#original content is not from me

[ssamiiex]

Madison Beer avatars 400x640

crédit : TWISTY.RAIN

[firestia]

Little pony princesses 💗

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[feelingbat-ty]

This is inspired by @aflamboyanceofflamingos post about Tim choosing to publicly hate Robin as Tim Drake, cause to love or hate someone is the best way to hide a secret identity.

I started thinking about Tim coming into contact with his teammates as a civilian and Tim using this as an opportunity to take out all the grievances he has for his team in a way, that 1) Won't cause tension and fights. And 2) let him get away with being a petty arsehole, cause it's not like superheros can just go and beat up random civilians.

And well... my hand slipped.

--- You Can't Spell Spite Without Timothy Jackson Drake ---

The amount of times YJ comes across Tim Drake in the wild would be concerning if Tim didn't stalk them as often as his busy schedule allows (which turns out to be quite often). The Beta tube in the Batcave and another secret Beta tube in the bowls of Wayne enterprise's Francisco building allows Tim easy and direct access whenever he so desires.

And well, Tim never did grow out of his stalking phase.

It would be comical - if it wasn't maddening - how often they don't realise he's there. Most of the time he's stalking trailing a member of the team he's not trying to hide his presence, it wouldn't make sense for him to, not as Tim Drake.

The team have a tally board that sits in the common room, it's at 85.

85.

His team's situational awareness is absolutely appalling. 85, they've noticed him only 85 of the hundreds of times he's followed them around?

He complains to Dick about it, a lot. He's hoping Dick will give him some tips on how to beat situational awareness into his teammates thick skulls. He was the leader of the Titans, so he has to have something!

Dick - like the asshole he secretly is - just laughs at him.

He asks Cassie about it once. Why they don't find it concerning that they encounter Tim Drake: famous for being the civilian who 'beat Robin in a fight' every other week?

"I mean, You're usually right about these sorts of things, Rob. If you don't think Drakes an issue, then we trust you."

Tim can't figure out whether to feel warm and giddy at the fact that they apparently trust him, or to be annoyed at the fact that they follow after him like sheep. Not even doing their own research and recon (Cassie probably did. Kon and Bart? Yeah, hell would have a better chance at freezing over).

The first time was a coincidence. Tim had needed some space (from Bruce. From his deadlines. From his own mind...) and ended up wondering the streets of San Francisco with no real destination in mind.

An impulse turn led him onto the boardwalk and from there right to Superboy.

It was a bright and sunny day in Fran and Kon was glowing. Literally, because of the sun and figuratively from pride after he stopped a would-be pick pocket-er from pick pocketing an elderly lady.

He shouldn't. He knows he shouldn't, not when the team know of Tim Drake, know his face and all about how he hates Robin and makes it his whole personality. Not when the only thing that stops them putting Tim Drake on Baby Super villain watch is Tims general blasé attitude about, well... himself.

But is it oh, so tempting.

Especially because the month before, Kon had accidentally smashed Tim's favourite coffee mug in a series of event's (involving a yoga ball, shearing scissors, laser vision and a will from God himself) so convoluted that Tim was convinced it had been orchestrated for a solid week.

Was it a cheap mug from Kmart? Yes, but it's the principle of the matter!

As Tim’s left shoe impacts the side of Superboys face, a sense of manic glee overtakes him. Tim takes special care to seer this memory of Superboy getting hit in the head with Tim's shoe and the stupid face he makes as the ratty converse collides with his cheek, into his brain.

It's not much, but it's justice all the same for his once beloved mug.

Tim... might just be a tad sleep-deprived.

Superboy startles and lets out a frantic “Shit!” Assuming he’s being attacked by a surprise enemy (the kind that isn’t just civilians throwing shoes) he looks around, taking stock of his surroundings and looking for any immediate threats before glancing down at the shoe and visibly doing a double take.

His face is blank as he stares - undoubtably confused - at the shoe. A second later he's lifting his gaze, following the direction the show came from and staring right at Tim.

Tim, who (like an idiot) is still, for some reason, positioned how he was when he threw the shoe - arm outstretched and leg back to brace himself.

There is absolutely no way he wasn't the one who threw the shoe. If the stance didn't give it away, then him having one shoe (that shoe being a near identical ratty rad converse) probably did.

“What?” Superboy asks. He looks befuddled. A little amused, but mostly just confused. He's got a small, polite smile on his face that just reeks of Clark Kent's influence. Kon is obviously trying to model himself off of Superman - specifically Superman's polite and approachable "Grandma pinching worthy" vibe and not his fashion choices, since he's still got the leather jacket and sunglasses.

Tim makes a mental note to tell Kon that he has a really expressive face. Tim is literally reading all his emotions in 4K. They should probably work on that, it could be a liability in the field.

Tim briefly considers playing dumb and acting like it wasn’t him that threw the shoe, before dismissing that idea, Kon can be clueless at times, but he’s not a complete idiot.

So instead, he says, “that was a very open-ended question.”

And well, it was.

At the look Superboy gives him, he elaborates, “What, when said in that context, could mean literally anything! Like, ‘what was the purpose of that?’ ‘What’s your name, so I can in-prison you’ ‘What shoe size was that?’ Seriously, dude, be more specific!”

Superboy’s befuddlement takes a sudden nosedive to incredulity. “Okay, fine. Why did you throw a shoe at me?”

“Cause you work with Robin.” He says simply. He'd say 'justice' but then he'd sound like batman and like, thanks but no thanks.

“Cause I- what? You physically assaulted me with a shoe because I work on the same team as Robin?”

Tim, personally, thinks assault is a strong word to use for this situation, but he’s glad that at least some of his lessons on the proper terms and vocabulary are paying off.

He nods, cause that is indeed what he just did, he crosses his arms across his chest, and stares Superboy down.

Superboy who, looks like he’s regretting everything that led him to this moment. Tim relishes in that for just a little too long to be healthy. Probably.

Tim doesn’t really care. He told Kon (as Robin) that he’d regret breaking Tim’s favourite mug (accident or not, he's still not over it.) yeah, this might not be how either of them envisioned it, but Tim thinks this might just be better than beating Kon up as Robin in their next team training session. What better way to get someone back than to publicly humiliate them in front of all their peers? Shame he can't do that anymore.

Eh, who is he kidding? He’s still going to do that anyway.

“You’re only gonna throw one?” Superboy has a look on his face that’s similar to the one Bruce gets when he’s decided to give up and play along with the crazy. The one where he'll smile and nod, slowly inching out of the room, as Duke and Damian (There has truly never been a more terrifying duo) explain to him in vivid detail how they're going to use psychological warfare to make a shitty teacher at their school resign.

“Yes.” Why’d he throw both his shoes? He’d have no shoes!

“… Right. Why did you throw this one?”

All these questions!

“I like that one the least,” he shrugs, and it's true, the converse on his right foot has a little bi flag that Steph sewed into it back when they were dating. A throw pillow was the closest thing in reach at the time, so he sewed a little pan flag on it for her (he later did one on the breast pocket of one of her denim jackets).

“You are so freakin’ weird, dude! You throw a shoe at me! Because I work with Robin!”

Uh, yeah, we've already established that.

“How did you even get it off that fast!”

To be Honest, Tim is also surprised at how fast he was able to get his shoe off. One second he’s looking at Superboy the next he’s lobbing a shoe at his thick head.

Instead of saying any of that, Tim channels his inner Janet Drake, sticking his nose into the air and scoffing like Kon is the literal gum stuck on the sole of his shoe.

Kon, - because he’s no longer Superboy, he’s too fired up to hold onto the mask - shakes his head. It’s mocking, when he says, “You must be really shitty at throwing a punch if you had to resort to throwing shoes.”

Tim shrugs, “Well, I woulda thrown a fist, but you’re not worth a fist.”

Kon is silent and doing an amazing impression of a blobfish.

Tim turns and struts away before Kon has the chance to come up with a rebuttal, or just decides to punch him in the face.

He’ll grab his shoe later, after Kon leaves.

The basted incinerated his shoe.

[s1ck-pupp3t]

I love, Ms Paint. CHEERS!

OK real art dump over. Click MORE for Real dumb stuff

something something They faces killing me why nobody gaf. Its a Transparent .PNg! You can put them any where to Not Care About.

[blackkatdraws2]

There are more things in the Parable than Stanley knows about. [Blank Scripts AU]

[sophaeros]

the last shadow puppets - everything you've come to expect: 2016 tour outfits — almost all clothes custom made by ray brown sources

[victarin]

i fucking love people here you guys see this dinnerplate-faced daycare animatronic and go "what if they were detectives" and you make all this amazing astounding art and writing and concepts and designs like yeah . sure . im going to be normal abt this and im not going to think about the incredible levels of creativity involved im not gointg to think about how much i love seeing beginner artists using the dca as a way to learn new skills in art and character design Im not going to think about how much joy is in all those AUs and how much artists and writers put aspects of whatever they enjoy in those stupid ass clowns to make these incredible inspired stories and artworks absolutely Brimming with love for what they created &how much i love seeing people in the community huddling around those AUs and hyping them up and making More Art from those yeah im normal. whatever

[shiraishi--kanade]

[notaplaceofhonour]

I was raised in the People of Destiny cult (later renamed, and more well-known as, Sovereign Grace Ministries, now Sovereign Grace Churches).

The valorization of martyrdom and The End Times was so ubiquitous it was ambient noise. We stood in the church lobby theorizing about who the antichrist would be, we argued about whether Jesus would rapture us all before, after, or during the Tribulation Period where Satan would be given free reign over the earth. There was a strong Christian Zionist fixation on Israel as the final battleground and capital of the coming Messianic Age. But the one thing we were all certain of was is that we were in the End Times, that we were not of this world and couldn’t get too attached to our lives here.

We were raised to believe our sin nature made us undeserving of life, that we deserved death and eternal conscious torture.

My parents read us the Jesus Freaks books (a series by Christian Rap group DC Talk about martyrs). I spent “devotional time” reading Fox’s Book of Martyrs. We had guest speakers from Voice of the Martyrs, their pamphlets were often stocked in our church’s information center. We grew up with our dad listening to right wing talk radio and making us listen to songs about how the Godless atheists were outlawing Christianity in America, that we could all become martyrs soon.

The group’s theology was damaging & traumatic in a lot of other ways that contributed to the suicidality I have continued to struggle with for the rest of my life. For a long time I did not believe I would live past 20. There are times when the idea of giving my death meaning by using public suicide to make a political statement has appealed to me.

So now, seeing so many social media posts glorifying the suicide of a US Airman this week, I have been furious. Reading his social media posts, I recognize so much about the way I was raised in his all-or-nothing, black-or-white mindset, the valorization of death-seeking & martyrdom, and the apocalyptic fire-and-brimstone imagery of self-immolation. The moment I saw people I followed celebrating his self-immolation, I said to myself “this feels like a cult”

So when I learned he was raised in a cult too, nothing could have made more sense to me. His political orientation may have changed, but his mindset did not—it was no less extreme or cult-like.

I’ve talked about so many of the reasons this response from the broader left scares me, including how it’s laundering that airman’s antisemitic beliefs, but I cannot think of anything that would hit me in a more personal place than this specific response to this specific situation has.

When I see the images, I think: that could have been me. That scares me, and what scares me more is that so many prominent people are overwhelmingly sending the message to people like me that there is nothing else we can do that would have a more meaningful impact than killing ourselves for the cause.

I do not believe that. I will not even entertain it. And having to see his death over and over and over again, to argue against people who are treating this like an intellectual/moral exercise or a valid debate we all have to consider has been immensely triggering and fills me with a rage I rarely feel. It’s unconscionable that we are even putting self-harm on the table, and that pushing back against that is somehow controversial.

There is hope. Our lives do have meaning. There are far more effective means of fighting injustice. And the world is a better place for having you in it. Don’t fall into believing this is a way to give life purpose.

[nevertheless-moving]

unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.

Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.

and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.

(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)

Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self. 

Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.

The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?

Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!

Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and— 

Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—

You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...

What—when did you lose—

I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...

So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.

And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.

When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.

Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.

It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.

Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.

Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??

the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.

Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.

FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?

“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.

Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)

And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.

Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic,  being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.

Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life. 

Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.

Is mildly disturbed by the revelation.

Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.

It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal. 

Things REALLY become stressful after he rescues that carriage full of noblewoman.

What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.

I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.

So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.

Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.

Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—

well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—

and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?

i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”

Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).

But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.

Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.

And then the partners change again, the moment ended.

Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.

Hes almost excited when the first assassains start coming after him. It's like a hobby.

Everyone tells him he should get a hobby.

Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.

needless to say he ends up fired again, life under real threat after offending some high lord.

Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.

Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )

Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?

And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?

Opening drabble Vimes Vetinari Meta (Unwell) Scene from the Uberwald Grand Sneer

[ssamiiex]

Regé-Jean Page avatars 400x640

crédit : TWISTY.RAIN

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked. We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[poorly-drawn-mdzs]

Dungeon Meshi: Delicious in RPG!

(Sprites + bonus art here!)

[madbard]

I love shipping characters who hate each other in canon.

I love shipping characters who have had exactly one (1) conversation in canon.

I love shipping characters who have never met in canon.

I love shipping characters from different pieces of media.

It starts off silly. The notion of the pairing is so weird, so unexpected and seemingly dumb that it makes me laugh a little, perk up, look into it and see if this is really a thing.

And then it becomes a joke. Haha, look at this ship I’m shipping ironically, isn’t it silly, it would obviously never work out in canon but I’m looking at it and producing content for it anyway because it’s fun.

But as time goes on, it starts filling my feed. I start thinking about it - really thinking about it. Why did someone put these characters together in the first place? How would they really interact? How did they end up together, and why would they stay together?

What started out as a joke becomes a diving-off point, an opportunity to really think about both characters. The dynamic isn’t canon, so it’s yours to shape. The dynamic isn’t canon, so now you must delve into each character on your own, figure out how you perceive and understand both of them, learn to see them in a different light. What started out as a joke encourages you to dig deeper, think harder, fall even more in love with those characters as you consider the potentials which lie outside of canon, but which ultimately trace their roots through the core of the characters themselves.

Because by their very nature, crackships and rarepairs are not based on plot, and they are not based on canon. They are so seemingly random and odd that they disrupt your typical view of these characters, making you think more deeply about them. The non-canon ships you embrace or reject can inform your perception of these characters on a deep level. They can make you cry just as easily as they make you laugh. They add so much flavor.

And they can also be really, really funny.

[2-dsimp]

I'm sorry, but why is the incubus have a hair like a mop with pink glitter thrown on it like those from the gender reveal parties 😭😭😭

I'M SORRY ILY AND UR STYLE BUT LIKE THE HAIR😭😭😭😭😭

Look at what you’ve done dear anon I hope you’re proud of yourself. Don’t you know that he’s the black sheep of his family?

He’s sensitive Aubrey! (;´༎ຶД༎ຶ`)/