#or maybe it’s just them genuinely thinking it’s a good idea and people will like it

[osakanone]

Speaking as someone with a traumatic brain injury, I'm not sure that PSAs alone will never be enough. I do have an idea, and I am curious about your thoughts.

If you want effective change you have to reach out to the people either do not remember PSAs or more likely, don't read PSAs, who think they are good people but are actually terrible in ways they cannot accept and thus cannot grow from -- who chase respectability as social clout instead of making babysteps needed to get things done.

So here it is:

Your alternatives don't work for sociolinguistic reasons

Your chosen word of interest is an adjective form of a verb.

R-word can be used easily, interchangably and with little effort when someone is stressed because every form of it is grammatically correct and socially incorrect, which is what is usually craved in an insult.

Language is an ecology: A space of predator words and prey words based on which words replace each in their fashionableness.

As with any ecology, there are niches: pockets of success where a need exists and a word slips into the gap to fill it.

In Europe we didn't get your word of interest until the mid 2000's, and it was occupied by a form of the word spastic (the medical condition) shortened to the slur "spaz" (which I've been on the recieving end of many times).

Consequences create martyrs and those seeking to differentiate themselves will adopt waning or discouraged language to differentiate themselves (PSA culture got us edgelord culture).

When a word goes out of popularity is when another word which is significantly cleverer takes its place, which is more biting and more cutting.

A great example is how "the slur beginning in F ending in T" in many progressive circles is front-loaded with the expectation of one word, and then instead people say "fascist" and everybody smiles.

It is one of the ways of controlling language:

You take the second-association added to an instrinsic thing eg, the "other" meaning of gay used on xbox live) and you attach it to something else

You outsource sentiment to a different target.

You retire one word, and inject another which better aligns with your sentiment and intentionality.

You MUST do this in a way which punches up instead of down, or you risk watering down the perception of a word -- and you must likewise be able to answer the question "how is that <other word>?" on the spot with a single sentence and shut down a conversation.

Back to this context, I genuinely use

"mentally redacted",

This replaced my previous go-to

"mentally retired",

which I felt licked of ageism and made me uncomfortable.

Meaning, that something was censored or removed or deleted intentionally. I make this about thoughtless intentionality of action, not intrinsic nature of a person or their situation or whatever has happened to them.

It shifts from medicalism to mentality.

The imperfectionism of it is the scar-tissue of culture as words fall out of favour.

Maybe that's not good enough for Americans? I don't know!

Does it just read of hiding the word and playing slight of hand instead? Does it have some third other reason? There's no good answer here, I feel.

But it makes me personally feel one hell of a lot better about my slowness instead of slipping up when talking about myself and throwing a slur at the person I'm talking to.

I'd genuinely like to know your thoughts!

e:

There's a great bit in the notes by op about how swearing disrupts civility; disruption is the only way to make any protest get noticed. I will say, a slur is often just a culturally acceptable swearword, which again is miserable. I hate to say it but we do need to get meaner if we're gonna survive. We do need to invent our own words about the people who oppress us that are robust descriptors with ride recognition.

e2:

I came very close to using dysthymic as an insult to describe "I need more" greedy "more lanes bro" VC/corpo-brain types before realizing good people would be caught in the cross-fire despite the fact dysthymia is one of the major medical roots of their behavior and damn that is a hard one for me to figure out. The great thing about medicine is it gives us lots of great complex descriptors that are easy to look up. The downside is when we use medicalization as a callout or attack there is always friendly fire. An oppressor will never care about friendly fire, which means we are always stuck playing defense and its fucking bullshit and makes me so mad.

e3:

I really wish there was a way to make words which disrupted civility without... disrupting... civility... okay that's a paradox. Fine, then are there words which can disrupt anti-civility? I want those.

e4:

Found one. The crushing response. "human pet guy"

Since the r-slur is making a comeback (you know, the word that starts with R, has six letters, and ends in D), I'm gonna make a little PSA:

Yes, it's an ableist slur.

Terms like "asshat," "head-up-ass," "up their own ass," and "high on their own farts" exist. There's also words like crap, dogshit, half-assed, assclown, and chucklefuck. And on the less vulgar side, there are terms like ridiculous, nonsense, train wreck, pointless, insipid, self-absorbed, pretentious, annoying, boring, contemptible, vile, and disgusting.

Substituting words like restarted, poptarted, brain damaged, smoothbrain, etc. is still ableist, because either 1. you obviously still mean the r-word, or 2. you're still using disability as an insult.

[cringefailvox]

staticbelle au, because this bsky art gave me brainworms. seven years pre-canon, charlie's mom and the radio demon have both disappeared, though it's too early to tell whether either of them is truly gone yet, vaggie hasn't fallen yet, and charlie is completely on her own. she's estranged from her dad, she has barely an inkling of a plan for how to save sinners, and her overwhelming compassion has nowhere to go—she wants to help people, but she doesn't know how. then she notices there's a new overlord syndicate on the rise, surging to fill the spaces the radio demon has left behind, and every window advertisement or tv commercial she sees insists that the vees want nothing more than to lend a helping hand to the downtrodden, if you would only trust them.

she's not stupid. she knows not to immediately take other demons at their word, especially not overlords, but the vees are swiftly building something she hasn't been able to accrue in two centuries: influence. sinners are listening when they talk, people are tuning into their shows and flocking to the entertainment district because it's safer than many other places in the pentagram, and charlie thinks this might be exactly what she needs. if she can convince the vees to platform her, if they're half as generous as they seem, she might have a real shot at changing people's afterlives for the better. and if they don't want to help her, then... she'll just have to be really, really convincing! no biggee!

enter vox, who cannot believe his luck. the kittens and rainbows, dumb blonde princess of hell waltzes right through his front door and offers him the opportunity of a lifetime to get into good graces with the royal family. he's greedy with alastor's absence and overeager to get his foot in the door on an even playing field with the other overlords, since bringing velvette onboard has catapulted the three of them into the mainstream and he's not about to lose his momentum now. he'll entertain her delusions, maybe give her her own talkshow segment late at night when no one who matters will be watching, forge a link between the morningstar name and the new identity he's staking out for himself in the wake of alastor's disappearance. after all, the worst that can happen is she embarrasses herself under his name and he has to swoop in and oh-so-benevolently rescue her, and it's not like val doesn't already do that every other week. plus, ratings are ratings.

so he keeps his word. he gives her a platform, albeit a limited one; he enthusiastically encourages her ideas for rehabilitating hell and privately thinks it's hysterically idiotic; he lets her deliver her pitches in musical form live on air and isn't charmed, not even a little bit. he expects that eventually she'll get discouraged and give up, and when that happens, he's going to step in with a warm smile and gently suggest that they try something a little different, a little more vox's speed, and if he can get her hand shaking his in the process then that's only a magnificent bonus.

except. charlie refuses to quit. she's not an employee, so she comes and goes as she pleases from the tower and suddenly vox's days are being interrupted by a sheepishly excitable princess who has a new script for him to look over or a tune she wants a second opinion on and of course vox is accommodating every time, of course he's supportive, even when he's so fucking irritated he plasters on an indulgent grin and invites her in, because he's made an art form out of swallowing his real feelings for the sake of appeasing the public or valentino or alastor and this is not a relationship he can afford to jeopardize with something as trivial as hurting her feelings.

so he indulges her. he picks up one of her glitter pens and reaches over to scribble something on her illustration of all the overlords holding hands and it's all downhill from there. before he can think to pump the brakes, he's being looped into genuinely investigating what qualifies as sin and redemption for damned souls, he's having his architects draft plans for an extravagant rehabilitation hotel that makes her cry when he idly mentions it, he's sighing and enduring the way all his vulgar mugs have mysteriously been rewritten with positive messages instead (fuck hug alastor!), he's letting her lean over the rim of his pools and gasp with sheer delight over his sharks because that doesn't give him the warm and fuzzies, not at all—and he's even somewhat patiently heeding her constructive criticism about all the mind control and abusive work environments and predatory business practices that the vees engage in. like, obviously they're not going to stop, but he does talk to val and vel about toning it down a bit, at least while charlie is around. gotta keep little miss sunshine happy, right? (no one tell him that he really doesn't need to be doing all this, he won't listen.)

meanwhile, charlie has gone full starry-eyed dreamer with vox's backing. for the first time, someone is genuinely supporting her, even if that person is an evil capitalist who sometimes feeds his employees to his sharks and is definitely hypnotizing people with his ads but, uhh. everyone has flaws!! and doesn't it kind of balance out, if he's helping her figure out how to redeem people, ensuring her ideas have real power and structure behind them, and even limiting some of the fucked up shit his partners do for her sake? maybe he's not doing it for the right reasons, but he IS doing good, and shouldn't that matter? charlie absolutely thinks it does. she didn't really intend for vox to be her first case study for proving that every sinner has the capacity to be better when given the opportunity, but like hell is she NOT going to milk this for all it's worth for as long as it takes for vox to realize that he's committed to the bit too hard and actually. Likes her. and wants her to succeed. and feels his mood lift when she's in the room. and may or may not be addicted to making her happy. g-d fucking dammit

all this to say that one day, when he presents her with the operational plans for the grand opening of the happy hotel, and she exclaims "oh my gosh, thank you thank you thank you" and leans up on her toes to kiss the corner of his screen before tackling him into a hug, and his screen explodes with pink pixelated hearts—well, he's well and truly fucked himself. whoops! the princess of hell is your girlfriend now. yeah, you've lost the plot. mazel tov

[quibbs126]

Okay, so I think I have some more ideas for that Transformers au, since that was all my brain let me think about during the second half of my shift

It’s mostly just about Megatron and also the Decepticon cause

Okay so first off, I think if I want to make things the way I do, I’m gonna say that the Decepticons are genuinely fighting for equality for Cybertronians, while the Autobots are fighting to maintain the status quo. It’s not necessarily to say all Autobots want inequality, and some are fighting in hopes to build a better future through more peaceful means, but a lot of them don’t really recognize that the system is or was that bad. And there are still bad Decepticons, either those just wanting to cause mayhem or are just looking for a way to better their own status, but a large portion are fighting for change in Cybertronian government

Part of what makes the Autobots the generally dominant force in this conflict is that they’ve got a lot of propaganda going for them and against the Decepticons, including that being why they’re called “Decepticons”. Not everything said about the Decepticons is untrue, they are willing to do less than savory things to achieve their goals if necessary, but the idea that the Decepticons are evil deceivers is largely propaganda

I think in my head, I want the war to be portrayed as an actual civil war and revolution. When we hear about them in history, yeah there seems to be a relatively obvious good and bad looking back, like with the American Revolution and the Patriots and Loyalists, but in the moment, when they happened, neither side was entirely good or bad, and there’s reasons as to why people stuck to one side or the other, because they were people, not entities with a singular shared ideal

The French Revolution might be a more accurate comparison to the Cybertronian civil war, but also I grew up in America so the AR is my big frame of reference and I don’t know much about the FR other than it being semi inspired by the American one and having a lot of execution. But you get what I’m saying regardless

But also if we want the idea of the Decepticons being “evil”, well you gotta probably add some propaganda to explain why that’s how they’re depicted

Optimus is someone who just wants peace and is genuinely a good person, but he was also raised on Autobot propaganda and was never in a position in life where he would have particularly suffered the system (though he probably did still have hardships, I just don’t know what). Throughout this story he learns to see the truth of the matter more

Meanwhile, back to Megatron, the person I meant to be talking about

Okay so I’m thinking that he’s from a colony or city that was at the bottom rung of Cybertronian society, though I haven’t decided particularly what his job was. It might have been a miner and/or gladiator (I’m debating gladiator to have that be a reason he’s high up in rank), but maybe I should do something else

But anyways, I haven’t worked out the kinks in his backstory, but his birthplace was under control of the Autobots, and he became emboldened by the ideals of the Decepticons and their leader (who at this point I might just make Galvatron), and ended up leading an uprising alongside his fellow bots to overthrow the corrupt leadership in their home, and being successful in this attempt. The Autobots were planning to launch a counterattack to reclaim the area, but the Decepticons caught wind of the uprising and managed to get there first, leading to the place becoming Decepticon territory and being under their protection

While not everyone involved decided to join the Decepticon rebellion afterwards, plenty being content to just have their freedom, Megatron decided to join with them afterwards, wanting to bring their cause to even more places amongst the galaxy

Megatron was a powerful bot, and one with a lot of guts and courage, and he has some skill in leading other bots, which led to him becoming a Decepticon commander. He’s also extremely loyal to those who’ve earned his respect

However his main flaw is that he is deeply emotional, and as such has a tendency to let his emotions overtake his logic and common sense, and that’s when he tends to fail and make the wrong decisions. This tends to particularly be a problem because his main emotion is anger

This is exactly why Starscream ends up getting assigned to Megatron as his second in command; Starscream may not be the most upstanding bot, but he’s very shrewd and very flexible with his circumstances, always looking for a way to come out on top, not letting grudges and emotions get in the way of things. Couple that with his extensive military experience and he was considered a good fit for Megatron, with the idea the two could even each other out

Speaking of Starscream, I’m flirting with the idea he may have at one point been an Autobot, but eventually switched sides alongside his squadron, but that’s neither here nor there

Anyways back to Megatron, he tends to judge people based on their character and direct actions rather than their skills and accomplishments. It’s not to say he can’t work with someone who’s highly skilled but an asshole, he just won’t like them

You’d think this means he’d be able to make peace with the Autobot squadron relatively quickly, but he has a deep hatred for Autobots (probably backstory related but again I don’t know the specifics) that tends to override that idea of judging by their character. Over time he also learns to let this hatred of the Autobots go, particularly because of Optimus as he sees the bot is genuinely good and wants to do what’s right

Also with that, I’m thinking he and Optimus have no prior connection, only meeting now at the time of the story. They probably knew of each other, but had no prior personal relationship

So basically they get enemies to lovers instead of the divorce arc. Well I mean, I’m not sure if they end up together, maybe one or both of them have other people they date. But you get what I mean

And yeah, I think that’s about it. I should probably go do homework now in all honesty

[icewindandboringhorror]

Little bright colored outfit with a fun vest ~

(shoes from ebay like 10 years ago. everything else is thrifted)

[worstdisastermaster]

The books and the shows aren't the same thing and?? That's okay?? It doesn't have to be??

Some of the artists haven't even seen the show yet, and maybe won't 🤷‍♀️ I know I've seen like. The 1st episode and that's it lol. And I really enjoyed it and I think it's really fun

But people tend to separate book fandoms from in screen fandoms, to an extent, at least, bc there ARE differences, and THATS OKAY

They are very connected but they are not the same and I don't understand why people find that so hard to accept?? Like. Genuinely I'm so confused lol

Like if someone was being disrespectful, or trying to whitewash Leah or something horrid then like. Defend her!!! (Do try to be polite tho bc people can and often do change, and they know what they have been taught until they learn more- like for example, a few years ago I had no idea ab anything lgtbq and I peob would have gotten myself canceled bc I had. No idea. Ab any of it. And despite having best intentions in heart i totally would have offended someone, and that would have crushed me, because *i didnt know*. I never would have hurt anyone on purpose, i just didnt realize what COULD hurt others on that specific topic, much less why. But now I identify with it and am learning new things ab jt every day and etc. And that's a super touchy topic for a lot of people and for good reason too! Just try to be kind first, then if they are jerks u can be a jerk back lol. Just give peopke a chnace to get better- and then PLEASE dont hold the past against them ubless they very clearly havent changed mk please please please let people grow and change and get better dont crush them before they can) anti Leah trash is. That. Trash

But why would you attack book Annabeth, just for existing? She was my childhood, and I identified a lot with her as I grew up. And guess what! I also identified with Hazel, and I do so even more now! No matter what race she will be casted as, I'm still going to imagine BOOK Hazel the way I always did. Doesn't mean I won't adore her actress, or appreciate art of the girl playing her role! But would you call me racist for drawing her as African American if her actress, was, say, Asian American? Or drawing Leo as Latino instead of Somoan? Because to me, u less I am being a jerk about it, all I'm doing is drawing the book instead of the show. Idk I'm too sleep deprived to put my thoughts into coherent words lol

I love the posts, where it's like, book Annabeth and show Annabeth holding hands. Those posts are my favorite, both because they are freaking adorable, but also. Because it's equal

They are different aspects of the same person

And

Thats

Okay

You know???

I quite literally grew up reading pjo. I read it at least once every year since I learned HOW to read, *partially on pjo*, until late middle school. I was raised on book Annabeth.

Show Annabeth is new and exciting and adorable and I'm so happy for it and I am very excited for all the people being introduced to it!!!!!!!! However, when I'm writing book pjo, I'm not swaping it out for show scenes, bc they are, in fact, different. Which, again, NOT A BAD THING. And you know what? When people from the show fandom write their scenes, they aren't going to be thinking ab the book scenes, and THATS OKAY TOO!!! And I could care less how my readers saw my characters when the read the story. I write them the way I imagine them, but it's their job as the reader to say 'no, actually :P' and swap out the appearance for one they liked better.

I did that plenty often as a kid, and i donf regeret it.

Which, ironically enough, was why my book Percy was blond until ab 6th grads XD I mixed up Luke and Percy's hair description ONCE and just. Never questioned it, though all the rereads, or looking at the covers of the books 💀 you can imagine my shock when I joined the fandom and found out Percy had black hair, instead of sandy hair like, you know, S A N D, like poseidon!!! And now show Percy is blond XD

That just proves people can imagine things how they want and jts okay- especially bc maybe, in an au, they're rifht!!! (Au being show Percy to me)

Anyways I lost my train of thought and it's almost 12 here lolll I hope I didn't say anything ill be embarrassed by come tomorrow~

Good night world :3

Hi guys, wanted to discuss something going on for a while now. What the hell is wrong with pjotwt? Like...whats wrong with this people? Do you see what they say? What they are even trying to do?

First of all, let me start by speaking about the cast. They are all wonderful children, Leah especially! She is doing an amazing job as Annabeth. But book Annabeth still exists yk? She is and she is literally white. It is not racist. But denying about a character being white in the books, even spreading hate like this...is racist. There are people out there related with Annabeth for years. People love her, every version, maybe book more maybe even the movie. How can you disrespect her like this? And most importantly, how can they attack an artist like this, with an art being so beautiful. What they are trying to do is not protecting Leah, it is spreading hate. It is awful. Making this fandom toxic, so so much.

Them trying to erase book Annabeth because she is white, trying to cover her by painting on her, shaming artists, calling people that loves her racist...What do we do about this in pjo fandom? This fandom used to be so beautiful, but now. This people are not part of the fandom in my eyes, because real fans, would respect every version of the characters, love them with their anything, even flaws. They would protect this characters because they love them, so much. And not to mention this characters are the ones Rick wrote 20 years ago, they were with us for so long.

What do tumblr think about this I wonder? Since pjo fandom is pretty active here :3

[cryptic-queer-cryptid]

i’m just a twenty-something on tumblr, so take it with a grain of salt, but here’s a thought/question i keep having about the watcher situation:

a few of the people related to them who have made statements have used words like “survivable living” and “survive” when discussing the move. this, along with the phrasing they used in the video, implies that they believe this is necessary.

i’ve seen a LOT of people highlighting this as a point of contention and mentioning shane and ryan’s expensive weddings, steven’s “eating gold-covered food” show and tesla, etc. and yeah, i have to agree at face value. they all take fancy vacations, go to events and interesting places often, and own weird designer/luxury items (the amount of times i’ve liked something shane is wearing only to find out it’s $400)

anyway, my question is — is it LA brainrot and they’re vastly overexaggerating how much they’re struggling, or are they living well beyond their means? i don’t want to assume, but the way they’re speaking about it makes me wonder if they genuinely do need the money.

[zeravmeta]

seeing a bunch of yugitubers finally white knuckling teeth clenching admitting that links were actively detrimental for the game and that pendulums were not the core issue is so satisfying, actually

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[longagoitwastuesday]

Kusakabe, dear, you're too beautiful to be saying that kind of stuff

[giallos]

a truly terrible idea has latched hold of my gremlin brain which is, buck and tommy do break up so that buck can pursue eddie because either tommy thinks buck is in love with eddie or buck feels like he should be with eddie because everyone else keeps suggesting there's something more there BUT buck/eddie getting together changes their dynamic so much that neither of them are enjoying themselves (and they're worrying about losing what made their friendship so special because of all the changes to the dynamic) AND buck and tommy keep hooking up [air quotes] platonically (with tommy stumbling into inconvenient feelings and pining pathetically for buck while fucking him) while buck struggles to sort out intense feelings toward eddie (which obviously have to be romantic of course) vs. his calm, more settled feelings toward tommy (they're not as intense as his feelings about eddie so they can't possibly be romantic) blah blah long story slightly less long but buck realizes he's been in love with tommy the whole time and was having trouble separating strong but platonic feelings for eddie from his romantic feelings toward tommy and then tommy's like "newsflash asshole i've been in love with you the whole goddamn time"

i'll never write it because it's irredeemably stupid and i value my peace but it IS sitting in my hindbrain tormenting me right now

[verytendou]

Looks up wikihow for what to do when you realize your office has 5x the amount of budget of every other executive office combined

[goldenguillotines]

it literally must be a gg only thinks about spades and diamonds ships today huh.

[narrativedoomed]

I'll be honest w y'all i do not intend on catching up w yj any time soon

[arcane-vagabond]

.

[bendgineer]

I think one of the reasons the Harris / Walz ticket has so much momentum is because the campaign is genuinely trying to put out this vibe of fun. Like that's all the "brat" thing is, the coconut jokes, just being kind of silly and fun.

And I think it's working, because let's be real, we are all exhausted. It's been all about preserving democracy, defeating fascism, the past eight years. The message has been "vote for us because the country is literally on the line". The vibes are not good when we are stuck back at that fight, and not even discussing trying to make progress on things like housing, healthcare, education, etc. And the fight to just stop fascism? All still true. Project 2025 is real and is extremely scary. We can't let that man back into office.

But the vibe was "vote for us otherwise we're all fucked :(" and now has shifted to "get in, we're making popcorn and then bullying fascists." Like a lot of the issues conservatives bring up, the Harris / Walz is just not engaging them in good faith, as they shouldn't. Republicans bring up abortion, and the Dems are just like, "you want 14 year old to give birth? Weirdo" and just leave it at that. Like YES, that's what you should do. Because it SHOULDNT be a debate. And it's working. This is how you defeat the identify politics thing Republicans have been trying to push for a while. Just mocking them for the stupidity of it all. "Like seriously? You think a book can make someone gay??? Hahaha." None of the Republicans are reacting well. They can't stand it. Vance even complained about bullying!!! Like do you KNOW who picked you as vp??? It's actually laughable, because they have no room to stand on when it comes to bullying.

And a huge part of the mocking and dismissing of Republicans is that the message is clear - were done debating all this stupid stuff. We've won the last two elections' popular vote - most Americans do NOT want christo-facism. It's time to move on. And that's what gives me hope, and the feeling of hope I think a lot of people have picked up on. It's time to address all the issues we've all wished we've been addressing the past decade. It's important we move onto that, and that's the message I'm getting from this campaign (We're not going back). I think it will resonate with a lot of people, because plainly, we're all just sick of this same old news cycle and fake rage bait over things like "should women have rights?", "Should gay people be allowed to exist?" The general populace have answered YES to both these multiple times, and it is time to move on. Maybe I'm being naive, but I am genuinely excited at the idea of putting to bed these debates (it's exhausting trying to fend your very existence) and moving on to actual economic and social policies that could fix a lot of deterioration over the last 2 decades.

[six-improbable-things]

I forgot to post anything about this, but I did the scene where I had to read some of my writing to the dnd party (twice!) and they were SO nice about it. I couldn't stop smiling. (which was kind of a weird disconnect since the scenes were super dark, lmao.) But augh, I'm so glad they were nice to meeee. My poor boy Rook is Going Through It right now, and things are about to get worse.

Next session we also might get to do our first version of ship combat using the rules I made which is kind of wild. I'm very nervous, but I feel like after this last session and sharing stuff I wrote with them (out loud!!!) I can handle it. Probably.