#others. and thats a very good and nice thing to do

[lehnsherrrr]

Mitski + Cherik

I have a playlist of every single Mitski song ever made playing constantly 24 hours of my day for the past 2 years, I also went to see her live. I’ll be damned if I don’t make this post. (Also this has been in the drafts for like 3 weeks now)

So, at first, I was listening to Mitski and was like whoah the song “old friend” is perfect for cherik. And then the song “Eric” came on and I was dumbfounded, so here’s an explanation of lyrics and how they apply to Cherik.

Also I suck at making edits so this is technically the same thing but using your imagination instead.

“We nearly drowned for such a silly thing”

Charles diving into the ocean to save Erik. But this could also mean drowning in their decisions, they almost lost each other because of their beliefs. Such a silly thing to loose each other over.

“Someone who loves me now better than you”

This line makes me believe this song is from Erik’s perspective, either talking about Charles, or Magda. However I like the idea that it’s Charles he talks about since it’s the very start of the song. It might even be implied that “better than you” is implying Shaw.

“And that pretty friend is finally yours”

100% talking about Moira, boy is bitter. All of this so far is talking from the future looking on the past, so that previous line may be talking about Magda after all.

“I’ll be around on Sunday, if you’ll meet me at the blue diner, I’ll take coffee and talk about nothing baby”

Erik meeting Charles at the end of Dark Pheonix. Isn’t it nice to talk about nothing for once, instead of arguing about mutant rights or trying to save the world. They can finally relax together and just be people.

“At the blue diner, I’ll take anything you wanna give me, baby”

Switch to Charles perspective. Agreeing to stay with Erik.

This song is short but wonderful, I’ve only focused on the first half of the song because it fits far too well. The other part fits too but this was too specific.

The way it starts with how they met, then when they left eachother for other people, and then ending with them rejoining. Perfect few lyrics almost like they were made just for them.

And to top it all off, it’s called Old Friend. Thats CRAZY.

“Sorry I can’t take your touch”

Erik leaving at the end of pretty much every movie, the touch being Charles love and want for him to stay with the xmen, with him.

“It’s just that I fell in love with a war”

Erik’s constant belief that there’s a war coming and he needs to fight it first. He chooses this again and again over Charles, one could say he loves it more than he loves Charles.

“Nobody told me it ended”

Still fighting for the war he believes in, even though Charles has been working so hard for mutant rights and has done a lot of good work.

“And it left a pearl in my head, and I roll it around every night, just to watch it glow. Every night baby that’s where I go.”

That anger and sadness that stays within him, stuck in his brain, part of him. Memories of Charles, hating him, loving him. He sits with it every night, going over everything again and again. Also visual of Erik floating them little metal balls.

Beautiful song, good lord. This is all about Erik choosing the war over Charles, there’s also something about the imagery of sitting with a ‘pearl’ in his mind is so very Erik.

“But how long, how long can we play this way?”

Playing as in going back and forth, fighting, making up, fighting again. This is definitely from Charles perspective.

“I’m tired, I’m tired of not loving you”

Charles is tired of not being able to show Erik how much he loves him, he just wants him home.

“My heart, my heart wants to hold you”

All he wants to do it is be with Erik, he wants to comfort him again and show him he’s not evil, that there’s good in there too.

“But I know, I know, I know the rules”

But he knows the rules of this game, he knows they couldn’t ever be together. Be it their opposing beliefs, homophobia, or just the way they are. Perhaps also the rules as in the movie won’t allow it, their writing won’t allow it.

Painful. Other lyrics in the song are more sexual, which also fits if you’d like it to. First line of the song is “you like control, well I do to” and that would be a killer title for a dark cherik fic. They both control their environment in different ways.

“One word from you and I would jump off of this ledge I’m on, baby”

Charles telepathy, could be from any of the students, especially those from the first movie who later died. However it’s painful to think that it’s Erik saying “You’re a telepath Charles, you can convince me of anything.”

Also on that note, the ledge could also refer to delving deeper into his dark side, it would take one mean word from Charles and he’d get so much worse.

Or perhaps he means the ledge in which he’s raised himself to as a super villain, and he knows Charles could bring him down from it.

“Tell me don’t so I can crawl back in”

See my other post about Erik subtly begging Charles to control him. He knows he’ll always pick his cause over staying with Charles, he wants Charles to force him to stay. Get rid of his option to choose so he can crawl back to comfort. Be gone with his righteousness, and just be simple and safe with him.

The title of the song being First Love/Late Spring hurts me. Was mitski an xmen fan or what Jesus.

Left this one until last cause I don’t want to teach a grandma to suck eggs here, I’m sure you already know what’s about to go down. Nonetheless, it would be criminal for me to leave it out. Ready for some Charles angst? Too bad!

“Baby, my baby,”

Raven, Angel, Darwin, Banshee, Havok, adopted into the xmen with nowhere else to go but return to their unfortunate lives.

“Tell your baby that I’m your baby”

The first xmen looking on to the current, looking at who Charles ‘replaced’ them with.

“I bet on loosing dogs”

Charles putting his trust into those first kids, knowing they were young, but it was the last hope. He better is all on them.

“I know they’re loosing and pay for my place by the ring”

He knows they couldn’t stand a chance, but there was that hope. Perhaps if he trained them, gave them the right motivation, they could survive.

“Where I’ll be looking in their eyes when they’re down”

He’s with them the whole way, in their minds, in their spirits. These kids had fight in them, but they were still kids.

“I’ll be there on their side, I’m loosing by their side.”

When they loose, he looses with them. The xmens fate stands on the strength of those kids. Charles grief over loosing these kids makes him catatonic, wishing he had died instead. He was with them all the way, and yet he still hears “Where were you Charles” “You abandoned all of us”

[moeblob]

Ananza realizing that Deacon's mom was a devoted follower of hers THEREFORE that's her son now, too! And she will dote on him and love him and never pick on him like all the other deities tend to do. That's her precious little boy who lives in another city and rarely gets to see her!

[suffarustuffaru]

What If Julius and Subaru both met when Julius was a commoner and Subaru got transported Sooner

fun stuff im sure !! but haah okay given julius was a kid when he was a commoner - yeah theyre both kids here!! not sure how old but definitely somewhere before the age of ten. and i think theyd be up to some shenanigans together im sure!! theyre both very mischevious kids (or from what little we know of little kid julius, given iirc tappei hasnt specified just How Much of a "delinquent" little kid julius is okay. but hes definitely the type to sneak out past curfew or something. stay up late reading too, probably. that sort of thing). and also subarus a kid and no way he ISNT missing home poor guy T^TT getting ripped away from home like that is bad enough at seventeen, getting ripped away from home when you are like. no more than eight or something is Bad. but luckily!! im assuming subaru gets found by the juukuliuses (julius's parents probably?) and thats how julius and subaru form their friendship / long-term yearning for each other (if you so desire that) (okay but no way subaru ISNT gonna form long-term yearning for julius flajsdlf). but yes i think julius and subaru would be silly happy kids together and julius's parents would be like oh no this other kid is so lost where is he from :(( but hes so loved by julius already too... well we got another kid under our roof now.

except. julius's parents die in a flood. so i mean. Hypothetically.... either julisuba survive this one first try or subaru dies for the first time. which. ohh god. oh god. oh g -

[apuff]

Earlier on tumblr i saw another one of those memes comparing bullets, revenge, tbp, and danger days, essentially stating that the previous 3 are serious and about death in different ways, while danger days is fun japanese dance party. Now i understand where this is coming from but i really don't think it's an accurate interpretation.

My main point with this is that the first 3 are legitimately concerned with death as an existential threat and a primary way through which the conflict of the story happens, and danger days is NOT those things, however danger days is no less serious and philosophically motivated, and has a comparable amount of death. 

In bullets & revenge, it's easy to see. The demo lovers are constantly up against danger, violence, and fighting. Furthermore i feel like the major conflict of bullets is with the vampires & vampirism, which relates to the concept of death in an obvious way. They fight as hard as they can against the vampires, but eventually fail, joining their ranks. They achieve "immortality" but not at the cost of "never dying"- i interpret this to mean they don't age or experience senescence (cause they're undead obv) but they can indeed die through external means (which they proceed to do). 

Revenge is centered around death as well. Demo lover (M) has died and has come back to life at some point, as well as that his girlfriend has died and is dead throughout most of the story. To solve this "dead gf" issue, demo lover (M) engages with death and violence even more, by killing 1,000 evil men. 

(Off topic, but this brings me to a point i've thought about before, that the "revenge" in tcfs"r" is not actually revenge. It's redemption. The biblical kind. Paying for something, especially a person's life held hostage, with a price, usually the price of another life. As far as i'm aware those 1k evil men did not personally slight the demo lovers-that would constitute literal revenge.)

Anyways, what i think is the canon interpretation of the ending is that demo lover (M) realizes after killing 999 evil men, that he's so far debased himself for his ends that he has become the last evil man he must kill, so he commits suicide and his girlfriend comes back. This is a bit depressing, but my ending has him staying alive and his girlfriend dying, so any way you slice it someone stays dead. 

My point is to say, obviously the theme of death, undeath, and killing is philosophically important to tcfsr. The demo lovers are literally dead on the album cover. 

Now I'm sure i don't need to explain why TBP is about death. TBP starts with death ends with death and is about it on nearly every point in the middle barring, like, teenagers and the sharpest lives??

The one interesting thing i DO have to add is this. In bullets & revenge, the conflict centers around death in the way that in nearly every song, they're fighting AGAINST death in some way. They are trying desperately to fight their way back to life and safety. TBP is different. Because it centers SOO heavily on mortality as a theme, death is simply the backdrop, the given, the immutable fact of life. Our main characters aren't dead and supernaturally trying to fight their way back to life, they are a.) going to die as a forgone conclusion, and b.) already a ghost with zero ways to return to life. The conflict centers not around trying to beat death back with knives, but DEALING with its reality, not with it itself, but different perspectives on it and what it means battling it out. 

Regardless, very much about death.

What about danger days?

You'd be correct to say that, unlike those 3, death & mortality aren't a central philosophical pillar of the themes & conflict. It's not even top 5 ngl. I'd say the conflict is more of freedom vs. control. The forces of control (BLI) and of freedom (killjoys) are literally and metaphorically battling each other. But i wouldn't say that every song exactly has this conflict. Some only show the side of killjoy freedom and make no mention of bli control. And i think that's where this misconception that danger days is just fun and not serious comes from. 

In the black parade, when you'd have a song that doesn't directly touch on the conflict and is just a fun bombastic rock song (teenagers), there's still a bit of themes in it (violence- it's related to the patient's and parader's arcs). When you'd have an off-topic song in revenge, it'd be about teen angst (a far cry from murder, killing, and satan). In bullets, the off-topic is about gerard way and 9/11 which is so far from vampires i don't even need to explain. 

When a bombastic party song like those appears in danger days, it actually relates to the themes much more closely. Think of party poison, the origin of the misconception in that meme. It's about having a crazy wild self destructive party. Relates back to the themes quite closely, considering that "kill[ing] the party" and "leav[ing] the party" are also actually metaphors for BLI and society in planetary (GO!). 

Not to mention the japanese lyrics (iirc) are about wanting to be famous, another theme that fits into vampire money and even BLI to some extent. And the fact that it's such a wild party that ends in destruction kinda fits into a thought i've had about danger days earlier: since the killjoys represent individuality and freedom, everything they do exists on this spectrum from being just very principled activists to kind of just unhinged rebels without a cause killing whoever they want because of the adrenaline rush. 

My other gripe with this idea is like…….ALL THE FAB FOUR DIE AT THE END. all of them get shot rescuing the girl. Danger days isn't ABOUT death, but it HAPPENS. In the only hope for me is you, the speaker says, "there, covered in glass, covered in ash, covered in all my friends- i still think of the bombs they built." That's not just some vapid party. This character is mourning their friends while recalling the memory of being covered in the viscera of their bodies. It's kind of silly to act like this album isn't serious just because it sounds more poppy. 

I'd say something that's much more threatening than bodily death for the killjoys is draculoid-ification. Becoming a vampire in bullets means losing your human ability to age and weird undead behavior changes, but becoming a draculoid is more similar to a zombie, or a robot. Anyways, THIS is an existential threat for a killjoy. They lose their souls and simply become mindless puppets for BLI to enact control and violence upon people. Note that this is simply an exaggerated version of how BLI treats PEOPLE, as identical parts of a machine that need to have their individuality and souls erased so they can be better citizens. 

Anyways, rant over. I love danger days & it truly has deep philosophical currents throughout it. The fact that they have crazy dance parties is simply a reflection of the theme of freedom and isn't devoid of meaning.

I NEED TO DO MY MATH BUT I CANT STOP WRITIGN ABOUT MCR

[musubiki]

It feels like it was only yesterday I read about Oscar getting a mermaid girlfriend and now there's Ikasumi. I ship it, though! I'm curious what happened to the mermaid girl. Also, I think I'm experiencing what the rest of the guild is feeling when it comes to Oscar's lovelife, like since when was this a thing I want deets 😂

FUN FACT: HE STILL HAS THE MERMAID GF TOO!!!!!!!! this is what i mean when i say oscar has that playboy streak!!!!!!! hes like "Oh we have [problem]? I know someone who can help! ^^" AND ITS ONE OF HIS EX-GIRLFRIENDS!!!!!!!!!!!!!!!!!!!!!!!!

and FOR REAL this is oscars running joke. he always has things going on that for some reason he doesnt tell anyone about and doesnt bring up?? 1) his girlfriend changes often and 2) his other running joke is hes always doing part-time work at some different job every so often. mochi and coco go outfit shopping, trying to pick clothes, mochi like "What do you think of this color on me?" and oscar, somehow working at that clothes shop, out of nowhere is like "Nice it brings out your eyes!"

mochi & lime after some magic commission exhausted in a far off town, go to get dinner and sit down and the server (oscar) is like "Hey guys! I can get you a discount since I work here!" when theyre like "WHAT THE FUCK ARE YOU EVEN DOING HERE???" he replies "Oh me? My uncle lives nearby and im visiting him for the weekend so i decided to help out at their diner. Pretty cool, huh?"

they go to some festival happening in town, walking around stalls and theres oscar managing one of those hacked, rip-off game booths like "Hey Mochi! We have this fluffy cat stuffed animal that looks like your style! Maybe you can solicit Lime into winning it for you! (overworld challenge noise)" (which turns into an aggressive "I'm gonna win that fucking cat." vs "I own this damn game and you're gonna empty your pockets before I let you win it.")

anyway, oscar is a psuedo-cryptid in his own right.

[hirokiyuu]

Heddwyn "Wyn" Caldera is a freshman from Diasomnia. He's well known in alchemical circles for multiple revolutionary breakthroughs in the world of potions, the first of which he discovered at eight years old. Though invited to NRC last year at age thirteen, he waited a year before accepting a position at the school.

here he is my baby boy......!!!! been tossing this kid around in my head a lot lately and wanted to make a profile card for him to show him off to the world. imagine me as a proud parent and ive pulled this out of my wallet.

based off the black cauldron. both the movie and like. the cauldron itself. naturally he is good at potions. since the cauldron is essentially a mcguffin wanted by everyone the idea is that he's extremely good at what he does but is also pretty vulnerable to being used. he's also very stone-faced bc he's...... made of stone............ get it.............

template is from here!

[starrysharks]

zeno's ultimate pokemiku tierlist ⁉️(it's all his opinion and he loves them all regardless⁉️)

[autism-corner]

they hate me for my swagger

[driftwooddestiel]

I DID MY COMEDY PERFORMANCE TODAY!!! in front of like 200 people!!! and i didnt stutter or forget what to say!!! and people laughed!!!

[gaarasboyfriend]

going to be as vague as possible but i was recently in a space where it was clear we were not welcomed by certain organizing members, but also we just didnt connect for another big portion of the attendees which does happen sometimes

[moredifferentthanusual]

Hey people of tumblr I have an idea of a way to help support Gaza. This one's especially for people living in Christian areas with a lot of mainstream acceptance of israel. It's only a few days until Christmas and as for all Gazans, things are incredibly desperate for the small population of Christian Gazans. In particular here are some articles talking about fears all Christians in Gaza will be dead soon.

So how about we call up our local churches and ask what they're doing to help the people of Palestine?

The articles I've linked come from a variety of backgrounds. Some predate oct 7th. All focus on the plight of Christians in Palestine. Take your pick for what source you think will speak to your audience.

I want you to find a church that is ignoring the genocide or even praying for israel and then point out it's not just people being murdered. It's their people being murdered. Contact your local church like "Hey I'm Name, I'm not really a member of any church these days but it's Christmas and I really want to do something to help people in Palestine. I was wondering if you have something planned over Christmas? Maybe a prayer meeting or a protest or something idk 🥺" Then if you recieve any pushback switch to "oh but I'm just sooooo worried about our fellow Christians unable to celebrate Christmas".

It's a great place to ease people into caring about genocide who normally wouldn't. And if you convince a priest they might tell their whole congregation about how this christmas they have to show up for persecuted christians in jesus' birthplace. Worth a try?

[floralovebot]

:(

[todayisafridaynight]

Arakawa family brain rot: I just had the saddest thought about Masato returning from America, but from Masumi's perspective. He's prolly excited to see his son again despite the relationship tension. He's heard Masato has been doing great. His attitude has improved with his health. Maybe things will get better if he tries hard enough.

Maybe there's a chance to fix things.

And there isn't. Masato's just as vindictive and mean and manipulative as he ever was. And Arakawa finally has to mourn the son he never had. The son he told the world had died.

Do you think he ever regretted letting Masato get away with murder? Regretted that it wasn't Ichiban he still had in his life? I have a hard time with this because he loves Masato so much. I just wish he'd had the son who loved him out in the world with him y'know.

But we all know Masato ain't built for prison.

And I can't imagine like... Seeing Jo. Being relieved to see him again but immediately losing confidence because Jo looks so much more *tired* than he did. Ever together and composed but not really His Jo anymore. Not in the same way. It is never the same after he was gone so long.

I'm sure there are moments or even days where they fall into old patterns but I can't help but feel like (if Jo did in fact go to America w Masato) that that would be a defining shift in the relationship between Jo and Masumi.

Idk what this is really about but I got in my Arakawa feelings (I think be instared too long at the picture you posted). 🫰 Thanks for listening to me ramble byyyye~

EVERY DAY of my life i think of arakawa wondering if what they did regarding masato was 'the right choice'- like OF COURSE it was masato literally wouldnt have made it yet if it was the right choice why does it feel like such the wrong choice yeah...

[imflyingfish]

Its weird because i dont actually have much of a desire to move to france or use french reguarly in my life but at this point ive deadicated over a year to learning it so i might as well keep going and finish

[killjoy-prince]

Ray's After Ending is so funny because for a good chunk of it, most of the RFA members are knocked out by V's sleeping gas (Saeran is immune, Saeyoung isn't present bc he was kidnapped by his agency under his father's orders and MC wakes up in like an hour) but the game has a call feature where you can call the characters and it would be a waste if you couldn't use it bc the characters were unavailable so instead they have other people pick up the call (Jumin's driver picks up Jumin's phone, Jumin's father picks up Zen's phone, Yoosung's friends and mom pick up Yoosung's phone and Jaehee's coworkers pick up Jaehee's phone) and we do get to learn about the characters from outsider's point of view but it's so funny to me that these people are visiting their loved ones and suddenly the phone rings and they decide to just. answer it. and start talking to this stranger they've never met

[carcarrot]

anyway a different sneaky plan worked out in that i was able to find old listing photos of my dream house and ough..... i need her .....