#or recognizable human emotion

[pirateshelly]

I think what irks me the most about a lot of the people who vehemently despise Armand is that they talk about him as if he's not even a person, when the show itself has gone to great lengths to make his motives for even his worst actions incredibly human.

It's like. His most genuine and vulnerable moments are just pure manipulation in order to earn Louis' sympathy, actually! No, of COURSE he couldn't possibly just want to, you know, find basic connection and understanding and to be truly seen by another person. Because he's NOT a person obviously, he's just a soulless creature poorly masquerading as a human. He's a tiger. He's a megalodon. If you try to see the human he was before becoming a vampire behind the person we meet in the present you're just naive and also falling for his tricks 🙄

Like there are plenty of reasons to not like him, it's fine, really! But god can people a least allow him some humanity??

[ratsonas]

i dont hate ai vocal synths (like cevio ai) and of course its the inevitable culmination of vocal synth technology but like. the reason i enjoy listening to vocaloid is BECAUSE they sound like a janky computer program. i love hearing how producers work with the imperfect technology. when voicebanks get updated to ai i dont think its bad, but it completely changes how i interact with the music. utau teto and synthv teto are two completely different styles of music. its fun to hear her old songs updated with her new vb but at the end of the day i will always prefer a robotic utau voice over any ai voice

[crtastrophic]

trying to come up with a reason as to why some robots in my scifi worldbuilding project have screen faces made of cultured cephalopod skin tissue instead of just like, LCDs, aside from the fact that it's possible w/ the setting's established level of technology and I think it's a cool concept

[cipheramnesia]

I would like to read it.

All I'm saying is Ridley Scott went out and hired the giant mutant genitals artist to design the Alien, and H.R. Giger delivered a monster with a giant penis head, a vulva-outline space ship, a birthing egg with an opening made of two crossed vaginas, a facefucking vagina monster fertilizer and a lil baby dick form that kills the host - the man 100% delivered on his artistic principles.

And because of this, it is just a little bit funny how the penis and vagina designs are enshrined in pop culture, forever being passed between creators who seem to less and less think for a minute that they're working with genital monsters and it turns most of the movie franchise and comics into an exercise in unintentional absurdity where a character can be fleeing from a rolling vulva like the boulder from Indiana Jones without a single shred of awareness or subtext.

[heywriters]

Details That Convey Intimacy

Developing fictional relationships that feel authentic takes more than dialogue and grand gestures. Every detail below can be used to show platonic, familial, agape, or romantic love depending on context.

cooking a meal for someone, bringing them food, or spontaneously sharing a snack

sharing body heat/warming someone with outerwear like jackets and scarves

fanning them with something if overheated

getting a cold/hot drink for them

offering to carry something, whether it's heavy or just a jacket, to lighten someone's load or free up their hands

more below the click!

changing the subject of a group conversation that will be personally discomforting to someone in the group

making sure to include someone in a group conversation, especially if it's a topic they have special knowledge of

waiting for someone to catch up when the rest of the group has walked ahead

remembering preferences/allergies ahead of time when preparing/ordering food

planning trips, whether in a pair or as a group, that provide something positive for every individual to enjoy

procuring personal healthcare items like sunscreen, moisturizer, lip balm, pain relievers, or a snack and keeping them on hand for that friend who frequently needs them

making room for someone in a crowded vehicle or on public transit

making room for someone under an awning or in another limited space to help them avoid bad weather

warning or wordlessly covering for someone with a wardrobe/cosmetic malfunction

remembering a small luxury someone mentioned they enjoy, and getting it for them the next time it's convenient

running an errand for someone to make their day easier ('importance of errand : depth of relationship' ratio should be explored)

escorting someone to safety in a sudden unsettling event

escorting someone who is drunk, sick, infirm, injured, or emotionally compromised

asking if light, noise, or other sensory factors are bothering someone and taking steps to make them more comfortable

getting gag gifts for someone to show you reciprocate their sense of humor or quirky self-expression (not everyone does this, not everyone appreciates it, and some people predominantly express love through humor and gag gifts; works well with some characters more than others)

holding someone's hand or arm as reassurance, especially when they are afraid*

using their body to block someone from wind, rain, or heat

picking up a dropped item, or carrying a train or other dragging garment for someone else

returning a recognizable possession to someone who may have lost it

This is an inexhaustible list as humans have many ways of showing love for each other. If you are writing spec fic with non-human characters, you can play with variations on these by remembering three core values the "lover" has to consider:

physical comfort of others

emotional comfort of others

social reputation of others

I'd add "sensory comfort" though I think it's tied to physical and emotional comfort.

Please do not try and force any of these into the mold of the misogyny-based "Love Language" trend. Human emotions and expressions of love are diverse and endless.

*While hand holding can be construed as romantic, in reality it varies. Some cultures do not see this as romantic, and some individuals only mean it as a sign of support or compassion. Same goes for long embraces and kissing, both can be done platonically and of course naturally between close family members or friends.

---

HEY! Writers' Links

Tip Jar! If you enjoy my blog and advice, support me on Ko-fi!🤗

Follow me on AO3 for fanfiction

Visit my Pinterest & Unsplash for visual inspiration

[cherrypikkins]

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!

I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.

If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)

A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!

By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.

For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!

Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.

By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.

The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.

For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.

A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.

Lets see how these solid shapes can be used to compose the human body.

By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.

You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.

Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!

I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.

Cheers :3

[too-much-tma-stuff]

Finally Getting Help (prt 6)

Masterpost

The Wayne family gathered in the family room once Alfred was done setting up the projector, somehow there was also a plate of cookies and a couple pots of tea on the coffee table. How he’d found the time they didn’t know, he always seemed to be doing just a little more than should be possible but they didn’t question it. 

Jazz seemed nervous as she plugged in her USB and accessed the power point on Ghosts and Liminality. The tidal page had a picture of Danny in his Phantom form standing with a group of others, a boy with gray skin and blond hair, a girl with green hair and skin, and a goth with purple eyes and a dark skinned boy who looked around Danny’s age, and Jazz with the title “Ghosts and Liminals!” 

The next slide had simple text: “What are they and How are they made?”

With each slide she read the text on the screen allowed and then added any context or anecdotes she thought of, or had prepared. 

(Next slide)

Ghosts:

Made of ectoplasmic energy and obsession

Made either:

when someone dies with strong enough desires

An idea gains enough traction to take on a life of its own

Immutable concepts and gods

Must be allowed to indulge in obsessions or they will cease to exist

All have basic abilities such as flight, intangibility, invisibility, and minor shape shifting

On top of basic abilities most will have additional powers based on their obsessions

Immortal unless killed 

Love to fight

Liminals

Made when a human is exposed to high levels of ectoplasm for prolonged periods of time

Have some ghostly traits 

Ghostly traits vary person to person

Less susceptible to human illness and injury

“The ghosts on the picture are Kitty and Johnny, we’ve had problems with them but would consider them friends now. They’re the ghosts of two humans who died, but there are others, Vortext for instance is the ghost of Storms. Those ghosts who come from ideas are called ‘neverborns’. There seem to be almost an infinite number of ghosts, however not all of them are interested in having anything to do with us so we tend to get the same faces showing up a lot in Amity.

“I don’t know how many liminals there are. I thought they might be new with my parents' research but as I look into it more I think there are more natural sources of ectoplasm then my parents thought.” Jazz explained before going to transition to the next slide.

“I have a question-” Bruce started before Jazz hushed him. 

“Wait till the end please! I might answer it without you having to ask,” She scolded, and he felt very much like a schoolboy again as his children snickered.

(Next slide including a image of the glowing green viles in the Fenton’s lab and a glowing green crystal)

Ghost biology 

Ghosts do not have any recognizable organs or bones

The only solid part of their being is their Core which is the source of their ectoplasm 

Any injury to a ghosts form not done directly to their core is considered minor and will heal

A healthy ghost is fully capable of mending any damage including removed limbs in a matter of hours or days depending on extent of the injury

All injuries not including the Core are considered minor 

Ghosts are considered young for at least the first hundred years of their existence and are often not considered adults until nearly 500

A caveat to this is ghosts are heavily driven by emotion and will often be the age they feel they are allowing ghosts to mature much more quickly, or more slowly

When this is the case ghosts are treated as the age they present and behave

Ghosts reproduce by shaping ectoplasm and Wanting a child badly enough

“Believe me it was incredibly scary the first time I saw Danny in his ghost form have something go right through his stomach. It took him a long time to convince me it wasn’t a big deal and it barely hurt. He does have to make sure he repairs the damage Before turning human again though or the damage can transfer over and I don’t need to tell you a hole in the gut is a lot more serious for humans!

“If I’m honest I only know ghosts that have stayed younger then they really are, for instance Youngblood who’s a few hundred years old and could be well on his way to adulthood if he wanted but has remained a child. I assume it can go the other way though, if a ghost is very mature for their age.”

Ectoplasm 

Ectoplasm is the energy that makes up all ghosts and the Ghost Zone itself. All ghosts can feed on the ectoplasm around them as well as produce their own by indulging in obsessions. The ghosts Cores produce the ectoplasm like a brain produces neurochemicals when exposed to the right stimulation.

Ectoplasm is a powerful source of energy but unstable. When it is stabilized into an ecto-crystal it is more stable and can be used as a power source safely by ghosts and liminals.

“Most ectoplasm is green like you see in the pictures. But it isn’t the only colour, some other ghosts produce different colours and it is highly tied to what emotion drives them. When it’s pure it usually smells like petracore but it can get pretty foul.”

(next slide)

What are Obsessions

Every ghost has one or more obsessions

They can be very literal things such as boxes, or ideas and emotions such as Love

In rarer cases they may have dual obsessions

Unlike for humans obsessions are very healthy for ghosts

Ghosts need to indulge their obsessions

Sometimes the way ghosts indulge their obsessions might seem evil, however it is almost always just amoral 

Obsessions shape every part of a ghost from their powers to thier physical appearance, to befriend a ghost you Must understand and aid their obsession

In very extreme circumstances a ghosts obsession may shift, sometimes this is healthy, more often it is a result of extreme trauma

“With my interest in psychology this was sort of hard for me to accept. From the outside the way ghosts obsess seems really unhealthy but it’s what gives them life. When not allowed to indulge in their obsessions ghosts will dysregulate and go to extreme lengths to try and get their obsession, if that doesn’t work they either go dormant if their core is still healthy enough or they will melt. 

“Ghosts change their obsessions very rarely, I’ve heard of it happening as they heal. For instance once a ghost has gotten revenge for themselves, if that was their obsession, their obsession might shift to avenging other people, or even protecting them so they don’t need to be avenged.”

(Next Slide)

Ghost Culture

The Ghosts have a monarchy

The title of the Ghost King is not hereditary but passed through trial by combat

Under the monarch is a council of being known as Observants, and powerful and old ghosts called Ancients 

Ghosts respect strength and value power and cunning in combat a lot

Ghosts bond with each other through combat and play fight with family and friends often

“I have down that the ghosts are a monarchy, and technically that is true but the current Ghost King was a tyrant who was locked away thousands of years ago. I’m sure as soon as someone shows up who’s powerful enough to beat him his court will be happy to pick up where they left off with a better King, or queen, though I don’t think the title has to change based on gender.

“I really can’t stress enough how violent ghosts are! Because nothing short of having their cores shattered can kill them, play fighting for them can look Very Much like a murder attempt to a human. A lot of the issues we’ve had with ghosts have come from them just not understanding quite how fragile humans, and for most of them they feel really bad once they know they actually Hurt someone by shooting them. It’s really best for everyone when they’re kept separate and Ghosts can happily tear each other apart in peace.”

Liminals

The result of long term low level exposure to ectoplasm, sudden high doses are almost always deadly

Liminals Can have almost every trait a ghost can, usually having a combination of a few

Commonalities between liminals include

Minor cosmetic changes such as: glowing eyes, pointed ears, and/or sharp teeth 

Increased stamina, strength, and aggression

Increased obsessive behaviour

Liminals sometimes develop powers shaped by the strength and type of obsession 

“Most of the people Danny and I know are liminals. I don’t want to talk about them in case they don’t want to be outed so I’ll talk about myself and my parents. We all had prolonged exposure after all. My ears are pointed,” She said brushing her hair back so they could see them, “And Danny is a little more then liminal but even in human form he has fangs. 

“My parents didn’t realize it but they could to the point they could subsist on their obsession without needing to eat or sleep as often as a regular human would. About a year ago I started developing the ability to tap into and feel other peoples emotions, I can feed on them a little too but I try not to because the Worst ghost we met did that and I don’t want to be anything like her.”

(Next Slide)

In conclusion

Ghosts are not evil even though sometimes their actions are hard to understand

Never get between ghosts when they’re fighting each other but it’s usually safe to yell at them to remind them not to break anything

Never get between a ghost and their obsession

Don’t drink ectoplasm unless you know you’re already liminal

“I have a feeling the section about liminals will be familiar to a bunch of you. I know Damian is liminal though I don’t know how he was exposed to ectoplasm and some of you,” Her eyes skirted across Tim and Bruce. “Are toeing the line. You’ll probably notice Damian and Danny getting really close, and they might get in some really vicious looking fights. I promise Danny is playing at least.”

The family was left silent for a moment, Bruce knew he was thinking about Jason. Who had died, been exposed to.. What certainly seemed to be something like Lazarus water and come back, obsessive, aggressive, and emotional. He wished he’d had this powerpoint a long time ago. It helped understand Damian too but mostly he was thinking about Jason. He needed to reach out again, maybe meeting Danny would be good for Jason?

“So uhhh, ya, that’s the end of the powerpoint?” Jazz said, shifting from foot to foot in the awkward silence. “Any questions?”

Next

[slightly-knot-insane]

A Little Bit Rusty [ part 3 ]

Monstertober 2024 - day 25 [ Oviposition ] by /@ozzgin

[ m!monster x fem!reader ]

a/n: let's restart the monstertober, shall we? this is part 3, and here you can read [ part 1 ] and [ part 2 ] content: egg insertion, creampie, breeding, belly bulge, praising, pregnancy (?)

Ever since that little tryst inside the closet, your little 'situationship' stagnated. Not that you wanted that. But your mentor has been sending you some weird signals. The fact that he is a monster didn't help at all. He could definitely blush and strong emotions were recognizable on his scaly skin. But some subtle feelings like amusement, irritation, content very hard to catch. He truly seems interested in you, watching you often and eyeing you with his pupils dilated. You swear you even saw him lick his lips seductively (or was he just hungry?).

On the other hand, he has avoided staying alone in a room with you. As long as topics were professional, you could communicate, but as soon as you would try to talk about something private, he would blush and excuse himself to some 'very important business'. Bull shite.

Very soon you completely lost your patience, so one day, you wait the end of your shift and corner him. "I like you!" you almost shout as you bang your hand at the wall next to his head. He seems quite terrified. Maybe this wasn't the right approach? "Sorry, but yes, I do. And I think you like me? In any case, I would like to talk about us."

He is silent for a while, staring at your face in, what seems like disbelief or shock. "Lets go to my office, then."

As a perfect gentleman he is, he lets you enter first and closes the door behind you. You have only enough time to gasp before he pushes you against his desk and lifts you on the wooden surface. He kisses your neck, scraping his teeth against your skin while his bony hands knead your thighs. "I apologize," he growls. "I didn't want to be pushy. I thought you needed time to think... But I was thinking about you all the time... Imagining us again and again, over and over..."

"You..." Your breath hitches once his hand glides down your skirt and into your panties. "You said we're done thinking. I thought you truly meant that."

He takes a step back, stopping the kissing. "Shit, I did say that, didn't I? But we're coworkers and you're a young human and I thought... maybe... you would change your mind."

You pull him back onto yourself and press your palm against his hard cock hidden under neatly ironed pair of pants. "I am your coworker. I'm young. I'm a human. But I'm also very into you and want to fuck your brains out over and over again."

The growl he lets out was almost frightening. He pushes you down on his desk, his teeth bared. "Nggg..." He can barely talk, his tongue getting stuck and twisting around the human language. "I want to fuck you right here but... I also want... I've been thinking..." His expression changes to a weird one. He moves away from your, apprehensively rubbing his forehead. What a sudden change of mood. "Let's go to my place... I want to ask you something...

* * *

You expected many things - a BDSM dungeon, a collection of dildoes, costumes, maybe even another monster partner- but you didn't expect three eggs.

"Ever since that night, I've been thinking about you and how incredible you are. I would be so honored if you would carry them for me for three months. I never wanted an artificial uterus." He finally notices your flabbergasted expression. "What? I'm sorry, are you okay?"

It takes a glass of water, a glass of wine and a cookie to recover you. You two have a long chat and eventually reach an understanding. His species has had very short period of dating or courtship in general. Also, there are barely any members of his hybrid species left (and most of them are his relatives), so he had to go artificial even though he didn't want to. And then he met you and well... his breeding urges got a hold of him.

"I'm so so so sorry for overwhelming you. I've never dated a human and just... in the movies, it all happens so fast so I thought it was normal for you too."

All you can do is start laughing. Movies? This silly hybrid really doesn't have a clue about anything. Still, the idea sounds... good. Interesting, at least. Why not, after all?

You take his scaly hand in yours and guide it to your excited core. "Let's do this. YOLO, right?" You haven't nervously laughed like this since high school.

The shock on his face melts into gratefulness before sharpening his features into a very primal lust. He grabs your blouse and there is clear intent to rip it apart, but the polite part of him tames the wild side and he simply clumsily unbuttons it. You truly appreciate his affection and self control... at the moment.

"I need to prepare you," he says, smirking. His work suit is still on him but you're stark naked. Why do you suddenly feel so much hotter and exposed? And thrilled? He gently places you on a plush little armchair that reminds you of a bean bag, and spreads your legs. "First, lubrication," he explains and dives into your cunt.

His tongue is rough and bumpy, and it's too much for you at first. But his patient licks and flicks soon became a delightful sensation. He can't suck your clit, but he rubs it with his snout. He says he never dated human? Well, he probably watched porn and read some manuals because very quickly you're on verge of an orgasm.

"I'm sorry, doll, but I'll stop now. You are ready to cum - and fuck I want you to so much - but your orgasm will help eggs slide in, trust me."

You're panting and nodding, silently screaming to do whatever he wants quickly and give you the climax you need. He places the egg against your entrance and starts licking your clit again all while pushing the egg in and out. The slight stretching of the smooth eggshell and his rough tongue torturing your clit is completely different but so good.

"Such a good girl," he whispers, his burning eyes looking at your just above your pubes. "You're going to be so full of my eggs. You will carry my offspring for me."

The need builds up in you firing up your nerves with every lick and every stretch until you burst and scream. "Perfect," is all you hear him say as he pushes the first egg inside you.

"Oh my gah..." The egg slides inside your vagina, guided by your spasming muscles, until it nests against your warm womb. "So gah-good," you pant, shaking, and your mentor lovingly caresses your sweaty cheek.

"I'm so glad," he says. "There is more."

The second orgasm comes faster and the second egg slides easily too. "More," you pant still shaking. "This is so good. I feel them inside me. They feel so good."

Your mentor stands up and unbuttons his pants. You notice he's trembling too. "You're so beautiful like that. I can see them inside your stomach, all the beautiful curves. And they are mine. Fuck. I have to have you. I have to fill you."

He kneels in front of you and bites your nipple. His hard cock is rubbing against your anus, needy to enter a hole - any hole! - twitching impatiently. His cock glides against your moist cunt while he grunts into your chest. The next low moan is followed with his thrusting inside your core. Slow but intense. He is constantly cursing under his breath, groaning and grunting as he pounds your pussy. The pleasure erupts inside you and you gush around his cock, and he quickly pulls out. The last egg is inside you.

"Finally. Now I can fuck you all I want." He pushes your legs down with his shoulders and returns to your aching and pulsating hole fucking you and filling you with his seed until you're both exhausted. Before nesting behind you and holding you, he cleans you up and covers you with a blanket.

* * *

Things are a lot less awkward at work, in a way, even though you two can barely control yourselves. Sometimes you end up in storage rooms or offices, too impatient to wait for free time to properly fuck and cuddle. Your 'co-partner' is doting but also surprisingly virile - you have a lot of sleepless nights. You knew there was a proper shiny specimen hiding underneath all that rust.

You happily pat your belly and feel around the eggs. What will you do afterwards - who knows? You work in a museum and helping an extinct species come to life again is something any anthropologist dreams about. Future is just as exciting as the past.

[coffeebeanwriting]

Crafting a Villain - Some Quick Tips

1) Give them a relationship or connection to your protagonist. Voldemort is quite literally connected to Harry magically. Katniss becomes a symbol of hope, threatening the control Snow has over the Districts.

2) Let them evoke emotion in your reader. Whether it’s anger, laughter, or sadness… a villain's actions and how they affect your protagonist can warrant an emotional response from the reader. Think about all the times you may have felt anger because the villain gains the upper hand against the protagonist.

3) Make them relatable… or completely unhinged. The goal of your villain can make them relatable to your readers: are they acting out of revenge, self-hatred, sorrow, revenge, or fear? Humans can relate to all of those feelings. Or... are they just downright evil and otherworldly?

4) Their goal. What does your villain seek to obtain? Just like your protagonist, your villain should want or need something. This is why they exist in the story: to antagonize your protagonist and achieve their diabolical goal. Food for thought: Why do they have to be a 'villain' or 'evil' to obtain it? What made them that way?

4) Make them iconic. Most Disney villains are easily recognizable… whether it’s their outfit, voice, or personality. Consider giving your villain something that makes them notably unforgettable. A wardrobe, way of speaking, a quirk?

5) Think about the traits of your villain. What labels them as the villain? Selfishness, violence, insecurity, obsession, fear, ego, ignorance, entitlement? Or maybe they're just misunderstood.

6) Their backstory can make them believable. As the author, the more you understand and know about your villain's upbringing, the more convincingly evil or tactical you can write them.

Instagram: coffeebeanwriting  

[rottenpumpkin13]

Out Of Context Shit Heard On The SOLDIER Floor #7

Genesis: SEPHIROTH, STOP MEOWING AT ME.

Kunsel: Any loser twink can be a fem-boy, but it takes a real badass to be a fem-man.

Sephiroth: Did I "yee-haw" with joy, or did it convey depression?

Zack, holding up Cloud: BEHOLD.

Sephiroth, stealing a fry from Angeal's plate: A most generous offering. You will be spared. Angeal: FROM? Sephiroth: You will be spared.

Genesis, wearing sunglasses and holding a cappuccino: So there I was, gelato on my breasts—

Cloud: Aww, that's such a cute Halloween decoration. *pointing at Genesis sobbing in the corner*

Angeal: Who put a hotdog in the candy bowl?? Zack, in the background: Halloweenie.

Sephiroth: I could've sworn "motherfucker" was a compliment.

Angeal: IF YOU EAT THAT WEEK-OLD SUSHI PLATTER, YOUR INTESTINES WILL BECOME RADIOACTIVE.

Sephiroth: Zack, can I enjoy this steak dinner without you explaining A/B/O to me?

Lazard: I think we ALL need to beat our fathers with shovels, Sephiroth, you're not special.

Zack: NO! THAT'S MY EMOTIONAL SUPPORT BANANA!

Genesis: He manspreads to assert dominance, I manspread to create a barrier between myself and heteronormativity. We are not the same.

Sephiroth: I just sent Angeal an email describing my feelings for him. If he doesn't reply, I'll show up at his apartment and superglue myself to the door.

Zack: Give me a pen, paper, and three Adderall, and I'll write something better than Loveless in one hour.

Kunsel: Everyone is subjected to failure, but at least I'm not Roche, who thought the plural of ninja was ninji.

Sephiroth: I have exactly three crayons on my person right now, and they're all stolen from Zack.

Angeal, chewing with his mouth full: Don't make psycho-sexual comments in front of my cheeseburger.

Zack, narrating what he's seeing: 🎶 Look at Angeal 🎶 beating Sephiroth with a frozen chicken because he forgot to take it out the freezer. 🎶

Sephiroth: Please refrain from analyzing my deep-seated fear of abandonment linked to my mother's absence and its impact on my emotional regulation, it's seven in the morning and I still haven't had coffee.

Cloud: I'm about two mental breakdowns away from resorting to gang affiliation.

Genesis: COUNTER SPELL! *flicks his wrist* TRAUMA!

Roche: I often have nightmares about Sephiroth attacking me with a spork.

Sephiroth, in the presence of a spider: I feel anti-at peace.

Zack: Dear diary, today I committed tax evasion, and felt great. Tomorrow I'll try embezzlement and eventually vandalism!

Sephiroth: Can you read this death threat note and check if my handwriting is recognizable?

Zack and Genesis: *Loudly arguing over who gets to be the ring bearer at Sephiroth and Angeal's wedding*

Angeal, laying on the floor: Good luck trying to find my will to live, gang.

Genesis: I'm flashing you a tit to maintain our friendship.

Sephiroth: If I had a gil for every time someone compared me to a cat, I'd have enough to purchase that expensive human cat bed that has been on my wishlist for ages.

Roche: Is my discount wig a joke to you, Zackary?

Cloud, placing an "I miss you" letter from his mother in Sephiroth's line of view: Yeah, that's right. Fuck you.

Lazard: Someone pinned a death threat on my office door written in glitter gel pen.

Genesis, flirting: I own an air-fryer.

Angeal: T-shirt that says "I survived Zack's power point presentation on aliens that included a photo of Sephiroth on the fourth slide"

Roche: Cloud Strife's evil twin…Grass Peace.

Sephiroth: *Showing Zack pictures of baby cows while Zack sobs into his burger*

Genesis: PUT. MASAMUNE. DOWN. No one is stealing your crayons.

Sephiroth: Genesis, I feel inspired to compliment your ass.

Lazard: Take a good, hard look at Sephiroth wearing flip-flops and tell me I shouldn't be stressed.

Sephiroth: A most efficient weapon to add to my arsenal *wielding an entire streetlamp*

Zack, talking to Angeal: My insecure trooper and faceless info guy, versus your 6'7 cat and walking red flag.

Kunsel: Is the cure to male loneliness *incomprehensible screeching* ?

[brujamala-aka-gigi]

"time will tell" ... but what exactly?

i thought about making this reading because we are living at times when we all know that patience is a virtue, we all know that we should work on said virtue, and so on, yet, things move are always seemingly moving in the fastest chaotic way possible. for some of us, embracing uncertainty and the absurd ways of the universe is hard. so hopefully there's something in here that helps you to have a clearer vision on what is meant to come to you with time and experience.

dividers by: @bernardsbendystraws & @cafekitsune pngs by: @florietas

pile number one pile number two

pile number three pile number four

.‧͙˚ *༓ scroll down for the readings ⋆ִ ‧͙⁺˚

masterpost ✶ pac readings ✶ tarot menu

✶ ko-fi page (support and tarot services) ✶

before starting with this reading i just want to say that my heart goes to anyone on the united states that feels disappointed and is going through emotionally stressful situations due to the results of the elections. at times like this is important to find empowerment and safety by taking care of our peers and participating our communities, political organization is just as important as caring for one another. having a right wing president who borders fascism is not a great experience, i have my own alt right president here in south america, but surviving these moments is easier when you find strength alongside the people who share your ideals.

we don't owe tolerance to those who are intolerant, our time is always better spent when we are building the future we want or doing our best to face the adversities of the present. please, do not allow others to take away your humanity and your hopes.

・₊✧⋆ pile number one ⭒˚｡⋆

If someone ever told you that your expectations are unrealistic, they are not wrong, but not entirely right either. I think you're someone who unconsciously tries to be aware of every possible outcome and every single detail, it's quite a hyper vigilant way of approaching things and also a quite anxiety inducing one. I wouldn't say your expectations are unrealistic, but I would definitely say they are realistic in the context of the millions of head scenarios you have going on. Some emotions are being limited by logic and some logics are being limited by emotion. There are plenty of experiences that are coming your way in order to give you the opportunity to be more present in the moment instead of experiencing things mostly in your head. You need time to further develop your judgment, as of now it is something that is in an adolescent state, not because of immature or juvenile thinking, but because you are going through a, hopefully, slightly painful phase of your mental growth. Think of it as existential growing pains. You might have too much information, too much to think about and too much to feel about, it's a very difficult moment for you to maintain a self perceived stable or coherent point of view at all times. Take this time to comprehend what's making you feel paralyzed and unable to move forward mentally, and then you can begin doing something about this conjunction of mental and emotional stress.

・₊✧⋆ pile number two ⭒˚｡⋆

What I get from this combination of cards is that you are becoming more aware of the things that are threatening your higher self. From the Queen and the Page I can see that you are usually almost confident enough in what you bring to the table in terms of material achievements that are easily recognizable, although not always perceived or valued enough by yourself or others. I don't think I want to say there's someone or yourself gaslighting you into belittling yourself, but I do want to mention that it's likely that there's a sketchy energy near you or at least the cards are giving a heads up about negative reactions to you doing your thing and, to say simply, slaying it. What it is safe to say tho is that with time you will learn who is worthy of your generosity and your companion. It's key that you understand that any kind of success you achieve is not only valuable because of what you got from it, the value comes from what you did to get said achievements. With this in mind, don't hesitate to avoid others who drain your energy and misuse your time. Your presence by itself it's already enough for others to benefit at your cost. This is not something meant to give you a reason to be overly distrustful, this is to give you reasons to set boundaries, specially for yourself, in order to make sure whoever or whatever brings you down, it's out of your way. If people see the respect you have for yourself, it's more likely they are not even trying to waste your time.

・₊✧⋆ pile number three ⭒˚｡⋆

.

Being emotionally attached to the person you were in the past is obstructing your path towards further personal and existential growth. I definitely understand that sometimes the only thing that gives us a sense of stability is our own identity, and our power to define ourselves in our own terms. I don’t think you are afraid to grow or to evolve as a person, but I can see that right now you are resisting change by ignoring your intuitive need to expand your limits and find out about all the things, the positive and negative,that you choose to ignore because of old fears and anxieties. It’s very likely you know exactly what to do or what to keep and what to let go off,  you certainly are aware of where to go and how to get there. What's conflicting with your ambitions right now is that you have exhausted yourself by never taking the time to appreciate how far you already are from plenty of situations that have restricted your authentic self. I honestly understand what it's like to make a lot of progress after moving away from tough situations only to realize there is more work to do in order to restore or find an integral state of peace of mind and contempt. In your case, you’re lucky because sooner or later your emotions will lead you to how you can be truthful to yourself and experience life without any of the weight from limiting perceptions that other people have imposed on you. Many things have limited time in our lives, don’t miss out on them.

.

・₊✧⋆ pile number four ⭒˚｡⋆

.

Don't force yourself to be the first to do anything or the best at anything if you're comparing yourself to others. It is not fair to set your expectations about yourself by looking at what is supposably perfect or highly desirable, yet not a true reflection of what you as an individual can accomplish in a way that's genuine to your personal journeys. It's necessary that you embrace your experiences, putting yourself and your own ideals as the guide for what it means to advance and grow. Time will show you how to build a stronger confidence in your core beliefs and how to act upon them with the efficiency and courage you might be needing right now. This will develop as you become more comfortable with allowing yourself to fail, and to learn from said failures by setting structures to support the process of becoming more connected to a higher sense of self worth. You are going through a process in which key communicational aspects are at play;  many of your personal achievements will depend on your ability to share your ideas with others before taking any kind of action, as many things you’ll do will have long lasting effects. This is why I would recommend making sure you can really align your actions, your communication and your goals directly to yourself and the roots of your ideals. Don’t hurry up, it takes time to evolve and you will certainly do so by comprehending how equally confused, disoriented and impulsive we all are, and how that’s nothing anyone can ignore for too long.

.

if you enjoyed this post, maybe you should check out the rest of my account <3 and keep an eye open for ask games and a tarot reading giveaway (but lets not hurry too much about it please im still figuring out the logistics of a tumblr giveaway jajaja)

masterpost ✶ pac readings ✶ ko-fi page ✶

⋆bookings for personal readings are open ཐིཋྀ ˚₊‧⁺

[rattrodent]

Transcript + extra info

- when unfocused or having intense emotions the face can become blurred/shadowed. This is because the face takes the most focus to keep recognizable. This is why Dream wears his mask.

- They need DNA(usually blood) to transform into an species/form. (Forms can include animals)

- Can only transform once, after, they can only make little changes to their form. (Ears, horns, claws, and tails)

- Example, if one bites an human(gets DNA) they can transform into a human, but can no longer change into another species like an avian, satyr, animal, etc.

- Keeping special features such as horns and ears is also is energy consuming (hence why Dream doesn’t have any of his special features in the prison comic) Their bodies naturally want to regress into their featureless original form.

- They strongly bond with 1-2 people, the loss of such person is extremely detrimental.

- It can cause a lost sense of self, dulled/numb emotions, becoming cold, distant, and un-empathetic. They also will exhibit destructive behaviors/lack of care for themselves and others. This can be dangerous to the people around them.

- 2 forms of bonds they can create,

First.) Parental -this is an intensional bond created when young to ensure the mimics survival.

Second.) Companion - created for social and emotional needs of the mimic. Though the parental bond can also fulfill this role.

[instantbee]

I had a friend ask if Solas knew what he was doing to Lavellan when he offered to take her Valaslin away. For context my Lavellan is a Mage. She’s her clan’s First, and I think that *significantly* alters the way the scene reads

In short, absolutely not. He did not know or consider the impact this could have on her.

I think he panicked, realizing he could not bring himself to confess everything to her he reached for the first thing he could think of. Because he was staring at her face when he did it, the Vallaslin was what he landed on. Because seeing someone he loves so much covered in (what are to him) slave markings dedicated to a horrifyingly abusive master is viscerally disturbing and makes him so sad.

Solas generally has a hard time understanding or grasping how things have changed, so he underestimated what the Valaslin could mean to a Dalish elf. And especially a Dalish First. Someone who is so wholly invested in rediscovering and preserving the history and values of her people. And he takes something that is viewed as a defiant reclamation of identity, and a refusal to assimilate to a dominant culture. He takes that and turns a thousand years of that tradition and meaning on its head and says “no, this thing you thought was defiance is emblematic only of subservience” it is a soul crushing revelation. Which was absolutely not his intention at the time

She accepts having her Valaslin taken in an emotionally fraught moment before she can really fully think about it. Emotions are incredibly high, and she makes a fast possibly rash decision because she trusts the person taking it. Because she’s come to love and respect him. She maybe regrets it afterwards. Possibly would have done so regardless of if he broke up with her immediately following it.

Is she still a Dalish First if she’s Valaslin-less? It’s a marking that she earned and she’s thrown it away. In some ways she no longer belongs to and with her people because of its loss.

And then on top of that he leaves her with no explanation beyond “I have distracted you from your duty.” Duty to what? To whom? To her people? She just abandoned a marker of that duty by giving up her Valaslin. Is that what he meant? Was it a test? Did she fail? Why did he take her there and tell her that only to leave her all alone. To take her from her people and then leave her entirely alone.

She’s now stranded amongst Andrastians and Chantry soldiers. A little Dalish girl with no Valaslin. Nothing there to differentiate her from the city born elf servants that actually run Skyhold except the clothing that the Chantry’s inquisition has *deigned* to give her.

She’s alone, she’s surrounded by a religion that hates and persecutes her people, she’s been stripped of everything recognizably Dalish about her and plastered in Andrastean clothing and symbolism and held up as a herald of a religion she doesn’t belong to. Is she even *her* anymore?

Or have all the rough edges of Elfness been shaved and sanded off her and made acceptable to the chantry and the humans? She’s been stripped of identity and cast in a role that will be discarded once she is no longer useful. Then her history will be rewritten, just as the first Elven Inquisitor was (thank you Jaws of Hakkon DLC for THAT) and nothing will remain of the Dalish Elf she was

And Solas helps with that. Facilitates that crisis of identity that was already brewing. He doesn’t mean to, but when has Solas’ intentions ever stopped him from fucking up?

[ecoterrorist-katara]

The only stereotypically masculine thing about Aang…is his romantic arc

There’s a really popular post on Tumblr called “Avatar Aang, Feminist Icon.” The thesis is basically that Aang, unlike his female teachers and friends, is actually not a badass. He listens, he defers, and he respects women. He seemed to have no problem with Katara’s crush on Jet, despite his own crush on her. He chooses love and kindness and friendship and pacifism. He’s not tall and handsome as hell or buff. He wears flower crowns!

And I agree! This is Aang for most of the series and I love those qualities (though I do think the bar is in hell if those traits make a character a feminist icon, as opposed to a person who simply sees women as human beings). Anyway, I just think there’s a glaring omission. And that’s Aang’s romantic arc in season 3.

Bryke managed to take the worst of both worlds: Aang’s romantic arc retains the male-centricity that make most romances so problematic, while retaining none of the characteristics that make problematic romances compelling to women.

Aang falls in love at first sight with a beautiful girl. For the majority of their friendship, he remains respectful and supportive. As his crush hits an all time high, however, it gets distinctly more stereotypical: he kisses Katara at the invasion, and when she didn’t want to talk about that kiss, he firebends at her (the fact that this comic is canon, and was published years after ATLA’s conclusion, only demonstrates that the creators still don’t understand critiques of their romance). Aang considers Katara “his girl” and becomes furious (“I would be in the Avatar state right now!”) when the actress version of Katara didn’t like him romantically, and then he kisses her again — this time explicitly against her wishes. Throughout the show, people reassure him that she will come around, continuously reinforcing the idea that Katara is “his” and he just has to be patient. And even though Ka/taang is supposed to be endgame, we never hear directly from Katara how she feels, even though we’re no strangers to her opinions and feelings on other topics. It’s almost like the creators wanted Katara’s feelings to be a mystery because we’re meant to resonate with Aang. That’s…a male-centric, action hero romance.

In addition, the friendship dynamics between Katara and Aang feel pretty gendered. The distribution of emotional labour between Aang and Katara is quite skewed: Katara takes care of Aang much more than he takes care of her. She’s the one responsible for calming him down from the Avatar State. She’s the one who cooks for him and performs a whole lot of domestic chores. Post-canon, Katara’s storyline revolves around Aang, and she’s treated as his accessory and the keeper of his legacy instead of her own person, to the degree that she’s not even recognizable in LOK anymore. A beautiful, badass, independent woman who dedicates her energy and intelligence to a man’s needs? Wow, that is definitely something I’ve never seen in media geared towards men!

A lot of gushing about Aang’s lack of stereotypical masculinity seems to also hinge on how Aang is not conventionally attractive, but that’s…not true. Aang may not behave like James Bond, but he has plenty of admirers. Meng and On Ji liked him even without knowing that he’s the Avatar. Post-series, Acolytes descend en masse to steal Katara’s man. And of course he grows into a tall, buff dude. Aang’s romantic arc is not about becoming attractive to women, or finding a woman who loves him despite his looks. His romantic arc is about getting the girl who’s hard to get, because she only sees him as a friend or a little brother / babysitting charge.

Bryke do not deserve the credit for creating a “feminist icon,” not when the only stereotypically masculine traits they gave him are in relation to his romance arc. It honestly feels more insidious this way, because it’s like, “see? You don’t have to be masculine to reap the benefits of performing masculinity” — the benefits being, of course, “getting” the girl you want.

[phantasyviolence]

Antwan Horfee is a Paris-based artist who merges the raw energy of graffiti with a surreal, cartoon-inspired aesthetic reminiscent of Ralph Bakshi. Describing his creative process as rooted in “feeling,” Horfee’s work radiates an organic, spontaneous energy. Bold black lines fade into runny patches of purple paint and blurred surfaces. Strange, cartoonish figures take shape, only to transform into structures reminiscent of the human body’s inner workings. His art invites viewers into a space where the boundaries between the recognizable and the surreal converge, revealing a dynamic, ever-evolving interplay of form and emotion.

[art-that-fucks-you-up-tournament]

QUARTERFINALS MATCH THREE

"Ivan the Terrible and His Son Ivan on 16 November 1581" (c. 1883-1885 - Ilya Repin) / "Two Earthlings" (2003/2009 - John Brosio)

IVAN THE TERRIBLE AND HIS SON IVAN ON 16 NOVEMBER 1581: OUaghghhhhhhhhhhh oughhh the fact that they have the same names the blood ouaghhh the anguish ouaghhhhhh (snowdoesntexist)

TWO EARTHLINGS: When I first saw this painting and then it’s title it was like getting punched in the gut. In a good way. It’s super contextualized by it’s title, of course, and it really gets me in the heart!! There’s lots of artwork around that juxtaposes our modern lives with humans of the past in ways that make you feel connected to them and feel a sense of kinship for them, but this one stretches that feeling back millions of years beyond humans back to earlier eras of earth, and makes you feel that sense of connection with ancestors so old and different we aren’t recognizable as each other unless put into perspective in the way this painting and it’s title do, all because we share the same planet. It really really makes me emotional and I think at the very least more people deserve to see it and think about it. (reactorc0re)

(“Ivan the Terrible and His Son Ivan on 16 November 1581” is an oil on canvas painting by Ilya Yefimovich Repin. It measures 199.5 cm × 254 cm (78.5 in × 100 in) and is on display at the Tretyakov Gallery.

"Two Earthlings" is an oil on canvas piece by John Brosio. It measures 48 x 48 in (122 x122 cm).)