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twistedtummies2 · 28 days ago

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Top 15 Portrayals of Dr. Frankenstein

“What makes a monster, and what makes a man?” This quote from a Disney movie, of all things, weirdly sums up one of the central themes of Mary Shelley’s masterwork, “Frankenstein, or the Modern Prometheus.” In my previous countdown - where I discussed my favorite versions of the Frankenstein Monster - I said that Shelley’s novel is widely considered the first piece of sci-fi horror, not only because its title character is a scientist who attempts to use science to create life, but because the themes and ideas present in the novel are ones most common in science fiction, and especially “science horror,” to this day. In Shelley’s original novel, Victor Frankenstein is NOT a doctor. (Although I will be calling him “doctor” throughout this list, for various reasons. Deal with it.) Instead, he is a medical student studying to BE a doctor, who becomes so obsessed with the idea of not simply saving but CREATING life it drives him practically to madness. While Victor in the book is NOT the villain, you’d be hard-pressed to call him a hero, either…and that is the point. The book is filled with a lot of morally gray elements and ethical questionability, especially on the part of Frankenstein himself; while the Creature he constructs ultimately does turn out to do terrible things, it is largely because it has known nothing but scorn and neglect. This all begins when his “father” - after driving himself to bedlam creating the fellow in the first place - outright abandons him for, to be blunt, really petty reasons. Victor, in the novel, isn’t necessarily evil, but he IS extremely irresponsible and…well…frankly a bit of a drama queen. (I can relate, sadly.) His personal flaws and bad decisions lead to his own self-destruction, and the ruination of everything he holds dear. It is largely through him that a lot of the questions of the story we now associate with science horror come through: what happens when someone seeks knowledge too fervently? Do the means of gaining greater understanding of the world justify the ends? If we explore in certain directions, and don’t know when to hold back, will we find things out we really aren’t prepared to know? Are there, frankly, just some things man shouldn’t tamper with…and if we DO tamper with them, will we be capable of dealing with the consequences of our actions? That’s essentially the basic point of nearly every work of science fiction, especially of the darker variety: whether the “Monster” being faced comes in the form of advanced technology, extraterrestrial entities, unknowable cosmic forces, or biological scourges…it all seemingly begins with Frankenstein and his poorly-handled Monster. It’s for this reason you’ll sometimes find memes and posts that say, “Frankenstein IS the monster,” referring to Victor: the line between good and evil in the story is an extremely thin one, and while Victor never INTENDED to do any real harm, that does not excuse the harm that IS caused by his actions and inactions alike. Throughout different adaptations and reimaginings, Frankenstein has, as a result, been depicted in varying states of moral standing. Some versions take the flaws inherent in Shelley’s novel and go all the way with them, making the mad scientist into a villainous cad who will stop at nothing in his self-centered, arrogant attempts to basically play God. Other versions actually soften the character, giving him more redeeming qualities as he actually tries to do genuine good with his work, only for things to inevitably and unfortunately go awry all the same. Victor is neither of these in the novel, but both directions - and many more - can be fascinating in different ways. Keeping this in mind, it’s time to delve into the heart of darkness: these are My Top 15 Favorite Portrayals of Dr. Frankenstein!

15. Tim Curry, from Frankenstein: Through the Eyes of the Monster.

I’m going to presume most of you know about Tim Curry’s star-making performance as Dr. Frank-N-Furter in the musical “Rocky Horror Show,” and its film adaptation “Rocky Horror Picture Show.” This cult classic musical was effectively a parody of Frankenstein…but, just like with the previous countdown, I didn’t think it was fair to include it, since I feel it’s really a bit more of its own thing, even if the parallels are obvious. HOWEVER, that doesn’t discount the time Curry played the ACTUAL Dr. Frankenstein, in this point-and-click adventure game. “Through the Eyes of the Monster,” as the title implies, puts the player in the role of Frankenstein’s Creation, as you have to explore the mad scientist’s castle and escape to the outside world. Based on that premise, and the casting of Curry, the version of Frankenstein here is one of the more villainous ones, and it really is Curry’s performance that makes the game: I’ve never actually played this title (it’s EXTREMELY rare and hard to get ahold of, by all accounts), but I have watched a couple of walkthroughs/Let’s Plays of it, and…well, let’s just say they don’t say much to its quality. It’s typically considered a bad game. Curry’s wry, morbid, delightfully wicked and predictably over-the-top Frankenstein, however, is very, VERY fun to see in action. If he’d been in a better game, this entry would have been a lot higher.

14. Grant Moninger, from TMNT (2012).

In the 2012 version of “Teenage Mutant Ninja Turtles,” there was a four-part story arc where the Turtles - alongside a time traveler named Renet - had to face the Universal Monsters, who were being led by a demon called Savanti Romero. In the third part of the story, Romero and his monster army traveled to Castle Frankenstein, where they manipulated Dr. Frankenstein with plans to use his Monster as part of their team. Both the doctor and his creation were voiced by Grant Moninger; a casting choice that does not appear to be mere coincidence. There was a lot of promise to this version of the scientist, but I don’t think it really reached full maximum: as much as I loved this story arc, the stuff with Frankenstein, in particular, seemed a bit rushed. This version actually makes the good doctor…well…a GOOD doctor, as he befriends the Turtles and actually comes to genuinely care for his Creation, despite his initial disgust. Unfortunately, we never really got any closure for the “Frankenstein Family,” and the shift from horror to acceptance seemed rather quick, as all of the doctor’s stuff was shoved into this one chapter of the four-part tale. I liked seeing a more sympathetic take on Frankenstein, and the interactions he had with Donatello and his Monster (nicknamed “Frank” by Mikey) were really nice, but I wish they’d just done more and given him more time.

13. Donald Duck, from Disney’s Frankenstein Starring Donald Duck.

I’m hoping a lot of you will remember, from my past Dracula-related lists, the time Disney made a graphic novel version of “Dracula,” starring Mickey Mouse as Jonathan Harker and the Phantom Blot as the Count. Well, in that comic adaptation, none of the characters from the Donald Duck universe appear. This is because they were all saved for another graphic novel that was made concurrently: Disney’s Frankenstein. (Also, no, I’m not counting Runaway Brain here, just as I didn’t count it on the previous list. Sorry.) Just like the “Dracula” comic, this book actually sticks pretty darn close to Shelley’s story and text (though it naturally softens up some of the nastier bits), and there’s a lot of little in-jokes throughout the story that you’ll really only understand if you’ve actually read the book. In this version, Donald plays the role of the mad scientist, except instead of stitching together a monster created from cadavers out of rifled graves (bravo if you got that reference, by the way), he makes his Creature out of cardboard. While this was a very fun and funny entry, I personally prefer the work on “Dracula” a bit more: I just think it’s funnier (as well as even weirder, to be honest), and the casting there is even more enjoyable. Still, this is definitely a charming companion piece.

12. Boris Karloff, from Mad Monster Party.

This Halloweentime film was a rare cinematic release by Rankin/Bass: the company best known for their holiday TV specials, such as “The Year Without a Santa Claus” and “Here Comes Peter Cottontail!” This is essentially a Rankin/Bass Halloween special, but expanded to feature length and released on the big screen. In it, Boris Karloff (whose animated puppet is a caricature of himself) plays the role of Dr. Frankenstein, rather than his Creation. It’s revealed that Frankenstein is actually the leader of an organization of famous horror icons, including Dracula, the Invisible Man, and his own Monster, just to name a few. However, the old doctor is getting on in years, and decides it’s time to step down and choose a successor in the form of his nephew: a wimpy, shrimpy clutz named Felix. The Monsters, appalled at this suggestion, plot to steal Frankenstein’s newest experiment - a special explosive - and assassinate Felix, so they can have the league to themselves. Then, without the good doctor to keep them all in check, they shall - what else? - take over the world. Karloff essentially plays a sort of exaggerated version of himself in this movie, which is, on its own, very fun to watch. His Dr. Frankenstein is a morbid and spooky soul, but he’s not really evil, unlike the Monsters he apparently controls. SPOILER ALERT: he even ends up sacrificing himself at the end of the film, to stop the villains from enacting their wicked schemes. The moment where he does so, for the record, is pure awesome: a word to the wise, DO NOT MESS WITH BORIS KARLOFF.

11. Robert Foxworth, from Dan Curtis’ Frankenstein.

Dan Curtis - famous for his work on the Gothic soap opera “Dark Shadows” - did a whole bunch of TV film and miniseries adaptations of famous works of classic horror, throughout the late 60s and early 70s. Among these were “Dracula,” “The Strange Case of Dr. Jekyll & Mr. Hyde,” and, of course, “Frankenstein.” At the time, Curtis’ adaptation of the lattermost story was probably the most accurate that had been put to the screen, taking significantly fewer liberties with the source material of Mary Shelley than any other. Foxworth’s Victor Frankenstein, appropriately, sticks mostly true to the source as well, though the movie seems to paint him more as an idealistic scientific dreamer who gets in over his head than anything else. This carries over into one of the biggest changes to the film, the ending. SPOILER ALERT: instead of vowing to hunt down his creature to the ends of the Earth, a mortally wounded Frankenstein instead realizes his many mistakes, and apologizes to his “son,” telling him to learn to forgive both himself and others with his dying breath. Of course, we can’t give the Monster a happy ending, - we’ll have no joy and justice here, thank you - so the poor Creature, still in a state of mourning, ends up shot and killed anyway before he can put this into practice. Scientist and creation thus die in each other’s arms. Poetic in its own way, I suppose.

10. Barret Oliver & Charlie Tahan, from Frankenweenie.

A sentimental parody of the 1931 Universal classic, the original “Frankenweenie” was a live-action short subject, created by Tim Burton while he was working at Disney. The story featured Victor Frankenstein (played then by Barret Oliver) as a young boy living in contemporary America. The boy is heartbroken when his beloved pet dog, Sparky, sadly dies. Inspired by a science demonstration at his school, Victor decides to try and bring his petn back to life. The short subject was released in 1984. It was honestly a very sweet story, albeit obviously one with a dark sense of humor, but Disney was dissatisfied with the results, and claimed that Burton had wasted company resources on the project. This led to Burton being fired from the company, which only gave him the chance to strike out on his own. Burton had supposedly always wanted the story to become a feature-length film; many years later, he came to Disney with a proposition to try and remake the short as an animated movie. By now, of course, Burton was a household name, and Disney agreed to give the project the go-ahead, provided he also made a couple of other movies for them at their stipulation. Burton agreed, and in 2012, a stop-motion animated feature of “Frankenweenie” was released. This time, Victor was voiced by Gotham’s Scarecrow himself, Charlie Tahan. It followed the same basic beats as the short, but - by virtue of being longer, as well as animated and having the benefits of modern technology - it was able to go much further with its subject matter. Without going into too much detail, in the film version, Victor’s experiments get even more out of hand than anybody could have anticipated. Both versions are very fun and very cute, while also having a delightfully decadent style to them only Burton could bring. I highly recommend you check both out, and pick a favorite for yourself.

9. David Anders, from Once Upon a Time.

“Frankenstein” was a bizarre choice of story to reimagine in this Disney-based show of family, love, and fairy-tales. However, the series found a way to make things interesting, and while I don’t think the Frankenstein story elements are perfect, David Anders in the role of the obsessed scientist is definitely a winning interpretation. In the series, it’s revealed that Victor Frankenstein comes from a world called “The Land Without Color,” where everything is in monochrome (a reference to the classic Universal movies). His experiments with creating life take on a new dimension, when he decides to try and use his theories to bring back his brother, Gerhardt, blaming himself for his sibling’s demise. However, no ordinary heart can withstand the intense electric energy needed to give his brother life…which is where things start to get particularly unusual. Frankenstein gets roped into a deal involving Rumpelstiltskin, the Evil Queen, and the Mad Hatter (wow, what a trio of characters) to gain a special heart from their own world in the Enchanted Forest. Only the “magic” of that heart is able to function properly and serve Victor’s purpose. The series blends science and magic together in a fun way, seemingly taking on the old idea of Clarke’s Third Law: “any sufficiently advanced technology is indistinguishable from magic.” Anders’ portrayal of Dr. Frankenstein was extremely fun, giving the character a more sympathetic bend but also injecting a sort of eerie, icy, creepy composure to him. In the modern day scenes, Frankenstein goes by the alias of “Dr. Whale.” (Another reference to the Universal pictures, referring to James Whale, the director of the first two movies.) By both names, he was a recurring character throughout the series; I only wish we’d gotten more closure on how his experiments really went, or else he could have ranked much higher.

8. Kenneth Branagh, from Mary Shelley’s Frankenstein.

Released in 1994, this big-budget feature film was a direct response to the success of Francis Ford Coppola’s “Bram Stoker’s Dracula” released earlier in the same decade. While both films have a lot of similarities - generally staying true to the source, but also inventing a few new twists and really hyping up the sensuality of some characters (which I think works much better with Dracula than Frankenstein, for the record) - most agree that Coppola’s movie is the more successful one, and critics and box office records of the time seemed to agree. However, it does have its fair share of fans, and I suppose I’m among them. It’s not perfect, but to be blunt, neither is its “sister film.” Kenneth Branagh both directed the film and plays Victor Frankenstein - not uncommon with this Shakespearean-acclaimed performer. Branagh’s version of Victor has a raw, somewhat manic intensity in his passions, contrasted by the moments where he has to keep it all together and in-check for polite society. The most significant change to the plot is that, unlike in the novel - where Frankenstein never completes work on the Bride for his Monster - Victor actually goes through with the experiment, albeit for his own unique reasons. I won’t go into further detail for reasons of spoilers, but suffice to say, this version focused a great deal on Victor’s tragedy, while still making him the morally and ethically questionable obsessive of the novel. Never has the question of who is the real monster been more shrouded in gray area.

7. Benedict Cumberbatch & Jonny Lee Miller, from the National Theatre Production.

In 2011, a stage adaptation of Frankenstein was produced by the prestigious National Theatre in the UK. The play is a sort of semi-accurate retelling of the Shelley novel (it follows most of the major story beats, but cuts or slightly alters various elements), and has a lot of merits to it…but by far the most interesting part was the casting of Victor Frankenstein and his Creation. Throughout the run of the show, both roles were tackled by Benedict Cumberbatch and Jonny Lee Miller. (Both actors were popular for playing Sherlock Holmes at the time. Probably not a coincidence, though it’s an odd leap to make.) The two performers alternated parts over the course of the show’s time onstage, with Cumberbatch playing Frankenstein some nights, while Miller played the Creature, and then swapping roles the next round, over and over. Two nights of the show - each featuring different revolutions of the two leads - were filmed and shown on various screens around the world. As a stage actor, I can safely say no recording can PERFECTLY capture the beauty of any live theatre show, but at least it allowed folks who never got the chance to see it live a chance to take a peek for posterity. While both actors do an amazing job in both roles, I personally most enjoyed seeing Miller in the role of Frankenstein, with Cumberbatch in the role of the Monster. There was a brusqueness to the way he handled the part that Cumberbatch didn’t quite have; given how the stage version here ends, and what we learn about Victor (I’m not giving it away here), I feel that’s more appropriate to the character. Again, though, both performers are to be commended: if you get the chance, try to watch both versions and judge the performances for yourself.

6. Ian Holm, from “Mystery & Imagination: Frankenstein.”

In 1968, the UK-produced horror series, “Mystery & Imagination,” made their own adaptation of Mary Shelley’s classic novel. It’s actually one of the few episodes of this show I’ve seen, and of the few I’ve witnessed, it’s definitely my favorite. A big part of the reason why goes to the gimmick the episode used: casting both the Monster and the Doctor as the same person. That person, of course, was future Bilbo Baggins himself, Ian Holm. Before he ever ventured into the Shire, Holm had a long and storied career, playing everything from Richard III and other Shakespearean roles, to a couple of the most famous writers in history, such as J.M. Barrie and Lewis Carroll. It’s perhaps only natural that he would get to play not only Frankenstein’s creation, but Victor Frankenstein himself. Holm does a brilliant job in both parts, and it’s a worthy adaptation overall, mostly following Shelley but with a few unique twists. Holm would not be finished with Frankenstein once this production ended, either; he later played a supporting part in the 1994 film adaptation. I highly doubt this bit of casting was coincidental.

5. Alec Newman, from Frankenstein (2004 Miniseries).

Alec Newman is a name some fans of dark video games may recognize; among his body of work, he was the voice of Simon Belmont for the “Castlevania: Lords of Shadow” reboot trilogy, and also Jack the Ripper for “Assassin’s Creed: Syndicate.” It’s therefore somewhat unsurprising to learn that, before either of those came to be, Newman played one of Gothic horror’s most famous figures. This two-part miniseries is a highly underrated adaptation. It’s arguably the closest to the book ever made, at least that I’ve seen, as the longer running time and two-part structure allows for not only virtually everything in the novel to be given space, but allows for a few innovations and changes unique to this interpretation. Newman’s Victor Frankenstein, however, sticks more or less true to the source all the way through to the end, in terms of writing and general portrayal. If “definitive” can be taken to mean “truest to the original material,” then he is arguably the definitive version of Victor Frankenstein: starting off as an idealistic and romantic youth, whose passions become twisted as his naivete and rebellious obsessions ultimately lead to his downfall. His health declines, his fortunes decline, but perhaps most importantly, his very soul is effectively despoiled by his own negligence and imprudence. While he’s not the first person most people will think of when they think of the character, he’s definitely one of the most interesting portrayals to date.

4. Gene Wilder, from Young Frankenstein.

There have been several characters over the years who were not meant to be the actual Dr. Frankenstein himself, but rather his successors or descendants. Examples include Wolf von Frankenstein, the titular character of “Son of Frankenstein,” and Victoria Frankenstein, an upcoming female take on the mad scientist made for Universal’s “Dark Universe” attractions. (Look into that, by the way, seems like it could be interesting…unlike the last time Universal attempted a “Dark Universe” rebranding, but I digress.) However, I left such characters out of the running because…well…they’re not Victor Frankenstein. They’re his sons or daughters or general followers. I made an exception with Gene Wilder’s delightfully daffy Frederick Frankenstein, the title character of the Mel Brooks dark comedy classic “Young Frankenstein,” for one simple reason: it felt like a crime to leave him out of the running. This is mostly because, while the film does state that Frederick is the original Frankenstein’s grandson, the movie more or less follows, beat-for-beat, the familiar Frankenstein story: it takes the story beats we recognize from both the novel and the first two Universal movies and transforms the tragedy and horror into zany, satirical humor. The result is probably one of the greatest horror comedies in the history of movies, with Wilder’s Willy Wonka - I mean, Dr. Frankenstein at the very center of it all. He is HILARIOUS in this movie; I would argue quite possibly the funniest performance of his whole career, which is saying quite a lot. There was no way I could have forgiven myself if I didn’t include him in the Top 5.

3. Colin Clive, from the Universal Monsters Series.

While the iconography of the original Universal version of Frankenstein’s Monster (and the work of Boris Karloff in the role) cannot be denied, I often feel that Colin Clive’s work in the role of Dr. Frankenstein gets somewhat overlooked. In the first film, 1931’s “Frankenstein,” Clive is really the main character, and gives us a really strong intense performance that actually still really holds up to this day. The Universal Frankenstein is just as obsessive and ethically questionable as the one in the novel, but he’s a BIT less morally problematic. Unlike Victor Frankenstein in the book, HENRY Frankenstein (as the film strangely decides to rename him; the name of Victor is given to another character, for some reason) actually DOES try to care for his Creation and teach him. Henry even defends the Monster for a while, against his own skeptical mentor figure, Dr. Waldman. However, after the Monster commits his first bit of homicide - which was ENTIRELY justified as self-defense, I should add - Frankenstein is led to believe his experiment has been a failure, and feels he has no choice but to destroy his creation. I really, REALLY love Clive’s Frankenstein: he has lines and moments that are just as memorable and masterfully handled as any of Karloff’s pantomime in the first movie. It was also nice to see him return in the second film, “Bride of Frankenstein,” although his role in the sequel is strangely much smaller. You can tell they really wanted to focus on the Monster, realizing he was the moneymaking character; by the time the third film comes around, Frankenstein has died offscreen, and his adult son (played by Basil Rathbone) is in the process of…ahem…inheriting the family business, shall we say? As the man who made “IT’S ALIIIIIIIVE!” such a well-known bit of dialogue, Clive more than earns his place in my top three.

2. Peter Cushing, from the Hammer Horror Series.

While the ethics and moral standing of both Colin Clive’s Frankenstein in the Universal films, and Mary Shelley’s Victor in the original novel, are certainly up to discourse…there is no such debate with Peter Cushing’s take on the mad doctor. This is the second (and last) Frankenstein on this list, after Tim Curry’s version, who is just straight up EVIL. In fact, I may be wrong here, but I THINK this was the first time anyone depicted the character as an out-and-out villain before, at least in movies. Cushing’s Frankenstein is almost a Richard III sort of character, at least in his first outing of “Curse of Frankenstein.” We actually sympathize with him at the start of the movie, but as the film goes on, he becomes more and more of a dastardly scoundrel. By the end of the movie, even though his Creation certainly does their fair share of murder and mayhem, there is no doubt that Frankenstein himself is the REAL monster. And, like any great monster, Frankenstein seemed almost indestructible: in every single film, he would narrowly escape his own demise, and come back in another ready to try his experiments again. As the films go on, we see Frankenstein’s character change and shift, as he bobs in and out between a sort of sympathetic villainy and just being a cruel, callous, coldhearted cad. By the end of the series run, we realize there really is no hope for the mad doctor: he is lost in own obsession, unable to escape from it, even if he secretly sort of wants to. Never had the warnings of Shelley’s novel been so explicitly elaborated on, and - through good scripts and bad - Cushing carries the role with incredible power, dignity, and precision, his work just as meticulous as the character’s onscreen. While I personally will always think of him as Van Helsing from Hammer’s equally popular Dracula franchise, first and foremost, his Frankenstein is certainly nothing to scoff at, and is still widely considered one of the greatest.

1. Harry Treadaway, from Penny Dreadful.

On the previous list, I mentioned how Rory Kinnear’s take on the Creature (whom I shall henceforth refer to as “Caliban” for this description) was somehow one of the most faithful to Shelley’s version, despite the story of Penny Dreadful being obviously different from the original novel. I also mentioned that the Frankenstein characters of the series were probably my favorites of the whole show. (This is saying quite a lot, with icons like Dorian Gray, Count Dracula, and - most terrifying of all - Simon Russell Beale in the ranks.) Harry Treadaway’s Victor Frankenstein is not only no exception, he is the epitome: this was my favorite character in the show. Treadaway’s Frankenstein captures the spirit of Shelley’s original version, and mingles it with a number of new ideas and concepts, in a way that is absolutely spellbinding. This version of Frankenstein didn’t give up after his first “failed” experiment, and continues to look into creating life, for various reasons. The relationship between himself and Caliban is one of the most intriguingly twisted in the entire show (which, again, is saying quite a lot), as are his relationships with several other characters. Most notably, this one has Victor not only coming to grips with his own faults and actions, as he is lost in a cycle of poor-decision-making throughout the show, but also has him facing the idea that there are some things science just cannot explain or overcome. It was a great way of bringing the philosophies of a character and their story into a new medium, and it made Victor easily the most fascinating figure in a show filled with so many other interesting, dark, disturbed characters. I have no problems or hesitation whatsoever naming Penny Dreadful’s Dr. Frankenstein as my favorite take on the character. Case closed.

HONORABLE MENTIONS INCLUDE…

Samuel West, from Van Helsing.

As I’ve said in the past, I do have a soft spot for this very, VERY crazy “monster mash” movie. The opening sequence where we see Dr. Frankenstein’s deal with Dracula, and the creation of his Monster, is arguably one of the best parts, but West’s Frankenstein is killed before the 10 minute mark.

Dr. Henry Blackbrew, from V-Rising.

Just like with Adam the Firstborn, this game’s version of the Frankenstein Monster, “V Rising” created their own version of Dr. Frankenstein, and you’re even able to face him as a boss. Very fun, but I just didn’t think there was enough here to give him a slot.

Robert Powell, from Frankenstein (1984).

I mentioned this one on the previous list. This made-for-TV adaptation tries to follow Shelley’s novel in a truncated format, and has a very good cast. Powell does a decent job as the doctor, but the low-budget and untidy script don’t do his Frankenstein any favors.

Augustus Phillips, from Frankenstein (1910).

The very first film version of the mad scientist and his story…though, as I said on the past list, the film seems to misunderstand the entire crux of Shelley’s novel, reinterpreting Frankenstein’s quest for knowledge as more of a Faustian bit of black magic than actual science. Still, credit for kicking things off.

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pll-reimagined · 7 days ago

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Pretty Little Liars: reimAgined

Hello Liars of tumblr!

I am a huge nerd for the Pretty Little Liars franchise – I adore the books (I’ve been reading them as far back as the original release of ‘Killer’), and while I love the show, I've always been more than a little disappointed that it wasn’t closer to the source material. During spooky season, I began both rereading the books and rewatching the show, and it gave me the creative inspiration to blend together the best bits of each canon into one cohesive narrative, start to finish. With that said, I present to you all my passion project, 'Pretty Little Liars: reimAgined', as what a retooled, more faithful adaptation could look like.

My primary goal is to tackle the books’ canon and adapt it to span across a number of 'seasons' in an episodic fashion - currently my plan is a 7-season format with around 13 episodes apiece, leaving wiggle room for more as I progress. I intend to weave in some aspects from the original show that were either invented FOR the show, or ones that it particularly excelled in translating… but not necessarily the ones people might expect. This will range from minor storylines and interactions to entire episodes from the OG - albeit through a different lens - if I believe it will help to flesh out characters and the tapestry of Rosewood at large, however this is not the priority. I may periodically condense, expand, omit, and/or change the order of storylines and arcs to make them stronger, and so as to cut down on unnecessary filler. I want for there to be nods that both book and show fans alike can appreciate while also keeping them in suspense over how events unfold; it'll feel familiar, but won't be a twin copy.

My overall creative concept is a period piece set in 2006 (so I'm keeping as much of the niche style and dated references from the books as possible), with a sense heightened reality and a focus on themes such as symbolism, luxury, and indulgence. Think less ABC Family/CW vibes and more HBO/FX, American Horror Story vibes: big on suspense, a dark and gothic aesthetic contrasting expensive and chic high society, somewhat realistic yet simultaneously a bit larger-than-life or fantastical, can range from slightly eerie to downright unsettling, and doesn’t shy away from vulgarity or adult themes and imagery, but does so tastefully and in moderation. Rosewood should absolutely DRIP with exorbitant wealth, lust, disdain, competition, and secrets, but in the flavor of Old Money. My vision is of a nice suburb in New England, where every yard has a white picket fence to hide the imperfections from your neighbors, and petty, political cold wars matter to your social standing at the country club.

The rewrite will have a more serious and mature tone: less teen romance (though, as it IS present in the books, there will still be some) and more focus on psychological torture, thriller/horror tones, the mystery surrounding the disappearance of Alison, the identity and motive(s) of ‘A’, and what ‘A’ puts the Liars through.

As of now, I have a very rough draft of the major story beats that I plan on covering, as I think the story starts to fall apart when you don't have your long-term mystery road mapped well in advance. My goal is for each story arc/season to feel well-balanced and important to the over-arching narrative, and the 'A' reveals are a large part of this. The 'A' thread is the most meticulous and delicate, as any misstep leads to inadvertent plot holes, which is exactly what happened to the show. Most importantly, the 'A' motivations need to make sense in relation to the Liars - that means no Shower Harvey's running amok in this fic!

I’m also going to fix some aspects of certain storylines, and the timeline in general, that were either rushed, dragged out, unnecessary, unrealistic, or flat-out didn’t make sense, adjusting the pacing where I deem it necessary (RIP Never Ending November). This is less so with the books, although they do have some instances - Sara Shepard wtf do you MEAN THAT ARIA STOLE THE STARRY NIGHT - and more so what I use from the original show. I want to give the story the proper room to breathe and the space to gradually build suspense, ensuring a structured flow for every episode within each season’s narrative arc.

I’m aging everyone up slightly, so the start of the series will take place on the last day of 9th grade (making the Liars around 15), and the time jump will be about 2 years, to the end of the summer before the girls’ senior year (making the Liars around 17). Hopefully this will make some of the plotlines a little less icky and statutory grapey when it comes to age.

I’ll also be combining book and show characters as I see fit, giving preference to the books. In particular, I'll be utilizing the ensemble of Rosewood Day students in a much larger capacity than the show did, so to increase the number of suspects while cutting down on extraneous random characters, effectively creating a small community of socialites not dissimilar to Gossip Girl. These people have largely known one another since childhood, and that should be reflected in their interactions.

I'm retelling the story through the mind and voice of none other than Alison DiLaurentis, and she will operate in a way similar to Mary Alice Young from Desperate Housewives: secretive, slightly omniscient, gone yet still very much a part of the Liars' world despite her absence, and playfully watching over her friends as they navigate past her disappearance. She serves as a narrator for the Liars’ inner thoughts and monologues, but will frequently provide her own insight on situations, occasionally injecting some dry humor into the series.

Lastly, the Liars will actually... y'know... lie lol. While the show captured their positive traits, it suffered from the fact that the girls either didn't do bad/selfish things at ALL, or they were coerced to by outside factors. The girls in the books are much more self-serving, petty, and willing to do bad things to achieve what they want. There will still be 'A' manipulation, however I want the general sense that the Liars are victims of their own actions. They should be much more uncomfortable in maintaining and balancing their social lives with the threat of ‘A’ always looming, poised to knock them off the top of the totem pole should their secrets be exposed. The outward appearance of perfection should be, at least initially, the driving force for the Liars. They’ll be more rational and cautious, making less immediate boneheaded and/or out-of-character decisions like the show portrayed, and a bit more reluctant to trust one another until after things have unraveled and bound them together.

I’m currently outlining the details for the first 'season', and I'm about halfway done with the prologue, which I plan to post by the end of the week to gauge interest. I'm open to feedback, so please let me know what you all think of my little passion project!

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satoshi-mochida · 5 months ago

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Disney Epic Mickey: Rebrushed launches September 24 - Gematsu

Disney Epic Mickey: Rebrushed will launch for PlayStation 5, Xbox Series, PlayStation 4, Xbox One, Switch, and PC via Steam on September 24 for $59.99 / £49.99 / €59.99, publisher THQ Nordic and developer Purple Lamp Studios announced.

Digital pre-orders are available now and include 24 hours of early access to the game on September 23, as well as the downloadable content “Costume Pack,” which features “Steamboat Willie, “Brave Little Tailor,” and “Football” costumes for Mickey Mouse. The “Costume Pack” can also be purchased separately for $4.99.

Here is an overview of the game, via THQ Nordic:

About

Disney Epic Mickey: Rebrushed brings the magic of Disney to life in a vibrant 3D platformer. This beautiful remake sends Mickey Mouse on an epic journey through Wasteland, a realm of forgotten Disney characters. As Mickey, you will dive into a fantastical world and, armed with paint and thinner, shape your adventure and the fate of this alternate world. Every stroke of your magic brush matters! Use paint to restore beauty and harmony or thinner to alter your environment and uncover hidden secrets. Your choices influence Mickey’s destiny and change the outcome of this artistic odyssey. Will you become the epic hero Wasteland needs? Encounter various iconic characters like Oswald the Lucky Rabbit, Walt Disney’s first creation, as you travel between lands in Wasteland. Collect virtual Disney pins, tackle creative challenges, and uncover secrets, all while exploring classic platforming levels inspired by animated films and shorts. Originally envisioned by Warren Spector, reimagined by Purple Lamp, Disney Epic Mickey: Rebrushed employs state-of-the-art visuals and improved controls to breathe new life into a beloved classic. Experience new movement skills for Mickey, such as dash, ground pound and sprinting. The game’s compelling story makes it an unforgettable adventure for long-time fans and newcomers alike. Join Mickey Mouse and unravel the mysteries of Wasteland in this homage to Disney’s legacy.

Key Features

Explore a reimagined Wasteland, full of Disney’s timeless characters and stories.

Wield the magic brush: Paint to create, thinner to alter. Every choice shapes your story.

Meet Oswald the Lucky Rabbit, Disney’s original star, in a rich, narrative-driven world.

Enjoy advanced gameplay with new abilities and enhanced visuals in a classic setting.

Mickey has new moves such as dash, ground pound and sprinting.

High replayability with multiple endings based on your unique playstyle and decisions.

Watch a new trailer below.

Release Date and Collector's Edition Trailer

youtube

#Disney Epic Mickey: Rebrushed #Epic Mickey: Rebrushed #Disney Epic Mickey #Epic Mickey #Disney #THQ Nordic #Purple Lamp Studios #Gematsu #Youtube

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rpgsandbox · 1 year ago

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The Book of Many Things

Discover startling – but delightful – new content in this reimagined version of the Deck of Many Things.

The Deck of Many Things is a famous DUNGEONS & DRAGONS® magic item whose effects are as spectacular as they are unpredictable. Within this box, you’ll find the Book of Many Things, which illuminates the deck’s mysteries and provides everything Dungeon Masters need to use it in their campaigns. This book includes advice, adventure locations, and new monsters for Dungeon Masters, as well as character options, magic items, and organizations for players, all inspired by the deck.

This set also includes lavishly illustrated cards for the Deck of Many Things, including additional cards that triple the deck’s size, allowing you to build the perfect deck for your campaign. An accompanying guidebook shows how to use the cards as a traditional oracle deck or to create D&D® adventures inspired by the cards.

WILD CARDS FOR YOUR COLLECTION!

Introduce even more magical whimsy into your game with this reimagined version of the Deck of Many Things. In addition to the 22 cards in the original Deck of Many Things, discover 44 startling – but delightful – new cards that only add to the randomness. Substitute these wild cards into your deck however you please for the perfect blend of curated chaos.

INSPIRATION FOR PERFECT CHAOS.

Creativity can’t be forced, but the Deck of Many Things provides just enough unpredictability to spark that lighting in a bottle moment. From new adventure hooks and key locations to inventive new ways to determine random encounters, Dungeon Masters have all the ingredients to build perfect chaos into their campaigns. Together with your party, craft dramatic experiences, experience startling twists, and delight in unexpected moments of brilliance.

YOUR DESTINY IS IN THE CARDS!

Do you dare to change your destiny? Transform your fate with 2 new player backgrounds, where drawing from the deck has either rewarded you with a miraculous turn of good fortune or ruined you in a single calamitous stroke. Explore arcane possibilities, channeling your magic through a deck of cards and allowing it to flourish with 1 new feat and 3 mystical spells.

THE STORY BEHIND THE MAGIC.

Dive deeper than ever before into the lore behind the beloved magic item in this expanded version of the Deck of Many Things. How did the Deck of Many Things come to be? What is the significance of one baneful figure depicted in the cards? The answers you seek – and more – will be revealed for the first time ever.

The Book of Many Things, a 192-page hardcover book for players and Dungeon Masters alike, inspired by the Deck of Many Things

The Deck of Many Things, expanded to a total of 66 unique cards

An 80-page hardcover guidebook showcasing each card in the expanded deck

Sturdy custom box to store the guidebook and all 66 cards, with lavishly illustrated art backs and new artwork

D&D Beyond digital copy of The Book of Many Things

Available 14th November 2023, or pre-order on D&D Beyond now.

#RPG #Dungeons and Dragons #deck of many things #Wizards of the Coast #gaming news

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divinecomedyproductions · 3 months ago

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RWBY AU: Looking for talent for a think tank!

"Moved with music--measureless the waves' Joy and jubilee. It is JOVE's orbit,

Filled and festal, faster turning With arc ampler.

From the Isles of Tin Tyrian traders, in trouble steering

Came with his cargoes; the Cornish treasure That his ray ripens.

Of wrath ended And woes mended, of winter passed And guilt forgiven, and good fortune

Jove is master; and of jocund revel, Laughter of ladies. The lion-hearted, The myriad-minded, men like the gods, Helps and heroes, helms of nations Just and gentle, are Jove's children, Work his wonders.

On his white forehead Calm and kingly, no care darkens

Nor wrath wrinkles: but righteous power And leisure and largess their loose splendours Have wrapped around him--a rich mantle Of ease and empire." - CS Lewis, The Planets

Once there was a world by the name of Omnibus. Created by the supreme deity The Author Allfather through the mysterious entity The Storyteller who brought in people from The Other World to inhabit and are whom the humans and Faunus are descended.

Omnibus was composed of four holy and mighty kingdoms, ruled by The Storyteller's Patron Saints whose reign protected the people, human and faunus alike, with their mighty armies and hunters from barbarian hordes, and the hordes of The Grimm who were the blight of the world and extensions of the will of the fallen being Grimmel The Black and his fellow fallen angels

In the dreadful world-shattering war of Ragnarök, the glorious age of Truth, Goodness, and Beauty, and the days of Romance, Heroism Adventure, and Eucatastrophe came to a tragic end.

Now all that remains is the world that is Remnant

But there is a prophecy made by Ozma The First Time Wizard before his death, that one day the bloodlines of the original Patron Saints and the families betrothed to them will return to take up these powers, rally armies of the righteous, vanquish the darkness and restore the holy kingdoms and Omnibus and reign over them once more.

Sinners will become Saints

Curses will be broken

Legends shall be restored and new Legends will be born

And what was a Remnant, Shall Be Whole Again.

But until then, the Hunters lead a struggling battle against the Grimm while the modern kingdoms suffer under corruption of all kinds, both to the benefit of darker forces who have horrifying intentions for the world.

Cue Ruby Rose and her older half-sister Yang Xiao Long, they are about to enter Beacon Academy after being approved by the eccentric Professor Ozpin Pine along with the heiress Weiss Schnee and the introverted faunus Blake Belladonna forming team RWBY

Ozpin has also enrolled a few other students and transferred others.

The former forming team JNPR, and the latter being Team SSSN of Haven Academy

Ozpin seems to have his eye on all of them, but what for?

Inspired by CS Lewis's works, The Chronicles of Narnia and The Ransom Trilogy,

The Lion The Witch and The Wardrobe and That Hideous Strength in particular, as well as the book Planet Narnia by Michael Ward(which I highly recommend to all Narnians)

This reimagined RWBY AU takes the world of Remnant, puts it into the Narnia multiverse, new directions with it's ideas and concepts to tell a different story

A story of faith, hope, courage, re-enchantment, the passing of the sorrowful winter and the coming of the joyous summer.

I'm working on this project, and as I have many ideas and a big picture, I am stumped. So I'm opening a think tank!

Looking for writers

editors

Artists(character, vehicle, background, and architecture designs, concepts, scenes, weapons, etc.)

The format will be a visual format, and audio drama with static images akin to Fixing RWBY by Celtic Pheonix, something akin to a visual novel if that's a good comparison

This project is rated PG-13 for It will have intense violence, brief strong language, partial nudity, and mild drug and alcohol use.

All who apply will be given access to my discord.

Audition for me either with the link if you have a CastingCallClub Account or DM me here on Tumblr!

#rwby au #casting call #auditions #artists #writing #the chronicles of narnia #the ransom trilogy #the space trilogy #ransom trilogy #space trilogy

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royalwhumpness · 2 months ago

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Beetlejuice Beetlejuice - Reimagined [Fanfic Chapter 2]

Frustrated with her mom, again, Astrid hops on her bike and sets off around town. She'd done this countless times before--it has always been her go-to way to find some peace or make sense of everything going on.

If you'd like to read this or the first chapter on AO3 you can go here!

Beetlejuice Beetlejuice didn’t quite live up to my expectations. I was disappointed by some of the creative choices, particularly in how certain characters were portrayed and the story direction. This fic is my re-imagining of the movie, reflecting how I feel the characters and story could have been better developed.

Foreword: I wanted to mention the tone of the story. You might be thinking, "GoldenOra (or royalwhumpness on tumblr), this isn't funny, Beetlejuice is a comedy." And you're right. But! My rebuttal is to ask you to be patient.

These are establishing chapters, and I want to give the sequel everything I felt the movie deserved. If you read the script of the first film without hearing the dialogue or seeing the visuals, it wouldn't come across as funny either at first. Beetlejuice was not really a laugh-out-loud movie (of course it had its moments). The humor comes from how the lines are delivered, how the scenes are framed, and the characters' costumes--those elements are what made the original so comical.

WARNING: The NOTE after the chapter has some spoilers if you've never seen the movie.

---

Astrid paused at the foot of the hill, her eyes drifting towards the town’s entrance, framed by the familiar bridge. She’d crossed it countless times, but today, everything seemed washed out—the colors of the day and the buildings dull and lifeless. The town square just beyond barely expanded, with only a few residential streets fanning out. She and her bike had explored nearly every road, sidewalk, and public lawn in this place. Her tires rumbled over the bridge. The roads on the other side she could ride blindfolded—if not for the occasional car or passerby. At least here, she could lose herself, drifting into her thoughts and daydreams as she pedaled.

Before she moved away, she used to ride through the small town, thrilled to say goodbye to the old buildings. Bigger things were waiting, and she looked forward to the day when her old life would shrink into the distance behind her. But boarding school wasn’t as grand as she’d pictured. No antique wooden walls, the floors weren’t speckled stone, and the library was far from magical. “Well, this isn’t Europe,” she mused, offering herself a small excuse for the disappointment—just a regular building with linoleum floors, fluorescent lights, and plaster walls.

Her bike sped through the town center, up a small hill, onto a quiet residential street. It was far enough from home that she could pretend, even for a moment, that it was somewhere else entirely.

Despite the plainness of the school, she still managed to bury her nose in academic and fiction books alike, but she mostly kept to her room. Her roommate was friendly enough, though they rarely saw each other. Astrid was surprised to find that most of the students were pretty nice. Back in her small town, her family had always stood out. She’d taken after her mom, wearing darker clothes, and often borrowed or was gifted eccentric pieces from her grandma’s closet. While the locals back home would occasionally give her stares or glares—though they should’ve been used to it by now—no one at boarding school seemed to care. This time, it was Astrid who found herself staring at students sporting mohawks and leather jackets with spikes.

Finally on the residential street, Astrid passed by quaint houses untouched by corporate sameness, each one displaying its own varied and charming architecture. Some lawns boasted lush gardens, while others had neatly trimmed grass with swing sets, lawn chairs, or empty above-ground pools. Her effort to climb the incline paid off as she reached the top of the hill. This was her favorite part—racing downhill. She paused for a moment, just as she did at the bottom of the hill near her own home, and took in the new view. A brief sense of gratitude washed over her that she hadn’t grown up in a big city. As she began her descent, one or two pedals were all she needed before gravity took over, pulling her effortlessly toward the bottom. The wind grew harsher as she picked up speed, drying out her eyes. For a fleeting moment, she considered closing them and letting whatever happened, happen, but not wanting to test fate, she blinked, trying to coax tears back into them. The world flickered from blurry to black and back again as she did, making her miss the open manhole directly in her path. At the last second, she spotted the dark void in the street and swerved sharply, her bike veering off into a new route, slipping between houses and into someone’s backyard. She crashed into a tree, her head smacking against its rough bark, and everything went black.

“Hey, can you hear me? You awake? Ah, she probably can’t hear me.” The voice echoed in her skull, bouncing around like a stray thought. She could’ve sworn she also heard church bells, though it might have just been the warning sign of an oncoming migraine. Slowly, she opened her eyes, only for the sunlight to pierce through her pupils, setting her brain on fire. “Ah.” She covered her eyes with her hands. “Okay, so she’s awake. Can she hear me? Hello? Can you hear me? Probably not.” Peeking through her fingers, Astrid saw the tree she’d crashed into—and an old treehouse nestled in its branches. A teenage boy, about her age, maybe a little older, was leaning out from the doorway, checking on her. “Sorry…” she muttered, moving her hands to shield her eyes again. “Sorry I crashed into your tree. I just need a minute.” “Holy shit,” he exclaimed, sounding genuinely shocked. The treehouse creaked as its ladder rattled beneath him, and he climbed down quickly. “Hey, it’s cool. Just take your time,” he said, now standing beside her. “You really hit your head hard. You probably have a concussion.”

Astrid sat up slowly, moving her hands from her eyes to her forehead. She winced as her fingers brushed the bruise just above her hairline. Now that her vision had cleared, she could finally see who she was talking to. He was cute. Tall and lanky, with soft reddish-brown hair that puffed up, defying gravity. His large hazel eyes were gentle and kind. “I think I’ll be okay,” she said, offering a small smile. “I’m Astrid. Sorry again for crashing into your yard…and then your tree.” He laughed. “I’m Jeremy. No, it’s really ok.” He looked at her with genuine interest. “It’s really nice to meet you. Where’re you from?” “From here,” she replied, pointing toward the hill that loomed over the town. “I live in that house.” “No way, the ghost house? You’re Lydia’s daughter? She’s a legend!” Astrid smiled. “Yep, that’s my mom.” Jeremy’s eyes widened. “Wow, so that explains—uh, the clothes.” He gestured vaguely at her outfit: a long black t-shirt, baggy black cargo pants, and chunky black shoes. She had a thick choker around her neck and her hair styled in a spiky bun. “I just came from a funeral,” Astrid said matter-of-factly. Jeremy smiled. “Ah, I see. So what are you doing in my neck of the woods?” “I needed a break from family.” Jeremy took in a sharp breath, glancing back at his house. “I hear ya.” “Family drama?” Astrid asked, recognizing the look of child/parent tension in his expression.

“Yeah, my parents and I don’t really get along,” Jeremy admitted. He glanced between Astrid and his treehouse. “But I don’t want to bore you with that.” He bounced a little on the balls of his feet and gave a sheepish grin. “Hey, I know we just met, but would you like to see inside?” He pointed up at the tree. Astrid offered a small, shy smile. “Um, I’d like to, but—“ “I hope I’m not coming off too strong,” Jeremy interrupted, holding his hands up in a gentle, defensive gesture. “Oh, no, it’s not that. I just… I guess I could.” Astrid said in a soft, hesitating voice. Her eyes darted from the tree to the road and back. Connecting with people had always been tough for her, even when they showed kindness and interest. She longed for friends, but the right words often eluded her. “Oh, great!” Jeremy beamed. Astrid looked up at the treehouse, which appeared old and somewhat unkempt. “Is it safe? I don’t want to fall through and hit my head again.” Jeremy snickered, “It should be; it’s pretty sturdy wood. Don’t be fooled by the rotting parts; it’s held firm since my dad was a kid. Besides, I think you’ll like what’s inside.” Astrid smiled at his warmth and charm. Jeremy climbed the ladder ahead of her. “I’m excited to show you my collection.” “Collection of what?” she asked, following him. “You’ll see.”

When she reached the top and stepped inside, Jeremy spread his arms in a welcoming gesture. “Welcome!” The interior was cozy, adorned with rugs, posters, string lights, and a collection of nostalgic memorabilia. In the back, by a window, was a record player and a crate full of old records. Astrid’s eyes lit up as she took it all in. “May I?” she asked, pointing to the crate. “Of course, that’s what I wanted to show you.” “Awesome.” Astrid began to finger through the album covers, admiring their artwork. “Would you like me to put something on?” Jeremy asked, coming to stand next to her. His proximity made Astrid smile, and she felt a flutter in her chest. She stiffened, wondering if the flutter was too loud. She glanced at him, but if he noticed, he didn’t show it. He pulled out a record by Pink Floyd. “How about ‘Dark Side of the Moon’? It’s a pretty chill album to have on while we get to know each other.” He flashed a cheeky grin, wiggling the album side to side. Astrid chuckled, “Sure.”

As the music began to play, adding a whimsical backdrop to the room, Astrid took a closer look at the decorations. The walls were adorned with posters of old movies and music: RoboCop, Nirvana, Ghostbusters, Fight Club, Green Day, and other iconic vintage classics. “You really like the 80’s and 90’s,” Astrid said, shifting her attention to a small bookshelf. “Yea, I guess I do.” Jeremy noticed her sifting through the books. “Do you like to read?” “I do.” She pulled out a book, Poetry of Poe, and flipped through it absentmindedly. She smiled and quoted, “From a proud tower in the town, death looks gigantically down.” Jeremy’s eyes widened with surprise. “Wow, The City in the Sea, I wouldn’t think many people know that one. Where’ve you been all my life?” Astrid laughed, “Atop the hill, surrounded by ghosts, apparently.” “Seen a lot of ghosts, have you?” “No, actually,” she said, her tone becoming somber. She placed the book back on the shelf. “My mom says I saw one when I was four, but honestly, I don’t remember, and I haven’t seen one since.” Jeremy looked puzzled, “No? Why not?” She shrugged, “I couldn’t tell ya.” She settled into a beanbag chair across from the bookshelf, holding her stomach. It started to churn and threaten to bring up what she ate last.

“So, this is a small enough town, why haven’t I seen you around?” Astrid’s voice sounded a little strained. Jeremy had moved his attention to a small stand of classic VHS tapes beside the record crate. He looked over them mindlessly as he answered, “Oh I’m sure we’ve passed by each other here and there, but I go and stay with my grandparents quite often. It’s a small vacation away from Lucifer and his wife.” He jabbed his thumb over his shoulder, gesturing towards the house. Astrid chuckled, “Ah, that might explain it. I did end up leaving for boarding school, so I haven’t been around much, myself.” She winced, groaning softly as she leaned forward, clutching her stomach a little tighter. Hearing her, Jeremy’s focus shifted back to her, concern on his face. “You ok?” he asked, approaching her and kneeling by her side. Astrid initially nodded but then shrugged. “I’m not sure. I suddenly feel sick.” Jeremy glanced around the room, looking worried, and let out a defeated breath before saying, “Are you hungry? I don’t have any food around, sorry.” She shook her head. “No, I don’t think so. I just feel nauseous.” She placed a hand on her forehead and groaned. “My head suddenly hurts.” She closed her eyes, wincing. “Uh oh. I think you might actually have a concussion. You should head home.” “Really? A concussion? This fast?” “It can take some time for the symptoms to show up, and then—wham—it hits like a train.” “Okay. Well, I should get home then.” He helped her up. “I’ll go down first in case you’re feeling weak, so you don’t injure yourself more if you fall.” As he guided her down, Astrid noticed that he kept her hand in his a bit longer than necessary. Despite his warm eyes, warm smile, and warm charm, his hand felt surprisingly cold. “Thank you,” she said softly. At the bottom of the treehouse, before retrieving her bike, she turned to him. “Thank you for letting me see your treehouse. It’s really cool.” “Thanks,” he said with a smile. “Maybe you can come back again sometime?’ She gave a small nod, “Yeah, that’d be cool.” “Cool. Maybe tomorrow, if your head’s ok?” “Sure, thanks, Jeremy.” She gave an awkward wave, and he chuckled. “Bye, Astrid.” She grabbed her bike and walked it back up the hill. When she glanced over her shoulder, she saw that he was still watching her. She smiled.

---

END NOTES: Changes I've made (and plan to make) from the movie.

I’ve removed the fiancée/manager character entirely. I found him unnecessary, and his execution felt lacking. The overuse of mental health terms to villainize him and, by extension, the mental health movement, struck me as lazy and problematic. While his manipulative nature was meant to control Lydia, there was no positive representation to counterbalance his portrayal, leaving the audience with little context for his misuse. Instead, these issues were treated as punchlines, which, in my opinion, trivialized the subject matter.

In my version, Betelgeuse’s ex is introduced more subtly, with hints of her greater role as the main antagonist in a potential third installment: Beetlejuice, Beetlejuice, Beetljuice Her character was completely underutilized in the film, and I felt she was given one of the most anticlimactic ends for any villain.

Bob is not in this story.

I’ve slightly re-imagined the detective, a character with a lot of untapped potential. On the other hand, Jeremy was the standout character for me and should have been the central antagonist. I’ve developed his relationship with Astrid more deeply, creating a stronger emotional impact leading up to his betrayal.

Astrid, in my version, is a more realistic teenager—not the stereotypical brat she was in the movie. She and Lydia have a complex relationship, which, while strained, is more balanced. (Let’s not forget that Lydia herself was once a moody, gothic teen. She had personality, moped around, and resented her stepmother, but her characterization felt more nuanced and authentic than Astrid’s does here.)

I was also disappointed by Delia’s treatment in the sequel—she felt like a mere caricature of her original self, and I believe she deserved much more.

As for Betelgeuse, he went from being an outcast in the first film—someone you were warned against—to having an office and a legitimate business? That felt completely out of place. Much like Delia, he seemed like a caricature of his former self, and he’s significantly overpowered in this version. I’ve returned him to the chaotic, outcast anti-hero we all know.

If you enjoyed the movie, that’s great—everyone has different tastes, and I respect that. But I hope you’ll give this version a chance and maybe find something to enjoy here too. If, like me, you were left wanting more from the sequel, perhaps this re-imagining will help scratch that itch. It’s been a cathartic project for me, and I hope you enjoy the read.

#beetlejuice beetlejuice #beetlejuice #beetlejuice 2 #beetlejuice fanfic #beetlejuice fic #astrid deetz #lydia deetz #delia deetz #charles deetz #betelgeuse #winona ryder #michael keaton #catherine o'hara #jenna ortega #fanfic #fanfiction #ao3

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shallowoak · 4 months ago

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Design Chatter - MLP Grand Line Gang!

>> Link to the art here! <<

I really enjoyed rambling about the East Blue Crew, so I'm back again to talk your ears off about the rest of the crew now that I've finally posted them! Once again, fair warning that this will be long and there will be spoilers!

I kept a few simple guidelines for myself in mind:

Keep it fun and surprising, in the spirit of the original!

I draw in the G4 style, but features from every gen and toy line are fair game

I love back card / blind bag style character blurbs. I live for crumbs of worldbuilding XD

I've purposefully not included cutie marks because I suck at drawing them and I'd never finish a piece if I had to draw them :v (maybe a post for another time?)

🌸Chopper🌸

In-universe:

Further than the Crystal Empire, even beyond Yakyakistan, Chopper hails from the frozen north. A skilled potion maker, he loves to brew warm healing tonics with ingredients found on the mountain. He's hoping he can learn to skywalk like the Reindeer in Robin's books!

Design:

Every now and again, it's nice to do a 1:1 translation of a character rather than a full reimagining! Reindeer appear in G4 during the special Best Gift Ever, so it's the little changes that make Chopper 'ponified'- the lighter patches on his face, ears and tummy. The swirls in his inner ears. Changing his hoof/antler colour to be just a little more pink. One thing I did add was little baby deer spots shaped like blossom for an extra pop of colour!

I chose to draw him in Defence Point because it's cuter 🥺 my mind also thought to draw Brain Point in the Equestria Girls style and I'm not sure the world is ready for that 😂 Defence Point was also supposed to harken back to a popular fluffy fan character- before I found out their creator isn't someone I want to be celebrating. But you live and learn when trying to reference fandom culture 🤷

📚Robin📚

In-universe:

Many hooves make light work! Having studied at the Mythica University and Golden Oak libraries alike, this magic scholar always has a spell to get her crew out of a pinch! During her travels, the wily CP9 tried restraining her magic with a tennis ball!

Design:

Hm. Put into pony form, Robin kind of looks like Twilight. Similar key colours and hairstyles can't really be avoided. I don't think it's necessarily a bad thing, though. Something about this combination must just give off 'bookish'! Besides, there are plenty of character foils to Twilight that look like her in canon, too. Moondancer, Sunset, Starlight... Robin could fall into this category- a promising student led astray by forces beyond her control. It certainly isn't easy being a magic student.

Rather than an odd outward appearance, Robin's fear factor is based on people's perceptions of her abilities. I feel like she's similar to Nami in looking normal and still getting demonised. Left to her own devices, she just likes to travel and study! So I didn't want to give her a super edgy design and feed into those misconceptions. Robin is at her coolest when she chooses to be wicked for herself!

She's a normal pony, but she's still a little more dark and mysterious than someone like Twilight. That sweeping black mane, heavy hooves, and curved horn—not to mention that colourful glint in her eye—make her sturdier than a Unicorn like Sanji, and her calm confidence lets you know it! I like to think Nami has inspired her to look into getting a big flowery leg design, but she's a little worried about being even more recognisable.

⭐Franky⭐

In-universe:

Self-acceptance and found family are super! Building each other up is almost as satisfying as building new airships... almost. This loud n' proud Griffon makes Canterlot cruisers and Ornithian pirate ships alike! Lately, within the crew, he's been helping Usopp come to terms with being a Cutie Mark-less creature. Every creature has worth and is deserving of love, with or without a mark!

Design:

Franky just kinda washed up from somewhere and that really ignited my imagination when it came to his appearance. From the start, I was adamant that he should be a creature with 'fingers'. There's something about crafting with your hands that can't be recreated with Unicorn magic.

MLP Griffons are known for their strong personalities and love of precious metals- so I thought one was a great fit for the unapologetic, totally authentic Franky! This larger body also gives him more space to customise, more feathers and fluff to style!

Horse noses are very closely linked to the shape of their mouths, so having the top half of his beak be metal avoided a lot of weird imagery. His pre-time skip design shows less of his cyborg nature, but being able to use bird forelegs definitely helped to dampen the weirdness of his bulky arms more than the noodly legs of a pony. Without the differentiation between fore and upper leg, I think he'd just look swollen! Besides, you do not want to take a strong right with added claws 😬

I think it's definitely easier to imagine a solo Griffon making ships than a solo pony! His large wings and long tail help keep him safe and balanced while he works high up, and his muscular back limbs help shift heavy materials. Those back legs are coloured to look like his Speedo, as they appear less fluffy than the rest of him.

🎶Brook🎶

In-universe:

This lifelong sailor knows no pony is an island. Music can bring every creature and animal on the seas together- if only you stop to listen ❤️ All our paths are bound to cross again one day, even if the seas are wide! Magic works in mysterious ways, no bones about it!

Design:

I felt that if I was going to go to the effort of drawing a full pony skeleton, I didn't want to then cover my hard work up with clothes. Now I'm thinking I should've- the structure on those limbs was hard to draw! I looked at real horse skellies, the Hidden Dissectibles figures, and even the 'Don't Mine at Night' MLP crossover parody song... None of it made it any easier 😂 would not recommend.

Seeing as there wasn't much I could do with his base design, I decided instead to add to it! In the climax of the Rainbow Rocks movie, the Siren villains summon giant magical projections of themselves to attack. This reminded me of Brook's soul leaving his body- so that's what I drew! Though it doesn't have any mind control powers, I still wouldn't advise touching this frosty apparition... or any of the sound waves it produces!

☀️Jinbei☀️

In-universe:

Design:

Keeps up with 'current' affairs! This sagely Seapony is a pillar of the community as well as Equestria! He helps the crew stay on course (emotionally and literally) as the world changes and expands around them- it's always an exciting time both above and below the surface!

I should've been more forward-thinking and drawn him up for Mermay! Seaponies have a long history with the MLP universe, appearing alongside their land counterparts at the start of G1- a fact I think is very fitting for his character. Of course, Jinbei's design is based on Whale Sharks, and Fishmen/Merfolk as a whole are so unique with how they can be designed. Seaponies too are different in every generation- so I had a lot of fun incorporating as many unique elements as I could!

I couldn't exactly make a horse wide and flat to mimic a Whale Shark's body as he does in his canon appearance, so I decided instead to lean in more to the cute spots and shark-shaped tail fin! Then I extended his sideburns to create a softer border between his body colours and to add back some visual interest lost by removing the large membrane fin G4 Seaponies have. Jinbei is already pretty hefty and strong, so a little extra fluff doesn't noticeably slow him down.

It's certainly more difficult to imagine hair as fins; they're so much more rigid. Without individual strands or the ability to curl like natural hair, it's a lot harder to suggest diverse textures. But I still think the semi-transparent look is a lot of fun to look at and layer, and it helps his blonde streaks stand out!

Though I could've put the sun brand on his flank, it just didn't look or feel right when we're so used to seeing it on his chest. Seaponies don't usually get their own marks, and the sun is a widely used symbol of freedom. Leaving his flank free still gives me the option of giving him a unique mark in the future- he's still a prominent individual in his own right!

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livlepretre · 1 year ago

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So I'm starting to like Rand more, and I totally get, if the books are in his POV, of course I'm going to prob like him even more. I will start reading pretty soon. I got 2 books to go, then I'm on the WoT train. Would you recommend starting with the prequel?

Also, I am loving Rands Prison Break look lol, but also seriously 😍

😆😆😆 they look so alike, except for the eyes.

I really like his interactions with Logain as well, hope to see more of that.

Also, are Ishmael and the Dark One supposed to be the same person? Like he's just known as the Dark One?

Also also, why are all these characters so awesome, I just want to see more of all of them kfnfjduxbdud!!!!???

I mean, Rand might just be my favorite character of all time?

(and, it's not that there are not other POVs! It's just that Rand is the main narrator in the first book, and I would say gets the most POV time in the 2nd book as well! So we get to know him very, very well)

and ha you are so right about the look alike situation!! that red coat was a GREAT look on Rand. It's actually an iconic look for book!Rand, so I basically SCREAMED the first time I saw him in that coat!

For the book order, definitely start with Book #1, the Eye of the World, and save the prequel, New Spring, for midway through the series. I usually read it after book 5 or 6, but I've also seen after book 7 recommended. DEFINITELY read the first 3 books, Eye of the World, Great Hunt, and Dragon Reborn, before cracking open the prequel. The original trilogy has wonderful momentum and works so well as a trilogy, having that reading/listening experience is not to be missed!

It's not even a secret that Logain is like my favorite side character. He has such a fun arc, I'm really looking forward to seeing what they do with him on the show! I am continuously surprised/delighted by the ways events are getting switched around/condensed/reimagined to service the show's format/more condensed storytelling needs.

Finally, per your Ishamael question: No! The Dark One is a non-human entity that is the antithesis of the Creator and seeks to overthrow the Creator. Extremely creepy. Ishamael is an Age of Legends Aes Sedai who became a true believer of the Dark One's goals and so has a zealot's passion for pursuing the Dark One's goals. It's interesting that you ask this question of whether they are the same, though, because in the books, and in the show, everyone thought that Ishamael actually was the Dark One! It's only later that they realize that the entity they have been facing is just a man, if a really powerful and evil one, and not the Dark One himself (itself?).

#asks #finnismyoriginalsin

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fearsmagazine · 1 year ago

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DRACULA, A COMEDY OF TERRORS, performances begin Sept. 4th, on at the New World Stages in NYC.

Drew & Dane Productions presents Dracula, A Comedy of Terrors by Gordon Greenberg and Steve Rosen in a limited 18-week engagement, September 4 – January 7, at New World Stages (340 West 50th Street). Opening night is September 18. Directed by Gordon Greenberg (Who’s Afraid of Virginia Woolf, Geffen), Dracula, A Comedy of Terrors features a company of fearless actors including Jordan Boatman (Medea at BAM, The Niceties), Arnie Burton (The 39 Steps, Peter and The Starcatcher), James Daly (Shaw Festival, Stratford Festival, Hulu’s “Letterkenny”), Ellen Harvey (How To Succeed, Present Laughter) and Andrew Keenan-Bolger (Disney’s Newsies, Tuck Everlasting). Tickets are now on sale at Telecharge.com, (212) 239-6200.

(L-R) ARNIE BURTON, JORDAN BOATMAN,, ELLEN HARVEY, ANDREW KEENAN-BOLGER, JAMES DALY. Dracula, A Comedy of Terrors. photo by Maria Baranova

Bram Stoker’s horror classic gets a riotous makeover in this lightning-fast comedic reimagining that celebrates goth, camp, sexuality, and the magic of live theatre. This 90-minute, gender-bending, quick-change romp features a pansexual GenZ Count Dracula in the midst of an existential crisis. When he sets his sights on the brilliant young earth scientist Lucy Westfeldt, he meets his match for the first time – as well as a slew of other colorful characters including vampire hunter Jean Van Helsing, insect connoisseur Percy Renfield and behavioral psychiatrist Wallace Westfeldt, whose British country estate doubles as a free-range mental asylum. With a cast of brilliant quick take comedians, this Dracula will make you scream… with laughter.

(Back, L-R) KAITLYN BOYER, ARNIE BURTON, JAMES DALY, ANDREW KEENAN-BOLGER, SEAN-MICHAEL WILKINSON. (front, l-r) JORDAN BOATMAN, ELLEN HARVEY. Dracula, A Comedy of Terrors. photo by Maria Barano

“In re-reading Dracula, we were surprised and intrigued by the boldness with which Stoker, a closeted gay man in Victorian England, plays with sexuality and gender norms,” says director/co-writer Gordon Greenberg. Co-writer Steve Rosen adds “we wanted to celebrate him and, at the same time, send up his moody, broody melodrama in the spirit of some of our comedic heroes like Charles Ludlam, Monty Python and Mel Brooks.” In regards to the New World Stages production, Greenberg continues, “We are so fortunate to have assembled an extraordinary company of top-notch comedic actors whose fearlessness and hilarity make the whole experience feel like a party. We hope our Dracula gives audiences of all ages the chance to forget about their troubles and just laugh their heads off for a while.”

Playwrights STEVE ROSEN and GORDON GREENBERG. Dracula, A Comedy of Terrors. photo by Maria Baranova

Dracula, A Comedy of Terrors features scenic design by Tijana Bjelajac, costume design by Tristan Raines, lighting design by Rob Denton, original music and sound design by Victoria Deiorio, and wig and hair design by Ashley Rae Callahan. General Management is by Live Wire Theatrical. The company understudies are Kaitlyn Boyer and Sean-Michael Wilkinson. Production management is by Intuitive Production Management, and production stage management is by Morgan Holbrook. Casting is by JZ Casting. Dori Berinstein (The Prom) is Executive Producer.

JAMES DALY. Dracula, A Comedy of Terrors. photo by Maria Baranova

Dracula, A Comedy of Terrors was commissioned and originally produced by Maltz Jupiter Theatre (Andrew Kato, Producing Artistic Director/Chief Executive) in 2019. In 2020, it was adapted as a radio play for The Broadway Podcast Network with an all-star cast including Annaleigh Ashford, Laura Benanti, Alex Brightman, James Monroe Iglehart, Richard Kind, Rob McClure, Ashley Park, Christopher Sieber, and John Stamos. Productions followed at Capital Repertory Theatre in Albany and Segal Centre for Performing Arts in Montreal. A hit with critics and audiences alike, Dracula, A Comedy of Terrors has been praised by the Albany Times Union as “a raucous comedy, done with impeccable adroitness …stuffed with sight gags, wordplay and lightning-fast costume changes,” and described as “a delicious comedic romp” by Berkshire Edge. McGill Daily calls the play “a sexy retelling of the classic 1897 novel that leans into contemporary gender roles with an unprecedented comedic angle. … not to be missed.” BroadwayWorld calls it a “lightning-fast, laugh-out-loud comedy.”

Dracula, A Comedy of Terrors will play a 18-week limited engagement September 4 – January 7, at New World Stages, Stage 5 (340 West 50th Street.) Opening night is September 18. Performances are Sunday, Monday, Wednesday and Thursday at 7PM, Friday and Saturday at 8PM, with matinees Saturday and Sunday at 2PM. Tickets are $99 - $119. Premium seating is available. Tickets are now on sale at Telecharge.com, (212) 239-6200. For more information, visit www.DraculaComedy.com.

#theater #comedy #off broadway #dracula #a comedy of terrors #new world stages #gordon greenberg #steve rosen #vampire

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madscientist008 · 2 years ago

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Top-Rated Video Games and Gaming News 2023

The year 2023 is a great time to be a gamer, with a plethora of amazing titles coming out for various platforms. Whether you’re into action, adventure, horror, strategy, or anything in between, there’s something for everyone in this year’s lineup. Here are some of the top-rated video games and gaming news of 2023 so far.

Resident Evil 4

One of the most anticipated games of the year is the remake of the classic survival horror game Resident Evil 4. Released on March 24 for PC, PS5, and Xbox Series X/S, the game features modernized gameplay, a reimagined storyline, and vividly detailed graphics powered by the RE Engine. The game follows Leon S. Kennedy, a former Raccoon City police officer who is sent to rescue the president’s kidnapped daughter in a remote European village infested with zombies and other creatures. The game has received critical acclaim from critics and fans alike, scoring a 92 on Metacritic for PC. IGN praised the game for preserving the essence of the original game while introducing new elements that enhance the experience.

The Legend of Zelda: Tears of the Kingdom

Another highly anticipated game is the sequel to the 2017 masterpiece The Legend of Zelda: Breath of the Wild. The game is set to release on November 19 for Switch, and promises to deliver an epic adventure in a vast open world. The game will explore the origins of the calamity that befell Hyrule 100 years ago, and will feature new abilities, enemies, and locations for Link and Zelda to explore. The game has been hyped up by Nintendo as one of their biggest projects ever, and fans are eagerly awaiting to see what surprises await them in this new chapter of the beloved franchise.

Hi-Fi Rush

If you’re looking for a fun and fast-paced action game with a rocking soundtrack, look no further than Hi-Fi Rush. Developed by Tango Gameworks and released on January 25 for PC, PS5, and Xbox Series X/S, the game follows Chai, a wannabe rockstar who teams up with his friends to fight against an evil megacorp with raucous rhythm combat. The game features colorful graphics, catchy tunes, and dynamic gameplay that syncs to the music. The game has received positive reviews from critics and players alike, scoring an 89 on Metacritic for PC. GameSpot called it “a blast from start to finish” and praised its stellar storytelling and satisfying progression systems.

Dead Space

Fans of sci-fi horror games were delighted when EA announced the remake of Dead Space, one of the most iconic games of its genre. Developed by Motive Studios and set to release on October 31 for PC, PS5, and Xbox Series X/S, the game is a reimagining of the 2008 original that follows Isaac Clarke, an engineer who must survive a nightmare aboard a derelict spaceship infested with monstrous creatures called Necromorphs. The game will feature stunning visuals, audio, and controls powered by the Frostbite engine, as well as improved story, characters, and gameplay mechanics. The game aims to recapture the terror and immersion of the original game while bringing it to a new generation of gamers.

These are just some of the best video games and gaming news of 2023 so far. There are many more exciting titles coming out later this year, such as Starfield, Spider-Man 2, Hogwarts Legacy, Diablo IV, Final Fantasy XVI, Assassin’s Creed Mirage, Hades 2, and more. Stay tuned for more updates on these and other games as they get closer to their release dates.

#video games #gaming #Resident Evil 4 #The Legend of Zelda: Tears of the Kingdom #Hi-Fi Rush #Dead Space #Starfield #Spider-Man 2 #Hogwarts Legacy #Diablo IV #Final Fantasy XVI #Assassin’s Creed Mirage #Hades #photography #writers #news #director #quotes #madscientistwriting

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demifiendrsa · 9 months ago

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youtube

Disney Epic Mickey: Rebrushed | Announcement Trailer

Disney Epic Mickey: Rebrushed will launch for PlayStation 5, Xbox Series, PlayStation 4, Xbox One, Switch, and PC via Steam in 2024.

Key visual

Screenshots

About

Every stroke of your magic brush matters! Use paint to restore beauty and harmony or thinner to alter your environment and uncover hidden secrets. Your choices influence Mickey’s destiny and change the outcome of this artistic odyssey. Will you become the epic hero Wasteland needs?

Encounter various iconic characters like Oswald the Lucky Rabbit, Walt Disney’s first creation, as you travel between lands in Wasteland. Collect virtual Disney pins, tackle creative challenges, and uncover secrets, all while exploring classic platforming levels inspired by animated films and shorts.

Originally envisioned by Warren Spector, reimagined by Purple Lamp, Disney Epic Mickey: Rebrushed employs state-of-the-art visuals and improved controls to breathe new life into a beloved classic. Experience new movement skills for Mickey, such as dash, ground pound and sprinting. The game’s compelling story makes it an unforgettable adventure for long-time fans and newcomers alike. Join Mickey Mouse and unravel the mysteries of Wasteland in this homage to Disney’s legacy.

Key Features

Explore a reimagined Wasteland, full of Disney’s timeless characters and stories.

Wield the magic brush: Paint to create, thinner to alter. Every choice shapes your story.

Meet Oswald the Lucky Rabbit, Disney’s original star, in a rich, narrative-driven world.

Enjoy advanced gameplay with new abilities and enhanced visuals in a classic setting.

Mickey has new moves such as dash, ground pound and sprinting.

High replayability with multiple endings based on your unique playstyle and decisions.

#Epic Mickey #Epic Mickey Rebrushed #Mickey Mouse #Oswald the Lucky Rabbit #Purple Lamp Studios #THQ Nordic #Disney #video game #PS5 #Xbox Series #Xbox Series X #Xbox Series S #PS4 #Xbox One #Nintendo Switch #PC #Steam #long post

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twistedtummies2 · 7 months ago

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Top 10 Portrayals of Dr. Seward

In Bram Stoker’s Dracula, Lucy Westenra - Dracula’s first female victim of note - is desired by three separate men. First, the man she chooses to be her husband, Arthur Holmwood: he’s the single most boring character in the entire main cast of the novel, and yet somehow he makes it into multiple adaptations…most of which do very little to make him a whole lot more interesting. I fail to understand this. Second is Quincey Morris: he’s more interesting, in several ways, and is even one of the gents who slays the undead Count, sacrificing his life to avenge his beloved Lucy and destroy the vampire. He also almost never makes it into any adaptations, and even those that do feature him usually conflate him with Holmwood - I’m guilty of this, myself. And last but not least, there’s Dr. Jack Seward - the only one of Lucy’s Suitors I plan to discuss. In the novel, Seward is a young and brilliant psychiatrist and physician combined, and the head of a local mental institution. He’s a skeptical scientist, who needs to be shown the reality of the utterly horrific and fantastical nature of vampires. He is also the “caretaker,” for lack of a better word, of Renfield, which makes him important to the team due to his connections with Dracula’s Servant. It is through Seward, in the book, that we learn so much about Lucy and Renfield alike, and it is Seward who summons Van Helsing in the first place to try and help out. While many adaptations DO include the character of Dr. Seward, nearly all of them change the character from his literary origins. Most make him an older gentleman, and focus more on the connection to Renfield than anything else. Indeed, many times Seward is made to be either Mina or Lucy’s FATHER, rather than a potential suitor. Even a few that do stray closer to the novel sometimes excise important elements of his character. Give Mina and Lucy credit, they usually still resemble their original forms to some degree: Seward is essentially a 50-50 shot. He’s either going to match the book version, or he very much isn’t. With that said, let’s take a look at some of those attempts at Seward now. These are My Top 10 Favorite Portrayals of Dr. Seward.

10. Orson Welles, from the Mercury Theater Radio Version.

The Mercury Theater Radio production of Dracula is interesting in that - much like a few takes on Quincey Morris in other adaptations - it conflates the characters of Seward and Arthur Holmwood. In the radio play, Seward’s work at the asylum is barely referenced, and Renfield is nowhere to be found: instead, he’s depicted as Lucy’s fiance, and the only major connection he has to the book version (aside from the name) is that he is an old friend and student of Professor Van Helsing. The main reason this version makes the list at all is because Orson Welles plays both Seward AND Dracula in the radio play, which is certainly an interesting choice of double-casting.

9. Buz Setton, from Disney’s Dracula, Pages From a Virgin’s Diary.

In the Disney graphic novel, Chief O’Hara (hold your horses, Batman fans; I’m talking about the Mickey Mouse character) plays the role of Seward, or, as he’s called in the comic, “Buz Setton.” (Not sure why the name was changed.) There’s really not much to say about this version except that it’s expectedly amusing, and aside from the name change and the goofiness that lies abundant, it’s a more or less accurate depiction of the character. Also, Pete is Renfield. This makes me chuckle.

8. Herbert Bunston, from the 1931 Film.

The origins of Seward being reimagined as an older gentleman, and the father of one of the main ladies in the play, begin with the Hamilton Deane stage adaptation. When the play went to Broadway, Herbert Bunston was cast in the role of the good doctor. When Universal decided to make their film version of the story - based more heavily on the play, rather than the original book - Bunston was one of the actors from the stage version who got a chance to reprise and immortalize his performance onscreen. While I feel his work is a bit “stagey,” even by standards of the time, it’s clear he’s comfortable with the material, and fully immersed in the character.

7. Jose Seriano Viosca, from “Spanish Dracula.”

The Spanish-language version of the previous film is, in my opinion, largely inferior to the original. While a few things in it are certainly interesting, much of the cast, in particular, just doesn’t strike me as being as strong as the cast in the English version. There are, however, two chief exceptions: one is Lupita Tovar as Mina, or “Eva,” who I spoke of in a past list. The other is Jose Seriano Viosca as Dr. Seward. Viosca’s Seward feels so much more natural in his performance than Herbert Bunston, in my opinion. He’s got more of a sense of humor, too, which is refreshing compared to Bunston’s more proprietorial character. There’s also a wonderful warmth between himself and Tovar, as well; they really do feel like father and daughter in this version. It’s still not remotely close to the book, but it is, in my opinion, a generally more interesting portrayal to watch.

6. Patti LuPone, from Penny Dreadful.

This version strays about as far from the path as you can get; thankfully, the character here is still very interesting, so that ultimately doesn’t matter much. After two seasons of teasing Dracula’s appearance, the third (and sadly final) season of “Penny Dreadful” finally brought several of the characters from the novel to life. Among them is Seward, here reimagined as a female doctor, and an alienist (an early term for psychologist), who has some unusual ties to the main protagonist of the series, Vanessa Ives. Never thought I’d see an older Evita meet Dracula, but here we are.

5. Donald Pleasance, from the 1979 Film.

This film, like the 1931 Universal pictures, is based largely on the stage version of Dracula. Pleasance’s Seward is depicted as the father of the Mina character once again, and this time is very deliberately played up as something of a comic relief figure. He’s a somewhat bumbling character, who ultimately has to stand up to the challenges Dracula’s presence creates for himself and his family.

4. Mark Burns, from the 1977 BBC TV Film.

FINALLY, a properly accurate interpretation of the character from the novel! Burns’ Seward gets a lot of focus in this movie, as not only does he have the relationship with Lucy intact, but the character of Renfield is given some more focus in this adaptation as well. As a result, Burns gets more time in the spotlight by extension.

3. Daniel Weyman, from the 2006 BBC Radio Version.

Once more, not pictured in costume, because this was a radio version. Much like the Orson Welles adaptation, this version conflates the characters of Arthur Holmwood and Jack Seward together, so that he is now Lucy’s fiance and gets sole focus - no Holmwood or Quincey Morris in sight. HOWEVER, unlike the Mercury Theater rendition, we do get to see (or, rather, hear) him in the Asylum, and learn of his relationship with Renfield, which I think is a vast improvement in comparison, since you now get the best of both worlds.

2. The Version from Anno Dracula.

“Anno Dracula” is a series that takes place in an alternate universe, where Van Helsing and his team failed to stop Dracula, who is now effectively the ruler of England, acting as Queen Victoria’s royal consort. In this world, vampires are now the norm: at least 50% of the population are vampires. The interesting thing with this is that vampires aren’t depicted as naturally evil, monstrous beings; they’re just…people. Like anybody else. Some are good, some are bad, but they aren’t inherently diabolical. This is where Seward’s role in the first novel comes into play: it’s revealed that Seward is the only human survivor of the original story, and has basically gone insane after his experiences. He becomes none other than Jack the Ripper: in this universe, his attacks are a pithy attempt to destroy the vampires he’s come to believe are evil creatures. While Seward’s motivations and perspectives are tragically understandable, he is still in the wrong. It’s interesting to see this character in this light, and he’s one of the most memorable figures in the book, as we see the story from his side several times.

1. Richard E. Grant, from the 1992 Film.

A great actor playing the role basically as Stoker wrote it. For all the things Francis Ford Coppola changed in his version of Dracula, one thing that pretty much stayed true to the source without any deviation was Richard E. Grant as Jack Seward. This is pretty much exactly how I imagined the book character to be, and that’s really all I need to give this version top marks on the list. Case closed.

#list #countdown #best #favorites #top 10 #dracula #dr. seward #jack seward #john seward #actors #acting #film #movies #tv #comics #literature #radio

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