Happy Merry Ending

Never Let Me Go

The Best Story

History 2: Crossing The Line

Don't Say No

Innocent

Favorite piggyback rides (Part 2/?) as part of my favorite bl-trope collection (no particular order).

[starmist]

I genuinely believe Naksu haunts the narrative. Her actions and existence as Naksu heavily impact the entire story. Her past, the life she lived and the shadow of it in Mudeok. But we don't actually know any of it because Naksu is not in the story.

Like. What she lost as Cho Yeong is something that we are never allowed to forget, the loss of her body, her powers, her freedom, and her impending death as a soul shifter hangs over Mudeok's head like guillotine.

All the while we don't actually know the Shadow Assassin Naksu, she died in the first episode, as soon as the story began. Other than training and killing (soul shifters) what kind of person was she when she didn't have to rely on another person else or hide or live as someone else? We don't know and we don't ever learn any of that.

Still, her absence is the plot, yet her former existence as Naksu influences everything; Yul's actions and what she was to him, Jang Uk's goal of returning her powers, the revelation of soul shifters to Park Jin, Jang Gang's departure, Jin Mu's accomplishments, the King's Star even.

Everything is about her existence but she doesn't actually exist at all anymore.

[horizon-penblade]

I see so many posts about how weird it must have been for the pevensies to grow up twice and while that is true I do feel obligated to point out that susan was the only one to make it past 22 the second time around

[triglycercule]

idea. since askdusttale answered an ask about where dust got his determination from (because dust has SOME determination just so he can remember the timelines and keep going against the human) and said it was totally up to personal interpretation on how he got his determination. so so so like what if what if dusttale's player did something similar to something new's player and changed dust's code to give him determination??? so dust and killer COULD BOTH had their codes tampered with??? the parallels would be INSANE. they both started off as sans and got their codes tampered with by the player but dust and killer went on two opposite paths. dust out of his own voalition decided to go against the human but killer had to team up with the human no choice at all. the opposite parallels go CRAZY oh god im tweaking

killer doesn't know exactly (since i forgot whether or not he can see codes or something like that. i swear there was an image of him describing fell and swap's code and then his own) but he can SENSE that something's off. something's different about dust that he doesn't quite know about. maybe it gets him to ask a bunch of questions that dust is definitely not open to answering because jesus man mind your own damn business but the question that really sets killer off is the way dust answers when he asks "so if you have determination then how did you get it?" and dust just shrugs his shoulders and said that one day he suddenly remembered the resets and then that's when he got it (and then goes back to mumbling to phantom paps or wtvr) and killer's just like. zomg. a sudden change in behavior or mentality that seemingly has no apparent reason related to the human???? like like like when he suddenly had to agree with the player despite literally never wanting to????? killer is over thinking the implications behind this

meanwhile dust is just annoyed now because killer keeps on following him. he keeps asking him strange questions. wtf why is the guy asking to see his SOUL that's incredibly personal???? he just wants to be left alone man he has no idea what's going on

[aalghul]

I don’t think it makes sense to assume that Jason was mocking Mia’s past. At all. The thing that got jason painted as violent back in the 80s was his anger against rapists…how does that turn into mocking a victim? and that entire story was written by winick. Do we honestly think winick intended to communicate that? The same writer who made Jason’s first kill a man who was trafficking children? Who had Jason pause in his mission of madness to make sure those kids were found by the right people so they wouldn’t be in further danger?

[thstarsofsilver]

the cancellation of 'how i met your father' is actually a much greater loss for television than i'm sure most people are going to give it credit for.

for starters, this show marked a big part of bringing back longer-format sitcoms, where seasons lasted 24 episodes and the idea was to follow the characters through several years of their lives, marking major life milestones, etc. it leaned into the comedy, both physical and witty, and allowed its audience the pleasure of following an assorted group of random but very close friends through shenanigans. it had the simple joy of good old fun.

it also seemed like a great example of very casual but genuine representation & diversity. one thing i loved about the show was how there was poc representation & lgbtq+ representation, but that wasn't the only thing those characters were there for. sid was a south asian man, but it didn't define him - even without that he would've been a fleshed out and interesting character. ellen was an east asian lesbian, and the same applied for her. in fact, her journey of self-love was an important part of her story, and yet it was not at all related to either aspect of her identity. (i know they weren't the only examples, but you get it.)

minorities were allowed to exist as humans, without existing only as minorities, which is a box many shows put their characters in, and it was nice to see it done well for a change. yes, it could have had even more diversity, but the point very much still stands, including in the fact that we never saw sophie's son because he could have been any race (a welcomed progression from the characteristic 00s all-white himym cast).

i know lots of people gave the 1st season a shot and didn't come back for the 2nd, because they found it forced and cringey and various other things.

but in s2 the writing and characters found their feet - the jokes were funnier, the stories were more enjoyable, the characters were more lovable, and it was clear that with time the show had grown into itself.

and it's a shame, for himyf, its fans & the sitcom genre as a whole, that this show will never be allowed any more time, never be afforded the opportunity, to keep growing, and conclude all those stories they set up.

[writhe]

oh but now it is all grief

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[littleblackraincloudofcourse]

This seems to be hard for some to understand but, Being queer and closeted does NOT excuse being racist and misogynistic. Just like being poc wouldn't excuse being queerphobic in any way because, and here's the part people seem to have trouble with, THERE IS NO EXCUSE FOR BEING A SHITTY PERSON!

No one gets a free pass for hurting other people just because they were secretly hurting too. At least they shouldn't if you give a damn about the people they hurt before and the people they're going to continue to hurt because they haven't changed. And they never will without addressing their past behavior. It cannot be ignored and you shouldn't want people to try.

[rexscanonwife]

Alright guys sorry about the identity crisis but I'm going back to my truest form for a bit because talking/thinking about star wars just feels SO RIGHT for me 🥺🥺 it's my natural state, so be ready for more star wars stuff!!

[marleemutt]

please remember that tomorrow is not promised, and make the most of the time you have now

[staygoldpbj]

pony and johnny duetting on stay gold will always make me wanna throw up

[raifuujin]

It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo

Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j

Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.

Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)

-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.

We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.