#or rather questions

[deathfavor]

@acandlelitdeath​ said: He's having tea in his garden again, seemingly talking to no one. There's a shift in the air, and a pull at the front of Kalluto's kimono from his hiding place by an invisible force. Just a gentle tug, guiding him closer to the gazebo he currently sat under. 'I know you are there child, come join me.' The shadows say.

   Instinctively, the assassin’s muscles tense at a sudden pull to the fabric of his kimono, eyes darting to see. But there is no one to grab, nothing to stop, nothing at all he can do. ( He might be able to do many things even trained men couldn’t do, but he can’t very well grasp the wind or shadows.  )  His feet dig into the ground, a protest to the gentle tug that wants to pry him from his spot around the tree like oysters being cut off the rocks. 

   It only pauses when he hears the shadows speak, sharp gaze turning downwards to the shadows. So it WAS as he suspected. His gaze lifts to look towards Embrace who seemed to be...talking to himself, and then back down to the shadows. (Which begged the question if Embrace could SEE through them or not. He hadn’t thought much about that till now.  )

   Finally the youngest spider relents to shuffle away from the ancient tree trunk and slowly walk towards the gazebo. He almost contemplated asking when he should stop - but Embrace had said join. So after a brief delay on the steps, Kalluto crosses to sit in a vacant seat in the gazebo where it seems nothing is prepared. It feels assumptive and intrusive to sit elsewhere.

   “  ...I didn’t- I’m sorry. I didn’t mean- I just...saw you.  “  Kalluto struggles through a blended explanation and apology. He hadn’t been close enough to overhear, nor had he made an effort. But he had observed, curiosity distantly intriguing him.

[lunarwednesday]

Kindly Miquella... I see you've thrown away... Something you should not have... Under any circumstances.

[kimmkitsuragi]

oh my fucking god i don't have any clothesssss

[poorly-drawn-mdzs]

Trapped in a vicious cycle of pining? Try gay sex! (More things to learn over at Tiger Tiger!)

[uncanny-tranny]

The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:

[benevolenterrancy]

Art prompt of Shen Qingqiu holding the aro flag (fits his color scheme)

the real reason this man doesn't realise he's tripping every romance flag in the story

[knifearo]

ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story

[the-last-butter]

HC they first met a year or two after Yelan got her vision; post fighting the in abyss but when Kaeya was still navigating his identity from Kaeya, Brother and Right hand of Diluc Ragnvindr to Kaeya Alberich, Cavalry Captain and Quarter master of the Knights of Favonius.

[heartinhyacinth]

Listen, I love the idea of Hua Cheng finally getting to propose to his beloved special someone after 800 long-awaited years (and correct his previous blunder haha), but hear me out…

After Hua Cheng’s year of absence, hualian reunite, spend some blissful days soaking up each other’s company at the small cottage Xie Lian built on mount taicang, then decide to take a trip to ghost city. They could use the dice, of course, but it’s such a nice autumn day and days as such have become dear to them.

They’re snugged up close in the step-litter when Xie Lian casually asks, “San Lang, wanna get married?” He wears his usual gentle smile—the one he would use as if he were asking if Hua Cheng was feeling hungry or if he’d like to take a stroll through the maple trees.

But there is also the unmissable twinkle of amusement that is present, which Hua Cheng uses to convince himself that Xie Lian is in a silly mood and surely this is just payback—Xie Lian will confirm it any second now. But it doesn’t come. Five seconds, ten, fifteen, and the confirmation does not come.

So Hua Cheng simply sits there, expression bordering between pure terror and pure ecstasy as he tries to dissect the situation for any sign of its true reality. With breathy giggles, Xie Lian finally has mercy on the poor ghost, “You don’t have to say yes, San Lang—I can take it.” Despite his words, it’s exceedingly obvious by the humor in his tone that they’re both aware heaven and earth would sooner turn to dust, and with that, Hua Cheng finally regains control of his brain. “It would…” he takes a deep breath, nearly a millennia of longing crowding his throat all at once, “It would be my greatest honor, your highness”. Xie Lian’s smile brightens and he takes Hua Cheng’s hands in his own, “good—because no more dying, okay?”

The idea of Hua Cheng’s heart and soul asking him to spend their existence together—of Xie Lian affirming that he chooses Hua Cheng and wants him as his beloved forever and always, wants to walk by his side till the end—it’s just…too much to handle. (Him saying yes to Hua Cheng’s proposal would also achieve this but you get the idea).

Bonus: Hua Cheng fully planned to ask him during that same trip but Xie Lian beat him to it

[stefisdoingthings]

people are designing modern manga characters thinking they should be animator friendly/not too complex/coherent,,,,,,,

meanwhile Nightow in the 1990s:

[pseudophan]

my new headcanon is dan and phil tell each other they're not that bothered about marriage but they both carry rings around all the time so that on the off chance the other one proposes to them they can uno reverse it

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[shepherds-of-haven]

Just a bit of fun! Theoretically, the Shepherds' Corner is a place for the Shepherds to rank each other according to questions like "Who's the most generous?" or "Who's the biggest neat freak?" You usually get my opinions for those questions, but what about theirs? 😆

Would you like to see more of the Corner? If there's enough interest, maybe it'll become a once-a-week (or so) feature! Let me know in the comments or tags! 🌟

[starrysharks]

i push my penis into my pies or whatever corey taylor said

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[turtleblogatlast]

Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”